Brooks, Pete and Quick, Andrew and Wainwright, Simon (2020) Airlock. [Performance]
Bradley, Kerry and Blunck, Marie and Haseler, Glenda (2014) Masquerade (production, set and props). [Show/Exhibition]
Barnett, Heather (2023) Drawing Out the Superorganism: Artistic Intervention and the Amplification of Processes of Life. In: Drawing Processes of Life: molecules, cells, organisms. Intellect Books, pp. 193-218. ISBN 9781789387667
Barnett, Heather (2015) A Malleable Metaphor: Physarum polycephalum as artistic and educational medium. In: The First International Workshop on Physarum Transport Networks, 3-5 December 2015, Columbia University, New York City, US.
Barbieri, Donatella and Turnbull, Ben (2024) Charged Objects of Performance project. In: TaPRA 2024 Documenting Performance working group, 4-6 September 2024, Northumbria University, Newcastle.
Ball, Steven and Curtis, David and Le Grice, Malcolm (2003) British Artists' Moving Image Database/Known Works database.
Ball, Steven (2011) Formal environmentalism: recent work by Steven Ball. [Show/Exhibition]
Creamer, Anne-Marie (2022) Dear Friend, I Can No Longer Hear Your Voice, solo exhibition at the Sir John Soane Museum London. [Show/Exhibition]
Creamer, Anne-Marie (2015) The Passing of the Keepers of Salento: a memorial to obsolescence. In: Moving Landscape. Progetto GAP, Italy.
Colman, Felicity (2014) Film Theory: Creating a Cinematic Grammar. Columbia University Press, New York. ISBN 9780231169738
Cole, Sarah and Cresser, Karl (2004) Home. [Show/Exhibition]
Cohen, Nathan (2014) Video ergo sum: an artist’s thoughts on inventing with computer technology in the creation of artworks. In: Digital Da Vinci: Computers in the Arts and Sciences. Springer, New York, USA, pp. 99-111. ISBN 978-1-4939-0964-3
Cohen, Nathan (2016) Visual Perception, Abstraction and Invention: an Exploration. Interalia Magazine (22).
de Selincourt, Chris (2013) The Future of Cinema’s Historicity. In: 8th NECS Conference: Media Politics - Political Media, 20-22 June 2013, Charles University, Prague.
de Selincourt, Chris (2018) Live on the Surface of Dreams. In: Art, Materiality and Representation, 1-3 June 2018, British Museum, London.
de Selincourt, Chris (2012) On Finishing Machines. In: The End Of …?, 21-22 January 2012, University of Kent, Canterbury.
de Selincourt, Chris (2012) Where is the Mind of the Media Editor? In: LUX/ICA Biennial Student Symposium: Contemporary Currents, 27 May 2012, Institute of Contemporary Art, London.
de Selincourt, Chris (2014) The intermediaries’ knowledge of cinematic heuristics. In: Cognitive Futures in the Humanities, 23-26 April 2014, Durham University.
Davidmann, Sara and Lowe, Paul and Hunter, Tom and Moore, David and Skelton, Pam and Sutherland, Patrick (2011) Photography and the archive research centre core members exhibition. [Show/Exhibition]
Elwes, Catherine (2012) Editorial. The Moving Image Review & Art Journal (MIRAJ), 1 (1). pp. 3-9. ISSN 2045-6298, 2045-6301
Elwes, Catherine (2012) Phases, ruptures and continuities. Moving Image Review & Art Journal (MIRAJ), 1 (2). pp. 147-151. ISSN 20456298
Elwes, Catherine (2012) Pipilotti Rist. Moving Image Review & Art Journal (MIRAJ), 1 (2). pp. 271-276. ISSN 20456298
Finch, Mick (2023) Wipe. [Art/Design Item]
Gitton, Esteban and Shade, Aza (2014) Tek. [Art/Design Item]
Hosea, Birgitta (2012) Substitutive bodies and constructed actors: a practice-based investigation of animation as performance. PhD thesis, University of the Arts London.
