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lok, susan pui san (2022) Centenary. [Art/Design Item]
lok, susan pui san (2006) Chorus / Mobile Chorus (2006, 2014, 2017). [Art/Design Item]
lok, susan pui san (2006) DIY Lessons (2006). [Art/Design Item]
lok, susan pui san (2006) Golden Hour (2006). [Art/Design Item]
lok, susan pui san (2006) Mobile Ballroom (2006). [Art/Design Item]
lok, susan pui san (2005) Songs I-VI (2005-17, ongoing). [Art/Design Item]
lok, susan pui san (2006) Untitled (Ballroom) (2006). [Art/Design Item]
lok, susan pui san (2006) Untitled (Pavilion) and Untitled (Shower) (2017). [Art/Design Item]
Zimmerman, Andrea Luka (2021) Shelter in Place. [Art/Design Item]
Zimmerman, Andrea Luka (2022) Sounding The Voices. [Art/Design Item]
Zimmerman, Andrea Luka (2024) Wayfaring Stranger. [Art/Design Item]
Wynne, John and Wainwright, Tim (2007) Flow. [Art/Design Item]
Wynne, John and Wainwright, Tim (2014) I Am Not the Cancer. [Art/Design Item]
Wynne, John and Wainwright, Tim (2007) ITU. [Art/Design Item]
Wynne, John and Wainwright, Tim (2008) Transplant. [Art/Design Item]
Wynne, John and Sterritt, Angela (2009) Faster Higher Stronger. [Art/Design Item]
Wynne, John and Sara, Davidmann (2020) I am the gigantic baobab. [Art/Design Item]
Wynne, John and Hawrysio, Denise (2013) What is What. [Art/Design Item]
Wynne, John and Egoyan, Atom (2013) Nocturnal. [Art/Design Item]
Wynne, John (2010) Anspayaxw. [Art/Design Item]
Wynne, John (2010) Beating Tones and Flapping Wings. [Art/Design Item]
Wynne, John (2001) 'Cry Wolf' and 'Do(n’t)'. [Art/Design Item]
Wynne, John (2006) Fallender Ton Für 207 Lautsprecher Boxen (Falling Tone for 207 Loudspeakers) and 230 Unwanted Speakers. [Art/Design Item]
Wynne, John (2008) Feeding the Habit of Energy. [Art/Design Item]
Wynne, John (2015) Grave. [Art/Design Item]
Wynne, John (2013) Hearing Loss / Cold Atlantic. [Art/Design Item]
Wynne, John (2005) Hearing Voices. [Art/Design Item]
Wynne, John (2012) Hearing Voices: Speakers/Languages. [Art/Design Item]
Wynne, John (2008) Hearts, lungs and minds. [Art/Design Item]
Wright, Mark Peter and Carlyle, Angus (2018) Decoys. [Art/Design Item]
Wright, Mark Peter (2015) Auto-dialogical Feedback: Towards an Archive of Loss. [Art/Design Item]
Wright, Mark Peter, Sonic Terrain (2014) Bio-Critical Incidents. [Art/Design Item]
Wright, Mark Peter (2015) Can You Hear Me? [Art/Design Item]
Wright, Mark Peter, Psyche Tropes (2014) Ecstatic Electric. [Art/Design Item]
Wright, Mark Peter (2019) Go live in the Middle of Nowhere Obviously. [Art/Design Item]
Wright, Mark Peter (2014) I am Sitting in a Screen. [Art/Design Item]
Wright, Mark Peter (2015) I, the Thing in the Margins (solo exhibition). [Art/Design Item]
Wright, Mark Peter (2014) Out of Hand. [Art/Design Item]
Wright, Mark Peter (2013) A Proposed Vocabulary Exchange. [Art/Design Item]
Wright, Mark Peter (2013) Re-Capturing. [Art/Design Item]
Wright, Mark Peter (2014) Tasked to Hear. [Art/Design Item]
Wright, Mark Peter (2016) Ventricles. [Art/Design Item]
Whitby, Richard and Parkinson, Siôn (2019) Stinkhorn. [Art/Design Item]
Voegelin, Salomé and Mollin, David and Ploner, Silvia and Perret, Nicolas (2017) They Own the Night. [Art/Design Item]
Voegelin, Salomé and Mollin, David (2007) The Barry Echo. [Art/Design Item]
Voegelin, Salomé and Mollin, David (2017) The Glad Circle. [Art/Design Item]
Voegelin, Salomé and Drozd, Magda, with Magda Drozd (2022) Herbal Audition. [Art/Design Item]
Voegelin, Salomé (2005) Helidor. [Art/Design Item]
Voegelin, Salomé (2007) Hobbies. [Art/Design Item]
Voegelin, Salomé (2008) The arrangement. [Art/Design Item]
Toop, David (2016) Entities Inertias Faint Beings. [Art/Design Item]
Toop, David (2007) Sound Body - CD curation (project investigating the impact of digital technology on improvised music and sonic arts). [Art/Design Item]
Thorogood, Simon and Wolff, Stephen (2004) Soundforms. [Art/Design Item]
Thomas, Jennet (2018) Animal Condensed<Animal Expanded #2. [Art/Design Item]
Taylor, Rachel Emily (2018) The Outsider. [Art/Design Item]
Sutherland, Patrick (2007) The Spiti Sound Archive. [Art/Design Item]
Sheridan, Tessa (2006) Flotsam. [Art/Design Item]
Saenz de Sicilia, Andrés and Vasquez, Emiddio (2020) Sediment Versions I-IX. [Art/Design Item]
Saenz de Sicilia, Andrés (2021) Forest Scape. [Art/Design Item]
Robertson, Helen (2020) a different path. [Art/Design Item]
Rickett, Sophy (2011) To The River. [Art/Design Item]
Rickards, Hannah (2014) Grey light. Left and right back, high up, two small windows. [Art/Design Item]
Patel, Shreepali (2014) The Golden Window. [Art/Design Item]
Parry, Nye (2013) Significant Birds. [Art/Design Item]
Orta, Lucy (2020) Symphony for Absent Wildlife. [Art/Design Item]
Noce, Kim and Demouilpied, Hutch (2018) Your Mothers Are Mine! [Art/Design Item]
Mollin, David and Voegelin, Salomé (2015) Factual Dispersion, Poetic Compression: LANGUAGES OF EXILE. [Art/Design Item]
McVeigh, Whitney (2017) 6857 Days. [Art/Design Item]
Marechal, Nicolas and Brown, Julian (2017) Sounds of the Elephant. [Art/Design Item]
Livergant, Elyssa (2005) Wapping: Audio. [Art/Design Item]
Leister, Wiebke (2019) Echoes and Callings (film). [Art/Design Item]
Lane, Cathy (2019) From Marching Band to Marching Band (or the very extraordinary relationship between the UK peace movement and the Ethiopian Army). [Art/Design Item]
Lane, Cathy (2013) The Hebrides Suite. [Art/Design Item]
Lane, Cathy (2020) Here We All Are (Lucier Mix). [Art/Design Item]
Lane, Cathy, Gruenrekorder: Phonography and Sound Art (recording company) (2010) Playing with words: an audio compilation. [Art/Design Item]
Lane, Cathy (2015) Preparations for an Imaginary Conflict. [Art/Design Item]
Lane, Cathy (2022) The River Goes On. [Art/Design Item]
Lane, Cathy (2021) Square Peg Round Hole. [Art/Design Item]
Lane, Cathy (2016) Sweet Airs, CD release. [Art/Design Item]
Lane, Cathy (2017) …the pickle jar is her home…. [Art/Design Item]
Kelly, Edward and Sheridan, Tessa (2006) Floatsam - 27 minute sound art composition created for BBC Radio 3's Between the Ears. [Art/Design Item]
Jones, Stuart (2002) ...Upon the Seas to which It Eventually Flows. [Art/Design Item]
Goh, Annie (2014) The Banality of Affect. [Art/Design Item]
Goh, Annie (2016) Burning Kroner. [Art/Design Item]
Goh, Annie (2015) Chronopoetik der Wendelsteinhöhle. [Art/Design Item]
Goh, Annie (2015) GendyTrouble: Cyber*Feminist Computer Music. [Art/Design Item]
Goatley, Wesley and Voss, Georgina (2016) As Above Not Below. [Art/Design Item]
Goatley, Wesley and Voss, Georgina (2015) Familiars. [Art/Design Item]
Gardner, Thomas (2020) Collected works of the Automatic Writing Circle: 2009-2019. [Art/Design Item]
Gardner, Thomas, Ecosonic Ensemble (2007) Ecosonic : Union Chapel performance. [Art/Design Item]
Gardner, Thomas, Ecosonic Ensemble (2008) Ecosonic rehearsal : City performance. [Art/Design Item]
Gardner, Thomas, Ecosonic Ensemble (2008) Ecosonic rehearsal : London College of Communication. [Art/Design Item]
Gardner, Thomas (2005) Lipsync. [Art/Design Item]
Gardner, Thomas (2008) Ouija Board : Union Chapel. [Art/Design Item]
Gardner, Thomas (2006) The Ouija Board. [Art/Design Item]
Finney, Rachael (2018) Tape Chorus. [Art/Design Item]
Denton, Beatrice (2006) Modern Day Miracles. [Art/Design Item]
Cusack, Peter and Biemann, Ursula (2005) 'Baku in 5 Quarters' and 'The Black Sea Files'. [Art/Design Item]
Cusack, Peter (2004) Baikal Ice: Recording and Interpreting the Sounds of the Environment. [Art/Design Item]
Cusack, Peter (2013) Favourite Berlin Sounds. [Art/Design Item]
Cusack, Peter (2001) Favourite Sounds Project. [Art/Design Item]
Cusack, Peter (2017) Favourite Sounds of Hull. [Art/Design Item]
Cusack, Peter (2010) Favourite sounds: Birmingham. [Art/Design Item]
Cusack, Peter (2010) Favourite sounds: Southend. [Art/Design Item]
Cusack, Peter (2019) Five Pankow Soundwalks. [Art/Design Item]
Cusack, Peter (2014) Sound recording for Here Comes Everybody. [Art/Design Item]
Cusack, Peter (2005) 'Your Favourite Beijing Sounds' and 'Beijing Sonic Bicycle Ride'. [Art/Design Item]
Cunningham, David (2003) The Listening Room at Ikon Gallery. [Art/Design Item]
Cunningham, David (1998) The Listening Room, Biennale of Sydney. [Art/Design Item]
Cunningham, David (1994) The Listening Room, Chisenhale Gallery, London. [Art/Design Item]
Cunningham, David (2002) The Listening Room: the Connecting Principle, Newcastle. [Art/Design Item]
Cunningham, David (2001) Listening to the architecture, Helsinki. [Art/Design Item]
Cunningham, David (1997) Open square, city hall square, Copenhagen. [Art/Design Item]
Cunningham, David (2003) The listening room and stairwell (untitled) within the exhibition Sounding Spaces, ICC, Tokyo. [Art/Design Item]
Cunningham, David (2005) The listening room, Camden Arts Centre. [Art/Design Item]
Conran, Maia, The Disembodied Voice (2016) The Disembodied Voice and the Cassette Tape. [Art/Design Item]
Carlyle, Angus and Cox, Rupert (2011) A farm in Toho: soundfilm. [Art/Design Item]
Carlyle, Angus (2008) 51° 32 ' 6.954” N / 0° 00 ' 47.0808” W. [Art/Design Item]
Carlyle, Angus (2010) Air Pressure Blog. [Art/Design Item]
Carlyle, Angus, Gruenrekorder: Phonography and Sound Art (recording company) (2007) Autumn leaves : field recording and soundscape compilation. [Art/Design Item]
Carlyle, Angus (2016) A Crossing Bell. [Art/Design Item]
Carlyle, Angus (2016) In the Shadow of the Silent Mountain. [Art/Design Item]
Carlyle, Angus (2011) Noli me tangere. [Art/Design Item]
Carlyle, Angus (2009) Some Memories of Bamboo. [Art/Design Item]
Cain, Ben and Gverović, Tina and Taylor, Alexis (2016) Bodies and Things, Lost and Found. [Art/Design Item]
Cain, Ben and Gverović, Tina (2015) Audible Audience (part of RadioCity 2014 / 2015). [Art/Design Item]
Burton, Michael and Nitta, Michiko (2019) New Organs of Creation. [Art/Design Item]
Benalcazar Vega, Diego Eduardo (2019) Ecuador Sound Map. [Art/Design Item]
Benalcazar Vega, Diego Eduardo (2018) Quinche. [Art/Design Item]
Ball, Steven and Blažíček, Martin (2006) Eutopia. [Art/Design Item]
Ball, Steven (2009) Unspoken Word. [Art/Design Item]
Alarcon, Ximena (2009) Sounding Underground. [Art/Design Item]
Alarcon, Ximena, Suelo Fértil Collective (2017) Suelo Fértil: a telematic platform for migrant women [Audio-Essay]. [Art/Design Item]
Yee-King, Matthew and Woolf, Sam (2003) Virtual and Physical Interfaces for Collaborative Evolution of Sound. Contemporary Music Review, 22 (3). 31 - 41. ISSN 0749-4467
Wynne, John and Xyrichis, Andreas and Carlyle, Angus and Rafferty, Anne Marie and Mackrill, Jamie (2018) Noise pollution in hospitals. British Medical Journal. ISSN 0959-8138
Wynne, John (2014) Hearing Voices: Research and creative practice across cultures and disciplines. Language Documentation and Description, 12. pp. 120-150. ISSN 1740-6234
Wright, Mark Peter and Voegelin, Salomé (2021) Leaky Knowledge: Listening between bodies, technology and Learning. Seismograf Journal.
