Yee-King, Matthew (2000) Goodnight Toby. [Art/Design Item]
Yee-King, Matthew (2002) Jazz smells funny. [Art/Design Item]
Yee-King, Matthew (2008) Question wok, 2008. [Art/Design Item]
Wynne, John and Hawrysio, Denise (2020) Cats and Dogs. [Art/Design Item]
Wynne, John and Egoyan, Atom (2013) Nocturnal. [Art/Design Item]
Troisi, Anna (2015) The Hyperdrone #1 and #2. [Art/Design Item]
Toop, David (2016) Entities Inertias Faint Beings. [Art/Design Item]
Toop, David (2001) Not Necessarily "English Music" - curated double CD. [Art/Design Item]
Toop, David (2012) Star-shaped Biscuit. [Art/Design Item]
Stanović, Adam and Stanović, Inja and Milsom, David and Miller, Duncan (2022) Austro-German Revivals: (Re)constructing Acoustic Recordings. [Art/Design Item]
Stanović, Adam (2022) Baltazar's Adventure through the Great Machine. [Art/Design Item]
Stanović, Adam (2019) Exchanges of Pace. [Art/Design Item]
Stanović, Adam (2021) Goodnight, Tin Hau. [Art/Design Item]
Stanović, Adam (2018) Helix. [Art/Design Item]
Stanović, Adam (2019) Hymn Without Words. [Art/Design Item]
Stanović, Adam (2022) Hymnes sans Paroles. [Art/Design Item]
Stanović, Adam (2013) Isthmus. [Art/Design Item]
Stanović, Adam (2021) To US.S..S... [Art/Design Item]
Stanović, Adam (2018) Ténébrisme. [Art/Design Item]
Stanović, Adam (2022) We are the Voices of the Wandering Wind. [Art/Design Item]
Sharma, Ashwani (2016) Beholder Halfway #12 – Black Study Group: Notes on Music and Money. [Art/Design Item]
Schlimm, Anna and Powell, Lorna and Vincent, Georgia (2023) Deep Listening Map. [Art/Design Item]
Priest, Colin (2014) The Dance of the Neptune Plant. [Art/Design Item]
Noce, Kim and Harrison, Nica (2020) In the Beginning (Berries). [Art/Design Item]
Newman, Hayley and Birch, Gina and Matthews, Kaffe (2010) Cafe carbon goes viral. [Art/Design Item]
Mey, Adeena and Delarue, Chloe (2021) Tafaa - Random activity (...). [Art/Design Item]
Lane, Cathy (2013) The Hebrides Suite. [Art/Design Item]
Lane, Cathy, Gruenrekorder: Phonography and Sound Art (recording company) (2010) Playing with words: an audio compilation. [Art/Design Item]
Lane, Cathy (2016) Sweet Airs, CD release. [Art/Design Item]
Lane, Cathy (2017) …the pickle jar is her home…. [Art/Design Item]
Kollectiv, Galia and Kollectiv, Pil (2014) Concrete Gown for Immaterial Flows. [Art/Design Item]
Kollectiv, Galia and Kollectiv, Pil (2020) EuroNoize Vinyl. [Art/Design Item]
Jones, Stuart (2003) Given - Taken. [Art/Design Item]
Hardie, Sarah (2021) Spring Sometimes Rises In Me Too. [Art/Design Item]
Goh, Annie (2015) GendyTrouble: Cyber*Feminist Computer Music. [Art/Design Item]
Gitton, Esteban and Shade, Aza (2014) Tek. [Art/Design Item]
Gardner, Thomas (2020) Collected works of the Automatic Writing Circle: 2009-2019. [Art/Design Item]
Gardner, Thomas (2008) Ouija Board : Union Chapel. [Art/Design Item]
Finney, Rachael (2019) Every and All We Voyage On. [Art/Design Item]
Finney, Rachael (2018) Tape Chorus. [Art/Design Item]
Finch, Mick (2023) Wipe. [Art/Design Item]
Ellard, Graham and Johnstone, Stephen (2018) La Mer (Four hands. Two dancers. Two films). [Art/Design Item]
Coupland, Geoffrey and Coupland, Orson (2015) PigWooL @ Yuri Suzuki's Imaginary Record Shop, Tate Modern Turbine Festival. [Art/Design Item]
Cole, Sarah and Joslin, Annis (2021) STATIC. [Art/Design Item]
Chesher, Andrew and Ryan, David (2010) Knots and Fields: Darmstadt and the Legacies of Modernism (A Documentary). [Art/Design Item]
Bestley, Russ and McGuirk, Niall and Murphy, Michael (2020) Great Gig Memories: From Punks and Friends. [Art/Design Item]
Bestley, Russ (2020) South Specific 2020. [Art/Design Item]
Bestley, Russ (2015) Tales From The Punkside. [Art/Design Item]
Benalcazar Vega, Diego Eduardo (2018) Cotopaxi. [Art/Design Item]
Benalcazar Vega, Diego Eduardo (2015) Folie à deux. [Art/Design Item]
Benalcazar Vega, Diego Eduardo (2018) Quinche. [Art/Design Item]
Astaiza, Andrey and Benalcazar Vega, Diego Eduardo (2022) Chonta Madre. [Art/Design Item]
Alarcon, Ximena, Suelo Fértil Collective (2017) Suelo Fértil: a telematic platform for migrant women [Audio-Essay]. [Art/Design Item]
Zeilig, Hannah and West, Julian (2020) Diverse Rhythms: Co-creativity and wellbeing in dementia care home settings. The FPOP Bulletin (152). pp. 20-26. ISSN 2396-9660
Zeilig, Hannah and Tischler, Victoria and van der byl Williams, Millie and West, Julian and Strohmaier, Sarah (2019) Co-creativity, well-being and agency: A case study analysis of a co-creative arts group for people with dementia. Journal of Aging Studies, 49. pp. 16-24. ISSN 0890-4065
Zeilig, Hannah and Camic, Paul M. and Crutch, Sebastian J. (2018) The arts and dementia: Emerging directions for theory, research and practice. Dementia, 17 (6). pp. 641-798. ISSN 1471-3012
Windle, Gill and Algar-Skaife, Katherine and Caufield, Maria and Pickering-Jones, Luke and Killick, John and Zeilig, Hannah and Tischler, Victoria (2019) Enhancing communication between dementia care staff and their residents: an arts-inspired intervention. Aging & Mental Health. pp. 1-10. ISSN 1364-6915
Wilson, Elizabeth and Fazekas, Gyorgy and Wiggins, Geraint (2023) On the Integration of Machine Agents into Live Coding. Organised Sound, 28 (2). pp. 305-314. ISSN 1355-7718
West, Julian and Zeilig, Hannah (2024) Making a living moment more resonant: an exploration of the role of the artist in co-creative work with people living with dementia. Wellcome Open Research. ISSN 2398-502X
Weiner, Nathaniel (2018) ‘Put on your boots and Harrington!’: The ordinariness of 1970s UK punk dress. Punk & Post Punk, 7 (2). pp. 181-202. ISSN 20441983
Voegelin, Salomé (2014) Forewords. Festival Catalogue.
