Items where Division is "Afterall"

Safatle, Vladimir and Adami, Elisa (2023) Politics Inc. [Art/Design Item]

Mey, Adeena and Delarue, Chloe (2021) Tafaa - Random activity (...). [Art/Design Item]

Mey, Adeena (2024) Method and Metaphor: Dinh Q. Lê’s Untitled (Soldiers at Rest) (2003). post. notes on art in a global context.

Mey, Adeena (2024) Studio Visit: Hyekyung Son – Sculptural Marxism. Delfina Foundation: Platform.

Adami, Elisa and Mey, Adeena (2024) Foreword. Afterall: A Journal of Art, Context and Enquiry, 57. pp. 3-5. ISSN 2156-4914

Adami, Elisa (2024) Revital Cohen & Tuur Van Balen: Daughter of Dog. Art Monthly (476). p. 34.

Morris, David (2023) Precarious Solidarities: Artists for Democracy in Historical Perspective, Part 2. eflux (141).

Mey, Adeena (2023) Foreword. Afterall. A Journal of Art, Context and Enquiry (55–56). p. 5. ISSN 1465-4253

Morris, David (2023) Precarious Solidarities: Artists for Democracy in Historical Perspective, Part 1. eflux (140).

Adami, Elisa (2023) Foreword. Afterall. A Journal of Art, Context and Enquiry, 54. pp. 3-5. ISSN 1465-4253

Adami, Elisa and Mercado, Arianna (2023) Show Us the Money: ‘The Accursed Share’ at Talbot Rice Gallery. Afterall. ISSN 1465-4253

Adami, Elisa (2023) How to Perform a Truth? A.rt R.esource T.ransfer – Notes.

Mey, Adeena and Hui, Yuk (2022) The Exhibition as Medium: Some Observations on the Cybernetisation of the Institution and the Exhibition. Afterall. A Journal of Art, Context and Enquiry (53). pp. 74-91. ISSN 1465-4253

Adami, Elisa (2022) Museum as Preface: Walid Raad's History of Art in the Arab World. Afterall. A Journal of Art, Context and Enquiry (53). pp. 140-157. ISSN 1465-4253

Adami, Elisa (2022) On African Opera: A Conversation with Anawana Haloba. Afterall. A Journal of Art, Context and Enquiry (53). pp. 102-115. ISSN 1465-4253

Mey, Adeena and Adami, Elisa and Haloba, Anawana (2022) On African Opera: A Conversation with Anawana Haloba. Afterall: A Journal of Art, Context and Enquiry (53). pp. 102-115. ISSN 1465-4253

Morris, David (2022) Sylvère Lotringer, 1938-2021. Radical Philosophy, 212. pp. 109-114. ISSN 0300-211X

Mey, Adeena (2022) Foreword. Afterall: A Journal of Art, Context and Enquiry (52). pp. 3-6. ISSN 1465-4253

Mey, Adeena (2021) Foreword. Afterall: A Journal of Art, Context and Enquiry (51). pp. 3-7. ISSN 1465-4253

Morris, David and Samboh, Grace (2021) ǝlɐuuǝᴉq sɐ ǝɯɐs ǝɥʇ ǝq ʇouuɐɔ lɐuᴉq: Might the exhibition be a festival?’. Parse, 13 (3). ISSN 2002-0953

Husain, Amber (2021) Cyborgs Without Organs. Radical Philosophy, 2 (9). pp. 97-100. ISSN 0300-211X

Mey, Adeena and Yu, Qiumei (2021) Reputation Meets Opportunity. Ying Xiang (1).

Mey, Adeena (2020) Repurpose and Remake. Afterall. A Journal of Art, Context and Enquiry (50). pp. 132-149. ISSN 1465-4253

Husain, Amber (2020) Virtual Tower, 'Virtual' Pit: On Potentiality and the Status of Unrealised Art. Afterall, 50. pp. 76-93. ISSN 1465-4253

Morris, David and Mey, Adeena (2020) In Real Life – A Reflection on the “Online Exhibition”. Critique d'art (55). pp. 189-199. ISSN 1246-8258

Adami, Elisa (2020) Profile: Moyra Davey. Art Monthly (441). pp. 15-17. ISSN 0142-6702

Andrea, Cavalletti and Adami, Elisa (2020) Masses, class and the power of suggestion. Radical Philosophy, 2 (07). ISSN 0300-211X

Esche, Charles and Buta, Cristina (2019) Anti-fascism: The Missing Monuments. Third Text, 33 (3). pp. 431-448. ISSN 0952-8822

Adami, Elisa (2019) Akram Zaatari: History and Photographic Memory. Journal of Visual Culture, 18 (2). pp. 169-186. ISSN 1470-4129

