Mirodan, Vladimir (1997) The Way of Transformation (The Laban-Malmgren System of Dramatic Character Analysis). PhD thesis, Royal Holloway, University of London.
Kear, Adrian (1999) Cooking Time with Gertrude Stein. Performance Research: A Journal of the Performing Arts, 4 (1). pp. 44-55. ISSN 13528165/14699990
Kear, Adrian (2001) Psychoanalysis and Performance. Routledge, London. ISBN 9780415212052
Margolies, Eleanor (2002) Dancing with forks: A study of objects in contemporary performance. PhD thesis, University of the Arts London.
Meller, Fred (2003) Pericles (performance design). [Performance]
Cusumano, Andrea (2006) Tumor Foderato d’Infanzia. [Performance]
Mirochnikov, Oleg (2007) Teaching and Professional Fellowship Report 2006/7: The Vakhtangov Technique. Project Report. University of the Arts London, London.
Cusumano, Andrea (2007) The Funeral of Don Quixote. [Performance]
Spencer, Michael (2008) 'Variation' : 32 short performances. [Art/Design Item]
Spencer, Michael (2009) Verification (5 decades). [Performance]
Spencer, Michael (2009) Vindication. [Show/Exhibition]
Livergant, Elyssa (2009) A Kiss from the Last Red Squirrel. [Art/Design Item]
Fryer, Nic (2010) From reproduction to creativity and the aesthetic: towards an ontological approach to the assessment of devised performance. Research in Drama Education: The Journal of Applied Theatre and Performance, 15 (4). pp. 547-562. ISSN 1470-112X
October, Dene (2012) The Bowie-Newton in 'The Man Who Fell to Earth'. In: Strange Fascination? A Symposium on David Bowie, 26th - 28th October 2012, University of Limerick.
Peters, Charley (2013) Connecting Voices, Developing a Space for Creative Communication. Project Report. University of the Arts London. (Unpublished)
October, Dene (2013) Adventures in English Time and Space: Sound as Experience in Doctor Who ‘An Unearthly Child’. In: Mad Dogs & Englishness: Popular Music and English Identities, 20th to 21st June 2013, St Mary's University College, Twickenham, London.
Allen, Richard (2013) The Object Animates: Displacement and Humility in the Theatre of Philippe Quesne. Performance Research, 18 (3). pp. 119-125. ISSN 1469-9990
Komporaly, Jozefina (2014) “Don’t you dare to vote with the Communists!”: Timeliness, Nostalgia and the Authenticity of Experience in I’m a Communist Biddy! Adaptation, 7 (2). ISSN 1755-0637
Komporaly, Jozefina (2014) Narratives of Belonging in Multilingual Performance: The Case Study of 20/20. Linguistica Antverpiensia, 13. pp. 30-44. ISSN 2295-5739
Komporaly, Jozefina (2014) Showcase in Budapest. New Theatre Quarterly, 30 (4). pp. 391-396. ISSN 0266-464X
Visniec, Matéi and Komporaly, Jozefina (2015) How to Explain the History of Communism to Mental Patients and Other Plays. In Performance . Seagull Books, London, New York, Calcutta. ISBN 9780857422200
Troisi, Anna and Chiaramonte, Antonino and Ng, J (2015) A digital art web installation as augmentation of a theatrical play. In: Sound and Music Processing Lab. Conservatorio di Musica. ISBN 978-88-99518-00-4
Pearson, Deborah (2015) The Future Show. Oberon Modern Plays, London. ISBN 178319295X
Parry, Owen G. (2015) Fictional Realness: Towards a colloquial performance practice. Performance Research, 20 (5). pp. 108-115. ISSN 1469 9990
Mirodan, Vladimir (2015) Acting the metaphor: the Laban–Malmgren system of movement psychology and character analysis. Theatre, Dance and Performance Training, 6 (1). pp. 30-45. ISSN 1944-3927 (Print), 1944-3919 (Online)
Kuc, Kamila (2015) The Postcard Never Sent: Guy de Maupassant and Rosalie Prudent’s Cinematic Confession. In: Boro: L’île d’Amour: The Films of Walerian Borowczyk. Berghan Books, New York, pp. 77-89. ISBN 1789208181
