We use cookies on this website, you can read about them here. To use the website as intended please... ACCEPT COOKIES
UAL Research Online

Items where Subject is "Theatre studies"

Up a level
Export as [feed] Atom [feed] RSS 1.0 [feed] RSS 2.0 [feed] RSS 2.0
Jump to: 1998 | 1999 | 2000 | 2001 | 2002 | 2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012 | 2013 | 2014 | 2015 | 2016 | 2017 | 2018 | 2019 | 2020 | 2021 | 2022 | 2023
Number of items at this level: 151.

1998

Kear, Adrian (1998) Between Two Deaths: Tragic Ideology and the Work of Mourning. JPCS: Journal for the Psychoanalysis of Culture and Society, 3 (1). pp. 131-136.

1999

Kear, Adrian (1999) Diana Between Two Deaths: Spectral Ethics and the Time of Mourning. In: Mourning Diana: Nation, Culture and the Performance of Grief. Routledge, London, pp. 169-186. ISBN 9780415193931

Kear, Adrian (1999) Mourning Diana: Nation, Culture and the Performance of Grief. Routledge, London. ISBN 9780415193931

2000

Kear, Adrian and Kelleher, Joe (2000) The Wolf-Man. Performance Research: A Journal of the Performing Arts, 5 (2). pp. 82-91. ISSN 13528165/14699990

2001

Leister, Wiebke (2001) Theaterszene-Jahrbuch Köln 2001. Theaterszene-Jahrbuch Köln . M7 Verlag, Cologne. ISBN 3934511031

Kear, Adrian (2001) Parasites. Parallax, 7 (2). pp. 31-45. ISSN 1353-4645

Kear, Adrian (2001) Psychoanalysis and Performance. Routledge, London. ISBN 9780415212052

Kear, Adrian (2001) Speak Whiteness: Staging ‘Race’, Performing Responsibility. In: Psychoanalysis and Performance. Routledge, London, pp. 192-202. ISBN 9780415212052

2002

Kear, Adrian (2002) Seduction and Translation. Performance Research: A Journal of the Performing Arts, 7 (2). pp. 35-49. ISSN 13528165/14699990

2003

Meller, Fred (2003) Pericles (performance design). [Performance]

2004

Kear, Adrian (2004) Thinking out of Time: Theatre and the Ethic of Interruption. Performance Research: A Journal of the Performing Arts, 9 (4). pp. 99-110. ISSN 13528165/14699990

2005

Kear, Adrian (2005) A Handbook of Theatrical Devices. Performance Research: A Journal of the Performing Arts, 10 (4). pp. 83-96. ISSN 13528165/14699990

Kear, Adrian (2005) Troublesome Amateurs: Theatre, Ethics and the Labour of Mimesis. Performance Research: A Journal of the Performing Arts, 10 (1). pp. 26-46. ISSN 13528165/14699990

Brooks, Pete (2005) In Praise of Folly. [Performance]

2006

Kear, Adrian (2006) Desire Amongst the Dodgems: Alain Platel and the Scene of Seduction. In: Contemporary Theatres in Europe. Routledge, London, pp. 106-119. ISBN 041532940X

Kear, Adrian (2006) The memory of promise: theatre and the ethic of the future. In: A Performance Cosmology: Testimony from the Future, Evidence from the Past. Routledge, London, pp. 148-151. ISBN 0415372585

Brooks, Pete and Quick, Andrew (2006) El Cuidador. [Performance]

Brooks, Pete and Quick, Andrew (2006) Hotel Methusaleh. [Performance]

2007

Simões, Nenita Gouveia (2007) Rehearsing Reality: An Interactive Docufragmentary Exploration of the Theatre of the Oppressed's Engagement with the Brazilian Landless Movement (MST). PhD thesis, University of the Arts London.

