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Warren, Max (2018) In Progress. [Art/Design Item]
Warren, Max (2019) Viewpoint I. [Art/Design Item]
Storey, Helen and El - Nayal, Nabil, Refugees from Zaatari Refugee Camp, Jordan (2022) Turquoise Mountain & Zaatari embroidery makers. [Art/Design Item]
Storey, Helen (2023) "Bells", in 'Motive/Motif: Artists Commemorate the Suffragettes'. [Art/Design Item]
Sajovic, Eva (2019) Imagining Dystopia: How we might live? [Art/Design Item]
Kenny, Polly and Thomson, Sue (2005) Fragments 1 Fragments 2. [Art/Design Item]
Kenny, Polly (2015) Fragment. [Art/Design Item]
Kenny, Polly (2006) Fragments 3 (Digital lace neckpiece). [Art/Design Item]
Kenny, Polly (2011) Practice based textile outcomes. [Art/Design Item]
Kenny, Polly (2015) Rites of Passage. [Art/Design Item]
Jones, Kieren (2011) The Chicken Project. [Art/Design Item]
Hodes, Charlotte (2019) After the Taking of Tea. [Art/Design Item]
Hodes, Charlotte (2014) The Grammar of Ornament. [Art/Design Item]
Hanceri, Ellen (2016) Size Matters: from rubber stamping to printing with a steamroller. [Art/Design Item]
Glavey, Paul (2012) Untitled protest banner (after Daumier). [Art/Design Item]
Filmer, Naomi (2007) Out of the Ordinary. [Art/Design Item]
Earley, Rebecca and Geesin, Frances (2010) Jabot shirt: trash fashion... designing out waste in the fashion industry. [Art/Design Item]
Collet, Carole (2017) Botanical Manufacture. [Art/Design Item]
Cheung, Lin (2016) Pearl Necklace. [Art/Design Item]
Cheung, Lin (2016) The Point of Things. [Art/Design Item]
Cheung, Lin (2016) Still Life. [Art/Design Item]
Chesher, Andrew and Afker, Cristian (2011) The craftsman. [Art/Design Item]
Cain, Ben (2015) Throw it Again (Companions). [Art/Design Item]
Brock, Philippa (2017) 1580: Space & Volume in the Third Dimension. [Art/Design Item]
Brock, Philippa (2017) Monsters: Second life? [Art/Design Item]
Broadhead, Caroline (2016) Strength in Numbers. [Art/Design Item]
Tsutsumi, Maiko (2016) Seeing and Knowing. Crafts (259). p. 30. ISSN 0306-610X
Rhodes, Sarah (2011) Beyond 'Nourishing the Soul of a Nation': Craft in the Context of South Africa. Making Futures: The Crafts as Change Maker in Sustainably Aware Cultures, 2. ISSN 2042-1664
Rhodes, Sarah (2015) Reframing Collaboration through the Craft of Ubuntu: Design Students Collaborating with Artisans. Making Futures: craft and the (re)turn of the maker in a post-global sustainably aware society, 4. ISSN 2042-1664
Ouano, Jessica and Mazzarella, Francesco (2021) Design-Driven Approaches to Enable Sustainable Entrepreneurship – Two Case Studies of Regional Textile Communities From the Philippines and the UK. The Design Journal, 24 (5). pp. 1-21. ISSN 1756-3062
Mazzarella, Francesco and Mitchell, Val and Escobar-Tello, Carolina (2017) Crafting Sustainable Futures. The Value of the Service Designer in Activating Meaningful Social Innovation from within Textile Artisan Communities. The Design Journal, 20 (sup1). S2935-S2950. ISSN 978-1-138-09023-1