Bilbao, Ana (2019) From the Global to the Local (and Back): Curatorial Strategies in Biennials and Small Visual Arts Organisations. Third Text. ISSN 0952-8822

Bilbao, Ana (2019) Mining Colombian contemporary art: histories, scales and techniques of gold extraction. Burlington Magazine, Burlington Contemporary, 1. ISSN 0007-6287

Mey, Adeena (2019) Michelle Henning, Photography. The Unfettered Image, 2019. Transbordeur (3). pp. 208-209. ISSN 2552-9137

Bilbao, Ana (2018) Micro-Curating: the role of SVAOs (Small Visual Arts Organisations) in the history of Exhibition-Making. Notebook for Art, Theory and Related Zones, 25. ISSN 1802-8918

Hartnoll, Louis C (2018) Without Further Ado. Radical Philosophy, 2 (03). pp. 108-111. ISSN 0300-211X

Morris, David (2017) Анти-шоу. АПТАРТ как искусство взаимодействия ("Anti-Shows. APTART as the Art of Interaction."). Искусствознание (Art Studies Magazine), 2.

Mey, Adeena and Hui, Yuk (2017) L’exposition comme médium. Quelques observations sur la cybernétisation de l’institution et de l’exposition. Appareil (18).

Bilbao, Ana and Reichl, Pavel (2017) Between Earth and World: Heidegger on Turrell, Nature, and Aesthetic Intelligibility. kritische berichte, 45 (2). pp. 84-91. ISSN 0340-7403

Steeds, Lucy (2017) Exhibitability and Cult Value. Aroop, 2 (1).

Morris, David (2017) Anti-Shows. e-flux journal (81). Item not available online.

Adami, Elisa and Fletcher, Alex (2017) 'To Think the Home in Terms of the Factory' Social Reproduction, Postproduction and Home Movies in Godard and Miéville. Third Text, 31 (1). pp. 79-95. ISSN 0952-8822

Morris, David (2016) Themerson & Themerson. Afterall. ISSN 1465-4253 Item not available online.

Vilalta, Helena (2016) Empty Fields and Crying Stones. Afterall, 42. pp. 144-155. ISSN 1465-4253

Morris, David (2016) Not Now: A Conversation with Walter Benjamin. Afterall, 42. pp. 118-125. ISSN 1465-4253

Adami, Elisa (2016) How do you watch a revolution? Notes from the 21st century. Journal of Visual Culture, 15 (1). pp. 69-84. ISSN 1470-4129

Mey, Adeena (2016) The milieu of poetry: Yuri An’s ‘The Unharvested Sea’ and ‘Sailing Words’. NECSUS.EuropeanJournalof Media Studies, 5.

Vilalta, Helena (2015) Hacking the Self: Sidsel Meineche Hansen's 'INSIDER'. Moving Image Review & Art Journal (MIRAJ), 4 (1 & 2). pp. 278-285. ISSN 2045-6298

Steeds, Lucy (2015) 當代藝術、策展實踐與多元文化脈絡下的多重展覽史 (‘Contemporary Art, Curating and Exhibition Histories’). Art Critique of Taiwan | ACT 藝術觀點 (64). ISSN 1561-1493

Mey, Adeena (2015) E.A.T. and the Moving Image. A conversation with Barbara Rose. OEI (69-70). pp. 339-341.

Morris, David (2015) Foreword. Afterall. ISSN 1465-4253

Mey, Adeena (2015) Dialogue avec Monologue. Notes sur Vandy Rattana et la question de l’art contemporain au Cambodge. Le magazine du Jeu de Paume.

Steeds, Lucy (2015) 'Goshka Macuga, "Picture Room", 2003'. Mousse Magazine (48). pp. 22-37. ISSN 2035-2565

Vilalta, Helena (2015) No Future. herbst. Theorie zur Praxis. pp. 24-29.

Vilalta, Helena and Carneiro da Cunha, Manuela (2014) Yanomami, Let's Talk. Afterall. ISSN 14654253

Steeds, Lucy (2014) Exhibitions and the City: To Accelerate or Pause? Two Asia-Pacific Case Studies. Yishu: Journal of Contemporary Chinese Art, 13 (2). pp. 117-126. ISSN 1683-3082

Vilalta, Helena (2014) Researchers Researching Research: 1st Bergen Assembly. Afterall Online.

Hernández Velázquez, Yaiza María (2013) Third-Way Aesthetics. Radical Philosophy (180). pp. 53-55.

Mey, Adeena (2013) New Khmer Architecture, New Khmer Architecture. NERO (32). pp. 116-127.

Mey, Adeena (2012) Art contemporain et paracinéma : Rosa Barba, Juliana Borinski et David Maljkovic. Décadrages: Cinéma, à travers champs (21-22). pp. 108-121.