Pilgrim, Geraldine (2007) Dreams of a Winter Night. [Performance]

Collins, Jane and Pavelka, Michael (2007) Stages calling: Photographs from the Market Theatre by Ruphin Coudyzer. [Show/Exhibition]

Collins, Jane (2007) Umuntu, ngumuntu, ngabantu: the story of the African choir. Studies in Theatre and Performance, 27 (2). pp. 95-114. ISSN 14682761

2008

Willson, Jacki (2008) The Happy Stripper: Pleasures and Politics of the New Burlesque. I.B.Tauris, London and New York. ISBN 978-1-84511-318-6

Pantouvaki, Sofia (2008) The effects of theatrical storytelling and scenography on children: The case of children's theatre in the ghetto of Terezín (1941-45). PhD thesis, University of the Arts London.

Kear, Adrian (2008) Intensities of Appearance. Performance Research: A Journal of the Performing Arts, 13 (4). pp. 16-24. ISSN 13528165/14699990

Kear, Adrian (2008) On Appearance. Performance Research, 13 (4). Routledge, London. ISBN 978-0-415-49442

2009

Sabin, Roger (2009) Ally Sloper on Stage. European Comic Art, 2 (2). pp. 205-225. ISSN 17543800

Melvin, Jo (2009) An Impossible Journey: the art and theatre of Tadeusz Kantor. [Show/Exhibition]

Brooks, Pete and Quick, Andrew (2009) Kellerman. [Performance]

2010

Sidey, Tessa (2010) Creative image maker: Edward Gordon Craig’s achievements in the visual arts. In: Edward Gordon Craig: His Legacy, 25/09/2010, Sackler Centre, V & A museum, London. (Unpublished)

Fryer, Nic (2010) From reproduction to creativity and the aesthetic: towards an ontological approach to the assessment of devised performance. Research in Drama Education: The Journal of Applied Theatre and Performance, 15 (4). pp. 547-562. ISSN 1470-112X

Collins, Jane and Nisbet, Andrew (2010) Theatre and performance design: a reader in scenography. Routledge Taylor Francis Group, Oxford, U.K.. ISBN 9780415432092, 9780415432108

Collins, Jane (2010) Craig: In His Own Words in Space and Light. [Art/Design Item]

Collins, Jane (2010) Embodied presence and dislocated spaces: ten thousand several doors a site specific re-staging of John Webster's the Duchess of Malfi. In: World Congress: Cultures of Modernity, 25-31 July 2010, Munich, Germany. (Unpublished)

Cairns, Jon (2010) Public Intimacies: My Audience with Adrienne. In: Performance Studies International #16, 9-13 June 2010, Toronto, Ontario.

Brooks, Pete (2010) The splinter in the flesh. [Performance]

Armstrong, Esther (2010) A scenographic analysis of emergent British 'national' identity, on the stages of the National Theatre between 1995-2005. PhD thesis, University of the Arts London.

2011

Meller, Fred (2011) Transformation revelation. [Show/Exhibition]

Kear, Adrian (2011) Theatre, Ethics and the Labour of Mimesis. In: A Life of Ethics and Performance. Cambridge Scholars, Cambridge, pp. 87-114. ISBN 1443841781

Gravestock, Hannah (2011) Drawing and re-drawing: working with the physicality of the performing body in costume design. PhD thesis, University of the Arts London, University of Surrey.

Collins, Jane (2011) Looking: the experience of seeing, a scenographic perspective. In: Indian Society of Theatre Research (ISTR): Theatre Research Conference, January 2011, Hyderabad , India. (Unpublished)

Collins, Jane (2011) reSearching: playing in the archive, part 2. [Performance]

Brooks, Pete (2011) El Rey Lear. [Performance]

Brooks, Pete (2011) Six degrees below the horizon. [Performance]

2012

Kear, Adrian (2012) Thinking on your feet: Richard Maxwell’s Neutral Hero and the tragic impediment of contemporary theatre. Performance Research: A Journal of the Performing Arts, 17 (2). pp. 22-29. ISSN 13528165/14699990

Hosea, Birgitta (2012) Substitutive bodies and constructed actors: a practice-based investigation of animation as performance. PhD thesis, University of the Arts London.

