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UAL Research Online

Items where Subject is "Music"

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Number of items at this level: 101.

Art/Design Item

Yee-King, Matthew (2000) Goodnight Toby. [Art/Design Item]

Yee-King, Matthew (2002) Jazz smells funny. [Art/Design Item]

Yee-King, Matthew (2008) Question wok, 2008. [Art/Design Item]

Wynne, John and Egoyan, Atom (2013) Nocturnal. [Art/Design Item]

Toop, David (2016) Entities Inertias Faint Beings. [Art/Design Item]

Toop, David (2001) Not Necessarily "English Music" - curated double CD. [Art/Design Item]

Toop, David (2012) Star-shaped Biscuit. [Art/Design Item]

Priest, Colin (2014) The Dance of the Neptune Plant. [Art/Design Item]

Newman, Hayley and Birch, Gina and Matthews, Kaffe (2010) Cafe carbon goes viral. [Art/Design Item]

Lane, Cathy (2013) The Hebrides Suite. [Art/Design Item]

Lane, Cathy, Gruenrekorder: Phonography and Sound Art (recording company) (2010) Playing with words: an audio compilation. [Art/Design Item]

Lane, Cathy (2016) Sweet Airs, CD release. [Art/Design Item]

Lane, Cathy (2017) …the pickle jar is her home…. [Art/Design Item]

Jones, Stuart (2003) Given - Taken. [Art/Design Item]

Goh, Annie (2015) GendyTrouble: Cyber*Feminist Computer Music. [Art/Design Item]

Gitton, Esteban and Shade, Aza (2014) Tek. [Art/Design Item]

Gardner, Thomas (2008) Ouija Board : Union Chapel. [Art/Design Item]

Ellard, Graham and Johnstone, Stephen (2018) La Mer (Four hands. Two dancers. Two films). [Art/Design Item]

Coupland, Geoffrey and Coupland, Orson (2015) PigWooL @ Yuri Suzuki's Imaginary Record Shop, Tate Modern Turbine Festival. [Art/Design Item]

Chesher, Andrew and Ryan, David (2010) Knots and Fields: Darmstadt and the Legacies of Modernism (A Documentary). [Art/Design Item]

Bestley, Russ (2015) Tales From The Punkside. [Art/Design Item]

Alarcon, Ximena, Suelo Fértil Collective (2017) Suelo Fértil: a telematic platform for migrant women [Audio-Essay]. [Art/Design Item]

Article

Zeilig, Hannah and Tischler, Victoria and van der byl Williams, Millie and West, Julian and Strohmaier, Sarah (2019) Co-creativity, well-being and agency: A case study analysis of a co-creative arts group for people with dementia. Journal of Aging Studies, 49. pp. 16-24. ISSN 0890-4065

Weiner, Nathaniel (2018) ‘Put on your boots and Harrington!’: The ordinariness of 1970s UK punk dress. Punk & Post Punk, 7 (2). pp. 181-202. ISSN 20441983

Voegelin, Salomé (2014) Forewords. Festival Catalogue.

Voegelin, Salomé (2016) Music as Public Art. Program notes for Donaueschinger Musiktage. pp. 20-26.

Toop, David (2008) Search and Reflect: the Changing Practice of Improvisation. New Sound (32). pp. 119-129. ISSN 1821-3782

Parry, Nye (2012) Kontexte für eine Reise durch Zeit und Raum Zum künstlerischen Schaffen von Peter Vogel (Peter Vogel: Contexts for a journey in space and time). Neue Zeitschrift für Musik, 2012 (3).

