Items where Subject is "History of Photography"

Joint Academic Coding System (JACS) (216)
- Creative Arts and Design (216)
  - History of Photography (216)

Group by: Date | Creators | Type of Research | No Grouping

Number of items at this level: 216.

Art/Design Item

Williams, Val (2001) Modern Times III: Something Happened: Grennan and Sperandio; Melanie Manchot; John Goto; Katya Liebman; Didier Massard; John Divola. [Art/Design Item]

Williams, Val (2001) Scratches on a smooth surface. [Art/Design Item]

Rickett, Sophy and von Zwehl, Bettina (2015) Album 31. [Art/Design Item]

Rickett, Sophy (2017) The Curious Moaning of Kenfig Burrows. [Art/Design Item]

Minkin, Louisa and Dawson, Ian (2012) François Willème's Photosculpture Apparatus Reconstructed at WSA. [Art/Design Item]

Article

Wooldridge, Duncan (2016) Visibility and Realism: Photography and the Problems of Transparency. Philosophy of Photography, 7 (1 & 2). pp. 11-20. ISSN 2040-3682

Williams, Val and Pullen, Bob (2008) Dirty old town. British journal of photography, 155 (7699). pp. 18-24. ISSN 00071196

Williams, Val and Lardinois, Brigitte (2009) Photographs from the Glyndebourne Opera archive, 1934–1939. Photography and Culture, 2 (1). pp. 89-94. ISSN 17514517

Williams, Val (2010) The Daniel Meadows Archive: The shop on Graeme Street, 1972. Photography and Culture, 3 (1). pp. 81-90. ISSN 17514517

Williams, Val (2012) Eve Arnold. The Independent.

Williams, Val (2012) Iain McKell’s beautiful Britain. Jocks and Nerds, 1 (3). pp. 86-93.

Williams, Val (2014) The John Wall Archive of the Directory of British Photographic Collections, 1977. Journal of Photography&Culture, 7 (2). pp. 197-204. ISSN 978-1-4742-1859-7

Williams, Val (2005) Lost Worlds: Vernacular Photography. Innocence regained? Or just another kind of fiction? Eye: The international Journal of Graphic Design, 14 (55). pp. 20-28. ISSN 09770950 779059

Williams, Val (2014) One Image, Many Photos. Eye: The international Journal of Graphic Design, 23 (89). ISSN 0960779X

Williams, Val (2011) Photographed narratives in London, 1900–35. Modern Painters: The Camden Town Group (web project).

Williams, Val (2011) Pictures from Robert's. Photography and Culture, 4 (2). pp. 201-212. ISSN 1751-4517, 1751-4525

Williams, Val (2011) Simon Norfolk and John Burke:photographs from the war in Afghanistan. 1000 Words, 11.

Williams, Val (2015) What Happened Here: A Photographer in Sarajevo, 1992-1996. Fieldstudy 21 (21). p. 5.

Williams, Val (2009) Willy Ronis. The Independent.

Williams, Val (2010) The casting of the real: Mohamed Bourouissa. Foam International Photography Magazine (23). pp. 52-54. ISSN 15704874

Williams, Val (2011) The war in colour. British Journal of Photography, 158 (7784). pp. 46-51. ISSN 0007-1196

Stephens, Tim and Pantridge, Keith (2011) Dosimetry, Personal Monitoring Film. Philosophy of Photography, 2 (1). pp. 153-158. ISSN 2040-3682

Selejan, Ileana L. (2020) Actions Situations Possible Scenarios. Membrana, 4 (2). pp. 50-54. ISSN 2463-8501

Selejan, Ileana L. (2022) How Claudia Gordillo Documented the Realities of Life in Nicaragua. Aperture.

