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Mirodan, Vladimir (1997) The Way of Transformation (The Laban-Malmgren System of Dramatic Character Analysis). PhD thesis, Royal Holloway, University of London.
Kear, Adrian (1999) Cooking Time with Gertrude Stein. Performance Research: A Journal of the Performing Arts, 4 (1). pp. 44-55. ISSN 13528165/14699990
Kear, Adrian (2001) Psychoanalysis and Performance. Routledge, London. ISBN 9780415212052
Meller, Fred (2003) Pericles (performance design). [Performance]
Cusumano, Andrea (2006) Tumor Foderato d’Infanzia. [Performance]
Mirochnikov, Oleg (2007) Teaching and Professional Fellowship Report 2006/7 : The Vakhtangov Technique. Project Report. University of the Arts London, London.
Cusumano, Andrea (2007) The Funeral of Don Quixote. [Performance]
Spencer, Michael (2008) 'Variation' : 32 short performances. [Art/Design Item]
Spencer, Michael (2009) Verification (5 decades). [Performance]
Spencer, Michael (2009) Vindication. [Show/Exhibition]
Livergant, Elyssa (2009) A Kiss from the Last Red Squirrel. [Art/Design Item]
Fryer, Nic (2010) From reproduction to creativity and the aesthetic: towards an ontological approach to the assessment of devised performance. Research in Drama Education: The Journal of Applied Theatre and Performance, 15 (4). pp. 547-562. ISSN 1470-112X
October, Dene (2012) The Bowie-Newton in 'The Man Who Fell to Earth'. In: Strange Fascination? A Symposium on David Bowie, 26th - 28th October 2012, University of Limerick.
Peters, Charley (2013) Connecting Voices, Developing a Space for Creative Communication. Project Report. University of the Arts London. (Unpublished)
October, Dene (2013) Adventures in English Time and Space: Sound as Experience in Doctor Who ‘An Unearthly Child’. In: Mad Dogs & Englishness: Popular Music and English Identities, 20th to 21st June 2013, St Mary's University College, Twickenham, London.
Komporaly, Jozefina (2014) “Don’t you dare to vote with the Communists!”: Timeliness, Nostalgia and the Authenticity of Experience in I’m a Communist Biddy! Adaptation, 7 (2). ISSN 1755-0637
Komporaly, Jozefina (2014) Narratives of Belonging in Multilingual Performance: The Case Study of 20/20. Linguistica Antverpiensia, 13. pp. 30-44. ISSN 2295-5739
Komporaly, Jozefina (2014) Showcase in Budapest. New Theatre Quarterly, 30 (4). pp. 391-396. ISSN 0266-464X
Visniec, Matéi and Komporaly, Jozefina (2015) How to Explain the History of Communism to Mental Patients and Other Plays. In Performance . Seagull Books, London, New York, Calcutta. ISBN 9780857422200
Troisi, Anna and Chiaramonte, Antonino and Ng, J (2015) A digital art web installation as augmentation of a theatrical play. In: Sound and Music Processing Lab. Conservatorio di Musica. ISBN 978-88-99518-00-4
Parry, Owen G. (2015) Fictional Realness: Towards a colloquial performance practice. Performance Research, 20 (5). pp. 108-115. ISSN 1469 9990
Mirodan, Vladimir (2015) Acting the metaphor: the Laban–Malmgren system of movement psychology and character analysis. Theatre, Dance and Performance Training, 6 (1). pp. 30-45. ISSN 1944-3927 (Print), 1944-3919 (Online)
Komporaly, Jozefina (2015) Interferences International Theatre Festival, Cluj, Romania, 26 November-7 December 2014. Theatre Journal, 67 (3). pp. 550-554. ISSN 0192-2882
