Items where Subject is "Cinematics and Photography not elsewhere classified"

2013

Walsh, Maria (2013) Image narration in a digital era: between the cut-up and the sequence. In: Misdirect Movies. Cornerhouse, Manchester, pp. 12-15. ISBN 9780956957153

2014

Walsh, Maria (2014) Dissonant Continuity in Omer Fast’s '5000 feet is the best'. In: Film-Philosophy International Conference: Thinking Reality and Time Through Film, 6-10 May 2014, Lisbon University.

Walsh, Maria (2014) The Poetic Reactivation of Historical Time: Eija-Liisa Ahtila’s Where is Where? Moving Image Review & Art Journal (MIRAJ), 3 (2). pp. 150-161. ISSN 2045-6298

Cohen, Nathan (2014) New perspectives: Incorporating Retro-reflective Projection Technology (RPT) in the creation of artworks and interactive art installation. CIE (Computers in Entertainment), 11 (1). ISSN 1544-3574

Cohen, Nathan (2014) Video ergo sum: an artist’s thoughts on inventing with computer technology in the creation of artworks. In: Digital Da Vinci: Computers in the Arts and Sciences. Springer, New York, USA, pp. 99-111. ISBN 978-1-4939-0964-3

2016

Reynolds, Lucy (2016) Ballet Black. Screen, 57 (1). pp. 80-86. ISSN 0036-9543

Cohen, Nathan (2016) Visual Perception, Abstraction and Invention: an Exploration. Interalia Magazine (22).

Armstrong, Esther (2016) Blue Ball Tyranny. In: Handbook of the Unknowable. TEKS, Trondheim. ISBN 978-82-998211-5-5

Armstrong, Esther (2016) Scenographies and Space: Reading the Gendered Tyranny of the “Blue Ball”. In: Star Ark: A Living, Self-Sustaining Spaceship. Springer International Publishing.

2020

Mey, Adeena (2020) Projection between exhibition and information: experimental and artists' film at 'Sonsbeek 71'. In: Practices of Projection. Oxford University Press, pp. 211-236. ISBN 9780190934118