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UAL Research Online

Items where Subject is "Film studies"

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Ashery, Oreet and Cussans, John and MacCormack, Patricia (2011) What are we scared of? what should we be scared of? In: Spill Salon 2, Spill Festival of Performance, 22nd April 2011, The Barbican. (Unpublished)

Anderson, Sal and Bell, Vaughan and Hilton, Gregory and Sen, Dolly (2013) Cinema and Psychosis. In: University College London Evidence Based Practice Unit Seminar, 14 August 2013, Anna Freud Centre, 12 Maresfield Gardens, London NW3 5SU.

Anderson, Sal (2017) Psychiatry and the Subjective: art’s role in challenging current clinical practice. International Journal of Cultural and Creative Industries. ISSN 2311-9527

Anderson, Sal, Raw Productions Ltd (2011) What's the time Mr Wolf? [Art/Design Item]

Anderson, Sal (2017) The Wounded Healer. [Art/Design Item]

Aceti, Lanfranco (2005) European Avant-Garde: Art, Borders and Culture in Relationship to Mainstream Cinema and New Media. PhD thesis, University of the Arts London.


Butler, Brad and Mirza, Karen (2012) Deep State. [Art/Design Item]

Butler, Brad and Mirza, Karen (2009) The Exception and the Rule. [Art/Design Item]

Butler, Brad and Mirza, Karen (2012) Hold Your Ground. [Art/Design Item]

Butchart, Amber (2016) The Fashion of Film: How Cinema has Inspired Fashion. Mitchell Beazley. ISBN 9781784721763

Butchart, Amber (2015) “Flooded with little Joan Crawfords” Fashion on Film: Selling Hollywood in London in the Early 1930s. In: Disseminating Dress: Britain and the Fashion World, 28-30 May 2015, University of York.

Brown, Lucy (2020) Sound and Cinema: Past, Present and Future. [Show/Exhibition]

Ball, Steven and Elwes, Catherine (2008) Figuring Landscapes: Artists’ Moving Image from Australia and the UK. [Show/Exhibition]

Ball, Steven (2010) Recalling the shots. [Show/Exhibition]


Cussans, John (2011) Art, possession and the revolutionary unconscious. In: Pig Party event of the Xism Exhibition, 4th May 2011, Museum of Ethnography, Stockholm, Sweden. (Unpublished)

Crowley, Matthew (2014) Masculine Identity, Consumption, and the Ghost of Class in David Storey’s This Sporting Life and Alan Sillitoe’s Saturday Night and Sunday Morning. In: EUPOP2014, 29-31 July 2014, University of the Arts, London.

Colman, Felicity (2014) Film Theory: Creating a Cinematic Grammar. Columbia University Press, New York. ISBN 9780231169738

Ciammaroni, Stefano (2013) Any Which Way They Could: How an Italian Cultural Left Made Clint Eastwood a Fellow Traveller. In: The Conference of the Society for Cinema and Media Studies, Chicago, USA.

Ciammaroni, Stefano (2009) Archiwista narodzin i smierci: Jutrzenka i mise-en-mort w historiografiach wloskiego neorealizmu. Kwartalnik Filmowy (66-67). pp. 190-210. ISSN 0452-9502

Ciammaroni, Stefano (2005) Cinema Year Zero: Character, Time, and Image in The Shining. In: Popular Culture Association Annual Conference, San Diego, USA.

Ciammaroni, Stefano (2012) A Cinema of Modernity: Roberto Rossellini’s Paisà. In: Guest Lecture, The University of Oregon, Eugene, Oregon, USA.

Ciammaroni, Stefano (2005) The Fate of Neorealism in Rossellini’s Viaggio in Italia and Visconti’s Vaghe stelle dell’orsa. In: Cinema Europe, The University of Amsterdam, Amsterdam, The Netherlands.

Ciammaroni, Stefano (2012) Forms and Culture of an Italian Cinema of Incivility. In: N/A, The University of Oregon, Eugene, Oregon, USA.