Brooks, Pete and Quick, Andrew (2012) Zero Hour (Stunde Null). [Performance]

2013

Spencer, Michael (2013) Documentation AS Scenography. In: Performing Documents, 12-14 April 2013, Arnolfini, Bristol.

Mackey, Sally and Cole, Sarah (2013) Cuckoos in the Nest: performing place, artists and excess. Applied Theatre Research, 1 (1). pp. 43-61. ISSN 20493010

Kear, Adrian (2013) International Politics and Performance: Critical Aesthetics and Creative Practice. Interventions . Routledge, Abingdon. ISBN 9780415706230

Kear, Adrian (2013) Theatre and Event: Staging the European Century. Studies in International Theatre and Performance . Palgrave, Basingstoke. ISBN 978-0-230-00808-3

Collins, Jane (2013) A Scenography Workshop on Campus in Hyderabad: Romeo, Juliet and the Security Guard. Studies in Theatre and Performance, 33 (3). pp. 383-396. ISSN 1468-2761

Butler, Brad and Mirza, Karen (2013) The Guest of Citation. [Performance]

2014

Windle, Amanda (2014) How to be a resilient researcher of social isolation. Native.

Thornett, Lucy and Lever-Davidson, Amelia (2014) The Double. [Performance]

Komporaly, Jozefina (2014) “Don’t you dare to vote with the Communists!”: Timeliness, Nostalgia and the Authenticity of Experience in I’m a Communist Biddy! Adaptation, 7 (2). ISSN 1755-0637

Komporaly, Jozefina (2014) Narratives of Belonging in Multilingual Performance: The Case Study of 20/20. Linguistica Antverpiensia, 13. pp. 30-44. ISSN 2295-5739

Komporaly, Jozefina (2014) Showcase in Budapest. New Theatre Quarterly, 30 (4). pp. 391-396. ISSN 0266-464X

Kear, Adrian (2014) Consensus/Dissensus. In: Keywords, Concepts and Theories in Performance Studies. Palgrave, Basingstoke, pp. 164-173. ISBN 9780230247307

Cole, Sarah and Mackey, Sally (2014) Home Fit for Heroes? Performing Carer Landscapes. In: Theatre and Performance Research Association, 3-5 September 2014, Royal Holloway University, Egham.

Cairns, Jon (2014) “Feeling My Way: Art and the Intimate Encounter”. In: Intimacy Unguarded: Autobiography, Biography, Memoir, Central Saint Martins.

2015

Visniec, Matéi and Komporaly, Jozefina (2015) How to Explain the History of Communism to Mental Patients and Other Plays. In Performance . Seagull Books, London, New York, Calcutta. ISBN 9780857422200

Mirodan, Vladimir (2015) Acting the metaphor: the Laban–Malmgren system of movement psychology and character analysis. Theatre, Dance and Performance Training, 6 (1). pp. 30-45. ISSN 1944-3927 (Print), 1944-3919 (Online)

Komporaly, Jozefina (2015) Interferences International Theatre Festival, Cluj, Romania, 26 November-7 December 2014. Theatre Journal, 67 (3). pp. 550-554. ISSN 0192-2882

Komporaly, Jozefina (2015) Staging History: Memory and Representation in the Theatre of Matéi Visniec and András Visky. In: Literatura, Teatrul si Filmul, in onoarea dramaturgului Matei Visniec. Ovidius University Press, Constanta, Romania. ISBN 978-973-614-855-2

Kear, Adrian (2015) Mourning. In: Vocabulary for the Study of Religion. Brill, Leiden. ISBN 978-9004290433

Kear, Adrian (2015) Restaging the Anxiety of the Image. Performance Research: A Journal of the Performing Arts, 20 (5). pp. 51-62. ISSN 13528165/14699990

Granville, Andrew and Granville, Jennifer and Spencer, Michael (2015) Writing and performing mathematics as metaphor. In: Art in the Life of Mathematicians. American Mathematical Society, USA. ISBN ISBN-10: 1470419564 ISBN-13: 978-1470419561

Fryer, Nic (2015) The ‘Third Thing’: Rancière, Process Drama And Experimental Performance. Research in Drama Education, 20 (3). pp. 331-336. ISSN 1356-9783

Dunne, Joseph (2015) Regenerating the Live: The Archive as the Genesis of a Performance Practice. PhD thesis, University of Lincoln.