Voegelin, Salomé (2016) Music as Public Art. Program notes for Donaueschinger Musiktage. pp. 20-26.
Vigliensoni, Gabriel and McCallum, Louis and Maestre, Esteban and Fiebrink, Rebecca (2022) R-VAE: Live latent space drum rhythm generation from minimal-size datasets. Journal of Creative Music Systems, 1 (1). ISSN 2399-7656
Toop, David (2008) Search and Reflect: the Changing Practice of Improvisation. New Sound (32). pp. 119-129. ISSN 1821-3782
Tlalim, Tom and Trutzschler von Fahlkenstein, Jan (2009) Alter Ego: A Generative Music Creation System. Proceedings of the International Computer Music Conference (ICMC 2009), Montreal, Canada. ISSN 2223-3881
Sledmere, Adrian and Negus, Keith (2022) Postcolonial paths of pop: a suburban psychogeography of George Michael and Wham! Popular Music, 41 (2). pp. 131-151. ISSN 1474-0095
Sharma, Ashwani and Sharma, Sanjay (2000) 'So Far So Good…'La Haine and the Poetics of the Everyday. Theory Culture and Society, 17 (3). pp. 103-116. ISSN 0263-2764
Robson, Nicole and McPherson, Andrew and Bryan-Kinns, Nick (2023) On Mediating Space, Sound and Experience: Interviews with situated sound art practitioners. Organised Sound, 28 (1). pp. 25-34. ISSN 1469-8153
Parry, Nye (2012) Kontexte für eine Reise durch Zeit und Raum Zum künstlerischen Schaffen von Peter Vogel (Peter Vogel: Contexts for a journey in space and time). Neue Zeitschrift für Musik, 2012 (3).
O'Dair, Marcus and Fry, Andrew (2019) Beyond the black box in music streaming: the impact of recommendation systems upon artists. Popular Communication. ISSN 1540-5710
O'Dair, Marcus (2017) “Even the ghost was more than one person”: authorship and authorisation in I’m Not There. IASPM@Journal, 7 (1). ISSN 2079-3871
O'Dair, Marcus (2016) "Pardon me I’m very drunk": alcohol, creativity and performance anxiety in the case of Robert Wyatt. Popular Music, 35 (2). pp. 207-221. ISSN 1474-0095
Li, Zijin and Bryan-Kinns, Nick (2021) The Cross-Cultural Design in Joint Efforts: Reshaping Traditional Chinese Musical Instruments in Application of Digital Technology. People's Music, 7. pp. 55-60.
Jackson, Joe (2022) Kahlil Joseph, New Media, and the New Black Cinema: A Case for Situating Kahlil Joseph's Audiovisual Work Within the Theoretical Frameworks of African Film. Black Camera, 13 (2). pp. 89-114. ISSN 1947-4237
Jackson, Joe (2022) Searching for Soul, Reframing the Pursuit of Capital: A Comparison of Kahlil Joseph’s and Derek Pike’s ‘I Need A Dollar’ Music Videos. Music Sound and the Moving Image, 16 (1). pp. 53-77. ISSN 1753-0768
Hossaini, Ali and Gingrich, Oliver and Rahman, Shama and Grierson, Mick and Murr, Josh and Chamberlain, Alan and Renaud, Alain (2022) GROUPTHINK: Telepresence and Agency During Live Performance. Proceedings of the ACM on Computer Graphics and Interactive Techniques, 5 (4). pp. 1-10. ISSN 2577-6193
Green, Laurence (2020) アニメと音楽の関係性 (The Relationship Between Anime and Music). Kamizono, 23. pp. 223-227. ISSN 1883-2725
Gray, Louise (2024) Beyond the Audible: Éliane Radigue’s OCCAM works and Inter/Listening. Contemporary Music Review. pp. 1-16. ISSN 0749-4467
Goh, Annie and Maltez Novaes, Rodrigo and Castello Branco, Marta (2014) Introduction: Music and Sound in Vilém Flusser’s Work. Flusser Studies, 17. ISSN 1661-5719
Goh, Annie (2022) Flusser’s Sonic Modernity. Flusser Studies, 33. ISSN 1661-5719
Gardner, Thomas and Voegelin, Salomé (2015) Editorial: Historical continuum, mimetic fissures. Organised Sound, 20 (2). ISSN 1469-8153
Gardner, Thomas (2022) Between listening and sounding: exploring the limits of augmented instruments. Ricercare, 15. ISSN 2346-4879
Camic, Paul M. and Crutch, Sebastian J. and Murphy, Charlie and Firth, Nicholas, F. and Harding, Emma and Harrison, Charles R. and Howard, Susannah and Strohmaier, Sarah and Van Leewen, Janneke and West, Julian and Windle, Gill and Wray, Selina and Zeilig, Hannah (2018) Conceptualising and Understanding Artistic Creativity in the Dementias: Interdisciplinary Approaches to Research and Practise. Frontiers in Psychology, 9. pp. 1-12. ISSN 1664-1078
Bryan-Kinns, Nick and Wang, Wei and Ji, Tie (2022) Qi2He: A co-design framework inspired by eastern epistemology. International Journal of Human-Computer Studies, 160. ISSN 1071-5819
Beswick, Katie (2022) :3LON. Loud and Quiet, 151. ISSN 2049-9892
Beswick, Katie (2016) Build A Fortress. Loud and Quiet, 80. ISSN 2049-9892
Beswick, Katie (2019) Crumb – Delicate indie-jazz from a band contemplating luck. Loud and Quiet, 134. ISSN 2049-9892
Beswick, Katie (2017) Eyedress – Laconic indie hip-hop from Manila, about Manila and for Manila. Loud and Quiet, 87. ISSN 2049-9892