Wright, Mark Peter (2020) Go Live in the Middle of Nowhere Obviously. Unlikely Journal for Creative Arts (6). ISSN 2205-0027
Wright, Mark Peter (2017) The Noisy-Nonself: Towards A Monstrous Practice of More-Than-Human Listening. Evental Aesthetics, 6 (1). pp. 24-42. ISSN 2167-1931
Wright, Mark Peter (2017) Post-Natural Sound Arts. Journal of Sonic Studies, 14. ISSN 2212-6252
Wright, Mark Peter (2014) Still Listening? Interference: A Journal of Audio Cultures, 4. ISSN 2009-3578
Wright, Mark Peter (2016) The Thing About Microphones. Leonardo Music Journal (special issue on Sound Art), 26. pp. 60-63. ISSN 0961-1215
Voegelin, Salomé and Wright, Mark Peter (2022) Points of Listening: Reflections on the Collective, Communal and Participatory in Sonic Practice. Listening and Polyphony. Philosophy, Aesthetics, Art, 64 (1). pp. 19-36.
Voegelin, Salomé (2014) Collateral Damage. The Wire: adventures in modern music (364).
Voegelin, Salomé (2016) ‘The Critical Agency of the ‘Avatar-I’: accessing the silence of the inaudible’. Four by Three Magazine, 1 (6).
Voegelin, Salomé (2011) Epiphanies. The Wire: Adventures in Modern Music (324).
Voegelin, Salomé (2012) Ethics of Listening. Journal of Sonic Studies, 2 (1).
Voegelin, Salomé (2014) Forewords. Festival Catalogue.
Voegelin, Salomé (2016) Inhabiting a World of Numerical Things. Circuit Musiques Contemporaines, 26 (3). pp. 27-42. ISSN 1183-1693
Voegelin, Salomé (2020) Listening out for the Ambiguity of Unreliable Things. Documenta: tijdschrift voor theater, 38 (1). pp. 142-154. ISSN 0771-8640
Voegelin, Salomé (2016) Music as Public Art. Program notes for Donaueschinger Musiktage. pp. 20-26.
Voegelin, Salomé (2016) Places Hardly Exist. Island Song.
Voegelin, Salomé (2015) Reversed Anechoics (catalogue essay). Play it by Ear. pp. 32-37.
Voegelin, Salomé (2021) Singing Philosophy: deviating voices and rhythms without a time signature. Open Philosophy Journal, 4 (1). pp. 284-291. ISSN 2543-8875
Voegelin, Salomé (2013) Sonic Possible Worlds. Leonardo Music Journal (special issue on Sound Art), 23. ISSN 0961-1215
Voegelin, Salomé (2007) The anxiety of the lonely listener. /seconds., 5 (3). ISSN 17514134
Toop, David (2011) The Mediumship of Listening: Notes on Sound in the Silent Arts. Journal of Visual Culture, 10 (2). pp. 169-176. ISSN 1470-4129
Taylor, j Milo and Brock-Nannested, George and Specht, Dirk (2011) Noisecleaning: Emerging from the Noise. Off Topic 4: Zullassen. ISSN 1867-5948
Taylor, j Milo and Alves, Carlos and Erkizia, Xabier and Ottavi, Julien and Yaseen, Wajid, Opensound.eu (2013) OA#1. Listening and Mapping the Sonic. Plurality and Wayfaring: Writing the OpenSound Project. Journal of Sonic Studies, 4. ISSN 2212–6252
Parry, Owen G. (2016) Sex, Work, and Negative Affects in Participatory Performance. Contemporary Theatre Review, 26 (4). ISSN 1477-2264
Parry, Nye (2012) Kontexte für eine Reise durch Zeit und Raum Zum künstlerischen Schaffen von Peter Vogel (Peter Vogel: Contexts for a journey in space and time). Neue Zeitschrift für Musik, 2012 (3).
Mollin, David and Voegelin, Salomé (2016) During the Night the Crops will Still Grow (unless the player sleeps). Journal of Interdisciplinary Voice Studies, 1 (1). pp. 85-93. ISSN 2057-0341
Mollin, David and Voegelin, Salomé (2015) Writers’ habits. Reflections on Process in Sound (4). pp. 65-80.
Lane, Cathy (2017) Listening and not listening to voices: interrogating the prejudicial foundations of the sound arts canon (audio paper). Seismograf: Sound Art Matters. ISSN 2245-4705
Lane, Cathy (2011) Listening for the past: A composer's ear-lead approach to exploring island culture past and present in the Outer Hebrides. Shima: The International Journal of Research into Island Cultures, 5 (1). pp. 32-39. ISSN 1834-6057
Lane, Cathy (2017) A Manifesto for New Listening (or 20 thoughts about Listening). Reflections on Process in Sound (5). pp. 59-81.
Lane, Cathy (2016) Mapping the Outer Hebrides in sound: towards a sonic methodology. Island Studies Journal, 11 (2). p. 343. ISSN 1715 2593
Lane, Cathy (2016) Sound::Gender::Feminism::Activism: Research and Challenges to the Orthodoxies of Sound Arts. Contemporary Music Review, 35 (1). pp. 32-39. ISSN 0749-4467
Lane, Cathy (2020) Synthesizer and portastudio: their roles in the Tigrayan People’s Liberation struggle - an audio essay. HERRI (4).
Lane, Cathy (2016) Why Not Our Voices? Women and Music: A Journal of Gender and Culture, 20. pp. 96-110. ISSN 1090-7505
Jones, Stuart (2006) Space-Dis-Place: How Sound and Interactivity can Reconfigure our Apprehension of Space. Leonardo Music Journal: Noises Off - Sound Beyond Music, 16. pp. 20-27. ISSN 09611215
Holdsworth, Claire (2020) Vocal acts: video art and the artist’s voice. Journal of Art Historiography (23). ISSN 2042-4752
Goh, Annie and Thompson, Marie (2021) Sonic Cyberfeminisms: Introduction. Feminist Review, 127 (1). pp. 1-12. ISSN 1466-4380
Goh, Annie and Maltez Novaes, Rodrigo and Castello Branco, Marta (2014) Introduction: Music and Sound in Vilém Flusser’s Work. Flusser Studies, 17. ISSN 1661-5719
Goh, Annie (2014) The Dimension of Sound in Flusser. Flusser Studies, 17. ISSN 1661-5719
Goh, Annie (2016) The Dimension of Sound in Flusser: Implications for a Sonic Media Archaeology. MAP – Media | Archive | Performance Research on media, art and performance, 7. ISSN 2191-0901
Goh, Annie (2012) Electronic Voice Phenomena - a C21st Sonic Fiction. Acoustic Space, 11. pp. 119-126. ISSN 1407-2858
Goh, Annie (2016) GenDyTrouble: Cyber*Feminist Computer Music. n.paradoxa international feminist art journal, 37. pp. 78-82. ISSN 1461-0434
Goh, Annie (2017) Sounding Situated Knowledges - Echo in Archaeoacoustics. Parallax, 23 (3). pp. 283-304. ISSN 1353-4645
Gardner, Thomas and Voegelin, Salomé (2015) Editorial: Historical continuum, mimetic fissures. Organised Sound, 20 (2). ISSN 1469-8153
Gardner, Thomas (2022) Between listening and sounding: exploring the limits of augmented instruments. Ricercare, 15. ISSN 2346-4879
Danjoux, Michèle (2014) Choreography and Sounding Wearables. Scene, 2 (1-2). pp. 197-220. ISSN 2044-3714
Danjoux, Michèle (2019) Design-in-Motion: Sculpting Choreosonic Wearables. Theatre and Performance Design, 5 (1-2). pp. 114-124. ISSN 2332-2551
Carlyle, Angus and Wright, Mark Peter (2021) Dissonant Dopplegangers: Performing the Post-Natural Through Modulated Foley Techniques. Cadernos de Arte e Antropologia, 10 (1). pp. 37-47. ISSN 2238-0361
Bilbao, Ana (2015) SIN (without): The Alienated Spectator. re-bus, 7. pp. 105-112.
