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UAL Research Online

Items where Author is "Binns:Rebecca::"

Jump to: 2026 | 2025 | 2024 | 2022 | 2020 | 2019 | 2018 | 2016
Number of items: 11.

2026

Binns, Rebecca (2026) The Artwork of the Dead Kennedys. In: Dead Kennedys and Philosophy. McFarland. (In Press) Item not available online.

2025

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Binns, Rebecca (2025) Baby Why Do You Treat Me This Way? The Evolving Role of Women, From Pub Rock to Punk (UK, 1970s). In: Pub Rock in the UK and Australia: From the 1970s to the Twenty-First Century. Routledge, pp. 40-50. ISBN 9781003259305

2024

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Binns, Rebecca (2024) Surrealism, Social Realism and Satire in the Work of Gee Vaucher. In: IADT Symposium: Punk and Graphic Design, 4 October, 2024, Institute of Art, Design & Technology, Dublin.

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Binns, Rebecca (2024) Radical performativity in the art of Anne Bean. In: Women in Revolt!: Radical Acts, Contemporary Resonances, 22-23 March 2024, Tate Britain.

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2022

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Binns, Rebecca (2022) Gee Vaucher: Beyond Punk, Feminism and the Avant-Garde. Manchester University Press. ISBN 978-1526147912

2020

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Binns, Rebecca (2020) Music, Class, and Status. It's Up to You: Class, Status, and Punk Politics in Rock against Racism. In: The Bloomsbury Handbook of Popular Music and Social Class. Bloomsbury Publishing. ISBN 9781501345388

2019

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2018

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Bestley, Russ and Binns, Rebecca (2018) Ripped, Torn and Cut: Pop, Politics and Punk Fanzines from 1976. In: Ripped, Torn and Cut: Pop, Politics and Punk Fanzines from 1976. Manchester University Press, Manchester. ISBN 978-1-5261-2059-5

2016

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Binns, Rebecca (2016) Freedom, Desire and the Questioning of ‘isms’ in Gee Vaucher’s Early Designs (1975-79). In: Gee Vaucher: Introspective. Minor Compositions, Colchester. ISBN 978-0-948252-46-4

This list was generated on Sat Jul 11 00:19:03 2026 BST.