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Taylor, j Milo and Hendrickse, Jan and Setohy, Saffy (2018) Hidden Architectures. [Performance]
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| Type of Research: | Performance | ||||||||||||||||||||
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| Creators: | Taylor, j Milo and Hendrickse, Jan and Setohy, Saffy | ||||||||||||||||||||
| Description: | An immersive performance installation and sensory experience, the work features an original live score composed for dancers, prepared electric guitars, and electronics. Hidden Architectures explores the connections and social knots that we make as humans. Driven by the interconnectivity of sound, movement & materials, it asks, what does it mean to be connected? Do our connections constrain us or liberate us? Are we ever able to act independently of one another? Hidden Architectures is performed by pairs of people, connected mouth-to-mouth by amplified, near-invisible threads which resonate as the people fall, trace, and carve through space. A weaving of movement, sound, materials, light and environment, in conversation with and transforming each other. The work is inspired by and includes excerpts from the writings of Tim Ingold: “To live, every being must put out a line, and in life these lines tangle with one another.” Tim Ingold, The Life of Lines |
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| Your affiliations with UAL: | Colleges > London College of Communication Research Centres/Networks > Creative Research into Sound Arts Practice (CRiSAP) |
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| Date: | 1 March 2018 | ||||||||||||||||||||
| Funders: | Creative Scotland (Lottery), Tramway & Science Gallery London | ||||||||||||||||||||
| Related Websites: | https://www.saffysetohy.co.uk/hidden-architectures, http://exeuntmagazine.com/reviews/review-hidden-architectures-dance-international-glasgow/ | ||||||||||||||||||||
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| Locations / Venues: | Location From Date To Date Dancelive/Sound festivals, Aberdeen 2017 Greenwich Dance, London 2017 Dance International Glasgow 2017 |
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| Date Deposited: | 06 May 2021 15:20 | ||||||||||||||||||||
| Last Modified: | 06 May 2021 15:20 | ||||||||||||||||||||
| Item ID: | 16840 | ||||||||||||||||||||
| URI: | https://ualresearchonline.arts.ac.uk/id/eprint/16840 |
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