Biagioli, Monica (2013) These are the echoes: Sound Proof 2008-2012. Култура/Culture (4). ISSN 1857-7725
Allen, Richard (2023) Kerala International Festival of Theatre Schools (IFTS) 2023. Theatre and Performance Design, 9 (1). pp. 112-119. ISSN 2332-2551
Allen, Richard (2016) Theatrical Latency: Walking Katrina Palmer’s The Loss Adjusters. Theatre and Performance Design, 2 (3-4). pp. 266-278. ISSN 2332-2551
Alarcon, Ximena and Herrema, Ron (2017) Pauline Oliveros: A Shared Resonance. Organised Sound, 22 (1). pp. 7-10. ISSN 1355-7718
Alarcon, Ximena (2017) Bajo la tierra: escucha porosa de modernidad en el metro de México. Revista de Arte Sonoro y Cultura Aural (3). pp. 33-39. ISSN 0719-4625
Alarcon, Ximena (2013) Creating Sounding Underground. Digital Creativity, 24 (3). pp. 252-258. ISSN 1744-3806
Alarcon, Ximena (2011) Listening and remembering: networked off-line improvisation for four commuters. CITAR Journal of Science and Technology of the Arts Revista de Ciência e Tecnologias das Artes (03). pp. 21-30. ISSN 16469798
Alarcon, Ximena (2014) Networked Migrations: Listening to and performing the in-between space (Paper). Liminalities: a Journal of Performance Studies, 10 (1). ISSN 1557-2935
Alarcon, Ximena, Sensory Ethnography, MetaLab Harvard (2011) Sounding underground: listening, performing and transforming the commuting experience. Sensate Journal: A Journal for experiments in Critical Media Practice.
Alarcon, Ximena (2017) A taxonomy for Listening and Performing ‘in-between’ migratory spaces using mobile apps. Wi: Journal of Mobile Media, 11 (1). ISSN 1918-2104
Wright, Mark Peter (2022) Listening After Nature: Field Recording, Ecology, Critical Practice. Bloomsbury, New York/London. ISBN 9781501354519
Voegelin, Salomé and Gardner, Thomas (2016) Colloquium: Sound Art – Music. Zero Books, Winchester and New York. ISBN 9781782798958
Voegelin, Salomé (2010) Listening to noise and silence: toward a philosophy of sound art. Continuum, New York. ISBN 9781441162076
Voegelin, Salomé (2018) The Political Possibility of Sound: Fragments of Listening. Bloomsbury, New York, US. ISBN 9781501312168
Voegelin, Salomé (2014) Sonic Possible Worlds: Hearing the Continuum of Sound. Bloomsbury, New York; London. ISBN 9781623566951
Voegelin, Salomé (2021) Sonic Possible Worlds: Hearing the Continuum of Sound. Bloomsbury, NY,, US. ISBN 9781501367625
Toop, David (2017) Flutter Echo: Living Within Sound. Du Books, Tokyo, Japan. ISBN 978-4-86647-011-5
Toop, David (2010) Sinister resonance: the mediumship of the listener. Continuum, New York/London. ISBN 9781441149725
Plum, Ingrid (2018) Taut: Investigations into Contemporary Composition and Performance. Plum Press/Fractal Meat, UK.
Plum, Ingrid (2019) Unsounding The Voice. Plum Press, UK.
O'Dair, Marcus (2018) Mute Records: Artists, Business, History. Bloomsbury. ISBN 9781501340604
Mey, Adeena (2008) Christian Marclay’s Christmas Tales. Helvetic Centre, London.
Lane, Cathy and Carlyle, Angus (2013) In the Field: The Art of Field Recording. Uniformbooks, Axminster, Devon. ISBN 9780956855961
Lane, Cathy and Carlyle, Angus (2021) Sound Arts Now. Uniformbooks, Axminster, Devon. ISBN 978 1 910010 26 6
Henry, Amy (2021) Resonant Bodies. Self-published, London, UK.
Cusack, Peter (2017) Berlin Sonic Places: A Brief Guide. Wolke Verlag, Berlin. ISBN 978-3-95593-083-7
Cusack, Peter (2012) 'No, It's Not All Music'. Wolke Verlag, Berlin. ISBN 9783936000795
Cobbing, William and Cooper, Rosie and Krogh Groth, Sanne and Toop, David and Wilson, Andrew (2015) 'Boooook: The Life and Work of Bob Cobbing'. n/a, n/a (n/a). Occasional Papers, UK. ISBN 978-0-9929039-5-4
Carlyle, Angus and Lane, Cathy (2013) On listening. Uniformbooks, Axminster. ISBN 9781910010013
Carlyle, Angus (2007) Autumn leaves : sound and the environment in artistic practice. CRiSAP / Double Entendre. ISBN 095480743x
Lane, Cathy, ed. (2008) Playing with words : the spoken word in artistic practice. CRiSAP/RGAP, UK. ISBN 9780955827334
lok, susan pui san (2023) Circling the Archive. In: Rewinding Internationalism. Van Abbemuseum, Eindhoven. ISBN 9789490757236
Yee-King, Matthew (2007) An Automated Music Improviser Using a Genetic Algorithm Driven Synthesis Engine. In: Proceedings of the 2007 EvoWorkshops 2007 on EvoCoMnet, EvoFIN, EvoIASP,EvoINTERACTION, EvoMUSART, EvoSTOC and EvoTransLog: Applications of Evolutionary Computing. Springer-Verlag, pp. 567-576.
Wynne, John and Wainwright, Tim (2016) Transplant (excerpt). In: Beyond text? Critical practices and sensory anthropology. University of Manchester Press, Manchester. ISBN 978-0-7190-8505-5
Wynne, John and Lenskyj, Helen (2012) Symbolic Resistance: Turning the Rings. In: The Art of Dissent: London’s Olympic State. Marshgate Press, London. ISBN 978-0-9572943-0-1
Wynne, John (2013) Anspayaxw. In: Hlysnan: The Notion and Politics of Listening. Casino Luxembourg, Luxembourg, pp. 62-67. ISBN 978-99959-30-23-3
Wynne, John (2011) Hearing faces, seeing voices: sound art, experimentalism and the ethnographic gaze. In: Between Art and Anthropology: Contemporary Ethnographic Practice. Berg Publishers, London, UK, pp. 49-67. ISBN 9781847885005
Wynne, John (2013) ITU: the din of recovery. In: The Art of Immersive Soundscapes. University of Regina Press, Regina. ISBN 978-0-88977-258-8
Wynne, John (2016) >Image>Memory>Sound>Text>. In: The Routledge Companion to Sounding Art. Routledge/Taylor and Francis, London and New York, pp. 111-124. ISBN 978-1-138-78061-3
Wynne, John (2014) Outside In: Re-framing urban noise. In: Urban Traces – Wahrnehmung im öffentlichen Raum Künstlerische Transformationen im urbanen Kontext [Perception in Public Space: Artistic transformations in the urban context]. Kunst und Kulturwissenschaft in der Gegenwart [Contemporary Art and Cultural Studies] (9). Athena Verlag, Oberhausen, pp. 59-72. ISBN 978-3-89896-598-9
Wright, Mark Peter (2013) Exchanges. In: On Listening. Uniform Books, pp. 34-37.
Wright, Mark Peter (2022) Interference Acts: Performances along the Threshold of the Human and Nonhuman. In: Postcards from the Anthropocene: Unsettling the Geopolitics of Representation. DPR, Barcelona, pp. 110-114. ISBN 978-84-122529-1-0
Wright, Mark Peter (2016) Like When a Cat Enters a Room. In: Listening and its not. SARU & Compost & Height, London, pp. 52-53.
Voegelin, Salomé and Mollin, David (2022) Hummingbirds fly upwards. In: Risonanze e coesistenze. Suono, territori e margini. Da Liminaria al Manifesto del futurismo rurale: 2017-2020. Luca Sossella Publisher, Italy, pp. 109-133. ISBN 9791259980236
Voegelin, Salomé (2020) Building an ephemeral place from the indivisible volume of words. In: Ecos de un lugar. Buró-Buró Mexico and Museo Experimental Eco, Mexico City, Mexico.
Voegelin, Salomé (2022) Disrupting the Dominant Song. In: Open Scriptures: Notation in Contemporary Artistic Practices in Europe and the Americas. Iberoammericana Vervuert, Germany, pp. 187-203. ISBN 978-84-9192-244-5
Voegelin, Salomé (2022) Keynote: Sonic Sense: The Meaning of the Invisible. In: Oxford Handbook of Sound Art. Oxford University Press, Oxford, UK, pp. 349-367. ISBN 9780190274054
Voegelin, Salomé (2015) Klangkunst als Öffentliche Kunst (Sound Art as Public Art). In: Labor Mühlheim Künstlerisches Forschen in Feldern zwischen Prekarität und Kreativität. Jovis, Berlin, DE, pp. 167-178. ISBN 978-3-86859-360-0
Voegelin, Salomé (2013) Listening to the Stars. In: What Matters Now? (What Can't You Hear?). Noch. ISBN 9781783011179
Voegelin, Salomé (2008) Night Train. In: Nachtschichten. Schriftenreihe des Instituts für Gegenwartskünste, Zürcher Hochschule der Künste, 3 . Edition Fink, Zurich. ISBN 9783037461280
Voegelin, Salomé (2022) Silence Does Not Exist. In: The Concert. Sternberg Press, Switzerland, pp. 111-133. ISBN 9781501367625
Voegelin, Salomé (2020) Sonic Methodologies of Sound. In: The Bloomsbury Handbook of Sonic Methodologies. Bloomsbury, NY, pp. 269-283. ISBN 9781501338779
Voegelin, Salomé (2022) Sonic Testimonies: Creating New Imaginaries From the In-between. In: For Many Voices. Freigeist Verlag, Berlin, Germany, pp. 8-12. ISBN 978-3-947764-06-8
Voegelin, Salomé (2016) Sound Words and Sonic Fictions: Writing the Ephemeral. In: The Routledge Companion to Sounding Art. Routledge, New York, pp. 61-70. ISBN 97810138780613
Voegelin, Salomé (2014) Soundwalking the Museum: A Sonic Journey through the Visual Display. In: The Multisensory Museum Cross-Disciplinary Perspectives on Touch, Sound, Smell, Memory, and Space. AltaMira, Walnut Creek, CA. ISBN 9780759123540
Voegelin, Salomé (2019) Unstable Contacts. In: The Middle Matter – Sound as interstice. Umland, Belgium, pp. 147-155. ISBN 9789082649543
Voegelin, Salomé (2020) Vampiric Silences. In: silence. speakerspeaker (3). Book Printing UK, UK, pp. 98-103. ISBN 978-82-93739-02-9
Voegelin, Salomé (2007) Völlig Losgelöst. In: Autumn Leaves: sound and the environment. Double Entendre, Paris, France. ISBN 095480743X
Voegelin, Salomé (2013) A short history of radio listening. In: On Listening. Uniformbooks. ISBN 9781910010013
Toop, David (2017) Stephen Cripps: Exploding Practice Inevitable. In: Stephen Cripps: Performing Machines. Verlag fur Moderne Kunst/Museum Tinguely, Basle, Switzerland, pp. 25-30. ISBN 978-3-9524392-9-6
Toop, David (2013) Trap Set. In: Haroon Mirza. A User's Manual. Spike Island, Bristol, pp. 34-35. ISBN 978-0-9574490-0-8
Tlalim, Tom (2020) The Sound System of the State: Critical Listening as Performative Resistance. In: Bloomsbury Handbook of Sonic Methodologies. Bloomsbury Handbooks . Bloomsbury, pp. 719-732. ISBN 9781501338779
Taylor, j Milo and Brock-Nannested, George and Specht, Dirk (2013) Emerging from the Noise: Non-Nostalgia, Reactivation and Appropriation. In: The Noise Non-ference Reader. Qubit, New York, pp. 99-104.