Selejan, Ileana L. (2017) Pictures in Dispute: Documentary photography in Sandinista Nicaragua. Photographies, 10 (3). pp. 283-302. ISSN 1754-0763 (Print), 1754-0771 (Online)

Selejan, Ileana L. (2020) Women’s Work: Photographers of the Sandinista Revolution. Photography and Culture, 13 (3-4). pp. 339-355. ISSN 1751-4525

Robertson, Helen (2005) The Architecture of the Photograph. Mosaic - a journal for the interdisciplinary study of literature, 37 (4). pp. 203-214. ISSN 0-919475-33-7

Pollard, Jennifer (2011) Seen, seared and sealed: Trauma and the visual presentation of September 11. Health, Risk & Society, 13 (1). pp. 81-101. ISSN 1369 8575

Minkin, Louisa and Summers, Francis (2016) How to accommodate grief in your life. Philosophy of Photography, 7 (1&2). pp. 85-115. ISSN 2040-3682

Minkin, Louisa and Dawson, Ian (2014) Object lessons: copying and reconstruction as a teaching strategy. Art, Design & Communication in Higher Education, 13 (1). pp. 197-29. ISSN 1474-273X

Mey, Adeena (2019) Michelle Henning, Photography. The Unfettered Image, 2019. Transbordeur (3). pp. 208-209. ISSN 2552-9137

Mackinnon, Lee (2017) Toward a Materialist Photography: The Body of Work. Third Text, 30 (3-4). pp. 149-158. ISSN 0952-8822

Lowe, Paul (2019) Framing the Perpetrators: Lee Miller's Photography of the Liberation of Dachau. Journal of Perpetrator Research, 2 (2). pp. 216-223. ISSN 2514-7897

Leister, Wiebke and Anderson, Joel (2019) The Theatre of Photography / Le Théâtre de la Photographie. Revue Sens Public. ISSN 2104-3272

Leister, Wiebke (2017) ‘Echoes and Afterlives’ (journal article). Journal of Photography and Culture, 10 (1). pp. 85-94. ISSN 17514517

Leister, Wiebke (2019) Pro-Photographic Gestures. Photography and Culture. ISSN 17514517

Lardinois, Brigitte (2013) The Greenpeace Archive. Photography and Culture, 6 (2). pp. 217-224. ISSN 1751-4517

Kutesko, Elizabeth (2016) Fashioning Brazil: National Identity and the Politics of Globalisation in Contemporary Brazilian Fashion Photography. Photoworks Annual, 23. pp. 220-231.

Kutesko, Elizabeth (2013) Problems and Tensions in the Representation of the Sapeurs, as demonstrated in the work of two twenty-first century Italian photographers. Immediations: the Courtauld Institute of Art Journal of Postgraduate Research, 3 (2). pp. 60-76.

Ingham, Mark (2012) 120 päivää ja yötä hoipertelua + änkytystä (120 Days and Nights Of STAGGERING + STAMMERING). ADDICTION — RIIPUVUUS/HESA INPRINT, 1 (14). pp. 19-23. ISSN 1799-8549 (printed) 1799-8557 (Online)

Hunter, Tom and Smyth, Diane (2010) Think global, act local. British Jounal of Photography, 157 (7781). pp. 54-59. ISSN 0007-1196

Good, Jennifer (2020) Critical Paralysis: Confronting Colonialism in Photography. Viewfinder Magazine (114).

Good, Jennifer (2019) The Impossible Photograph: Blur and Domestic Violence. Photography and Culture, 12 (4). pp. 415-427. ISSN 1751-4517

Good, Jennifer (2024) Unfixing Violence: Photography and Oblivion. Archivo Photofile.

Good, Jennifer (2024) A Joining of Self by Suella Holland. Source: Thinking Through Photography (115). ISSN 1369-3334

Findlay, Rosie (2016) Strange and Familiar: Britain as Revealed by International Photographers, Curated by Martin Parr, Barbican Centre, London, 16 March 2016 – 19 June 2016. Australasian Journal of Popular Culture, 5 (2-3). pp. 225-226. ISSN 2045-5860

Finch, Mick (2017) Dead and Alive: Warburg’s Mnemosyne Atlas. Journal of Visual Art Practice, 15 (2-3). pp. 286-297. ISSN 1470-2029

Finch, Mick (2017) The Technical Apparatus of the Warburg Haus. Journal of Visual Art Practice, 15 (2-3). ISSN 1470-2029

Cherry, Deborah (2015) The Ghost Begins By Coming Back: Revenants and Returns in Maud Sulter's Photomontages. Maud Sulter: Syrcas.

