Armstrong, Esther and Straker, Dick (2019) Nomadic Hamlet 2.0: Testing place and video space for audiences. In: Experimental Architectures: Designing the Unknown. Routledge, London. ISBN 978-1138575257
Armstrong, Esther (2016) Scenographies and Space: Reading the Gendered Tyranny of the “Blue Ball”. In: Star Ark: A Living, Self-Sustaining Spaceship. Springer International Publishing.
Allen, Richard (2023) Kerala International Festival of Theatre Schools (IFTS) 2023. Theatre and Performance Design, 9 (1). pp. 112-119. ISSN 2332-2551
Allen, Richard (2019) Phantom stages: floor plans as affect machines. Theatre and Performance Design, 5 (3-4). pp. 267-273. ISSN 2332-2551
Algar, Lucy (2017) Centre for Drawing Residency 2017. [Performance]
Algar, Lucy (2017) The Line. [Performance]
Burrows, David (2002) 2D/3D Design for Theatre and Performance. [Show/Exhibition]
Burrows, David (2007) Collaborators. [Show/Exhibition]
Burrows, David (2007) 'Find Out Who They Are and They Will Tell You What They Must Wear': Exploring the Work of Richard Negri and Post-War Theatre in Britain. [Show/Exhibition]
Burrows, David (2006) The Life and Work of Richard Negri: The Development of British Theatre Design in the Post War Period.
Brooks, Pete and Quick, Andrew and Wainwright, Simon and Hopkins, Laura (2016) The Train/El Treno. [Performance]
Brooks, Pete and Quick, Andrew and Wainwright, Simon (2016) Hanuman. [Performance]
Blunck, Marie and Litalien, Camille (2006) Trailer: Performance Addressing how Movement and Drawing can be Integrated into Theatrical Space. [Performance]
Blunck, Marie (2003) War in Heaven: Interactive CD-Rom Developed in Collaboration with the Software Developer Adrian Ward of Signwave. [Art/Design Item]
Beswick, Katie (2017) Litefeet and the Democratising Potential of Social Media Platforms. In: Performance and Culture: Cities, Embodiments, Technologies, 7-9 March 2017, University of Malta.
Baugh, Christopher (2010) Edward Gordon Craig: his legacy, final discussion. In: Edward Gordon Craig: His Legacy, 25/09/2010, Sackler Centre, V & A museum, London. (Unpublished)
Barbieri, Donatella and Saccardi, Nadia (2020) In Conversation with Donatella Barbieri on her book, Costume in Performance, Materiality, Culture and the Body. Blue Pages.
Barbieri, Donatella and Pantouvaki, Sofia (2016) Towards a Philosophy of Costume. Studies in Costume and Performance, 1 (1). pp. 3-7. ISSN 2052-4021
Barbieri, Donatella (2016) Ariel as Harpy. [Art/Design Item]
Barbieri, Donatella (2020) The Body as the Matter of Costume: a Phenomenological Practice. In: Performance Costume New Perspectives and Methods. Bloomsbury. ISBN 9781350098817
Barbieri, Donatella (2011) Costume Expanded. Blue Pages - The Society of British Theatre Designers journal, 10 (2). pp. 14-15.
Barbieri, Donatella (2017) Costume in Performance: Materiality, Culture and the Body. Bloomsbury Academic, London and New York. ISBN 978-1-4742-3687-4
Barbieri, Donatella (2021) The performativity of matter: through time, space, and gesture. In: MAKE 2021, 6 March 2021, MTU Crawford College of Art and Design, Cork, Ireland.
