Items where Author is "Good:Jennifer::"

Bhat, Mahesh and Biró, Eszter and Dare, Eleanor and Dover, Annabel and Flockhart, Gail and Fontoura, Catarina and Good, Jennifer and Hill, Phil and Hillman, John and Hudson, Carol and Janeiro, Ana and Kangelaris, Fotis and Karlsson, Elin and Krapivina, Ksenija and Llop, Mireia Ludevid and Martin, Jessie and Martin, Rosy and Martinez Estrada, Judith and Molloy, Caroline and Neely, Sarah and Papadimitropoulos, Panayotis and Payne, Natalie and Pearl, Alex and Rickett, Sophy and Sawdon Smith, Richard and Stephens, Tim and Waterman, Sally and Leister, Wiebke and Ingham, Mark and Milic, Nela and Lowe, Paul and Andersdotter, Sara and Kantas, Vasileios (2023) Handbook of Research on the Relationship Between Autobiographical Memory and Photography. IGI Global Publising, Hershey, Pennsylvania, USA. ISBN 9781668453377

Good, Jennifer (2024) Unfixing the Shadows: Temporality in Social Media Photography of the War in Ukraine. In: International Conference on Social Media and Society, 16-18 July 2024, London College of Communication, University of the Arts London.

Good, Jennifer (2024) A Joining of Self by Suella Holland. Source: Thinking Through Photography (115). ISSN 1369-3334

Good, Jennifer (2024) Unfixing Violence: Photography and Oblivion. Archivo Photofile.

Good, Jennifer (2024) On Point of View: Writing photography, violence and the self. In: Archive and Conflict: Photographic (Im)Materialities in the Digital Age', 15 February - 9 May 2024, Archivo Platform Webinar.

Good, Jennifer and Zoo, Alice (2023) Witnessing Future Violence: On images from Gaza: A Conversation with Dr Jennifer Good.

Good, Jennifer (2023) The Burden of the Screen: Virtual presence and death during Covid-19. In: Handbook of Research on the Relationship Between Autobiographical Memory and Photography. IGI Global. ISBN 9781668453377

Good, Jennifer (2022) Resisting Arrest: blur as paradoxical locus of violence in Donna Ferrato's 'Living with the Enemy'. In: Time After Time: Pictures Between Instant and Duration, 19 November 2022, Online.

Good, Jennifer (2021) Day Zero: Photographs at the Epicenter of History. In: Screening American Nostalgia: Essays on Pop Culture Constructions of Past Times. McFarland & Company, Jefferson, NC, USA, pp. 147-161. ISBN 978-1476680743

Good, Jennifer (2020) An Unkindness of Ravens. Source Photographic Review, 102. pp. 36-37. ISSN 1369-2224

Good, Jennifer (2020) Critical Paralysis: Confronting Colonialism in Photography. Viewfinder Magazine (114).

Good, Jennifer (2019) The Impossible Photograph: Blur and Domestic Violence. Photography and Culture, 12 (4). pp. 415-427. ISSN 1751-4517

Good, Jennifer (2019) Dialectics of Division: Don McCullin’s photographs of the Berlin Wall under construction, 1961. In: Why Remember? Memory and Forgetting in Times of War and Its Aftermath, 9-10 July 2019, Sarajevo, Bosnia.

Good, Jennifer (2019) Moving Through Critical Paralysis. In: UAL Learning and Teaching Conference 2019, 21 March 2019, London College of Communication, University of the Arts London.

Good, Jennifer (2019) Remembering Writing about 9/11. In: UAL Research Fortnight, 4-15 March 2019, London College of Communication, University of the Arts London.

Good, Jennifer (2018) Critical Paralysis: Threshold Concepts in Photographing the Other. In: International Association of Visual Culture Conference 2018: Visual Pedagogies, 13-15 September 2018, LCC, UAL. Item not available online.

Good, Jennifer (2018) 'The World Strikes the Body': Blur and Violence. In: Art and Violence Now, 11 June 2018, University of Edinburgh.

Good, Jennifer (2018) Framing Terror. In: The Mediated Visibility of Conflicts, 7-8 May 2018, University of Copenhagen.

Good, Jennifer and Fox, Charles (2018) The Unseen. In: Buried. Catfish Books, pp. 23-26. ISBN 978 1916163102

Good, Jennifer and Lowe, Paul (2017) Understanding Photojournalism. Bloomsbury Academic Press, London. ISBN 9781472594907

Good, Jennifer (2017) Photography of 9/11: Remembering, Repeating and Working Through. In: Why Remember? Memory and Forgetting in Times of War and Its Aftermath, June 30th-July 2nd 2017, Sarajevo, Bosnia.

Good, Jennifer (2017) 9/11: Street photography and terror. In: Engaging in Urban Image Making, 28th April 2017, Goldsmiths, University of London.

Good, Jennifer (2016) Research, Pedagogy and Power. In: What is Photographic Research? Camberwell Press, pp. 119-123. ISBN 978-1-90871-54-8

Good, Jennifer (2016) The blinding cross: Totalising narratives of 9/11. In: Art and Terrorism, 27th February 2016, Courtauld Institute of Art.

Good, Jennifer (2015) An Action Research Intervention Towards Overcoming “Theory Resistance” in Photojournalism Students. In: Working With Academic Literacies: Case Studies Towards Transformative Practice. Perspectives on Writing . The WAC Clearinghouse and Parlor Press, Fort Collins, Colorado, pp. 49-56. ISBN 9781602357624

Good, Jennifer (2015) Photography and September 11th: Spectacle, Memory, Trauma. Bloomsbury Academic, London. ISBN 9781472533319

Good, Jennifer (2015) The Unconscious Abides. In: Staging Disorder. Black Dog, London, pp. 24-25. ISBN 978-1910433157

Good, Jennifer (2014) Buildings and Bodies: Religious imagery and 9/11. In: Conflict Through the Eye of the Lens, 19 July 2014, MOSTYN Gallery, Llandudno, Wales.

Good, Jennifer and Lowe, Paul and Lardinois, Brigitte and Williams, Val (2014) Mythologizing the Vietnam War - Introduction. In: Mythologizing the Vietnam War: Visual Culture and Mediated Memory. Cambridge Scholars Publishing, Newcastle Upon Tyne, xiii-xv. ISBN 978-1-4438-5442-9

Good, Jennifer (2012) Five New Photography Galleries. Source Photographic Review, 73. pp. 22-25. ISSN 1369-2224

Lowe, Paul and Good, Jennifer and Bush, Lewis (2017) 1001 Photographs to see before you die. Cassell Illustrated, London. ISBN 184403917X