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UAL Research Online

Items where Subject is "Theatre studies"

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Number of items at this level: 172.


Askew, Benjamin (2017) The action to the verse: Shakespeare, Stanislavski, and the motion in poetry metaphor. Stanislavski Studies, 5 (2). pp. 141-157. ISSN 2056-7790

Armstrong, Esther (2010) A scenographic analysis of emergent British 'national' identity, on the stages of the National Theatre between 1995-2005. PhD thesis, University of the Arts London.

Anderson, Joel and Leister, Wiebke (2019) The Theatre of Photography: Dialogues. Journal of Photography and Culture, 11 (2). pp. 121-138. ISSN 1751-4517

Alston, Adam and Parry, Owen G. (2022) Staging Decadence documentary. [Art/Design Item]

Allen, Richard and May, Shaun (2015) Encountering Anthropomorphism. Performance Research: A Journal of the Performing Arts, 20 (2). pp. 1-3. ISSN 1352 8165

Allen, Richard (2018) Illusiontext. Performance Research, 23 (4-5). pp. 456-457. ISSN 1352 8165

Allen, Richard (2023) Kerala International Festival of Theatre Schools (IFTS) 2023. Theatre and Performance Design, 9 (1). pp. 112-119. ISSN 2332-2551

Allen, Richard (2019) Phantom stages: floor plans as affect machines. Theatre and Performance Design, 5 (3-4). pp. 267-273. ISSN 2332-2551


Butler, Brad and Mirza, Karen (2013) The Guest of Citation. [Performance]

Brooks, Pete and Quick, Andrew (2006) El Cuidador. [Performance]

Brooks, Pete and Quick, Andrew (2006) Hotel Methusaleh. [Performance]

Brooks, Pete and Quick, Andrew (2009) Kellerman. [Performance]

Brooks, Pete and Quick, Andrew (2012) Zero Hour (Stunde Null). [Performance]

Brooks, Pete (2011) El Rey Lear. [Performance]

Brooks, Pete (2005) In Praise of Folly. [Performance]

Brooks, Pete (2011) Six degrees below the horizon. [Performance]

Brooks, Pete (2010) The splinter in the flesh. [Performance]

Beswick, Katie (2020) Capitalist Realism: Glimmers, Working-Class Authenticity and Andrea Dunbar in the 21st Century. International Journal of Media and Cultural Politics, 16 (1). pp. 75-89. ISSN 1740-8296

Beswick, Katie (2021) Class, Race and Marginality: Informal Street Performances in the City. In: Oxford Handbook of Politics and Performance. Oxford University Press. ISBN 9780190863456

Beswick, Katie (2016) The Council Estate as Hood: SPID Theatre Company and Grass-roots Arts Practice as Cultural Politics. In: Performing (for) Survival. Palgrave Macmillan, pp. 163-184. ISBN 978-1-137-45426-3

Beswick, Katie (2021) Feeling Working Class: Affective Class Identification and its Implications for Overcoming Inequality. Studies in Theatre and Performance, 40 (3). ISSN 1468-2761

Beswick, Katie (2020) Housing, Performance and Activism: Thinking with Performance in Times of Crisis. Studies in Theatre and Performance. Studies in Theatre and Performance, 40 (1). pp. 1-7. ISSN 1468-2761

Beswick, Katie (2017) Is this love? Performance on the Streets of New York. In: Between Spaces, 29-30 June 2017, University of Chichester.