Beswick, Katie (2021) Feeling good: the ecstatic return of Japanese Breakfast. Loud and Quiet, 146. ISSN 2049-9892
Beswick, Katie (2017) From Colombia to Canada, everything Lido Pimienta does ends up being a political statement. Loud and Quiet, 91. ISSN 2049-9892
Beswick, Katie (2021) Greentea Peng: unity in trip-hop. Loud and Quiet. ISSN 2049-9892
Beswick, Katie (2017) In Iceland with Reykjavíkurdætur – the country’s first female hip-hop band who are feminists… because all groups should be. Loud and Quiet, 84. ISSN 2049-9892
Beswick, Katie (2019) JPEGMAFIA – The possibilities are infinite. Loud and Quiet, 138. ISSN 2049-9892
Beswick, Katie (2018) Jackie Cohen – surprising music from LA’s most surprised musician. Loud and Quiet, 128. ISSN 2049-9892
Beswick, Katie (2018) Jenny Wilson still wants you to dance to her new album about her own rape. Loud and Quiet, 124. ISSN 2049-9892
Beswick, Katie (2016) Joey Purp is the vegan rapper from Chicago setting his sights on a Lil Wayne collaboration. Loud and Quiet, 81. ISSN 2049-9892
Beswick, Katie (2021) Junglepussy: “We’re all just waiting on the world to change”. Loud and Quiet, 144. ISSN 2049-9892
Beswick, Katie (2017) Kadhja Bonet – the Los Angeles artist conjuring that 1940s Disney feeling. Loud and Quiet, 83. ISSN 2049-9892
Beswick, Katie (2022) Kojey Radical: Dream Big. DIY Magazine.
Beswick, Katie (2017) LICE – the Bristol band capturing that end-of-uni, making-it-up-as-you-go-along feeling. Loud and Quiet, 86. ISSN 2049-9892
Beswick, Katie (2017) New York made Wiki – now he wants a street named after him. Loud and Quiet, 88. ISSN 2049-9892
Beswick, Katie (2018) SHIRT is the “Duchampian” rapper recycling art history to make a new statement. Loud and Quiet, 123. ISSN 2049-9892
Beswick, Katie (2021) They Hate Change: born in Tampa, raised on every UK sub-genre imaginable. Loud and Quiet. ISSN 2049-9892
Beswick, Katie (2018) Tirzah: fresh parenthood, lifelong kinship and a new, old-fashioned romance record. Loud and Quiet, 126. ISSN 2049-9892
Beswick, Katie (2020) Tkay Maidza: stay positive. Loud and Quiet, 147. ISSN 2049-9892
Beswick, Katie (2019) The horizontal charm of Otha, the Norwegian artist making club music for the introverted. Loud and Quiet, 131. ISSN 2049-9892
Bestley, Russ (2023) ‘Fuck Art, Let’s Dance’: An interview with Chris Morton. Punk & Post Punk, 12 (3). pp. 353-377. ISSN 2044 1983
Bestley, Russ (2018) Still Fighting the Cuts: An interview with Mekons 77. Punk & Post Punk, 7 (1). pp. 103-115. ISSN 20441983
Benalcazar Vega, Diego Eduardo (2022) Web 3 y la música: producción, distribución y consumo (Web3 and music: production, distribution and consumption). Sonocordia, 2 (5). pp. 13-24. ISSN 2953-657X
Batten, Jonathan. P and Smith, Tim (2018) Saccades predict and synchronize to visual rhythms irrespective of musical beats. Visual Cognition, 26 (9). pp. 695-718. ISSN 1464-0716
Aljouni, Amr and Bademci, Ozden and Hogan, Susan and Marino, Sara and McDougall, Julian and Rega, Isabella and Skyrme, Sarah and Uddin, Nasir (2023) Digital arts – refugee engagement. Media Practice and Education. pp. 1-20. ISSN 2574-1144
Alarcon, Ximena and Herrema, Ron (2017) Pauline Oliveros: A Shared Resonance. Organised Sound, 22 (1). pp. 7-10. ISSN 1355-7718
Alarcon, Ximena (2011) Listening and remembering: networked off-line improvisation for four commuters. CITAR Journal of Science and Technology of the Arts Revista de Ciência e Tecnologias das Artes (03). pp. 21-30. ISSN 16469798
Voegelin, Salomé and Gardner, Thomas (2016) Colloquium: Sound Art - Music. Zero Books, John Hunt Publisher, UK and US. ISBN 978-1-78279-895-8
Voegelin, Salomé and Gardner, Thomas (2016) Colloquium: Sound Art – Music. Zero Books, Winchester and New York. ISBN 9781782798958
Toop, David (2017) Flutter Echo: Living Within Sound. Du Books, Tokyo, Japan. ISBN 978-4-86647-011-5
Toop, David (2016) Into the Maelstrom: Music, Improvisation and the Dream of Freedom, Volume 1. Bloomsbury Academic, New York, London, New Delhi, Sydney. ISBN 9781628927696
Stanović, Adam and Dack, John and Spinks, Tansy (2020) Music and Sound Art: Composition, Performance, Philosophy. Cambridge Scholars Publishing. ISBN 978-1-5275-5781-9
Silverthorne, Diane (2018) Music, Art and Performance: From Liszt to Riot Grrrl The Musicalisation of Art. Bloomsbury Visual Arts, Bloomsbury Publishing plc, New York, London. ISBN 978-1-501303013-1; 978-1-5013-3014-8
Sharma, Ashwani and Sharma, Sanjay and Hutnyk, John (1996) Dis-Orienting Rhythms: The Politics of the New Asian Dance Music. Zed Books, London. ISBN 1856494705