Collins, Jane (2015) Introduction to Aesthetics of Absence, Texts on Theatre by Heiner Goebbels. In: Aesthetics of Absence: Texts on Theatre. Routledge, Abingdon, Oxon and New York. ISBN 9780415831048

2016

Trimingham, Melissa and Barbieri, Donatella (2016) War, revolution and design: exploring pedagogy, practice-based research and costume for performance through the Russian avant-garde theatre. Studies in Theatre and Performance, 36 (3). pp. 269-280. ISSN 1468-2761

Thornett, Lucy (2016) Landscape, Place and the Gothic in Contemporary Australian Scenography. In: Theatre and Performance Research Association annual conference, scenography working group, 5-7 September 2016, University of Bristol.

Parry, Owen G., Dalston Ballet Company (2016) Fan Club #4 Hail Hail Hail Party Hail. [Show/Exhibition]

Parry, Owen G. (2016) Sex, Work, and Negative Affects in Participatory Performance. Contemporary Theatre Review, 26 (4). ISSN 1477-2264

McMillan, Michael (2016) Doing Nothing is Not an Option. [Show/Exhibition]

Livergant, Elyssa (2016) Belarus Free Theatre, Labour Mobility and the Cultural Politics of the Border. Contemporary Theatre Review, 26 (2). pp. 241-257. ISSN 1477-2264

Leister, Wiebke (2016) Echoes and Afterlives. [Show/Exhibition]

Leister, Wiebke (2016) Echoes and Afterlives (Fieldstudy). Fieldstudy, 22 . Photography and the Archive Research Centre, London.

Leister, Wiebke (2016) Echoes and Transformations. [Show/Exhibition]

Leister, Wiebke (2016) Echoes and Transformations (performed publication). [Performance]

Komporaly, Jozefina (2016) Making a Spectacle: Motherhood in Contemporary British Theatre and Performance. Theatre History Studies, 35 (1). pp. 161-178. ISSN 0733-2033

Beswick, Katie (2016) The Council Estate as Hood: SPID Theatre Company and Grass-roots Arts Practice as Cultural Politics. In: Performing (for) Survival. Palgrave Macmillan, pp. 163-184. ISBN 978-1-137-45426-3

Beswick, Katie (2016) Ten in a Bed: Literacy, Intermediality and the Potentials of Low-Tech. Research in Drama Education: The Journal of Applied Theatre and Performance, 21 (3). pp. 337-348. ISSN 1470-112X

Beswick, Katie (2016) A Trialectical Cusp: between the real and the represented. Performance Research: A Journal of the Performing Arts, 21 (3). pp. 27-36. ISSN 1469-9990

2017

Visky, Andras and Komporaly, Jozefina and Orlich, Ileana Alexandra and Knapp, Jeremy and Koonrod, Karin and O'Sullivan, Ailisha and Daray, Erzsebet and Evans, David Robert and Hawkins, Melissa (2017) András Visky’s Barrack Dramaturgy: Memories of the Body. Playtext . Intellect, Bristol. ISBN 9781783207329

Thornett, Lucy (2017) Prosthetic Scenographies: Scenographic Extension of the Senses and Mediation of the Performance Space in Tower. International Journal of Performance Arts and Digital Media, 14 (1).

Pearson, Deborah (2017) The Shape of a Thought: A Made Up Game. PhD thesis, Royal Holloway, University of London.

Mendelson, Zoë (2017) Spectacular Evidence: Theatres of the Observed Mind. In: Spectacular Evidence: Theatres of the Observed Mind, 24 March 2017, Artsadmin, Toynbee Studios, 28 Commercial Street, London E1 6AB.

