Asbury, Michael (2002) Sebastião Salgado. [Show/Exhibition]
Anderson, Joel and Leister, Wiebke (2019) The Theatre of Photography: Dialogues. Journal of Photography and Culture, 11 (2). pp. 121-138. ISSN 1751-4517
Adami, Elisa and Bikoko, Baudouin and Crichlow, Warren and Mey, Adeena (2023) Framing & Reframing Kinshasa: Baudouin Bikoko’s Expanded Photographic Practice. In: Photography Network Virtual Symposium: Photography’s Frameworks, 14 October 2023, Western Cape, South Africa, Online.
Adami, Elisa (2019) Akram Zaatari: History and Photographic Memory. Journal of Visual Culture, 18 (2). pp. 169-186. ISSN 1470-4129
Butchart, Amber (2015) Nautical Chic exhibition. [Show/Exhibition]
Behr, Bernd (2018) Another Moon. In: Special Collections Centre workshop, UAL.
Behr, Bernd (2022) A Camera on Wheels: Situating the Self-driving Car within a Photographic Teleology. In: Camera-Centered Histories of Photography, 2 December 2022, California Museum of Photography, UCR Arts, University of California Riverside, USA & Online.
Behr, Bernd (2022) The Paranoiac-Critical Method of Reflectance Transformation Imaging. In: Diffracting Digital Images: Archaeology, Art Practice and Cultural Heritage. Routledge, Abingdon, Oxon / New York, pp. 65-74. ISBN 9780367486556
Behr, Bernd (2021) Solar economy of the debt-image (blockchain edition). In: The promise of photography: scale, measure and proportion in a conflicted visual milieu, 17 September 2021, Online.
Behr, Bernd (2015) Trajectory of a Taxidermic Image: Akeley in the Elephant Skull. In: Shadow without Object, 4 December 2015, Chelsea College of Arts, 16 John Islip Street, London SW1P 4JU.
Behr, Bernd (2022) The Unknown Knowns of Machine Vision, or, How to Explain Pictures to a Self-driving Car. In: Aesthetics of Machine Vision, 15-16 September 2022, University of Southern Denmark, Odense, Denmark.
Behr, Bernd (2019) The devisive moment. Philosophy of Photography, 10 (1). pp. 7-10. ISSN 2040-3682
Bankale, Sheyi (2013) In Between The Shifts. Next Level (23). pp. 16-19. ISSN 1476 4369
Clark, Edmund (2019) Bending the Screen: Ekphrasis, Plain Sight and the Monster within. In: image/con/text: Complementary Testimonies in Documentary Discourse, 29-30 October 2019, Hochschule Hannover, University of Applied Sciences and Arts, Hanover, Germany.
Clark, Edmund (2019) Walled Off: The Politics of Containment. [Show/Exhibition]
Cherry, Deborah and Dickson, Malcolm (2016) Maud Sulter: Passion. [Show/Exhibition]
Cherry, Deborah (2015) The Ghost Begins By Coming Back: Revenants and Returns in Maud Sulter's Photomontages. Maud Sulter: Syrcas.
Cherry, Deborah (2015) The Ghost Begins by Coming Back. Revenants And Returns In Maud Sulter’s Photomontages. In: Revival. Memories, Identities, Utopias. Courtauld Books Online (3). The Courtauld Institute of Art, London, pp. 29-44. ISBN 978-1-907485-04-6
Cherry, Deborah (2022) Maud Sulter: Memory and Identity. [Show/Exhibition]
Cherry, Deborah (2015) Maud Sulter: Passion. [Show/Exhibition]
Cherry, Deborah (2015) Maud Sulter: Passion. Altitude Editions, London UK. ISBN 978-1-906908-36-2
Cherry, Deborah (2015) Poetry--in Motion. In: Maud Sulter: Passion. Altitude Editions, London, pp. 8-19. ISBN 978-1-906908-36-2
Carruthers, Beverley and Leister, Wiebke and Teichmann, Esther (2015) The Skin of the Image. Photography and the Contemporary Imaginary Research Hub, UAL, London.
Carlyle, Angus (2005) Becoming Second Nature: Dan Holdsworth and the Sublime. In: Dan Holdsworth. Photoworks/Steidl, pp. 38-45. ISBN 3865210872
Carlyle, Angus (2002) I See A Darkness. In: Black Holes and Other Inconsistencies. The Moth House Press, pp. 112-118. ISBN 0954395700
Dunster, Flora and Gordon, Theo (2024) Photography - A Queer History. Ilex Press. ISBN 9781781579060
Dunster, Flora (2021) Do You Have Place? A Conversation with Sunil Gupta. Third Text, 35 (1). pp. 81-95. ISSN 0952-8822
Dunster, Flora (2024) Expanded Sexual and Gender Identities in Contemporary Photography. In: The Routledge Companion to Global Photographies. Routledge, pp. 157-169. ISBN 9781003368328
Dawson, Ian and Minkin, Louisa (2015) Taplow House: Room 001. [Show/Exhibition]
Findlay, Rosie (2017) "Inspired by real life": Examining 'aspirational realness' on the websites of Glossier and Maryam Nassir Zadeh. In: Revisiting the Gaze: Feminism, Fashion & the Female Body, 28-29 June 2017, Chelsea College of Arts, UAL.
