Rennie, Paul (2001) Fat Faces All Round: Lettering and the Festival Style. Twentieth Century Architecture: the Journal of the Twentieth Century Society, 5. pp. 107-116. ISSN 1353-1964

Pritchard, Tony (2017) Geoff White: Awarded an Honorary FISTD. Typographic 70 (70). pp. 24-25. ISSN 0143-7623

Pritchard, Tony (2017) Jost Hochuli: Awarded an Honorary FISTD. Typographic 70 (70). pp. 26-27. ISSN 0143-7623

Pritchard, Tony (2019) King's Hill: A Place of Landings. Typographic 71 (71). pp. 24-27. ISSN 0143-7623

Pritchard, Tony (2011) Setting the Standard. International Society of Typographic Designers Condensed.

Pritchard, Tony (2019) Type in Space: Experiments in Mixed Reality. Typographic 71 (71). pp. 30-31. ISSN 0143-7623

McNeil, Paul and Muir, Hamish (2010) ThreeSix (U:D/R 03). U:D/R (3). ISSN 2043-6173

Mayer, Hansjörg and Brown, Eleanor Vonne and Grandal Montero, Gustavo (2013) Art as collaboration: 50 years of Edition Hansjörg Mayer. Artist’s Book Yearbook 2014 - 2015. pp. 64-75. ISSN 978-1-906501-07-5

Hutchinson, Tim and Cooper, Alexander (2022) 'OPUS' in Slanted 40 Experimental Type. Slanted Magazine Experimental Type, 40. ISSN 1867-6510

Hartnett, John-Patrick (2016) Killing joke at the expense of history. Eye: The International Review of Graphic Design, 23 (91). pp. 112-113. ISSN 0960-779X

Hartnett, John-Patrick (2016) Review of ‘Statement and Counter-Statement: Notes on Experimental Jetset Vol. 1.’ by Experimental Jetset. Eye: The International Review of Graphic Design, 23 (92). pp. 84-86. ISSN 0960-779X

Hartnett, John-Patrick (2017) The programmed designer. Eye: The International Review of Graphic Design, 24 (94). pp. 18-19. ISSN 0960-779X

Gridneff, Rose (2016) After Nijhof and Lee. Bricks from the Kiln (2). pp. 80-81. ISSN 978‐0‐9956835‐0‐1

Dixon, Catherine and Baines, Phil (2018) Back to the classroom: the Central Saint Martins Museum & Study Collection & Central Lettering Record (CLR). Communication Design: Interdiciplinary and Graphic Design Research, 5. pp. 258-264. ISSN 2055-7140

Dixon, Catherine (2014) Classification legacies: past perspectives and their shaping of current practice views. Design frontiers: Selected papers of the 8th ICDHS Conference, 1 (1). pp. 60-66. ISSN 2318-6968

Dixon, Catherine (2008) Describing typeforms: a designer's response. InfoDesign: Revista brasileira de design da informação [Brazilian Journal of Information Design], 5 (2). pp. 21-35. ISSN 18085377

Dixon, Catherine (2017) Strategy is never enough. Eye: The international Journal of Graphic Design (94). p. 22. ISSN 0960779X

Dixon, Catherine (2019) Technologies of Romance: On the choice of typeface for a book and the possibilities for technological Romance. Science Museum Group Journal (12). ISSN 2054-5770

Cooper, Alexander and Gridneff, Rose and Haslam, Andrew (2014) Letterpress: Looking Backward to Look Forward. Visible Language 47 (3), 47 (3). pp. 52-72. ISSN 0022-2224

Calvert, Sheena M. (2019) The Language of Luxury, the Luxury of Language. Journal of Design, Business & Society, 5 (2). pp. 223-231. ISSN 2055-2106

Calvert, Sheena M. (2012) Materia Prima, Text-as-Image. Journal of Writing in Creative Practice, 4 (3). pp. 309-329. ISSN 17535190

Calvert, Sheena M. (2011) Materia Secunda. Book 2.0: From Codex to Computer, 1 (2). pp. 139-161. ISSN 2042-8022

Barnes, Alison (2012) Thinking geo/graphically: The interdisciplinary space between graphic design and cultural geography. Polymath: An Interdisciplinary Arts & Sciences Journal, 2 (3). ISSN 2153-4314

