Items where Subject is "Drama"

Zimmerman, Andrea Luka (2020) Art Class: a performance lecture film. [Performance]

Wilkes, Edward and Hughes, Philip (2023) Character is Structure: The Insider's Guide to Screenwriting. Bloomsbury Publishing, BFI Imprint, London. ISBN 9781839024849

Visniec, Matéi and Komporaly, Jozefina (2015) How to Explain the History of Communism to Mental Patients and Other Plays. In Performance . Seagull Books, London, New York, Calcutta. ISBN 9780857422200

Visky, Andras and Komporaly, Jozefina and Orlich, Ileana Alexandra and Knapp, Jeremy and Koonrod, Karin and O'Sullivan, Ailisha and Daray, Erzsebet and Evans, David Robert and Hawkins, Melissa (2017) András Visky’s Barrack Dramaturgy: Memories of the Body. Playtext . Intellect, Bristol. ISBN 9781783207329

Troisi, Anna and Chiaramonte, Antonino and Ng, J (2015) A digital art web installation as augmentation of a theatrical play. In: Sound and Music Processing Lab. Conservatorio di Musica. ISBN 978-88-99518-00-4

Thornton, Vicki and Yurov, Pavlo (2021) Antratsyt: Perseverance Day. [Performance]

Thornett, Lucy (2022) Affect. In: Routledge Companion to Audiences and the Performing Arts. Routledge, Abingdon. ISBN 9781000537963

Spencer, Michael (2008) 'Variation' : 32 short performances. [Art/Design Item]

Spencer, Michael (2009) Verification (5 decades). [Performance]

Spencer, Michael (2009) Vindication. [Show/Exhibition]

Roberts, Cheryl (2024) Amelie. In: The Bloomsbury Encyclopedia of Film and Television Costume Design. Bloomsbury, London. ISBN 978-1-4742-7945-1 (In Press)

Roberts, Cheryl (2024) Erin Brockovitch. In: The Bloomsbury Encyclopedia of Film and Television Costume Design. Bloomsbury, London. ISBN 978-1-4742-7945-1 (In Press)

Roberts, Cheryl (2024) Great Gatsby. In: The Bloomsbury Encyclopedia of Film and Television Costume Design. Bloomsbury, London. ISBN 978-1-4742-7945-1 (In Press)

Poster-Su, Tobi (2021) Casting Fu Manchu by Eelyn Lee (review). Theatre Journal, 73 (2). pp. 247-249. ISSN 0192-2882

Poster-Su, Tobi (2021) Chang and Eng and Me (and Me). [Performance]

Poster-Su, Tobi (2017) The Depraved Appetite of Tarrare the Freak. [Performance]

Poster-Su, Tobi (2024) If you call for papers, the papers call back at you: some thoughts on CfP and selection processes. Studies in Theatre and Performance, 44 (1). pp. 142-145. ISSN 1468-2761

Poster-Su, Tobi (2024) The Lonesome Death of Eng Bunker. [Performance]

Poster-Su, Tobi (2023) Mademoiselle Lychee: Postcolonial hybridity, the posthuman and the postbabe. In: TaPRA 2023: Bodies and Performance working group, 30 August - 1 September 2023, University of Leeds.

Poster-Su, Tobi (2024) The Object as Insurgent Subject: The Case for a Critical Puppetry. In: IFTR 2024. Our States of Emergency: Theatres and Performances of Tragedy, 15-19 July 2024, University of the Philippines Diliman.

Poster-Su, Tobi (2021) Sculpting China: Critical Puppetry and the Formation of Diasporic Identity in Chang and Eng and Me (and Me). Critical Stages (24). ISSN 2409-7411

Poster-Su, Tobi (2020) A grotesque act of ventriloquism: Raising and objectifying the dead on stage. Applied Theatre Research, 8 (1). pp. 45-56. ISSN 2049 3010

Peters, Charley (2013) Connecting Voices, Developing a Space for Creative Communication. Project Report. University of the Arts London. (Unpublished)

Peschier, Francesca (2018) Scenography and the construction of Liverpool identities at the Liverpool Everyman and Playhouse Theatres between 2004 and 2015. PhD thesis, University of the Arts London.