Ciammaroni, Stefano (2008) From Antifascism to Thirdworldism: Violence with a Vengeance in the Italian Political Western. In: NECS (European Network for Cinema and Media Studies), Budapest, Hungary.

Ciammaroni, Stefano (2008) From Cinema to Film: The Representation of Reality and the Place of Political Engagement in the Film Theory of Pier Paolo Pasolini. In: IX Estudos de Cinema / Socine 2008. Annablume, pp. 219-226. ISBN 978-85-7419-864-4

Ciammaroni, Stefano (2018) From Trilateral to Troika, and from the Five-Pointed Star to the Five Star Movement. Social Text Online.

Ciammaroni, Stefano (2012) Giorni di gloria e la retorica della violenza nel cinema italiano del dopoguerra. In: Forme, volti e linguaggi della violenza nella cultura italiana. Edibom, Lonato del Garda (BS), Italy, pp. 13-27. ISBN 978-88-6472-018-0

Ciammaroni, Stefano (2007) In Pompeii and Volterra the Earth Really Trembles: De-Territorialisation, European Art-Cinema, and the Fate of Neorealism in Roberto Rossellini's Journey to Italy and Luchino Visconti's Sandra. Significação – Revista de Cultura Audiovisual. pp. 169-179. ISSN 1516-4330

Ciammaroni, Stefano (2014) In Too Deep (Red): Political Reality and the Specter of National Cinema in Dario Argento’s Profondo rosso. In: The Conference of the Society for Cinema and Media Studies, Seattle, USA.

Ciammaroni, Stefano (2008) Italian Neorealism and the Mise-en-Mort as Historiographical Category. In: Guest Lecture, 8 December 2008, University of Łódź, Łódź, Poland.

Ciammaroni, Stefano (2007) The Italian Way of All Flesh: Violence and its Social Context from Westerns to Cannibal Cycles. In: Cine Excess I, London, England.

Ciammaroni, Stefano (2017) The “No You Can’t” of Italian Neo-Marxist Dissent. Social Text Online.

Ciammaroni, Stefano (2014) Obsession; The Stendhal Syndrome; The Best of Youth; Something in the Air. In: World Film Locations: Florence. Intellect.

Ciammaroni, Stefano (2013) One Take, Many (Hi)stories: Notes for an Appreciation of Ang Damgo ni Eleuteria. Film International, 11 (3/4). pp. 96-99. ISSN 16516826

Ciammaroni, Stefano (2007) Reality and Political Engagement in the Film Theory of Pier Paolo Pasolini. In: SOCINE (Sociedade Brasileira de Estudos de Cinema e Audiovisual), Rio de Janeiro, Brazil.

Ciammaroni, Stefano (2011) Stanley Kubrick’s The Shining and Gilles Deleuze’s Philosophy of Cinema. In: Cinema as Philosophy, The Manchester Metropolitan University, Cheshire Campus, Crewe, England.

Ciammaroni, Stefano (2007) Violence, History and Excess in Roma città aperta and Giorni di gloria. In: Real Things: Matter, Materiality, Representation, 5-8 July 2007, The University of York / York, England.

Ciammaroni, Stefano (2011) The Way of All Flesh: A History and Historiography of Violence and Death in Italian Cinema (1943-1980). PhD thesis, New York University.

Church Gibson, Pamela (2013) Dressing and undressing in Dirty Dancing: consumption, gender and visual culture in the 1980s. In: The Time of Our Lives: Dirty Dancing and Popular Culture. Contemporary Approaches to Film and Media . Wayne State University Press, Detroit, Michigan, pp. 105-124. ISBN 9780814336243

Church Gibson, Pamela (2005) Fashion, Fetish and Spectacle; The Matrix Dresses Up - And Down. In: The Matrix Trilogy: Cyberpunk Reloaded. Wallflower Press, UK, pp. 114-125. ISBN 1904764320

Church Gibson, Pamela (2002) From Dancing Queen to Plaster Virgin; Elizabeth and the End of English Heritage. The Journal of Popular British Cinema, 5. pp. 133-142. ISSN 1461104X