Beswick, Katie (2022) Jockstrap. Loud and Quiet (154). ISSN 2049-9892

Beswick, Katie (2021) The Performative Violence of the Wedding Dress: Teaching Queer Theory through Object Orientation. Theatre Topics, 30 (2). ISSN 1086-3346

Beswick, Katie (2018) Playing to Type: Industry and Invisible Training in the National Youth Theatre’s ‘Playing Up 2’. Theatre, Dance and Performance Training, 9 (1). pp. 4-18. ISSN 1944-3919

Beswick, Katie (2019) Social Housing in Performance: The English Council Estate on and Off Stage. Methuen Drama Engage . Methuen Drama, London. ISBN 9781474285209

Beswick, Katie (2022) Staging Grenfell: The Ethics of Representing Housing Crises in London. Canadian Theatre Review, 191. pp. 72-76. ISSN 0315-0836

Beswick, Katie (2016) Ten in a Bed: Literacy, Intermediality and the Potentials of Low-Tech. Research in Drama Education: The Journal of Applied Theatre and Performance, 21 (3). pp. 337-348. ISSN 1470-112X

Beswick, Katie (2016) A Trialectical Cusp: between the real and the represented. Performance Research: A Journal of the Performing Arts, 21 (3). pp. 27-36. ISSN 1469-9990

Barbieri, Donatella (2017) Costume in Performance: Materiality, Culture and the Body. Bloomsbury Academic, London and New York. ISBN 978-1-4742-3687-4


Collins, Jane and Pavelka, Michael (2007) Stages calling: Photographs from the Market Theatre by Ruphin Coudyzer. [Show/Exhibition]

Collins, Jane and Nisbet, Andrew (2010) Theatre and performance design: a reader in scenography. Routledge Taylor Francis Group, Oxford, U.K.. ISBN 9780415432092, 9780415432108

Collins, Jane and Brooks, Ethel (2017) Scenography Matters: Performing Romani Identities as Strategy and Critique. In: Scenography Expanded. Performance and design . Bloomsbury, London, pp. 95-111. ISBN 9781474244398

Collins, Jane and Anandhakrishnan, B. (2018) Against a hierarchy of expressive means; arguments for new pedagogies in performer education in India and the UK. Studies in Theatre and Performance. ISSN 2040-0616 online Print 14682761

Collins, Jane (2017) Anecdotal Evidence: Tales from the stage edge. In: Professorial Platform Lecture Series 2017, 3 March 2017, Wimbledon College of Arts.

Collins, Jane (2010) Craig: In His Own Words in Space and Light. [Art/Design Item]

Collins, Jane (2010) Embodied presence and dislocated spaces: ten thousand several doors a site specific re-staging of John Webster's the Duchess of Malfi. In: World Congress: Cultures of Modernity, 25-31 July 2010, Munich, Germany. (Unpublished)

Collins, Jane (2015) Introduction to Aesthetics of Absence, Texts on Theatre by Heiner Goebbels. In: Aesthetics of Absence: Texts on Theatre. Routledge, Abingdon, Oxon and New York. ISBN 9780415831048

Collins, Jane (2011) Looking: the experience of seeing, a scenographic perspective. In: Indian Society of Theatre Research (ISTR): Theatre Research Conference, January 2011, Hyderabad , India. (Unpublished)

Collins, Jane (2017) Playing with Materials: Performing effect on the indoor Jacobean stage. In: The Routledge Companion to Scenography. Routledge, Oxon and New York, pp. 215-224. ISBN 978-1-138-91780-4

Collins, Jane (2013) A Scenography Workshop on Campus in Hyderabad: Romeo, Juliet and the Security Guard. Studies in Theatre and Performance, 33 (3). pp. 383-396. ISSN 1468-2761

Collins, Jane (2007) Umuntu, ngumuntu, ngabantu: the story of the African choir. Studies in Theatre and Performance, 27 (2). pp. 95-114. ISSN 14682761

Collins, Jane (2011) reSearching: playing in the archive, part 2. [Performance]

Cole, Sarah and Mackey, Sally (2014) Home Fit for Heroes? Performing Carer Landscapes. In: Theatre and Performance Research Association, 3-5 September 2014, Royal Holloway University, Egham.

Cairns, Jon (2018) Critical Closeness, Intimate Distance: Encounters in the Love Art Laboratory. In: Technologies of Romance, 28 November 2018, Science Museum - Dana Studio, Wellcome Wolfson Building, 165 Queen's Gate, SW7 5HD London, United Kingdom.