Pearson, Deborah and Gregg, Stacey (2019) Inside Bitch. Oberon Books, London. ISBN 1786827476

Pearson, Deborah (2015) The Future Show. Oberon Modern Plays, London. ISBN 178319295X

Pearson, Deborah (2019) Os Anciaos (The Elders). In: Panos: Palcos Novos Palavras Novas. Teatro Nacional Donna Maria II, Lisbon. ISBN 978-972-9332-74-6

Pearson, Deborah (2017) The Shape of a Thought: A Made Up Game. PhD thesis, Royal Holloway, University of London.

Pastor, Eugénie and Turner, Shamira (2021) Curious Hearts Song Club. [Performance]

Pastor, Eugénie and Turner, Shamira (2019) The Undefinable. [Performance]

Pastor, Eugénie (2022) Caring with, Voice and Under-Represented Expressions of Love in and through The Undefinable by She Goat: An Artist-Researcher's Perspective. In: Love and the Politics of Care: Methods, Pedagogies, Institutions. Bloomsbury Academic, pp. 107-126. ISBN 9781501387647

Pastor, Eugénie, Little Bulb (2021) Wolf Witch Giant Fairy. [Performance]

Parry, Owen G. (2016) Fan Club #3 Shipfic Bodyswap Copyriot Partylife. [Show/Exhibition]

Parry, Owen G. (2015) Fictional Realness: Towards a colloquial performance practice. Performance Research, 20 (5). pp. 108-115. ISSN 1469 9990

Parry, Owen G. (2023) Freedom is a Performance Hangout* (*Click on this fake sweat distraction technique to release infinite scroll). Performance Research, 28 (2). pp. 29-38. ISSN 1469-9990

Parry, Owen G. (2023) Poor theory: Art and participatory cultures of the Post-truthacene. In: Guest Lecture, 15 December 2023, Music and Arts University of the City of Vienna, Austria (MUK).

Parry, Owen G. (2024) Doris Uhlich's Extraordinary Sun: Notes towards a not-quite-yet-planetary theatre. In: TaPRA 2024 Documenting Performance working group, 4-6 September 2024, Northumbria University, Newcastle.

October, Dene (2013) Adventures in English Time and Space: Sound as Experience in Doctor Who ‘An Unearthly Child’. In: Mad Dogs & Englishness: Popular Music and English Identities, 20th to 21st June 2013, St Mary's University College, Twickenham, London.

October, Dene (2012) The Bowie-Newton in 'The Man Who Fell to Earth'. In: Strange Fascination? A Symposium on David Bowie, 26th - 28th October 2012, University of Limerick.

Mirodan, Vladimir (2015) Acting the metaphor: the Laban–Malmgren system of movement psychology and character analysis. Theatre, Dance and Performance Training, 6 (1). pp. 30-45. ISSN 1944-3927 (Print), 1944-3919 (Online)

Mirodan, Vladimir (1997) The Way of Transformation (The Laban-Malmgren System of Dramatic Character Analysis). PhD thesis, Royal Holloway, University of London.

Mirochnikov, Oleg (2007) Teaching and Professional Fellowship Report 2006/7: The Vakhtangov Technique. Project Report. University of the Arts London, London.

Meller, Fred (2003) Pericles (performance design). [Performance]

Margolies, Eleanor (2002) Dancing with forks: A study of objects in contemporary performance. PhD thesis, University of the Arts London.

