Voss, Georgina and Smith, Oliver (2019) We Didn't Lie, We Didn't Understand The Question. [Art/Design Item]
Voss, Georgina (2021) Bigger Than Before. [Art/Design Item]
Thomas, Jennet (2020) IT ONCE HAD A FACE, NOW IT WANTS ONE AGAIN. [Art/Design Item]
Macdonald, Anna (2017) Progression (Walking) and (Freestyle). [Art/Design Item]
Macdonald, Anna (2020) Strikethrough studies. [Art/Design Item]
Kuc, Kamila (2021) What We Shared. [Art/Design Item]
Gitton, Esteban and Shade, Aza (2014) Tek. [Art/Design Item]
Finch, Mick (2023) Wipe. [Art/Design Item]
Ramirez, Gracia (2022) Abigail Child: We Cannot Control the Pacing of this Movie. Found Footage Magazine, 8. ISSN 2462-2885
Macdonald, Iain (2015) Designing to engage a television audience: how are different media used in TV ident creation? Arts and the Market, 5 (2). pp. 139-153. ISSN ISSN: 2056-4945
Macdonald, Anna and Jacob, Marie-Andre (2019) A change of heart: retraction and body. Law Text Culture, 23. pp. 262-275. ISSN 1322-9060
Macdonald, Anna (2017) Going nowhere: Screendance and the act of dying. International Journal of Screendance, 8. pp. 11-28. ISSN 2154-6878
Hosea, Birgitta (2008) TV 2.0: animation readership / authorship on the internet. Animation Studies, 3. pp. 24-32. ISSN 1930-1928
Elwes, Catherine (2012) Editorial. The Moving Image Review & Art Journal (MIRAJ), 1 (1). pp. 3-9. ISSN 2045-6298, 2045-6301
Elwes, Catherine (2012) Phases, ruptures and continuities. Moving Image Review & Art Journal (MIRAJ), 1 (2). pp. 147-151. ISSN 20456298
Elwes, Catherine (2012) Pipilotti Rist. Moving Image Review & Art Journal (MIRAJ), 1 (2). pp. 271-276. ISSN 20456298
Cohen, Nathan (2016) Visual Perception, Abstraction and Invention: an Exploration. Interalia Magazine (22).
Tan, Erika (2014) Come Cannibalise Us, Why Don’t You? / Sila Mengkanibalkan kami mahu tak? [Book]. National University of Singapore, Singapore. ISBN 978-981-07-9128-5
Mey, Adeena and Bovier, François (2019) 무빙 이미지 전시하기:다시 본 역사. Mediabus, Seoul. ISBN 979-11-966934-3-5
Macdonald, Iain (2016) Hybrid Practices in Moving Image Design - Methods of Heritage and Digital Production in Motion Graphics. Palgrave Macmillan, Basingstoke. ISBN ISBN 978-3-319-41375-4
Kuc, Kamila (2015) Boro, l'Île d'Amour: The Films of Walerian Borowczyk. Berghan Books, New York. ISBN 978-1782387015
Kuc, Kamila (2014) The Struggle for Form: Perspectives on Polish Avant-Garde Film 1916-1989. Columbia University Press/Wallflower Press, London. ISBN 978-0231169820
Colman, Felicity (2014) Film Theory: Creating a Cinematic Grammar. Columbia University Press, New York. ISBN 9780231169738
White, Duncan (2017) The Eyes of a Familiar Compound Ghost: Locating the Body in Chris Burden’s Shoot. In: En Corps et en Images. Mimesis Editions, Paris. ISBN 978-8869761133
Torres, Lara Mendonça Guterres (2020) The body as Factory: a post-productivist fashion practice through film. In: Crafting Anatomies Archives, Dialogues, Fabrications. Bloomsbury Visual Arts . Bloomsbury, Great Britain, pp. 265-286. ISBN 978-1-3500-7547-4
Torres, Lara (2022) Fashion Ontology: Researching the Possibilities for Knowing through an Expanded Fashion Practice. In: Fashion Knowledge Theories, Methods, Practices and Politics. Intellect, United Kingdom, pp. 53-69. ISBN 978-1-78938-518-2
Mey, Adeena (2015) Expanded Cinema, by Other Means. In: The Audiovisual Breakthrough. fluctuating images. contemporary media art e.V., Berlin, pp. 42-61. ISBN 978-3-00-051072-4
Kuc, Kamila (2016) Ciné, ma vérité: Memory as a Creative Force in the Process of Constructing Subjectivities. In: Experiments in She-ness: women and undependent cinema. Basement Films, pp. 49-58. ISBN 978-1329981317
Kuc, Kamila (2014) ‘The inexpressible unearthly beauty of the cinematograph’: The Impact of Polish Futurism on the First Polish Avant-Garde Films. In: The Struggle for Form: Perspectives on Polish Avant-Garde Film 1916-1989. Columbia University Press/Wallflower Press, London/New York, pp. 31-57. ISBN 978-0231169820
Creamer, Anne-Marie (2015) The Passing of the Keepers of Salento: a memorial to obsolescence. In: Moving Landscape. Progetto GAP, Italy.