Taylor, j Milo (2008) David Toop’s Laptop Orchestra: A View from the Guitarist’s Chair. In: Playing With Words: The Spoken Word In Artistic Practice. Uniformbooks. ISBN 9781910010303
Taylor, j Milo (2008) The ImmApp: A Digital Application for Immersive Interaction with Sound Art Archives. In: Computer Music Modeling and Retrieval. Sense of Sounds: 4th International Symposium. Springer Verlag. ISBN 978-3-540-85034-2
Taylor, j Milo (2007) Immersion: An Immersive Digital Application for Creative Interaction with Sound Art Archives. In: Proceedings of the 2007 International Computer Music Conference. ICMC and Re:New. Denmark. ISBN 0-9713192-5-1
Taylor, j Milo (2006) Non-Ferrous Prostitution. In: ev+a 2006. Gandon Editions, Limerick, Ireland, p. 227. ISBN 0946846928
Taylor, j Milo (2004) suborg.net. In: Network Book for Urban (P)arts. City Mine(d). ISBN 0-9547260-0-6
Rae, Nicola (2013) SOUNDLAB. In: Personal Structures: Culture-Mind-Becoming. La Biennale di Venezia 2013. Global Art Affairs Publishing, Venice, Italy, pp. 166-167. ISBN 978-94-90784-12-6
Melvin, Jo (2022) The aesthetics of silence, withdrawal and negation in conceptual art. In: Picturing the Invisible Exploring: interdisciplinary synergies from the arts and the sciences. UCL Press, London. ISBN 9781800081055
Lane, Cathy (2020) Gender, Intimacy, and Voices in Sound Art. Encouragements, Self-portraits, and Shadow Walks. In: The Bloomsbury Handbook of Sound Art. Bloomsbury Academic. ISBN 9781501338809
Lane, Cathy (2018) Women as animal, women as alien: reclaiming women’s demonic voices. In: Grounds for Possible Music: On Gender, Voice, Language, and Identity. Errant Bodies, Berlin. ISBN 978-0-9978744-2-6
Kim-Cohen, Seth and Wright, Mark Peter (2016) Anxious, Dismal, Giddy, Aggressive: Seth Kim-Cohen interviewed by Mark Peter Wright for Ear Room. In: Against Ambience and Other Essays. Bloomsbury, New York, pp. 175-188. ISBN 9781501310324
Goh, Annie and Rizvi, Uzma Z. (2022) Science Fiction, Speculative Feminism, and the Violence of Colonialism: Listening to an Extremely Grainy Photograph. In: Coming to Know. Archive Books, Truccazano, Milan, Italy, pp. 54-65. ISBN 978-3-948212-58-2
Goh, Annie and Iles, Anthony (2021) Lights Out at the White Supremacist Theory Disco. In: Ultimate Leisure Workers' Club Reader. Ultimate Leisure Workers’ Club, Vilnius, pp. 32-39.
Goh, Annie (2022) Sonic Cyberfeminisms Collection for Cyberfeminism Index. In: Cyberfeminism Index. Inventory Press, Los Angeles, pp. 38-40. ISBN 978-1-941753-51-4
Gardner, Thomas (2014) Sound art, music and the rehabilitation of schizophonia. In: The Embodiment of Authority. Interdisziplinäre Studien zur Musik . Peter Lang, pp. 147-168. ISBN 978-3-653-98762-1
Danjoux, Michèle and Birringer, Johannes (2019) Sound and Wearables. In: Foundations in Sound Design: A Multidisciplinary Approach. Sound Design . Routledge, New York, pp. 243-274. ISBN 978-1-138-09389-8
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Cusack, Peter (2016) Coal and Petrochemical Soundscapes in North Bohemia: Some Personal Thoughts. In: Frontiers of Solitude. Skaftfell Center for Visual Art, Seyðisfjörður, Iceland, pp. 40-43. ISBN 9788026093589
Cusack, Peter (2018) The Favourite Sounds Project. In: Anthropology and Beauty. Routledge. ISBN 1138928798
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Carlyle, Angus and Cox, Rupert (2017) "The Cave Mouth: Listening To Sound and Voice in Okinawan War Memory". In: Modern Conflict and the Senses. Routledge, London and New York, pp. 123-142. ISBN 9781138927827
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Wynne, John (2010) Artist Talk by John Wynne. In: Artist Talk by John Wynne, July 2010, Museum of Anthropology, Vancouver. (Unpublished)
Wynne, John (2011) Bouncing off the Walls. In: Bouncing off the Walls, 23 March 2011, London College of Communication.
Wynne, John (2016) The Intersection of Research and Practice. In: Research and Innovation Conference 2016: Practice-Related Research, 19-20 May 2016, Southampton Solent University, UK.
Wynne, John (2011) Sound art, documentary practices and ethical minefields: Trust, interpretive freedom and responsible engagement with vulnerable subjects. In: Documentary Now! A Conference on the Contemporary Contexts and Possibilities of the Documentary, 28-30 January 2011, University of Westminster, London. (Unpublished)
Wynne, John (2011) The Voice, the Rules and the Art. In: Clocks and Clouds, March 7, 2011, Toynbee Hall, London. (Unpublished)
Wyeld, Mike (2018) The Face It Attracts: Prince in London: 3121, Psychogeography, and Urbanism. In: Prince from Minneapolis, 16-18 April 2018, University of Minnesota.
Wyeld, Mike (2019) LOVED: Echoes of masculinity and it's toxicities. In: SOUND::GENDER::FEMINISM::ACTIVISM, 4 - 5 October 2019, Chinretsukan Gallery, Tokyo University of the Arts.
Wright, Mark Peter and Voegelin, Salomé (2020) Experiments in Care-ful Listening. In: Experiments in Care-ful Listening, 12 January 2020, De La Warr Pavillion.
Wright, Mark Peter and Gallagher, Michael and Rousell, David (2018) Becoming Listening Bodies: Soundwalking as a Pedagogy of Sensation. In: 5th Conference on Arts Based Research & Artistic Research Provoking Research and Social Intervention, 13 -15 March 2018, TATE Liverpool.
Wright, Mark Peter (2013) (Auto) Dialogical Feedback & the Poetics of Letting Go. In: The Symposium on Acoustic Ecology, 8 - 9 November 2013, University of Kent.
Wright, Mark Peter (2017) Foleys from the Field. In: Liar Lyre, May 6th, 2017, Wellcome Collection.
Wright, Mark Peter (2019) Heal/Toe. In: Geohumanities Summer School: Listening to Field, Voice and Body, 8-12 July 2019, Bude, Cornwall.
Wright, Mark Peter (2016) "I" is another and another (looped). In: The Promises of Monsters, 28 -29 April 2018, University of Stavanger, Norway.
Wright, Mark Peter (2017) Interference Acts: Performances Along the Threshold of the Human and Nonhuman. In: Postcards from the Anthropocene: Unsettling the Geopolitics of Representation, 22 - 24 June 2017, University of Edinburgh, School of Architecture and Landscape Architecture.
Wright, Mark Peter (2022) Listening to the Footprints of Sonic Practice. In: Walking Festival of Sound, 23 March 2022, Online.
Wright, Mark Peter (2021) Microphone Check. In: Multimedia Encounters: Experimental Approaches to Ethnographic Research, 12-15 January 2021, UCL, London.
Wright, Mark Peter (2015) Re-hearing environmental sound arts asymmetrical relations. In: Hearing Landscape Critically: Music, Place, and the Spaces of Sound, 14 -16 January, Harvard University.
Wright, Mark Peter (2016) The Thing About Microphones. In: Sounding Out the Anthropocene: Investigating Sonic Media Ecologies, 10 -11 March 2016, Critical Media Lab, Basel.
Wright, Mark Peter (2020) What Constitutes a Testimonial Voice? In: Audio Testimonies, 2-3 July 2020, Bournemouth Univeristy.
Wright, Mark Peter (2021) When Mimicry is the Last Song Left. In: OSEH Environmental Lunchtime Discussion series, 19 May 2021, Oslo School of Environmental Humanities.
Wright, Mark Peter (2014) Whistle-blowing the field: how might perspectives and aesthetics of field recording adapt within a contemporary ‘post-crash’ world? In: Sound Studies: Mapping the Field. 2nd European Sound Studies Association (ESSA) Conference, 27 -29 June 2014, University of Copenhagen.
Voegelin, Salomé and Wright, Mark Peter (2022) Sound’s Transversal Breath. In: Airy Encounters: Respiratory Philosophy and Sound Arts, 6-7 June 2022, Helsinki.
Voegelin, Salomé and Jackson, Mark and Burrows, David (2010) Listening in the present time. In: Dead Fingers Talk, 12th June 2010, IMT Gallery. 2-210 Cambridge Heath Road, London, E2 9NQ. (Unpublished)
Voegelin, Salomé and Herrington, Tony and Montgomery, Will and Frosi, Helen (2010) We hear a new world: microphony technology and the rise of sound art. In: The Wire Salon, 2nd September 2010. (Unpublished)
Voegelin, Salomé and Barney, Anna (2018) Accessing Disciplinary Hinterlands through Listening. In: ISSTA Irish Sound, Science and Technology Association conference on Who’s Listening? Sound and Public Space, 9 - 11 November 2018, Derry.