Livergant, Elyssa (2009) A Kiss from the Last Red Squirrel. [Art/Design Item]

Kuc, Kamila (2015) The Postcard Never Sent: Guy de Maupassant and Rosalie Prudent’s Cinematic Confession. In: Boro: L’île d’Amour: The Films of Walerian Borowczyk. Berghan Books, New York, pp. 77-89. ISBN 1789208181

Komporaly, Jozefina and Visniec, Matéi and Visky, Andras and Panainte, Mihaela and Dragan, Mihaela and Dragoman, Gyorgy and Muller, Herta (2021) Plays from Romania: Dramaturgies of Subversion. Drama and Performance Studies . Bloomsbury, London. ISBN 9781350214316

Komporaly, Jozefina and Cinpoes, Nicoleta (2018) The Golden Round: Essays on the Politics of Power in Shakespeare.

Komporaly, Jozefina (2020) András Visky & Matéi Visniec: Challenging boundaries of cultural specificity. In: Contemporary European Playwrights. Routledge, pp. 76-94. ISBN 9781315111940

Komporaly, Jozefina (2021) Decomposed Theatre. [Performance]

Komporaly, Jozefina (2014) “Don’t you dare to vote with the Communists!”: Timeliness, Nostalgia and the Authenticity of Experience in I’m a Communist Biddy! Adaptation, 7 (2). ISSN 1755-0637

Komporaly, Jozefina (2017) The Ghosts of History Redux: Intertextuality, Rewriting, Adaptation. In: Subversive Stages: Theatre in Pre- and Post-communist Hungary, Romania and Bulgaria. Central European University Press, Budapest and New York, ix-xx. ISBN 978-963-386-116-5

Komporaly, Jozefina (2023) Hungary. In: The Routledge Companion to Contemporary European Theatre and Performance. Routledge, London, pp. 109-115. ISBN 9781350214316

Komporaly, Jozefina (2015) Interferences International Theatre Festival, Cluj, Romania, 26 November-7 December 2014. Theatre Journal, 67 (3). pp. 550-554. ISSN 0192-2882

Komporaly, Jozefina (2016) Making a Spectacle: Motherhood in Contemporary British Theatre and Performance. Theatre History Studies, 35 (1). pp. 161-178. ISSN 0733-2033

Komporaly, Jozefina (2014) Narratives of Belonging in Multilingual Performance: The Case Study of 20/20. Linguistica Antverpiensia, 13. pp. 30-44. ISSN 2295-5739

Komporaly, Jozefina (2019) Open Dramaturgy and Collaboration in András Visky’s Theatre in English Translation. Hungarian Literature Online.

Komporaly, Jozefina (2017) Radical Revival as Adaptation: Theatre, Politics, Society. Adaptation in Theatre and Performance . Palgrave Macmillan, London. ISBN 978-1-137-48101-6

Komporaly, Jozefina (2020) Re-Routing Hamlet: From the Canon to Consumer Culture. In: Adapting the Canon: Mediation, Visualization, Interpretation. Legenda, Oxford, pp. 182-196. ISBN 978-1-781887-08-0

Komporaly, Jozefina (2023) Romania. In: The Routledge Companion to Contemporary European Theatre and Performance. Routledge, London, pp. 209-215. ISBN 9780367535919

Komporaly, Jozefina (2014) Showcase in Budapest. New Theatre Quarterly, 30 (4). pp. 391-396. ISSN 0266-464X

Komporaly, Jozefina (2015) Staging History: Memory and Representation in the Theatre of Matéi Visniec and András Visky. In: Literatura, Teatrul si Filmul, in onoarea dramaturgului Matei Visniec. Ovidius University Press, Constanta, Romania. ISBN 978-973-614-855-2

Komporaly, Jozefina (2019) Zilele Teatrului Matei Vişniec/Festival of the Matéi Visniec Theatre in Suceava (Romania), Or Breaking into the Festival Circuit. The Theatre Times.

Kear, Adrian (1999) Cooking Time with Gertrude Stein. Performance Research: A Journal of the Performing Arts, 4 (1). pp. 44-55. ISSN 13528165/14699990

Kear, Adrian (2001) Psychoanalysis and Performance. Routledge, London. ISBN 9780415212052

Kear, Adrian (2024) Acting Politically: Making performance in the eye of history. In: Theatre, activism, subjectivity: Searching for the Left in a fragmented world. Manchester University Press, Manchester. ISBN 978-1-5261-7856-5

Kear, Adrian (2023) A Different Hunger: World spectatorship and the violence of representation. Performance Research: A Journal of the Performing Arts, 28 (7). pp. 131-142. ISSN 1469 9990

Isaac, Veronica (2022) Ellen Terry, Shopping in Byzantium: Decadent costumes fit for a ‘Temple of Art’.