Meller, Fred and Campbell, Lee (2017) Spoiling the Game: Anarchy or Normality. In: Scenario Forum Conference, 25-28 May 2017, University of Cork. (Unpublished)

Meller, Fred (2017) Performing Teaching. In: Provocative Pedagogies: Performative Teaching and Learning in the Arts., 14 October 2017, Lincoln University.

Leister, Wiebke (2017) ‘Echoes and Afterlives’ (journal article). Journal of Photography and Culture, 10 (1). pp. 85-94. ISSN 17514517

Komporaly, Jozefina (2017) The Ghosts of History Redux: Intertextuality, Rewriting, Adaptation. In: Subversive Stages: Theatre in Pre- and Post-communist Hungary, Romania and Bulgaria. Central European University Press, Budapest and New York, ix-xx. ISBN 978-963-386-116-5

Komporaly, Jozefina (2017) Radical Revival as Adaptation: Theatre, Politics, Society. Adaptation in Theatre and Performance . Palgrave Macmillan, London. ISBN 978-1-137-48101-6

Collins, Jane and Brooks, Ethel (2017) Scenography Matters: Performing Romani Identities as Strategy and Critique. In: Scenography Expanded. Performance and design . Bloomsbury, London, pp. 95-111. ISBN 9781474244398

Collins, Jane (2017) Anecdotal Evidence: Tales from the stage edge. In: Professorial Platform Lecture Series 2017, 3 March 2017, Wimbledon College of Arts.

Collins, Jane (2017) Playing with Materials: Performing effect on the indoor Jacobean stage. In: The Routledge Companion to Scenography. Routledge, Oxon and New York, pp. 215-224. ISBN 978-1-138-91780-4

Beswick, Katie (2017) Is this love? Performance on the Streets of New York. In: Between Spaces, 29-30 June 2017, University of Chichester.

Barbieri, Donatella (2017) Costume in Performance: Materiality, Culture and the Body. Bloomsbury Academic, London and New York. ISBN 978-1-4742-3687-4

Askew, Benjamin (2017) The action to the verse: Shakespeare, Stanislavski, and the motion in poetry metaphor. Stanislavski Studies, 5 (2). pp. 141-157. ISSN 2056-7790

2018

McCartney, Nicola (2018) Death of the Artist: Art World Dissidents and their Alternative Identities. International Library of Modern and Contemporary Art . I.B. Tauris, London. ISBN 9781784534158

Margolies, Eleanor (2018) Women, Fairytales and Cultural Myths. Animations Online.

Livergant, Elyssa (2018) Limehouse Town Hall and the Living School. The Living School. pp. 54-65.

Leister, Wiebke (2018) Echoes and Callings. [Show/Exhibition]

Komporaly, Jozefina and Cinpoes, Nicoleta (2018) The Golden Round: Essays on the Politics of Power in Shakespeare. UNSPECIFIED.

Collins, Jane and Anandhakrishnan, B. (2018) Against a hierarchy of expressive means; arguments for new pedagogies in performer education in India and the UK. Studies in Theatre and Performance. ISSN 2040-0616 online Print 14682761

Cairns, Jon (2018) Critical Closeness, Intimate Distance: Encounters in the Love Art Laboratory. In: Technologies of Romance, 28 November 2018, Science Museum - Dana Studio, Wellcome Wolfson Building, 165 Queen's Gate, SW7 5HD London, United Kingdom.

Beswick, Katie (2018) Playing to Type: Industry and Invisible Training in the National Youth Theatre’s ‘Playing Up 2’. Theatre, Dance and Performance Training, 9 (1). pp. 4-18. ISSN 1944-3919

Allen, Richard (2018) Illusiontext. Performance Research, 23 (4-5). pp. 456-457. ISSN 1352 8165

2019

Zimmerman, Andrea Luka (2019) Here for Life. [Art/Design Item]

Spencer, Michael (2019) p e r f o r m 1 3 0 6 1 9. [Performance]

Pearson, Deborah and Gregg, Stacey (2019) Inside Bitch. Oberon Books, London. ISBN 1786827476

Parry, Owen G. (2019) Fans of Live Art. In: Glasgow Theatre Seminar, 17 January 2019, University of Glasgow, Scotland.