O'Dair, Marcus and Fry, Andrew (2019) Beyond the black box in music streaming: the impact of recommendation systems upon artists. Popular Communication. ISSN 1540-5710

O'Dair, Marcus (2017) “Even the ghost was more than one person”: authorship and authorisation in I’m Not There. IASPM@Journal, 7 (1). ISSN 2079-3871

O'Dair, Marcus (2016) "Pardon me I’m very drunk": alcohol, creativity and performance anxiety in the case of Robert Wyatt. Popular Music, 35 (2). pp. 207-221. ISSN 1474-0095

Goh, Annie and Maltez Novaes, Rodrigo and Castello Branco, Marta (2014) Introduction: Music and Sound in Vilém Flusser’s Work. Flusser Studies, 17. ISSN 1661-5719

Gardner, Thomas and Voegelin, Salomé (2015) Editorial: Historical continuum, mimetic fissures. Organised Sound, 20 (2). ISSN 1469-8153

Bestley, Russ (2018) Still Fighting the Cuts: An interview with Mekons 77. Punk & Post Punk, 7 (1). pp. 103-115. ISSN 20441983

Alarcon, Ximena and Herrema, Ron (2017) Pauline Oliveros: A Shared Resonance. Organised Sound, 22 (1). pp. 7-10. ISSN 1355-7718

Alarcon, Ximena (2011) Listening and remembering: networked off-line improvisation for four commuters. CITAR Journal of Science and Technology of the Arts Revista de Ciência e Tecnologias das Artes (03). pp. 21-30. ISSN 16469798

Book

Voegelin, Salomé and Gardner, Thomas (2016) Colloquium: Sound Art - Music. Zero Books, John Hunt Publisher, UK and US. ISBN 978-1-78279-895-8

Toop, David (2017) Flutter Echo: Living Within Sound. Du Books, Tokyo, Japan. ISBN 978-4-86647-011-5

Toop, David (2016) Into the Maelstrom: Music, Improvisation and the Dream of Freedom, Volume 1. Bloomsbury Academic, New York, London, New Delhi, Sydney. ISBN 9781628927696

Silverthorne, Diane (2018) Music, Art and Performance: From Liszt to Riot Grrrl The Musicalisation of Art. Bloomsbury Visual Arts, Bloomsbury Publishing plc, New York, London. ISBN 978-1-501303013-1; 978-1-5013-3014-8

O'Dair, Marcus (2014) Different every time: the authorised biography of Robert Wyatt. Serpent’s Tail. ISBN 978-1846687594

O'Dair, Marcus (2018) Mute Records: Artists, Business, History. Bloomsbury. ISBN 9781501340604

Lane, Cathy and Carlyle, Angus (2013) In the Field: The Art of Field Recording. Uniformbooks, Axminster, Devon. ISBN 9780956855961

Coupland, Geoffrey and Saunders, Aidan and Phoenix, Woodrow (2018) The Golden Thread Project UK-USA. Bugboar Press, London.

Book Section

Toop, David (2015) FLAT TIME/sounding. In: Artistic Practice as Research in Music: Theory, Criticism, Practice. Sempre Studies in the Psychology of Music . Ashgate, Farnham/Burlington, pp. 237-254. ISBN 9781409445456

Toop, David (2013) New and Rediscovered Musical Instruments Rediscovered. In: Material Culture and Electronic Sound. Artefacts: Studies In the History of Science and Technology (8). Smithsonian Institution Scholarly Press, Washington D.C., USA, pp. 259-270. ISBN 978-1-935623-10-6

Silverthorne, Diane (2011) Music, Modernism and the Vienna Secession: Musical Form in Ver Sacrum (1898-1903). In: Music and Modernism c.1849-1950. Cambridge Scholars, Newcastle, pp. 26-52. ISBN 9781443826969

October, Dene (2017) An adventure in English Space and Time: Sound as Experience in Doctor Who. In: Mad Dogs and Englishness: popular music and English identities. Bloomsbury, London. ISBN 9781501311277

O'Dair, Marcus and Beaven, Zuleika (2017) Just go and do it: a blockchain technology “live project” for nascent music entrepreneurs. In: Punk Pedagogies: Music, Culture and Learning. Routledge. ISBN 978-1-138-279988-9

O'Dair, Marcus (2016) Trouble with the neighbours: jazz, geopolitics and Finland’s totalitarian shadow. In: Jazz and Totalitarianism. Transnational Studies in Jazz . Taylor and Francis. ISBN 9781138887824