Church Gibson, Pamela (2015) Marilyn and Her Female Audiences: Consumption, Transgression, Emulation. Film, Fashion and Consumption, 4 (2 & 3). pp. 159-175. ISSN 20442823

Church Gibson, Pamela (2004) Otherness, Transgression and the Postcolonial Perspective: Patricia Rozema's Mansfield Park. In: Janespotting and Beyond: The British Heritage Retrovisions since the mid-1990s. Gunter Narr Verlag, Tubingen, Germany, pp. 51-65. ISBN 3823360965

Church Gibson, Pamela (2001) "You've been in my life so long I can't remember anything else" : into the labyrinth with Ripley and the alien. In: Keyframes: Popular Cinema and Cultural studies. Routledge, UK, pp. 35-52. ISBN 0415202825

Chesher, Andrew (2007) Seeing Connections: Documentary as an Intervention in the Social World. PhD thesis, University of the Arts London.

Caston, Emily (2015) Not Another Article on the Author! God and Auteurs in Moving Image Analysis; Last Call for a Long Overdue Paradigm Shift. Music Sound and the Moving Image, 9 (2). pp. 145-161. ISSN 1753-0768


de Selincourt, Chris (2012) The Frame of Attention. In: 2nd WIRAD Symposium for Emerging Art & Design Researchers, 29-30 March 2012, Wales Millennium Centre, Cardiff.

Dryden, Sarah (2022) Imagining the Home: A practice based critical investigation into the western frontier domestic space and its mediated form. PhD thesis, University of the Arts London.

David, McGowan (2022) ‘I’ll Get You, Tom and Jerry. And That Little Dog, Too!’: Adaptation, Transmedia, and Franchise Management in the Tom and Jerry and Wizard of Oz Crossovers. Adaptation, 15 (2). pp. 149-170. ISSN 1755-0645

Dambuza, Charmaine (2021) Mourning and Melancholia in Zimbabwean Culture and Cinema. PhD thesis, University for the Creative Arts.


Elwes, Catherine (2004) On Performance, Performativity, Women Artists and Their Critics. Third Text, 18 (2). pp. 193-197. ISSN 09528822

Elwes, Catherine (2005) Video Art, a guided tour. I.B. Tauris. ISBN 1-85043-546-4

Elwes, Catherine (2005) Video Confidential: Voice-over Musings in the work of Tom Sherman and Robert Morin. Vertigo, 2 (9).

Elwes, Catherine (2006) War Stories – or why I make videos about old soldiers. In: Experimental Film and Video Anthology. John Libbey Publishing. ISBN 0 86196 664 3

Ellard, Graham (2006) Anthony McCall (interview). BOMB (New Art Publications), 97. pp. 68-75. ISSN 07433204

Eden, Michael (2019) Joker, a Film to Fall Out Over? Trebuchet Magazine.

Eckhardt, Gina M. and Kerrigan, Finola (2020) Crazy Rich Asians: A tale of immigration, globalization and consumption in East Asia. Markets, Globalization & Development Review, 4 (3). ISSN 2473-4055


Flynn, Susan (2014) Equality, Culture and Representation: Considerations on the Film Industry. Considering Disability, 1 (1).

Flynn, Susan (2017) Ex machina: Possessing and Repossessing the Body. Ethos: A Digital Review of the Arts, Humanities and Public Ethics, 3 (1). pp. 32-45.

Flynn, Susan (2016) Get your Legs Back: Avatar and the Re-booting of American Individualism. In: Cultures of Representation: Disability in World Cinema Contexts. Columbia University Press, New York, pp. 200-215. ISBN 978-0-231

Flynn, Susan (2015) New Poetics of the Film Body: Docility, Molecular Fundamentalism and Twenty First Century Destiny. American, British and Canadian Studies, 24 (1). pp. 5-23. ISSN 1841-1487 (Print) 1841-964X (online)


Gronlund, Melissa (2012) Observational film: Administration of social reality. Moving Image Review & Art Journal (MIRAJ), 1 (2). pp. 169-179. ISSN 20456298