Behr, Bernd (2019) The devisive moment. Philosophy of Photography, 10 (1). pp. 7-10. ISSN 2040-3682

Bankale, Sheyi (2013) In Between The Shifts. Next Level (23). pp. 16-19. ISSN 1476 4369

Anderson, Joel and Leister, Wiebke (2019) The Theatre of Photography: Dialogues. Journal of Photography and Culture, 11 (2). pp. 121-138. ISSN 1751-4517

Adami, Elisa (2019) Akram Zaatari: History and Photographic Memory. Journal of Visual Culture, 18 (2). pp. 169-186. ISSN 1470-4129

Book

Wooldridge, Duncan (2014) John Hilliard: Not Black and White. Ridinghouse, London. ISBN 9781905464937

Wooldridge, Duncan (2021) To Be Determined: Photography and the Future. SPBH Essays . SPBH Editions, London and Milan. ISBN 978-1916041233

Williams, Val and Parr, Martin (2014) Martin Parr. Phaidon, London. ISBN 9780714865669

Williams, Val and Lau, Grace (2019) Grace Lau Portraits In a Chinese Studio. Parakeet Books, London. ISBN 978-1-5272-2793-4

Williams, Val (2012) When Photography Really Works. QUARTO, London. ISBN 9781742669663

Tchalenko, John (2006) Images From The Endgame - Persia through a Russian Lens, 1901-1914. SAQI. ISBN 0-86356-735-5

Taylor, Roger and Schaaf, Larry (2007) Impressed by Light: British Photographs from Paper Negatives, 1840-1860. Yale University Press, in association with The Metropolitan Museum of Art, New York, N.Y., USA. ISBN 0300124058, 9780300124057

Shepherdson, Karen and Ball, Rob (2014) Beyond the View: New Perspectives on Seaside Photography. Burton Press, Verona. ISBN 978-0-9571637-5-1

Ryley, Marjolaine and Williams, Val and Lippett, Zoe and Dickson, Malcolm and Pavitt, Dean and Walkling, Dave (2012) Growing up in the new age. Fieldstudy (15). Photography and the Archive Research Centre, London.

Rubinstein, Daniel and Golding, Johnny and Fisher, Andy (2013) On The Verge of Photography: Imaging Beyond Representation. ARTicle Press, Birmingham. ISBN 9781873352021

Rubinstein, Daniel (2019) Fragmentation of the Photographic Image in Digital Age. Routledge History of Photography . Routledge / Taylor Francis, UK. ISBN 113849349X

O'Kane, Paul, eeodo (Bada Song, Barnaby Lambert, Paul O'Kane) (2014) Where Is That Light Now? eeodo, London. ISBN 97800992985707

Newth, Martin and Holman, Martin and Monarchi, Christiane (2018) Martin Newth: Rezension – Skulptur, Objekt, Apparat. MEWO Kunsthalle, Germany. ISBN 978-3-9816274-5-9

McCartney, Nicola (2018) Death of the Artist: Art World Dissidents and their Alternative Identities. International Library of Modern and Contemporary Art . I.B. Tauris, London. ISBN 9781784534158

Lowe, Paul and Morrison, Kenneth (2021) Reporting the Siege of Sarajevo. Bloomsbury Academic, London. ISBN 9781350081796

Lowe, Paul and Haas, Ernst (2022) Ernst Haas: The American West. Prestel, London. ISBN 978-3-7913-8825-0

Lowe, Paul and Good, Jennifer and Bush, Lewis (2017) 1001 Photographs to see before you die. Cassell Illustrated, London. ISBN 184403917X

Lowe, Paul (2016) Photography Masterclass:Creative Techniques of 100 master photographers. Thames and Hudson, London. ISBN 050054462X

Lardinois, Brigitte and Williams, Val (2020) Magnum Ireland (2nd Edition). Thames and Hudson, London. ISBN 978-0-500-29562-5

Lardinois, Brigitte (2007) Magnum Magnum, Portrait of Magnum at Its 60th Anniversary. Thames and Hudson, London. ISBN 9780500543429

Kutesko, Elizabeth (2018) Fashioning Brazil: globalization and the representation of Brazilian Dress in National Geographic. Dress and Fashion Research . Bloomsbury, London. ISBN 9781350026605

Kuc, Kamila (2014) The Struggle for Form: Perspectives on Polish Avant-Garde Film 1916-1989. Columbia University Press/Wallflower Press, London. ISBN 978-0231169820

Haworth-Booth, Mark (2007) The Art of Lee Miller (book). Victoria and Albert Museum and Yale University Press.