O'Dair, Marcus (2014) Different every time: the authorised biography of Robert Wyatt. Serpent’s Tail. ISBN 978-1846687594
O'Dair, Marcus (2018) Mute Records: Artists, Business, History. Bloomsbury. ISBN 9781501340604
Lane, Cathy and Carlyle, Angus (2013) In the Field: The Art of Field Recording. Uniformbooks, Axminster, Devon. ISBN 9780956855961
Kollectiv, Galia and Kollectiv, Pil (2024) Sound Strategies: Music as Ideological Apparatus. Strange Attractor / MIT, London. (In Press)
Jackson, Joe (2024) Kahlil Joseph and the Audiovisual Atlantic: Music, Modernity, Transmedia Art. Bloomsbury. ISBN 979-8-7651-0315-9
Coupland, Geoffrey and Saunders, Aidan and Phoenix, Woodrow (2018) The Golden Thread Project UK-USA. Bugboar Press, London.
Beswick, Katie and Murray, Conrad (2022) Making Hip Hop Theatre: Beatbox and Elements. Methuen Drama, London. ISBN 9781350187917
Voegelin, Salomé (2020) I See You listening. In: Audiosphere: Sound Experimentation 1980-2020. Reina Sofia Museum, Madrid, pp. 94-101. ISBN 828-20-005-5
Voegelin, Salomé (2019) Reflections on the Politics of Sentiment Score for Performing the Criticality of a Sonic Sensibility. In: Sensorial Aesthetics in Music Practices. Orpheus Institute Series . Orpheus Institute, Ghent, Belgium, pp. 151-169. ISBN 9789462701847
Toop, David (2015) FLAT TIME/sounding. In: Artistic Practice as Research in Music: Theory, Criticism, Practice. Sempre Studies in the Psychology of Music . Ashgate, Farnham/Burlington, pp. 237-254. ISBN 9781409445456
Toop, David (2013) New and Rediscovered Musical Instruments Rediscovered. In: Material Culture and Electronic Sound. Artefacts: Studies In the History of Science and Technology (8). Smithsonian Institution Scholarly Press, Washington D.C., USA, pp. 259-270. ISBN 978-1-935623-10-6
Tlalim, Tom (2008) Concerning Time We Remain, Divided. In: Additions: Architecture Along a Continuum. Venice Architecture Biennale, pp. 32-46.
Tlalim, Tom (2020) The Sound System of the State: Critical Listening as Performative Resistance. In: Bloomsbury Handbook of Sonic Methodologies. Bloomsbury Handbooks . Bloomsbury, pp. 719-732. ISBN 9781501338779
Taylor, j Milo (2008) David Toop’s Laptop Orchestra: A View from the Guitarist’s Chair. In: Playing With Words: The Spoken Word In Artistic Practice. Uniformbooks. ISBN 9781910010303
Taylor, j Milo (2008) The ImmApp: A Digital Application for Immersive Interaction with Sound Art Archives. In: Computer Music Modeling and Retrieval. Sense of Sounds: 4th International Symposium. Springer Verlag. ISBN 978-3-540-85034-2
Taylor, j Milo (2007) Immersion: An Immersive Digital Application for Creative Interaction with Sound Art Archives. In: Proceedings of the 2007 International Computer Music Conference. ICMC and Re:New. Denmark. ISBN 0-9713192-5-1
Taylor, j Milo (2006) Non-Ferrous Prostitution. In: ev+a 2006. Gandon Editions, Limerick, Ireland, p. 227. ISBN 0946846928
Stanović, Adam (2023) Trust in Early Recordings: documents, performances and works. In: Early Sound Recordings: Academic Research and Practice. Routledge. ISBN 9781003194521
Silverthorne, Diane (2011) Music, Modernism and the Vienna Secession: Musical Form in Ver Sacrum (1898-1903). In: Music and Modernism c.1849-1950. Cambridge Scholars, Newcastle, pp. 26-52. ISBN 9781443826969
Pastor, Eugénie (2022) Caring with, Voice and Under-Represented Expressions of Love in and through The Undefinable by She Goat: An Artist-Researcher's Perspective. In: Love and the Politics of Care: Methods, Pedagogies, Institutions. Bloomsbury Academic, pp. 107-126. ISBN 9781501387647
October, Dene (2017) An adventure in English Space and Time: Sound as Experience in Doctor Who. In: Mad Dogs and Englishness: popular music and English identities. Bloomsbury, London. ISBN 9781501311277
O'Dair, Marcus and Beaven, Zuleika (2017) Just go and do it: a blockchain technology “live project” for nascent music entrepreneurs. In: Punk Pedagogies: Music, Culture and Learning. Routledge. ISBN 978-1-138-279988-9
O'Dair, Marcus (2016) Trouble with the neighbours: jazz, geopolitics and Finland’s totalitarian shadow. In: Jazz and Totalitarianism. Transnational Studies in Jazz . Taylor and Francis. ISBN 9781138887824
Morris, David and Edjabe, Ntone (2019) Performing Pan-Africanism. In: Curating After the Global: Roadmaps for the Present. MIT Press. ISBN 9780262537902
Minestrelli, Chiara (2014) Are we there yet? The political power of Hip Hop in Australia. In: See you at the Crossroads: Hip Hop Scholarship at the Intersections: Dialectical Harmony, Aesthetics, and a Panoply of Voices. Sense Publisher, Rotterdam, Boston, Taipei, pp. 129-146.