Hosea, Birgitta (2008) TV 2.0: animation readership / authorship on the internet. Animation Studies, 3. pp. 24-32. ISSN 1930-1928
Kuc, Kamila (2015) Boro, l'Île d'Amour: The Films of Walerian Borowczyk. Berghan Books, New York. ISBN 978-1782387015
Kuc, Kamila (2016) Ciné, ma vérité: Memory as a Creative Force in the Process of Constructing Subjectivities. In: Experiments in She-ness: women and undependent cinema. Basement Films, pp. 49-58. ISBN 978-1329981317
Kuc, Kamila (2014) The Struggle for Form: Perspectives on Polish Avant-Garde Film 1916-1989. Columbia University Press/Wallflower Press, London. ISBN 978-0231169820
Kuc, Kamila (2021) What We Shared. [Art/Design Item]
Kuc, Kamila (2014) ‘The inexpressible unearthly beauty of the cinematograph’: The Impact of Polish Futurism on the First Polish Avant-Garde Films. In: The Struggle for Form: Perspectives on Polish Avant-Garde Film 1916-1989. Columbia University Press/Wallflower Press, London/New York, pp. 31-57. ISBN 978-0231169820
Love, Johanna (2015) RE:Print/RE:Present. [Show/Exhibition]
Mey, Adeena and Bovier, François (2019) 무빙 이미지 전시하기:다시 본 역사. Mediabus, Seoul. ISBN 979-11-966934-3-5
Mey, Adeena (2015) Expanded Cinema, by Other Means. In: The Audiovisual Breakthrough. fluctuating images. contemporary media art e.V., Berlin, pp. 42-61. ISBN 978-3-00-051072-4
Maffioletti, Catherine (2012) Beyond the Mirror: Towards a feminised (cartographic) process of spatiality in moving-image & installation based art. PhD thesis, University of the Arts London.
Macdonald, Iain (2015) Designing to engage a television audience: how are different media used in TV ident creation? Arts and the Market, 5 (2). pp. 139-153. ISSN ISSN: 2056-4945
Macdonald, Iain (2016) Hybrid Practices in Moving Image Design - Methods of Heritage and Digital Production in Motion Graphics. Palgrave Macmillan, Basingstoke. ISBN ISBN 978-3-319-41375-4
Macdonald, Anna and Jacob, Marie-Andre (2021) Moving from law: documents, dance and stubborn materials. School of Advanced Study, University of London.
Macdonald, Anna and Jacob, Marie-Andre (2019) A change of heart: retraction and body. Law Text Culture, 23. pp. 262-275. ISSN 1322-9060
Macdonald, Anna (2017) Going nowhere: Screendance and the act of dying. International Journal of Screendance, 8. pp. 11-28. ISSN 2154-6878
Macdonald, Anna (2017) Progression (Walking) and (Freestyle). [Art/Design Item]
Macdonald, Anna (2020) Strikethrough studies. [Art/Design Item]
Noce, Kim (2016) Image and word: a talk about the making of "Love in Idleness". In: Still Shakespeare, 20 October 2016, Nash Lecture Theatre King's Building, Strand Campus King's College London London WC2R 2LS.
Newth, Martin (2018) Martin Newth: Rezension – Skulptur, Objekt, Apparat. [Show/Exhibition]
Patel, Shreepali and Flavin, Susan (2024) Weaving Complex Historical Narratives Through Sonic & Visual Artistic Practice. In: Shaping Gastronomy: Regenerating Food Systems & Societies, 26-28 September 2024, Pollenzo & Turin, Italy.
Palma Stade, Tobias and Schofield, Guy and Moore, Grace (2023) Narrative Perspectives and Embodiment in Cinematic Virtual Reality. In: XR Salento 2023, 6-9 September, Lecce, Salento, Italy.
Richards, Benedict (2019) The look of love. [Show/Exhibition]
Ramirez, Gracia (2022) Abigail Child: We Cannot Control the Pacing of this Movie. Found Footage Magazine, 8. ISSN 2462-2885
Torres, Lara Mendonça Guterres (2020) The body as Factory: a post-productivist fashion practice through film. In: Crafting Anatomies Archives, Dialogues, Fabrications. Bloomsbury Visual Arts . Bloomsbury, Great Britain, pp. 265-286. ISBN 978-1-3500-7547-4
Torres, Lara (2022) Fashion Ontology: Researching the Possibilities for Knowing through an Expanded Fashion Practice. In: Fashion Knowledge Theories, Methods, Practices and Politics. Intellect, United Kingdom, pp. 53-69. ISBN 978-1-78938-518-2
Thorogood, Simon (2014) Couture Graphique: Beyond A Label. [Show/Exhibition]
Thomas, Jennet (2020) IT ONCE HAD A FACE, NOW IT WANTS ONE AGAIN. [Art/Design Item]
Tan, Erika (2014) Come Cannibalise Us, Why Don’t You? / Sila Mengkanibalkan kami mahu tak? [Book]. National University of Singapore, Singapore. ISBN 978-981-07-9128-5
Voss, Georgina and Smith, Oliver (2019) We Didn't Lie, We Didn't Understand The Question. [Art/Design Item]
Voss, Georgina (2021) Bigger Than Before. [Art/Design Item]
White, Duncan (2017) The Eyes of a Familiar Compound Ghost: Locating the Body in Chris Burden’s Shoot. In: En Corps et en Images. Mimesis Editions, Paris. ISBN 978-8869761133
![[up]](/style/images/multi_up.png)
Up a level