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UAL Research Online

Items where Subject is "Audio Technology"

Jump to: 2011 | 2013 | 2014 | 2017 | 2018 | 2019 | 2020 | 2021 | 2022 | 2023 | 2024
Number of items at this level: 19.


Windle, Amanda (2011) Territorial Violence and Design, 1950-2010: A Human-Computer Study of Personal Space and Chatbot Interaction. PhD thesis, University of the Arts London with Surrey University.


Rae, Nicola (2013) 'Reciprocal Resonances Refracted, Venice' at Personal Structures: Culture-Mind-Becoming. [Show/Exhibition]

Rae, Nicola (2013) SOUNDLAB. In: Personal Structures: Culture-Mind-Becoming. La Biennale di Venezia 2013. Global Art Affairs Publishing, Venice, Italy, pp. 166-167. ISBN 978-94-90784-12-6


Goh, Annie and Engelmann, Constantin (2014) Was ist generative Kunst? Positionen. Texte zur aktuellen Musik, 99. pp. 4-6. ISSN 0941-4711

Alarcon, Ximena and O'Brien, Donal (2014) Comparative Review Apps towards an ‘in-between’ performance app. Technical Report. CRiSAP. (Unpublished)


Westwood, Martin and Jones, Sarah (2017) Discussion on ‘Script for the playing of a 7” phonograph record prepared for readthrough’ between Sarah Jones and Martin Westwood. Journal of Visual Art Practice, 15 (2 & 3). ISSN 1470-2029 (Print), 1758-9185 (Online)

Minkin, Louisa and Wright, Elizabeth A (2017) Annihilation Event ☄. [Show/Exhibition]

Follows, Chris, Digital Maker Collective (2017) Digital Making Art School. [Show/Exhibition]

Abdulla, Danah and Prado, Luiza and Schultz, Tristan, Decolonising Design (2017) Collective Perspectives on Decolonising Design Education. In: Exclusive Access: On the dynamics and vocabularies of co-option, care and the subaltern at Venice Research Pavilion, 10-11 June 2017, Research Pavilion, Sala del Camino, Campo S. Cosmo, Giudecca, Venice, Italy.


Tlalim, Tom (2018) Tonotopia: A Catalogue of Leaves. [Art/Design Item]

Tlalim, Tom (2018) Tonotopia: Listening Through Cochlear Implants. [Show/Exhibition]


Voegelin, Salomé (2019) Listening Conduits: hearing between ears and technologies. In: Auralities, 16 October 2019, CRASSH Cambridge University.


Fiebrink, Rebecca and Sonami, Laetitia (2020) Reflections on Eight Years of Instrument Creation with Machine Learning. In: International Conference on New Interfaces for Musical Expression (NIME), 21-25 July 2020, Birmingham, UK.


Broad, Terence and Berns, Sebastian and Colton, Simon and Grierson, Mick (2021) Active Divergence with Generative Deep Learning - A Survey and Taxonomy. In: Proceedings of the 12th International Conference on Computational Creativity. Association for Computational Creativity. ISBN 978-989-54160-3-5

Benalcazar Vega, Diego Eduardo (2021) Audio education in Ecuador: an overview of the Music and Sound Production program at Universidad de las Artes. In: AES 2021 International Audio Education Conference, 22-24 July 2021, Online.


Tlalim, Tom (2022) Interview: Tom Tlalim. Arshake. ISSN 2283-3676


Wilson, Elizabeth and Fazekas, Gyorgy and Wiggins, Geraint (2023) On the Integration of Machine Agents into Live Coding. Organised Sound, 28 (2). pp. 305-314. ISSN 1355-7718

Allen, Richard (2023) Headphone Theatre: A Technology-led approach to Performance Pedagogy. In: ExEd 2023, 3-4 July 2023, UAL London, Online.


Bryan-Kinns, Nick and Li, Zijin (2024) Reducing Barriers to the Use of Marginalised Music Genres in AI. In: Explainable AI for the Arts - XAIxArts 2024, 23 June 2024, Chicago.

This list was generated on Thu Jul 18 21:04:01 2024 BST.