Mazzarella, Francesco and Hirscher, Anja-Lisa and Fuad-Luke, Alastair (2019) Socialising Value Creation through Practices of Making Clothing Differently: A Case Study of a Makershop with Diverse Locals. Fashion Practice: The Journal of Design, Creative Process & the Fashion Industry, 11 (1). pp. 53-80. ISSN 1756-9389
Mazzarella, Francesco and Black, Sandy (2022) Fashioning Change: Design Activism and its Outcomes on Local Communities. Fashion Practice: The Journal of Design, Creative Process and the Fashion Industry. ISSN 1756 9370
Livergant, Elyssa (2020) The Call to Play: New Work and Labor at Artsadmin. Theatre Survey, 61 (2). pp. 252-271. ISSN 0040-5574
Lee, Yunah and Kikuchi, Yuko and Wong, Wendy (2012) Design Histories and Design Studies in East Asia: Part 3 Korea and Conclusion. Journal of Design History, 25 (1). pp. 93-106. ISSN 17417279/09524649
Kikuchi, Yuko (2011) Visualising oriental crafts: contested notion of “Japaneseness” and the crafts of the Japanese empire. Questioning Oriental Aesthetics and Thinking: Conflicting Visions of “Asia” under the Colonial Empires. pp. 211-235. ISSN 0915-2822
Kikuchi, Yuko (2010) The question of “Japaneseness” and the creation of the “greater oriental design” for crafts of the Japanese Empire. Archiv orientální / Oriental Archive, 78 (3). pp. 215-242. ISSN 00448699
Harris, Jane (2005) "Crafting" Computer Graphics—A Convergence of Traditional and "New" Media. Textile: The Journal of Cloth and Culture, 3 (1). pp. 20-34. ISSN 14759756
Harris, Jane (2012) Digital Practice in Material Hands: How Craft and Computing Practices Are Advancing Digital Aesthetic and Conceptual Methods. Craft Research, 3 (1). pp. 91-112. ISSN 2040-4689
Dixon, Catherine (2017) Strategy is never enough. Eye: The international Journal of Graphic Design (94). p. 22. ISSN 0960779X
Dare, Eleanor and Antonopoulou, Alexandra (2022) The Image of Collaboration: Mediation and Enervation under Lockdown. Visual Resources, 36 (3). pp. 298-309. ISSN 0197-3762
Coldwell, Paul (2019) A visual response to the Siege of Sarajevo. Journal of Visual Art Practice, 18 (2). pp. 145-159. ISSN 1758-9185
Clifton, Darryl and Gannon, Rachel (2016) Teh Nw. Varoom: The Journal of the Association of Illustrators (32). pp. 44-48. ISSN 1750-483X
Cheung, Lin (2013) Averagely Unique. Current Obsession, Spring (1). pp. 48-51. ISSN ISSB: 2214-1839
Burcikova, Mila (2011) Craftivism 2000: Utopia of Socially Engaged Craft? Making Futures: The Crafts as Change-maker in Sustainably Aware Cultures, 2. pp. 8-14. ISSN ISSN 2042-1664
Broadhead, Caroline (2011) Craft. 2011 Biennale for Craft and Design. pp. 142-145.
Wainwright, Chris (2017) What has to be done. Today Museum. ISBN 978 988 77019 3 4
Tsutsumi, Maiko (2013) Thingness: The Collection. Camberwell Press, London. ISBN 978-1-908971-17-3
Sajovic, Eva and Davies, Rebecca and Waltener, Shane, Fe Burman (2017) UnEarthing. Self Published, London.