Findlay, Rosie (2016) Strange and Familiar: Britain as Revealed by International Photographers, Curated by Martin Parr, Barbican Centre, London, 16 March 2016 – 19 June 2016. Australasian Journal of Popular Culture, 5 (2-3). pp. 225-226. ISSN 2045-5860
Finch, Mick (2021) The Bounded and the Synoptic: the archive and photographic appropriation. In: DigitalPaintingPhotography, 21-22 October 2021, University of Derby, Online.
Finch, Mick (2017) Dead and Alive: Warburg’s Mnemosyne Atlas. Journal of Visual Art Practice, 15 (2-3). pp. 286-297. ISSN 1470-2029
Finch, Mick (2017) The Technical Apparatus of the Warburg Haus. Journal of Visual Art Practice, 15 (2-3). ISSN 1470-2029
Green, Alison (2015) Intermedia, Exile and Carolee Schneemann. In: Across the Great Divide: Modernism's Intermedialities from Fluxus to Futurism. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 137-157. ISBN 1-4438-54786
Good, Jennifer and Lowe, Paul and Lardinois, Brigitte and Williams, Val (2014) Mythologizing the Vietnam War - Introduction. In: Mythologizing the Vietnam War: Visual Culture and Mediated Memory. Cambridge Scholars Publishing, Newcastle Upon Tyne, xiii-xv. ISBN 978-1-4438-5442-9
Good, Jennifer and Lowe, Paul (2017) Understanding Photojournalism. Bloomsbury Academic Press, London. ISBN 9781472594907
Good, Jennifer and Fox, Charles (2018) The Unseen. In: Buried. Catfish Books, pp. 23-26. ISBN 978 1916163102
Good, Jennifer (2017) 9/11: Street photography and terror. In: Engaging in Urban Image Making, 28th April 2017, Goldsmiths, University of London.
Good, Jennifer (2014) Buildings and Bodies: Religious imagery and 9/11. In: Conflict Through the Eye of the Lens, 19 July 2014, MOSTYN Gallery, Llandudno, Wales.
Good, Jennifer (2020) Critical Paralysis: Confronting Colonialism in Photography. Viewfinder Magazine (114).
Good, Jennifer (2018) Critical Paralysis: Threshold Concepts in Photographing the Other. In: International Association of Visual Culture Conference 2018: Visual Pedagogies, 13-15 September 2018, LCC, UAL.
Good, Jennifer (2019) Dialectics of Division: Don McCullin’s photographs of the Berlin Wall under construction, 1961. In: Why Remember? Memory and Forgetting in Times of War and Its Aftermath, 9-10 July 2019, Sarajevo, Bosnia.
Good, Jennifer (2018) Framing Terror. In: The Mediated Visibility of Conflicts, 7-8 May 2018, University of Copenhagen.
Good, Jennifer (2019) The Impossible Photograph: Blur and Domestic Violence. Photography and Culture, 12 (4). pp. 415-427. ISSN 1751-4517
Good, Jennifer (2019) Moving Through Critical Paralysis. In: UAL Learning and Teaching Conference 2019, 21 March 2019, London College of Communication, University of the Arts London.
Good, Jennifer (2017) Photography of 9/11: Remembering, Repeating and Working Through. In: Why Remember? Memory and Forgetting in Times of War and Its Aftermath, June 30th-July 2nd 2017, Sarajevo, Bosnia.
Good, Jennifer (2019) Remembering Writing about 9/11. In: UAL Research Fortnight, 4-15 March 2019, London College of Communication, University of the Arts London.
Good, Jennifer (2016) Research, Pedagogy and Power. In: What is Photographic Research? Camberwell Press, pp. 119-123. ISBN 978-1-90871-54-8
Good, Jennifer (2022) Resisting Arrest: blur as paradoxical locus of violence in Donna Ferrato's 'Living with the Enemy'. In: Time After Time: Pictures Between Instant and Duration, 19 November 2022, Online.
Good, Jennifer (2024) Unfixing Violence: Photography and Oblivion. Archivo Photofile.
Good, Jennifer (2018) 'The World Strikes the Body': Blur and Violence. In: Art and Violence Now, 11 June 2018, University of Edinburgh.
