Mey, Adeena (2024) Not Silencing. Im Heung-soon’s Cambodia. Afterall. A Journal of Art, Context and Enquiry (58). pp. 108-121. ISSN 1465-4253
| Type of Research: | Article |
|---|---|
| Creators: | Mey, Adeena |
| Description: | In ‘Not Silencing: Im Heung-soon’s Cambodia’, Adeena Mey reflects on the political and pedagogical significance of Im Heung-soon’s documentary Factory Complex (2014–15), underscoring how the film reveals transnational dimensions of labour exploitation, linking struggles of South Korean and Cambodian women workers while resisting Western-centric narratives. Read against the British documentary A Cambodian Spring (2017), Im’s work emerges as a more critical practice of representation, granting agency to marginalised voices and situating labour within wider socio-political contexts. |
| Official Website: | https://www.journals.uchicago.edu/doi/10.1086/738825 |
| Keywords/subjects not otherwise listed: | East-Southeast Asian Studies, Inter-Asia Studies, Korea-Cambodia relations |
| Publisher/Broadcaster/Company: | Afterall Research Centre, University of Chicago Press |
| Your affiliations with UAL: | Colleges > Central Saint Martins Research Centres/Networks > Afterall |
| Date: | 31 October 2024 |
| Digital Object Identifier: | 10.1086/738825 |
| Related Websites: | |
| Date Deposited: | 09 Dec 2025 15:42 |
| Last Modified: | 09 Dec 2025 15:42 |
| Item ID: | 25340 |
| URI: | https://ualresearchonline.arts.ac.uk/id/eprint/25340 |
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