We use cookies on this website, you can read about them here. To use the website as intended please... ACCEPT COOKIES

Items where Subject is "Mass Communications and Documentation > Film studies"

Up a level
Export as [feed] Atom [feed] RSS 1.0 [feed] RSS 2.0 [feed] RSS 2.0
Jump to: 2001 | 2002 | 2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012 | 2013 | 2014 | 2015 | 2016
Number of items at this level: 64.

2001

Church Gibson, Pamela (2001) "You've been in my life so long I can't remember anything else" : into the labyrinth with Ripley and the alien. In: Keyframes: Popular Cinema and Cultural studies. Routledge, UK, pp. 35-52. ISBN 0415202825

2002

Orlow, G. Uriel (2002) time + again: critical contradictions in Chris Marker's La Jetée. PhD thesis, University of the Arts London.

Church Gibson, Pamela (2002) From Dancing Queen to Plaster Virgin; Elizabeth and the End of English Heritage. The Journal of Popular British Cinema, 5. pp. 133-142. ISSN 1461104X

2003

Greenhalgh, Cathy (2003) Shooting From the Heart: Cinematographers and Their Medium. In: Making Pictures: A Century of European Cinematography. Aurum Press Ltd, pp. 94-156. ISBN 1854108891

2004

Walsh, Maria (2004) 'The Immersive Spectator: A Phenomenological Hybrid'. Angelaki: Journal of the Theoretical Humanities, 9 (3). pp. 169-186. ISSN 0969-725X

Walsh, Maria (2004) 'Intervals of Inner Flight: Chantal Akerman's News From Home'. Screen, 45 (3). pp. 190-205. ISSN 0036-9543

Walsh, Maria (2004) Narrative Duration: Tacita Dean's Disappearance at Sea. In: Reading Images and Seeing Words. Rodopi, Amsterdam; New York, pp. 57-69. ISBN 9789042017719

Elwes, Catherine (2004) On Performance, Performativity, Women Artists and Their Critics. Third Text, 18 (2). pp. 193-197. ISSN 09528822

Church Gibson, Pamela (2004) Otherness, Transgression and the Postcolonial Perspective: Patricia Rozema's Mansfield Park. In: Janespotting and Beyond: The British Heritage Retrovisions since the mid-1990s. Gunter Narr Verlag, Tubingen, Germany, pp. 51-65. ISBN 3823360965

2005

Greenhalgh, Cathy (2005) How Cinematography Creates Meaning in Happy Together (Wong Kar-Wai, 1997). In: Style and Meaning Studies in the Detailed Analysis of Film. Manchester University Press, Manchester England, pp. 195-213. ISBN 0719065259

Elwes, Catherine (2005) Video Art, a guided tour. I.B. Tauris. ISBN 1-85043-546-4

Elwes, Catherine (2005) Video Confidential: Voice-over Musings in the work of Tom Sherman and Robert Morin. Vertigo, 2 (9).

Church Gibson, Pamela (2005) Fashion, Fetish and Spectacle; The Matrix Dresses Up - And Down. In: The Matrix Trilogy: Cyberpunk Reloaded. Wallflower Press, UK, pp. 114-125. ISBN 1904764320

Aceti, Lanfranco (2005) European Avant-Garde: Art, Borders and Culture in Relationship to Mainstream Cinema and New Media. PhD thesis, University of the Arts London.

2006

Elwes, Catherine (2006) War Stories – or why I make videos about old soldiers. In: Experimental Film and Video Anthology. John Libbey Publishing. ISBN 0 86196 664 3

Ellard, Graham (2006) Anthony McCall (interview). BOMB (New Art Publications), 97. pp. 68-75. ISSN 07433204

2007

Greenhalgh, Cathy (2007) Travelling Images, Lives on Location: Cinematographers in the Film Industry. In: Going First Class? New Approaches To Privileged Travel and Movement. Berghahn Books, Oxford and New York, pp. 72-86. ISBN 1845451961

Chesher, Andrew (2007) Seeing Connections: Documentary as an Intervention in the Social World. PhD thesis, University of the Arts London.

2008

Sabin, Roger (2008) The Perils of Strip Mining. Sight & Sound, 18 (8). pp. 24-27. ISSN 0037-4806

Ball, Steven and Elwes, Catherine (2008) Figuring Landscapes: Artists’ Moving Image from Australia and the UK. [Show/Exhibition]

2009

Stuckey, Karyn (2009) 'Lolita': a journey with Nabokov and Kubrick from the page to the screen. In: Archives and Auteurs, 2nd-4th September 2009, University of Stirling.