Good, Jennifer (2024) A Joining of Self by Suella Holland. Source: Thinking Through Photography (115). ISSN 1369-3334
Good, Jennifer (2024) Unfixing the Shadows: Temporality in Social Media Photography of the War in Ukraine. In: International Conference on Social Media and Society, 16-18 July 2024, London College of Communication, University of the Arts London.
Giebelhausen, Michaela (2013) The studio Collard and the barricades of 1871: a challenge not only to the architecture of Paris. In: Nineteenth-Century Photographs and Architecture: Documenting History, Charting Progress, and Exploring the World. Ashgate, Aldershot and London, pp. 105-119. ISBN 978-1-4094-4833-4
Gibson, Melinda (2013) Miss Titus Becomes A Regular Army Mac. b.frank books, Amsterdam, The Netherlands.
Hunter, Tom and Smyth, Diane (2010) Think global, act local. British Jounal of Photography, 157 (7781). pp. 54-59. ISSN 0007-1196
Hunter, Tom and Read, Shirley and Simmons, Mike (2016) Photographers and Research, the role of research in contemporary photographic practice. In: Photographers and Research The role of research in contemporary photographic practice. Focal Press, U.K., pp. 76-90. ISBN 978-1-138-84431-5, 978-1-138-84432-2
Hunter, Tom (2010) The Ghetto. [Show/Exhibition]
Haworth-Booth, Mark (2007) The Art of Lee Miller (book). Victoria and Albert Museum and Yale University Press.
Haworth-Booth, Mark (2004) Bill Brandt: Centenary Retrospective. [Show/Exhibition]
Haworth-Booth, Mark (2008) Camille Silvy: A Photographer of Modern Life. In: UAL Professorial Platform Series 2007-08, 13 March 2008, Chelsea College of Arts, 16 John Islip Street, London SW1P 4JU.
Haworth-Booth, Mark (2002) Seeing Things (exhibition and publication). [Show/Exhibition]
Hart, Janice (2007) John Ruskin, Cuthbert Bede and Robert MacPherson. In: Encyclopaedia of 19th Century Photography. Routledge/Taylor and Francis, 1223 - 1225. ISBN 0415972353
Hargreaves, Roger (2001) The Beautiful and the Damned: The Creation of Identity in Nineteenth Century Photography. [Show/Exhibition]
Hargreaves, Roger (2006) Being There: Harry Benson's Fifty Years of Photojournalism. [Show/Exhibition]
Hargreaves, Roger (2003) Circling the Square: Trafalgar Square Through the Camera. [Show/Exhibition]
Hargreaves, Roger (2007) Daily encounters: Photography from Fleet Street. [Show/Exhibition]
Ingham, Mark and Beech, Amanda and Poole, Matthew and Joseph-Lester, Jaspar and Marshall, Mike and Henry, Julie and Jones, Alison and Kulkarni, Nayan and Miranda Bilbao, Jasone and Perry, Giles (2005) Episode. [Show/Exhibition]
Ingham, Mark and Baseman, Jordan and Newth, Martin and Wainwright, Chris (2011) SCOPE New Photographic Practices. [Show/Exhibition]
Ingham, Mark (2012) 120 päivää ja yötä hoipertelua + änkytystä (120 Days and Nights Of STAGGERING + STAMMERING). ADDICTION — RIIPUVUUS/HESA INPRINT, 1 (14). pp. 19-23. ISSN 1799-8549 (printed) 1799-8557 (Online)
Kutesko, Elizabeth (2016) Fashioning Brazil: Globalization and the Representation of Brazilian Dress in National Geographic. PhD thesis, Courtauld Institute of Art.
Kutesko, Elizabeth (2016) Fashioning Brazil: National Identity and the Politics of Globalisation in Contemporary Brazilian Fashion Photography. Photoworks Annual, 23. pp. 220-231.
Kutesko, Elizabeth (2018) Fashioning Brazil: globalization and the representation of Brazilian Dress in National Geographic. Dress and Fashion Research . Bloomsbury, London. ISBN 9781350026605
Kutesko, Elizabeth (2014) Fashioning the Other: Representations of Brazilian Women's Dress in National Geographic, 1888-1988. In: Fashion and its Multicultural Facets. Inter-disciplinary Press, Oxford.
Kutesko, Elizabeth (2013) Problems and Tensions in the Representation of the Sapeurs, as demonstrated in the work of two twenty-first century Italian photographers. Immediations: the Courtauld Institute of Art Journal of Postgraduate Research, 3 (2). pp. 60-76.