Good, Jennifer and Lowe, Paul (2017) Understanding Photojournalism. Bloomsbury Academic Press, London. ISBN 9781472594907

Gibson, Melinda (2013) Miss Titus Becomes A Regular Army Mac. b.frank books, Amsterdam, The Netherlands.

Cherry, Deborah (2015) Maud Sulter: Passion. Altitude Editions, London UK. ISBN 978-1-906908-36-2

Carruthers, Beverley and Leister, Wiebke and Teichmann, Esther (2015) The Skin of the Image. Photography and the Contemporary Imaginary Research Hub, UAL, London.

Book Section

Wooldridge, Duncan and Campany, David (2018) Tomorrow's Headlines are Today's Chip Papers: Some Thoughts on Response-ability. In: Photography Reframed: Visions in Photographic Culture. I. B. Tauris, London, pp. 31-35. ISBN 978-1784538835

Wooldridge, Duncan (2021) The Photograph is a Question: Takano and Photographic Seeing. In: Takano Ryudai: Daily Photographs 1999-2021. The National Museum of Art, Osaka, The Asahi Shimbun.

Wooldridge, Duncan (2021) Ryudai Takano - Kikuo (Reclining Woo-Man) Preface. In: Ryudai Takano: Kikuo (Reclining Woo-Man). Libraryman, Hägersten, Sweden, p. 7. ISBN 978–91–88113–43–6

Wilson, Stephen (2018) Beside Bourdieu: Japan, Contemporary Art, Weeds and a Fox. In: The Persistence of Taste: Art, Museums and Everyday Life After Bourdieu. Culture, economy, and the social . Routledge, pp. 187-205. ISBN 9781315617299

Williams, Val (2012) Between ancient and modern: John Curno’s photographs. In: John Curno: It's About Time. Fotonow, Plymouth. ISBN 9781908678034

Williams, Val (2011) Beyond experience. In: The New Gypsies. Prestel, London, UK, pp. 109-114. ISBN 3791345192/9783791345192

Williams, Val (2016) In the Detail: Corinne Silva's Garden State. In: Garden State. Mosaic Rooms/ffotogallery, London, pp. 137-145. ISBN 978-1-872771-58-8

Williams, Val (2016) Janet and Kathleen 1967-1969. In: Janet Mendelsohn Varna Road. Ikon Gallery, Birmingham, pp. 60-65. ISBN 978-19048644998

Williams, Val (2014) Leisure and Pleasure: Anna Fox in Beauvais 2013-2014. In: Anna Fox: Loisirs. Diaphane editions, France. ISBN 9 782919 077267

Williams, Val (2014) No Nostalgia. In: Sune Jonsson Life and Work. Max Strom, Stockholm, Sweden. ISBN 978-91-7126-295-0

Williams, Val (2009) No statistics: Oliver Chanarin and Adam Broomberg. In: The Past and the Present: Questioning History. Reflect . NAi, Rotterdam. ISBN 9789056626594

Williams, Val (2012) Our own personal Venice. In: Tourists & Nomads: Amateur Images of Migration. Jonas Verlag, Marburg. ISBN 9783894454647

Williams, Val (2017) Peter Mitchell performs Photography, Life aboard the Unda Wunda*. In: A New Refutation of the Viking IV Space Mission. RRB PHOTO BOOKS, Bristol. ISBN 978-09932323-6-7

Williams, Val (2017) Peter Mitchell performs Photography, Life aboard the Unda Wunda*. In: A New Refutation of the Viking IV Space Mission. RRB Photo Books, Bristol. ISBN 978-0993232367

Williams, Val (2009) Susan Lipper: collisions of experience. In: photoworks. Photoworks, UK, pp. 56-63. ISBN 9781903796344