Mey, Adeena and Bovier, François and Le Grice, Malcolm (2012) “Discourse” versus “medium”: interview with Malcolm Le Grice. Décadrages. Cinéma, à travers champs, 21-22. pp. 52-59.

Morris, David and Chan, Wing (2023) Precarious Solidarities: Artists for Democracy 1974–77. Afterall Books in association with Asia Art Archive; the Center for Curatorial Studies, Bard College; documenta Institut; and the Faculty of Fine, Applied and Performing Arts, University of Gothenburg. ISBN 9783753304267

Husain, Amber (2021) Replace Me. Peninsula Press, London. ISBN 9781913512064

Morris, David and Choy, Bo and Steeds, Lucy and Esche, Charles (2021) Art and its Worlds: Exhibitions, Institutions and Art Becoming Public. Afterall. ISBN 978-3960989172

Mey, Adeena and Bovier, François and Schärer, Thomas and Truniger, Fred (2020) Minor Cinema. Experimental Film in Switzerland. Documents . JRP|Editions, Zurich. ISBN 978-3-03764-550-5

Mey, Adeena and Roh Bannwart, Kyung (2020) Neo Geography 네오지오그래피. CAN, Centre d'art Neuchâtel and Les presses du réel, Neuchâtel and Dijon. ISBN 978-2-8399-2651-5

Mey, Adeena and Bovier, François (2019) 무빙 이미지 전시하기:다시 본 역사. Mediabus, Seoul. ISBN 979-11-966934-3-5

Steeds, Lucy (2019) Curating After the Global: Roadmaps for the Present. The MIT Press. ISBN 9780262537902

Teh, David and Morris, David (2018) Artist-to-Artist: Independent Art Festivals in Chiang Mai 1992–98. Exhibition Histories . Afterall. ISBN 978-1-84638-191-1

Morris, David and Tupitsyn, Victor and Tupitsyn, David (2017) Anti-Shows: APTART 1982–84. Afterall Books. ISBN 978-1-84638-180-5

Steeds, Lucy (2017) How Institutions Think: Between Contemporary Art and Curatorial Discourse. The MIT Press, US. ISBN 978-0-262-53432-1

Crippa, Elena and Steeds, Lucy (2016) Exhibition, Design, Participation: ‘an Exhibit’ 1957 and Related Projects. Exhibition Histories . London: Afterall Books. ISBN 978-3-86335-897-6

Morris, David and Pethick, Emily and van Oldenborgh, Wendelien (2016) Amateur: Wendelien van Oldenborgh. Sternberg Press. ISBN 978-3-95679-191-8

Mey, Adeena and Bovier, François (2015) Cinema in the Expanded Field. Documents . JRP|Editions, Zurich. ISBN 978-3-03764-433-1

Mey, Adeena and Bovier, François (2015) Exhibiting the Moving Image. Documents . JRP|Editions, Zurich. ISBN 978-3-03764-388-4

Mey, Adeena and Bovier, François (2015) Exhibited Cinema/Cinéma Exposé. Les presses du réel and ECAL, Dijon and Lausanne. ISBN 978-2-8399-1404-8

Mey, Adeena and Bovier, François (2014) René Berger. L'art vidéo. Documents . JRP|Editions, Zurich. ISBN 978-3-03764-389-1

Steeds, Lucy (2014) Exhibition. Documents of Contemporary Art . Whitechapel Gallery and The MIT Press, London. ISBN 9780262526586

Lotringer, Sylvère and Morris, David (2014) Schizo-Culture: The Event, The Book. Semiotext(e) / The MIT Press. ISBN 9781584351245

Steeds, Lucy (2013) Making Art Global (Part 2): 'Magiciens de la Terre' 1989. Exhibition Histories, 4 . Afterall, London. ISBN 9781846381188; 9783863352585

Steeds, Lucy and Lafuente, Pablo and Esche, Charles (2010) Exhibiting the New Art: 'Op Losse Schroeven' and 'When Attitudes Become Form' 1969. Exhibition Histories, 1 . Afterall, London, UK. ISBN 9783865608598/9781846380747

Mey, Adeena (2008) Christian Marclay’s Christmas Tales. Helvetic Centre, London.

Hernández Velázquez, Yaiza María and Roig, Marc and Hispano, Andrés (2007) El Rei de la Casa. Adults als deu, nens al quaranta. Institut de Cultura de Barcelona, Barcelona. ISBN 978-84-9850-009-7

Steeds, Lucy (2002) Apparition: the Action of Appearing. Arnolfini, Bristol, UK. ISBN 0 907738 72 9

Steeds, Lucy (2001) Michael Snow almost Cover to Cover. Arnolfini, Bristol, and Black Dog Publishing, London. ISBN 9781901033182

Steeds, Lucy (2000) Liam Gillick, Renovation Filter: Recent Past and Near Future. Arnolfini, Bristol, UK. ISBN 0907738656

Mey, Adeena (2024) Sanja Ivekovic at the VideoArt Festival Locarno. Between Medium and Politics. In: Sanja Iveković. Make Up – Make Down. A Video retrospective. Oaza Books; Museum of Modern and Contemporary Art Rijeka, Zagreb, pp. 197-202. ISBN 978-953-8107-44-3 Item availability restricted.