Greenhalgh, Cathy (2005) How Cinematography Creates Meaning in Happy Together (Wong Kar-Wai, 1997). In: Style and Meaning Studies in the Detailed Analysis of Film. Manchester University Press, Manchester England, pp. 195-213. ISBN 0719065259

Greenhalgh, Cathy (2003) Shooting From the Heart: Cinematographers and Their Medium. In: Making Pictures: A Century of European Cinematography. Aurum Press Ltd, pp. 94-156. ISBN 1854108891

Greenhalgh, Cathy (2007) Travelling Images, Lives on Location: Cinematographers in the Film Industry. In: Going First Class? New Approaches To Privileged Travel and Movement. Berghahn Books, Oxford and New York, pp. 72-86. ISBN 1845451961

Green, Alison (2017) 'Articulate Bodies and Fractured Images: Carolee Schneemann's Aesthetic Politics'. In: Carolee Schneemann: More Wrong Things. London: Hales Gallery, pp. 3-29.


Hosea, Birgitta (2015) Animation Installation: the Affect of Place. In: Conference Proceedings: CONFIA 2015: 3rd International Conference on Illustration and Animation. Instituto Politécnico do Cávado e do Ave, Barcelos. ISBN 978-989-97567-6-2

Hosea, Birgitta (2015) Off the Rails: Animating Train Journeys. In: Animated Landscapes: History, Form and Function. Bloomsbury Academic, New York; London; New Delhi; Sydney. ISBN 978-1-6289-2351-3

Holdsworth, Claire (2015) History has Tongues: re-evaluating historiography of the moving image through analysis of the voice and critical writing in British artists’ film and video of the 1980s. PhD thesis, University of the Arts London.

Holdsworth, Claire (2019) Schizophonic states: the ventriloquial voice in British artists’ film and video of the 1970s and 1980s. In: RE:SOUND 8th International Conference on the Histories of Media Arts 2019, 20–23 August 2019, Aalborg University.

Holdsworth, Claire (2019) Speaking out: Split identities, politics and the ventriloquial voice in artists’ film and video of the 1970s and 1980s. In: Association of Art History Conference 2019, 4-6 April 2019, University of Brighton.

Holdsworth, Claire (2020) Ventriloquial bodies: Re-framing ephemerality in artists’ film & video. In: CTM Festival 2020, 26 January 2020, Berlin.

Holdsworth, Claire (2020) Ventriloquial bodies: Re-framing ephemerality in artists’ film & video. In: Sound Methods and the Aural Dimension of Film and Media History, XXVII International Film and Media Studies Conference, 2–4 November 2020, University of Udine, Gorizia, Italy [online].

Holdsworth, Claire (2020) Vocal acts: video art and the artist’s voice. Journal of Art Historiography (23). ISSN 2042-4752

Holdsworth, Claire (2019) Work in Fluxus: Remediating the Sixties. In: The Radical Sixties: Aesthetics, Politics and Histories of Solidarity, 28-29 June 2019, University of Brighton.

Holdsworth, Claire (2019) The ventriloquial voice: Remediating narrative and structuring the archive in artists’ film and video. In: NECS 2019 Conference: Structures and Voices: Storytelling in Post-Digital Times, 13-15 June 2019, University of Gdańsk.

Higgins, Ceri (2018) Cinema in the Mexican Golden Age. In: Frida Kahlo: Making Herself Up, 1 November 2018, Victoria and Albert Museum.

Higgins, Ceri (2019) Coteries, Covens and Community: The Vampire as Other in 21st Century Television Series. In: Gothic Manchester Festival Conference 2019: Gothic Times, 26 October 2019, Manchester.

Higgins, Ceri (2008) Gabriel Figueroa: Nuevas perspectivas. Consejo Nacional para la Cultura y las Artes, Mexico City. ISBN 9786074550801

Higgins, Ceri (2015) Parkinson Dances. [Art/Design Item]

Higgins, Ceri (2018) Tina Modotti and Frida Kahlo: Self and Identities. In: Making Herself Up: Lecture series, 18 October 2018, Victoria and Albert Museum.