Komporaly, Jozefina (2015) Interferences International Theatre Festival, Cluj, Romania, 26 November-7 December 2014. Theatre Journal, 67 (3). pp. 550-554. ISSN 0192-2882
Komporaly, Jozefina (2015) Staging History: Memory and Representation in the Theatre of Matéi Visniec and András Visky. In: Literatura, Teatrul si Filmul, in onoarea dramaturgului Matei Visniec. Ovidius University Press, Constanta, Romania. ISBN 978-973-614-855-2
Fryer, Nic (2015) The ‘Third Thing’: Rancière, Process Drama And Experimental Performance. Research in Drama Education, 20 (3). pp. 331-336. ISSN 1356-9783
Collins, Jane (2015) Introduction to Aesthetics of Absence, Texts on Theatre by Heiner Goebbels. In: Aesthetics of Absence: Texts on Theatre. Routledge, Abingdon, Oxon and New York. ISBN 9780415831048
Collins, Jane (2015) Report from the Edinburgh International Festival August 2015. Theatre and Performance Design, 1 (3). pp. 256-267. ISSN 2332-2551
Parry, Owen G. (2016) Fan Club #3 Shipfic Bodyswap Copyriot Partylife. [Show/Exhibition]
Komporaly, Jozefina (2016) Making a Spectacle: Motherhood in Contemporary British Theatre and Performance. Theatre History Studies, 35 (1). pp. 161-178. ISSN 0733-2033
Fryer, Nic and Boot, Michelle (2016) Beyond you and I: role play and reflection-in-action in communication training. Reflective Practice, 18 (1). pp. 112-122. ISSN 1470-1103
Beswick, Katie (2016) Ten in a Bed: Literacy, Intermediality and the Potentials of Low-Tech. Research in Drama Education: The Journal of Applied Theatre and Performance, 21 (3). pp. 337-348. ISSN 1470-112X
Askew, Benjamin (2016) Motion in Poetry: A Psychophysical, Action-Based Approach to the Composition and Analysis of Metrical Dramatic Verse. PhD thesis, University of the Arts London.
Visky, Andras and Komporaly, Jozefina and Orlich, Ileana Alexandra and Knapp, Jeremy and Koonrod, Karin and O'Sullivan, Ailisha and Daray, Erzsebet and Evans, David Robert and Hawkins, Melissa (2017) András Visky’s Barrack Dramaturgy: Memories of the Body. Playtext . Intellect, Bristol. ISBN 9781783207329
Poster-Su, Tobi (2017) The Depraved Appetite of Tarrare the Freak. [Performance]
Pearson, Deborah (2017) The Shape of a Thought: A Made Up Game. PhD thesis, Royal Holloway, University of London.
Komporaly, Jozefina (2017) The Ghosts of History Redux: Intertextuality, Rewriting, Adaptation. In: Subversive Stages: Theatre in Pre- and Post-communist Hungary, Romania and Bulgaria. Central European University Press, Budapest and New York, ix-xx. ISBN 978-963-386-116-5
Komporaly, Jozefina (2017) Radical Revival as Adaptation: Theatre, Politics, Society. Adaptation in Theatre and Performance . Palgrave Macmillan, London. ISBN 978-1-137-48101-6
Creamer, Anne-Marie and David, Karen (2017) Anne-Marie Creamer: A Diagram of Waiting. [Art/Design Item]
Brooks, Pete and Quick, Andrew and Wainwright, Simon (2017) Nocturnes. [Performance]
Brooks, Pete and MacDonald, Claire and Wainwright, Simon and Hopkins, Laura (2017) A Storm from Paradise. [Performance]
Beswick, Katie (2017) Live Art and the Body. In: Franko B. Unbound. ISBN 978-1-906470-15-9
Barokka, Khairani (2017) Deaf-accessibility for spoonies: lessons from touring Eve and Mary Are Having Coffee while chronically ill. Research in Drama Education: The Journal of Applied Theatre and Performance, 22 (3). pp. 387-392. ISSN 1470-112X
Askew, Benjamin (2017) The action to the verse: Shakespeare, Stanislavski, and the motion in poetry metaphor. Stanislavski Studies, 5 (2). pp. 141-157. ISSN 2056-7790
Peschier, Francesca (2018) Scenography and the construction of Liverpool identities at the Liverpool Everyman and Playhouse Theatres between 2004 and 2015. PhD thesis, University of the Arts London.
Komporaly, Jozefina and Cinpoes, Nicoleta (2018) The Golden Round: Essays on the Politics of Power in Shakespeare.