Williams, Val (2017) Tish Murtha. Voices from the Archive. In: Youth Unemployment: Tish Murtha. Bluecoat Press, Liverpool. ISBN 9781908457394

Williams, Val (2001) Yellow Brick Roads: New Narratives in Contemporary Photography, Film and Video. In: Printemps de Septembre Theatres du Fantastique. Actes Sud, Paris, pp. 13-15. ISBN 9 7427 3527 5

Williams, Val (2008) A heady relationship: fashion photography and the museum, 1979 to the present. In: Fashion Theory: The Journal of Dress, Body and Culture. Special Issue: Fashion Curation. Fashion Theory: The Journal of Dress, Body and Culture, 12 (2). Berg, UK. ISBN 9781847881991

Vanden Berghe, Vanessa (2016) Architectural photography, The Media and the Paradigm of Objectivity in the work of Oliver Hill. In: interacciones / interactions. Servicio de Publicaciones Universidad de Navarra. ISBN 978-848081-518-5

Stephens, Tim (2023) Photographic Non-Self. In: Handbook of Research on the Relationship Between Autobiographical Memory and Photography. Advances in Media, Entertainment, and the Arts (AMEA) . IGI Global, Pennsylvania, pp. 485-509. ISBN 9781668453377

Sliwinska, Basia and Bohr, Marco (2018) Introduction. In: The Evolution of the Image Political Action and the Digital Self. Routledge Advances in Art and Visual Studies . Routledge, New York, pp. 1-11. ISBN 97811382160372

Shepherdson, Karen (2018) Beyond the View: Reframing the Early Seaside Photographer. In: Coastal Cultures of the Long Nineteenth Century. Edinburgh University Press, Edinburgh, pp. 225-241. ISBN 9781474435734

Selejan, Ileana L. and Campbell, Andrianna (2017) Margin of Life: Post-war Concerned Photography in Mexico and Guatemala, 1947–1960. In: Collaboration and its (Dis)Contents: Art, Architecture, and Photography since 1950. Courtauld Books Online. ISBN 978-1-907485-07-7

Rubinstein, Daniel and Sluis, Katrina (2013) The Digital Image in Photographic Culture; Algorithmic Photography and the Crisis of Representation. In: The Photographic Image in Digital Culture. Routledge, London, UK, pp. 22-40. ISBN 9780415535298

Rubinstein, Daniel (2019) Graven images: photography after Heidegger, Lyotard and Deleuze. In: Fragmentation of the Photographic Image in Digital Age. Routledge History of Photography . Routledge / Taylor Francis, UK. ISBN 113849349X

Rubinstein, Daniel (2013) The Grin of Schrödinger's Cat; Quantum Photography and the limits of Representation. In: On the Verge of Photography: Imaging Beyond Representation. ARTicle Press, Birmingham, pp. 33-48. ISBN 9781873352021

Rubinstein, Daniel (2019) The New Paradigm. In: Fragmentation of the Photographic Image in Digital Age. Routledge History of Photography . Routledge / Taylor Francis, UK, pp. 1-11. ISBN 113849349X

Oles, James and Selejan, Ileana L. (2019) War and Loss. In: Art_Latin_America Against the Survey. University of Texas Press, Davis Museum at Wellesley College. ISBN 978-1-4773-1909-3

Lowe, Paul (2014) The Forensic Turn: Bearing Witness and the Thingness of the Photograph. In: The Violence of the Image: Photography and International Conflict. IB Tauris, London. ISBN 1780767897

Leister, Wiebke (2017) Photographic Installation Strategies En-bloc and In-the-round. In: A Companion to Modern Art. Wiley-Blackwell, pp. 187-207. ISBN 978-1-118-63987-0

Leister, Wiebke (2018) The Afterlife of Medical Casts from the UCL Pathology Collection. In: Becoming Image: Medicine and the Algorithmic Gaze. Digital Insides, London, pp. 11-17. ISBN 978-1-9996758-0-6

Leister, Wiebke (2009) Apropos Laughter in Photography. In: Fotografie im Diskurs performativer Kulturen. Kehrer Verlag, Heidelberg, pp. 52-67. ISBN 978-3-939583-42-4

