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Items where Author is "Mey:Adeena::"

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Number of items: 98.

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Mey, Adeena (2026) Afterall as Method: Ecosystems and Infrastructures for Research and Publishing in Southeast Asia. In: ICAST Reflects: 28, 7 April 2026, Institute of Contemporary Art & Social Thought (ICAST),School of Interme a Art, China Academy of Arts, Hangzhou.

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Mey, Adeena (2026) Afterall as Method: Sustainable Ecosystems and Infrastructures for Research and Publishing. In: UK–Hong Kong Symposium on Sustainability in the Arts, 20 March 2026, British Consulate General Hong Kong.

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Mey, Adeena (2026) Global Sensorium: Notes on Korean Moving-Image Art and its Exhibitionary Contexts. In: K-NOW! Korean Video Art Today. MASI and Mousse Publishing, Lugano and Milan, pp. 141-161. ISBN 978-88-6749-737-9

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Mey, Adeena (2026) The Cybernetisation of Infrastructures. Artists' Moving Image in East Asia and the Sensorium. In: EcoFutures: Planetary Thinking and Infrastructures, 27-28 February 2026, Chelsea College of Arts.

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Mey, Adeena and Bovier, François (2026) De la télévision comme environnement médiatique à la vidéo comme support d’expérimentation artistique. In: René Berger Esthétique et mass media – Sélection de cours et des actes du colloque « Art, technologie et communication », 1970-1972. Les presses du réel and ECAL, Dijon and Lausanne, pp. 7-22. ISBN 978-2-37896-254-8

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Mey, Adeena (2026) Ceramics as Matrix. Sean Lean’s ‘China’. Sean Lean: ART SG Focus.

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Mey, Adeena and Hoàng Nguyễn, Jacqueline (2025) Uncatalogued: Vietnam and Archives of Visual Culture. Some Reflections. ARTIFACT 期刊主编 (2). pp. 16-35.

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Mey, Adeena (2025) Ad Reinhardt, Khmer Sculpture, and American Support to Cambodian Arts. In: C-MAP Seminars: Southeast & East Asia–Mediated Modernities, 9 October 2025, MoMA.

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Mey, Adeena (2025) In and Out of London. Afterall as Transnational Platform. In: Initial Research: Researcher Talk, 8 July 2025, Initial Researchm New York.

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Mey, Adeena and Hoàng Nguyễn, Jacqueline (2025) Uncatalogued: Vietnam and Archives of Visual Culture. In: Uncatalogued: Vietnam and Archives of Visual Culture, 27–29 June 2025, Dalston CLR James Library, Mayday Rooms.

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Mey, Adeena and Cho, Hyun Joo (2025) Printing Cinema? Printed Matter, Exhibition, and Film in Rosa Barba’s Work. In: Italian Experimental Cinema and Moving-Image Art: New Paths, New Perspectives. Palgrave Macmillan, pp. 381-389. ISBN 978-3-031-77896-4

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Mey, Adeena (2025) Beyond Mass Hysteria. Artistic Responses to Misogynistic Violence in Im Heung-soon and Dinh Q. Lê. In: Kor;East Exploring the Reciprocal Impact of Korea and Its Neighbours, 30 May 2025, SOAS University of London.

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Mey, Adeena (2025) Nam Hwayeon: “Choreography of Thought”. e-flux Film Notes.

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Mey, Adeena (2025) Textures of Memory Rewoven. In: Sensing Photography: Vietnam & Vectors of Global Photography, 21-28 February 2025, Fulbright University Vietnam & Satellite Locations.

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Mey, Adeena (2025) Choreography Against Cartography: Three Movements on Nam Hwayeon. CAN Centre d’art Neuchâtel

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Mey, Adeena (2025) Kim Heecheon: Double Poser. In: ARTCHAE: Rediscovering video and installation art as an archaeology of telepresence, 3-17 February 2025, Fondazione Bevilacqua La Masa.

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Mey, Adeena and Bovier, François (2025) René Berger. Esthétique et mass media – Sélection de cours et des actes du colloque «Art, technologie et communication», 1970-1972. Cinétisme . ECAL and Les presses du réel, Lausanne, Dijon. ISBN 978-2-37896-254-8 (In Press)

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Mey, Adeena (2025) Three Boxes. In: Photo Kegham of Gaza: Unboxing. Sharjah Biennial.