Bailey, Kate and Collins, Jane (2010) Interpreting Craig for new audiences. In: Edward Gordon Craig: His Legacy, 25/09/2010, Sackler Centre, V & A Museum, London. (Unpublished)
Courtney, Cathy and Griffen, Hayden (2004) Jocelyn Herbert at the National. [Show/Exhibition]
Collins, Jane and Brooks, Ethel (2017) Scenography Matters: Performing Romani Identities as Strategy and Critique. In: Scenography Expanded. Performance and design . Bloomsbury, London, pp. 95-111. ISBN 9781474244398
Collins, Jane (2018) Orosei,Sardinia: Museo Don Giovanni Guiso. Theatre and Performance Design, 4 (1-2). pp. 149-164. ISSN 23322551
Collins, Jane (2017) Playing with Materials: Performing effect on the indoor Jacobean stage. In: The Routledge Companion to Scenography. Routledge, Oxon and New York, pp. 215-224. ISBN 978-1-138-91780-4
Collins, Jane (2011) reSearching: playing in the archive, part 2. [Performance]
Chapman, Louise (2022) Narratives of Dress: the Pink Silk Dress. [Show/Exhibition]
Casson, Dinah (2010) Edward Gordon Craig on my shoulder. In: Edward Gordon Craig: His Legacy, 25/09/2010, Sackler Centre, V&A Museum, London. (Unpublished)
Campbell, Lee (2019) Deprivation Strategies: Increasing Public Understanding of Vision Impairment Using Performative Pedagogy. Body, Space & Technology, 18 (1). pp. 126-144. ISSN 1470-9120
Dyer, Chris and Carson, Christie (2001) Designing Shakespeare, Virtual Reality Theatre Models. Arts and Humanities Data Service Performing Arts Archive. [Art/Design Item]
Dyer, Chris and Bogdanov, Michael (2003) The Merchant of Venice and The Winter's Tale. [Art/Design Item]
Dyer, Chris and Bogdanov, Michael (2002) The Merry Wives of Windsor. [Art/Design Item]
Dyer, Chris (2007) Open Stages: Software Development for a Virtual Theatre. Written and programmed by Dyer
Doona, Liam (2010) Second thoughts are best: Edward Gordon Craig and an education through theatre design. In: Edward Gordon Craig: His Legacy, 25/09/2010, Sackler Centre, V & A museum, London. (Unpublished)
Eyre, Richard (2010) The annual Jocelyn Herbert lecture: less is more. [Art/Design Item]
Elliot, Stuart and Finch, Mick and Harland, Beth and Derby, Moyra (2013) Painting / Tableau / Stage. [Show/Exhibition]
Forster, Ewan and Heighes, Christopher and Kear, Adrian (2020) Speculation in Unimagined Spaces (2 episodes with Adrian Kear).
Findlay, Rosie and Romagosa, Natalia (2018) Sartorial Remembrance: Exploring the Weave Between Costume, Memory, and the Performing Self. About Performance (16). pp. 129-146. ISSN 1324-6089
Farthing, Stephen (2011) The Sketch Books of Jocelyn Herbert. Royal Academy of Arts, London. ISBN 978- 1- 907533-07-5
Farley, Peter and Sonnabend, Yolanda (2005) Requiem; My Brother, My Sisters. [Art/Design Item]
Farley, Peter (2015) Evolving Design for Performance. [Show/Exhibition]
Farley, Peter (2015) Gasp and stretch one's eyes. Richard Hudson in conversation with Peter Farley. Theatre and Performance Design, 1 (1-2). pp. 144-162. ISSN 2332-2551
Farley, Peter (2012) Transformation & Revelation: From Gormley to Gaga: UK Design for Performance 2007-2011. [Show/Exhibition]
Farley, Peter (2011) Transformation & Revelation: UK Design for Performance 2007-2011. [Show/Exhibition]
Farley, Peter (2017) Yolanda Sonnabend (1935-2015) Making Her Mark. Theatre and Performance Design, 3 (1-2). pp. 107-111. ISSN 2332-2551
Hudson, Richard (2007) The Emperor Jones. [Art/Design Item]
Hudson, Richard (2006) The Makropoulous case. [Art/Design Item]
Hudson, Richard (2001) Tamerlano. [Art/Design Item]
Hudson, Richard (2005) Wagner's ring cycle. [Art/Design Item]
Holroyd, Michael (2010) Craig: the forgotten modernist. In: Edward Gordon Craig: His Legacy, 25/09/2010, Sackler Centre, V & A museum, London. (Unpublished)
Hodes, Charlotte (2020) Drawing, the Performative Body and the Object. In: Drawing, the Performative Body and the Object, a symposium at London College of Fashion, UAL, 11 March 2020, Lime Grove, London College of Fashion.
Hannah, Dorita (2010) Craig’s space-in-‘motion’. In: Edward Gordon Craig: His Legacy, 25/09/2010, Sackler Centre, V & A Museum, London. (Unpublished)
Hackett, Jane and Vardimon, Jasmin and Hammond, Abigail (2015) Make/Believe: UK Design for Performance 2011-2015. [Show/Exhibition]
Hackett, Jane and Hammond, Abigail (2015) Costume Design for 'Riot Offspring', a Sadler's Wells Production. [Show/Exhibition]
Isaac, Veronica (2020) Costume Centre Stage: Re-membering Ellen Terry. In: Performance Costume: New Perspectives. Bloomsbury Visual Arts, London, pp. 69-89. ISBN 9781350098824
Isaac, Veronica (2021) 'Re-Dressing The Part:' The Scenographic Strategies of Ellen Terry (1847-1928). In: Scenography and Art History: Performance Design and Visual Culture. Bloomsbury Visual Arts, London, pp. 141-165. ISBN 9781350204447
Isaac, Veronica (2022) Seductively Rounded and Padded to Perfection: Re-Evaluating ‘Victorian’ Beauty Ideals.