Book

da Gandra, Maria and van Neck, Maaike and Moret, Madeleine (2010) Fog & Conflict: Exploring cross-disciplinary and methodological positions in information design. Mwmcreative Ltd, London. ISBN 9780956706904

da Gandra, Maria, SAUDADE Associação (2021) Lisbon, capital of the Fifth Empire, in light of its sacred numbers (Lisboa, capital do Quinto Império, à luz dos seus números sagrados). Cartography for a Portuguese Mindset Series (2). Mais Portuguesia, London. ISBN 9780956706942

da Gandra, Maria, SAUDADE Associação (2021) The Royal Building of Mafra and 17, the number of Portugal (A Real Obra de Mafra e 17, o número de Portugal). Cartography for a Portuguese Mindset Series (1). Mais Portuguesia, London. ISBN 9780956706935

da Gandra, Maria (2021) The wanderings and tribulations of King Sebastian of Portugal after Alcácer Quibir (As andanças e tribulações de Dom Sebastião após Alcácer Quibir). Cartography for a Portuguese Mindset Series (3). Mais Portuguesia, London. ISBN 9780956706959

Triggs, Teal, Information Environments Research Network (2011) Visual Communication: a special issue. Sage Journals Online, 10 (3). Sage Publications, London, UK.

Ravishankar, Anushka and Scanziani, Emanuele and Ramanathan, Rathna (2022) A Rooster for a Pet? Tara Books, Chennai, India. ISBN 978-81-953173-9-4

Pritchard, Tony (2003) ISTD/LCP. Visual Research. ISBN 0-9539967-3-5

Melvin, Jo and Bloem, Marja and van Haaften-Schick, Lauren and Martinetti, Sara and Siegelaub, Seth (2020) Seth Siegelaub: Better Read Than Dead Writings and Interviews 1964–2013. Verlag der Buchhandlung Walther Konig. ISBN 978-3863357849

Johanknecht, Susan and Meynell, Katharine (2017) notes & colophon. Gefn Press, London UK.

Hutchinson, Tim and Cooper, Alexander, Cooper + Hutchinson Research (2019) Atomic / Im-Pressed series issue #3. Im-Pressed, 1 (3). Cooper + Hutchinson Research, London. ISBN 978-0-9566799-2-5

Hutchinson, Tim and Cooper, Alexander (2022) MODUS. C+H Research (Cooper+Hutchinson Research), London. ISBN 978-1-00-635586-8

Hutchinson, Tim and Cooper, Alexander, Cooper + Hutchinson Research (2018) Velocity / Im-Pressed Series issue #2. Im-Pressed, 1 (2). Tim Hutchinson + Alexander Cooper, London College of Communication. ISBN 978-0-9566799-1-8

Hutchinson, Tim (2023) 10xTYPES Vol 2. THD 10XTYPES . Tim Hutchinson Design (THD), London. ISBN 979-8-21-152889-5

Cooper, Alexander and Gridneff, Rose and Haslam, Andrew (2014) 6x6: Collaborative Letterpress Project. University of Brighton. ISBN 9781905593989

Cobbing, William and Cooper, Rosie and Krogh Groth, Sanne and Toop, David and Wilson, Andrew (2015) 'Boooook: The Life and Work of Bob Cobbing'. n/a, n/a (n/a). Occasional Papers, UK. ISBN 978-0-9929039-5-4

Caldwell, Cath and Zeppaterra, Yolanda (2014) Editorial Design: Digital and Print. Laurence King Publishing, London. ISBN 9781780671642

Caldwell, Cath (2024) Editorial Design: Print and Digital Third Edition. Laurence King Publishing. ISBN 978-1529419825

Caldwell, Cath (2019) Graphic Design for Everyone. A world of Ideas . Penguin Random House, United Kingdom and United States. ISBN 978-0-2413-0438-1-4

Baines, Phil and Dixon, Catherine (2003) Signs: Lettering in the Environment. Laurence King, London. ISBN 1856693376

Book Section

Teunissen, José (2015) Fashion, graphic design and the body. In: The Triumph of Typography: Text and Design in the information Era. Lannoo Publishers/Terra, pp. 282-293. ISBN 9789089896285

Ross, Rebecca (2023) Situating Google’s Alphabet. In: Articulating Media: Genealogy, Interface, Situation. Technographies . Open Humanities Press, pp. 153-167. ISBN 978-1-78542-112-9