Fryer, Nic and Boot, Michelle (2016) Beyond you and I: role play and reflection-in-action in communication training. Reflective Practice, 18 (1). pp. 112-122. ISSN 1470-1103

Fryer, Nic (2010) From reproduction to creativity and the aesthetic: towards an ontological approach to the assessment of devised performance. Research in Drama Education: The Journal of Applied Theatre and Performance, 15 (4). pp. 547-562. ISSN 1470-112X

Fryer, Nic (2015) The ‘Third Thing’: Rancière, Process Drama And Experimental Performance. Research in Drama Education, 20 (3). pp. 331-336. ISSN 1356-9783

Edwards, Sharon and Fryer, Nic (2018) Results of Cross-Faculty ‘Capstone’ Assessments Involving Nursing and Performing Arts Students. Nursing Management. ISSN 2047-8976

Cusumano, Andrea (2007) The Funeral of Don Quixote. [Performance]

Cusumano, Andrea (2006) Tumor Foderato d’Infanzia. [Performance]

Creamer, Anne-Marie and David, Karen (2017) Anne-Marie Creamer: A Diagram of Waiting. [Art/Design Item]

Collins, Jane (2015) Introduction to Aesthetics of Absence, Texts on Theatre by Heiner Goebbels. In: Aesthetics of Absence: Texts on Theatre. Routledge, Abingdon, Oxon and New York. ISBN 9780415831048

Collins, Jane (2018) Orosei,Sardinia: Museo Don Giovanni Guiso. Theatre and Performance Design, 4 (1-2). pp. 149-164. ISSN 23322551

Collins, Jane (2024) Report from Kampala, Uganda. Theatre and Performance Design, 10. ISSN 2332-2551

Collins, Jane (2015) Report from the Edinburgh International Festival August 2015. Theatre and Performance Design, 1 (3). pp. 256-267. ISSN 2332-2551

Brooks, Pete and Quick, Andrew and Wainwright, Simon (2017) Nocturnes. [Performance]

Brooks, Pete and Quick, Andrew (2019) Scenographic Technology as Metaphor in Transmedial Performance. In: Intermedial Theatre Principles and Practice. Red Globe Press, UK. ISBN 9781137611574

Brooks, Pete and MacDonald, Claire and Wainwright, Simon and Hopkins, Laura (2017) A Storm from Paradise. [Performance]

Beswick, Katie and Murray, Conrad (2022) Beats and Elements: A Hip Hop Theatre Trilogy. Methuen Drama, London. ISBN 9781350270596

Beswick, Katie and Murray, Conrad (2022) Making Hip Hop Theatre: Beatbox and Elements. Methuen Drama, London. ISBN 9781350187917

Beswick, Katie and Johnson, Javon (2021) Sounds of The City: Dramaturgy, Space, Identity. Critical Stages, 24. ISSN 2409-7411

Beswick, Katie (2021) Being Slaggy/Representing Slaggyness: Sex, Class and Embodiment in Britain. In: Working-Class Studies: An Interdisciplinary Conference. Irish Working-Class Studies, 8-12 November 2021, Dublin.

Beswick, Katie (2022) Council Housing and Representation: Neoliberal Housing and Hip Hop as Love. In: WCCEH Symposium on the Built Environment and Health, 7 July 2022, Wellcome Centre for Cultures and Environments of Health, London.