Voegelin, Salomé (2016) ‘Curating Volumes: hearing architecture, light and words’. In: On Space and Sound: Study Day for Displaying, Collecting and Preserving Sound Pieces at Tate Britain, London, 27.10, 27.10.2017, Tate Britain, Millbank, London.
Voegelin, Salomé (2022) Designing Possible Worlds from Sound’s Transversality. In: I am not sitting in a room: Urban, political and social resonances, 24-26 June 2022, Bauhaus University Weimar, Germany.
Voegelin, Salomé (2008) Digital listening. In: Approaches to the Born-Digital Challenge in Art & Design Archives, 11/11/2008, UCL, London. (Unpublished)
Voegelin, Salomé (2018) Disrupting the Dominant Song. In: Material Contemplations. Open Scriptures. International Colloquium on Notation. Contemporary Practices and Crossroads between Latin America and Europe, 12-14 September 2018, Universidad Nacional Autónoma de México, Mexico City.
Voegelin, Salomé (2020) For Many Voices. In: For Many Voices, 15 February 2020, Middlesbrough Institute of Modern Art (MIMA), UK.
Voegelin, Salomé (2017) Geometry of Now. In: Geometry of Now, 20-27 February 2017, Moscow.
Voegelin, Salomé (2013) Hearing the Continuum of Sound. In: Performance Research Seminars of the AHRC Research Centre for Musical Performance as Creative Practice, 7th October 2013, Senate House, London.
Voegelin, Salomé (2015) Inaudible Disaster Warnings. In: Aural Lighthouses, 17-22 May 2015, Santorini.
Voegelin, Salomé (2021) Knowledge with Voice and Hands: tending to the invisible. In: Sound Practice and Research series, 29 June 2022, Goldsmiths, University of London, Online.
Voegelin, Salomé (2021) Listening across: Uncurating knowledge. In: Spaces (in) Between, 16-18 November 2021, Rhythmic Music Conservatory.
Voegelin, Salomé (2019) Listening out for Ambiguity and unreliable Things. In: Sound & Listening on the edge of Music, Performance, Film and New Media, 20 May 2019, Ghent Doctoral School.
Voegelin, Salomé (2022) Listening to Wicked Problems: Sound Studies as Transversal Studies. In: Sounding Crises, 23-24 March 2022, University of Copenhagen.
Voegelin, Salomé (2011) Listening to possible worlds. In: Sound Art Theories Symposium, 5 - 6 November 2011, Art Institute of Chicago. (Unpublished)
Voegelin, Salomé (2014) Listening to the inaudible: The sound of unicorns. In: Sonar+D, 9-14 June 2014, Caixa Forum, Barcelona, Spain.
Voegelin, Salomé (2019) Making Sound Curating Volumes. In: Exhibiting Sound Art Symposium 2019, 23-25 August 2019, Gutenberg University, Mainz, Germany.
Voegelin, Salomé (2016) Morality of the invisible, ethics of the inaudible. In: Sound, Ethics, Art and Morality, 29-30 May 2016, Tel-Aviv University, Israel.
Voegelin, Salomé (2021) The Political Possibility of Sound. In: Unthinking / Unlearning New sonic theories and praxis, 15 May - 1 June 2021, UDK Universität der Künste, Berlin.
Voegelin, Salomé (2018) Possibilité politique du sonores: le son comme volume indivisible. In: Theatre Gaîté Lyrique, 14 June 2018, Paris, Theatre Gaîté Lyrique.
Voegelin, Salomé (2013) Response to Public and Private Listening, Sonozones, at “Prekäre Landschaften”. In: Prekäre Landschaften, 24-25.10.2013, Mülheim an der Ruhr.
Voegelin, Salomé (2021) Silenced Noise. In: Aesthetics of Noise, 24 February 2021, Online.
Voegelin, Salomé (2019) Sonic Materialism: A Philosophy of Digging and Gardening. In: RE:SOUND, the 8th International Conference on the Histories of Media Arts, 20-23 August 2019, Aalborg, Denmark.
Voegelin, Salomé (2016) Sonic Possible Words Performance Lecture. In: Festival de Arte Sonoro Español (FASE), 04.11.2016, Hybrid Lab, Villa Bell, Marchstraße 8, Berlin.
Voegelin, Salomé (2021) Sonic Possible and Impossible Bodies. In: Sound in Artistic Research, 10 November 2021, University of Arts, Berlin.
Voegelin, Salomé (2019) The Sonic Volume as a Sphere of Non-resilience. In: CTM Festival for Adventurous Music and Art 2019, 25 January - 3 February 2019, Berlin.
Voegelin, Salomé (2014) Sound Art as Public Art. In: Invisible Places | Sounding Cities: Sound, Urbanism and Sense of Place, 18-20 July 2014, Viseu, Portugal.
Voegelin, Salomé (2016) Sound Art as Public Art: performing the civic between listening and being audible. In: The Role and Position of Sounds and Sounding Arts in Public Urban Environments Leiden University, 29-30 November 2016, Leiden University the Netherlands.
Voegelin, Salomé (2013) Sound Words and Sonic Fictions. In: The Noises of Art: Audiovisual Practice in History, Theory and Culture, 4-6 September 2013, Aberystwyth, Wales, UK.
Voegelin, Salomé (2021) Sound, Identity and Territory. In: 8th International Congress of Audiovisual Researchers, 23-25 June 2021, Lisbon.
Voegelin, Salomé (2021) To Know from the Invisible. In: Art/Tought/Sound, 11 March 2021, Escola des Artes Porto, Portugal.
Voegelin, Salomé (2019) Unstable Contacts: a political imaginary made from water and honey. In: Oscillation Festival, 26-27 April 2019, Bruxelles.
Voegelin, Salomé (2014) Warm words, fine words, deep words…. In: Tertulia Writing Sound, 25th January 2014, Arnolfini, Bristol.
Voegelin, Salomé (2019) Weaving Nets from the Activities on the Margins. In: Topographies of Sound, 16-20 September 2019, Škuc Gallery, Ljubljana.
Voegelin, Salomé (2016) Writing about the Sound of Unicorns. In: International Conference on Artistic Research: Writing as Practice, Practice as Writing, 28-29 April 2016, Royal Academy of Art, The Hague, Netherlands.
Voegelin, Salomé (2013) Writing as Phonography | Delhi Soundwords. In: Sound Reason Conference and Festival, November-December 2013, Delhi, India.
Voegelin, Salomé (2011) The place my listening makes. In: Sounds and Sound Technology as Spatial Parameters, 2nd June 2011, ETH Zürich, Switzerland. (Unpublished)
Voegelin, Salomé (2019) sonic materialism : sonic cosmopolitanism : raptures and responsibility. In: ICST-Musikgespräche Zhdk, 29 May 2019, University of the Arts Zürich, Switzerland.
Toop, David (2016) Exhibition Histories: Sonic Boom. In: Exhibition Histories, 24 November 2016, Whitechapel Gallery, London.
Toop, David (2015) In Praise of Blandness: An exploration of hyper-nothingness. In: No Needless Noise: Silence and Music, 25 - 26 February 2015, Royal College of Music, London, UK.
Toop, David (2010) The body event: voice and recorded histories in the creation of a sound installation based on the ideas of the work of artist John Latham. In: [Record] [Create] Oral History in Art, Craft and Design, 2nd - 3rd July 2010, Victoria and Albert Museum. (Unpublished)
Thomas, Jennet (2011) Echo versus gown. In: This is not a Performance or a Lecture!, 17-18th June 2011, Loughborough University. (Unpublished)
Taylor, j Milo and Woolford, K and Norman, Sally Jane and Dunn, Stuart and Barker, Leon and White, Martin (2011) Motion in Place: Sounding Spaces, Movement, Affect and Technologised Mediation. In: World Forum for Acoustic Ecology, 3-7 October 2011, Corfu.
Taylor, j Milo and Estévez Trujillo, Mayra and Fermont, Cedrik and Irene Eunyoung, Lee (2020) Geopolitics of sound. Colonial regimes and acoustic alterities of listening. In: II Encuentro Internacional Red Ecología Acústica México 2020, 9-12 December 2020, Mexico City.
Taylor, j Milo (2019) Ears Wide Open: Considerations of Immersive Sound in the Works of Stanley Kubrick. In: 3rd International Conference 'Music and Sound in Film and New Media', Lithuanian Academy of Music and Theatre.
Taylor, j Milo (2008) An Immersive Database of Sound Art: Towards a Minor History. In: Young investigators Forum in Culture Technology, 30-31 October 2008, Korean Advanced Institute of Science and Technology.
Taylor, j Milo (2019) Immersive Sound Masterclass. In: Aesthetica Short Film Festival, 2-30 November, York.
Taylor, j Milo (2016) Media Encounters in Dark Ecologies: Soundscapes and Solar-powered Sound Circuits. In: Digital Research in the Humanities and Arts Conference, 4-7 September 2016, University of Brighton.
Taylor, j Milo (2020) The role of White Academics in developing Decolonised Curricula. In: London College of Communication Staff Development, 20 July 2020.
Stephens, Tim (2011) ‘The End(s) of the Still’ – Releasing rhythm from photographic geometry. In: Rhythm & Event, 29 October 2011, London Graduate School.
Rakotoniaina, Sitraka and Friend, Andrew and Blasco, Jasmin (2017) Very Very Far Away (VVFA) - ‘From Dissemination to Anticipation’: Democratising the future using public co-enquiries and serialised fiction podcasts. In: 68th International Astronautical Congress, 25-29 Spetember 2017, Adelaide, Australia.
Plum, Ingrid (2017) Response to: How do individuals and communities navigate gendered spaces in these [music and sound technology] practices? In: Activating Inclusive Sound Spaces, 8-9 Jul 2017, Huddersfield University.
Mullender, Rob (2016) Coding Bodies. In: Seeing Sound, 9th and 10th April, 2016, Bath Spa University.
Mey, Adeena (2013) Listening and Looking beside. On the ‘Parasonic’ and the ‘Paracinematic’. In: Art History and Sound, Workshop series: The Listening Art Historian, 14 March 2013, The Courtauld Institute of Art.
Mey, Adeena (2015) Materiality and Exhibitionality in Contemporary Art Practice: Mark Leckey, Simon Starling, Rosa Barba / 현대 예술에서의 물질성과 전시성. In: Materiality and Exhibitionality in Contemporary Art Practice: Mark Leckey, Simon Starling, Rosa Barba, 4 September 2015, Cheongju Art Studio/Cheongju Museum of Art, South Korea.