McNeil, Paul (2012) Design for Page 1. In: Page 1: great expectations: seventy graphic solutions. GraphicDesign&, London, pp. 178-181. ISBN 9780957238107

Hutchinson, Tim and Edwards, Jason (2003) Ice Scraper. In: Graphic. Rudolph Van Wezel / Bis Publishing, Amsterdam, Netherlands, pp. 72-77. ISBN 9789063690540

Hutchinson, Tim and Edwards, Jason (2002) Lost Futurism. In: GB: Graphic Britain. Laurence King, London, UK, pp. 28-33. ISBN 1-85669-311-2

Hutchinson, Tim and Edwards, Jason (2013) Public Gallery Identity. In: Absolute Stationery Design. Ginko Press Inc., Berkeley, CA, USA, pp. 312-313. ISBN 978-1-58423-505-7

Hutchinson, Tim and Cooper, Alexander (2021) Atomic. In: PALETTE Mini Series No. 4 NEON. PALETTE Mini Series, 4 . Viction:ary, Hong Kong, pp. 288-295. ISBN 978-98879034-5-1

Hutchinson, Tim and Cooper, Alexander, Cooper + Hutchinson Research (2015) Structure Content Surface. In: Message Communication Arts Research: Typography, Lettering and Text as Image. University of Plymouth Press, Plymouth UK, pp. 12-13. ISBN 978-1-84102-391-5

Hutchinson, Tim (2019) Beyond 2001: New Horizons. In: Type for Type. Custom Type Solutions for Identity Design. Victionary, Hong Kong, pp. 218-223. ISBN 978-988-79034-2-0

Hutchinson, Tim (2012) Design for 'Page 1: Great Expectations'. In: Page 1: Great Expectations. Graphic Design&, London, UK, pp. 274-277. ISBN 9780957238107

Hutchinson, Tim, Barke Design Limited (2010) Magnum Nites & Embrace The Chaos. In: RGB Reviewing Graphics in Britain. ACTAR, Barcelona / New York, pp. 24-27. ISBN 978-84-96954-78-6

Hutchinson, Tim (2018) Phase 22. In: Fedrigoni 365. Fedrigoni UK, London.

Hutchinson, Tim (2021) Ring 14. In: Fedrigoni 365. Fedrigoni UK, London.

Hutchinson, Tim (2022) Transition 03. In: Fedrigoni 365. Fedrigoni UK, London.

Hough, Alex and Lippa, Dominic and Bateson, John and Geiger, Val and Sloper, Louise and Theodosiou, Sallyanne and St John, Oliver and Dye, Alan and Long, Antony (2019) An Anatomy Lesson. In: Circular. Typocircle, London, pp. 86-93.

Hartnett, John-Patrick (2015) Frutiger, Adrian (1928–2015). In: The Bloomsbury Encyclopedia of Design. Bloomsbury. ISBN 9781472521576

Hartnett, John-Patrick (2015) Müller-Brockmann, Josef (1914–96). In: The Bloomsbury Encyclopedia of Design. Bloomsbury. ISBN 9781472521576

Hartnett, John-Patrick (2015) Tschichold, Jan (1902–74). In: The Bloomsbury Encyclopedia of Design. Bloomsbury. ISBN 9781472521576

Hartnett, John-Patrick (2015) Weingart, Wolfgang (1941–). In: The Bloomsbury Encyclopedia of Design. Bloomsbury. ISBN 9781472521576

Farias, Priscila and Hanns, Daniela Kutschat and Dixon, Catherine (2016) Spatializing design history: Considerations on the use of maps for studies on print culture. In: Making Trans/National Contemporary Design History. Blucher, São Paulo, pp. 348-353. ISBN ISSN 2318-6968

Farias, Priscila and Gouveia, Anna and Dixon, Catherine (2013) ‘Epígrafes Arquitetônicas: pequenos detalhes de uma grande história’ [Architectonic epigraphs: small details from a bigger history]. In: Design e/é Patrimônio [Design and/is patrimony]. Subsecretaria de Patrimônio Cultural and Centro Carioca de Design, Rio de Janeiro, pp. 189-209. ISBN 978-85-66341-00-3

Dixon, Catherine and Baines, Phil (2017) 100 Years of Johnston. In: 52 Typo. Niggli, Switzerland, pp. 65-67. ISBN ISBN 978-3-7212-0975-4