Hankir, Ahmed and Zaman, Rashid and Anderson, Sal and Knight, David and McEwan, Chuckie and Evans‐Lacko, Sara (2014) The Wounded Healer: an effective anti‐stigma intervention targeted at the medical profession? In: Royal College of Psychiatrists: Faculty of Perinatal Psychiatry Annual Scientific Meeting, 20 November 2014, Royal College of Psychiatrists, London E1 8BB.

Hague, Ian (2012) Adapting Watchmen. In: Framing Film: Cinema and the Visual Arts. Intellect, Bristol, pp. 37-55. ISBN 9781841505077


Kirkham, Neil and Dirix, Emmanuelle (2017) Still ‘Fashionably Laid’? Costume and contemporary moving-image pornography. Film, Fashion and Consumption, 6 (1). pp. 49-63. ISSN 20442823

Kerrigan, Finola and Yalkin, Cagri (2009) Revisiting the Role of Critical Reviews in Film Marketing. In: COUNTER workshop Mashing-up Culture, 13-14 May 2009, Uppsala University, Sweden.


Loukopoulou, Katerina (2018) A Campaign of Truth’: Marshall Plan Films in Greece. In: Cinema's Military Industrial Complex. University of California Press, Oakland, CA, pp. 321-338. ISBN 9780520291515

Leigh, Joanna (2009) My Impossible Task? Writing an Ethical Biopic of Samuel Johnson. PhD thesis, University of the Arts London.


Mijovic, Nikola (2021) The Polyester Curtain: The Aesthetics of Russophobia in the Anglo-American film and television during the Putin era. In: LCF Cultural & Historical Studies Digital Symposium: What is Radical about Cultural Studies Now? Fashion, Culture and Politics in the Age of the Anthropocene, 11-12 June 2021, London College of Fashion.

Melvin, Jo (2016) The Alchemical Landscape II: Screen Media, Occulture and the Geographic Turn. In: Alchemical Landscapes II, 7 July 2016, Girton College, Cambridge.

McGowan, David (2016) “And They Lived Happily Ever After???!”: Disney’s Animated Adaptation of Snow White and the Seven Dwarfs (1937) and Fleischers’ Gulliver’s Travels (1939). In: It’s the Disney Version!: Popular Cinema and Literary Classics. Rowman & Littlefield, Lanham, MD, pp. 1-12. ISBN 978-1442266063

McGowan, David (2019) Animated Personalities: Cartoon Characters and Stardom in American Theatrical Shorts. University of Texas Press, Austin. ISBN 978-1-4773-1744-0

McGowan, David (2019) Monochrome Mickey: Modern Nostalgia Texts and the Animated Star Image. Journal of Popular Film and Television, 46 (4). pp. 219-231. ISSN 1930-6458

McGowan, David (2013) Some of This Happened to the Other Fellow: Remaking GoldenEye 007 with Daniel Craig. In: Game on, Hollywood! Essays on the Intersection of Video Games and Cinema. McFarland, pp. 115-128. ISBN 978-0786471140

McGill, Genevieve (2013) Moving Image, Montage and Memory: The development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory. PhD thesis, University of the Arts London.

McDowell, Felice (2014) Clarks ‘star’ advertisements of the 1940s: Classificatory terms and practices of historical interpretation. Film, Fashion and Consumption, 3 (3). pp. 241-258. ISSN 2044-2823

McDowell, Felice (2014) 'another lovely actress who wears Clarks shoes'...advertising brands and socio-professional roles in post-war British fashion media. In: EUPOP 2014, July 29th - 31st 2014, London College of Fashion, High Holborn, London.

