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Items where Author is "Dalal-Clayton:Anjalie::"
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Number of items:
16
.
2024
Dalal-Clayton, Anjalie
and
Rutherford, Ananda
(2024)
Provisional Semantics: Addressing the Challenges of Representing Multiple Perspectives Within Public Collections.
Collections: A Journal for Museum and Archives Professionals, 20 (1). ISSN 15501906
2023
Dalal-Clayton, Anjalie
and
Rutherford, Ananda
(2023)
Provisional Inclusion: Can collections research projects ever be genuinely ethical and equitable?
In: Towards a National Collection Conference, 26 April 2023, British Museum.
2022
Dalal-Clayton, Anjalie
and
Rutherford, Ananda
(2022)
Making the Case for Slow Cataloguing.
In: Collections Trust 2022 Annual Conference: Rethinking Cataloguing, 6 October 2022, Millennium Gallery, Sheffield.
Dalal-Clayton, Anjalie
and
Puri Purini, Ilaria
(2022)
Doing the Work: Embedding Anti-Racism and Decolonisation in Museum Practice.
Contemporary Art Society and UAL Decolonising Arts Institute, London, UK. ISBN 978-1-7397065-0-0
Dalal-Clayton, Anjalie
and
Rutherford, Ananda
(2022)
Trophies of Empire: modes of acquisition, legitimization and colonial denial in art and heritage interpretation.
In: Association for Art History 2022 Annual Conference, 8 April 2022, Online.
Dalal-Clayton, Anjalie
(2022)
Time looping: cyclical pasts and speculative futures in the work of Keith Piper.
In: Keith Piper: Jet Black Futures. The New Art Gallery Walsall, Walsall, England, pp. 39-68. ISBN 978-1-907363-17-7
2021
Dalal-Clayton, Anjalie
and
Rutherford, Ananda
(2021)
Against a New Orthodoxy: Decolonised “Objectivity” in the Cataloguing and Description of Artworks.
In: Paul Mellon Centre for Studies in British Art. Paul Mellon Centre for Studies in British Art.
2020
Dalal-Clayton, Anjalie
(2020)
Why Words Matter: The Impact of Art Museum Interpretation on the Production of Art’s Histories.
In: From De-Colonial to Anti-Colonial: What's Next for Museum Interpretation?, 26 November 2020, National Portrait Gallery, online.
Dalal-Clayton, Anjalie
(2020)
Developing More Representative Art Collections Could Not Be More Urgent.
The Double Negative.
Dalal-Clayton, Anjalie
and
Sheldon, Julie
(2020)
'A Dissident View': Bluecoat Exhibitions, 1967-2005.
In: Bluecoat, Liverpool: The UK's first arts centre. Liverpool University Press, Liverpool, pp. 145-174. ISBN 978-1-78962-163-1 Item not available online.
2019
Dalal-Clayton, Anjalie
(2019)
Sonia Boyce: Beyond Blackness.
NKA Journal of Contemporary African Art, 2019 (45). pp. 62-73. ISSN 1075-7163
Dalal-Clayton, Anjalie
(2019)
Hidden in Plain Sight: Black Artists in Public Collections.
In: Archives and Embodiment, 4-5 July 2019, University of the Arts London. Item not available online.
Dalal-Clayton, Anjalie
(2019)
Together We Can Go Far: Black British Artist Collectives and Groups since the 1960s.
In: Queer Modernisms III, 25-26 April 2019, University of Oxford. Item not available online.
2018
Dalal-Clayton, Anjalie
(2018)
The Black Artists & Modernism 'Black Artists in UK Public Collections' Database.
Item not available online.
2016
Dalal-Clayton, Anjalie
(2016)
Challenging Narratives? The Framing of Black Artists in Afro Modern.
In: Now & Then, Here & There: Black Artists & Modernism, 6-9 October 2016, Tate Britain. Item not available online.
2015
Dalal-Clayton, Anjalie
(2015)
Coming into View: Black British Artists and Exhibition Cultures, 1976-2010.
PhD thesis, Liverpool John Moores University.
This list was generated on
Wed Dec 4 17:31:24 2024 GMT
.