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Adami, Elisa and Mey, Adeena (2024) Foreword. Afterall. A Journal of Art, Context and Enquiry, 58. pp. 3-5. ISSN 1465-4253

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Mey, Adeena and Haq, Nav and Jun, Sojung (2024) A Method with Plasticity: A Conversation with Sojung Jun. Afterall: A Journal of Art, Context and Enquiry (58). pp. 80-97. ISSN 1465-4253

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Mey, Adeena (2024) Note on Lee Bul at ‘Ssack’. Afterall. A Journal of Art, Context and Enquiry (58). pp. 54-59. ISSN 1465-4253

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Mey, Adeena (2024) Method and Metaphor: Dinh Q. Lê’s Untitled (Soldiers at Rest) (2003). post. notes on art in a global context.

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Mey, Adeena (2024) Not Silencing. Im Heung-soon’s Cambodia. Afterall. A Journal of Art, Context and Enquiry (58). pp. 108-121. ISSN 1465-4253

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Mey, Adeena (2024) Sanja Ivekovic at the VideoArt Festival Locarno. Between Medium and Politics. In: Sanja Iveković. Make Up – Make Down. A Video retrospective. Oaza Books; Museum of Modern and Contemporary Art Rijeka, Zagreb, pp. 197-202. ISBN 978-953-8107-44-3 Item availability restricted.

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Mey, Adeena (2024) 침묵시키지 않기: 임흥순의 캄보디아 [Not Silencing. Im Heung-soon’s Cambodia]. In: 임흥순 콤플렉스-IM Heung-soon Complex. Arts Council Korea: Artist Survey, Research, and Criticism . Downlight Artbooks, Seoul, pp. 149-158. ISBN 979-11-987973-4-6

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Mey, Adeena (2024) Afterall at 25. In: Check-In 2024. Art & Market, Singapore, pp. 188-194. ISBN 978-981-94-0340-0

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Mey, Adeena (2024) The Hollow Man: Adeena Mey on Hu Yun. In: Lecture, 15 June 2024, Rockbund Art Museum, Shanghai.

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Mey, Adeena (2024) Studio Visit: Hyekyung Son – Sculptural Marxism. Delfina Foundation: Platform.

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Adami, Elisa and Mey, Adeena (2024) Foreword. Afterall: A Journal of Art, Context and Enquiry, 57. pp. 3-5. ISSN 2156-4914

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Mey, Adeena (2024) 'Qoede Lee'; 'Evelyn Taocheng Wang'. In: Foreigners everywhere = Stranieri ovunque : Biennale Arte 2024. La Biennale di Venezia, Venezia. ISBN 9788836657735

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Mey, Adeena (2024) Divided Desire. Notes on Youngjoo Cho’s Full time-double, Writing my body, and Three breaths. In: Cho 0 Joo — 조 0 주. Artist Research-Study-Critique Support Project . Arts Council Korea, 한국문화예술위원회; Gyeongbokgung Collabo, Seoul, pp. 170-172. ISBN 979-11-981028-1-2 (95600)

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Mey, Adeena (2023) Foreword. Afterall. A Journal of Art, Context and Enquiry (55–56). p. 5. ISSN 1465-4253

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Adami, Elisa and Bikoko, Baudouin and Crichlow, Warren and Mey, Adeena (2023) Framing & Reframing Kinshasa: Baudouin Bikoko’s Expanded Photographic Practice. In: Photography Network Virtual Symposium: Photography’s Frameworks, 14 October 2023, Western Cape, South Africa, Online.

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Mey, Adeena (2023) Exposer le film structurel? Annette Michelson: entre critique et pratique curatoriale. In: L'histoire d'une histoire du cinéma. Paris Expérimental – Éditions du Centre Pompidou, Paris, pp. 31-41. ISBN 978-2-912539-57-1

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Mey, Adeena (2023) Curating’s Technological Unconscious: The History of Cybernetics and the Gaian Transformation of Curation. In: The Helsinki Biennial Art Mediation Forum 2023: An Anthology. HAM Helsinki Art Museum Publication (156). HAM Helsinki Art Museum, Helsinki, pp. 35-48. ISBN 978-952-5939-45-3

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Mey, Adeena (2023) Mold and Milieu / 곰팡이와 환경. In: Park Jeehee–Drawing Elliptical Orbit. Arts Council Korea. ART & TECH, Seoul, pp. 122-126.