Edwards, Sharon and Fryer, Nic (2018) Results of Cross-Faculty ‘Capstone’ Assessments Involving Nursing and Performing Arts Students. Nursing Management. ISSN 2047-8976
Collins, Jane (2018) Orosei,Sardinia: Museo Don Giovanni Guiso. Theatre and Performance Design, 4 (1-2). pp. 149-164. ISSN 23322551
Beswick, Katie (2018) Sammus – A PhD student and rapper moves beyond her sad songs. Loud and Quiet, 129. ISSN 2049-9892
Pearson, Deborah and Gregg, Stacey (2019) Inside Bitch. Oberon Books, London. ISBN 1786827476
Pearson, Deborah (2019) Os Anciaos (The Elders). In: Panos: Palcos Novos Palavras Novas. Teatro Nacional Donna Maria II, Lisbon. ISBN 978-972-9332-74-6
Pastor, Eugénie and Turner, Shamira (2019) The Undefinable. [Performance]
Komporaly, Jozefina (2019) Open Dramaturgy and Collaboration in András Visky’s Theatre in English Translation. Hungarian Literature Online.
Komporaly, Jozefina (2019) Zilele Teatrului Matei Vişniec/Festival of the Matéi Visniec Theatre in Suceava (Romania), Or Breaking into the Festival Circuit. The Theatre Times.
Brooks, Pete and Quick, Andrew (2019) Scenographic Technology as Metaphor in Transmedial Performance. In: Intermedial Theatre Principles and Practice. Red Globe Press, UK. ISBN 9781137611574
Beswick, Katie (2019) Slags on Stage: The Toxic Working-Class Female in Contemporary Theatre and Performance. In: Cultures of Toxicity, 8 November 2019, University of Warwick.
Beswick, Katie (2019) Social Housing in Performance: The English Council Estate on and Off Stage. Methuen Drama Engage . Methuen Drama, London. ISBN 9781474285209
Andrade, Almiro (2019) Translation and adaptation of contemporary northeastern Brazilian drama through devising for performance: a case study of Aldri Anunciação's 'Namíbia, Não!'. PhD thesis, King's College London.
Zimmerman, Andrea Luka (2020) Art Class: a performance lecture film. [Performance]
Poster-Su, Tobi (2020) A grotesque act of ventriloquism: Raising and objectifying the dead on stage. Applied Theatre Research, 8 (1). pp. 45-56. ISSN 2049 3010
Komporaly, Jozefina (2020) András Visky & Matéi Visniec: Challenging boundaries of cultural specificity. In: Contemporary European Playwrights. Routledge, pp. 76-94. ISBN 9781315111940
Komporaly, Jozefina (2020) Re-Routing Hamlet: From the Canon to Consumer Culture. In: Adapting the Canon: Mediation, Visualization, Interpretation. Legenda, Oxford, pp. 182-196. ISBN 978-1-781887-08-0
Beswick, Katie (2020) Here comes Dai Burger – a fabulous antidote to misery. Loud and Quiet, 140. ISSN 2049-9892
Beswick, Katie (2020) Jordan McKenzie: Three Works. In: Live Art in the UK: Contemporary Performances of Precarity. Methuen Drama. ISBN 9781474257732
Beswick, Katie (2020) Slaggy Mums: Class, Single Motherhood and Performing Endurance. Key Words: A Journal of Cultural Materialism, 18. pp. 94-113. ISSN 1369-9725
Beswick, Katie (2020) Wasted: Student Edition. Methuen Drama. ISBN 978-1-3500-9492-5
Antonopoulou, Alexandra and Dare, Eleanor (2020) Non-immersive media: collaborating in an ‘immertical’ virtual world. In: Besides the Screen 2020, 22-24 July 2020, Online.