Harvey, Bridget and Tsutsumi, Maiko and Hurley, Michael and Cross, David and Tomkins, Nikki (2015) The Department of Repair. ArtLacuna, London. ISBN 978-0-9555005-2-7
Black, Sandy, ed. (2005) The Art of Knitting: Inspirational stitches, textures and surfaces. Thames & Hudson. ISBN 9780500285572
Stevenson, Caroline (2023) We are but Shadows: Stories of Immigration in London's East End. In: Lucy Orta, Traces: Stories of Migration. University of the Arts London. ISBN 978-1-906908-84-3
Rhodes, Sarah (2014) Contemporary Textile Imagery in Southern Africa: a question of ownership. In: Cultural Threads: transnational textiles today. Bloomsbury Academic, London, pp. 206-223. ISBN 9781472524997
Marr, Anne (2017) Technology and Textile with Responsibility. In: Techstyle 1.0. Series 1.0, Ariadne's Thread, 1 (1). Centre for Heritage, Arts and Textiles CHAT, Hong Kong. ISBN 978-988-14818-4-9
Lahlou, Hicham and M'Rithaa, Mugendi and Potter, Cher (2019) African Generation: The Power of Design. In: African Generation: The Power of Design. Langages du Sud . Langages du Sud, Casablanca, pp. 2-3. ISBN 995469532X
Kikuchi, Yuko (2011) American consumption of Japanese design and development of Japanese modern during the occupation and cold war. In: Studies on Audience and Reception of Art in Japan. The Japanese Ministry of Education, Science, Sports, Science & Technology-KAKEN, Tokyo, Japan, pp. 112-124.
Kikuchi, Yuko (2011) The question of Japaneseness and the creation of the “greater oriental design” for crafts of the Japanese empire. In: The Proceedings of the 2010 International Conference on Taiwan Studies, “Taiwan under Japanese Rule: Cultural Translation and Colonial Modernity”. Taiwan Studies Series, 5 . The Center for Taiwan Studies, UC Santa Barbara, Santa Barbara, CA. ISBN 0976593688
Kenny, Polly (2014) Crafting the Digital. In: Book of Proceedings: 6th International Textile Conference. Polytechnic University of Tirana, Faculty of Mechanical Engineering, Textile and Fashion Department, Tirana, Albania, pp. 172-185. ISBN 978-9928-171-14-6
Hornbuckle, Rosie and Earley, Rebecca (2023) Introduction. In: Design Materials and Making for Social Change. Routledge, pp. 1-7. ISBN 978-1-032-16826-5
Fraser, Simon and Oberlack, Ulrike and Wright, Elizabeth (2010) Trends and tradition: Negotiating different cultural models in relation to sustainable craft and artisan production. In: Sustainability in Design: Now! Proceedings of the LeNS Conference, Bangalore, India 29th September to 1st October 2010 Challenges and Opportunities for Design Research, Education and Practice in the XXI Century. Greenleaf Publishing Limited, Sheffield, pp. 351-359. ISBN 978-1-906093-54-9
Fernandes, Gavin and Rees, Dai and Teunissen, José and Lütgens, Annelie (2011) Art and Fashion: Between Skin and Clothing. In: Art & Fashion: Between Skin and Clothing. Kunstmuseum, Wolfsburg, Germany, Germany.
Dixon, Catherine and Baines, Phil (2014) ‘Changing perspectives’. In: Collaborative Letterpress Project 6x6. University of Brighton, Brighton, pp. 57-74. ISBN 9781905593989
Dixon, Catherine (2013) ‘To touch: beyond nostalgia’. In: touch : the vista sans wood type project book. Pointed Press Studio & Design is good for you, Swarthmore (PA), United States of America, pp. 65-71. ISBN 978-0-615-79646-8
Congdon, Amy and Di Silvio, Lucy and Collet, Carole (2020) Tissue Engineered Textiles: Craft's place in the laboratory. In: Crafting Anatomies: Archives, dialogues, fabrications. Bloomsbury Visual Arts, pp. 137-148. ISBN 978-1-3500-7547-4
Antonopoulou, Alexandra (2024) Beauties and Beasts; A Personal Lens to the Backstage of Story-creation. In: Beauty and Monstrosity in Art and Culture. Routledge. ISBN 9781032355825
Woolley, Martin (2007) The Making – Value and Values in the Craft Object. In: New Craft-Future Voices Conference Proceedings.