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Mey, Adeena (2023) Media Pluralism. Kim Woong Yong's Post-Cinema. In: 2022 NANJI. seMA NANJI RESIDENCY . Seoul Museum of Art, Seoul, pp. 52-66. ISBN 979-11-88619-98-6

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Mey, Adeena (2023) The Cybernetisation of the Exhibition. From Cybernetic Serendipity (1968) to lumbung (2022). In: System Shifts: Politics of Artistic Form in 'Post' - Imperial Britain, 25 January 2023, Whitworth Art Gallery Study Centre, Manchester.

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Mey, Adeena and Crichlow, Camille and Mercado, Arianna (2023) A luta continua: A conversation with Michael La Rose.

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Mey, Adeena (2022) Curating’s technological unconscious: the history of cybernetics and the Gaian transformation of curation. In: Helsinki Biennial 2023 Symposium, 9 December 2022, HAM Helsinki Art Museum.

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Mey, Adeena (2022) The Slave Trade and Contemporary Art in the Museum. ‘Uncomfortable Truths’ at the V&A. Afterall

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Mey, Adeena and Hui, Yuk (2022) The Exhibition as Medium: Some Observations on the Cybernetisation of the Institution and the Exhibition. Afterall. A Journal of Art, Context and Enquiry (53). pp. 74-91. ISSN 1465-4253

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Mey, Adeena and Adami, Elisa and Haloba, Anawana (2022) On African Opera: A Conversation with Anawana Haloba. Afterall: A Journal of Art, Context and Enquiry (53). pp. 102-115. ISSN 1465-4253

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Mey, Adeena (2022) mubing imiji jeonsihagi. [Show/Exhibition]

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Mey, Adeena (2022) Foreword. Afterall: A Journal of Art, Context and Enquiry (52). pp. 3-6. ISSN 1465-4253

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Mey, Adeena (2021) Foreword. Afterall: A Journal of Art, Context and Enquiry (51). pp. 3-7. ISSN 1465-4253

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Mey, Adeena and Delarue, Chloe (2021) Tafaa - Random activity (...). [Art/Design Item]

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Mey, Adeena (2021) Exhibitionary Feedback. On 'Cybernetic Serendipity'. In: Nouveaux médias: mythes et expérimentations dans les arts. DFK Paris, NAIMA Editions, pp. 51-65. ISBN 978-3-98501-002-8

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Mey, Adeena and Yu, Qiumei (2021) Reputation Meets Opportunity. Ying Xiang (1).

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Mey, Adeena (2021) A Viewing Room. [Show/Exhibition]

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Mey, Adeena (2020) Ecart, Film et Intermédia. Notes sur Re-Constructing the Missing Photograph d'Anthony McCall. In: Almanach Ecart. Une archive collective, 1969–2019, nouvelle édition. art&fiction, Geneva, pp. 406-412. ISBN 978-2-88964-010-2

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Mey, Adeena (2020) Return to the Kinomuseum. In: Limit as Material, 11-12 December 2020, Online.

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Mey, Adeena (2020) Repurpose and Remake. Afterall. A Journal of Art, Context and Enquiry (50). pp. 132-149. ISSN 1465-4253

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Morris, David and Mey, Adeena (2020) In Real Life – A Reflection on the “Online Exhibition”. Critique d'art (55). pp. 189-199. ISSN 1246-8258

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Mey, Adeena (2020) Projection between exhibition and information: experimental and artists' film at 'Sonsbeek 71'. In: Practices of Projection. Oxford University Press, pp. 211-236. ISBN 9780190934118

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Mey, Adeena (2020) Exhibiting Structural Film? Annette Michelson, Between Criticism and Curating. In: Minor Cinema: Experimental Film in Switzerland. JRP|Editions, Zurich, pp. 228-245. ISBN 978-3-03764-550-5

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Mey, Adeena and Bovier, François and Schärer, Thomas and Truniger, Fred (2020) Minor Cinema. Experimental Film in Switzerland. Documents . JRP|Editions, Zurich. ISBN 978-3-03764-550-5

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Mey, Adeena and Roh Bannwart, Kyung (2020) Neo Geography 네오지오그래피. CAN, Centre d'art Neuchâtel and Les presses du réel, Neuchâtel and Dijon. ISBN 978-2-8399-2651-5

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Mey, Adeena (2020) Aldo Tambellini's 'Black Film Series'. In: Black Film Series Les films d'Aldo Tambellini en 16 mm et en présence d'Adeena Mey, 17 January 2020, Oblo Cinema, Lausanne, Switzerland.

