How to See the Unheard

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Namazi, Mohammad (2021) How to See the Unheard. [Art/Design Item]

How to See the Unheard	How to See the Unheard	How to See the Unheard
How to See the Unheard

Type of Research:

Art/Design Item

Creators:

Namazi, Mohammad

Description:

How to See the Unheard (April 2021), is an artist book made during a research residency at Decolonising Arts Institute (UAL), between 2020 - 2021. Printed by Duplikat Press in London with funding from Decolonising Arts Institute. The book is partly printed in two colour risograph, in a limited edition of 100.

The images are constructed through postproduction from video-grabs of three films researched during this residency: Death Valley Days, 1984, by Gorilla Tapes; Handsworth Songs, 1986, by Black Audio Film Collective; and I’m British But…, 1989, by Gurinder Chadha. The book also includes conversational exchanges with June Givanni, Mitra Tabrizian and Hammad Nasar, exploring concepts of decolonisation, homeland, alternative archives, and artistic practices that reflect on similar subjects.

Other Contributors:

Role	Name
Other (Interviewee)	Givanni, J
Other (Interviewee)	Nasar, H
Other (Interviewee)	Tabrizian, M

Your affiliations with UAL:

Colleges > Central Saint Martins
Research Centres/Networks > Decolonising Arts Institute
Research Projects > British Artists’ Film and Video Study Collection

Date:

10 April 2021

Funders:

Decolonising Arts Institute

Projects or Series:

Decolonising Archives residency programme

Material/Media:

Artist book, 2 colour risograph, exposed sewn binding, 100 edition

Date Deposited:

15 Jul 2024 13:27

Last Modified:

06 Aug 2024 08:53

Item ID:

22211

URI:

https://ualresearchonline.arts.ac.uk/id/eprint/22211

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