Kuc, Kamila (2014) The Struggle for Form: Perspectives on Polish Avant-Garde Film 1916-1989. Columbia University Press/Wallflower Press, London. ISBN 978-0231169820
Lowe, Paul and Morrison, Kenneth (2021) Reporting the Siege of Sarajevo. Bloomsbury Academic, London. ISBN 9781350081796
Lowe, Paul and Haas, Ernst (2022) Ernst Haas: The American West. Prestel, London. ISBN 978-3-7913-8825-0
Lowe, Paul and Good, Jennifer and Bush, Lewis (2017) 1001 Photographs to see before you die. Cassell Illustrated, London. ISBN 184403917X
Lowe, Paul (2014) The Forensic Turn: Bearing Witness and the Thingness of the Photograph. In: The Violence of the Image: Photography and International Conflict. IB Tauris, London. ISBN 1780767897
Lowe, Paul (2019) Framing the Perpetrators: Lee Miller's Photography of the Liberation of Dachau. Journal of Perpetrator Research, 2 (2). pp. 216-223. ISSN 2514-7897
Lowe, Paul (2016) Photography Masterclass:Creative Techniques of 100 master photographers. Thames and Hudson, London. ISBN 050054462X
Leister, Wiebke (2017) Photographic Installation Strategies En-bloc and In-the-round. In: A Companion to Modern Art. Wiley-Blackwell, pp. 187-207. ISBN 978-1-118-63987-0
Leister, Wiebke and Williams, Val (2005) Family Archives Lost and Found. [Show/Exhibition]
Leister, Wiebke and Anderson, Joel (2019) The Theatre of Photography / Le Théâtre de la Photographie. Revue Sens Public. ISSN 2104-3272
Leister, Wiebke (2018) The Afterlife of Medical Casts from the UCL Pathology Collection. In: Becoming Image: Medicine and the Algorithmic Gaze. Digital Insides, London, pp. 11-17. ISBN 978-1-9996758-0-6
Leister, Wiebke (2009) Apropos Laughter in Photography. In: Fotografie im Diskurs performativer Kulturen. Kehrer Verlag, Heidelberg, pp. 52-67. ISBN 978-3-939583-42-4
Leister, Wiebke, Max-Planck-Institut für Kunstgeschichte, Deutsches Archäologisches Institut Rom, Bibliotheca Hertziana (2021) Duchenne’s Frontispiece: Idealised Facticity and the Politics of Photographic Double Portraiture. In: Faktizität und Gebrauch früher Fotografie – Factuality and Utilization of Early Photography. Harrassowitz Verlag, Wiesbaden, pp. 225-241. ISBN 978-3-447-11637-4
Leister, Wiebke (2017) ‘Echoes and Afterlives’ (journal article). Journal of Photography and Culture, 10 (1). pp. 85-94. ISSN 17514517
Leister, Wiebke (2019) Pro-Photographic Gestures. Photography and Culture. ISSN 17514517
Leister, Wiebke (2006) Unjoyful Laughter and the Non-Likeness of Photographic Portraiture. PhD thesis, Royal College of Art, London.
Lardinois, Brigitte and Williams, Val (2020) Magnum Ireland (2nd Edition). Thames and Hudson, London. ISBN 978-0-500-29562-5
Lardinois, Brigitte (2013) The Greenpeace Archive. Photography and Culture, 6 (2). pp. 217-224. ISSN 1751-4517
Lardinois, Brigitte (2007) Magnum Magnum, Portrait of Magnum at Its 60th Anniversary. Thames and Hudson, London. ISBN 9780500543429
Lardinois, Brigitte (2013) Reeves Photographic Studio. In: “Breekbaar Bezit” FoMu Antwerp, 28-29 November 2013, PhotoMuseum Antwerp.
Moore, David and Williams, Val and Dent, Gavin (2017) Lisa and John Slideshow. [Show/Exhibition]
Minkin, Louisa and Summers, Francis (2016) How to accommodate grief in your life. Philosophy of Photography, 7 (1&2). pp. 85-115. ISSN 2040-3682
Minkin, Louisa and Dawson, Ian (2012) François Willème's Photosculpture Apparatus Reconstructed at WSA. [Art/Design Item]
Minkin, Louisa and Dawson, Ian (2014) Object lessons: copying and reconstruction as a teaching strategy. Art, Design & Communication in Higher Education, 13 (1). pp. 197-29. ISSN 1474-273X
Mey, Adeena (2019) Michelle Henning, Photography. The Unfettered Image, 2019. Transbordeur (3). pp. 208-209. ISSN 2552-9137
McCartney, Nicola (2018) Death of the Artist: Art World Dissidents and their Alternative Identities. International Library of Modern and Contemporary Art . I.B. Tauris, London. ISBN 9781784534158
Mackinnon, Lee (2017) Toward a Materialist Photography: The Body of Work. Third Text, 30 (3-4). pp. 149-158. ISSN 0952-8822
Newth, Martin and Holman, Martin and Monarchi, Christiane (2018) Martin Newth: Rezension – Skulptur, Objekt, Apparat. MEWO Kunsthalle, Germany. ISBN 978-3-9816274-5-9
Newth, Martin (2018) Martin Newth: Rezension – Skulptur, Objekt, Apparat. [Show/Exhibition]
Naldi, Pat (2009) From 00˚ 00’ 00” to 0101. In: ISEA2009 – 15th International Symposium on Electronic Art, 23 August - 1 September 2009, Waterfront Hall, Belfast.