Cairns, Jon (2019) Down and Dirty: Ecosex intimacies and the appeal of the ‘personal’. In: What’s love got to do with it? Performance, Affectivity, Intimacy, February 18 - 19, 2019, Culturgest, Lisbon, Portugal.

Cairns, Jon (2014) “Feeling My Way: Art and the Intimate Encounter”. In: Intimacy Unguarded: Autobiography, Biography, Memoir, Central Saint Martins.

Cairns, Jon (2010) Public Intimacies: My Audience with Adrienne. In: Performance Studies International #16, 9-13 June 2010, Toronto, Ontario.

Cairns, Jon (2019) Wet Words and Dirty Talk: speaking through ecosex intimacies in the work of Annie Sprinkle and Elizabeth Stephens. In: London Conference in Critical Thought, 5 - 6 July 2019, Centre for Invention and Social Process at Goldsmiths, University of London.


Dunne, Joseph (2015) Regenerating the Live: The Archive as the Genesis of a Performance Practice. PhD thesis, University of Lincoln.

Danjoux, Michèle (2019) Design-in-Motion: Sculpting Choreosonic Wearables. Theatre and Performance Design, 5 (1-2). pp. 114-124. ISSN 2332-2551


Fryer, Nic (2021) ‘Apart, we are together. Together, we are apart’: Rancière’s Community of Translators in Theory and Theatre. In: Rancière and Performance. Rowman and Littlefield, pp. 101-121. ISBN 9781538146576

Fryer, Nic (2010) From reproduction to creativity and the aesthetic: towards an ontological approach to the assessment of devised performance. Research in Drama Education: The Journal of Applied Theatre and Performance, 15 (4). pp. 547-562. ISSN 1470-112X

Fryer, Nic (2022) Hope and Helplessness in the Post-Covid Drama, Theatre and Performance Classroom. In: TaPRA, 12-14 September 2022, University of Essex.

Fryer, Nic (2021) Rancière’s Theatrocracy Within and Beyond the Theatre. In: Rancière and Performance. Rowman and Littlefield, Lanham, pp. 1-14. ISBN 9781538146576

Fryer, Nic (2015) The ‘Third Thing’: Rancière, Process Drama And Experimental Performance. Research in Drama Education, 20 (3). pp. 331-336. ISSN 1356-9783


Gravestock, Hannah (2011) Drawing and re-drawing: Working with the physicality of the performing body in costume design. PhD thesis, University of the Arts London, University of Surrey.

Granville, Andrew and Granville, Jennifer and Spencer, Michael (2015) Writing and performing mathematics as metaphor. In: Art in the Life of Mathematicians. American Mathematical Society, USA. ISBN ISBN-10: 1470419564 ISBN-13: 978-1470419561


Hosea, Birgitta (2012) Substitutive bodies and constructed actors: a practice-based investigation of animation as performance. PhD thesis, University of the Arts London.

Horvat, Vlatka (2021) This page intentionally left blank. In: Yale School of Drama/Theater magazine presents: A Goat Island Archive Forum, 25 February 2021, Online.

Hewett, Richard (2020) Pinter as Performer. The Historical Journal of Film, Radio and Television, 40 (3). pp. 499-515. ISSN 0143-9685


Isaac, Veronica (2020) Costume in the Limelight. Oxford Journal of Victorian Culture Online.

Isaac, Veronica (2022) Ellen Terry, Shopping in Byzantium: Decadent costumes fit for a ‘Temple of Art’.

Isaac, Veronica (2023) "Great minds don't always think alike": Advocating for a Collaborative Approach to Interpreting and Re-constructing Historic Theatre Costume. In: Collaboration and Co-Creation in Theatre and Performance Histories, 30 August-1 September 2023, Hybrid.