Butler, Brad and Mirza, Karen (2009) The Exception and the Rule. [Art/Design Item]

2010

White, Duncan (2010) British Expanded Cinema and the ‘Live Culture’ 1969–79. Visual Culture in Britain. pp. 93-108.

Walsh, Maria (2010) Hannah Sawtell. Art Monthly (336). p. 38. ISSN 0142-6702

Walsh, Maria (2010) Haptic visuality in Jane and Louise Wilson and Salla Tykkä. In: Association of Art Historians Annual Conference, 15-17 April 2010, Glasgow, Scotland. (Unpublished)

Walsh, Maria, Subjectivity and Feminisms Research Group (2010) Peepshow: in memory of you. [Show/Exhibition]

Matthews, Peter and Anderson, Sal (2010) Cinema, subjectivity and psychosis: towards a phenomenological approach. European Psychiatry: 18th European Congress of Psychiatry, 25 (1). p. 72. ISSN 0924-9338

Ball, Steven, CIRCA Contemporary Arts (2010) Recalling the shots. [Show/Exhibition]

2011

Walsh, Maria (2011) Film space: invisible sculpture: Jane and Louise Wilson’s haptic visuality. Quarterly Review of Film and Video, 28 (2). pp. 155-161. ISSN 10509208/15435326

Walsh, Maria, College of Arts, Celtic Studies and Social Sciences, University College of Cork (2011) Searching for the real in automated self-presentation. In: Technologies of the Self: New Departures in Self-Inscription, 02 - 03rd September 2011, University College Cork, Ireland. (Unpublished)

Walsh, Maria (2011) You've got me under your spell: the entranced spectator. In: Screen/Space: The Projected Image in Contemporary Art. Rethinking Art's Histories (4). Manchester University Press, Manchester, UK, pp. 111-125. ISBN 9780719084638, 0719084636

Scott-Webb, Shirley (2011) An exploration of the applicability of Linda Aronson's flashback theory as a framework for the practice of screenwriting. PhD thesis, University of the Arts London.

Reynolds, Lucy (2011) Magic tricks? The use of shadowplay in British expanded cinema. In: Expanded cinema: art, performance, film. Tate Publishing, London, pp. 148-156. ISBN 9781854379740

Cussans, John (2011) Art, possession and the revolutionary unconscious. In: Pig Party event of the Xism Exhibition, 4th May 2011, Museum of Ethnography, Stockholm, Sweden. (Unpublished)

Ashery, Oreet and Cussans, John and MacCormack, Patricia (2011) What are we scared of? what should we be scared of? In: Spill Salon 2, Spill Festival of Performance, 22nd April 2011, The Barbican. (Unpublished)

Anderson, Sal, Raw Productions Ltd (2011) What's the time Mr Wolf? [Art/Design Item]

2012

Walsh, Maria (2012) Re-enacting cinema at the crossroads: Nicky Coutts’ passing place. The Moving Image Review & Art Journal (MIRAJ), 1 (1). pp. 69-77. ISSN 2045-6298, 2045-6301

Gronlund, Melissa (2012) Observational film: Administration of social reality. Moving Image Review & Art Journal (MIRAJ), 1 (2). pp. 169-179. ISSN 20456298

Butler, Brad and Mirza, Karen (2012) Deep State. [Art/Design Item]

Butler, Brad and Mirza, Karen (2012) Hold Your Ground. [Art/Design Item]

2013

Willson, Jacki (2013) False Eyes Lashes: With a Flutter Our Gaze is Dispersed. In: Dressed Bodies, 17 July 2013, Sheffield University.

Sudar, Vlastimir (2013) A Portrait of the Artist as a Political Dissident: The Life and Work of Aleksandar Petrovic. Intellect, Bristol, UK. ISBN 9781841505459

Rughani, Pratap (2013) The Dance of Documentary Ethics. In: The Documentary Film Book. Palgrave Macmillan. ISBN 978-1-84457-342-4

McGill, Genevieve (2013) Moving Image, Montage and Memory: The development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory. PhD thesis, University of the Arts London.

