Allen, Richard and Khandekar, Prachi (2023) Circuits of Sand and Water (Dramaturg). [Performance]
Alarcon, Ximena and Diaz Daza, Patricia (2016) Weaving Migrations. [Art/Design Item]
Adami, Elisa (2023) Foreword. Afterall. A Journal of Art, Context and Enquiry, 54. pp. 3-5. ISSN 1465-4253
Adami, Elisa (2024) Reverse Shots and Acoustic Ecologies: Marwa Arsanios’s and Nida Sinnokrot’s “Fighting Realism”. In: After Critical Realism. Brill. (In Press)
Brown, Lucy (2016) The TV Studio Production Handbook. I.B.Tauris / Bloomsbury, London, UK. ISBN 9781784536282
Bosward, Marc (2022) Realist Collage: Non-fiction Film Practice Addressing the History and Identity of 'Welsh Wales' through Critical Realism, Found Footage and Animation. PhD thesis, Arts University Bournemouth.
Benalcazar Vega, Diego Eduardo (2021) La escucha inconsciente: historias que escuchamos con los ojos. In: ¿Escuchaste eso? La escucha entre habilidad y estética. UArtes Ediciones, Guayaquil - Ecuador, pp. 181-197. ISBN 978-9942-977-39-7
Benalcazar Vega, Diego Eduardo (2021) Planet B234. [Art/Design Item]
Benalcazar Vega, Diego Eduardo (2018) Ruta Viva. [Art/Design Item]
Benalcazar Vega, Diego Eduardo (2017) Take My Hand. [Art/Design Item]
Batten, Jonathan. P and Smith, Tim (2018) Looking at Sound: Sound Design and the Audiovisual Influences on Gaze. In: Seeing into Screens: Eye Tracking and the Moving Image. Bloomsbury Publishing, London, UK. ISBN 9781501329029
Ball, Steven (2003) Local Space Studies. [Art/Design Item]
Baddeley, Oriana and Mahurter, Sarah and Rughani, Pratap and Coldwell, Paul and Collins, Jane and Putnam, James and Kim, Jihoo (2016) Into the Archive. Re-Viewing Kubrick. In: Into the Archive- Reviewing Kubrick. Kim Hong-hee Seoul Museum of Art, Seoul, Korea, pp. 1-116.
Cusack, Peter and Biemann, Ursula (2005) 'Baku in 5 Quarters' and 'The Black Sea Files'. [Art/Design Item]
Cusack, Peter (2004) Baikal Ice: Recording and Interpreting the Sounds of the Environment. [Art/Design Item]
Cusack, Peter (2001) Favourite Sounds Project. [Art/Design Item]
Cusack, Peter (2005) 'Your Favourite Beijing Sounds' and 'Beijing Sonic Bicycle Ride'. [Art/Design Item]
Creamer, Anne-Marie (2023) 'Dear Friend, I Can No Longer Hear Your Voice' at Koffler Centre for the Arts, Toronto. [Performance]
Course, Ann (2009) The Collaborators. [Art/Design Item]
Church Gibson, Pamela (2005) Brad Pitt and George Clooney, the rough and the smooth: masculinity in contemporary Hollywood cinema. In: Fashioning Film Stars: Dress, Culture, Identity. British Film Institute, London, pp. 62-75. ISBN 1844570681
Church Gibson, Pamela (2011) In bed with celebrity culture: the new conformity of fashion & the problems of resistance. In: Fashion: Out of Order: Disruption as a Principle. Arnoldsche, pp. 158-168. ISBN 9783897903586
Childs, Joseph Stephen (2015) Foodstuffs. [Show/Exhibition]
Cherry, Deborah (2009) Wendelien van Oldenborgh | Lecture/Audience/Camera. In: Wendelien van Oldenborgh | Lecture/Audience/Camera, 14/10/2012, Lecture Theatre - Chelsea College of Arts and Design.