Isaac, Veronica (2017) Towards a New Methodology for Working with Historic Theatre Costume: A Biographical Approach Focussing on Ellen Terry’s (1847-1928) ‘Beetlewing Dress’. Studies in Costume & Performance, 2 (2). pp. 115-135. ISSN 2052-4021
Jump, Sophie V. (2016) The convergence of influences on and evolving praxis of mid-twentieth century British theatre design (1935-1965) through a close study of selected works by Motley and Jocelyn Herbert. PhD thesis, University of the Arts London.
Jump, Sophie (2020) One hundred and ninety-two thousand, two hundred and forty-eight steps: curating the Site Specific Performance Festival at PQ 2019. Theatre and Performance Design, 6 (1-2). pp. 69-80. ISSN 2332-2551
Jump, Sophie (2019) The Role of the Theatre Designer.
Kollectiv, Galia and Kollectiv, Pil (2022) The Dead - United! [Art/Design Item]
Knight, Kevin (2006) Daphne by Strauss, La Fenice, Venice. [Art/Design Item]
Knight, Kevin (2006) Pastorale by Gerrard Pesson, Stattstheater, Stuttgart. [Art/Design Item]
Knight, Kevin (2005) Tannhauser by Wagner, La Scala Milan. [Art/Design Item]
Lane, Kate and Wild, Joe (2019) Staging Places: UK Design for Performance. [Show/Exhibition]
Lane, Kate and Ceschi, Valentina and Jaruševiciute, Guoda (2014) Utopia. [Performance]
Lane, Kate and Ceschi, Valentina and Jaruseviciute, Guoda (2016) Trinity. [Performance]
Lane, Kate and Ceschi, Valentina (2022) Greenham: Memory, Costume and Activism in site-responsive performance. In: Nordic Forum for Dance Research, 5-8 July 2022, The Danish National School for the Performing Arts.
Lane, Kate (2021) Antratsit – Perseverance Day. [Performance]
Lane, Kate (2019) Axiom. In: Friday Forum: Performance Design in the Digital Age, 29 November 2019, Victoria and Albert Museum.
Lane, Kate (2017) Blue Stockings. [Performance]
Lane, Kate (2020) The Extraordinary Adventures of You & Me. [Performance]
Lane, Kate (2017) La Voix Humaine. [Performance]
Lane, Kate (2019) Mary Queen Of Scots. [Performance]
Lane, Kate (2019) Trinity: Visual dramaturgy, the body as scenographer and author. Studies in Costume & Performance, 4 (2). pp. 207-228. ISSN 2052-4021
Lane, Kate (2022) What Do You See? [Performance]
Meller, Fred (2022) Enough of Him. [Performance]
Meller, Fred (2012) A Few Man Fridays. [Art/Design Item]
Meller, Fred (2018) GUT. [Performance]
Meller, Fred (2016) Grain in the Blood. [Performance]
Meller, Fred (2019) Here for Life (Production Design). [Art/Design Item]
Meller, Fred (2016) Milk. [Performance]
Meller, Fred (2017) A Number. [Performance]
Meller, Fred (2003) Pericles (performance design). [Performance]
Meller, Fred (2015) Swallow. [Art/Design Item]
Meller, Fred (2011) Transformation revelation. [Show/Exhibition]
Meller, Fred (1999) A Warning to the Curious. [Art/Design Item]
Margolies, Eleanor (2018) Precursors for performance: a model for an unrealised production. Theatre and Performance Design, 4 (1). ISSN 2332-2551
O'Connell, Douglas and Morsh, Ragnhild A. (2004) InVertigo: An exploration of new methods of fusion between the mediated image and theatre narrative. [Performance]
O'Connell, Douglas (2004) Lightwork: Here's What I Did with my Body One Day. [Art/Design Item]
Pilgrim, Geraldine (2005) Deep End. [Performance]
Peschier, Francesca (2018) Scenography and the construction of Liverpool identities at the Liverpool Everyman and Playhouse Theatres between 2004 and 2015. PhD thesis, University of the Arts London.