Leister, Wiebke, Max-Planck-Institut für Kunstgeschichte, Deutsches Archäologisches Institut Rom, Bibliotheca Hertziana (2021) Duchenne’s Frontispiece: Idealised Facticity and the Politics of Photographic Double Portraiture. In: Faktizität und Gebrauch früher Fotografie – Factuality and Utilization of Early Photography. Harrassowitz Verlag, Wiesbaden, pp. 225-241. ISBN 978-3-447-11637-4

Kutesko, Elizabeth (2014) Fashioning the Other: Representations of Brazilian Women's Dress in National Geographic, 1888-1988. In: Fashion and its Multicultural Facets. Inter-disciplinary Press, Oxford.

Hunter, Tom and Read, Shirley and Simmons, Mike (2016) Photographers and Research, the role of research in contemporary photographic practice. In: Photographers and Research The role of research in contemporary photographic practice. Focal Press, U.K., pp. 76-90. ISBN 978-1-138-84431-5, 978-1-138-84432-2

Hart, Janice (2007) John Ruskin, Cuthbert Bede and Robert MacPherson. In: Encyclopaedia of 19th Century Photography. Routledge/Taylor and Francis, 1223 - 1225. ISBN 0415972353

Green, Alison (2015) Intermedia, Exile and Carolee Schneemann. In: Across the Great Divide: Modernism's Intermedialities from Fluxus to Futurism. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 137-157. ISBN 1-4438-54786

Good, Jennifer and Lowe, Paul and Lardinois, Brigitte and Williams, Val (2014) Mythologizing the Vietnam War - Introduction. In: Mythologizing the Vietnam War: Visual Culture and Mediated Memory. Cambridge Scholars Publishing, Newcastle Upon Tyne, xiii-xv. ISBN 978-1-4438-5442-9

Good, Jennifer and Fox, Charles (2018) The Unseen. In: Buried. Catfish Books, pp. 23-26. ISBN 978 1916163102

Good, Jennifer (2016) Research, Pedagogy and Power. In: What is Photographic Research? Camberwell Press, pp. 119-123. ISBN 978-1-90871-54-8

Giebelhausen, Michaela (2013) The studio Collard and the barricades of 1871: a challenge not only to the architecture of Paris. In: Nineteenth-Century Photographs and Architecture: Documenting History, Charting Progress, and Exploring the World. Ashgate, Aldershot and London, pp. 105-119. ISBN 978-1-4094-4833-4

Cherry, Deborah (2015) The Ghost Begins by Coming Back. Revenants And Returns In Maud Sulter’s Photomontages. In: Revival. Memories, Identities, Utopias. Courtauld Books Online (3). The Courtauld Institute of Art, London, pp. 29-44. ISBN 978-1-907485-04-6

Cherry, Deborah (2015) Poetry--in Motion. In: Maud Sulter: Passion. Altitude Editions, London, pp. 8-19. ISBN 978-1-906908-36-2

Carlyle, Angus (2005) Becoming Second Nature: Dan Holdsworth and the Sublime. In: Dan Holdsworth. Photoworks/Steidl, pp. 38-45. ISBN 3865210872

Carlyle, Angus (2002) I See A Darkness. In: Black Holes and Other Inconsistencies. The Moth House Press, pp. 112-118. ISBN 0954395700

Behr, Bernd (2022) The Paranoiac-Critical Method of Reflectance Transformation Imaging. In: Diffracting Digital Images: Archaeology, Art Practice and Cultural Heritage. Routledge, Abingdon, Oxon / New York, pp. 65-74. ISBN 9780367486556

Conference, Symposium or Workshop Item

Wooldridge, Duncan (2017) Stretching Painting and Photography: the morphologies of the digital image file. In: Painting Digital Photography International Conference, 9th May 2017, Derby QUAD.

Williams, Val and Silva, Corinne (2017) The Re-making of the English Landscape: in the footsteps of WG Hoskins and FL Attenborough’. In: Landscape Now, 30 November and 1 December 2017, The Building Centre, London.

