Items where Author is "Binns:Rebecca::"

Binns, Rebecca (2026) Doing it for Ourselves: Punk Political Praxis in Hackney (1988-90). In: Punk Anarchy in Action! Active Distribution, Karlovac, Croatia. ISBN 978 1 914567 84 1

Binns, Rebecca (2026) Catching Flies with Honey: Joy Gregory. Source: The Photographic Review, 120. pp. 66-67. ISSN 1369-2224

Binns, Rebecca (2026) The Artwork of the Dead Kennedys. In: Dead Kennedys and Philosophy. McFarland. (In Press) Item not available online.

Binns, Rebecca (2025) Linder: Danger Came Smiling, Linder Sterling, Hayward Gallery, Southbank Centre, 11 February-5 May, 2025. Punk & Post-Punk, 14 (2). pp. 285-300. ISSN 2044-1983

Binns, Rebecca (2025) Baby Why Do You Treat Me This Way? The Evolving Role of Women, From Pub Rock to Punk (UK, 1970s). In: Pub Rock in the UK and Australia: From the 1970s to the Twenty-First Century. Routledge, pp. 40-50. ISBN 9781003259305

Binns, Rebecca (2024) Surrealism, Social Realism and Satire in the Work of Gee Vaucher. In: IADT Symposium: Punk and Graphic Design, 4 October, 2024, Institute of Art, Design & Technology, Dublin.

Binns, Rebecca (2024) Radical performativity in the art of Anne Bean. In: Women in Revolt!: Radical Acts, Contemporary Resonances, 22-23 March 2024, Tate Britain.

Binns, Rebecca (2024) Shouting Mortality as I Drown: The Intersection of Anne Bean’s performances with Punk and Feminist Practice in the 1970s. In: Torn Edges, 20 March 2024, London College of Communication (UAL).

Binns, Rebecca (2023) Gavin Butt, No Machos or Pop Stars: When the Leeds Art Experiment Went Punk. Historical Studies in Education / Revue d’histoire De l’éducation, 35 (2). pp. 95-97.

Binns, Rebecca (2023) Jamie Reid, legendary artist, rebel and campaigner: 16 January 1947–8 August 2023. Punk & Post Punk, 12 (3). pp. 379-388. ISSN 2044-1983

Binns, Rebecca (2022) Gee Vaucher in conversation with Rebecca Binns. In: Punk Scholars Network (PSN) Conference: Punk and Resilience, 1-3 December, 2022, Middlesex University, London.

Binns, Rebecca (2022) It’s Your World Too, You Can Do What You Want’: The Role of Subcultural Activism in Stop the City Protests (1983-1984) and its Implications for Political Protest in Britain. Contemporary British History, 37 (1). pp. 63-88.

Binns, Rebecca (2022) Gee Vaucher: Beyond Punk, Feminism and the Avant-Garde. Manchester University Press. ISBN 978-1526147912

Binns, Rebecca (2020) Music, Class, and Status. It's Up to You: Class, Status, and Punk Politics in Rock against Racism. In: The Bloomsbury Handbook of Popular Music and Social Class. Bloomsbury Publishing. ISBN 9781501345388

Binns, Rebecca (2019) Marginalised Identities: Punk, Anarchism and Gender Politics in the work of Gee Vaucher. In: Punk Aesthetics & Sexualities, 19 October 2019, Mansions of the Future, Lincoln.

Binns, Rebecca (2019) There is no Authority but Yourself: Political Autonomy, Collective Art Practice, Crass and Anarcho-Punk Visual Conventions in the work of Gee Vaucher. PhD thesis, University of the Arts London. Item availability restricted.

Binns, Rebecca (2019) Review of Stories from the She Punks: Music with a Different Agenda, directed by Gina Birch and Helen Reddington. Punk & Post Punk, 8 (2). ISSN 2044 1983

Binns, Rebecca (2018) Individual Autonomy and Radical Collectivity in the Life and Work of Gee Vaucher. In: Doing Metal, Being Punk, Being Metal: Hybridity, Crossover and Difference in Punk and Metal Subcultures, 14 December 2018, De Montfort University, Leicester. Item not available online.

Binns, Rebecca (2018) The House of Fame: An Exhibition Convened by Linder, Nottingham Contemporary Gallery, UK, 24 March–24 June. Punk & Post Punk, 7 (3). pp. 479-486. ISSN 2044 1983

Bestley, Russ and Binns, Rebecca (2018) Ripped, Torn and Cut: Pop, Politics and Punk Fanzines from 1976. In: Ripped, Torn and Cut: Pop, Politics and Punk Fanzines from 1976. Manchester University Press, Manchester. ISBN 978-1-5261-2059-5

Binns, Rebecca (2018) Feminist Parody: The House of Fame: An Exhibition Convened by Linder. Source: The Photographic Review, 94. pp. 58-59. ISSN 1369-2224

Binns, Rebecca (2017) A Humorous Offensive: Tracing the Development of an “Anarcho-Punk” Aesthetic in Gee Vaucher’s Images for Crass (1979-84). In: Postgraduate Voices in Punk Studies: Your Wisdom, Our Youth. Cambridge Scholars Publishing. ISBN 9781042867424 Item not available online.

Binns, Rebecca (2017) Between The Human And The Animal: Gee Vaucher At Firstsite. The Quietus.

Binns, Rebecca (2016) Photobooks in the Real World: Animals and Us. Source: The Photographic Review, 88. pp. 30-32. ISSN 1369-2224

Binns, Rebecca (2016) Exploring “Anarcho-Feminism” in Gee Vaucher's Designs and Tracing the Permeation of this Perspective within Punk Culture (1979-84). In: The Art of Punk, 25 November 2016, University of Northampton. Item not available online.

Binns, Rebecca (2016) Pop, Politics and Punk-Fanzines, 1976-84. In: Zines as a Resource for Social History, 9 September 2016, The British Library, London. Item not available online.

Binns, Rebecca (2016) Freedom, Desire and the Questioning of ‘isms’ in Gee Vaucher’s Early Designs (1975-79). In: Gee Vaucher: Introspective. Minor Compositions, Colchester. ISBN 978-0-948252-46-4