Dixon, Catherine and Baines, Phil (2014) ‘Changing perspectives’. In: Collaborative Letterpress Project 6x6. University of Brighton, Brighton, pp. 57-74. ISBN 9781905593989

Dixon, Catherine (2014) Classification legacies: past perspectives and their shaping of current practice views. In: Design frontiers: territories, concepts, technologies. Editorial Designio, Mexico City, pp. 53-68. ISBN 9789685852456

Dixon, Catherine (2004) Showing Type. In: TypeBookOne. Jeremy Tankard Typography, Lincoln, pp. 6-13. ISBN 0954773608

Dixon, Catherine (2018) Systematizing the platypus, A perspective on type design classification. In: Typeform dialogues, An interactive interface presenting a comparative survey of type form history & description. Hyphen Press, London, pp. 88-133. ISBN 978-0-907259-52-7

Dixon, Catherine (2013) ‘To touch: beyond nostalgia’. In: touch : the vista sans wood type project book. Pointed Press Studio & Design is good for you, Swarthmore (PA), United States of America, pp. 65-71. ISBN 978-0-615-79646-8

Dixon, Catherine (2013) Understanding the bigger picture: the graphic representation of overviews of typeform. In: Selected Readings of the 5th Information Design International Conference: research and practice. Sociedade Brasileira de Design da Informação, Brazil, pp. 74-91.

Cooper, Alexander and Haslam, Andrew and Gridneff, Rose (2023) An Education in Letterpress: Charting the History of Letterpress Education in the United Kingdom and Ireland. In: Letterpress Printing: Past, Present, Future. Printing History and Culture, 4 . Peter Lang Verlag, pp. 75-103. ISBN 9781800794214

Cooper, Alexander and Gridneff, Rose and Haslam, Andrew (2015) 6x6 Letterpress: Looking Backwards to Look Forward. In: Code-x: paper, ink, pixel and screen. bookRoom, Farnham. ISBN 9780957682832

Calvert, Sheena M., Marshall, J. B. (2013) Designing Atonal Rhythms. In: Zētēsis. ARTicle Press, pp. 119-126. ISBN 978-1-873352-06-9

Calvert, Sheena M. (2014) Off the Page. In: Greetings from Darktown: An Illustrator's Miscellany, Jonny Hannah. Merrell, London. ISBN 978-1-8589-4619-1

Calvert, Sheena M. (2019) Punctuating Philosophy. In: Face Forward: International Conference of Typography. Dublin Institute of Technology, Dublin.

Conference, Symposium or Workshop Item

Winston, Sam (2009) 'It's Nice That' talk #16. In: It's Nice That talk #16, 17th September 2009, Soho. (Submitted)

Ramanathan, Rathna (2015) Murty Classical Library of India. In: Granshan 2015: Global design in practice, 22-23 July 2015, Reading.

Ramanathan, Rathna (2011) Nakka mukka: expressive forms in Tamil typographic history. In: Typography Day 2011, 3rd - 5th March 2011, Ahmedabad, India. (Unpublished)

Ramanathan, Rathna (2014) Picturing Words: Typography as Illustration. In: Picturing Words: Typography as Illustration, 9 August 2014, Book Building, Tara Books, South Chennai.

Ramanathan, Rathna (2015) A Typography for India, graphic design, typography and publishing in the Indian context. In: Typography Christmas Lecture, 2 December 2015, Central Saint Martins.

Ramanathan, Rathna (2013) We two, ours two: towards building an Indian graphic design history. In: Towards Global Histories of Design: Postcolonial Perspectives, Design History Society Annual Conference, 5-8 September 2013, Ahmedabad.

Ramanathan, Rathna (2015) You, Me, Us, and Them: A post-digital approach to graphic design, research and publishing practices. In: Graphic Design Research Symposium, 19-20 November 2015, Falmouth.

Preston, David (2010) The Traits of Typography: Reading and Looking. In: Communication Lecture Series, Escola Superior de Artes e Design, Matosinhos, Portugal.

McNeil, Paul (2015) Anadolu University Calligraphy and Typography (lecture and workshop) 2015. In: Anadolu University 7th Calligraphy and Typography event, 2–7 November 2015, Anadolu University Faculty of Fine Arts Graphic Design Department, Eskişehir, Turkey.