Isaac, Veronica (2021) 'Re-Dressing The Part:' The Scenographic Strategies of Ellen Terry (1847-1928). In: Scenography and Art History: Performance Design and Visual Culture. Bloomsbury Visual Arts, London, pp. 141-165. ISBN 9781350204447

Isaac, Veronica (2017) Towards a New Methodology for Working with Historic Theatre Costume: A Biographical Approach Focussing on Ellen Terry’s (1847-1928) ‘Beetlewing Dress’. Studies in Costume & Performance, 2 (2). pp. 115-135. ISSN 2052-4021

Isaac, Veronica (2018) “A Well-Dressed Actress”: Exploring the Theatrical Wardrobe of Ellen Terry (1847-1928). Costume, 52 (1). pp. 74-96. ISSN 0590-8876


Komporaly, Jozefina and Cinpoes, Nicoleta (2018) The Golden Round: Essays on the Politics of Power in Shakespeare.

Komporaly, Jozefina (2020) András Visky & Matéi Visniec: Challenging boundaries of cultural specificity. In: Contemporary European Playwrights. Routledge, pp. 76-94. ISBN 9781315111940

Komporaly, Jozefina (2021) Decomposed Theatre. [Performance]

Komporaly, Jozefina (2014) “Don’t you dare to vote with the Communists!”: Timeliness, Nostalgia and the Authenticity of Experience in I’m a Communist Biddy! Adaptation, 7 (2). ISSN 1755-0637

Komporaly, Jozefina (2017) The Ghosts of History Redux: Intertextuality, Rewriting, Adaptation. In: Subversive Stages: Theatre in Pre- and Post-communist Hungary, Romania and Bulgaria. Central European University Press, Budapest and New York, ix-xx. ISBN 978-963-386-116-5

Komporaly, Jozefina (2023) Hungary. In: The Routledge Companion to Contemporary European Theatre and Performance. Routledge, London, pp. 109-115. ISBN 9781350214316

Komporaly, Jozefina (2015) Interferences International Theatre Festival, Cluj, Romania, 26 November-7 December 2014. Theatre Journal, 67 (3). pp. 550-554. ISSN 0192-2882

Komporaly, Jozefina (2016) Making a Spectacle: Motherhood in Contemporary British Theatre and Performance. Theatre History Studies, 35 (1). pp. 161-178. ISSN 0733-2033

Komporaly, Jozefina (2014) Narratives of Belonging in Multilingual Performance: The Case Study of 20/20. Linguistica Antverpiensia, 13. pp. 30-44. ISSN 2295-5739

Komporaly, Jozefina (2019) Open Dramaturgy and Collaboration in András Visky’s Theatre in English Translation. Hungarian Literature Online.

Komporaly, Jozefina (2017) Radical Revival as Adaptation: Theatre, Politics, Society. Adaptation in Theatre and Performance . Palgrave Macmillan, London. ISBN 978-1-137-48101-6

Komporaly, Jozefina (2020) Re-Routing Hamlet: From the Canon to Consumer Culture. In: Adapting the Canon: Mediation, Visualization, Interpretation. Legenda, Oxford, pp. 182-196. ISBN 978-1-781887-08-0

Komporaly, Jozefina (2023) Romania. In: The Routledge Companion to Contemporary European Theatre and Performance. Routledge, London, pp. 209-215. ISBN 9780367535919

Komporaly, Jozefina (2014) Showcase in Budapest. New Theatre Quarterly, 30 (4). pp. 391-396. ISSN 0266-464X

Komporaly, Jozefina (2015) Staging History: Memory and Representation in the Theatre of Matéi Visniec and András Visky. In: Literatura, Teatrul si Filmul, in onoarea dramaturgului Matei Visniec. Ovidius University Press, Constanta, Romania. ISBN 978-973-614-855-2

Komporaly, Jozefina (2019) Zilele Teatrului Matei Vişniec/Festival of the Matéi Visniec Theatre in Suceava (Romania), Or Breaking into the Festival Circuit. The Theatre Times.