Caston, Emily (2012) ‘Kick, Bollocks and Scramble’: An Examination of Power and Creative Decision-Making in the Production Process During the Golden Era of British Music Videos 1995–2001. Journal of British Cinema and Television.
Caston, Emily (2015) Not Another Article on the Author! God and Auteurs in Moving Image Analysis; Last Call for a Long Overdue Paradigm Shift. Music Sound and the Moving Image, 9 (2). pp. 145-161. ISSN 1753-0768
Carlyle, Angus and Wright, Mark Peter (2021) Dissonant Doppelgangers: Performing the Post-Natural Through Modulated Foley Techniques. Cadernos de Arte e Antropologia, 10 (1). pp. 37-47. ISSN 2238-0361
Carlyle, Angus and Lane, Cathy (2013) On listening. Uniformbooks, Axminster. ISBN 9781910010013
Carlyle, Angus and Cox, Rupert and Hiramatsu, Kozo and Nishimura, Atsushi (2017) Zawawa: The Sound of Sugar Cane in the Wind. [Art/Design Item]
Carlyle, Angus and Cox, Rupert (2017) "The Cave Mouth: Listening To Sound and Voice in Okinawan War Memory". In: Modern Conflict and the Senses. Routledge, London and New York, pp. 123-142. ISBN 9781138927827
Carlyle, Angus (2020) Dropping Down Low: Online Soundmaps, Critique, Genealogies, Alternatives. In: The Bloomsbury Handbook of Sonic Methodologies. Bloomsbury Handbooks . Bloomsbury Academic, New York & London, pp. 581-598. ISBN 9781501338755
Carlyle, Angus (2011) Noli me tangere. [Art/Design Item]
Capaldi, Leah (2016) Lay Down. [Show/Exhibition]
Evans, Alice (2021) Five ‘Exits’ from Brecht: Towards New Brechtian Subjectivities in Film. How can Brechtian v-effekts be developed or adapted in the light of contemporary understandings of subjectivity? PhD thesis, University of the Arts London.
Eernstman, Natalia (2016) Art as a Source of Learning for Sustainable Development: Making meaning, multiple knowledges and navigating open-endedness. PhD thesis, University of the Arts London and Falmouth University.
Ebersole, P David and Hughes, Todd and Anderson, Larra (2017) Mansfield 66/67. [Art/Design Item]
Finney, Rachael (2017) The Grief of Electra. [Show/Exhibition]
Gverović, Tina and Cain, Ben (2015) Audiable Audience. [Show/Exhibition]
Gibson, Ruth and Roth, Bine and Pollmann, Alexa and Martelli, Bruno (2022) DAZZLE: SOLO. [Show/Exhibition]
Galeazzi, Fabrizio and Di Franco, Paola Di Giuseppantonio and Toulson, Rob and Camporesi, Carlo and Patel, Shreepali (2022) Earthquakes, communities and heritage: Telling stories of resilience through co-designed immersive media. Visual Studies. ISSN 1472-586X
Hutson, John. P and Magliano, Joseph. P and Smith, Tim and Loschky, Lester. C (2021) “This Ticking Noise in My Head”: How Sound Design, Dialogue, Event Structure, and Viewer Working Memory Interact in the Comprehension of Touch of Evil (1958). Projections, 15 (1). pp. 1-27. ISSN 1934-9688
Hunter, Tom (2009) Hackney Fandango. [Art/Design Item]
Hunter, Tom (2017) Searching for Ghosts. [Show/Exhibition]
Holdsworth, Claire (2020) Ventriloquial bodies: Re-framing ephemerality in artists’ film & video. In: Sound Methods and the Aural Dimension of Film and Media History, XXVII International Film and Media Studies Conference, 2–4 November 2020, University of Udine, Gorizia, Italy [online].