Cohen, Nathan (2014) Video ergo sum: an artist’s thoughts on inventing with computer technology in the creation of artworks. In: Digital Da Vinci: Computers in the Arts and Sciences. Springer, New York, USA, pp. 99-111. ISBN 978-1-4939-0964-3
Barnett, Heather (2023) Drawing Out the Superorganism: Artistic Intervention and the Amplification of Processes of Life. In: Drawing Processes of Life: molecules, cells, organisms. Intellect Books, pp. 193-218. ISBN 9781789387667
de Selincourt, Chris (2013) The Future of Cinema’s Historicity. In: 8th NECS Conference: Media Politics - Political Media, 20-22 June 2013, Charles University, Prague.
de Selincourt, Chris (2018) Live on the Surface of Dreams. In: Art, Materiality and Representation, 1-3 June 2018, British Museum, London.
de Selincourt, Chris (2012) On Finishing Machines. In: The End Of …?, 21-22 January 2012, University of Kent, Canterbury.
de Selincourt, Chris (2012) Where is the Mind of the Media Editor? In: LUX/ICA Biennial Student Symposium: Contemporary Currents, 27 May 2012, Institute of Contemporary Art, London.
de Selincourt, Chris (2014) The intermediaries’ knowledge of cinematic heuristics. In: Cognitive Futures in the Humanities, 23-26 April 2014, Durham University.
Patel, Shreepali and Flavin, Susan (2024) Weaving Complex Historical Narratives Through Sonic & Visual Artistic Practice. In: Shaping Gastronomy: Regenerating Food Systems & Societies, 26-28 September 2024, Pollenzo & Turin, Italy.
Palma Stade, Tobias and Schofield, Guy and Moore, Grace (2023) Narrative Perspectives and Embodiment in Cinematic Virtual Reality. In: XR Salento 2023, 6-9 September, Lecce, Salento, Italy.
Noce, Kim (2016) Image and word: a talk about the making of "Love in Idleness". In: Still Shakespeare, 20 October 2016, Nash Lecture Theatre King's Building, Strand Campus King's College London London WC2R 2LS.
Barnett, Heather (2015) A Malleable Metaphor: Physarum polycephalum as artistic and educational medium. In: The First International Workshop on Physarum Transport Networks, 3-5 December 2015, Columbia University, New York City, US.
Barbieri, Donatella and Turnbull, Ben (2024) Charged Objects of Performance project. In: TaPRA 2024 Documenting Performance working group, 4-6 September 2024, Northumbria University, Newcastle.
Macdonald, Anna and Jacob, Marie-Andre (2021) Moving from law: documents, dance and stubborn materials. School of Advanced Study, University of London.
Ball, Steven and Curtis, David and Le Grice, Malcolm (2003) British Artists' Moving Image Database/Known Works database.
Brooks, Pete and Quick, Andrew and Wainwright, Simon (2020) Airlock. [Performance]
Thorogood, Simon (2014) Couture Graphique: Beyond A Label. [Show/Exhibition]
Richards, Benedict (2019) The look of love. [Show/Exhibition]
Newth, Martin (2018) Martin Newth: Rezension – Skulptur, Objekt, Apparat. [Show/Exhibition]
Love, Johanna (2015) RE:Print/RE:Present. [Show/Exhibition]
Davidmann, Sara and Lowe, Paul and Hunter, Tom and Moore, David and Skelton, Pam and Sutherland, Patrick (2011) Photography and the archive research centre core members exhibition. [Show/Exhibition]
Creamer, Anne-Marie (2022) Dear Friend, I Can No Longer Hear Your Voice, solo exhibition at the Sir John Soane Museum London. [Show/Exhibition]
Cole, Sarah and Cresser, Karl (2004) Home. [Show/Exhibition]
Bradley, Kerry and Blunck, Marie and Haseler, Glenda (2014) Masquerade (production, set and props). [Show/Exhibition]
Ball, Steven (2011) Formal environmentalism: recent work by Steven Ball. [Show/Exhibition]
Maffioletti, Catherine (2012) Beyond the Mirror: Towards a feminised (cartographic) process of spatiality in moving-image & installation based art. PhD thesis, University of the Arts London.
Hosea, Birgitta (2012) Substitutive bodies and constructed actors: a practice-based investigation of animation as performance. PhD thesis, University of the Arts London.
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