McNeil, Paul (2013) ThreeSix: Geometry/Aesthetics/Legibility. In: Typography Day 2013, March 7-9, Department of Design at the Indian Institute of Technology Guwahati.

Hartnett, John-Patrick (2018) Democracy in Default? In: Typo Day 2018, 01 - 03 March 2018, Sir J. J. Institute of Applied Art, Mumbai, India.

Gruendler, Shelley and Ramanathan, Rathna (2011) Design pluralism: a call for radical shifts in the teaching of typography. In: Typo Berlin Shift 2011, 18 - 20th May 2011, Berlin. (Unpublished)

Gridneff, Rose and Cooper, Alexander and Haslam, Andrew (2021) Letterpress: A Survey of Print Culture or an Immersive Learning Experience. In: Design Culture(s) Cumulus Roma 2021, 8-11 June 2021, Sapienza University of Rome.

Gridneff, Rose and Cooper, Alexander (2010) A Case for Letterpress. In: College Art Association 98th Annual Conference, 10-13 February 2010, Hyatt Regency Hotel, Chicago, USA.

Gridneff, Rose and Cooper, Alexander (2013) Letterpress: Looking Backward to Look Forward. In: AIGA Design Educators Conference - Blunt: Explicit and Graphic Design Criticism Now, 12-14 April 2013, Old Dominion University, Norfolk Virginia, USA.

Gridneff, Rose (2018) Twice Daily: The Visual Language of Circus Posters. In: Circus and Beyond, 11 May 2018, University of Sheffield.

Dixon, Catherine and Baines, Phil (2015) Underground lettering before Johnston. In: Edward Johnston and his Underground Typeface, 29 April 2015, London Transport Museum.

Dixon, Catherine (2018) D.I.Y design: negotiating a space between agency and redundancy. In: Robothin 2018, 8–9 March 2018, Royal Academy of Art, The Hague.

Dixon, Catherine (2013) Fleeing the boxes: the systematic description of the fused languages of form in the context of typeface design. In: College Art Association (CAA) 101st Annual Conference, 13–16 February 2013, Hilton New York, New York, US.

Dixon, Catherine (2014) Hands-on: typography as social activism. In: BITS MMXIV (Bangkok International Typographic Symposium 2014), 14–16 November 2014, Bangkok Art & Cultural Centre, Thailand.

Dixon, Catherine (2018) Lettering: some hidden stories of making (and why they matter). In: XXX – The Letter Exchange Conference, 12 – 14 October 2018, Anglia Ruskin University, Cambridge.

Dixon, Catherine (2018) Letterpress and design: educational pioneers in the trade territories of typography. In: Letterpress: past, present and future, 19-20 July 2018, Centre for Printing HIstory at the University of Leeds.

Dixon, Catherine (2015) Life. Death. Letterpress. In: Pick Me Up Graphic Arts Festival, 23 April– 4 May 2015, Somerset House, Strand, London, UK.

Dixon, Catherine (2018) The Making. In: The Anatomy of the Book, 26 November 2018, RMIT, Barcelona.

Dixon, Catherine (2015) Mas tudo bem! In search of typographic optimism. In: ATypI 2015 São Paulo, 14–17 October 2015, Fundação Armando Alvares Penteado (FAAP), São Paulo, Brazil.

Dixon, Catherine (2016) Nicolete Gray, A story in letters. In: Words on Buildings: Lettering and the Environment in the Twentieth Century a series of 6 lectures for The Twentieth Century Society, Autumn 2016, Twentieth Century Society HQ, 70 Cowcross Street, CLerkenwell, London.

Dixon, Catherine (2018) On ‘thinking–through–making’ and the quietly remarkable value of ‘knowing what we’re doing’ in an age of disruption. In: W * * C H C R A F T ? Exploring notions of craft within contemporary graphic design education, 6 – 7 September 2018, University of Northumbria, Newcastle.

Dixon, Catherine (2015) Public lettering: why it matters. In: Public lettering: why it matters, 3 February 2015, Communication Design, The Glasgow School of Art, UK.

Dixon, Catherine (2019) Revisiting the problem of the platypus: how to find a common language of form for type in an era of descriptive individualism. In: Le forme della tipografia, storie, processi e linguaggi,, 18 February 2019, Università Iuav di Venezia, Venice.

