Items where Division is "Subjectivity and Feminisms"

Addison, Gill (2010) Talked about pink. [Art/Design Item] Item not available online.

Addison, Gill and Oechsler, Monika (2009) The S.C.U.M. Manifesto dinner. [Art/Design Item] Item not available online.

Cronin, Rosemary and Mazzarella, Francesco and Tischler-Wood, Alma, Foreign Investments Collective (2019) I Wanna Be Me, I Wanna Be EU. [Performance]

Cottell, Fran and Mueller, Marianne (2016) Pentagon Petal. [Art/Design Item]

Cottell, Fran (2016) 'Attic' for 'COLD STORAGE'. [Show/Exhibition]

Newman, Hayley and Birch, Gina and Matthews, Kaffe (2010) Cafe carbon goes viral. [Art/Design Item]

Newman, Hayley (2010) The smelly hillock. [Art/Design Item]

Newman, Hayley and Birch, Gina and Kaffe, Matthews (2010) Cafe carbon. [Performance]

O'Reilly, Sally and Head, Chris and Fishbone, Doug and Lloyd, Cariad and Newman, Hayley and Noble, Kim and Owoo, Michelle and Smith, Caroline and Whelans, Phil and Williams, Bedwyr (2011) The last of the red wine. [Performance]

Thomas, Jennet (2018) Animal Condensed<Animal Expanded #2. [Art/Design Item]

Thomas, Jennet (2016) Animal Condensed>Animal Expanded #1. [Art/Design Item]

Trangmar, Susan (2015) Wandering Shards. [Art/Design Item]

Trangmar, Susan (2014) Wandering Shards. Philosophy of Photography, 5 (2). pp. 146-157. ISSN 2040-3682

Trangmar, Susan (2014) Lunar Tides. [Art/Design Item]

Thomas, Jennet (2012) SCHOOL OF CHANGE. [Show/Exhibition]

Walsh, Maria (2024) Flagging It Up, Zarina Bhimji, curated by Fiona Bradley, Fruitmarket, Edinburgh, 28 October 2023–28 January 2024. Moving Image Review & Art Journal (MIRAJ), 12 (2). pp. 276-282. ISSN 2045-6301

Walsh, Maria (2024) A few provocations on trauma in the artwork versus in the museum collection: could the museum be like an artwork? In: Workshop, 28 May 2024, GRASSI Museum for Ethnology, Leipzig, Germany. Item not available online.

Walsh, Maria (2024) Trauma and Repair in the Museum. In: Trauma and Re-traumatization in the Museum and Provenance Research, 27-29 May 2024, GRASSI Museum for Ethnology, Leipzig, Germany. Item not available online.

Walsh, Maria (2023) Filmmaking and wellbeing. In: Screening the Social: Beyond the Documentary, 13-24 November 2023, Online. Item not available online.

Walsh, Maria (2020) Therapeutic Aesthetics: Performative Encounters in Moving Image Artworks. Radical Aesthetics . Bloomsbury, London and New York. ISBN 978-1-350-09315-7 Item not available online.

Walsh, Maria and Throp, Mo (2020) Double Acts: Oscillating Between Optical and Haptic Visuality in a Digital Age. In: Revisiting the Gaze The Fashioned Body and the Politics of Looking. Bloomsbury Visual Arts, London and New York. ISBN 9781350154230 Item not available online.

Walsh, Maria (2019) Amodal Perception and “la jouissance du voir”: News From Home The Redux Version. Moving Image Review & Art Journal, 8 (1 & 2). pp. 28-38. ISSN 20456298

Walsh, Maria (2019) Female Solidarity as Uncommodified Value: Lucy Beech’s Cannibals and Rehana Zaman’s Some Women, Other Women and all the Bittermen. In: Women Artists, Feminism and the Moving Image. Bloomsbury, London and New York, pp. 229-244. ISBN 9781784537005

Walsh, Maria (2019) Off With Their Heads. In: Rachel Maclean. Zabludowicz Collection, London. Item not available online.

Walsh, Maria (2019) The “Paradoxical Gift” of Another Woman’s Dreams: Daria Martin’s Tonight the World. In: Daria Martin: Tonight the World. Barbican Art Gallery, London, pp. 9-13. ISBN 9780995708259 Item not available online.

Walsh, Maria (2017) Acts of laughter, acts of tears: The production of ‘truth-effects’ in Oriana Fox’s ‘The O Show’ and Gillian Wearing’s ‘Self Made’. NECSUS European Journal of Media Studies, Spring (2017). ISSN 2213-0217

Walsh, Maria (2017) 'Lis Rhodes interviewed by Maria Walsh: Structural Slips'. In: Talking Art 2: Art Monthly interviews with artists since 2007. Ridinghouse, London, pp. 450-455. ISBN 9781909932425 Item not available online.

Wilson, Stephen (2017) ‘Téchne’ is About Effort. In: Techne, Techne, Techne, Techne. Theater Rampe and Künstlerhaus Stuttgart, Stuttgart, pp. 3-10.

Walsh, Maria (2014) Dissonant Continuity in Omer Fast’s '5000 feet is the best'. In: Film-Philosophy International Conference: Thinking Reality and Time Through Film, 6-10 May 2014, Lisbon University. Item not available online.

Walsh, Maria and Throp, Mo (2014) The MAKE Archive: Re-contextualising Recurring Themes. In: Association of Art Historians Annual Conference, 2014, Royal College of Art. Item not available online.

Walsh, Maria (2013) I Object. Art Monthly (371). pp. 9-12. ISSN 0142-6702 Item not available online.

Walsh, Maria (2013) Image narration in a digital era: between the cut-up and the sequence. In: Misdirect Movies. Cornerhouse, Manchester, pp. 12-15. ISBN 9780956957153 Item not available online.

Walsh, Maria (2013) Oscillations Between Disciplinary and Productive Subjectivity in James Coupe’s Auto-Generative Online Film Project Today, too, I experienced something I hope to understand in a few days (2010). In: On the Verge of Photography: Imaging Beyond Representation. Article Press, Birmingham, pp. 171-190. ISBN 9781873352021 Item not available online.

Walsh, Maria (2013) Tracing a Maternalised Optics. In: Rebecca Fortnum: Self-Contained. RGAP (Research Group for Artists), Sheffield, pp. 69-76. ISBN 9780956902467 Item not available online.

Walsh, Maria (2011) Cannibalising Collaboration in Fine Art as Research: The Subjectivity & Feminisms Performance Dinners. In: Mutual Dependencies. Artwords Press, London, pp. 106-115. ISBN 9781906441258

Walsh, Maria (2010) Peepshow: in memory of you. [Show/Exhibition]

Walsh, Maria (2007) The Light Fantastic: Angela Bulloch interviewed by Maria Walsh. In: Talking Art Monthly: Interviews with Artists since 1976. Ridinghouse, London, pp. 567-573. ISBN 9781905464043 Item not available online.

Walsh, Maria (2007) Lost in Translation: Tacita Dean interviewed by Maria Walsh. In: Talking Art Monthly: Interviews with Artists since 1976. Ridinghouse, London, pp. 582-587. ISBN 9781905464043 Item not available online.