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Alamouti, David (2019) The Night the Wind Blew. [Art/Design Item]
Wyeld, Mike, Centre for Screen Cultures, University of St. Andrews (2020) Low Stakes TV; Cleaning Drains, Washing Cars and Long Walks. Centre for Screen Cultures Online Journal.
Lang, Ruth (2021) Livestreaming Sets. Frame (138). pp. 102-109. ISSN 1388 4239
Klamet, Anna (2016) Make or Buy? A Qualitative Analysis of the Organisational Handling of Digital Innovations in the German Book Publishing Sector. Publishing Research Quarterly (33). pp. 41-55. ISSN 1936-4792
Kerrigan, Finola and Graham, Gary (2010) Interaction of religonal news-media production and consumption through the social space. Journal of Marketing Management, 26 (3-4). pp. 302-320. ISSN 1472-1376
Hardin, Marques and Patel, Shreepali and Schnieder, Claudia (2023) The Arriving Storybook: Bi-directional Storytelling Through Creative Practice and Interactive Media Design. The International Journal of New Media, Technology and the Arts, 18 (1-2). ISSN 2326-9987
Chadwick, Andrew and Collister, Simon (2014) Boundary-Drawing Power and the Renewal of Professional News Organizations: The Case of The Guardian and the Edward Snowden NSA Leak. International Journal of Communication, 8. ISSN 1932-8036
Baines, Jess (2010) Free Radicals. Afterall Online.
Alamouti, David (2020) The digital ethical space: towards a transnational documentary ethics, a filmmaker’s point of view. Transnational Screens, 11 (2). pp. 103-120. ISSN 2578-5273
Hardy, Jonathan (2014) Critical Political Economy of the Media: An Introduction. Communication and Society . Routledge, Abingdon, Oxon. ISBN 9780415544849
Hardy, Jonathan (2008) Western Media Systems. Communication and Society . Routledge, Abingdon, Oxon. ISBN 9780203869048
Baines, Jess, See Red Members (2016) See Red Women's Workshop: Feminist Posters 1974-1990. Four Corners, London. ISBN 978-1-909-82907-7
Pirolli, Bryan (2014) Travel Journalism in Flux: New Practices in the Blogosphere. In: Travel Journalism: Exploring Production, Impact and Culture. Palgrave Macmillan UK, London, pp. 83-98. ISBN 978-1-137-32597-6
Baines, Jess and Credland, Tony and Pawson, Mark (2018) Doing it ourselves: Countercultural and alternative radical publishing in the decade before punk. In: Ripped, torn and cut. Pop, politics and punk fanzines from 1976. Manchester University Press. ISBN 978-1-5261-2059-5
Baines, Jess (2017) Engaging (Past) Participants: The Case of radicalprintshops.org. In: Innovative Methods in Media and Communication Research. Palgrave Macmillan, pp. 17-36. ISBN 978-3-319-40699-2
Baines, Jess (2009) The Freedom of the Press Belongs to Those who Control the Press. In: Communicative Approaches to Politics and Ethics in Europe. The Researching and Teaching Communication Series . Tartu University Press, Estonia, pp. 114-127. ISBN 9789949192502
Baines, Jess (2015) Nurturing Dissent? Community Printshops in 1970s London. In: Civic Engagement and Social Media: Political Participation Beyond Protest. Palgrave Macmillan, Basingstoke. ISBN 9781137434159
Antoniou, Alexander-Stamatios and Ntalla, Irida and Woollard, Vicky (2013) Discussing Museum Learning Opportunities For Children With Disabilities. In: Education, Family and Child & Adolescent Health. DIADRASSI Publications, Athens, pp. 277-292. ISBN 978-960-9541-94-7
Patel, Shreepali and Hardin, Marques (2023) Memory and the Value of Life. In: Visible Evidence XXIX, 6-9 September 2023, University of Udine, Italy.
Baines, Jess (2011) Radical Printshop Collectives. In: Rally of Speeches. Adhocracy, a Mini Festival of DIY Culture: Past and Present, 6-7 August 2011, Rich Mix, Bethnal Green, London.
Hibbett, Mark (2021) Periodising The Marvel Age. [Performance]
Parry, Owen G. (2015) Fan Club #1 Mpreg Cosplay Smutface Partytown. [Show/Exhibition]
Makryniotis, Thomas (2011) DressCode. [Show/Exhibition]
Baines, Jess and Cook, Siân and Credland, Tony and Eysler, Adriana (2017) Radical upsurge – 60’s Underground publishing. [Show/Exhibition]
de Selincourt, Chris (2017) Where is the mind of the media editor? An analysis of editors as intermediaries between technology and the cinematic experience. PhD thesis, Cardiff School of Art and Design - Cardiff Metropolitan University.