Williams, Val and Pollard, Jennifer and Lowe, Paul and Lardinois, Brigitte (2012) Considering Vietnam. In: Considering Vietnam, 17-18 February 2012, Imperial War Museum, London. (Unpublished)

Williams, Val and Davidmann, Sara (2017) Curating Ken.To be destroyed. In: Researching, Writing and Exhibiting Photography, 8 April 2017, University of Westminster.

Williams, Val and Christian, Robin (2014) The John Wall Archive: The Directory of British Photography Collections. In: Archives 2.0, 25 to 26 November 2014, National Media Museum.

Williams, Val (2017) Archives. In: Photo Oxford Symposium, 7 September 2017, Oxford University Bodleian Library Oxford.

Williams, Val, Fotonow (2010) Cameras in the community. In: Cameras in the community symposium, 09 December 2010, Plymouth, UK.

Williams, Val (2014) Commissioning from the Archive: the Country Life/Village Hall series. In: Building the Archive: the Reference Works photography project in context, 28 February 2014, The Library of Birmingham.

Williams, Val, Format, Derby, Quad,Derby (2017) Conference Response : Under the Dark Cloth Symposium. In: Under the Dark Cloth, 8 April 2017, Quad, Derby.

Williams, Val (2015) Editing the Photobook. In: The Photography Symposium 2015, 20- 26 February 2015, Falmouth University.

Williams, Val (2017) Finding a New History: Janet Mendelsohn in Birmingham 1967-1969. In: Fast Forward : Lithuanian Edition, 3 and 4 November 2017, National Gallery of Art, Vilnius, Lithiuania.

Williams, Val (2010) Looking for the Ordinary: British documentary photography. In: Krakow Photomonth 2010, 04-31 May 2010, Krakow, Poland.

Williams, Val (2000) New Nordic Photography. In: Annual International Oracle Conference, Helsinki, 2000, Finnish Museum of Photography, Helsinki, Finland.

Williams, Val (2018) Projects: Working in Photography 1972- the Present. In: Jaipur Photo Festival, 23-24 February 2018, Jawahar Lal Nehru Marg.

Williams, Val (2014) Spectrum Womens Photography Festival, 1988. In: Fast Forward: Women and Photography then and now, 12 April 2014, Tate Modern.

Williams, Val (2011) Storage. In: UAL Professorial Platform Series 2011-12, 18 October 2011, London College of Communication, Elephant & Castle, London SE1 6SB.

Williams, Val (2018) Supporting Women's Photography Through Writing and Curatorship. In: Women in Photography Fast Forward Workshop, 27- 28 2018, Jamia Millia Islamia.

Stephens, Tim (2011) ‘The End(s) of the Still’ – Releasing rhythm from photographic geometry. In: Rhythm & Event, 29 October 2011, London Graduate School.

Stephens, Tim (2012) From Palimpsest and Pentimento to Decalcomania: A presentation of the works of Jean-Yves Michalik. In: Beyond Representation: Photography, Humans & Computers, 24 May 2012, Centre for Media & Culture Research, London South Bank University.

Pollard, Jennifer (2011) The Projection of Poverty: Tracing the History of the Photographic Slideshow in Humanitarian Campaigning. In: The American Imagetext, 18th-19th June 2011, University of East Anglia. (Unpublished)

Pollard, Jennifer (2011) The Spectacle of Social Reform: Tracing the history of the photographic slideshow. In: PARC Research Seminar in the History, Theory and Practice of Photography, 16th March 2011, LCC. (Submitted)

Naldi, Pat (2009) From 00˚ 00’ 00” to 0101. In: ISEA2009 – 15th International Symposium on Electronic Art, 23 August - 1 September 2009, Waterfront Hall, Belfast.

Lardinois, Brigitte (2013) Reeves Photographic Studio. In: “Breekbaar Bezit” FoMu Antwerp, 28-29 November 2013, PhotoMuseum Antwerp.

Haworth-Booth, Mark (2008) Camille Silvy: A Photographer of Modern Life. In: UAL Professorial Platform Series 2007-08, 13 March 2008, Chelsea College of Arts, 16 John Islip Street, London SW1P 4JU.

Good, Jennifer (2017) 9/11: Street photography and terror. In: Engaging in Urban Image Making, 28th April 2017, Goldsmiths, University of London.