Adami, Elisa (2024) Reverse Shots and Acoustic Ecologies: Marwa Arsanios’s and Nida Sinnokrot’s “Fighting Realism”. In: After Critical Realism. Brill. (In Press) Item availability restricted.

Mey, Adeena (2024) 침묵시키지 않기: 임흥순의 캄보디아 [Not Silencing. Im Heung-soon’s Cambodia]. In: 임흥순 콤플렉스-IM Heung-soon Complex. Arts Council Korea: Artist Survey, Research, and Criticism . Downlight Artbooks, Seoul, pp. 149-158. ISBN 979-11-987973-4-6

Mey, Adeena (2024) Afterall at 25. In: Check-In 2024. Art & Market, Singapore, pp. 188-194. ISBN 978-981-94-0340-0

Mey, Adeena (2024) 'Qoede Lee'; 'Evelyn Taocheng Wang'. In: Foreigners everywhere = Stranieri ovunque : Biennale Arte 2024. La Biennale di Venezia, Venezia. ISBN 9788836657735

Mey, Adeena (2024) Divided Desire. Notes on Youngjoo Cho’s Full time-double, Writing my body, and Three breaths. In: Cho 0 Joo — 조 0 주. Artist Research-Study-Critique Support Project . Arts Council Korea, 한국문화예술위원회; Gyeongbokgung Collabo, Seoul, pp. 170-172. ISBN 979-11-981028-1-2 (95600)

Mey, Adeena (2023) Exposer le film structurel? Annette Michelson: entre critique et pratique curatoriale. In: L'histoire d'une histoire du cinéma. Paris Expérimental – Éditions du Centre Pompidou, Paris, pp. 31-41. ISBN 978-2-912539-57-1

Mey, Adeena (2023) Curating’s Technological Unconscious: The History of Cybernetics and the Gaian Transformation of Curation. In: The Helsinki Biennial Art Mediation Forum 2023: An Anthology. HAM Helsinki Art Museum Publication (156). HAM Helsinki Art Museum, Helsinki, pp. 35-48. ISBN 978-952-5939-45-3

Mey, Adeena (2023) Mold and Milieu / 곰팡이와 환경. In: Park Jeehee–Drawing Elliptical Orbit. Arts Council Korea. ART & TECH, Seoul, pp. 122-126.

Mey, Adeena (2023) Media Pluralism. Kim Woong Yong's Post-Cinema. In: 2022 NANJI. seMA NANJI RESIDENCY . Seoul Museum of Art, Seoul, pp. 52-66. ISBN 979-11-88619-98-6

Morris, David (2022) Fiesta as Method. In: David Medalla: Parables of Friendship. Walther Koenig. ISBN 9783753302164

Mey, Adeena (2021) Exhibitionary Feedback. On 'Cybernetic Serendipity'. In: Nouveaux médias: mythes et expérimentations dans les arts. DFK Paris, NAIMA Editions, pp. 51-65. ISBN 978-3-98501-002-8

Adami, Elisa (2021) The Underlying. In: Pause. Fervour. Reflections on a Pandemic. Harun Farocki Institut and Journal of Visual Culture, pp. 132-137. ISBN 978-1-5272-9544-5

Mey, Adeena (2020) Ecart, Film et Intermédia. Notes sur Re-Constructing the Missing Photograph d'Anthony McCall. In: Almanach Ecart. Une archive collective, 1969–2019, nouvelle édition. art&fiction, Geneva, pp. 406-412. ISBN 978-2-88964-010-2

Mey, Adeena (2020) Projection between exhibition and information: experimental and artists' film at 'Sonsbeek 71'. In: Practices of Projection. Oxford University Press, pp. 211-236. ISBN 9780190934118

Mey, Adeena (2020) Exhibiting Structural Film? Annette Michelson, Between Criticism and Curating. In: Minor Cinema: Experimental Film in Switzerland. JRP|Editions, Zurich, pp. 228-245. ISBN 978-3-03764-550-5

Morris, David (2020) Дэвид Моррис. Музеи в андеграунде: отчет об исследовании. In: Альманах ЦЭМ: номер 1. CEM, V–A–C Press.