Holdsworth, Claire (2020) Vocal acts: video art and the artist’s voice. Journal of Art Historiography (23). ISSN 2042-4752
Hogan, Eileen and Stocking, Michael and Courtney, Cathy and Webb-Ingall, Edward (2013) A Narrated Portrait. [Art/Design Item]
Higgins, Ceri and Trefor, John (2008) Montezuma. [Art/Design Item]
Higgins, Ceri (1998) Aztecs, Inside the Hidden Empire. [Art/Design Item]
Harlan, Jan (2009) Music as a Scripting Tool: How to get a World-Class Film Score for Very Little Money. In: UAL Professorial Platform Series 2008-09, 21 January 2009, London College of Fashion, 20 John Prince's Street, London W1G 0BJ.
Ildirar Kirbas, Sermin and Smith, Tim (2017) Action Prediction Across Match-on-Action Cuts in Infancy. In: SCSMI2017 Helsinki, 11-14 June 2017, Helsinki, Finland.
Kul-Want, Christopher (2023) Dreaming the Unthinkable: The Cinema of Yorgos Lanthimos. In: Dreams and Atrocity: The Oneiric in Representations of Trauma. Manchester University Press, Manchester, pp. 199-219. ISBN 978 1 5261 5807 9
Kuc, Kamila and Stark, Scott (2023) The Last Forever. [Performance]
Kuc, Kamila (2023) Her Plot of Blue Sky. [Art/Design Item]
Kuc, Kamila (2021) What We Shared. [Art/Design Item]
Keane, Tina (2002) Ghost Train. [Art/Design Item]
Keane, Tina (2005) Le Jardin. [Art/Design Item]
Keane, Tina (2002) Silent Cry / Our Little Secret. [Art/Design Item]
Lin, Yu Lun Eve (2024) A mother's guide to love. [Art/Design Item]
Layzell, Richard (2016) The Artist Hotel. [Show/Exhibition]
Lane, Cathy and Carlyle, Angus (2013) In the Field: The Art of Field Recording. Uniformbooks, Axminster, Devon. ISBN 9780956855961
Lane, Cathy (2015) The Hebrides Suite: mapping the islands in sound. [Show/Exhibition]
Mey, Adeena and Delarue, Chloe (2021) Tafaa - Random activity (...). [Art/Design Item]
Mey, Adeena and Bovier, François (2018) Film Implosion! [Show/Exhibition]
Mey, Adeena (2008) Christian Marclay’s Christmas Tales. Helvetic Centre, London.
Melvin, Jo and Horrigan, Michele and Lynch, Sean (2019) Publication Scaffold. [Show/Exhibition]
Melvin, Jo (2019) Barry Flanagan. [Show/Exhibition]
McVeigh, Whitney, Summerhall, Edinburgh (2015) Language of Memory. [Show/Exhibition]
Nuthmann, Antje and Smith, Tim and Engbert, R and Henderson, John. M (2010) CRISP: A computational model of fixation durations in scene viewing. Psychological Review, 117 (2). pp. 382-405. ISSN 0033-295X
Noce, Kim and Harrison, Nica (2020) In the Beginning (Berries). [Art/Design Item]
Noce, Kim and Clark, Shaun (2015) The evening her mind jumped out of her head. [Art/Design Item]
Naldi, Pat (2023) Performing Mersea Island: Out of Place. In: Collective Landscape Futures, 18-19 May 2023, University of Greenwich.
October, Dene (2012) The Bowie-Newton in 'The Man Who Fell to Earth'. In: Strange Fascination? A Symposium on David Bowie, 26th - 28th October 2012, University of Limerick.
October, Dene (2021) Shooting Stars: Modes of TV Spectacle in the Jodie Whittaker era of Doctor Who. In: Doctor Who New Dawn: Essays on the Jodie Whittaker era of Doctor Who. Manchester University Press, UK, pp. 54-71. ISBN 978-1-5261-5187-2
O'Neill, Alistair (2021) Double Shiny: Leigh Bowery's Costume Design for Because We Must (1987/1989). In: Materials, Practices, and Politics of Shine in Modern Art and Popular Culture. Material Culture of Art and Design . Bloomsbury Visual Arts, London, pp. 155-168. ISBN 9781350192911
Pelling, Kate (2016) Select Reject Reconfigure: Editing Speech in Artists’ Direct Address to Camera. PhD thesis, University of the Arts London.