McCallum, Louis and Fiebrink, Rebecca (2019) Supporting Feature Engineering in End-User Machine Learning. In: CHI 2019 Workshop on Emerging Perspectives in Human-Centered Machine Learning, 4 May 2019, Glasgow, Scotland.
Lane, Cathy and Ingleton, Holly (2016) White Noise. In: sound acts :: music performance identity, 5-8 May 2016, Polychoros KET, Athens, Greece.
Lane, Cathy (2015) ‘BEAM and MAOS’: Two approaches to urban listenings. In: Sound Studies: Art, Experience, Politics, 5-8 July 2015, Centre for Research in the Arts, Social Sciences and Humanities (CRASSH), Cambridge, UK.
Lane, Cathy (2015) BEAM: Exploring maritime Kochi through sound. In: Sound Passages: passaggi di suono, 16 November 2015, Università Iuav di Venezia (IUAV), Venice, Italy..
Lane, Cathy (2011) Babble and Speech : approaches to technology and the spoken word in contemporary sound arts practices. In: ISEA (International Symposium on Electronic Arts 2011, 14.9.2011-21.9.2011, Istanbul, Turkey. (Unpublished)
Lane, Cathy (2011) Being there: meditations on listening, recording and composing. In: ICTM conference: Listening, 18 - 21 February 2011, University of Ulster, Derry, Northern Ireland. (Unpublished)
Lane, Cathy (2020) Cathy Lane: The stories we tell.....and are told. In: Bath Spa Creative Sound Forum Talks, 6 January 2020, Online.
Lane, Cathy (2015) Disordered Listening. In: Disordered Listening Workshop, June 18 -19, 2015, Academy of Fine Arts, Schillerplatz 3, 1030 Vienna, Austria.
Lane, Cathy (2016) Disordering our Listening. In: Sonologia 2016 Out Of Phase, November 2016, Centro de Pesquisa e Formação SESC São Paulo 4º andar, Rua Dr. Plínio Barreto, 285 - Bela Vista, sao Paulo, Brazil.
Lane, Cathy (2021) "In your DNA”: sound arts and song. In: Sound Studies Lecture Series, 8 November 2021, Sound Environment Centre, Sweden, Online.
Lane, Cathy (2019) Land Sound Struggle Music. In: Land Music: sound practices in the age of ecological crisis, 12-14 September 2019, City University, London.
Lane, Cathy (2017) 'A Manifesto for New Listening' (or 'Twenty thoughts about Listening'). In: Sonic waterloo, South London Sound Art Festival 2017, July 2017, Iklectik, London, SE1 7LG.
Lane, Cathy (2016) Music, Composition, Interdisciplinarity: States of Play. In: Music, Composition, Interdisciplinarity: states of play, 28 January 2016, Oxford Brookes University, UK.
Lane, Cathy (2015) Of Narratives that are fractured and those that need to be fractured. In: Fractured Narratives - Improvised sounds and stories, 25 April 2015, Queen’s University Belfast, Northern Ireland.
Lane, Cathy (2016) Playing with Words: Spoken language as material for composition. In: Conferencia “Playing with Words: Spoken language as material for composition”, 5 January 2016, Insituto de Estudios Avanzados, Universidad de Santiago de Chile, Santiago, Chile.
Lane, Cathy (2022) Sound in Words : Words in Sound. In: Sound in Words - MANTIS Festival of Electroacoustic Music, March 4-6, 2022, University of Manchester.
Lane, Cathy (2011) Sound, sense, babble and speech: approaches to the spoken word in contemporary sound arts practices. In: sforzando!, 14 - 19 June 2011, New York, USA. (Unpublished)
Lane, Cathy (2019) Sound::Gender:: Feminism:: Activism. In: Sound::Gender:: Feminism::Activism Tokyo 2019, 4-5 October2019, Chinretsukan Gallery, Tokyo University of the Arts, Tokyo, Japan.
Lane, Cathy (2017) Soundings and re-soundings: a theme and variations. In: UAL Professorial Platform series 2017, 27 April 2017, London College of Communication.
Lane, Cathy (2013) ‘Why not our Voices?’. In: 13th Feminist Theory and Musicology Conference, 31 July - 4 August 2013, Hamilton College, New York, USA. (Unpublished)
Lane, Cathy (2016) Why not our voices? New listenings and new worlds in the sonic imaginary. In: Sound Art Matters, 1-4 June 2016, Aarhus, Denmark.
Jain, Sadhna (2017) Re-Animating Materiality through Sound. In: Tate Exchange, 22 March 2016, Tate Modern, Bankside, London, SE1 9TG.
Holdsworth, Claire (2019) Speaking out: Split identities, politics and the ventriloquial voice in artists’ film and video of the 1970s and 1980s. In: Association of Art History Conference 2019, 4-6 April 2019, University of Brighton.
Holdsworth, Claire (2020) Ventriloquial bodies: Re-framing ephemerality in artists’ film & video. In: Sound Methods and the Aural Dimension of Film and Media History, XXVII International Film and Media Studies Conference, 2–4 November 2020, University of Udine, Gorizia, Italy [online].
Goh, Annie (2023) CYBERFEMINISM INDEX X SONIC CYBERFEMINISM. In: CYBERFEMINISM INDEX X SONIC CYBERFEMINISM, 15 February 2023, Publics, Helsinki.
Goh, Annie (2020) From White Brothers with No Soul to Feminist Prometheans: Lights Out at the White Supremacist Theory Disco. In: ASSEMBLY 2020, 26 November - 13 December 2020, Luna 6, Lithuania.
Goh, Annie (2023) Listening Session: Echoes of Elsewhere. In: Listening Session: Echoes of Elsewhere by Annie Goh, 20 June 2023, Nottingham Contemporary.
Goh, Annie (2018) Sonic Cyberfeminisms and GenDyTrouble: Cyber*Feminist Computer Music. In: Critical Media In the Arts, 19 June 2018, University of Birmingham.
Goh, Annie (2019) Sonic Knowledge Production in Archaeoacoustics – Theorising an ‘Aural Gnoseology’. In: Archaeologies of Media and Technology (AMT), 10 May 2019, Winchester School of Art, Southampton University, UK.
Goh, Annie (2017) Sounding Cyber*feminist Futures. Speculations on Sonic Unknowns. In: The Future Sound of Pop Music, 30 November - 3 December 2017, HKB, Bern, Germany.
Gardner, Thomas (2010) “Arab” and “avant garde” and multi-local avant-gardes? from Beirut and beyond. In: Volatile Frequencies: Topologies of Authority, Technology and Production in Contemporary Middle Eastern Music Practices, 18th - 20th November 2010, City University, London. (Unpublished)
Gardner, Thomas (2019) Researching "Scored Out" a portable testimony to װאַסילישאָק for 3 musicians. In: Bournemouth University: Research Seminar Series, 13 November 2019, Bournemouth University.
Gardner, Thomas (2022) Sound as memorial: Case study of the use of sound to mediate complex traumatic memory. In: Why Remember? Peace, Conflict and Culture Conference, 6-8 July 2022, Sarajevo and Srebrenica.
Gardner, Thomas (2011) The rehabilitation of schizophonia: social interaction, sound and media in the Automatic Writing Circle. In: The Embodiment of Authority: Perspectives on Performances, 10–12 September 2010, Department of Doctoral Studies in Musical Performance and Research, Sibelius Academy, Helsinki, Finland.. (Unpublished)
Danjoux, Michèle (2015) Wearables and Choreosonic Gesture. In: Fashion Responsive, 24 March 2015, Geneva University of Art & Design (HEAD), Geneva, Switzerland.
Cusack, Peter (2014) Berlin Sonic Places. In: Recomposing the City: Sonic Art and Urban Architectures, 29 May 2014, Institute for Collaborative Research in the Humanities, Queens' University, Belfast.
Cusack, Peter (2016) Field Recording as Sonic Journalism. In: Hearing Landscape Critically, 21-22 April 2016, Faculty of Music, University of Oxford.
Cusack, Peter (2010) The Wire Salon on Field Recording. In: The Wire Salon, 7th October 2010, Cafe Oto, London. (Unpublished)
Cascella, Daniela and Voegelin, Salomé (2015) Ora: Multisensory Conflict. In: Sound Studies: Art, Experience, Politics, 8-10 July 2015, CRASSH, University of Cambridge, UK.
Carlyle, Angus (2006) Like Quails Clucking: Landscape, Soundscape and a Noisy Future? In: The West Meets the East in Acoustic Ecology.
Carlyle, Angus (2010) “Soft Shadows and Bright Light: On Recording and Reality”. In: The World Forum For Acoustic Ecology: Ideologies and Ethics in the Uses and Abuses of Sound, June 16-19, 2010, Koli, Finland. (Unpublished)
Carlyle, Angus (2010) Sound Escapes Presentation. In: Beyond The Academy: Research As Exhibition, 14th May 2010, Tate Britain. (Unpublished)
Carlyle, Angus (2011) Sounding Ethics. In: Documentary Now Conference, 28th of January 2011, University of Westminster. (Unpublished)
Bown, Oliver and Lexer, Sebastian (2006) Continuous Time Recurrent Neural Networks for Generative and Interactive Musical Performance. In: EvoWorkshops2006: EvoMUSART; the 4th European Workshop on Evolutionary Music and Art, 10 - 12 April 2006, Budapest, Hungary.
Bown, Oliver (2006) The Extended Importance of the Social Creation of Value in Evolutionary Processes. In: Biennial European Conference on Artificial Intelligence (ECAI), Riva de Garda, Italy, 28 - 29 August 2006.
Benalcazar Vega, Diego Eduardo (2021) Development of virtual instruments based in Ancestral Sound Objects. In: ILIA - Universos Sonoros, 1-7 October 2021, Guayaquil, Online.
Benalcazar Vega, Diego Eduardo (2021) Producing and mixing in ambisonics. In: Conferencia AES Ecuador 2021, 19-21 May 2021, Online.
Benalcazar Vega, Diego Eduardo (2020) Recording, sampling and creation of virtual instruments for Ancestral Sound Objects (Grabación, sampleo y creación de instrumentos virtuales para objetos sonoros ancestrales). In: Visiones Sonoras 16, 23-25 September 2020, Morelia, Mexico. Online.
Ball, Steven (2015) Appropriate Language: Transcription and rearticulation as post-colonial performance strategies. In: IMAGE | SPACE | BODY AAANZ Conference 2015 (Art Association of Australia and New Zealand), 24 - 25 November, 2015, Gallery of Modern Art, Brisbane, Australia.
Allen, Richard (2023) Headphone Theatre: A Technology-led approach to Performance Pedagogy. In: ExEd 2023, 3-4 July 2023, UAL London, Online.