Kollectiv, Galia and Kollectiv, Pil (2022) The Dead - United! [Art/Design Item]

Kear, Adrian and Kelleher, Joe (2000) The Wolf-Man. Performance Research: A Journal of the Performing Arts, 5 (2). pp. 82-91. ISSN 13528165/14699990

Kear, Adrian (2024) Acting Politically: Making performance in the eye of history. In: Theatre, activism, subjectivity: Searching for the Left in a fragmented world. Manchester University Press, Manchester. ISBN 978-1-5261-7856-5 (In Press)

Kear, Adrian (2020) Alain Platel and The Scene of Seduction. In: The Choreopolitics of Alain Platel's Ballets C de la B: Emotions, Gestures, Politics. Dance in Dialogue . Bloomsbury Methuen Drama, London, pp. 86-99. ISBN 9781350080027

Kear, Adrian (2021) Authenticity/Theatricality: World spectatorship and the drama of the image. In: The Oxford Handbook of Politics and Performance. Oxford University Press, Oxford.

Kear, Adrian (1998) Between Two Deaths: Tragic Ideology and the Work of Mourning. JPCS: Journal for the Psychoanalysis of Culture and Society, 3 (1). pp. 131-136.

Kear, Adrian (2014) Consensus/Dissensus. In: Keywords, Concepts and Theories in Performance Studies. Palgrave, Basingstoke, pp. 164-173. ISBN 9780230247307

Kear, Adrian (2006) Desire Amongst the Dodgems: Alain Platel and the Scene of Seduction. In: Contemporary Theatres in Europe. Routledge, London, pp. 106-119. ISBN 041532940X

Kear, Adrian (1999) Diana Between Two Deaths: Spectral Ethics and the Time of Mourning. In: Mourning Diana: Nation, Culture and the Performance of Grief. Routledge, London, pp. 169-186. ISBN 9780415193931

Kear, Adrian (2023) A Different Hunger: World spectatorship and the violence of representation. Performance Research: A Journal of the Performing Arts, 28 (7). ISSN 1469 9990

Kear, Adrian (2005) A Handbook of Theatrical Devices. Performance Research: A Journal of the Performing Arts, 10 (4). pp. 83-96. ISSN 13528165/14699990

Kear, Adrian (2019) How Does Theatre Think Through Theatricality? In: Thinking Through Theatre and Performance. Methuen Bloomsbury, London. ISBN 9781472579614

Kear, Adrian (2022) In Memoriam: Professor Mike Pearson. Theatre and Performance Design, 8 (1-2). pp. 142-148. ISSN 2332-2551

Kear, Adrian (2008) Intensities of Appearance. Performance Research: A Journal of the Performing Arts, 13 (4). pp. 16-24. ISSN 13528165/14699990

Kear, Adrian (2013) International Politics and Performance: Critical Aesthetics and Creative Practice. Interventions . Routledge, Abingdon. ISBN 9780415706230

Kear, Adrian (2015) Mourning. In: Vocabulary for the Study of Religion. Brill, Leiden. ISBN 978-9004290433

Kear, Adrian (1999) Mourning Diana: Nation, Culture and the Performance of Grief. Routledge, London. ISBN 9780415193931

Kear, Adrian (2008) On Appearance. Performance Research, 13 (4). Routledge, London. ISBN 978-0-415-49442

Kear, Adrian (2001) Parasites. Parallax, 7 (2). pp. 31-45. ISSN 1353-4645

Kear, Adrian (2001) Psychoanalysis and Performance. Routledge, London. ISBN 9780415212052

Kear, Adrian (2015) Restaging the Anxiety of the Image. Performance Research: A Journal of the Performing Arts, 20 (5). pp. 51-62. ISSN 13528165/14699990

Kear, Adrian (2002) Seduction and Translation. Performance Research: A Journal of the Performing Arts, 7 (2). pp. 35-49. ISSN 13528165/14699990