Minestrelli, Chiara (2012) Indigeneity and the city: Australian Indigenous youth and their strategies of cultural survival through Hip Hop. In: Annual Review 2012 Global Cities. Global Cities Research Institute (RMIT University), Melbourne, Australia, pp. 78-80. ISBN 978-0-9870988-3-2
Minestrelli, Chiara (2020) New Cityscapes: Redesigning urban cartographies through creative practices and critical pedagogies. In: The Everyday Life of Urban Inequality: Ethnographic Case Studies of Global Cities. Lexington Books, Lanham, Boulder, New York, London, pp. 150-167. ISBN 9781793610645
Holland, Simon and Fiebrink, Rebecca (2019) Machine Learning, Music and Creativity: An Interview with Rebecca Fiebrink. In: New Directions in Music and Human-Computer Interac- tion. Springer, Cham, Switzerland, pp. 259-267. ISBN 9783319920696
Green, Laurence (2022) The Serious Business of Song: Karaoke as Discipline and Industry in Japan. In: Handbook of Japanese Media and Popular Culture in Transition. Japan Documents (MHM Limited), Japan, pp. 231-243. ISBN 9789463728898
Green, Laurence (2020) Soundtracking a New 'Japaneseness' - Musical Aesthetic and Aspiration in Japan's Economic Bubble. In: Japan beyond Its Borders: Transnational Approaches to Film and Media. Seibunsha, Japan, pp. 159-174. ISBN 4-901404-32-6
Green, Laurence (2024) Re-written Songs, Musics, and Dubbing for Anime / 1: United States. In: The Palgrave Handbook of Music and Sound in Japanese Animation. Palgrave Macmillan, pp. 537-564. ISBN 978-981-97-0428-6
Gardner, Thomas (2014) Sound art, music and the rehabilitation of schizophonia. In: The Embodiment of Authority. Interdisziplinäre Studien zur Musik . Peter Lang, pp. 147-168. ISBN 978-3-653-98762-1
Bestley, Russ and Binns, Rebecca (2018) Ripped, Torn and Cut: Pop, Politics and Punk Fanzines from 1976. In: Ripped, Torn and Cut: Pop, Politics and Punk Fanzines from 1976. Manchester University Press, Manchester. ISBN 978-1-5261-2059-5
Bestley, Russ (2018) ‘Holiday in Cambodia’ – Punk’s Acerbic Comedy. In: Comedy and Critical Thought: Laughter as Resistance. Rowman and Littlefield International Limited, London, pp. 165-183. ISBN 978-1-7866-0406-4
Benalcazar Vega, Diego Eduardo (2021) La escucha inconsciente: historias que escuchamos con los ojos. In: ¿Escuchaste eso? La escucha entre habilidad y estética. UArtes Ediciones, Guayaquil - Ecuador, pp. 181-197. ISBN 978-9942-977-39-7
Benalcazar Vega, Diego Eduardo (2020) Sonido Ancestral: Metodología de archivo de objetos sonoros ancestrales (Ancestral Sound: Archival methodology for ancestral sound objects). In: Libro de la Audio Engineering Society Sección Perú. Avances del Audio en Latinoamerica. Instituto Superior Tecnológico Orson Welles, Lima Perú, pp. 5-10. ISBN 978-612-48499-0-9
Benalcazar Vega, Diego Eduardo (2019) Tinamú Ondulado (Crypturellus undulatus). In: Poéticas sonoras latinoamericanas: Una mirada desde la universidad. EDAMus - Editorial Departamento de Artes Musicales and UArtes Ediciones, Buenos Aires and Guayaquil, pp. 31-36. ISBN 978-987-47517-0-6
Zheng, Zhuoyang and Xambó Sedó, Anna and Bryan-Kinns, Nick (2024) A Mapping Strategy for Interacting with Latent Audio Synthesis Using Artistic Materials. In: Explainable AI for the Arts - XAIxArts 2024, 23 June 2024, Chicago.
Zeilig, Hannah (2021) It's just going on with the Flow: Exploring Co-Creativity Agency and Wellbeing. In: Open Academy: It's just going on with the flow, 22 March 2021, Royal Academy of Music.
Xiao, Xiao and Fdili Alaoui, Sarah (2024) Tuning In to Intangibility: Reflections from My First 3 Years of Theremin Learning. In: DIS '24: Designing Interactive Systems Conference, 1-5 July 2024, Copenhagen.
Voegelin, Salomé (2017) Geometry of Now. In: Geometry of Now, 20-27 February 2017, Moscow.
Voegelin, Salomé (2021) Phantom Power, ‘Unperforming the Dream House’. In: Phantom Power, 20.11.2021 and 10.12.2021, Venice, Italy.
Vigliensoni, Gabriel and Perry, Phoenix and Fiebrink, Rebecca (2022) A Small-Data Mindset for Generative AI Creative Work. In: Generative AI and HCI - CHI 2022 Workshop, 10 May 2022, New Orleans, USA, Online.
Vigliensoni, Gabriel and McCallum, Louis and Maestre, Esteban and Fiebrink, Rebecca (2020) Generation and visualization of rhythmic latent spaces. In: The 2020 Joint Conference on AI Music Creativity, 19-23 October 2020.
Vigliensoni, Gabriel and McCallum, Louis and Fiebrink, Rebecca (2020) Creating Latent Spaces for Modern Music Genre Rhythms Using Minimal Training Data. In: International Conference on Computational Creativity (ICCC), 7-11 September 2020.