Thornton, Vicki and Yurov, Pavlo (2021) Antratsyt: Perseverance Day. [Performance]
Poster-Su, Tobi (2021) Casting Fu Manchu by Eelyn Lee (review). Theatre Journal, 73 (2). pp. 247-249. ISSN 0192-2882
Poster-Su, Tobi (2021) Chang and Eng and Me (and Me). [Performance]
Poster-Su, Tobi (2021) Sculpting China: Critical Puppetry and the Formation of Diasporic Identity in Chang and Eng and Me (and Me). Critical Stages (24). ISSN 2409-7411
Pastor, Eugénie and Turner, Shamira (2021) Curious Hearts Song Club. [Performance]
Pastor, Eugénie (2021) Wolf Witch Giant Fairy. [Performance]
Komporaly, Jozefina and Visniec, Matéi and Visky, Andras and Panainte, Mihaela and Dragan, Mihaela and Dragoman, Gyorgy and Muller, Herta (2021) Plays from Romania: Dramaturgies of Subversion. Drama and Performance Studies . Bloomsbury, London. ISBN 9781350214316
Komporaly, Jozefina (2021) Decomposed Theatre. [Performance]
Beswick, Katie and Johnson, Javon (2021) Sounds of The City: Dramaturgy, Space, Identity. Critical Stages, 24. ISSN 2409-7411
Beswick, Katie (2021) Being Slaggy/Representing Slaggyness: Sex, Class and Embodiment in Britain. In: Working-Class Studies: An Interdisciplinary Conference. Irish Working-Class Studies, 8-12 November 2021, Dublin.
Beswick, Katie (2021) Feeling Working Class: Affective Class Identification and its Implications for Overcoming Inequality. Studies in Theatre and Performance, 40 (3). ISSN 1468-2761
Beswick, Katie (2021) Rita, Sue and Bob Too. In: Rita, Sue and Bob Too. Modern Classics . Methuen Drama. ISBN 9781350184961
Thornett, Lucy (2022) Affect. In: Routledge Companion to Audiences and the Performing Arts. Routledge, Abingdon. ISBN 9781000537963
Pastor, Eugénie (2022) Caring with, Voice and Under-Represented Expressions of Love in and through The Undefinable by She Goat: An Artist-Researcher's Perspective. In: Love and the Politics of Care: Methods, Pedagogies, Institutions. Bloomsbury Academic, pp. 107-126. ISBN 9781501387647
Isaac, Veronica (2022) Ellen Terry, Shopping in Byzantium: Decadent costumes fit for a ‘Temple of Art’.
Beswick, Katie and Murray, Conrad (2022) Beats and Elements: A Hip Hop Theatre Trilogy. Methuen Drama, London. ISBN 9781350270596
Beswick, Katie and Murray, Conrad (2022) Making Hip Hop Theatre: Beatbox and Elements. Methuen Drama, London. ISBN 9781350187917
Beswick, Katie (2022) Council Housing and Representation: Neoliberal Housing and Hip Hop as Love. In: WCCEH Symposium on the Built Environment and Health, 7 July 2022, Wellcome Centre for Cultures and Environments of Health, London.
Beswick, Katie (2022) High Rise eState of Mind: Love and Honesty in the Midst of London's Neoliberal Housing Crisis. Comparative Drama, 56 (1-2). pp. 129-153. ISSN 1936-1637
Beswick, Katie (2022) London’s Burning: Social housing, performance and the politics of fire in an overheated market. In: Society for Theatre Research Lecture Series, 15 February 2022, Online.
Alston, Adam and Parry, Owen G. (2022) Staging Decadence documentary. [Art/Design Item]
Wilkes, Edward and Hughes, Philip (2023) Character is Structure: The Insider's Guide to Screenwriting. Bloomsbury Publishing, BFI Imprint, London. ISBN 9781839024849
Poster-Su, Tobi (2023) Mademoiselle Lychee: Postcolonial hybridity, the posthuman and the postbabe. In: TaPRA 2023: Bodies and Performance working group, 30 August - 1 September 2023, University of Leeds.
Parry, Owen G. (2023) Freedom is a Performance Hangout* (*Click on this fake sweat distraction technique to release infinite scroll). Performance Research, 28 (2). pp. 29-38. ISSN 1469-9990
Parry, Owen G. (2023) Poor theory: Art and participatory cultures of the Post-truthacene. In: Guest Lecture, 15 December 2023, Music and Arts University of the City of Vienna, Austria (MUK).
Komporaly, Jozefina (2023) Hungary. In: The Routledge Companion to Contemporary European Theatre and Performance. Routledge, London, pp. 109-115. ISBN 9781350214316
Komporaly, Jozefina (2023) Romania. In: The Routledge Companion to Contemporary European Theatre and Performance. Routledge, London, pp. 209-215. ISBN 9780367535919
Kear, Adrian (2023) A Different Hunger: World spectatorship and the violence of representation. Performance Research: A Journal of the Performing Arts, 28 (7). pp. 131-142. ISSN 1469 9990
Antonopoulou, Alexandra and Glinou, Eleni and Temponera, Eva (2023) Marmairo; Reflections on Tinian Marble. In: Demystifying Design - London Design Festival, 21-23 September 2023, The Tree House, Elephant Park.