Gardner, Thomas (2014) Sound art, music and the rehabilitation of schizophonia. In: The Embodiment of Authority. Interdisziplinäre Studien zur Musik . Peter Lang, pp. 147-168. ISBN 978-3-653-98762-1

Bestley, Russ and Binns, Rebecca (2018) Ripped, Torn and Cut: Pop, Politics and Punk Fanzines from 1976. In: Ripped, Torn and Cut: Pop, Politics and Punk Fanzines from 1976. Manchester University Press, Manchester. ISBN 978-1-5261-2059-5

Bestley, Russ (2018) ‘Holiday in Cambodia’ – Punk’s Acerbic Comedy. In: Comedy and Critical Thought: Laughter as Resistance. Rowman and Littlefield International Limited, London, pp. 165-183. ISBN 978-1-7866-0406-4

Conference, Symposium or Workshop Item

Palmer, Val (2014) Documenting London's Legendary Club Culture. In: Documenting London's Legendary Club Culture, 15 October 2014, Central Saint Martins, Granary Building, 1 Granary Square, London N1C 4AA.

October, Dene (2013) Adventures in English Time and Space: Sound as Experience in Doctor Who ‘An Unearthly Child’. In: Mad Dogs & Englishness: Popular Music and English Identities, 20th to 21st June 2013, St Mary's University College, Twickenham, London.

October, Dene (2017) ‘Skull designs upon my shoes’: David Bowie Fans in the Media Mirror. In: Bowie’s Books: David Bowie and Literature, 13-01-2017 - 14-01-2017, University of Northampton.

October, Dene (2018) You Can’t Let it Use You: David Bowie, Media and A Clockwork Orange. In: A Clockwork Symposium: A Clockwork Orange – New Perspectives, November 1st-2nd 2018, London College Communication, London.

Lane, Cathy (2011) Sound, sense, babble and speech: approaches to the spoken word in contemporary sound arts practices. In: sforzando!, 14 - 19 June 2011, New York, USA. (Unpublished)

Harlan, Jan (2009) Music as a Scripting Tool: How to get a World-Class Film Score for Very Little Money. In: UAL Professorial Platform Series 2008-09, 21 January 2009, London College of Fashion, 20 John Prince's Street, London W1G 0BJ.

Grierson, Mick and Yee-King, Matthew and McCallum, Louis and Kiefer, Chris and Zbyszynski, Michael (2019) Contemporary Machine Learning for Audio and Music Generation on the Web: Current Challenges and Potential Solutions. In: International Computer Music Conference, 16-23 June 2019, New York.

Goh, Annie (2018) Sonic Cyberfeminisms and GenDyTrouble: Cyber*Feminist Computer Music. In: Critical Media In the Arts, 19 June 2018, University of Birmingham.

Gardner, Thomas (2011) The rehabilitation of schizophonia:  social interaction, sound and media in the Automatic Writing Circle. In: The Embodiment of Authority: Perspectives on Performances, 10–12 September 2010, Department of Doctoral Studies in Musical Performance and Research, Sibelius Academy, Helsinki, Finland.. (Unpublished)

Cardwell, Thomas (2018) 'They’re Selling Slayer Shirts in Primark!’; Contesting authenticity through metal and punk t-shirts. In: Doing metal, being punk, doing punk, being metal: hybridity, crossover and difference in punk and metal subcultures. Punk Scholars Network 5th Annual Conference, 13 & 14 December 2018, De Montfort University, Leicester, UK..

Other

Wynne, John (2011) Andromache. UNSPECIFIED.

Voegelin, Salomé (2016) ‘Listening to audible and inaudible sounds’(Performance Lecture). UNSPECIFIED.

Lane, Cathy (2010) Playing with Words: an online compilation | Various Artists. Gruenrekorder ::. Phonography & Sound Art.