Vigliensoni, Gabriel and Fiebrink, Rebecca (2023) Interacting with neural audio synthesis models through interactive machine learning. In: Explainable AI for the Arts: XAIxArts: ACM Creativity & Cognition 2023, 19 June 2023, Virtual.
Vigliensoni, Gabriel and Fiebrink, Rebecca (2023) Steering latent audio models through interactive machine learning. In: ICCC’23: 14th International Conference on Computational Creativity, 19-23 June 2023, Waterloo, ON, Canada.
Thelle, Notto J. W. and Fiebrink, Rebecca (2022) How do Musicians Experience Jamming with a Co-Creative “AI”? In: Machine Learning for Creativity and Design: NeurIPS 2022 Workshop, 9 December 2022, Virtual.
Taylor, j Milo (2019) Ears Wide Open: Considerations of Immersive Sound in the Works of Stanley Kubrick. In: 3rd International Conference 'Music and Sound in Film and New Media', Lithuanian Academy of Music and Theatre.
Shimizu, Junichi and Fiebrink, Rebecca (2023) Genny: Designing and Exploring a Live Coding Interface for Generative Models. In: ICLC 2023, 19-23 April 2023, Utrecht, The Netherlands.
Sellwood, Oliver and Howell, Jamie (2024) Dual-function Interfaces: the traditional musical instrument and/as samplers. In: InMusic24: Have You Tried This?, 14-16 June 2024, Krisitiania University College, Oslo, Norway.
Pelniski Ramos, Teresa and Shepardson, Victor and Symons, Steve and Santiago Caspe, Franco and Benito, Adan L and Armitage, Jack and Kiefer, Chris and Fiebrink, Rebecca and Magnusson, Thor and McPherson, Andrew (2022) Embedded AI for NIME: Challenges and Opportunities. In: International Conference on New Interfaces for Musical Expression, 28 June - 1 July 2022, Waipapa Taumata Rau, Aotearoa.
Parke-Wolfe, Samuel Thompson and Scurto, Hugo and Fiebrink, Rebecca (2019) Sound Control: Supporting Custom Musical Interface Design for Children with Disabilities. In: New Interfaces for Musical Expression (NIME), 3-6 June 2019, Porto Alegre, Brazil.
Palmer, Val (2014) Documenting London's Legendary Club Culture. In: Documenting London's Legendary Club Culture, 15 October 2014, Central Saint Martins, Granary Building, 1 Granary Square, London N1C 4AA.
October, Dene (2013) Adventures in English Time and Space: Sound as Experience in Doctor Who ‘An Unearthly Child’. In: Mad Dogs & Englishness: Popular Music and English Identities, 20th to 21st June 2013, St Mary's University College, Twickenham, London.
October, Dene (2017) ‘Skull designs upon my shoes’: David Bowie Fans in the Media Mirror. In: Bowie’s Books: David Bowie and Literature, 13-01-2017 - 14-01-2017, University of Northampton.
October, Dene (2018) You Can’t Let it Use You: David Bowie, Media and A Clockwork Orange. In: A Clockwork Symposium: A Clockwork Orange – New Perspectives, November 1st-2nd 2018, London College Communication, London.
Lane, Cathy (2011) Sound, sense, babble and speech: approaches to the spoken word in contemporary sound arts practices. In: sforzando!, 14 - 19 June 2011, New York, USA. (Unpublished)
Kollectiv, Galia and Kollectiv, Pil (2018) Pil and Galia Kollectiv: Introduction. In: Art Bands, DiY Music and Cultural Identity in an Age of Transnational Mobility, 21 September 2018, University of Reading, England, UK.
Hoogland, Timo and Chicau, Joana and Rafaele, Andrade and Corvi, Francesco and Reus, Jonathan and van Sluijs, Fabian and Noriega, Felipe Ignacio and van de Zandschulp, Klasien and Freeke, Saskia and Verhage, Sabrina and Paz, Iván (2023) The Netherlands Coding Live - Community Report. In: International Conference on Live Coding (ICLC 2023), 19-23 April 2023, Utrecht, Netherlands.
Harlan, Jan (2009) Music as a Scripting Tool: How to get a World-Class Film Score for Very Little Money. In: UAL Professorial Platform Series 2008-09, 21 January 2009, London College of Fashion, 20 John Prince's Street, London W1G 0BJ.
Grierson, Mick and Yee-King, Matthew and McCallum, Louis and Kiefer, Chris and Zbyszynski, Michael (2019) Contemporary Machine Learning for Audio and Music Generation on the Web: Current Challenges and Potential Solutions. In: International Computer Music Conference, 16-23 June 2019, New York.
Green, Laurence (2019) Composing a Societal Backdrop: Case Studies in the Intersection of Anime and Music. In: Historical Perspectives on the Distribution and Adaptation of Japanese Live Action Films and Anime Overseas, 19 July 2019, SISJAC, University of East Anglia.
Green, Laurence (2019) Selling the spectacle of destruction - The films of Rintaro, and Japanese animation’s transnational transformation from ‘cult’ to ‘commercial’. In: London Screen Studies Group Conference, 8 June 2019, Birkbeck, University of London.
Goh, Annie (2020) From White Brothers with No Soul to Feminist Prometheans: Lights Out at the White Supremacist Theory Disco. In: ASSEMBLY 2020, 26 November - 13 December 2020, Luna 6, Lithuania.
Goh, Annie (2018) Sonic Cyberfeminisms and GenDyTrouble: Cyber*Feminist Computer Music. In: Critical Media In the Arts, 19 June 2018, University of Birmingham.
Gardner, Thomas (2019) Researching "Scored Out" a portable testimony to װאַסילישאָק for 3 musicians. In: Bournemouth University: Research Seminar Series, 13 November 2019, Bournemouth University.
