Rocamora, Agnès (2002) Le Monde's discours de mode: creating the créateurs. French Cultural Studies, 13 (37). pp. 83-98. ISSN 0957-1558
Rocamora, Agnès and Entwistle, Joanne (2006) The Field of Fashion Materialized: A Study of London Fashion Week. Sociology, 40 (4). pp. 735-751. ISSN 0038-0385
Rocamora, Agnès (2006) Over to You: Writing Readers in the French Vogue. The Journal of Dress, Body and Culture, Volume (Issue). pp. 153-174. ISSN 1362-704X
Rocamora, Agnès (2006) Paris Capitale de la Mode: Representing Fashion in the Media. In: Fashion’s World Cities. Berg Publishers, pp. 43-54. ISBN 1845204131
Lewis, Reina (2007) Veils and Sales: Muslims and the spaces of postcolonial fashion retail. Fashion Theory: The Journal of Dress, Body and Culture, 11 (4). pp. 423-441. ISSN 1362-704X, 1751-7419 (Online)
Rocamora, Agnès and Bartlett, Djurdja (2009) Blogs de mode: les nouveaux espaces du discours de mode. Sociétés, 2 (104). pp. 105-114. ISSN 0765-3697
Rocamora, Agnès (2012) Hypertextuality and remediation in the fashion media: the case of fashion blogs. Journalism Practice, 6 (1). pp. 92-106. ISSN 17512786
Findlay, Rosie (2012) At one remove from reality: Style bloggers and outfit posts. The Australasian Journal of Popular Culture, 1 (2). pp. 197-208. ISSN 2045-5852
Fletcher, Kate and Toth-Fejel, Katelyn (2014) The Craft of Use Event - A publication of the Local Wisdom project. Centre for Sustainable Fashion, London. ISBN 978-1-906908-31-7
Findlay, Rosie (2014) ‘The best way I knew– through fashion’: On Personal Style Bloggers and Self-Expression. In: Fashion and Its Multi-Cultural Facets. Inter-Disciplinary Press, pp. 1-6. ISBN 978-1-84888-309-3
Simonson, Caryn (2015) Telling Stories: Brand Revival, from motorcycle clothing to luxury fashion. In: 5th International Journal of Motorcycle Studies, 16-19 July 2015, Barber Vintage Motorsports Museum, Birmingham Alabama, US.
McDowell, Felice (2015) “Old” Glossies and “New” Histories: Fashion, Dress and Historical Space. Fashion Theory: The Journal of Dress, Body and Culture. ISSN 1362-704X
Findlay, Rosie (2015) The Short, Passionate and Close-Knit History of Personal Style Blogs. Fashion Theory: The Journal of Dress, Body and Culture, 19 (2). pp. 157-178. ISSN 1362-704X
Caldwell, Cath (2015) Magazine handling workshop. In: The Modern Magazine Conference 2015, 29 October 2015, Central Saint Martins, Granary Building, 1 Granary Square, King's Cross N1C 4AA.
Butchart, Amber (2015) “Flooded with little Joan Crawfords” Fashion on Film: Selling Hollywood in London in the Early 1930s. In: Disseminating Dress: Britain and the Fashion World, 28-30 May 2015, University of York.
McDowell, Felice (2016) 'Photographed at the Royal Festival Hall'...discursive constructions of dress, time and space in post-war British fashion media. Clothing Cultures, 3 (1). pp. 7-22. ISSN 2050-0742
Findlay, Rosie (2016) You Can’t Lose Something You Never Had: Longing and the fashion photograph. In: Crossroads in Cultural Studies, 14-17 December 2016, Sydney, Australia.
McDowell, Felice (2017) Inside the Wardrobe: the mediatization of personal narratives and fashionable personae. In: IABA Europe 2017: Life Writing, Europe and New Media, 07-09 June 2017, King's College London.
Lelkes, Jenny (2017) Experiences of retrospectively cataloguing Visionaire at the London College of Fashion. CILIP Rare Books and Special Collections Newsletter (106). pp. 8-11.
Williams, Dilys and Burcikova, Mila (2020) Condé Nast - The Sustainable Fashion Glossary.
Findlay, Rosie (2020) RUSSH and the All-Australian Girl? In: Critical Fashion Studies, 27-29 February 2020, University of Melbourne, Australia.
Findlay, Rosie (2020) Russh and the All-Australian Girl? Feminist Theory. ISSN 1741-2773
Karagiorgou, Ioanna (2022) The affordances of masculinities: An investigation of the construction and communication of digital masculinities through UK-based life(style) Influencers. PhD thesis, University of the Arts London.
Radclyffe-Thomas, Babette (2023) “From Karl Marx to Karl Lagerfeld”: A longitudinal study of how Vogue China navigated and reflected local and global cultural flows between 2005 and 2015. PhD thesis, University of the Arts London.