McCauley Bowstead, Jay and Athill, Charlie (2021) Vivek Vadoliya interviewed by Jay McCauley Bowstead and Charlie Athill. Critical Studies in Men's Fashion, 8 (1&2). pp. 111-125. ISSN 2050-070X

Matthews, Peter and Anderson, Sal (2010) Cinema, subjectivity and psychosis: towards a phenomenological approach. European Psychiatry: 18th European Congress of Psychiatry, 25 (Supp.1). p. 72. ISSN 0924-9338

Matthews, Peter (2013) Review of 'Like Father, Like Son'. Sight & Sound, 23 (11). p. 78. ISSN ISSN 0037-4806

Marenko, Betti (2008) The Eyes are trapped: Dario Argento’s ‘The bird with the crystal plumage’. In: If Looks Could Kill. Fashion Film Festival Catalogue. Koenig Books, London.

Mackinnon, Lee (2017) Artificial Stupidity and the End of Men. Third Text, 31 (5-6). pp. 603-617. ISSN 0952-8822


Naldi, Pat (2008) 'Search' in Broadcast Yourself: Artists interventions into television and strategies for self-broadcasting from the 1970s to today. [Show/Exhibition]

Naldi, Pat (2015) The view: a historicised and contemporary socio­‐political mediation. PhD thesis, University of the Arts London.


Orlow, G. Uriel (2002) time + again: critical contradictions in Chris Marker's La Jetée. PhD thesis, University of the Arts London.

October, Dene (2015) The Becoming (Wo)Man Who Fell to Earth. In: David Bowie: Critical Perspectives. Routledge Studies in Popular Music, 1 . Routledge. ISBN 978-0-415-74572-7

October, Dene (2018) You Can’t Let it Use You: David Bowie, Media and A Clockwork Orange. In: A Clockwork Symposium: A Clockwork Orange – New Perspectives, November 1st-2nd 2018, London College Communication, London.

O'Dair, Marcus (2017) “Even the ghost was more than one person”: authorship and authorisation in I’m Not There. IASPM@Journal, 7 (1). ISSN 2079-3871


Parry, Owen G. (2019) After Trash? From Underground Sex Cults to Surveillance Theatre. In: TRASH! Waste and Queer Cultures, 16 February 2019, The University of Cambridge.


Rughani, Pratap and Russell, Ben and Russell, Catherine and Wright, Chris and Balsom, Erika (2013) Round table discussion: Documentary, ethnography and the avant-garde. Moving Image Review & Art Journal (MIRAJ), 2 (1). pp. 80-90. ISSN 20456298

Rughani, Pratap, Kate Adams (2013) The Art of Not Knowing. In: "Anthology" Project Art Works 1997-2012. Project Art Works, Hastings, pp. 204-207.

Rughani, Pratap (2013) The Dance of Documentary Ethics. In: The Documentary Film Book. Palgrave Macmillan. ISBN 978-1-84457-342-4

Rughani, Pratap (2014) Towards Intercultural Documentary. PhD thesis, University of the Arts London.

Rughani, Pratap (2022) Towards Restorative Narrative. In: It’s the Media Stupid! Essays in honour of Brian Winston 2022. Abramis Academic Publishing, Bury St Edmunds, Suffolk, pp. 151-162. ISBN 9781845497965

Reynolds, Lucy (2011) Magic tricks? The use of shadowplay in British expanded cinema. In: Expanded cinema: art, performance, film. Tate Publishing, London, pp. 148-156. ISBN 9781854379740


Sullivan, Anthony (2014) 'Working for the Few': Fashion, Class and our Imagined Future in The Hunger Games. Film, Fashion and Consumption, 3 (3). pp. 181-194. ISSN 2044-2823

Sudar, Vlastimir (2015) Before the Rain. In: SSEES 100: A Season of Film, 12 October - 17 December 2015, The Bloomsbury Theatre, University College London, 15 Gordon Street WC1H 0AH.

Sudar, Vlastimir (2014) From switchboard operators to Coca-Cola kids: Transformations of the political left in the films of Dusan Makavejev. Studies in Eastern European Cinema, 5 (1). pp. 45-58. ISSN 2040-350X

Sudar, Vlastimir (2016) I Even Met Happy Gypsies. In: Black Wave Cinema Night, 16 February 2016, Nottingham Contemporary, UK.