Steeds, Lucy (2019) Exposability: On the Taking-Place in Future of Art. In: Theater, Garden, Bestiary: A Materialist History of Exhibitions. The MIT Press, pp. 75-84. ISBN 9783956794551

Hernández Velázquez, Yaiza María (2019) Imagining Curatorial Practice After 1972. In: Curating After the Global. Roadmaps for the present. The MIT Press, Massachusetts, pp. 252-271. ISBN 9780262537902

Morris, David and Edjabe, Ntone (2019) Performing Pan-Africanism. In: Curating After the Global: Roadmaps for the Present. MIT Press. ISBN 9780262537902

Mey, Adeena (2019) Positive Feedback. On Chloé Delarue’s TAFAA / Rétroactions positives. Sur Chloé Delarue et TAFAA. In: Chloé Delarue. Collection Cahiers d’Artistes 2019 (XIV). Pro Helvetia-Swiss Arts Council and Edizioni Periferia, Zurich and Luzern, pp. 41-52. ISBN 978-3-906016-98-6

Mey, Adeena (2019) Textures of In/visibility. Maya Schweizer's Exhibitionary Cinematism. In: Maya Schweizer, Where Ivy Cracks the Wall. Naima and Les presses du réel, Berlin, pp. 73-89. ISBN 978-2-37440-086-0

Hernández Velázquez, Yaiza María (2019) Cortocircuitos del museo y la autonomía. In: ¡Autonomía! ¡Autonomización! TEA, Tenerife Espacio de las Artes, Santa Cruz de Tenerife, pp. 126-142. ISBN 978-84-947065-9-2

Hernández Velázquez, Yaiza María (2018) A constituent education. In: The Constituent Museum. Valiz, Amsterdam, pp. 128-131. ISBN 9789492095428

Mey, Adeena (2017) On New Forms in Film and Other Exhibitions. A conversation with Annette Michelson. In: Early Video Art and Experimental Films Networks. ECAL and Les presses du réel, Lausanne and Dijon, pp. 217-220. ISBN 978-2-9701157-0-0

Steeds, Lucy (2017) 'Goshka Macuga, "Picture Room", 2003' [republished 2017]. In: The Artist as Curator: An Anthology. Mousse Publishing, Milan, pp. 324-339. Item not available online.

Adami, Elisa (2017) The Truth of Fiction: Some Stories of the Lebanese Civil Wars. In: Civil War and Narrative: Testimony, Historiography, Memory. Palgrave Macmillan, pp. 109-127. ISBN 978-3-319-61179-2

Mey, Adeena (2016) 전기 집필로서의 큐레이팅. 영화의 물질적 일대기에 대해 Curating as Biographing. On the Material Life of a Film. In: Practice by Curators. Gallery Factory, Seoul, pp. 30-45. ISBN 978-89-964340-9-2

Steeds, Lucy (2016) An Exhibitions Anthology. In: Reflections on Archives, Museum and Special Collections. University of the Arts London. ISBN 9781906908423

Steeds, Lucy (2016) What is the Future of Exhibition Histories? Or, Toward Art in Terms of Its Becoming-Public. In: The Curatorial Conundrum: What to Study? What to Research? What to Practice? The MIT Press. ISBN 9780262529105

Mey, Adeena (2015) Expanded Cinema, by Other Means. In: The Audiovisual Breakthrough. fluctuating images. contemporary media art e.V., Berlin, pp. 42-61. ISBN 978-3-00-051072-4

Hernández Velázquez, Yaiza María (2015) Archiving to Oblivion. In: A Story Within A Story...the 8th Goteborg International Biennial For Contemporary Art. Art And Theory Publishing, Gothenburg. ISBN 9789188031198

Steeds, Lucy (2015) Exhibitions [of Drawings] in Britain, 1964–80 / Expositions [de dessin] en Grande-Bretagne, 1964–1980. In: Towards Visibility – Exhibiting Contemporary Drawing – 1964-1980 / Vers le visible – Exposer le dessin contemporain – 1964-1980. Roven éditions and Musée Jenisch, Paris and Vevey, pp. 54-85. ISBN 978-2-918450-27-6 / 978-2-918450-24-5

Steeds, Lucy (2015) Biennial Exhibition Histories, Against the Grain: Juraci Dórea’s Projeto Terra in São Paulo, Venice and Havana. In: Making Biennials in Contemporary Times: Essays from the World Biennial Forum No.2. Biennial Foundation, Fundação Bienal de São Paulo, Instituto de Cultura Contemporânea, Amsterdam and Sao Paulo, pp. 37-45. Item not available online.

Steeds, Lucy (2015) ‘Unhinging Prehistory, Unbecoming Humanity: Georges Bataille on Lascaux’. In: Allegory of the Cave Painting. Extra City Kunsthal and Mousse Publishing, Antwerp and Milan, pp. 95-114. ISBN 9788867491162

Mey, Adeena (2013) Rancière as Foucauldian? On the Distribution of the Sensible and New Forms of Subjectivities. In: Foucault, Biopolitics, and Governmentality. Södertörn Philosophical Studies (14). Södertörn University, Stockholm, pp. 175-183. ISBN 978-91-86069-59-9

Vilalta, Helena (2011) The Blind Viewer. In: Benedictions: Ciao, Peter Gidal. Benedictions, London, pp. 44-61.