Gardner, Thomas (2022) Sound as memorial: Case study of the use of sound to mediate complex traumatic memory. In: Why Remember? Peace, Conflict and Culture Conference, 6-8 July 2022, Sarajevo and Srebrenica.
Gardner, Thomas (2011) The rehabilitation of schizophonia: social interaction, sound and media in the Automatic Writing Circle. In: The Embodiment of Authority: Perspectives on Performances, 10–12 September 2010, Department of Doctoral Studies in Musical Performance and Research, Sibelius Academy, Helsinki, Finland.. (Unpublished)
Ford, Corey and Noel-Hirst, Ashley and Cardinale, Sara and Loth, Jackson and Sarmento, Pedro and Wilson, Elizabeth and Wolstanholme, Lewis and Worrall, Kyle and Bryan-Kinns, Nick (2024) Reflection Across AI-based Music Composition. In: ACM Creativity and Cognition 2024, 23-26 June 2024, Chicago.
Finney, Rachael (2024) Listening to Legacy: The Background Voice As Aural Archive. In: Pop Con 2024, 7-9 March 2024, University of Southern California.
Fiebrink, Rebecca and Trueman, Daniel and Cook, Perry R. (2009) A Meta-Instrument for Interactive, On-the-fly Machine Learning. In: International Conference on New Interfaces for Musical Expression (NIME), 3-6 June 2009, Pittsburgh, PA, USA.
Farkas, Timea and Denisova, Alena and Wiseman, Sarah and Fiebrink, Rebecca (2022) The Effects of a Soundtrack on Board Game Player Experience. In: ACM SIGCHI Conference on Human Factors in Computing Systems (CHI'22), 30 April - 5 May 2022, New Orleans, USA.
Cardwell, Thomas (2022) Folk Metal: Battle Jackets as Contemporary Folk Costumes. In: International Society for Folk Narrative Research Annual Conference, 20-23 July 2022, London College of Fashion.
Cardwell, Thomas (2018) 'They’re Selling Slayer Shirts in Primark!’; Contesting authenticity through metal and punk t-shirts. In: Doing metal, being punk, doing punk, being metal: hybridity, crossover and difference in punk and metal subcultures. Punk Scholars Network 5th Annual Conference, 13 & 14 December 2018, De Montfort University, Leicester, UK..
Bryan-Kinns, Nick and Li, Zijin (2024) Reducing Barriers to the Use of Marginalised Music Genres in AI. In: Explainable AI for the Arts - XAIxArts 2024, 23 June 2024, Chicago.
Benalcazar Vega, Diego Eduardo (2021) Producing and mixing in ambisonics. In: Conferencia AES Ecuador 2021, 19-21 May 2021, Online.
Wynne, John (2011) Andromache.
Voegelin, Salomé (2016) ‘Listening to audible and inaudible sounds’(Performance Lecture).
Lane, Cathy (2010) Playing with Words: an online compilation | Various Artists. Gruenrekorder ::. Phonography & Sound Art
Young, Sharon (2023) Hysterical Chorus. [Performance]
Whitby, Richard and Parkinson, Siôn and Patel, Amit Dinesh (2021) ROT. [Performance]
Whitby, Richard and Clark, Kitty and Wilcox, Rebecca (2023) chh, chh, chh. [Performance]
Voegelin, Salomé and Cascella, Daniela (2015) Performing Silences. [Performance]
Troisi, Anna (2023) Méiyǒu shālù (Without Killing). [Performance]
Toop, David and Norment, Camille (2015) Rapture. [Performance]
Toop, David (2010) Flat time/sounding. [Performance]
Toop, David (2017) Instruments of Darkness. [Performance]
Toop, David (2015) The Myriad Creatures will be Transformed of Their own Accord. [Performance]
Tlalim, Tom and Zaides, Arkadi (2014) Archive. [Performance]
Taylor, j Milo and Ottavi, Julian and Pickett, Jenny (2019) Grand Computer Orchestra (GOO) Concert. [Performance]
Taylor, j Milo and Ottavi, Julian (2019) Solo Experimental Soundscape: Electronic Bodies and the Abstract Morphology of the Real. [Performance]
Taylor, j Milo and Cahen, Joel and Kannenberg, John (2015) Site-Specific Sound Performance. [Performance]
Taylor, j Milo (2012) Ahad’s Masters Garden. [Performance]
Taylor, j Milo (2012) Meditatio Sonus (Sonic Meditation). [Performance]
Taylor, j Milo (2012) Photophonosynthesis. [Performance]
Taylor, j Milo (2012) Sound Performance Duo at Klangkunst Mutiny II. [Performance]
Taylor, j Milo (2015) Soundscapes UK-MX. [Performance]
Smith, Tom and Hibbett, Mark (2017) Scary Monsters And Super Creeps. [Performance]
Sellwood, Oliver (2019) Alias States. [Performance]
Sellwood, Oliver (2009) An Allegory with Venus & Cupid. [Performance]
Sellwood, Oliver (2023) Charlene from Big Data (arranged for the Riot Ensemble). [Performance]
Sellwood, Oliver (2015) Diminished Returns. [Performance]
Sellwood, Oliver (2017) Kolmanskop. [Performance]
Sellwood, Oliver (2023) Microsong Cycle. [Performance]
Sellwood, Oliver (2018) Mikrophonie III. [Performance]
Sellwood, Oliver (2017) Nara. [Performance]
Sellwood, Oliver (2020) A Short Fantasia Starting on C. [Performance]
Putnam, James (2019) ‘Kosmosis’, Katherine Prado, Aidan McIntyre, Dylan Isaiah. [Performance]
Pastor, Eugénie and Turner, Shamira (2019) The Undefinable. [Performance]
Pastor, Eugénie, Little Bulb (2021) Wolf Witch Giant Fairy. [Performance]