Oles, James and Selejan, Ileana L. (2019) War and Loss. In: Art_Latin_America Against the Survey. University of Texas Press, Davis Museum at Wellesley College. ISBN 978-1-4773-1909-3
O'Neill, Alistair (2004) Wolf Suschitzky: Charing Cross Road in the 1930s. [Show/Exhibition]
O'Kane, Paul, eeodo (Bada Song, Barnaby Lambert, Paul O'Kane) (2014) Where Is That Light Now? eeodo, London. ISBN 97800992985707
Pollard, Jennifer (2011) The Projection of Poverty: Tracing the History of the Photographic Slideshow in Humanitarian Campaigning. In: The American Imagetext, 18th-19th June 2011, University of East Anglia. (Unpublished)
Pollard, Jennifer (2011) Seen, seared and sealed: Trauma and the visual presentation of September 11. Health, Risk & Society, 13 (1). pp. 81-101. ISSN 1369 8575
Pollard, Jennifer (2011) The Spectacle of Social Reform: Tracing the history of the photographic slideshow. In: PARC Research Seminar in the History, Theory and Practice of Photography, 16th March 2011, LCC. (Submitted)
Ryley, Marjolaine and Williams, Val and Lippett, Zoe and Dickson, Malcolm and Pavitt, Dean and Walkling, Dave (2012) Growing up in the new age. Fieldstudy (15). Photography and the Archive Research Centre, London.
Rubinstein, Daniel and Sluis, Katrina (2013) The Digital Image in Photographic Culture; Algorithmic Photography and the Crisis of Representation. In: The Photographic Image in Digital Culture. Routledge, London, UK, pp. 22-40. ISBN 9780415535298
Rubinstein, Daniel and Golding, Johnny and Fisher, Andy (2013) On The Verge of Photography: Imaging Beyond Representation. ARTicle Press, Birmingham. ISBN 9781873352021
Rubinstein, Daniel (2019) Fragmentation of the Photographic Image in Digital Age. Routledge History of Photography . Routledge / Taylor Francis, UK. ISBN 113849349X
Rubinstein, Daniel (2019) Graven images: photography after Heidegger, Lyotard and Deleuze. In: Fragmentation of the Photographic Image in Digital Age. Routledge History of Photography . Routledge / Taylor Francis, UK. ISBN 113849349X
Rubinstein, Daniel (2013) The Grin of Schrödinger's Cat; Quantum Photography and the limits of Representation. In: On the Verge of Photography: Imaging Beyond Representation. ARTicle Press, Birmingham, pp. 33-48. ISBN 9781873352021
Rubinstein, Daniel (2019) The New Paradigm. In: Fragmentation of the Photographic Image in Digital Age. Routledge History of Photography . Routledge / Taylor Francis, UK, pp. 1-11. ISBN 113849349X
Robertson, Helen (2005) The Architecture of the Photograph. Mosaic - a journal for the interdisciplinary study of literature, 37 (4). pp. 203-214. ISSN 0-919475-33-7
Rickett, Sophy and von Zwehl, Bettina (2015) Album 31. [Art/Design Item]
Rickett, Sophy (2019) Cupid and the Curious Moaning of Kenfig Burrows. [Show/Exhibition]
Rickett, Sophy (2017) The Curious Moaning of Kenfig Burrows. [Art/Design Item]
Redd, Denise (2010) The hidden project. [Show/Exhibition]
Stephens, Tim and Pantridge, Keith (2011) Dosimetry, Personal Monitoring Film. Philosophy of Photography, 2 (1). pp. 153-158. ISSN 2040-3682
Stephens, Tim (2011) ‘The End(s) of the Still’ – Releasing rhythm from photographic geometry. In: Rhythm & Event, 29 October 2011, London Graduate School.
Stephens, Tim (2012) From Palimpsest and Pentimento to Decalcomania: A presentation of the works of Jean-Yves Michalik. In: Beyond Representation: Photography, Humans & Computers, 24 May 2012, Centre for Media & Culture Research, London South Bank University.
Stephens, Tim (2023) Photographic Non-Self. In: Handbook of Research on the Relationship Between Autobiographical Memory and Photography. Advances in Media, Entertainment, and the Arts (AMEA) . IGI Global, Pennsylvania, pp. 485-509. ISBN 9781668453377
Stacey, Noni (2017) Community Photography: Radicalism and a Culture of Protest in the London-based Photography Collectives of the 1970s. PhD thesis, University of the Arts London.