Sudar, Vlastimir (2015) Legends of Anika. In: SSEES 100: A Season of Film, 12 October - 17 December 2015, The Bloomsbury Theatre, University College London, 15 Gordon Street WC1H 0AH.

Sudar, Vlastimir (2015) Lost and Found: Cry for Me, Billy. Sight & Sound, 25 (5). p. 102. ISSN 0037-4806

Sudar, Vlastimir (2014) New Neighbours, Old Habits and Nobody's Children: Croatia in the Face of Old Yugoslavia. In: Postcolonial Approaches to Eastern European Cinema: Portraying Neighbours on-Screen. I.B. Tauris, London and New York, pp. 227-251. ISBN 9781780763019

Sudar, Vlastimir (2015) On Cult Films from Yugoslavia: Karpo Godina Revisited/On the Cinema of Karpo Godina: or A Book in 71383 Words, edited by Filmkollektiv Frankfurt. Studies in Eastern European Cinema, 6 (1). pp. 134-136. ISSN 2040-350X

Sudar, Vlastimir (2013) A Portrait of the Artist as a Political Dissident: The Life and Work of Aleksandar Petrovic. Intellect, Bristol, UK. ISBN 9781841505459

Sudar, Vlastimir (2014) Re-establishment of social classes through lifestyle and taste under socialism: The case of Aleksandar Petrović’s film 'I Even Met Happy Gypsies'. In: Fashion and Politics, 4 June 2014, West Space; London College of Fashion; UAL.

Sudar, Vlastimir (2015) When Father Was Away On Business. In: SSEES 100: A Season of Film, 12 October - 17 December 2015, The Bloomsbury Theatre, University College London, 15 Gordon Street WC1H 0AH.

Stuckey, Karyn (2009) 'Lolita': a journey with Nabokov and Kubrick from the page to the screen. In: Archives and Auteurs, 2nd-4th September 2009, University of Stirling.

Spurr, Graeme R. (2020) "I Give You a Toast to the Pioneers!" The Movie Maker Ten Best Video Competition 1982-1983. In: Global Perspectives on Amateur Film Histories and Cultures. Indiana University Press, Bloomington, Indiana, USA, pp. 60-74. ISBN 978-0-253-05204-9

Scott-Webb, Shirley (2011) An exploration of the applicability of Linda Aronson's flashback theory as a framework for the practice of screenwriting. PhD thesis, University of the Arts London.

Sabin, Roger (2008) The Perils of Strip Mining. Sight & Sound, 18 (8). pp. 24-27. ISSN 0037-4806


Thompson, Gareth (2016) Art, Documentary or Propaganda of the Human Form? An Evaluation of the 1930s films of Leni Riefenstahl. In: International History of Public Relations Conference, 5-6 July 2016, University of Bournemouth.

Thompson, Gareth (2019) Filmic public relations for a global audience: The United Nations and The Blue Vanguard. Public Relations Review, 45 (2). pp. 267-274. ISSN 0363-8111

Thompson, Gareth (2016) The Next of Kin: Propaganda, realism or a film with a purpose? Public Relations Review, 42 (5). pp. 812-820. ISSN 0363-8111

Taylor, j Milo (2019) Ears Wide Open: Considerations of Immersive Sound in the Works of Stanley Kubrick. In: 3rd International Conference 'Music and Sound in Film and New Media', Lithuanian Academy of Music and Theatre.

Taylor, j Milo (2019) Immersive Sound Masterclass. In: Aesthetica Short Film Festival, 2-30 November, York.


Uhlirova, Marketa (2019) The Aesthetic of Opulence: Channelling Colour and Darkness in Early Costume and Fashion Film. In: Fourth International Conference Colour in Film London, 25 - 27 February 2019, BFI London.


Voelcker, Becca (2022) Filming-gardening in the neoliberal age: ambivalences in the life and work of Anne Charlotte Robertson. Screen, 63 (1). pp. 68-91. ISSN 0036-9543


Wright, Jonathan (2006) Re-remembering History in Contemporary Film. Film-Philosophy, 10 (1). pp. 55-63. ISSN 1466-4615

Willson, Jacki (2013) False Eyes Lashes: With a Flutter Our Gaze is Dispersed. In: Dressed Bodies, 17 July 2013, Sheffield University.

