Items where Author is "Dalal-Clayton:Anjalie::"

Dalal-Clayton, Anjalie and Rutherford, Ananda (2024) Provisional Semantics: Addressing the Challenges of Representing Multiple Perspectives Within Public Collections. Collections: A Journal for Museum and Archives Professionals, 20 (1). ISSN 15501906

Dalal-Clayton, Anjalie and Rutherford, Ananda (2023) Provisional Inclusion: Can collections research projects ever be genuinely ethical and equitable? In: Towards a National Collection Conference, 26 April 2023, British Museum.

Dalal-Clayton, Anjalie and Rutherford, Ananda (2022) Making the Case for Slow Cataloguing. In: Collections Trust 2022 Annual Conference: Rethinking Cataloguing, 6 October 2022, Millennium Gallery, Sheffield.

Dalal-Clayton, Anjalie and Puri Purini, Ilaria (2022) Doing the Work: Embedding Anti-Racism and Decolonisation in Museum Practice. Contemporary Art Society and UAL Decolonising Arts Institute, London, UK. ISBN 978-1-7397065-0-0

Dalal-Clayton, Anjalie and Rutherford, Ananda (2022) Trophies of Empire: modes of acquisition, legitimization and colonial denial in art and heritage interpretation. In: Association for Art History 2022 Annual Conference, 8 April 2022, Online.

Dalal-Clayton, Anjalie (2022) Time looping: cyclical pasts and speculative futures in the work of Keith Piper. In: Keith Piper: Jet Black Futures. The New Art Gallery Walsall, Walsall, England, pp. 39-68. ISBN 978-1-907363-17-7

Dalal-Clayton, Anjalie and Rutherford, Ananda (2021) Against a New Orthodoxy: Decolonised “Objectivity” in the Cataloguing and Description of Artworks. In: Paul Mellon Centre for Studies in British Art. Paul Mellon Centre for Studies in British Art.

Dalal-Clayton, Anjalie (2020) Why Words Matter: The Impact of Art Museum Interpretation on the Production of Art’s Histories. In: From De-Colonial to Anti-Colonial: What's Next for Museum Interpretation?, 26 November 2020, National Portrait Gallery, online.

Dalal-Clayton, Anjalie (2020) Developing More Representative Art Collections Could Not Be More Urgent. The Double Negative.

Dalal-Clayton, Anjalie and Sheldon, Julie (2020) 'A Dissident View': Bluecoat Exhibitions, 1967-2005. In: Bluecoat, Liverpool: The UK's first arts centre. Liverpool University Press, Liverpool, pp. 145-174. ISBN 978-1-78962-163-1 Item not available online.

Dalal-Clayton, Anjalie (2019) Sonia Boyce: Beyond Blackness. NKA Journal of Contemporary African Art, 2019 (45). pp. 62-73. ISSN 1075-7163

Dalal-Clayton, Anjalie (2019) Hidden in Plain Sight: Black Artists in Public Collections. In: Archives and Embodiment, 4-5 July 2019, University of the Arts London. Item not available online.

Dalal-Clayton, Anjalie (2019) Together We Can Go Far: Black British Artist Collectives and Groups since the 1960s. In: Queer Modernisms III, 25-26 April 2019, University of Oxford. Item not available online.

Dalal-Clayton, Anjalie (2018) The Black Artists & Modernism 'Black Artists in UK Public Collections' Database. Item not available online.

Dalal-Clayton, Anjalie (2016) Challenging Narratives? The Framing of Black Artists in Afro Modern. In: Now & Then, Here & There: Black Artists & Modernism, 6-9 October 2016, Tate Britain. Item not available online.

Dalal-Clayton, Anjalie (2015) Coming into View: Black British Artists and Exhibition Cultures, 1976-2010. PhD thesis, Liverpool John Moores University.