Sliwinska, Basia and Bohr, Marco (2018) Introduction. In: The Evolution of the Image Political Action and the Digital Self. Routledge Advances in Art and Visual Studies . Routledge, New York, pp. 1-11. ISBN 97811382160372
Shepherdson, Karen and Ball, Rob (2014) Beyond the View, Reframing the Sunbeam Photographic Collection. [Show/Exhibition]
Shepherdson, Karen and Ball, Rob (2014) Beyond the View: New Perspectives on Seaside Photography. Burton Press, Verona. ISBN 978-0-9571637-5-1
Shepherdson, Karen (2018) Beyond the View: Reframing the Early Seaside Photographer. In: Coastal Cultures of the Long Nineteenth Century. Edinburgh University Press, Edinburgh, pp. 225-241. ISBN 9781474435734
Selejan, Ileana L. and Campbell, Andrianna (2017) Margin of Life: Post-war Concerned Photography in Mexico and Guatemala, 1947–1960. In: Collaboration and its (Dis)Contents: Art, Architecture, and Photography since 1950. Courtauld Books Online. ISBN 978-1-907485-07-7
Selejan, Ileana L. (2020) Actions Situations Possible Scenarios. Membrana, 4 (2). pp. 50-54. ISSN 2463-8501
Selejan, Ileana L. (2016) Charlotte Brooks at LOOK, 1951-1971. [Show/Exhibition]
Selejan, Ileana L. (2022) How Claudia Gordillo Documented the Realities of Life in Nicaragua. Aperture.
Selejan, Ileana L. (2017) Pictures in Dispute: Documentary photography in Sandinista Nicaragua. Photographies, 10 (3). pp. 283-302. ISSN 1754-0763 (Print), 1754-0771 (Online)
Selejan, Ileana L. (2020) Women’s Work: Photographers of the Sandinista Revolution. Photography and Culture, 13 (3-4). pp. 339-355. ISSN 1751-4525
Tchalenko, John (2006) Images From The Endgame - Persia through a Russian Lens, 1901-1914. SAQI. ISBN 0-86356-735-5
Taylor, Roger and Schaaf, Larry (2007) Impressed by Light: British Photographs from Paper Negatives, 1840-1860. Yale University Press, in association with The Metropolitan Museum of Art, New York, N.Y., USA. ISBN 0300124058, 9780300124057
Vanden Berghe, Vanessa (2016) Architectural photography, The Media and the Paradigm of Objectivity in the work of Oliver Hill. In: interacciones / interactions. Servicio de Publicaciones Universidad de Navarra. ISBN 978-848081-518-5
Wooldridge, Duncan and Campany, David (2018) Tomorrow's Headlines are Today's Chip Papers: Some Thoughts on Response-ability. In: Photography Reframed: Visions in Photographic Culture. I. B. Tauris, London, pp. 31-35. ISBN 978-1784538835
Wooldridge, Duncan (2014) John Hilliard: Not Black and White. Ridinghouse, London. ISBN 9781905464937
Wooldridge, Duncan (2021) The Photograph is a Question: Takano and Photographic Seeing. In: Takano Ryudai: Daily Photographs 1999-2021. The National Museum of Art, Osaka, The Asahi Shimbun.
Wooldridge, Duncan (2021) Ryudai Takano - Kikuo (Reclining Woo-Man) Preface. In: Ryudai Takano: Kikuo (Reclining Woo-Man). Libraryman, Hägersten, Sweden, p. 7. ISBN 978–91–88113–43–6
Wooldridge, Duncan (2017) Stretching Painting and Photography: the morphologies of the digital image file. In: Painting Digital Photography International Conference, 9th May 2017, Derby QUAD.
Wooldridge, Duncan (2021) To Be Determined: Photography and the Future. SPBH Essays . SPBH Editions, London and Milan. ISBN 978-1916041233
Wooldridge, Duncan (2016) Visibility and Realism: Photography and the Problems of Transparency. Philosophy of Photography, 7 (1 & 2). pp. 11-20. ISSN 2040-3682
Wilson, Stephen (2018) Beside Bourdieu: Japan, Contemporary Art, Weeds and a Fox. In: The Persistence of Taste: Art, Museums and Everyday Life After Bourdieu. Culture, economy, and the social . Routledge, pp. 187-205. ISBN 9781315617299
Williams, Val and Silva, Corinne (2017) The Re-making of the English Landscape: in the footsteps of WG Hoskins and FL Attenborough’. In: Landscape Now, 30 November and 1 December 2017, The Building Centre, London.
