Finch, Mick (2018) Warburg's Trans-disciplinarity: the iconographic and technical apparatuses. In: Itching Powder or “How much harmony?”, 2 - 4 May 2018.
Type of Research: | Conference, Symposium or Workshop Item |
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Creators: | Finch, Mick |
Description: | Aby Warburg is a key example of a scholar who developed a trans-disciplinary methodology from within the field of art history that by the end the end of the 19c had become a discrete discipline within German universities and later in a wider European and American context. The nature of trans-disciplinarity that was a stake for Warburg is evident in the name he attributed to his research centre that he established in Hamburg in 1925, the Kulturwissenschaftliche Bibliothek Warburg, roughly translated as the Warburg Library of Cultural Studies. His interest in fields such as philosophy, aesthetics, psychology, anthropology, linguistics and fashion were directed at forming a comprehensive sense of cultural analysis. This would not just offer up localised contextual frameworks from which to analysis specific works of art but would map panoramic temporal spaces and attempt to understand major cultural transitions. For Warburg, this was most famously the case in the transition from the pagan to the renaissance serving his interest in examining pagan culture's nachleben; its survival, after-life or metamorphosis, within the renaissance. |
Official Website: | http://www.janvaneyck.nl/nieuws/itching-powder-or-how-much-harmony/ |
Keywords/subjects not otherwise listed: | #Warburg, #iconology, #topology, #trans-discplinarity, #nachleben |
Your affiliations with UAL: | Colleges > Central Saint Martins |
Date: | 3 May 2018 |
Funders: | Jan Van Eyck Acadamie |
Date Deposited: | 22 Jun 2018 12:32 |
Last Modified: | 22 Jun 2018 12:32 |
Item ID: | 12626 |
URI: | https://ualresearchonline.arts.ac.uk/id/eprint/12626 |
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