Komporaly, Jozefina (2015) Staging History: Memory and Representation in the Theatre of Matéi Visniec and András Visky. In: Literatura, Teatrul si Filmul, in onoarea dramaturgului Matei Visniec. Ovidius University Press, Constanta, Romania. ISBN 978-973-614-855-2
Fryer, Nic (2015) The ‘Third Thing’: Rancière, Process Drama And Experimental Performance. Research in Drama Education, 20 (3). pp. 331-336. ISSN 1356-9783
Collins, Jane (2015) Introduction to Aesthetics of Absence, Texts on Theatre by Heiner Goebbels. In: Aesthetics of Absence: Texts on Theatre. Routledge, Abingdon, Oxon and New York. ISBN 9780415831048
Collins, Jane (2015) Report from the Edinburgh International Festival August 2015. Theatre and Performance Design, 1 (3). pp. 256-267. ISSN 2332-2551
Parry, Owen G. (2016) Fan Club #3 Shipfic Bodyswap Copyriot Partylife. [Show/Exhibition]
Komporaly, Jozefina (2016) Making a Spectacle: Motherhood in Contemporary British Theatre and Performance. Theatre History Studies, 35 (1). pp. 161-178. ISSN 0733-2033
Fryer, Nic and Boot, Michelle (2016) Beyond you and I: role play and reflection-in-action in communication training. Reflective Practice, 18 (1). pp. 112-122. ISSN 1470-1103
Beswick, Katie (2016) Ten in a Bed: Literacy, Intermediality and the Potentials of Low-Tech. Research in Drama Education: The Journal of Applied Theatre and Performance, 21 (3). pp. 337-348. ISSN 1470-112X
Askew, Benjamin (2016) Motion in Poetry: A Psychophysical, Action-Based Approach to the Composition and Analysis of Metrical Dramatic Verse. PhD thesis, University of the Arts London.
Visky, Andras and Komporaly, Jozefina and Orlich, Ileana Alexandra and Knapp, Jeremy and Koonrod, Karin and O'Sullivan, Ailisha and Daray, Erzsebet and Evans, David Robert and Hawkins, Melissa (2017) András Visky’s Barrack Dramaturgy: Memories of the Body. Playtext . Intellect, Bristol. ISBN 9781783207329
Komporaly, Jozefina (2017) The Ghosts of History Redux: Intertextuality, Rewriting, Adaptation. In: Subversive Stages: Theatre in Pre- and Post-communist Hungary, Romania and Bulgaria. Central European University Press, Budapest and New York, ix-xx. ISBN 978-963-386-116-5
Komporaly, Jozefina (2017) Radical Revival as Adaptation: Theatre, Politics, Society. Adaptation in Theatre and Performance . Palgrave Macmillan, London. ISBN 978-1-137-48101-6
Creamer, Anne-Marie and David, Karen (2017) Anne-Marie Creamer: A Diagram of Waiting. [Art/Design Item]
Brooks, Pete and Quick, Andrew and Wainwright, Simon (2017) Nocturnes. [Performance]
Brooks, Pete and MacDonald, Claire and Wainwright, Simon and Hopkins, Laura (2017) A Storm from Paradise. [Performance]
Beswick, Katie (2017) Live Art and the Body. In: Franko B. Unbound. ISBN 978-1-906470-15-9
Barokka, Khairani (2017) Deaf-accessibility for spoonies: lessons from touring Eve and Mary Are Having Coffee while chronically ill. Research in Drama Education: The Journal of Applied Theatre and Performance, 22 (3). pp. 387-392. ISSN 1470-112X
Askew, Benjamin (2017) The action to the verse: Shakespeare, Stanislavski, and the motion in poetry metaphor. Stanislavski Studies, 5 (2). pp. 141-157. ISSN 2056-7790
Peschier, Francesca (2018) Scenography and the construction of Liverpool identities at the Liverpool Everyman and Playhouse Theatres between 2004 and 2015. PhD thesis, University of the Arts London.
Komporaly, Jozefina and Cinpoes, Nicoleta (2018) The Golden Round: Essays on the Politics of Power in Shakespeare. UNSPECIFIED.