Williams, Val and Shepherdson, Karen (2019) Seaside Photographed. [Show/Exhibition]
Williams, Val and Pullen, Bob (2008) Dirty old town. British journal of photography, 155 (7699). pp. 18-24. ISSN 00071196
Williams, Val and Pullen, Bob (2008) Soho Archives 1950s and 60s. [Show/Exhibition]
Williams, Val and Pullen, Bob (2008) Soho nights. [Show/Exhibition]
Williams, Val and Pollard, Jennifer and Lowe, Paul and Lardinois, Brigitte (2012) Considering Vietnam. In: Considering Vietnam, 17-18 February 2012, Imperial War Museum, London. (Unpublished)
Williams, Val and Parr, Martin (2014) Martin Parr. Phaidon, London. ISBN 9780714865669
Williams, Val and Macdonald, Gordon (2018) Tish Murtha: Works 1976-91. [Show/Exhibition]
Williams, Val and Lowe, Paul (2015) Ožiljak (Scar): Photographs by Paul Lowe from the siege of Sarajevo. [Show/Exhibition]
Williams, Val and Lau, Grace (2019) Grace Lau Portraits In a Chinese Studio. Parakeet Books, London. ISBN 978-1-5272-2793-4
Williams, Val and Lardinois, Brigitte (2009) Photographs from the Glyndebourne Opera archive, 1934–1939. Photography and Culture, 2 (1). pp. 89-94. ISSN 17514517
Williams, Val and Hunter, Tom (2014) Life on the Road. [Show/Exhibition]
Williams, Val and Davidmann, Sara (2017) Curating Ken.To be destroyed. In: Researching, Writing and Exhibiting Photography, 8 April 2017, University of Westminster.
Williams, Val and Davidmann, Sara (2017) Moose on the Loose 2017 Biennale of Research: Collaborations Transformations. [Show/Exhibition]
Williams, Val and Christian, Robin (2014) The John Wall Archive: The Directory of British Photography Collections. In: Archives 2.0, 25 to 26 November 2014, National Media Museum.
Williams, Val and Christian, Robin (2017) Ken.To be destroyed (2017 exhibition). [Show/Exhibition]
Williams, Val (2017) Archives. In: Photo Oxford Symposium, 7 September 2017, Oxford University Bodleian Library Oxford.
Williams, Val (2012) Between ancient and modern: John Curno’s photographs. In: John Curno: It's About Time. Fotonow, Plymouth. ISBN 9781908678034
Williams, Val (2011) Beyond experience. In: The New Gypsies. Prestel, London, UK, pp. 109-114. ISBN 3791345192/9783791345192
Williams, Val, Fotonow (2010) Cameras in the community. In: Cameras in the community symposium, 09 December 2010, Plymouth, UK.
Williams, Val (2011) Closer: photographs by Stuart Griffiths. [Show/Exhibition]
Williams, Val (2014) Commissioning from the Archive: the Country Life/Village Hall series. In: Building the Archive: the Reference Works photography project in context, 28 February 2014, The Library of Birmingham.
Williams, Val, Format, Derby, Quad,Derby (2017) Conference Response : Under the Dark Cloth Symposium. In: Under the Dark Cloth, 8 April 2017, Quad, Derby.
Williams, Val (2010) The Daniel Meadows Archive: The shop on Graeme Street, 1972. Photography and Culture, 3 (1). pp. 81-90. ISSN 17514517
Williams, Val (2012) Daniel Meadows: Early Photographic Works. [Show/Exhibition]
Williams, Val (2015) Daniel Meadows: Early Photographic Works. [Show/Exhibition]
Williams, Val (2011) Daniel Meadows: early photographic works, 1972-1987. [Show/Exhibition]
Williams, Val (2015) Editing the Photobook. In: The Photography Symposium 2015, 20- 26 February 2015, Falmouth University.
Williams, Val (2012) Eve Arnold. The Independent.
Williams, Val (2015) Figures of Folk. [Show/Exhibition]
Williams, Val (2017) Finding a New History: Janet Mendelsohn in Birmingham 1967-1969. In: Fast Forward : Lithuanian Edition, 3 and 4 November 2017, National Gallery of Art, Vilnius, Lithiuania.
Williams, Val (2011) Finds 1 exhibition: found and located 1999-2010. [Show/Exhibition]
Williams, Val (2012) Iain McKell’s beautiful Britain. Jocks and Nerds, 1 (3). pp. 86-93.
Williams, Val (2016) In the Detail: Corinne Silva's Garden State. In: Garden State. Mosaic Rooms/ffotogallery, London, pp. 137-145. ISBN 978-1-872771-58-8
Williams, Val (2016) Janet and Kathleen 1967-1969. In: Janet Mendelsohn Varna Road. Ikon Gallery, Birmingham, pp. 60-65. ISBN 978-19048644998
Williams, Val (2014) The John Wall Archive of the Directory of British Photographic Collections, 1977. Journal of Photography&Culture, 7 (2). pp. 197-204. ISSN 978-1-4742-1859-7
Williams, Val (2014) Leisure and Pleasure: Anna Fox in Beauvais 2013-2014. In: Anna Fox: Loisirs. Diaphane editions, France. ISBN 9 782919 077267
Williams, Val (2010) Looking for the Ordinary: British documentary photography. In: Krakow Photomonth 2010, 04-31 May 2010, Krakow, Poland.