Tulloch, Carol and Hackney, Fiona and Thomas, Nicola and Bunnell, Kate (2011) Crafting communities. In: Connecting Craft and Community, 7th - 8th April 2011, The Women's Library, London. (Unpublished)
Tulloch, Carol (2010) Handmade tales: exhibition overview. In: Handmade Tales Study Day, 12th - 13th November 2010, The Women's Library, London. (Unpublished)
Storey, Helen and El Nayal, Nabil and Fisher, Karen (2021) Seeking the Syrian Stitch. In: Seeking the Syrian Stitch, 19 November - 4 December 2021, Zaatari Refugee Camp, Jordan.
Storey, Helen and Betteridge, David, UNHCR Jordan (2022) The films of Dress For Our Time. In: Global Voices, 6-16 August 2022, Calgary, Canada.
Sajovic, Eva (2019) The role of the artist in a world of imminent breakdown. In: Bauhaus: Utopia in Crisis, 24 October 2019, Camberwell College of Arts.
Rhodes, Sarah (2014) Bridging the Divide: developing and applying design methodologies for cross-cultural collaboration. In: Bridging the Divide: developing and applying design methodologies for cross-cultural collaboration, 15 March 2014, Central Saint Martins, Granary Building, 1 Granary Square, London N1C 4AA.
Rhodes, Sarah (2015) Gauging Impact. In: Participatory Research: Working and Communicating with Communities Reflecting on 'A Cross-Cultural Working Group on "Good Culture" and Precariousness', 27-28 June 2015, Lancaster University, Lancaster, UK.
Quinn, Anthony (2017) Craftsmanship Alone is not enough - about the need for a dynamic curriculum in a craft based education. In: Future Flux, 22nd-25th March 2017, Portland Oregon.
Minkin, Louisa and Mills, Josephine and Shouting, Melissa and Heavy Head, Danielle and Clark, Christine (2021) Mootookakio’ssin: [Distant Awareness] Blackfoot Digital Project Presentation. In: MuseumNext Digital Summit, 22-27 February 2021, Online.
Minkin, Louisa and Dawson, Ian and Meirion Jones, Andrew and Shouting, Melissa and Heavy Head, Danielle and Clark, Christine and Brown, Alison K. and Allison, Thomas (2022) Objects as Curricula: rethinking the capacities and affects of Blackfoot material artefacts. In: Affective Archaeology, Theory and Practice Session, Nordic TAG, 21-23 April 2022, University of Oslo, Norway.
Meirion Jones, Andrew and Minkin, Louisa (2019) ‘Concepts have teeth’: capacities and transfers in the digital modelling of Blackfoot material culture. In: Theoretical Archaeology Group Annual Conference 2019, 16-18 December 2019, University College London.
Mazzarella, Francesco and Peruccio, Pier Paolo (2012) Self-production: a human centered design process. The sustainable future of self-production through a humanistic and participatory process. In: Proceedings of the 4th International Forum of Design as a Process, 19-22 September 2012, Belo Horizone, Brazil.
Mazzarella, Francesco and Mitchell, Val and May, Andrew and Escobar-Tello, Carolina (2018) Weaving the Threads: Service Innovation with Textile Artisan Communities. In: ServDes 2018: Proof of Concept, 18 - 20 June 2018, Milan.
Mazzarella, Francesco and Mirza, Seher (2023) Textile Autobiographies: Crafting shifting identities with refugee communities. In: IASDR 2023 Conference: Life-Changing Design, 9-13 October 2023, Milan.
Mazzarella, Francesco and Escobar-Tello, Carolina and Mitchell, Val (2016) Moving Textile Artisans' Communities towards a Sustainable Future – A Theoretical Framework. In: DRS2016 Conference: Design + Research + Society - Future-Focused Thinking, 27-30 June 2016, Brighton, UK.
Mazzarella, Francesco and Escobar-Tello, Carolina and Mitchell, Val (2015) Service Ecosystem: Empowering Textile Artisans' Communities towards a Sustainable Future. In: Nordes 2015 'Design Ecologies', 7-10 June 2015, Konstfack – University College of Arts, Crafts and Design. Stockholm, Sweden.