Kear, Adrian (2001) Speak Whiteness: Staging ‘Race’, Performing Responsibility. In: Psychoanalysis and Performance. Routledge, London, pp. 192-202. ISBN 9780415212052

Kear, Adrian (2021) Staging the People: Performance, presence and representation. In: Ranciere and Performance. Performance Philosophy . Rowman and Littlefield, Maryland, pp. 81-100. ISBN 978-1-5381-4658-3

Kear, Adrian (2024) Theatre against itself: performance, politics and the limits of theatricality. In: Theatricality and the Arts: Film, Art, Theatre. Edinburgh University Press, Edinburgh, pp. 125-142. ISBN 9781399511650

Kear, Adrian (2013) Theatre and Event: Staging the European Century. Studies in International Theatre and Performance . Palgrave, Basingstoke. ISBN 978-0-230-00808-3

Kear, Adrian (2011) Theatre, Ethics and the Labour of Mimesis. In: A Life of Ethics and Performance. Cambridge Scholars, Cambridge, pp. 87-114. ISBN 1443841781

Kear, Adrian (2019) Thinking Through Theatre and Performance. Thinking Through Theatre . Methuen Bloomsbury, London. ISBN 9781472579607

Kear, Adrian (2012) Thinking on your feet: Richard Maxwell’s Neutral Hero and the tragic impediment of contemporary theatre. Performance Research: A Journal of the Performing Arts, 17 (2). pp. 22-29. ISSN 13528165/14699990

Kear, Adrian (2004) Thinking out of Time: Theatre and the Ethic of Interruption. Performance Research: A Journal of the Performing Arts, 9 (4). pp. 99-110. ISSN 13528165/14699990

Kear, Adrian (2005) Troublesome Amateurs: Theatre, Ethics and the Labour of Mimesis. Performance Research: A Journal of the Performing Arts, 10 (1). pp. 26-46. ISSN 13528165/14699990

Kear, Adrian (2006) The memory of promise: theatre and the ethic of the future. In: A Performance Cosmology: Testimony from the Future, Evidence from the Past. Routledge, London, pp. 148-151. ISBN 0415372585


Livergant, Elyssa (2016) Belarus Free Theatre, Labour Mobility and the Cultural Politics of the Border. Contemporary Theatre Review, 26 (2). pp. 241-257. ISSN 1477-2264

Livergant, Elyssa (2018) Limehouse Town Hall and the Living School. The Living School. pp. 54-65.

Leister, Wiebke and Anderson, Joel (2019) The Theatre of Photography / Le Théâtre de la Photographie. Revue Sens Public. ISSN 2104-3272

Leister, Wiebke, Max-Planck-Institut für Kunstgeschichte, Deutsches Archäologisches Institut Rom, Bibliotheca Hertziana (2021) Duchenne’s Frontispiece: Idealised Facticity and the Politics of Photographic Double Portraiture. In: Faktizität und Gebrauch früher Fotografie – Factuality and Utilization of Early Photography. Harrassowitz Verlag, Wiesbaden, pp. 225-241. ISBN 978-3-447-11637-4

Leister, Wiebke (2016) Echoes and Afterlives. [Show/Exhibition]

Leister, Wiebke (2016) Echoes and Afterlives (Fieldstudy). Fieldstudy, 22 . Photography and the Archive Research Centre, London.