Pavelka, Michael (2011) The Comedy of Errors. [Art/Design Item]
Pavelka, Michael (2009) The Dark Side of Buffoon. [Art/Design Item]
Pavelka, Michael (2009) The Good Soul of Szechuan. [Art/Design Item]
Pavelka, Michael, Propeller Theatre Company (2009) 'The Merchant of Venice' by William Shakespeare. [Art/Design Item]
Pavelka, Michael (2008) 'A Midsummer Night’s Dream' by William Shakespeare. [Art/Design Item]
Pavelka, Michael (2011) Off the Wall. [Show/Exhibition]
Pavelka, Michael (2007) Production design (set and costume) for I am Not What I am: 'The Taming of the Shrew' and 'Twelfth Night' by William Shakespeare. [Performance]
Pavelka, Michael (2006) Revelations. [Art/Design Item]
Pavelka, Michael (2011) Richard III. [Performance]
Pavelka, Michael (2003) Rose Rage: Production Design - Set and Costume. [Performance]
Spencer, Michael and Granville, Jennifer and Granville, Andrew (2011) MSI: the anatomy of integers and permutations. [Performance]
Spencer, Michael (2011) Exploding Contexts. In: Performance: Visual Aspects of Performance Practice, 11 - 13th November 2010, Prague, Czech Republic. (In Press)
Spencer, Michael (2014) Making Up. [Performance]
Spencer, Michael (2014) the other hamlet. [Performance]
Saul, Daniel and Davies, Rachel (2020) Chandini (A Bride for the Moon). In: Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . SpringerOpen, pp. 251-270. ISBN 978-3-030-42096-3
Saul, Daniel and Davies, Rachel (2019) A Small Dream - Dorset. [Performance]
Saul, Daniel and Davies, Rachel (2016) Winter. [Art/Design Item]
Salazar, Ligaya (2014) Simon Costin’s Impossible Catwalk Shows. [Show/Exhibition]
Troisi, Anna and Ng, J and Gregg, S and Chiaramonte, Antonino (2013) “Talk to me”, a digital art web installation. In: 10th International Symposium on Computer Music Multidisciplinary Research, 15-18 October 2013, Marseille, France.
Troisi, Anna and Chiaramonte, Antonino and Ng, J (2015) A digital art web installation as augmentation of a theatrical play. In: Sound and Music Processing Lab. Conservatorio di Musica. ISBN 978-88-99518-00-4
Trimingham, Melissa and Barbieri, Donatella (2016) War, revolution and design: exploring pedagogy, practice-based research and costume for performance through the Russian avant-garde theatre. Studies in Theatre and Performance, 36 (3). pp. 269-280. ISSN 1468-2761
Thornett, Lucy and Lever-Davidson, Amelia (2014) The Double. [Performance]
Thornett, Lucy (2018) Aesthetic Shifts: Online image tools, filter bubbles and contemporary performance design. In: IFTR 2018, 9-13 July 2018, Belgrade, Serbia.
Thornett, Lucy (2022) Affect. In: Routledge Companion to Audiences and the Performing Arts. Routledge, Abingdon. ISBN 9781000537963
Thornett, Lucy (2019) Audience Experiences of Augmented Reality Scenographies. In: IFTR Scenography Working Group Symposium Interim Event, 14-15 June 2019, Department of Theatre Studies, Faculty of Arts, Charles University Prague, Czech Republic.
Thornett, Lucy (2017) Australia at the PQ: Scenographic Spaces between the National and International. In: Transformations of Prague Quadrennial from 1999 to 2015. Arts and Theatre Institute, Prague, pp. 26-33.
Thornett, Lucy (2016) Dramaturgy as a Strategy for Spatial Design Practice. In: IFTR: Presenting the Theatrical Past: Interplays of Artefacts, Discourses and Practices, 13-17 June 2016, Stockholm University, Sweden.
Thornett, Lucy (2018) Interdisciplinary Collaborations in Georgian Landscape. In: Theatre and Performance Research Association Conference, 5-7 September 2018, Aberystwyth University.
Thornett, Lucy (2016) Landscape, Place and the Gothic in Contemporary Australian Scenography. In: Theatre and Performance Research Association annual conference, scenography working group, 5-7 September 2016, University of Bristol.
Thornett, Lucy (2017) Prosthetic Scenographies: Scenographic Extension of the Senses and Mediation of the Performance Space in Tower. International Journal of Performance Arts and Digital Media, 14 (1).
Thornett, Lucy (2021) The Scenographic Space(s) of Augmented Reality. In: Dramatic Architectures: Theatre and Performing Arts in Motion. CEAA, Porto, pp. 327-344. ISBN 978-972-8784-92-8
Thornett, Lucy (2017) Tower. [Performance]
Thornett, Lucy (2020) The scenographic potential of immersive technologies: virtual and augmented reality at the Prague Quadrennial 2019. Theatre and Performance Design, 6 (1-2). pp. 102-116. ISSN 2332-2551
Vardimon, Jasmin and Arad, Ron and Bar-Amotz, Guy, JVC performers (2015) Maze. [Performance]
Wright, Elizabeth (2009) Narratives of Continuity & Change: British Theatre Design 1945-2003, An Oral History. PhD thesis, University of the Arts London.
Whitby, Richard (2016) The Arena Spectacular from Ben Hur Live to Isles of Wonder: Adaptation, Post-cinema and the Postcivil. PhD thesis, The London Consortium - University of London.
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