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UAL Research Online

Fence and Repetition: A History of Climate Change

Barokka, Khairani (2021) Fence and Repetition: A History of Climate Change. [Art/Design Item]

Type of Research: Art/Design Item
Creators: Barokka, Khairani
Description:

Poem in Out of Time: Poetry from the Climate Emergency, Valley Press (9781912436613) edited by Kate Simpson.

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If you compressed the whole of Earth’s history into a single day, the first humans that look like us would appear at less than four seconds to midnight. In the last few seconds, we begin to burn fossil fuels at an alarming rate. The Anthropocene is an artificial geological epoch of our own design – one defined by emergency, with disastrous ecological effects rippling outwards across the entire globe. The illusions of civilisation, progress and choice are crumbling around us, and we are out of time.

Out of Time is curated to include five key thematic sections – sequenced to take readers on a journey through various responses to climate emergency today. These sections include Emergency, Grief, Transformation, Work and Rewilding. The featured poems move through anger, confusion, violence and disarray – spheres of dystopia and decimation – to grief, desperation and lethargy, right through to modes of transformation, fable and utopia as well as rites of passage, activism and work. Finally, we land on tender (if fragile) moments of hope, where humans can be both included or excluded from the picture at will. This powerful, timely anthology engages with the power of poetry to ask questions, subvert expectations and raise reader awareness in 2021 – a year defined by responsibility, accountability and opportunity.

Publisher/Broadcaster/Company: Valley Press
Your affiliations with UAL: Research Centres/Networks > Decolonising Arts Institute
Date: 8 September 2021
Related Websites: https://www.valleypressuk.com/book/162/out_of_time__poetry_from_the_climate_emergency
Related Websites:
Date Deposited: 23 Mar 2022 14:25
Last Modified: 23 Mar 2022 14:29
Item ID: 17943
URI: https://ualresearchonline.arts.ac.uk/id/eprint/17943

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