Leister, Wiebke (2017) ‘Echoes and Afterlives’ (journal article). Journal of Photography and Culture, 10 (1). pp. 85-94. ISSN 17514517

Leister, Wiebke (2018) Echoes and Callings. [Show/Exhibition]

Leister, Wiebke (2019) Echoes and Callings. [Show/Exhibition]

Leister, Wiebke (2016) Echoes and Transformations. [Show/Exhibition]

Leister, Wiebke (2016) Echoes and Transformations (performed publication). [Performance]

Leister, Wiebke (2019) Pro-Photographic Gestures. Photography and Culture. ISSN 17514517

Leister, Wiebke (2001) Theaterszene-Jahrbuch Köln 2001. Theaterszene-Jahrbuch Köln . M7 Verlag, Cologne. ISBN 3934511031


Mirodan, Vladimir (2015) Acting the metaphor: the Laban–Malmgren system of movement psychology and character analysis. Theatre, Dance and Performance Training, 6 (1). pp. 30-45. ISSN 1944-3927 (Print), 1944-3919 (Online)

Milic, Nela (2023) Materializing Site. In: Performance Making and the Archive. Routledge, India, pp. 63-71. ISBN 9780367195601

Mey, Adeena and Adami, Elisa and Haloba, Anawana (2022) On African Opera: A Conversation with Anawana Haloba. Afterall: A Journal of Art, Context and Enquiry (53). pp. 102-115. ISSN 1465-4253

Mendelson, Zoë (2017) Spectacular Evidence: Theatres of the Observed Mind. In: Spectacular Evidence: Theatres of the Observed Mind, 24 March 2017, Artsadmin, Toynbee Studios, 28 Commercial Street, London E1 6AB.

Melvin, Jo (2009) An Impossible Journey: the art and theatre of Tadeusz Kantor. [Show/Exhibition]

Meller, Fred and Campbell, Lee (2017) Spoiling the Game: Anarchy or Normality. In: Scenario Forum Conference, 25-28 May 2017, University of Cork. (Unpublished)

Meller, Fred (2017) Performing Teaching. In: Provocative Pedagogies: Performative Teaching and Learning in the Arts., 14 October 2017, Lincoln University.

Meller, Fred (2003) Pericles (performance design). [Performance]

Meller, Fred (2011) Transformation revelation. [Show/Exhibition]

Meller, Fred (2020) Tricks and Erasers: Disruption as Performance Pedagogy. In: Leap into Action: Critical Performative Pedagogies in Art and Design Education. Peter Laing, New York. ISBN 978-1433166402

Meller, Fred (2019) Tricksters, Hecklers and Performative Pedagogies. In: Paradox Fine Art Forum Biennial Strand B: Activating Art Education, September 2019, Riga, Latvia.

McMillan, Michael (2016) Doing Nothing is Not an Option. [Show/Exhibition]

McCartney, Nicola (2018) Death of the Artist: Art World Dissidents and their Alternative Identities. International Library of Modern and Contemporary Art . I.B. Tauris, London. ISBN 9781784534158

Margolies, Eleanor (2018) Women, Fairytales and Cultural Myths. Animations Online.

Mackey, Sally and Cole, Sarah (2013) Cuckoos in the Nest: performing place, artists and excess. Applied Theatre Research, 1 (1). pp. 43-61. ISSN 20493010


Pilgrim, Geraldine (2007) Dreams of a Winter Night. [Performance]

Pearson, Deborah and Gregg, Stacey (2019) Inside Bitch. Oberon Books, London. ISBN 1786827476

Pearson, Deborah (2017) The Shape of a Thought: A Made Up Game. PhD thesis, Royal Holloway, University of London.

Pastor, Eugénie (2022) Caring with, Voice and Under-Represented Expressions of Love in and through The Undefinable by She Goat: An Artist-Researcher's Perspective. In: Love and the Politics of Care: Methods, Pedagogies, Institutions. Bloomsbury Academic, pp. 107-126. ISBN 9781501387647

Pastor, Eugénie (2021) Networked Performance: Politics of collaboration and online platforms: The Curious Hearts Song Club by She Goat. In: Changing Perspectives on Live Performance: Interrogating digital dimensions and new modes of engagement, 8-9 October 2021, Anglia Ruskin University, online.