Newman, Hayley and Birch, Gina and Kaffe, Matthews (2010) Cafe carbon. [Performance]
McCloy, Anne (2017) Some Product. [Performance]
McCallum, Louis and Grierson, Mick and Yee-King, Matthew and Kiefer, Chris (2022) Deep Melt. [Performance]
Lane, Cathy and Butcher, Rosemary and Bronstein, Pablo (2010) Destructive navigations. [Performance]
Lane, Cathy (2011) The Hebrides Suite. [Performance]
Lane, Cathy (2004) Hidden Voices, composition for dance; choreographed by R Butcher. [Performance]
Lane, Cathy (2015) SCAN (composed dance score). [Performance]
Lane, Cathy (2010) Sound History & Memory at ELEKTRONISCHER FRÜHLING Alte Schmiede, Vienna. [Performance]
Lane, Cathy (2010) Tweed. [Performance]
Kollectiv, Galia and Kollectiv, Pil (2019) EuroNoize Live. [Performance]
Jones, Stuart (2007) Gharnati (musical composition). [Performance]
Gardner, Thomas and Voegelin, Salomé and Mollin, David (2016) Practising the Relationship. [Performance]
Gardner, Thomas and Preston, Stephen and Edwards, Kirsten and Ayyaz, Seth and Coyte, Peter (2009) Automatic Writing Circle at the Sibelius Academy. [Performance]
Gardner, Thomas (2014) Minuet On/Off. [Performance]
Finney, Rachael (2019) Braided Sound #018: London. [Performance]
Finney, Rachael (2017) In My Hands and At My Feet (2017). [Performance]
Evans, Sian and De Grande, Dominic (2010) Vide cor meum. [Performance]
Cunningham, Darren and McCallum, Louis (2019) Actress + Young Paint Live AI/AV. [Performance]
Cunningham, Darren and McCallum, Louis (2019) Actress x Stockhausen Sin {x} II. [Performance]
Cobbing, William and Cooper, Rosie (2015) 'Boooook Laaaaaaunch' evening of performances at the ICA Theatre, London. [Performance]
Christian, Toby (2020) Repeller. [Performance]
Benalcazar Vega, Diego Eduardo (2021) Masuray. [Performance]
Benalcazar Vega, Diego Eduardo (2019) Tinamú Ondulado (Crypturellus Undulatus). [Performance]
Schlimm, Anna and Powell, Lorna and Vincent, Georgia (2024) Report: Laura Misch x holobiont. Project Report. holobiont.
O'Dair, Marcus (2015) Collaborative, co-operative and collective business models in the ‘new’ music industries: a literature review. Other. NEMODE.
O'Dair, Marcus (2017) How Blockchain is Transforming the Creative Industries: Copyright and Rights Management in the Second Era of the Internet. Other. Blockchain Research Institute.
O'Dair, Marcus (2016) The networked record industry: How blockchain technology could transform the consumption and monetisation of recorded music. Other. NEMODE.
Kollectiv, Galia and Kollectiv, Pil (2020) EuroNoize Final Technical Report. Technical Report. European Union Cooperation Projects, London.
Wyeld, Mike (2024) Satanic Panic. [Show/Exhibition]
Voorsanger, Jessica (2002) Air Guitar: art reconsidering rock music. [Show/Exhibition]
Naldi, Pat, Wendy Kirkup (2022) The Horror Show! A Twisted Tale of Modern Britain. [Show/Exhibition]
McCloy, Anne (2018) DR WHO Is NOKI. [Show/Exhibition]
Lane, Cathy and Butcher, Rosemary and Martin, Daria and Appleton, Melissa and Butcher, Matthew (2010) Lapped Translated Lines. [Show/Exhibition]
Lane, Cathy (2010) In Combat with .... [Show/Exhibition]
Lane, Cathy (2013) Tweed. [Show/Exhibition]
Lane, Cathy (2010) ... the pickle jar is her home ... [Show/Exhibition]
Kollectiv, Galia and Kollectiv, Pil (2007) Asparagus: A Horticultural Ballet. [Show/Exhibition]
Kollectiv, Galia and Kollectiv, Pil (2019) EuroNoize Exhibition. [Show/Exhibition]
Hardie, Sarah and Sheen, Jack and Drennan, Eleesha (2016) before sleep at the end of love (description of a lullaby). [Show/Exhibition]
Doron, Itai (2015) Rockers Galore & Selected Photographs: Josh Cheuse, Itai Doron and Ross McNicol. [Show/Exhibition]
Collingwood, Ruth and Kavanagh, Jen and Sajeva, Monica-carmela (2017) A Short Exhibition About Music Zines. [Show/Exhibition]
Clarke, Leigh (2014) Performance with Leigh Clarke, Dan Holliday, Bob and Roberta Smith, John Strutton. [Show/Exhibition]
Bestley, Russ (2015) PUNK ROCK!! SO WHAT? [Show/Exhibition]
Sinclair, Peter Francis (2013) Using Real-Time Data Flux In Art – The Mediation Of A Situation As It Unfolds: RoadMusic – An Experimental Case Study. PhD thesis, University of the Arts London.
Sellwood, Oliver (2022) Alias States: Composing (for) Electronically Enhanced Set-ups. PhD thesis, University of Southampton.
Revell, Irene (2022) Live Materials: Womens Work, Pauline Oliveros & the feminist performance score. PhD thesis, University of the Arts London.
Morris, David (2021) Exhibiting A Collective Thinking: Schizo-Culture For Now. PhD thesis, University of the Arts London.
Foden, Eleanor (2023) Demythologizing the sixties; reappraising the British groupie and her relationship to feminism, 1965-1974. PhD thesis, University of the Arts London.
Finney, Rachael (2022) Sounding Elsewhere, Sounding Everywhere: Listening to the Background from Motown and Beyond. PhD thesis, Goldsmiths.
![[up]](/style/images/multi_up.png)
Up a level