Williams, Val (2005) Lost Worlds: Vernacular Photography. Innocence regained? Or just another kind of fiction? Eye: The international Journal of Graphic Design, 14 (55). pp. 20-28. ISSN 09770950 779059
Williams, Val (1999) Modern Times I. [Show/Exhibition]
Williams, Val (2001) Modern Times III: Something Happened: Grennan and Sperandio; Melanie Manchot; John Goto; Katya Liebman; Didier Massard; John Divola. [Art/Design Item]
Williams, Val (2015) Moose on the Loose Biennale of Research 2015: Archives in Time and Space.
Williams, Val (2000) New Nordic Photography. In: Annual International Oracle Conference, Helsinki, 2000, Finnish Museum of Photography, Helsinki, Finland.
Williams, Val (2014) No Nostalgia. In: Sune Jonsson Life and Work. Max Strom, Stockholm, Sweden. ISBN 978-91-7126-295-0
Williams, Val (2009) No statistics: Oliver Chanarin and Adam Broomberg. In: The Past and the Present: Questioning History. Reflect . NAi, Rotterdam. ISBN 9789056626594
Williams, Val (2014) One Image, Many Photos. Eye: The international Journal of Graphic Design, 23 (89). ISSN 0960779X
Williams, Val (2012) Our own personal Venice. In: Tourists & Nomads: Amateur Images of Migration. Jonas Verlag, Marburg. ISBN 9783894454647
Williams, Val (2017) Peter Mitchell performs Photography, Life aboard the Unda Wunda*. In: A New Refutation of the Viking IV Space Mission. RRB PHOTO BOOKS, Bristol. ISBN 978-09932323-6-7
Williams, Val (2017) Peter Mitchell performs Photography, Life aboard the Unda Wunda*. In: A New Refutation of the Viking IV Space Mission. RRB Photo Books, Bristol. ISBN 978-0993232367
Williams, Val (2011) Photographed narratives in London, 1900–35. Modern Painters: The Camden Town Group (web project).
Williams, Val (2011) Pictures from Robert's. Photography and Culture, 4 (2). pp. 201-212. ISSN 1751-4517, 1751-4525
Williams, Val (2014) Postcards from Robert's. [Show/Exhibition]
Williams, Val (2018) Projects: Working in Photography 1972- the Present. In: Jaipur Photo Festival, 23-24 February 2018, Jawahar Lal Nehru Marg.
Williams, Val (2001) Scratches on a smooth surface. [Art/Design Item]
Williams, Val (2011) Simon Norfolk and John Burke:photographs from the war in Afghanistan. 1000 Words, 11.
Williams, Val (2003) Six Small Airports in Kent. [Show/Exhibition]
Williams, Val (2014) Spectrum Womens Photography Festival, 1988. In: Fast Forward: Women and Photography then and now, 12 April 2014, Tate Modern.
Williams, Val (2011) Storage. In: UAL Professorial Platform Series 2011-12, 18 October 2011, London College of Communication, Elephant & Castle, London SE1 6SB.
Williams, Val (2018) Supporting Women's Photography Through Writing and Curatorship. In: Women in Photography Fast Forward Workshop, 27- 28 2018, Jamia Millia Islamia.
Williams, Val (2009) Susan Lipper: collisions of experience. In: photoworks. Photoworks, UK, pp. 56-63. ISBN 9781903796344
Williams, Val (2001) Theatres du Fantastique. [Show/Exhibition]
Williams, Val (2017) Tish Murtha. Voices from the Archive. In: Youth Unemployment: Tish Murtha. Bluecoat Press, Liverpool. ISBN 9781908457394
Williams, Val (2015) What Happened Here: A Photographer in Sarajevo, 1992-1996. Fieldstudy 21 (21). p. 5.
Williams, Val (2012) When Photography Really Works. QUARTO, London. ISBN 9781742669663
Williams, Val (2009) Willy Ronis. The Independent.
Williams, Val (2001) Yellow Brick Roads: New Narratives in Contemporary Photography, Film and Video. In: Printemps de Septembre Theatres du Fantastique. Actes Sud, Paris, pp. 13-15. ISBN 9 7427 3527 5
Williams, Val (2010) The casting of the real: Mohamed Bourouissa. Foam International Photography Magazine (23). pp. 52-54. ISSN 15704874
Williams, Val (2008) A heady relationship: fashion photography and the museum, 1979 to the present. In: Fashion Theory: The Journal of Dress, Body and Culture. Special Issue: Fashion Curation. Fashion Theory: The Journal of Dress, Body and Culture, 12 (2). Berg, UK. ISBN 9781847881991
Williams, Val (2011) The war in colour. British Journal of Photography, 158 (7784). pp. 46-51. ISSN 0007-1196
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