Hernández Velázquez, Yaiza María (2011) Inter/Multi/Cross/Trans. The Uncertain Territory of Art Theory in the Age of Academic Capitalism. In: Inter-Multi-Cross-Trans. The Uncertain Territory of Art Theory in the Age of Academic Capitalism. Montehermoso, Vitoria Gasteiz, pp. 187-191. ISBN 978-84-96845-44-3

Hernández Velázquez, Yaiza María (2010) De los usos y desventajas del archivo para el arte. In: Memorias y Olvidos del Archivo. Lampreave, Madrid. ISBN 978-84-614-4738-1

Vilalta, Helena (2010) Landscape in Motion. In: Filipa César: Montrage. Argobooks, Berlin. ISBN 978-3-941560-94-9

Hernández Velázquez, Yaiza María (2004) Museos de Sol y Playa. In: Paisajes del Placer, Paisajes de la Crisis. El espacio turístico canario y sus representaciones. Fundación César Manrique, Madrid, pp. 137-155. ISBN 8488550545

Steeds, Lucy (2001) Time's Printless Torrent. In: Presentness is Grace: Experiencing the Suspended Moment. Arnolfini, Bristol, UK. ISBN 0 907738 70 2

Adami, Elisa (2024) (Anti-)Foundational Archives: Three Stories on Plunder, Restitution and the Commons. In: FOUNDATIONAL: Exploring the Legacies and Impacts of Foundational Art & Design Education, 18 June, 29–30 August 2024, Online.

Mey, Adeena (2024) The Hollow Man: Adeena Mey on Hu Yun. In: Lecture, 15 June 2024, Rockbund Art Museum, Shanghai.

Adami, Elisa and Bikoko, Baudouin and Crichlow, Warren and Mey, Adeena (2023) Framing & Reframing Kinshasa: Baudouin Bikoko’s Expanded Photographic Practice. In: Photography Network Virtual Symposium: Photography’s Frameworks, 14 October 2023, Western Cape, South Africa, Online.

Mey, Adeena (2023) The Cybernetisation of the Exhibition. From Cybernetic Serendipity (1968) to lumbung (2022). In: System Shifts: Politics of Artistic Form in 'Post' - Imperial Britain, 25 January 2023, Whitworth Art Gallery Study Centre, Manchester.

Mey, Adeena (2022) Curating’s technological unconscious: the history of cybernetics and the Gaian transformation of curation. In: Helsinki Biennial 2023 Symposium, 9 December 2022, HAM Helsinki Art Museum.

Adami, Elisa (2022) Between the Archive and Repertoire: Embodied Memory in Stephen Dwoskin’s Ballet Black, 1986. In: Study Day + Acting Out: Stephen Dwoskin film screening, 12 February 2022.

Mey, Adeena (2020) Return to the Kinomuseum. In: Limit as Material, 11-12 December 2020, Online.

Mey, Adeena (2020) Aldo Tambellini's 'Black Film Series'. In: Black Film Series Les films d'Aldo Tambellini en 16 mm et en présence d'Adeena Mey, 17 January 2020, Oblo Cinema, Lausanne, Switzerland.

Mey, Adeena (2019) The Moving Image in the Museum in the Era of Late Capitalism: Thinking Film Exhibitions with and after Annette Michelson. In: Annette Michelson, une américaine à Paris Conférences et projections, 23-25 Oct 2019, Centre Pompidou, Paris. Item not available online.

Hernández Velázquez, Yaiza María (2019) Ponerse en el mapa. Cosmpolitismo provinciano en los años del Boom. In: Art and Tourism Imaginaries II Spain Was Never Different. Art and Tourism from the 1960s Onwards, 12 June 2019, Museo Nacional Centro de Arte Reina Sofía, Madrid. Item not available online.

Hernández Velázquez, Yaiza María (2019) The Art World as Cosmos. In: Institutions, Borders and Politics in the Contemporary Art World, 9 May 2019, Edinburgh College of Art. Item not available online.

Hernández Velázquez, Yaiza María (2018) Liberating the Curator / Liberating the Museum. In: Post Graduate Art Talks: Yaiza Hernandez Velazquez, 26 November 2018, Goldsmiths College. Item not available online.

Hernández Velázquez, Yaiza María (2018) Can the Museum Liberate Us? In: Art and Decolonization, 18-19 October 2018., Museu de arte de São Paulo Assis Chateaubriand (MASP). Item not available online.