Matthews, Peter (2013) Review of 'Like Father, Like Son'. Sight & Sound, 23 (11). p. 78. ISSN ISSN 0037-4806

Church Gibson, Pamela (2013) Dressing and undressing in Dirty Dancing: consumption, gender and visual culture in the 1980s. In: The Time of Our Lives: Dirty Dancing and Popular Culture. Contemporary Approaches to Film and Media . Wayne State University Press, Detroit, Michigan, pp. 105-124. ISBN 9780814336243

Anderson, Sal and Bell, Vaughan and Hilton, Gregory and Sen, Dolly (2013) Cinema and Psychosis. In: University College London Evidence Based Practice Unit Seminar, 14 August 2013, Anna Freud Centre, 12 Maresfield Gardens, London NW3 5SU.

2014

Sudar, Vlastimir (2014) From switchboard operators to Coca-Cola kids: Transformations of the political left in the films of Dusan Makavejev. Studies in Eastern European Cinema, 5 (1). pp. 45-58. ISSN 2040-350X

Sudar, Vlastimir (2014) New Neighbours, Old Habits and Nobody's Children: Croatia in the Face of Old Yugoslavia. In: Postcolonial Approaches to Eastern European Cinema: Portraying Neighbours on-Screen. I.B. Tauris, London and New York, pp. 227-251. ISBN 9781780763019

Sudar, Vlastimir (2014) Re-establishment of social classes through lifestyle and taste under socialism: The case of Aleksandar Petrović’s film 'I Even Met Happy Gypsies'. In: Fashion and Politics, 4 June 2014, West Space; London College of Fashion; UAL.

Rughani, Pratap (2014) Towards Intercultural Documentary. PhD thesis, University of the Arts London.

McDowell, Felice (2014) Clarks ‘star’ advertisements of the 1940s: Classificatory terms and practices of historical interpretation. Film, Fashion and Consumption, 3 (3). pp. 241-258. ISSN 2044-2823

McDowell, Felice (2014) 'another lovely actress who wears Clarks shoes'...advertising brands and socio-professional roles in post-war British fashion media. In: EUPOP 2014, July 29th - 31st 2014, London College of Fashion, High Holborn, London.

Hankir, Ahmed and Zaman, Rashid and Anderson, Sal and Knight, David and McEwan, Chuckie and Evans‐Lacko, Sara (2014) The Wounded Healer: an effective anti‐stigma intervention targeted at the medical profession? In: Royal College of Psychiatrists: Faculty of Perinatal Psychiatry Annual Scientific Meeting, 20 November 2014, Royal College of Psychiatrists, London E1 8BB.

Church Gibson, Pamela and Kirkham, Neil (2014) Revisiting dirty looks. Porn Studies, 1 (1-2). ISSN 2326-8751

2015

Sullivan, Anthony (2015) 'Working for the Few': Fashion, Class and our Imagined Future in The Hunger Games. Film, Fashion and Consumption. ISSN 20442823 (Submitted)

Sudar, Vlastimir (2015) Lost and Found: Cry for Me, Billy. Sight & Sound, 25 (5). p. 102. ISSN 0037-4806

Sudar, Vlastimir (2015) On Cult Films from Yugoslavia: Karpo Godina Revisited/On the Cinema of Karpo Godina: or A Book in 71383 Words, edited by Filmkollektiv Frankfurt. Studies in Eastern European Cinema, 6 (1). pp. 134-136. ISSN 2040-350X

October, Dene (2015) The Becoming (Wo)Man Who Fell to Earth. In: David Bowie: Critical Perspectives. Routledge Studies in Popular Music . Routledge. ISBN 978-0-415-74572-7 (In Press)

Naldi, Patrizia (2015) The view: a historicised and contemporary socio­‐political mediation. PhD thesis, University of the Arts London.

Hosea, Birgitta (2015) Animation Installation: the Affect of Place. In: Conference Proceedings: CONFIA 2015: 3rd International Conference on Illustration and Animation. Instituto Politécnico do Cávado e do Ave, Barcelos. ISBN 978-989-97567-6-2

Hosea, Birgitta (2015) Off the Rails: Animating Train Journeys. In: Animated Landscapes: History, Form and Function. Bloomsbury Academic, New York; London; New Delhi; Sydney. ISBN 978-1-6289-2351-3

Caston, Emily (2015) Not Another Article on the Author! God and Auteurs in Moving Image Analysis; Last Call for a Long Overdue Paradigm Shift. Music Sound and the Moving Image, 9 (2). pp. 145-161. ISSN 1753-0768

2016

Noce, Kim, Mewlab (2016) Love in Idleness. [Art/Design Item]

This list was generated on Wed May 25 10:46:21 2016 BST.