Mazzarella, Francesco and Engler, Rita (2014) Self-production and craft: advanced processes for social innovation. In: 5th International Forum of Design as a Process: The Shapes of the Future as the Front End of Design Driven innovation, 18-20 September 2014, Tecnologico de Monterrey, Guadalajara, Mexico.
Kikuchi, Yuko (2010) American occupation and cold war Japonisme: containment and mixed marriage in design and film. In: Forgotten Japonisme: The Taste for Japanese Art in Britain and the USA 1920s-1950s, 09-10 July 2010, London, UK. (Unpublished)
Kikuchi, Yuko (2010) Authentic design? transnationalism and modernities in modern East Asian design development. In: International Cultural Studies Conference: Crossroads, 17-21 June 2010, Hong Kong, China. (Unpublished)
Kikuchi, Yuko (2010) Visualising oriental crafts: contested notion of “Japaneseness” and the crafts of the Japanese empire. In: Questioning Oriental Aesthetics and Thinking: Conflicting Visions of ”Asia” under the Colonial Empires, 08-11 November 2010, Kyoto, Japan. (Unpublished)
Kikuchi, Yuko (2010) The question of craft: intersection of postmodernity, premodernity and postcoloniality. In: Design and Craft: A History of Convergences and Divergences, 20-22 September 2010, Brussels, Belgium. (Unpublished)
Kikuchi, Yuko (2010) The trans/national legacy of the Mingei movement. In: The Art of Japan, Japanisms, and Polish-Japanese Art Relations, 21-23 October 2010, Krakow, Poland. (Unpublished)
Kikuchi, Yuko (2010) The trans/nationalism in Japanese craft design in the 21st century. In: International Cultural Studies Conference: Crossroads, 17-21 June 2010, Hong Kong, China. (Unpublished)
Kenny, Polly (2017) CADCAM: the continuation of craft embroidery traditions. In: Cloth Cultures: Legaicies of Dorothy K. Burnham, November 9-11, 2017, Royal Ontario Musuem, Toronto, Canada.
Kenny, Polly (2007) Digital Embroidery. In: ETN conference Digital Craft., 14-17th September, 2007, London Metropolitan University.
Hornbuckle, Rosie (2017) A Meditation on the Faces of Circular Textiles Research. In: Intersections, 13 September 2017, Loughborough University, Stratford.
Goldsworthy, Kate (2014) Visions for Future Manufacturing through a Reflective Craft Practice. In: All Makers Now; Craft Values in 21st Century Production, July 10th-11th 2014, Falmouth University, UK.
Forst, Laetitia (2022) Textile thinking in practice: Creative textile design methods as research in a circular economy. In: DRS 2022, 25 June - 3r July 2022, Bilbao.
Dixon, Catherine (2018) D.I.Y design: negotiating a space between agency and redundancy. In: Robothin 2018, 8–9 March 2018, Royal Academy of Art, The Hague.
Dixon, Catherine (2018) Letterpress and design: educational pioneers in the trade territories of typography. In: Letterpress: past, present and future, 19-20 July 2018, Centre for Printing HIstory at the University of Leeds.
Dixon, Catherine (2015) Life. Death. Letterpress. In: Pick Me Up Graphic Arts Festival, 23 April– 4 May 2015, Somerset House, Strand, London, UK.
Dixon, Catherine (2018) Some letters and their hidden stories of making (& why it matters). In: Sustaining craft, 1–2 February 2018, London.
Dirix, Emmanuelle and Turney, Joanne (2015) Stitched Up?: The Contemporary Language and Representation of Domestic Crafting / The Wolf in Knitted Sheep’s Clothing: The Visual Commodification of Making. In: 10th Biennial Feminisms and Rhetorics Conference: Women’s Ways of Making, 28-31 October 2015, Arizona State University, Phoenix, Arizona, USA.
Dare, Eleanor and Ramanathan, Rathna and Simmons, Tom and Pochodzaj, Joseph (2020) Mediating tacit knowledges: a visual and sonic essay. In: Unconference 2020, 26 June 2020, Reading (virtual).