Alarcon, Ximena (2016) Tuning the Interface for Relational Listening. In: 3rd International Conference on Live Interfaces, 29 June - 3 July 2016, University of Sussex, Brighton, UK.
Wynne, John (2011) Andromache.
Voegelin, Salomé (2016) ‘Listening to audible and inaudible sounds’(Performance Lecture).
Voegelin, Salomé (2015) Sound Art as Public Art.
Taylor, j Milo (2020) Ambiguity, Paradox and Musical Illusion.
Taylor, j Milo (2020) Cognitive Psychology and Music.
Taylor, j Milo (2020) Illusion in Speech and Language.
Taylor, j Milo (2020) Sound, Memory and Forgetting.
Taylor, j Milo (2020) Sound, Touch and Movement.
Lane, Cathy and Carlyle, Angus and Ingleton, Holly (2016) Sound::Gender::Feminism::Activism (SGFA).
Lane, Cathy (2010) Playing with Words: an online compilation | Various Artists. Gruenrekorder ::. Phonography & Sound Art
Cusack, Peter (2012) Berlin Sonic Places.
Cusack, Peter (2012) Sounds from Dangerous Places.
Wright, Mark Peter and Hunter, Helena (2017) This Debris Tells a Story. [Performance]
Wright, Mark Peter (2014) I Suck. [Performance]
Whitby, Richard and Parkinson, Siôn and Patel, Amit Dinesh (2021) ROT. [Performance]
Voegelin, Salomé and Toop, David and Cascella, Daniela (2011) Performance Lecture. [Performance] (Unpublished)
Voegelin, Salomé and Cascella, Daniela (2014) ora13: Listening and Writing: Sound Studies on the Radio. [Performance]
Voegelin, Salomé (2019) Listening to Indivisible Volumes. [Performance]
Toop, David and Michener, Elaine and Lewis, Barry (2010) Of Leonardo da Vinci: quills, a black giant, deluge. [Performance]
Toop, David (2017) Instruments of Darkness. [Performance]
Thornett, Lucy (2017) Tower. [Performance]
Taylor, j Milo and Ottavi, Julian and Pickett, Jenny (2019) Grand Computer Orchestra (GOO) Concert. [Performance]
Taylor, j Milo and Ottavi, Julian (2019) Solo Experimental Soundscape: Electronic Bodies and the Abstract Morphology of the Real. [Performance]
Taylor, j Milo and Hendrickse, Jan and Setohy, Saffy (2018) Hidden Architectures. [Performance]
Taylor, j Milo and Fox, Alice (2015) It's a Wrap. [Performance]
Taylor, j Milo and Cahen, Joel and Kannenberg, John (2015) Site-Specific Sound Performance. [Performance]
Taylor, j Milo (2012) Ahad’s Masters Garden. [Performance]
Taylor, j Milo (2012) Hardcore Impro. [Performance]
Taylor, j Milo (2012) Meditatio Sonus (Sonic Meditation). [Performance]
Taylor, j Milo (2012) Photophonosynthesis. [Performance]
Taylor, j Milo (2012) Sound Performance Duo at Klangkunst Mutiny II. [Performance]
Taylor, j Milo (2021) Sounds for an Empty House. [Performance]
Taylor, j Milo (2015) Soundscapes UK-MX. [Performance]
Leister, Wiebke and Toop, David (2016) Echoes and Afterlives. [Performance]
Leister, Wiebke and Toop, David (2018) Echoes and Callings. [Performance]
Lane, Cathy and Butcher, Rosemary and Bronstein, Pablo (2010) Destructive navigations. [Performance]
Lane, Cathy (2016) Am I Here? [Performance]
Lane, Cathy (2015) Am I Here? [Performance]
Lane, Cathy (2014) Am I Here? (Live concert version). [Performance]
Lane, Cathy (2008) Episodes of Flight. [Performance]
Lane, Cathy (2011) The Hebrides Suite. [Performance]
Lane, Cathy (2004) Hidden Voices, composition for dance; choreographed by R Butcher. [Performance]
Lane, Cathy (2015) SCAN (composed dance score). [Performance]
Lane, Cathy (2010) Sound History & Memory at ELEKTRONISCHER FRÜHLING Alte Schmiede, Vienna. [Performance]
Lane, Cathy (2010) Tweed. [Performance]
Gardner, Thomas and Voegelin, Salomé and Mollin, David (2016) Practising the Relationship. [Performance]
Gardner, Thomas and Preston, Stephen and Edwards, Kirsten and Ayyaz, Seth and Coyte, Peter (2009) Automatic Writing Circle at the Sibelius Academy. [Performance]
Gardner, Thomas (2010) Automatic writing circle. [Performance]
Gardner, Thomas (2018) Fortress for 3 musicians. [Performance]
Gardner, Thomas (2014) Minuet On/Off. [Performance]
Finney, Rachael (2018) Can I Just Say Something. [Performance]
Cusack, Peter (2015) Fields of Sound, Fields of Light. [Performance]
Cusack, Peter (2010) Sounds from Chernobyl and other dangerous places. [Performance]
Cusack, Peter (2016) Vogelsang. [Performance]
Cobbing, William and Cooper, Rosie (2015) 'Boooook Laaaaaaunch' evening of performances at the ICA Theatre, London. [Performance]
Cobbing, William (2015) 'What Are Words Worth?'. [Performance]
Benalcazar Vega, Diego Eduardo (2019) Tinamú Ondulado (Crypturellus Undulatus). [Performance]
Ball, Steven and Blažíček, Martin (2016) More Speakers. [Performance]
Ball, Steven (2014) Personal Electronics. [Performance]
Allen, Richard and Khandekar, Prachi (2023) Circuits of Sand and Water (Dramaturg). [Performance]
Alarcon, Ximena (2012) Letters and Bridges - Telematic Sonic Performance. [Performance]
Alarcon, Ximena (2012) Migratory Dreams - Telematic Sonic Performance. [Performance]
Alarcon, Ximena (2008) Networked Improvisation “Listening and Remembering”. [Performance]
Alarcon, Ximena (2016) Suelo Fértil [Fertile Soil]: Telematic Sonic Performance. [Performance]
Alarcon, Ximena and O'Brien, Donal (2014) Comparative Review Apps towards an ‘in-between’ performance app. Technical Report. CRiSAP. (Unpublished)
Alarcon, Ximena and Lane, Cathy (2015) Sound Matters: a framework for the creative use and re-use of sound. Project Report. University of the Arts London.
lok, susan pui san (2022) REWIND/REPLAY (Netwerk Aalst). [Show/Exhibition]
lok, susan pui san (2022) REWIND/REPLAY (Van Abbemuseum). [Show/Exhibition]
lok, susan pui san (2022) REWIND/REPLAY (Villa Arson). [Show/Exhibition]
lok, susan pui san (2021) seven x seven. [Show/Exhibition]
Wynne, John and Wainwright, Tim (2019) Birds I wouldn't have heard. [Show/Exhibition]
Wynne, John and Wainwright, Tim (2013) I Am Not the Cancer. [Show/Exhibition]
Wynne, John and Wainwright, Tim (2015) Transplant. [Show/Exhibition]
Wynne, John and Wainwright, Tim (2017) Transplant and Life. [Show/Exhibition]
Wynne, John (2010) Installation for 300 speakers, Pianola and vacuum cleaner. [Show/Exhibition]
Wynne, John (2011) Installation no 1 for high and low frequencies. [Show/Exhibition]
Wynne, John (2014) Installation no 3 for high and low frequencies. [Show/Exhibition]
Wynne, John (2012) Installation no. 2 for high and low frequencies. [Show/Exhibition]
Wynne, John (2015) Untitled installation. [Show/Exhibition]
Wright, Mark Peter (2012) 30 Minutes of Listening. [Show/Exhibition]
Wright, Mark Peter (2015) Strange Strangers (solo exhibition). [Show/Exhibition]
Westwood, Martin (2016) Re-cut Piece (working title). [Show/Exhibition]
Voegelin, Salomé and Mollin, David (2017) Aurality and Environment, Auralidad y Entorno, Exhibition at La Tabacalera Gallery in Madrid, Spain part of FASE 6. 30.11.17 – 02.02.18, with David Mollin (Mollin+Voegelin) and Brandon LaBelle. [Show/Exhibition]
Voegelin, Salomé and Mollin, David (2014) The Cyclist and the Mushroom. [Show/Exhibition]
Voegelin, Salomé and Mollin, David (2014) Drafts. [Show/Exhibition]
Voegelin, Salomé and Mollin, David (2014) Dustcatcher. [Show/Exhibition]
Voegelin, Salomé (2007) Clickanywhere. [Show/Exhibition]
Voegelin, Salomé (2012) Erlking. [Show/Exhibition]
Voegelin, Salomé (2011) Sound art. [Show/Exhibition]
Uddoh, Rosa-Johan and De Ville, Abigail and Simmons, Xaviera (2021) Brand New Heavies. [Show/Exhibition]
Toop, David and Bailey, Giles (2017) The Order In Expectedness and So On. [Show/Exhibition]
Thomas, Jennet (2010) All suffering soon to end! [Show/Exhibition]
Thomas, Jennet (2012) SCHOOL OF CHANGE. [Show/Exhibition]
Thomas, Jennet (2010) The advice shape. [Show/Exhibition]
Tan, Erika (2017) Sonic Soundings / Venice Trajectories. [Show/Exhibition]
Stewart, Christopher and Teichmann, Esther (2015) Staging Disorder. [Show/Exhibition]
Stevenson, Caroline (2011) Hum. [Show/Exhibition]
Stevenson, Caroline (2013) Modular. [Show/Exhibition]
Stevenson, Caroline (2017) Picnic at Tornado Sands. [Show/Exhibition]
Shepherd, Caitlin and Wood, James and Harney, Luke and Pope, Tabitha and Halahan, Dan (2016) Discord. [Show/Exhibition]
Shepherd, Caitlin (2015) In Your Face the Longest Light. [Show/Exhibition]
Shepherd, Caitlin (2017) A Life, A Presence, Like the Air. [Show/Exhibition]
Shepherd, Caitlin (2014) Sanctuary. [Show/Exhibition]
Salazar, Ligaya and Stevenson-Keating, Patrick and Garbin, Giulia and Harry, Yeff (2014) Polyphonic Playground. [Show/Exhibition]
Sajovic, Eva (2022) Plantscapes. [Show/Exhibition]
Sajovic, Eva (2023) #end of empire. [Show/Exhibition]
Rakotoniaina, Sitraka and Friend, Andrew (2022) Sound Systems: A Lunar Folklore. [Show/Exhibition]
Rae, Nicola and Blondel, Philippe (2015) 'Arctic Glacier Sonic Frequencies - night projections over flood tides', 2014-15, at FaB (Fringe Arts Bath) Ignites Research. [Show/Exhibition]