Dixon, Catherine (2018) Some letters and their hidden stories of making (& why it matters). In: Sustaining craft, 1–2 February 2018, London.

Dixon, Catherine (2013) Something to say: letterpress and community. In: 5th Annual Wayzgoose Conference, Hamilton Wood Type Museum, 8–10 November 2013, Hamilton Wood Type Museum, Two Rivers, Wisconsin, USA.

Dixon, Catherine (2013) Something to say: voices from XiloCEASA, São Paulo. In: Point Counter Point, Annual Conference of the Association Typographique Internationale (ATypI), 9-13 October 2013, Amsterdam.

Dixon, Catherine (2018) Technologies of printing types and fonts of Romanticism. In: Technologies of Romance Symposium at the Science Museum, 28 November 2018, Dana Studio, Wellcome Wolfson Building, London.

Dixon, Catherine (2016) To hell with mediocrity – adventure beckons. In: Typo Berlin 2016: Beyond Design, 12-14 May 2016, Berlin, Germany.

Dixon, Catherine (2002) Typeface classification. In: Twentieth Century Graphic Communication: Technology, Society and Culture, First annual Friends of St Bride conference, 24-25 September 2002, London.

Dixon, Catherine (2015) Typeform dialogues: archeologies of practice. In: Éditions numériques : Le temps de l’archéologie, 2 - 4 March 2015, École Superieure d’Art et Design Greoble-Valence.

Dixon, Catherine (2018) Using historic collections in current teaching. In: Be Open: The International Association of Printing Museums Conference 2018, 1 – 2 October 2018, Cheongju Arts Centre, Korea.

Dixon, Catherine (2014) The future of text. In: The Future of Text Symposium IV, 6 November 2014, Google, 1 Saint Giles High Street, London WC2H 8AG.

Dixon, Catherine (2016) ‘The platypus in the system: an approach to describing typefaces’. In: Berlin Type School Away-Days, 29–30 July 2016, Berlin.

Cooper, Alexander and Gridneff, Rose and Haslam, Andrew (2014) 6x6: Collaborative Letterpress Dialogues. In: Typographic Dialogues - ATypI Barcelona 2014, 17—21 September 2014, Barcelona.

Cooper, Alexander and Gridneff, Rose and Haslam, Andrew (2017) An education in letterpress: from apprentice to design student. In: From Craft to Technology and Back Again: Print's Progress in the Twentieth Century, 30—31 March 2017, Museum of Printing History, Dublin.

Cobbing, William and Cooper, Rosie (2015) Make Perhaps This Out Sense of Can You. In: 'Make Perhaps This Out Sense of Can You' symposium at Chelsea College of Arts, 21 May 2015, 21 May 2015, Chelsea College of Arts.

Caldwell, Cath (2018) Breakout session at ModMagLDN. In: ModMagLND, 1st Nov 2018, Conway Hall, London.

Baines, Phil and Dixon, Catherine (2015) Back to the classroom: the Central Saint Martins Museum & Study Collection and Central Lettering Record (CLR). In: Association of European Printing Museums conference: ‘The relevance of typographical collections for today’s designers’, 2–3 October 2015, Tipoteca Italiana, Cornuda, Italy.

Baines, Phil and Dixon, Catherine (2016) Underground lettering before 1933. In: The Edward Johnston Talk Series: London’s First Fonts, 10 May 2016, London Transport Museum, Covent Garden, London, UK.

Baines, Phil (2015) Lettering and locality in the age of globality. In: International Design Conference – Eum: design connects, 19–21 October 2015, Gwangju, South Korea.

Ashley, Martin (2011) Poster presentations. In: Visualisation and Presentation in Statistics, 18 May 2011, Milton Keynes, UK. (Unpublished)

Ashley, Martin (2011) Sustainable typography. In: greenID: an exchange forum on sustainable information design, 30 Jun - 01 July 2011, Vienna, Austria. (Unpublished)

Abdulla, Danah and Prado, Luiza and Schultz, Tristan, Decolonising Design (2017) Collective Perspectives on Decolonising Design Education. In: Exclusive Access: On the dynamics and vocabularies of co-option, care and the subaltern at Venice Research Pavilion, 10-11 June 2017, Research Pavilion, Sala del Camino, Campo S. Cosmo, Giudecca, Venice, Italy.