Parry, Owen G. and Hulson, Marc (2024) Extracurricular. [Performance]

Parry, Owen G., Dalston Ballet Company (2016) Fan Club #4 Hail Hail Hail Party Hail. [Show/Exhibition]

Parry, Owen G. (2019) Fans of Live Art. In: Glasgow Theatre Seminar, 17 January 2019, University of Glasgow, Scotland.

Parry, Owen G. (2023) Freedom is a Performance Hangout* (*Click on this fake sweat distraction technique to release infinite scroll). Performance Research, 28 (2). pp. 29-38. ISSN 1469-9990

Parry, Owen G. (2023) Poor theory: Art and participatory cultures of the Post-truthacene. In: Guest Lecture, 15 December 2023, Music and Arts University of the City of Vienna, Austria (MUK).

Parry, Owen G. (2016) Sex, Work, and Negative Affects in Participatory Performance. Contemporary Theatre Review, 26 (4). ISSN 1477-2264

Pantouvaki, Sofia (2008) The effects of theatrical storytelling and scenography on children: The case of children's theatre in the ghetto of Terezín (1941-45). PhD thesis, University of the Arts London.


Spencer, Michael (2013) Documentation AS Scenography. In: Performing Documents, 12-14 April 2013, Arnolfini, Bristol.

Spencer, Michael (2019) p e r f o r m 1 3 0 6 1 9. [Performance]

Simões, Nenita Gouveia (2007) Rehearsing Reality: An Interactive Docufragmentary Exploration of the Theatre of the Oppressed's Engagement with the Brazilian Landless Movement (MST). PhD thesis, University of the Arts London.

Sidey, Tessa (2010) Creative image maker: Edward Gordon Craig’s achievements in the visual arts. In: Edward Gordon Craig: His Legacy, 25/09/2010, Sackler Centre, V & A museum, London. (Unpublished)

Sabin, Roger (2009) Ally Sloper on Stage. European Comic Art, 2 (2). pp. 205-225. ISSN 17543800


Trimingham, Melissa and Barbieri, Donatella (2016) War, revolution and design: exploring pedagogy, practice-based research and costume for performance through the Russian avant-garde theatre. Studies in Theatre and Performance, 36 (3). pp. 269-280. ISSN 1468-2761

Thornett, Lucy and Lever-Davidson, Amelia (2014) The Double. [Performance]

Thornett, Lucy (2016) Landscape, Place and the Gothic in Contemporary Australian Scenography. In: Theatre and Performance Research Association annual conference, scenography working group, 5-7 September 2016, University of Bristol.

Thornett, Lucy (2017) Prosthetic Scenographies: Scenographic Extension of the Senses and Mediation of the Performance Space in Tower. International Journal of Performance Arts and Digital Media, 14 (1).


Visniec, Matéi and Komporaly, Jozefina (2015) How to Explain the History of Communism to Mental Patients and Other Plays. In Performance . Seagull Books, London, New York, Calcutta. ISBN 9780857422200

Visky, Andras and Komporaly, Jozefina and Orlich, Ileana Alexandra and Knapp, Jeremy and Koonrod, Karin and O'Sullivan, Ailisha and Daray, Erzsebet and Evans, David Robert and Hawkins, Melissa (2017) András Visky’s Barrack Dramaturgy: Memories of the Body. Playtext . Intellect, Bristol. ISBN 9781783207329


Windle, Amanda (2014) How to be a resilient researcher of social isolation. Native.

Willson, Jacki (2008) The Happy Stripper: Pleasures and Politics of the New Burlesque. I.B.Tauris, London and New York. ISBN 978-1-84511-318-6

Wilder, Ken (2022) Self-disclosure and the ‘staging’ of autonomy in installation art. Theatre and Performance Design, 8 (1-2). pp. 46-62. ISSN 2332-2551


Zimmerman, Andrea Luka (2019) Here for Life. [Art/Design Item]

Zeilig, Hannah (2020) Opening the Door: A report on the Generations 3 project. Project Report. University of the Arts London.

This list was generated on Sun Jun 16 02:43:59 2024 BST.