Patel, Shreepali and Wallis-Redworth, Maxine and Jackson, Sophie and Rose, Lindsey (2017) Art and Science: Promoting Empathy Through Film. British Journal of Midwifery, 25 (11). pp. 1-7. ISSN 2052-4307
Patel, Shreepali and Toulson, Rob (2014) Educating and Enhancing Compassion, Emotion and Reflective Professional Practice through Contemporary Digital Filmmaking. In: Smart Digital Futures. Frontiers in Artificial Intelligence and Applications . IOS Press, pp. 582-591. ISBN 978-1-61499-404-6
Patel, Shreepali (2019) Drone Filming: Creativity versus Regulations in Autonomous Art Systems. A Case Study. Media-N, 15 (1).
Patel, Shreepali (2014) The Golden Window. [Art/Design Item]
Patel, Shreepali and Flavin, Susan (2024) Weaving Complex Historical Narratives Through Sonic & Visual Artistic Practice. In: Shaping Gastronomy: Regenerating Food Systems & Societies, 26-28 September 2024, Pollenzo & Turin, Italy.
Palma Stade, Tobias (2020) Hands-off Interactive Storytelling; Intuitive Agency in an Immersive Cinematic Film. In: ACM IMX2020 International Conference on Interactive Media Experiences, 17-19 June 2020, Barcelona, Spain.
Palma Stade, Tobias (2022) Instinct-Based Decision-Making in Interactive Narratives. In: XR Salento 2022, 6-8 July, Lecce, Salento, Italy.
Rowe, Lois and Buranelli, Francesco (2011) The Vatican Pavilion at the Venice Biennale. In: Research Talks, 21 June 2011, London, UK. (Unpublished)
Rowe, Lois (2011) Film, screened at 'Where is the photograph now?'. [Art/Design Item]
Rowe, Lois, Francesco Buranelli, Florian Roithmayr (2011) The address of spirituality in contemporary art. PhD thesis, University of the Arts London and Goldsmiths College, London.
Rae, Nicola and Blondel, Philippe (2015) 'Arctic Glacier Sonic Frequencies - night projections over flood tides', 2014-15, at FaB (Fringe Arts Bath) Ignites Research. [Show/Exhibition]
Raban, William (2008) 4’ 22”. [Art/Design Item]
Raban, William (2016) Available Light. [Art/Design Item]
Raban, William (2012) Duchamp's Dissent. [Art/Design Item]
Raban, William (2016) London Republic. [Art/Design Item]
Stevenson, Caroline (2017) Picnic at Tornado Sands. [Show/Exhibition]
Smith, Tim and Martin-Portugues Santacreu, Janet Yvonne (2017) Match-Action: The Role of Motion and Audio in Creating Global Change Blindness in Film. Media Psychology, 20 (2). pp. 317-348. ISSN 1521-3269
Smith, Tim and Levin, Daniel and Cutting, James. E (2012) A Window on Reality: Perceiving Edited Moving Images. Current Directions in Psychological Science, 21 (2). pp. 107-113. ISSN 0963-7214
Smith, Tim (2012) The Attentional Theory of Cinematic Continuity. Projections, 6 (1). pp. 1-27. ISSN 1934-9688
Smith, Tim (2005) An Attentional Theory of Continuity Editing. PhD thesis, University of Edinburgh.