Mey, Adeena (2018) Media Mass-Age in Monte Verità. René Berger’s Media Theory. In: Media History from the Margins, 19-24 August 2018, Monte Verità, Switzerland. Item not available online.

Hernández Velázquez, Yaiza María (2018) Beyond the Institution. Producing Knowledge and Training Artists between Museums and Universities. In: Beyond the Institution Producing Knowledge and Training Artists between Museums and Universities, 7 June 2018, Museo Nacional Centro de Arte Reina Sofía. Item not available online.

Hernández Velázquez, Yaiza María (2018) The uses of theory. In: From Critical Studies to Public Programming: Public Knowledge at the Post-Democratic Impasse, 18 May 2018, Goldsmiths College. Item not available online.

Hernández Velázquez, Yaiza María (2018) ¿Quién necesita a los estudios expositivos? In: El museo foro. Espacios museales para un mundo intolerante, 13th-14th March, 2018., MUAC, Museo Universitario de Arte Contemporáneo, Ciudad de México, México..

Hernández Velázquez, Yaiza María (2017) "La vida sigue igual". In: Historia de un Incidente, 22nd August 2017, Lanzarote. Item not available online.

Hernández Velázquez, Yaiza María (2017) Nuevos Modelos de Trabajo y Sectores. In: Gabinete de Cultura, Nuevas Perspectivas del Sector Cultural, 24-25 May 2017, Goethe Institut, Madrid. Item not available online.

Hernández Velázquez, Yaiza María (2017) Museos y Democracia. In: Museos y Democracia, 27 February 2017, Monumento al campesino. Item not available online.

Hernández Velázquez, Yaiza María (2016) The critique of labour and the work of critique. In: Subjects for sale: labour precariousness and professional practices in the art world, 25th November 2016, Centre d'Art Santa Mònica. Item not available online.

Hernández Velázquez, Yaiza María (2016) Los estudios expositivos en disputa. In: Departamento De Investigatión, Datos, Documentatión, Cuestionamiento y Causalidad DIDDCC), 4th November, 2016, Madrid, Spain. Item not available online.

Hartnoll, Louis C (2016) Art and Its History; Hegel and Art’s Historical Exceptionalism. In: Society for European Philosophy–Forum for European Philosophy 2016 Annual Conference, 25–27 August, Regent's University, London. Item not available online.

Mey, Adeena and Thorel, Benjamin (2016) Tell'n'Talk 02. In: Labor Zero Labor, 26-28 August 2016, Triangle France, Friche la Belle de Mai, Marseille.

Mey, Adeena (2016) “The Entire Country as Field of Operation”: Sonsbeek 71, Communication and the Film/Exhibition Apparatus. In: NECS Conference 2016, 28-30 July 2016, University of Potsdam.

Vilalta, Helena (2016) Mattering Information: Lee Lozano and Cybernetics. In: Association of Art Historians Annual Conference, 7 - 9 April 2016, University of Edinburgh.

Hernández Velázquez, Yaiza María (2016) Why Exhibition Studies? In: Why Exhibition Studies?, AKADEMIROMMET, Oslo. Item not available online.

Mey, Adeena (2015) Materiality and Exhibitionality in Contemporary Art Practice: Mark Leckey, Simon Starling, Rosa Barba / 현대 예술에서의 물질성과 전시성. In: Materiality and Exhibitionality in Contemporary Art Practice: Mark Leckey, Simon Starling, Rosa Barba, 4 September 2015, Cheongju Art Studio/Cheongju Museum of Art, South Korea.

Mey, Adeena (2015) By Other Means or not at All: Experimental Moving Image Practices in Switzerland 1960 – 1970. In: EXIS-Experimental Film & Video Festival in Seoul, 19-26 August 2015, Audio Visual Pavilion - 시청각.

Hernández Velázquez, Yaiza María (2015) New Institutionalism Revisited. In: Curating Europe's Futures, 14-April 2015, Centre for Contemporary Arts, Glasgow.

Mey, Adeena (2015) Institutional Critique and Experimental Cinema: Historiographical Revisions. In: SCMS 2015, 25-29 March 2015, Fairmont Queen Elizabeth, Montreal.

Hernández Velázquez, Yaiza María (2014) Crisis Management. In: Some Reasons for a Non-Dismissive Art, 26 October 2014, Fundacao Serralves Museu, Porto. Item not available online.

Hernández Velázquez, Yaiza María (2014) Síntomas mórbidos en el cubo blanco. In: Reclaiming Public Space Through Culture, 13-15 June, 2013, Ateneu Sant Boià, Barcelona. Item not available online.

