We use cookies on this website, you can read about them
here
. To use the website as intended please...
ACCEPT COOKIES
UAL Research Online
Deposit Your Research
Home
Latest
Statistics
Open Research Guide
UAL Research
Contact
Advanced search
|
Saved searches
Items where Author is "Binns:Rebecca::"
Browse by:
Creator
Subject
College
UAL Research Centre
Research type
Year
File format
Up a level
Export as
ASCII Citation
BibTeX
Dublin Core
EP3 XML
EndNote
HTML Citation
JSON
METS
Multiline CSV
Object IDs
OpenURL ContextObject
RDF+N-Triples
RDF+N3
RDF+XML
RefWorks
Refer
Reference Manager
Thumbnail Montage
Atom
RSS 1.0
RSS 2.0
RSS 2.0
Group by:
Date
|
Creators
|
Type of Research
|
No Grouping
Jump to:
Article
|
Book
|
Book Section
|
Conference, Symposium or Workshop Item
|
Thesis
Number of items:
27
.
Article
Binns, Rebecca
(2026)
Catching Flies with Honey: Joy Gregory.
Source: The Photographic Review, 120. pp. 66-67. ISSN 1369-2224
Binns, Rebecca
(2025)
Linder: Danger Came Smiling, Linder Sterling, Hayward Gallery, Southbank Centre, 11 February-5 May, 2025.
Punk & Post-Punk, 14 (2). pp. 285-300. ISSN 2044-1983
Binns, Rebecca
(2023)
Gavin Butt, No Machos or Pop Stars: When the Leeds Art Experiment Went Punk.
Historical Studies in Education / Revue d’histoire De l’éducation, 35 (2). pp. 95-97.
Binns, Rebecca
(2023)
Jamie Reid, legendary artist, rebel and campaigner: 16 January 1947–8 August 2023.
Punk & Post Punk, 12 (3). pp. 379-388. ISSN 2044-1983
Binns, Rebecca
(2022)
It’s Your World Too, You Can Do What You Want’: The Role of Subcultural Activism in Stop the City Protests (1983-1984) and its Implications for Political Protest in Britain.
Contemporary British History, 37 (1). pp. 63-88.
Binns, Rebecca
(2019)
Review of Stories from the She Punks: Music with a Different Agenda, directed by Gina Birch and Helen Reddington.
Punk & Post Punk, 8 (2). ISSN 2044 1983
Binns, Rebecca
(2018)
The House of Fame: An Exhibition Convened by Linder, Nottingham Contemporary Gallery, UK, 24 March–24 June.
Punk & Post Punk, 7 (3). pp. 479-486. ISSN 2044 1983
Binns, Rebecca
(2018)
Feminist Parody: The House of Fame: An Exhibition Convened by Linder.
Source: The Photographic Review, 94. pp. 58-59. ISSN 1369-2224
Binns, Rebecca
(2017)
Between The Human And The Animal: Gee Vaucher At Firstsite.
The Quietus.
Binns, Rebecca
(2016)
Photobooks in the Real World: Animals and Us.
Source: The Photographic Review, 88. pp. 30-32. ISSN 1369-2224
Book
Binns, Rebecca
(2022)
Gee Vaucher: Beyond Punk, Feminism and the Avant-Garde.
Manchester University Press. ISBN 978-1526147912
Book Section
Binns, Rebecca
(2026)
Doing it for Ourselves: Punk Political Praxis in Hackney (1988-90).
In: Punk Anarchy in Action! Active Distribution, Karlovac, Croatia. ISBN 978 1 914567 84 1
Binns, Rebecca
(2026)
The Artwork of the Dead Kennedys.
In: Dead Kennedys and Philosophy. McFarland. (In Press) Item not available online.
Binns, Rebecca
(2025)
Baby Why Do You Treat Me This Way? The Evolving Role of Women, From Pub Rock to Punk (UK, 1970s).
In: Pub Rock in the UK and Australia: From the 1970s to the Twenty-First Century. Routledge, pp. 40-50. ISBN 9781003259305
Binns, Rebecca
(2020)
Music, Class, and Status. It's Up to You: Class, Status, and Punk Politics in Rock against Racism.
In: The Bloomsbury Handbook of Popular Music and Social Class. Bloomsbury Publishing. ISBN 9781501345388
Bestley, Russ
and
Binns, Rebecca
(2018)
Ripped, Torn and Cut: Pop, Politics and Punk Fanzines from 1976.
In: Ripped, Torn and Cut: Pop, Politics and Punk Fanzines from 1976. Manchester University Press, Manchester. ISBN 978-1-5261-2059-5
Binns, Rebecca
(2017)
A Humorous Offensive: Tracing the Development of an “Anarcho-Punk” Aesthetic in Gee Vaucher’s Images for Crass (1979-84).
In: Postgraduate Voices in Punk Studies: Your Wisdom, Our Youth. Cambridge Scholars Publishing. ISBN 9781042867424 Item not available online.
Binns, Rebecca
(2016)
Freedom, Desire and the Questioning of ‘isms’ in Gee Vaucher’s Early Designs (1975-79).
In: Gee Vaucher: Introspective. Minor Compositions, Colchester. ISBN 978-0-948252-46-4
Conference, Symposium or Workshop Item
Binns, Rebecca
(2024)
Surrealism, Social Realism and Satire in the Work of Gee Vaucher.
In: IADT Symposium: Punk and Graphic Design, 4 October, 2024, Institute of Art, Design & Technology, Dublin.
Binns, Rebecca
(2024)
Radical performativity in the art of Anne Bean.
In: Women in Revolt!: Radical Acts, Contemporary Resonances, 22-23 March 2024, Tate Britain.
Binns, Rebecca
(2024)
Shouting Mortality as I Drown: The Intersection of Anne Bean’s performances with Punk and Feminist Practice in the 1970s.
In: Torn Edges, 20 March 2024, London College of Communication (UAL).
Binns, Rebecca
(2022)
Gee Vaucher in conversation with Rebecca Binns.
In: Punk Scholars Network (PSN) Conference: Punk and Resilience, 1-3 December, 2022, Middlesex University, London.
Binns, Rebecca
(2019)
Marginalised Identities: Punk, Anarchism and Gender Politics in the work of Gee Vaucher.
In: Punk Aesthetics & Sexualities, 19 October 2019, Mansions of the Future, Lincoln.
Binns, Rebecca
(2018)
Individual Autonomy and Radical Collectivity in the Life and Work of Gee Vaucher.
In: Doing Metal, Being Punk, Being Metal: Hybridity, Crossover and Difference in Punk and Metal Subcultures, 14 December 2018, De Montfort University, Leicester. Item not available online.
Binns, Rebecca
(2016)
Exploring “Anarcho-Feminism” in Gee Vaucher's Designs and Tracing the Permeation of this Perspective within Punk Culture (1979-84).
In: The Art of Punk, 25 November 2016, University of Northampton. Item not available online.
Binns, Rebecca
(2016)
Pop, Politics and Punk-Fanzines, 1976-84.
In: Zines as a Resource for Social History, 9 September 2016, The British Library, London. Item not available online.
Thesis
Binns, Rebecca
(2019)
There is no Authority but Yourself: Political Autonomy, Collective Art Practice, Crass and Anarcho-Punk Visual Conventions in the work of Gee Vaucher.
PhD thesis, University of the Arts London. Item availability restricted.
This list was generated on
Tue Jul 21 20:36:50 2026 BST
.