Meller, Fred (2019) Tricksters, Hecklers and Performative Pedagogies. In: Paradox Fine Art Forum Biennial Strand B: Activating Art Education, September 2019, Riga, Latvia.

Leister, Wiebke and Anderson, Joel (2019) The Theatre of Photography / Le Théâtre de la Photographie. Revue Sens Public. ISSN 2104-3272

Leister, Wiebke (2019) Echoes and Callings. [Show/Exhibition]

Leister, Wiebke (2019) Pro-Photographic Gestures. Photography and Culture. ISSN 17514517

Komporaly, Jozefina (2019) Open Dramaturgy and Collaboration in András Visky’s Theatre in English Translation. Hungarian Literature Online.

Komporaly, Jozefina (2019) Zilele Teatrului Matei Vişniec/Festival of the Matéi Visniec Theatre in Suceava (Romania), Or Breaking into the Festival Circuit. The Theatre Times.

Kear, Adrian (2019) How Does Theatre Think Through Theatricality? In: Thinking Through Theatre and Performance. Methuen Bloomsbury, London. ISBN 9781472579614

Kear, Adrian (2019) Thinking Through Theatre and Performance. Thinking Through Theatre . Methuen Bloomsbury, London. ISBN 9781472579607

Danjoux, Michèle (2019) Design-in-Motion: Sculpting Choreosonic Wearables. Theatre and Performance Design, 5 (1-2). pp. 114-124. ISSN 2332-2551

Cairns, Jon (2019) Down and Dirty: Ecosex intimacies and the appeal of the ‘personal’. In: What’s love got to do with it? Performance, Affectivity, Intimacy, February 18 - 19, 2019, Culturgest, Lisbon, Portugal.

Cairns, Jon (2019) Wet Words and Dirty Talk: speaking through ecosex intimacies in the work of Annie Sprinkle and Elizabeth Stephens. In: London Conference in Critical Thought, 5 - 6 July 2019, Centre for Invention and Social Process at Goldsmiths, University of London.

Beswick, Katie (2019) Social Housing in Performance: The English Council Estate on and Off Stage. Methuen Drama Engage . Methuen Drama, London. ISBN 9781474285209

Anderson, Joel and Leister, Wiebke (2019) The Theatre of Photography: Dialogues. Journal of Photography and Culture, 11 (2). pp. 121-138. ISSN 1751-4517

Allen, Richard (2019) Phantom stages: floor plans as affect machines. Theatre and Performance Design, 5 (3-4). pp. 267-273. ISSN 2332-2551

2020

Zeilig, Hannah (2020) Opening the Door - A report on the Generations 3 project. Project Report. University of the Arts London. (Submitted)

Meller, Fred (2020) Tricks and Erasers: Disruption as Performance Pedagogy. In: Leap into Action: Critical Performative Pedagogies in Art and Design Education. Peter Laing, New York. ISBN 978-1433166402

Komporaly, Jozefina (2020) András Visky & Matéi Visniec: Challenging boundaries of cultural specificity. In: Contemporary European Playwrights. Routledge, pp. 76-94. ISBN 9781315111940

Komporaly, Jozefina (2020) Re-Routing Hamlet: From the Canon to Consumer Culture. In: Adapting the Canon: Mediation, Visualization, Interpretation. Legenda, Oxford, pp. 182-196. ISBN 978-1-781887-08-0

Kear, Adrian (2020) Alain Platel and The Scene of Seduction. In: The Choreopolitics of Alain Platel's Ballets C de la B: Emotions, Gestures, Politics. Dance in Dialogue . Bloomsbury Methuen Drama, London, pp. 86-99. ISBN 9781350080027