Good, Jennifer (2014) Buildings and Bodies: Religious imagery and 9/11. In: Conflict Through the Eye of the Lens, 19 July 2014, MOSTYN Gallery, Llandudno, Wales.

Good, Jennifer (2018) Critical Paralysis: Threshold Concepts in Photographing the Other. In: International Association of Visual Culture Conference 2018: Visual Pedagogies, 13-15 September 2018, LCC, UAL.

Good, Jennifer (2019) Dialectics of Division: Don McCullin’s photographs of the Berlin Wall under construction, 1961. In: Why Remember? Memory and Forgetting in Times of War and Its Aftermath, 9-10 July 2019, Sarajevo, Bosnia.

Good, Jennifer (2018) Framing Terror. In: The Mediated Visibility of Conflicts, 7-8 May 2018, University of Copenhagen.

Good, Jennifer (2019) Moving Through Critical Paralysis. In: UAL Learning and Teaching Conference 2019, 21 March 2019, London College of Communication, University of the Arts London.

Good, Jennifer (2017) Photography of 9/11: Remembering, Repeating and Working Through. In: Why Remember? Memory and Forgetting in Times of War and Its Aftermath, June 30th-July 2nd 2017, Sarajevo, Bosnia.

Good, Jennifer (2019) Remembering Writing about 9/11. In: UAL Research Fortnight, 4-15 March 2019, London College of Communication, University of the Arts London.

Good, Jennifer (2022) Resisting Arrest: blur as paradoxical locus of violence in Donna Ferrato's 'Living with the Enemy'. In: Time After Time: Pictures Between Instant and Duration, 19 November 2022, Online.

Good, Jennifer (2018) 'The World Strikes the Body': Blur and Violence. In: Art and Violence Now, 11 June 2018, University of Edinburgh.

Good, Jennifer (2024) Unfixing the Shadows: Temporality in Social Media Photography of the War in Ukraine. In: International Conference on Social Media and Society, 16-18 July 2024, London College of Communication, University of the Arts London.

Findlay, Rosie (2017) "Inspired by real life": Examining 'aspirational realness' on the websites of Glossier and Maryam Nassir Zadeh. In: Revisiting the Gaze: Feminism, Fashion & the Female Body, 28-29 June 2017, Chelsea College of Arts, UAL.

Finch, Mick (2021) The Bounded and the Synoptic: the archive and photographic appropriation. In: DigitalPaintingPhotography, 21-22 October 2021, University of Derby, Online.

Clark, Edmund (2019) Bending the Screen: Ekphrasis, Plain Sight and the Monster within. In: image/con/text: Complementary Testimonies in Documentary Discourse, 29-30 October 2019, Hochschule Hannover, University of Applied Sciences and Arts, Hanover, Germany.

Behr, Bernd (2018) Another Moon. In: Special Collections Centre workshop, UAL.

Behr, Bernd (2022) A Camera on Wheels: Situating the Self-driving Car within a Photographic Teleology. In: Camera-Centered Histories of Photography, 2 December 2022, California Museum of Photography, UCR Arts, University of California Riverside, USA & Online.

Behr, Bernd (2021) Solar economy of the debt-image (blockchain edition). In: The promise of photography: scale, measure and proportion in a conflicted visual milieu, 17 September 2021, Online.

Behr, Bernd (2015) Trajectory of a Taxidermic Image: Akeley in the Elephant Skull. In: Shadow without Object, 4 December 2015, Chelsea College of Arts, 16 John Islip Street, London SW1P 4JU.

Behr, Bernd (2022) The Unknown Knowns of Machine Vision, or, How to Explain Pictures to a Self-driving Car. In: Aesthetics of Machine Vision, 15-16 September 2022, University of Southern Denmark, Odense, Denmark.

Adami, Elisa and Bikoko, Baudouin and Crichlow, Warren and Mey, Adeena (2023) Framing & Reframing Kinshasa: Baudouin Bikoko’s Expanded Photographic Practice. In: Photography Network Virtual Symposium: Photography’s Frameworks, 14 October 2023, Western Cape, South Africa, Online.