White, Duncan (2010) British Expanded Cinema and the ‘Live Culture’ 1969–79. Visual Culture in Britain. pp. 93-108.

Weiner, Nathaniel (2018) Resistance through realism: Youth subculture films in 1970s (and 1980s) Britain. European Journal of Cultural Studies, 21 (2). pp. 165-188. ISSN 1367-5494

Walsh, Maria (2020) Ancestral Spirits Calling. In: Writers in the Cinema. Projections, Newcastle Upon Tyne, pp. 40-49.

Walsh, Maria (2011) Film space: invisible sculpture: Jane and Louise Wilson’s haptic visuality. Quarterly Review of Film and Video, 28 (2). pp. 155-161. ISSN 10509208/15435326

Walsh, Maria (2010) Hannah Sawtell. Art Monthly (336). p. 38. ISSN 0142-6702

Walsh, Maria (2010) Haptic visuality in Jane and Louise Wilson and Salla Tykkä. In: Association of Art Historians Annual Conference, 15-17 April 2010, Glasgow, Scotland. (Unpublished)

Walsh, Maria (2004) 'The Immersive Spectator: A Phenomenological Hybrid'. Angelaki: Journal of the Theoretical Humanities, 9 (3). pp. 169-186. ISSN 0969-725X

Walsh, Maria (2004) 'Intervals of Inner Flight: Chantal Akerman's News From Home'. Screen, 45 (3). pp. 190-205. ISSN 0036-9543

Walsh, Maria (2020) Kadie Salmon’s Moon Bathing: Performative Self-Othering in a Lunar Landscape London. In: Kadie Salmon. New Art Projects, London, pp. 62-71. ISBN 9781527211230

Walsh, Maria (2021) Last Stand: The Lookout as Protest. In: Falling Away: Catherine Yass at Ambika P3. University of Westminster, London, pp. 40-47. ISBN 9780992965761

Walsh, Maria (2004) Narrative Duration: Tacita Dean's Disappearance at Sea. In: Reading Images and Seeing Words. Rodopi, Amsterdam; New York, pp. 57-69. ISBN 9789042017719

Walsh, Maria, Subjectivity and Feminisms Research Group (2010) Peepshow: in memory of you. [Show/Exhibition]

Walsh, Maria (2021) Planetary Thinking: Re-encountering Nancy Holt’s and Robert Smithson’s Mono Lake (1968/2004). Moving Image Review & Art Journal (MIRAJ), 9 (2). pp. 154-160. ISSN 2045 6298

Walsh, Maria (2012) Re-enacting cinema at the crossroads: Nicky Coutts’ passing place. The Moving Image Review & Art Journal (MIRAJ), 1 (1). pp. 69-77. ISSN 2045-6298, 2045-6301

Walsh, Maria (2011) Searching for the real in automated self-presentation. In: Technologies of the Self: New Departures in Self-Inscription, 02 - 03rd September 2011, University College Cork, Ireland. (Unpublished)

Walsh, Maria (2021) Tender Eating and (At)tending in the films of Ellie Kyungran Heo. LUX.

Walsh, Maria (2011) You've got me under your spell: the entranced spectator. In: Screen/Space: The Projected Image in Contemporary Art. Rethinking Art's Histories (4). Manchester University Press, Manchester, UK, pp. 111-125. ISBN 9780719084638, 0719084636


Zimmerman, Andrea Luka (2021) Andrea Luka Zimmerman and Morgan Quaintance on art and class. UNSPECIFIED.

Zimmerman, Andrea Luka (2022) Don't Play With That Girl. In: Strangers Within: Documentary as Encounter. Prototype, London, pp. 65-78. ISBN 978-1-913513-30-6

Zimmerman, Andrea Luka (2019) Secreting History / Screening ‘History’: 21 takes. La Furia Umana, LFU (36). ISSN 2037-0431

This list was generated on Mon Dec 5 09:24:25 2022 GMT.