Performance

Voegelin, Salomé and Cascella, Daniela (2015) Performing Silences. [Performance]

Toop, David and Norment, Camille (2015) Rapture. [Performance]

Toop, David (2010) Flat time/sounding. [Performance]

Toop, David (2017) Instruments of Darkness. [Performance]

Toop, David (2015) The Myriad Creatures will be Transformed of Their own Accord. [Performance]

Smith, Tom and Hibbett, Mark (2017) Scary Monsters And Super Creeps. [Performance]

Putnam, James (2019) ‘Kosmosis’, Katherine Prado, Aidan McIntyre, Dylan Isaiah. [Performance]

Newman, Hayley and Birch, Gina and Kaffe, Matthews (2010) Cafe carbon. [Performance]

McCloy, Anne (2017) Some Product. [Performance]

Lane, Cathy and Butcher, Rosemary and Bronstein, Pablo (2010) Destructive navigations. [Performance]

Lane, Cathy (2011) The Hebrides Suite. [Performance]

Lane, Cathy (2004) Hidden Voices, composition for dance; choreographed by R Butcher. [Performance]

Lane, Cathy (2015) SCAN (composed dance score). [Performance]

Lane, Cathy (2010) Sound History & Memory at ELEKTRONISCHER FRÜHLING Alte Schmiede, Vienna. [Performance]

Lane, Cathy (2010) Tweed. [Performance]

Jones, Stuart (2007) Gharnati (musical composition). [Performance]

Gardner, Thomas and Voegelin, Salomé and Mollin, David (2016) Practising the Relationship. [Performance]

Gardner, Thomas and Preston, Stephen and Edwards, Kirsten and Ayyaz, Seth and Coyte, Peter (2009) Automatic Writing Circle at the Sibelius Academy. [Performance]

Gardner, Thomas (2014) Minuet On/Off. [Performance]

Evans, Sian and De Grande, Dominic (2010) Vide cor meum. [Performance]

Cobbing, William and Cooper, Rosie (2015) 'Boooook Laaaaaaunch' evening of performances at the ICA Theatre, London. [Performance]

Report

O'Dair, Marcus (2015) Collaborative, co-operative and collective business models in the ‘new’ music industries: a literature review. Other. NEMODE.

O'Dair, Marcus (2017) How Blockchain is Transforming the Creative Industries: Copyright and Rights Management in the Second Era of the Internet. Other. Blockchain Research Institute.

O'Dair, Marcus (2016) The networked record industry: how blockchain technology could transform the consumption and monetisation of recorded music. Other. NEMODE.

Show/Exhibition

Voorsanger, Jessica (2002) Air Guitar: art reconsidering rock music. [Show/Exhibition]

McCloy, Anne (2018) DR WHO Is NOKI. [Show/Exhibition]

Lane, Cathy and Butcher, Rosemary and Martin, Daria and Appleton, Melissa and Butcher, Matthew (2010) Lapped Translated Lines. [Show/Exhibition]

Lane, Cathy (2010) In Combat with .... [Show/Exhibition]

Lane, Cathy (2013) Tweed. [Show/Exhibition]

Lane, Cathy (2010) ... the pickle jar is her home ... [Show/Exhibition]

Doron, Itai (2015) Rockers Galore & Selected Photographs: Josh Cheuse, Itai Doron and Ross McNicol. [Show/Exhibition]

Collingwood, Ruth and Kavanagh, Jen and Sajeva, Monica-carmela (2017) A Short Exhibition About Music Zines. [Show/Exhibition]

Clarke, Leigh (2014) Performance with Leigh Clarke, Dan Holliday, Bob and Roberta Smith, John Strutton. [Show/Exhibition]

Bestley, Russ (2015) PUNK ROCK!! SO WHAT? [Show/Exhibition]

Thesis

Sinclair, Peter Francis (2013) Using Real-Time Data Flux In Art – The Mediation Of A Situation As It Unfolds: RoadMusic – An Experimental Case Study. PhD thesis, University of the Arts London.

This list was generated on Mon Jul 6 07:03:57 2020 BST.