Smith, Tim (2014) Audiovisual Correspondences in Sergei Eisenstein’s Alexander Nevsky: A Case Study in Viewer Attention. In: Cognitive Media Theory. AFI Film Readers . Taylor & Francis, Abingdon, UK. ISBN 9780415629874
Smith, Tim (2012) Extending AToCC: A reply. Projections, 6 (1). pp. 71-78. ISSN 1934-9688
Smith, Tim (2013) Watching You Watch Movies: Using Eye Tracking to Inform Film Theory. In: Psychocinematics: Exploring Cognition at the Movies. Oxford University Press, New York, U.S., pp. 165-191. ISBN 9780199862139
Sajovic, Eva and Davies, Rebecca and Hamilton, Shona and Butler, Sarah, Peoples' Bureau (Eva Sajovic & Rebecca Davies) (2020) This is A Call. [Performance]
Sajovic, Eva and Colner, Miha (2021) Hanging By A Thread. [Show/Exhibition]
Trangmar, Susan (2014) Lunar Tides. [Art/Design Item]
Trangmar, Susan (2013) The Production of Space: The Meaning of Place. In: Art and Geography - Aesthetics and practices of spatial knowledges, 11-13 February 2013, Lyon, France.
Torres, Lara (2022) Fashion Ontology: Researching the Possibilities for Knowing through an Expanded Fashion Practice. In: Fashion Knowledge Theories, Methods, Practices and Politics. Intellect, United Kingdom, pp. 53-69. ISBN 978-1-78938-518-2
Tlalim, Tom (2018) Tonotopia: A Catalogue of Leaves. [Art/Design Item]
Tlalim, Tom and Ikeshiro, Ryo (2024) Listening to the Earth: Sonifying planetary health ecologies. [Show/Exhibition]
Thurston-Gent, Daisy and Coupland, Geoffrey (2016) Drawing Breath. [Performance]
Thorogood, Simon (2010) StarD. [Art/Design Item]
Taylor, j Milo (2019) Ears Wide Open: Considerations of Immersive Sound in the Works of Stanley Kubrick. In: 3rd International Conference 'Music and Sound in Film and New Media', Lithuanian Academy of Music and Theatre.
Voegelin, Salomé (2022) Sonic testimonies: creating new imaginaries from the in-between. In: For Many Voices. Freigeist Verlag, Berlin, pp. 8-12. ISBN 978-3-947764-06-8
Veal, Philip and Forsyth, Steven and Brennan, Richard and Acosta, Mike and Davis, Lesley Ann and Procter, Natalie and Wyeld, Mike (2024) Cambridge International AS & A Level Digital Media and Design Student’s Book (2nd Edition). Harper Collins, London. ISBN 978-0008643447 (In Press)
Vale, Sam (2014) Collecting Rooms: Objects, Identities and Domestic Spaces. PhD thesis, University of the Arts London.
Wynne, John and Xyrichis, Andreas and Carlyle, Angus and Rafferty, Anne Marie and Mackrill, Jamie (2018) Noise pollution in hospitals. British Medical Journal. ISSN 0959-8138
Wynne, John and Xyrichis, Andreas (2018) Noise pollution in hospitals. In: Acoustics 2019: Conference of the UK Institute of Acoustics, 13 and 14 May 2019, Doubletree Hilton, Milton Keynes.
Wynne, John and Wainwright, Tim (2014) I Am Not the Cancer. [Art/Design Item]
Wynne, John and Wainwright, Tim (2016) Transplant. [Show/Exhibition]
Wynne, John and Sara, Davidmann (2020) I am the gigantic baobab. [Art/Design Item]
Wynne, John (2001) 'Cry Wolf' and 'Do(n’t)'. [Art/Design Item]
Wyeld, Mike (2024) Climate Crimes. [Art/Design Item]
Wyeld, Mike (2024) LOVED: Empathy Engine. [Show/Exhibition]
Windle, Amanda (2011) Territorial Violence and Design, 1950-2010: A Human-Computer Study of Personal Space and Chatbot Interaction. PhD thesis, University of the Arts London with Surrey University.
Williams, Val and Liley, Hannah and Marchant, Alison (2012) Road: artists and the stop the M11 link road campaign 1984 - 1994.
Zimmerman, Andrea Luka (2024) Wayfaring Stranger. [Art/Design Item]
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