Edwards, Sharon and Fryer, Nic (2018) Results of Cross-Faculty ‘Capstone’ Assessments Involving Nursing and Performing Arts Students. Nursing Management. ISSN 2047-8976
Collins, Jane (2018) Orosei,Sardinia: Museo Don Giovanni Guiso. Theatre and Performance Design, 4 (1-2). pp. 149-164. ISSN 23322551
Beswick, Katie (2018) Sammus – A PhD student and rapper moves beyond her sad songs. Loud and Quiet, 129. ISSN 2049-9892
Komporaly, Jozefina (2019) Open Dramaturgy and Collaboration in András Visky’s Theatre in English Translation. Hungarian Literature Online.
Komporaly, Jozefina (2019) Zilele Teatrului Matei Vişniec/Festival of the Matéi Visniec Theatre in Suceava (Romania), Or Breaking into the Festival Circuit. The Theatre Times.
Brooks, Pete and Quick, Andrew (2019) Scenographic Technology as Metaphor in Transmedial Performance. In: Intermedial Theatre Principles and Practice. Red Globe Press, UK. ISBN 9781137611574
Beswick, Katie (2019) Slags on Stage: The Toxic Working-Class Female in Contemporary Theatre and Performance. In: Cultures of Toxicity, 8 November 2019, University of Warwick.
Beswick, Katie (2019) Social Housing in Performance: The English Council Estate on and Off Stage. Methuen Drama Engage . Methuen Drama, London. ISBN 9781474285209
Zimmerman, Andrea Luka (2020) Art Class: a performance lecture. [Performance]
Komporaly, Jozefina (2020) András Visky & Matéi Visniec: Challenging boundaries of cultural specificity. In: Contemporary European Playwrights. Routledge, pp. 76-94. ISBN 9781315111940
Komporaly, Jozefina (2020) Re-Routing Hamlet: From the Canon to Consumer Culture. In: Adapting the Canon: Mediation, Visualization, Interpretation. Legenda, Oxford, pp. 182-196. ISBN 978-1-781887-08-0
Beswick, Katie (2020) Here comes Dai Burger – a fabulous antidote to misery. Loud and Quiet, 140. ISSN 2049-9892
Beswick, Katie (2020) Jordan McKenzie: Three Works. In: Live Art in the UK: Contemporary Performances of Precarity. Methuen Drama. ISBN 9781474257732
Beswick, Katie (2020) Slaggy Mums: Class, Single Motherhood and Performing Endurance. Key Words: A Journal of Cultural Materialism, 18. pp. 94-113. ISSN 1369-9725
Beswick, Katie (2020) Wasted: Student Edition. Methuen Drama. ISBN 978-1-3500-9492-5
Komporaly, Jozefina (2021) Decomposed Theatre. [Performance]
Beswick, Katie and Johnson, Javon (2021) Sounds of The City: Dramaturgy, Space, Identity. Critical Stages, 24. ISSN 2409-7411
Beswick, Katie (2021) Being Slaggy/Representing Slaggyness: Sex, Class and Embodiment in Britain. In: Working-Class Studies: An Interdisciplinary Conference. Irish Working-Class Studies, 8-12 November 2021, Dublin.
Beswick, Katie (2021) Feeling Working Class: Affective Class Identification and its Implications for Overcoming Inequality. Studies in Theatre and Performance, 40 (3). ISSN 1468-2761
Beswick, Katie (2021) Rita, Sue and Bob Too. In: Rita, Sue and Bob Too. Modern Classics . Methuen Drama. ISBN 9781350184961
Beswick, Katie and Murray, Conrad (2022) Beats and Elements: A Hip Hop Theatre Trilogy. Methuen Drama, London. ISBN 9781350270596
Beswick, Katie and Murray, Conrad (2022) Making Hip Hop Theatre: Beatbox and Elements. Methuen Drama, London. ISBN 9781350187917
Beswick, Katie (2022) High Rise eState of Mind: Love and honesty in the midst of London’s neoliberal housing crisis. Comparative Drama. ISSN 1936-1637 (In Press)