Broadhead, Caroline (2011) Jewellery and memory. In: Jewellery and Memory, 6th May 2011, Kolding School of Design. (Unpublished)
Bowles, Melanie and Neuberg, Emma (2015) Make Shift Do - Animated Digital Print Identities - Crafts Council. In: Make Shift Do - Animated Print Identities, Makerversity, Somerset House, London.
Araujo, Ana (2011) Artesanato no campo expandido. In: Design e Política: Seminário Internacional Design e Política, Mostra de Design event, Belo Horizonte, Brazil. (Unpublished)
Antonopoulou, Alexandra and Dare, Eleanor (2018) The Life of a Book: Agency, Autonomy and VR Fictions. In: Movement: Animation, VR, AR, CGI and Creative Media, 16 Feb 2018, University of Greenwich, London.
Anderson, Claire and Whitehead, Hanna Dís (2019) Weaving DNA: A study on overcoming disconnections between textile heritages and futures for improved sustainability. In: Futurescan 4: Valuing Practice, 23 - 24 January 2019, University of Bolton, UK.
Mazzarella, Francesco (2022) We Must Co-Create to Decolonise Fashion.
Sajovic, Eva (2019) The Loom. [Performance]
Ramanathan, Rathna and Conway, Steve and Gasparin, Marta and Oakley, Peter and Quinn, Martin and Dare, Eleanor and Simmons, Tom (2019) Crafting futures: Scoping visit reports and proposals for pilot projects in Uzbekistan, Kazakhstan and Kyrgyzstan. Project Report. British Council, London. (Submitted)
Mazzarella, Francesco (2020) Making for Change: Waltham Forest. Project Report. University of the Arts London, London.
Bailey, Jocelyn and Mazzarella, Francesco (2022) Practice Research in Social Design and Sustainability: Case Studies. Project Report. University of the Arts London, London.
Williams, Val (2015) Figures of Folk. [Show/Exhibition]
Warren, Max (2014) A Brush With Soane. [Show/Exhibition]
Tulloch, Carol (2010) Handmade tales: women and domestic crafts. [Show/Exhibition]
Tsutsumi, Maiko and Richmond, Karen (2011) Thingness. [Show/Exhibition]
Tsutsumi, Maiko and Richmond, Karen (2013) Thingness: The Collection. [Show/Exhibition]
Tsutsumi, Maiko and Harvey, Bridget and Hurley, Michael and Richmond, Karen (2015) The Department of Repair. [Show/Exhibition]
Tomaney, Mo and Kelleher, Fatimah (2008) Threads of Change. [Show/Exhibition]
Rhodes, Sarah (2014) The Craft of Ubuntu: an exploration of collaboration through making. [Show/Exhibition]
Rhodes, Sarah (2016) DEEP DESIGN: an exhibition about pace, place and personhood. [Show/Exhibition]
Quinn, Anthony and Sorrel, Carla and Kesseler, Rob (2017) Craftsmanship Alone is not Enough. [Show/Exhibition]
Orta, Lucy, HMP Downview, Sutton, UK (2019) Procession Banners. [Show/Exhibition]
Monroe, Ian (2018) In The Future. [Show/Exhibition]
Moloney, Alison (2018) Footnotes. [Show/Exhibition]
Mazzarella, Francesco and Orta, Lucy and Storey, Helen and Swift, Claire (2023) Designed for Life. [Show/Exhibition]
Mazzarella, Francesco and McKay, Fiona and Jugovic, Mina (2019) Making for Change: Waltham Forest showcase. [Show/Exhibition]
Mazzarella, Francesco (2022) Reality, Reciprocity, Resilience. [Show/Exhibition]
Loscialpo, Flavia (2017) Let’s get Lost. Southampton as the Situationist city. [Show/Exhibition]
Kesseler, Rob and Quinn, Anthony (2017) Craftsmanship Alone is Not Enough. [Show/Exhibition]
Kenny, Andrew (2013) 'Ode to Colin Wiggins', in Flight: Drawing Interpretations. [Show/Exhibition]
Hooson, Duncan (2019) 22 Hands. [Show/Exhibition]