Hewett, Richard (2020) Pinter as Performer. The Historical Journal of Film, Radio and Television, 40 (3). pp. 499-515. ISSN 0143-9685

Beswick, Katie (2020) Capitalist Realism: Glimmers, Working-Class Authenticity and Andrea Dunbar in the 21st Century. International Journal of Media and Cultural Politics, 16 (1). pp. 75-89. ISSN 1740-8296

Beswick, Katie (2020) Housing, Performance and Activism: Thinking with Performance in Times of Crisis. Studies in Theatre and Performance. Studies in Theatre and Performance, 40 (1). pp. 1-7. ISSN 1468-2761

2021

Leister, Wiebke, Max-Planck-Institut für Kunstgeschichte, Deutsches Archäologisches Institut Rom, Bibliotheca Hertziana (2021) Duchenne’s Frontispiece: Idealised Facticity and the Politics of Photographic Double Portraiture. In: Faktizität und Gebrauch früher Fotografie – Factuality and Utilization of Early Photography. Harrassowitz Verlag, Wiesbaden, pp. 225-241. ISBN 978-3-447-11637-4

Komporaly, Jozefina (2021) Decomposed Theatre. [Performance]

Kear, Adrian (2021) Authenticity/Theatricality: World spectatorship and the drama of the image. In: The Oxford Handbook of Politics and Performance. Oxford University Press, Oxford.

Kear, Adrian (2021) Staging the People: Performance, presence and representation. In: Ranciere and Performance. Performance Philosophy . Rowman and Littlefield, Maryland, pp. 81-100. ISBN 978-1-5381-4658-3

Isaac, Veronica (2021) 'Re-Dressing The Part:' The Scenographic Strategies of Ellen Terry (1847-1928). In: Scenography and Art History: Performance Design and Visual Culture. Bloomsbury Visual Arts, London, pp. 141-165. ISBN 9781350204447

Horvat, Vlatka (2021) This page intentionally left blank. In: Yale School of Drama/Theater magazine presents: A Goat Island Archive Forum, 25 February 2021, Online.

Fryer, Nic (2021) ‘Apart, we are together. Together, we are apart’: Rancière’s Community of Translators in Theory and Theatre. In: Rancière and Performance. Rowman and Littlefield, pp. 101-121. ISBN 9781538146576

Fryer, Nic (2021) Introduction: Rancière’s Theatrocracy Within and Beyond the Theatre. In: Rancière and Performance. Rowman and Littlefield, Lanham, pp. 1-14. ISBN 9781538146576

Beswick, Katie (2021) Class, Race and Marginality: Informal Street Performances in the City. In: Oxford Handbook of Politics and Performance. Oxford University Press. ISBN 9780190863456

Beswick, Katie (2021) Feeling Working Class: Affective Class Identification and its Implications for Overcoming Inequality. Studies in Theatre and Performance, 40 (3). ISSN 1468-2761

Beswick, Katie (2021) The Performative Violence of the Wedding Dress: Teaching Queer Theory through Object Orientation. Theatre Topics, 30 (2). ISSN 1086-3346

2022

Kear, Adrian (2022) In Memoriam: Professor Mike Pearson. Theatre and Performance Design, 8 (1-2). pp. 142-148. ISSN 2332-2551

Fryer, Nic (2022) Hope and Helplessness in the Post-Covid Drama, Theatre and Performance Classroom. In: TaPRA, 12-14 September 2022, University of Essex.

Beswick, Katie (2022) Jockstrap. Loud and Quiet (154). ISSN 2049-9892

Beswick, Katie (2022) Staging Grenfell: The Ethics of Representing Housing Crises in London. Canadian Theatre Review, 191. pp. 72-76. ISSN 0315-0836

2023

Milic, Nela (2023) Materializing Site. In: Performance Making and the Archive. Routledge, India, pp. 63-71. ISBN 9780367195601

This list was generated on Sun Dec 4 06:56:57 2022 GMT.