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Mey, Adeena and Bovier, François (2019) 무빙 이미지 전시하기:다시 본 역사. Mediabus, Seoul. ISBN 979-11-966934-3-5

Mey, Adeena (2019) The Moving Image in the Museum in the Era of Late Capitalism: Thinking Film Exhibitions with and after Annette Michelson. In: Annette Michelson, une américaine à Paris Conférences et projections, 23-25 Oct 2019, Centre Pompidou, Paris. Item not available online.

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Mey, Adeena (2019) Positive Feedback. On Chloé Delarue’s TAFAA / Rétroactions positives. Sur Chloé Delarue et TAFAA. In: Chloé Delarue. Collection Cahiers d’Artistes 2019 (XIV). Pro Helvetia-Swiss Arts Council and Edizioni Periferia, Zurich and Luzern, pp. 41-52. ISBN 978-3-906016-98-6

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Mey, Adeena (2019) Textures of In/visibility. Maya Schweizer's Exhibitionary Cinematism. In: Maya Schweizer, Where Ivy Cracks the Wall. Naima and Les presses du réel, Berlin, pp. 73-89. ISBN 978-2-37440-086-0

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Mey, Adeena (2019) Michelle Henning, Photography. The Unfettered Image, 2019. Transbordeur (3). pp. 208-209. ISSN 2552-9137

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Mey, Adeena and Bovier, François (2019) VideoArt Festival Locarno: A Prospective. [Show/Exhibition]

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Mey, Adeena (2018) Hylétique/Helvétique/Cinématique. [Show/Exhibition]

Mey, Adeena (2018) Media Mass-Age in Monte Verità. René Berger’s Media Theory. In: Media History from the Margins, 19-24 August 2018, Monte Verità, Switzerland. Item not available online.

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Mey, Adeena and Higashino, Yuki (2018) Yuki Higashino: Perspectives. [Show/Exhibition]

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Mey, Adeena and Bovier, François (2018) Film Implosion! [Show/Exhibition]

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Mey, Adeena and Roh Bannwart, Kyung (2017) Neo Geography II 네오지오그래피 II. [Show/Exhibition]

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Mey, Adeena (2017) On New Forms in Film and Other Exhibitions. A conversation with Annette Michelson. In: Early Video Art and Experimental Films Networks. ECAL and Les presses du réel, Lausanne and Dijon, pp. 217-220. ISBN 978-2-9701157-0-0

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Mey, Adeena and Hui, Yuk (2017) L’exposition comme médium. Quelques observations sur la cybernétisation de l’institution et de l’exposition. Appareil (18).

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Mey, Adeena and Roh Bannwart, Kyung (2017) Neo Geography I 네오지오그래피 I. [Show/Exhibition]

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Mey, Adeena and Thorel, Benjamin (2016) Tell'n'Talk 02. In: Labor Zero Labor, 26-28 August 2016, Triangle France, Friche la Belle de Mai, Marseille.

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Mey, Adeena (2016) “The Entire Country as Field of Operation”: Sonsbeek 71, Communication and the Film/Exhibition Apparatus. In: NECS Conference 2016, 28-30 July 2016, University of Potsdam.

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Mey, Adeena (2016) 전기 집필로서의 큐레이팅. 영화의 물질적 일대기에 대해 Curating as Biographing. On the Material Life of a Film. In: Practice by Curators. Gallery Factory, Seoul, pp. 30-45. ISBN 978-89-964340-9-2

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Mey, Adeena (2016) The milieu of poetry: Yuri An’s ‘The Unharvested Sea’ and ‘Sailing Words’. NECSUS.EuropeanJournalof Media Studies, 5.