Hogan, Eileen (2014) "Of Green Leaf, Bird and Flower": Artists' Books and the Natural World. [Show/Exhibition]
Hodes, Charlotte and Moloney, Alison (2018) Motive/Motif: Artists commemorate the Suffragettes. [Show/Exhibition]
Hodes, Charlotte (2019) Women and Pattern. [Show/Exhibition]
Earley, Rebecca (2009) Taking time: craft and the slow revolution. [Show/Exhibition]
De la Haye, Amy and Costin, Simon and Robinson, Mellany (2023) Making Mischief: Folklore Costume in Britain. [Show/Exhibition]
Coupland, Geoffrey and Saunders, Aidan (2018) The Golden Thread Project UK-USA. [Show/Exhibition]
Cook, Siân and Triggs, Teal (2006) Handing Down the 'Memory Cloth' at the Elephant & Castle: an exploration into cultural identity and the role of women in craft and design history. [Show/Exhibition]
Broadhead, Caroline (2011) Under that cloud. [Show/Exhibition]
Branagan, Ben (2016) Storage Facility / Craft Emergency 2016. [Show/Exhibition]
Black, Sandy (2007) Drawing Towards Fashion. [Show/Exhibition]
Black, Sandy (2005) Knitted Wedding: Performance and Participation through Craft. [Show/Exhibition]
Anderson, Claire and Whitehead, Hanna Dís (2015) Weaving DNA. [Show/Exhibition]
Anderson, Claire (2016) Palestinian Embroidery; Empowering Women and Strengthening Communities. [Show/Exhibition]
Al-Sayegh, Mouhannad and Peng, Fanke and Ceballos Avendaño, Miguel (2015) Evolving Stitching. [Show/Exhibition]
Tyas, Matthew J. (2015) Designing 21st Century Standard Ware: The Cultural Heritage of Leach and the Potential Applications of Digital Technologies. PhD thesis, University of the Arts London and Falmouth University.
Salani, Giorgio (2018) Salience, qualities and narratives in the making of contemporary British hand-thrown tableware. PhD thesis, University of the Arts London.
Risner, Isabelle (2013) The Integration of Digital Technologies into Designer-Maker Practice: a Study of Access, Attitudes and Implications. PhD thesis, University of the Arts London and Falmouth University.
Rhodes, Sarah (2015) The True Nature of Collaboration: what role does practice play in collaboration between designers and African craft producers? PhD thesis, University of the Arts London.
Reynolds, Paul (2020) A Practice-Based Inquiry into an Ontology and Taxonomy of Holes in 'Devoré Lace'. PhD thesis, University of Falmouth.
Palomino, Elisa (2022) Indigenous Arctic Fish Skin Heritage: Sustainability, Craft and Material Innovation. PhD thesis, University of the Arts.
Mazzarella, Francesco (2018) Crafting Situated Services: Meaningful Design for Social Innovation with Textile Artisan Communities. PhD thesis, Loughborough University.
Jones, Denise (2020) Embroidering and the Body Under Threat: Suffragette Embroidered Cloths Worked in Holloway Prison, 1911-1912. PhD thesis, University of the Creative Arts.
Hanks, Michelle Patricia (2021) I am a knitter: hand-knitting in a digitally-mediated society. PhD thesis, University of the Arts London.
Fenton-Douglas, Joyce (2015) From Hand Craft to Digital Technology: a practice-based material culture analysis of the historical and contemporary ancillary trades of the London élite fashion industry. PhD thesis, University of the Arts London.
Boonstra, Anna Ruth (2022) The Material Language of Protest: Textile Art and Clothing Craftivism, Britain 1970-2018. PhD thesis, University of the Arts London.
Astfalck, Jivan (2007) Narrative Atructures in Body-related Craft Objects. PhD thesis, University of the Arts London.