Roberts, Cheryl (2024) Amelie. In: The Bloomsbury Encyclopedia of Film and Television Costume Design. Bloomsbury, London. ISBN 978-1-4742-7945-1
Roberts, Cheryl (2024) Erin Brockovitch. In: The Bloomsbury Encyclopedia of Film and Television Costume Design. Bloomsbury, London. ISBN 978-1-4742-7945-1
Roberts, Cheryl (2024) Great Gatsby. In: The Bloomsbury Encyclopedia of Film and Television Costume Design. Bloomsbury, London. ISBN 978-1-4742-7945-1
Poster-Su, Tobi (2024) Beyond representation: A conversation with Jummy Faruq on decentring puppetry practice and design. In: Race, Gender and Disability in Puppetry and Material Performance. Routledge. (In Press)
Poster-Su, Tobi (2024) If you call for papers, the papers call back at you: some thoughts on CfP and selection processes. Studies in Theatre and Performance, 44 (1). pp. 142-145. ISSN 1468-2761
Poster-Su, Tobi (2024) The Lonesome Death of Eng Bunker. [Performance]
Poster-Su, Tobi (2024) The Object as Insurgent Subject: The Case for a Critical Puppetry. In: IFTR 2024. Our States of Emergency: Theatres and Performances of Tragedy, 15-19 July 2024, University of the Philippines Diliman.
Poster-Su, Tobi (2024) Re/shaping the other: Puppetry as phenomenology and the ethics of representation. About Performance (17). ISSN 1324-6089
Poster-Su, Tobi (2024) A real American wife, a Japanese object: Critical Puppetry and the construction of the Orient in Anthony Minghella’s Madam Butterfly. In: Race, Gender and Disability in Puppetry and Material Performance. Routledge. (In Press)
Parry, Owen G. and Tomic-Vajagic, Tamara (2024) Causarious v0cation (a mixer). [Show/Exhibition]
Parry, Owen G. (2024) Doris Uhlich's Extraordinary Sun: Notes towards a not-quite-yet-planetary theatre. In: TaPRA 2024 Documenting Performance working group, 4-6 September 2024, Northumbria University, Newcastle.
Kear, Adrian (2024) Acting Politically: Making performance in the eye of history. In: Theatre, activism, subjectivity: Searching for the Left in a fragmented world. Manchester University Press, Manchester. ISBN 978-1-5261-7856-5
Collins, Jane (2024) Report from Kampala, Uganda. Theatre and Performance Design, 10 (1-2). ISSN 2332-2551
Adewole Elliott, Funmi and Antonia, Alethia and Burt, Ramsay and Poster-Su, Tobi and Ladrón de Guevara, Víctor and Stanton, Thea and Tahsili, Negar (2024) Decolonisation and solidarity roundtable discussion. Studies in Theatre and Performance, 44 (1). pp. 155-164. ISSN 1468-2761
Poster-Su, Tobi (2025) Critical Puppetry and the boundaries of the Human in Edwin Salas’ 7 Deadly Sins in the Border. In: Routledge Companion to Bodies in Performance. Routledge. (In Press)
Parry, Owen G. (2025) Fandom as Dramaturgy. In: S:PAM lecture, 24 April 2025, Universiteit Gent, Belgium.
Parry, Owen G. (2025) Fanformance Art: The Practice of Making Fanfiction Real. In: Theatre Fandom: Engaged Audiences in the Twenty-first Century. University of Iowa Press, Iowa City, pp. 161-173. ISBN 9781685970123
Naldi, Pat and Hulson, Marc and Parry, Owen G. and Tan, Erika (2025) School Play. In: Have Some Imagination: Towards a Manifesto for Arts Education, 7-8 February 2025, Baltic Centre for Contemporary Art, Gateshead.
Allen, Richard (2025) Grid Pedagogies: Teaching dramaturgy through student agency and choice. In: Between Presence and Meaning: Strategies of Teaching Practical Dramaturgy of Contemporary Performance, 13-14 February 2025, DAMU: The Academy of Performing Arts in Prague.
Allen, Richard (2025) How Artists Learn: A Lexicon. In: Have Some Imagination: Towards a Manifesto for Arts Education, 7-8 February 2025, Baltic Centre for Contemporary Arts.
![[up]](/style/images/multi_up.png)
Up a level