Beswick, Katie (2021) Feeling Working Class: Affective Class Identification and its Implications for Overcoming Inequality. Studies in Theatre and Performance, 40 (3). ISSN 1468-2761

Beswick, Katie (2020) Here comes Dai Burger – a fabulous antidote to misery. Loud and Quiet, 140. ISSN 2049-9892

Beswick, Katie (2022) High Rise eState of Mind: Love and Honesty in the Midst of London's Neoliberal Housing Crisis. Comparative Drama, 56 (1-2). pp. 129-153. ISSN 1936-1637

Beswick, Katie (2020) Jordan McKenzie: Three Works. In: Live Art in the UK: Contemporary Performances of Precarity. Methuen Drama. ISBN 9781474257732

Beswick, Katie (2017) Live Art and the Body. In: Franko B. Unbound. ISBN 978-1-906470-15-9

Beswick, Katie (2022) London’s Burning: Social housing, performance and the politics of fire in an overheated market. In: Society for Theatre Research Lecture Series, 15 February 2022, Online.

Beswick, Katie (2021) Rita, Sue and Bob Too. In: Rita, Sue and Bob Too. Modern Classics . Methuen Drama. ISBN 9781350184961

Beswick, Katie (2018) Sammus – A PhD student and rapper moves beyond her sad songs. Loud and Quiet, 129. ISSN 2049-9892

Beswick, Katie (2020) Slaggy Mums: Class, Single Motherhood and Performing Endurance. Key Words: A Journal of Cultural Materialism, 18. pp. 94-113. ISSN 1369-9725

Beswick, Katie (2019) Slags on Stage: The Toxic Working-Class Female in Contemporary Theatre and Performance. In: Cultures of Toxicity, 8 November 2019, University of Warwick.

Beswick, Katie (2019) Social Housing in Performance: The English Council Estate on and Off Stage. Methuen Drama Engage . Methuen Drama, London. ISBN 9781474285209

Beswick, Katie (2016) Ten in a Bed: Literacy, Intermediality and the Potentials of Low-Tech. Research in Drama Education: The Journal of Applied Theatre and Performance, 21 (3). pp. 337-348. ISSN 1470-112X

Beswick, Katie (2020) Wasted: Student Edition. Methuen Drama. ISBN 978-1-3500-9492-5

Barokka, Khairani (2017) Deaf-accessibility for spoonies: lessons from touring Eve and Mary Are Having Coffee while chronically ill. Research in Drama Education: The Journal of Applied Theatre and Performance, 22 (3). pp. 387-392. ISSN 1470-112X

Askew, Benjamin (2016) Motion in Poetry: A Psychophysical, Action-Based Approach to the Composition and Analysis of Metrical Dramatic Verse. PhD thesis, University of the Arts London.

Askew, Benjamin (2017) The action to the verse: Shakespeare, Stanislavski, and the motion in poetry metaphor. Stanislavski Studies, 5 (2). pp. 141-157. ISSN 2056-7790

Antonopoulou, Alexandra and Glinou, Eleni and Temponera, Eva (2023) Marmairo; Reflections on Tinian Marble. In: Demystifying Design - London Design Festival, 21-23 September 2023, The Tree House, Elephant Park.

Antonopoulou, Alexandra and Dare, Eleanor (2020) Non-immersive media: collaborating in an ‘immertical’ virtual world. In: Besides the Screen 2020, 22-24 July 2020, Online.

Andrade, Almiro (2019) Translation and adaptation of contemporary northeastern Brazilian drama through devising for performance: a case study of Aldri Anunciação's 'Namíbia, Não!'. PhD thesis, King's College London.

Alston, Adam and Parry, Owen G. (2022) Staging Decadence documentary. [Art/Design Item]

Allen, Richard (2013) The Object Animates: Displacement and Humility in the Theatre of Philippe Quesne. Performance Research, 18 (3). pp. 119-125. ISSN 1469-9990

Adewole Elliott, Funmi and Antonia, Alethia and Burt, Ramsay and Poster-Su, Tobi and Ladrón de Guevara, Víctor and Stanton, Thea and Tahsili, Negar (2024) Decolonisation and solidarity roundtable discussion. Studies in Theatre and Performance, 44 (1). pp. 155-164. ISSN 1468-2761