Lewis, Mark (2014) Invention. In: UAL Professorial Platform Series 2013-14, 12 May 2014, Central Saint Martins, Granary Building, 1 Granary Square, King's Cross, London N1C 4AA. (Unpublished)

Mey, Adeena (2014) Mobility and Event: Fragments towards an Archaeology of the Ambulant Spectator. In: SCMS (Society for Cinema and Media Studies) Conference 2014, 19–23 March 2014, Sheraton Seattle Hotel.

Hernández Velázquez, Yaiza María (2013) Cuestionando el "valor social". In: Horizontes del Arte en España, 27-Nov-2013, Museo Nacional Centro de Arte Reina Sofía, Madrid. Item not available online.

Hernández Velázquez, Yaiza María (2013) Artistic education and exceptionality. In: The Education of the Artist: Research and Academic Capitalism, Museo Nacional Centro de Arte Reina Sofía, Madrid. Item not available online.

Hernández Velázquez, Yaiza María (2013) On The Limits of the Artist as Exemplary Labourer. In: La Empresa Soy Yo. Trabajo y Subjetividad, 29-31 Octubre 2013, Casa del Lago, UNAM, Mexico D.F..

Hernández Velázquez, Yaiza María (2013) One of the Two is Always Lacking. Notes on Artwriting. In: Art Writing Under the Sign of Conceptualism, 7th June 2013, Tate Britain. Item not available online.

Mey, Adeena (2013) Listening and Looking beside. On the ‘Parasonic’ and the ‘Paracinematic’. In: Art History and Sound, Workshop series: The Listening Art Historian, 14 March 2013, The Courtauld Institute of Art.

Hernández Velázquez, Yaiza María (2013) Vertex: conversations on art, politics and society. Round table#1. In: Vertex, conversations on art, politics and society, 24 January 2013, ADN Galería, Barcelona.

Hernández Velázquez, Yaiza María (2011) Comisariar, Conservar, Archivar. In: Polítiques d'Arxiu, 21-22 December 2011, Universitat de Girona.

Hernández Velázquez, Yaiza María (2011) Otra Institucionalidad. De la Crítica Institucional a la Institución en Crisis. In: "Artefactos de Acción Directa", 30-11-2011 to 1-12-2011, Museo Nacional Centro de Arte Reina Sofía, Madrid. Item not available online.

Hernández Velázquez, Yaiza María (2010) Living, Working, Playing. In: Piensa Madrid 3, 22 September 2010, Casa Encendida, Madrid. Item not available online.

Mey, Adeena (2022) The Slave Trade and Contemporary Art in the Museum. ‘Uncomfortable Truths’ at the V&A. Afterall

Odeniyi, Victoria and Giorgis, Paola (2021) Promoting Critical Intercultural Dialogue: A language studies perspective.

Adami, Elisa (2021) Decolonial Dovetailing: Potential Encounters and Archival Elisions in Thorold Dickinson’s Archive. Discussion Paper. University of the Arts London.

Mey, Adeena (2022) mubing imiji jeonsihagi. [Show/Exhibition]

Mey, Adeena (2021) A Viewing Room. [Show/Exhibition]

Mey, Adeena and Bovier, François (2019) VideoArt Festival Locarno: A Prospective. [Show/Exhibition]

Mey, Adeena (2018) Hylétique/Helvétique/Cinématique. [Show/Exhibition]

Mey, Adeena and Bovier, François (2018) Film Implosion! [Show/Exhibition]

Mey, Adeena and Higashino, Yuki (2018) Yuki Higashino: Perspectives. [Show/Exhibition]

Mey, Adeena and Roh Bannwart, Kyung (2017) Neo Geography II 네오지오그래피 II. [Show/Exhibition]

Steeds, Lucy and Mabaso, Nkule (2017) Exhibition Histories and Afrofictions. [Show/Exhibition]

Mey, Adeena and Roh Bannwart, Kyung (2017) Neo Geography I 네오지오그래피 I. [Show/Exhibition]

Mey, Adeena (2015) Kunsthalle Archaeology / 쿤스트할레 고고학. [Show/Exhibition]

Morris, David and Waugh, Katherine (2014) Schizo-Culture: Cracks in the Street. [Show/Exhibition]

Vilalta, Helena and Leckie, Robert and Blocker, Antonia (2011) All I Can See is the Management. [Show/Exhibition]

Mey, Adeena (2010) Maria Taniguchi: Y’a le feu au lac. [Show/Exhibition]

Adami, Elisa (2019) Writing History Under Erasure: Radical Historiographical Practices in Lebanese Postwar Art. PhD thesis, Royal College of Art.

Odeniyi, Victoria (2015) An exploration of students from the African diaspora negotiating academic literacies. PhD thesis, Canterbury Christ Church University.

Items where Division is "Afterall"

Art/Design Item

Article

Book

Book Section

Conference, Symposium or Workshop Item

Other

Report

Show/Exhibition

Thesis