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Mey, Adeena (2015) Expanded Cinema, by Other Means. In: The Audiovisual Breakthrough. fluctuating images. contemporary media art e.V., Berlin, pp. 42-61. ISBN 978-3-00-051072-4

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Mey, Adeena and Bovier, François (2015) Cinema in the Expanded Field. Documents . JRP|Editions, Zurich. ISBN 978-3-03764-433-1

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Mey, Adeena and Bovier, François (2015) Exhibiting the Moving Image. Documents . JRP|Editions, Zurich. ISBN 978-3-03764-388-4

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Mey, Adeena (2015) Kunsthalle Archaeology / 쿤스트할레 고고학. [Show/Exhibition]

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Mey, Adeena (2015) Materiality and Exhibitionality in Contemporary Art Practice: Mark Leckey, Simon Starling, Rosa Barba / 현대 예술에서의 물질성과 전시성. In: Materiality and Exhibitionality in Contemporary Art Practice: Mark Leckey, Simon Starling, Rosa Barba, 4 September 2015, Cheongju Art Studio/Cheongju Museum of Art, South Korea.

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Mey, Adeena (2015) By Other Means or not at All: Experimental Moving Image Practices in Switzerland 1960 – 1970. In: EXIS-Experimental Film & Video Festival in Seoul, 19-26 August 2015, Audio Visual Pavilion - 시청각.

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Mey, Adeena (2015) E.A.T. and the Moving Image. A conversation with Barbara Rose. OEI (69-70). pp. 339-341.

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Mey, Adeena and Bovier, François (2015) Exhibited Cinema/Cinéma Exposé. Les presses du réel and ECAL, Dijon and Lausanne. ISBN 978-2-8399-1404-8

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Mey, Adeena (2015) Dialogue avec Monologue. Notes sur Vandy Rattana et la question de l’art contemporain au Cambodge. Le magazine du Jeu de Paume.

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Mey, Adeena (2015) Institutional Critique and Experimental Cinema: Historiographical Revisions. In: SCMS 2015, 25-29 March 2015, Fairmont Queen Elizabeth, Montreal.

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Mey, Adeena and Bovier, François (2014) René Berger. L'art vidéo. Documents . JRP|Editions, Zurich. ISBN 978-3-03764-389-1

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Mey, Adeena (2014) Celebrity Café. La Revue des revues (51). pp. 119-122. ISSN 0980-2797

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Mey, Adeena (2014) Mobility and Event: Fragments towards an Archaeology of the Ambulant Spectator. In: SCMS (Society for Cinema and Media Studies) Conference 2014, 19–23 March 2014, Sheraton Seattle Hotel.

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Mey, Adeena (2013) New Khmer Architecture, New Khmer Architecture. NERO (32). pp. 116-127.

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Mey, Adeena (2013) Rancière as Foucauldian? On the Distribution of the Sensible and New Forms of Subjectivities. In: Foucault, Biopolitics, and Governmentality. Södertörn Philosophical Studies (14). Södertörn University, Stockholm, pp. 175-183. ISBN 978-91-86069-59-9

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Mey, Adeena (2013) Listening and Looking beside. On the ‘Parasonic’ and the ‘Paracinematic’. In: Art History and Sound, Workshop series: The Listening Art Historian, 14 March 2013, The Courtauld Institute of Art.

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Mey, Adeena (2012) Art contemporain et paracinéma : Rosa Barba, Juliana Borinski et David Maljkovic. Décadrages: Cinéma, à travers champs (21-22). pp. 108-121.

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Mey, Adeena and Bovier, François and Le Grice, Malcolm (2012) “Discourse” versus “medium”: interview with Malcolm Le Grice. Décadrages. Cinéma, à travers champs, 21-22. pp. 52-59.

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Mey, Adeena (2010) Cosmic Diagram: On Ecke Bonk's Exhibition and Mélanie Althaus' Architecture. In: Marcel Duchamp and the Forestay Waterfall. Kunsthalle Marcel Duchamp . JRP-Editions, Zurich, pp. 306-309. ISBN 978-3-03764-156-9

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Mey, Adeena (2010) Maria Taniguchi: Y’a le feu au lac. [Show/Exhibition]

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Mey, Adeena (2008) Christian Marclay’s Christmas Tales. Helvetic Centre, London.

This list was generated on Tue May 26 16:07:55 2026 BST.

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