Rae, Nicola (2015) 'Interplanetary Radio Frequencies: received from different planetary magnetospheres 1979-2014' at Partial Presence (Testing Ground for Art and Education). [Show/Exhibition]
Rae, Nicola (2014) 'Magnetospheric Frequencies' at AstroLAB. [Show/Exhibition]
Rae, Nicola (2015) 'Reciprocal Resonances Refracted, St Petersburg' at the 9th annual CYBERFEST: PATTERNS OF THE MIND. [Show/Exhibition]
Rae, Nicola (2013) 'Reciprocal Resonances Refracted, Venice' at Personal Structures: Culture-Mind-Becoming. [Show/Exhibition]
Orta, Lucy and Orta, Jorge (2014) Food / Water / Life. [Show/Exhibition]
Orta, Lucy and Orta, Jorge (2016) Lucy + Jorge Orta. [Show/Exhibition]
Noce, Kim, Mewlab (2015) Hunters Downstream. [Show/Exhibition]
Naldi, Pat (2023) Performing Mersea Island: Out of Place. [Show/Exhibition]
Mullender, Rob (2016) As Above, So Below. [Show/Exhibition]
Mullender, Rob (2016) Works for Air. [Show/Exhibition]
Mollin, David and Voegelin, Salomé (2016) Languages of Exile. [Show/Exhibition]
Mollin, David and Voegelin, Salomé (2015) Nietzsche, Cyclists and Mushrooms: Language in Contemporary Art. [Show/Exhibition]
Minkin, Louisa and Schady, Alex (2023) Vestibule. [Show/Exhibition]
Mey, Adeena (2018) Hylétique/Helvétique/Cinématique. [Show/Exhibition]
McMillan, Michael, Dubmorphology (2015) Rockers, Soulheads & Lovers: Sound Systems back in da Day. [Show/Exhibition]
Loscialpo, Flavia (2017) Let’s get Lost. Southampton as the Situationist city. [Show/Exhibition]
Leister, Wiebke (2010) Figuring Out, Taking Shape, Facing In. [Show/Exhibition]
Lane, Cathy and Hall, Lisa and Meena, Vari (2017) Connecting Columns. [Show/Exhibition]
Lane, Cathy and Butcher, Rosemary and Martin, Daria and Appleton, Melissa and Butcher, Matthew (2010) Lapped Translated Lines. [Show/Exhibition]
Lane, Cathy and Brown, Tessa (2013) The Ties That Bind. [Show/Exhibition]
Lane, Cathy (2014) Am I Here? (Fixed media exhibition version). [Show/Exhibition]
Lane, Cathy (2015) Beam. [Show/Exhibition]
Lane, Cathy (2015) Gaoth (Wind). [Show/Exhibition]
Lane, Cathy (2010) In Combat with .... [Show/Exhibition]
Lane, Cathy (2014) Sweet Airs. [Show/Exhibition]
Lane, Cathy (2013) Tweed. [Show/Exhibition]
Lane, Cathy (2010) ... the pickle jar is her home ... [Show/Exhibition]
Goh, Annie (2021) Myths of Echo. [Show/Exhibition]
Furlong, William (2004) Acts of Inscribing. [Show/Exhibition]
Furlong, William (2007) Audio Arts at Tate: Retrospective solo exhibition. [Show/Exhibition]
Furlong, William (2002) To Hear Yourself as Others Hear You. [Show/Exhibition]
Furlong, William (2006) William Furlong Audio Arts: extraction, construction, abstraction. [Show/Exhibition]
Fox, Shelley and Scanner, (2004) Fashion at Belsay. [Show/Exhibition]
Finney, Rachael and Smith, Anna FC (2015) Hear My Voice and Answer Me. [Show/Exhibition]
Eden, Michael (2022) Representing Sir Gawain and the Green Knight. [Show/Exhibition]
Cusack, Peter and Poznanska, Martyna (2017) There Will Be No Other Forest. [Show/Exhibition]
Cusack, Peter and Clouter, Isobel (2002) Vermilion Sounds: monthly environmental sound program. [Show/Exhibition]
Cusack, Peter (2017) Baikal Ice: Springtime Melt. [Show/Exhibition]
Cusack, Peter (2015) Coal and Petrochemical Soundscapes: Some Personal Thoughts. [Show/Exhibition]
Cusack, Peter (2015) Daily Sounds All Around. [Show/Exhibition]
Cusack, Peter (2014) Soundscapes of Taranto. [Show/Exhibition]
Creamer, Anne-Marie (2022) Dear Friend, I Can No Longer Hear Your Voice, solo exhibition at the Sir John Soane Museum London. [Show/Exhibition]
Conran, Maia and Hill, Yannick (2015) This island, and its buildings, is our private paradise. [Show/Exhibition]
Conran, Maia (2014) Here is the Yard. [Show/Exhibition]
Cobbing, William (2013) 'ABC in Sound'. [Show/Exhibition]
Clover, Catherine (2011) Birdbrain. [Show/Exhibition]
Christian, Toby (2018) Trippy Scroller. [Show/Exhibition]
Carlyle, Angus and Revell, Irene (2009) Sound Escapes. [Show/Exhibition]
Artinian, Emily (2007) Underconstruction - Visual Dialogue: Talking About Identities in the Armenian Transnation. [Show/Exhibition]
Antonopoulou, Alexandra and Yermakova, Anya and Hosale, Mark David and Macy, Alan (2021) Siren. [Show/Exhibition]
Allen, Richard (2019) Rock Ballad. [Show/Exhibition]
Allen, Richard (2021) Shock Corridor. [Show/Exhibition]
Ahmed, Miraj and Bøhling, Isha and Chorpening, Kelly and D'Avoine, Pierre and Egashira, Shin and Kourbaj, Issam and Franks, Matt and Lee, Jeffrey T Y and Lorenz, Theo and Monroe, Ian and Spragge, Foster and Thatcher, Tony (2015) Between Thought and Space @ Dilston Grove. [Show/Exhibition]
Ahmed, Miraj and Bøhling, Isha and Chorpening, Kelly and D'Avoine, Pierre and Egashira, Shin and Emerson, Tom and Franks, Matt and Kelly, Conor and Kourbaj, Issam and Lee, Jeffrey T Y and Lorenz, Theo and Monroe, Ian and Schweder, Alex and Spragge, Foster and Thatcher, Tony (2014) Between Thought and Space @ Camberwell Space. [Show/Exhibition]
Wright, Mark Peter (2015) Contact Zones and Elsewhere Fields: The Poetics and Politics of Environmental Sound Arts. PhD thesis, University of the Arts London.
Windle, Amanda (2011) Territorial Violence and Design, 1950-2010: A Human-Computer Study of Personal Space and Chatbot Interaction. PhD thesis, University of the Arts London with Surrey University.
Tlalim, Tom (2017) The Sound System of the State: Sonic Strategies for Political Critique at the Borders of Palestine-Israel. PhD thesis, Goldsmiths University of London.
Taylor, j Milo (2009) ImMApp: An Immersive Database of Sound Art. PhD thesis, University of the Arts London.
Tariq, Syma (2022) Partitioned listening: sonic methodology and the archive after 1947. PhD thesis, University of the Arts London.
Spinks, Tansy (2015) Associating Places: Strategies for Live, Site Specific, Sound Art Performance. PhD thesis, University of the Arts London.
Smith, Timothy (2019) A Queering of Memory, Temporality, Subjectivity: Subversive Methods in Audiovisual Practice. PhD thesis, University of the Arts London.
Sinclair, Peter Francis (2013) Using Real-Time Data Flux In Art – The Mediation Of A Situation As It Unfolds: RoadMusic – An Experimental Case Study. PhD thesis, University of the Arts London.
Scott-Cumming, Daniel (2017) The Listening Artist: On Listening as an Artistic Practice beyond Sound Art. PhD thesis, University of the Arts London.
Revell, Irene (2022) Live Materials: Womens Work, Pauline Oliveros & the feminist performance score. PhD thesis, University of the Arts London.
Reeder, Philip M. (2013) Inter-Piece Sampling and Convolution: Portfolio of 5.1 Acousmatic and Electronica Compositions, Interactive Diagrams and Text. PhD thesis, University of the Arts London and Falmouth University.
Parker, Matthew (2019) Vibrating the Web: Sonospheric Studies of Media Infrastructure Ecologies. PhD thesis, University of the Arts London.
Papadomanolaki, Maria Eftychia (2015) Sonic Perceptual Ecologies: Strategies for sound-based exploration,perception and composition in spaces of transient encounters. PhD thesis, University of the Arts London.
Mullender, Rob (2011) Silent Light, Luminous Noise: Photophonics, Machines and the Senses. PhD thesis, University of the Arts London.
Matomoro Vidal, Artur (2018) After Silence: Improvised Music, Listening and Environmental Sound. Other thesis, University of the Arts London.
Marshall, Louise Catherine Antonia (2018) Deep Listening: The Strategic Practice of Female Experimental Composers post 1945. PhD thesis, University of the Arts London.
Logan, Kevin (2018) How to DO(O) Things with Sounds: A Performative (Re)User Manual. PhD thesis, University of the Arts London.
Karlsson, Victoria (2022) Mapping Experiences of Inner Sounds. PhD thesis, University of the Arts London.
Kannenberg, John (2020) Listening to Museums: Sounds as objects of culture and curatorial care. PhD thesis, University of the Arts London.
Jackson, Mark (2014) Nothing Short of Complete Liberation: The Burroughsian Ideal of Space as Curatorial Strategy in Audial Art. PhD thesis, University of the Arts London.
Goh, Annie (2020) Sonic Knowledge Production in Archaeoacoustics: Echoes of elsewhere? PhD thesis, Goldsmiths University of London.
Gilmurray, Jonathan (2018) Ecology and Environmentalism in Contemporary Sound Art. PhD thesis, University of the Arts London.
Garrelfs, Iris (2015) From inputs to outputs: an investigation of process in sound art practice. PhD thesis, University of the Arts London.
Eernstman, Natalia (2016) Art as a Source of Learning for Sustainable Development: Making meaning, multiple knowledges and navigating open-endedness. PhD thesis, University of the Arts London and Falmouth University.
Clarke, Ciaran (2022) Reviver Voce: The Voice, Technology, and Death. PhD thesis, University of the Arts London and Falmouth University.
Clarke, Ciaran (2022) Reviver Voce: The Voice, Technology, and Death. PhD thesis, Falmouth University.
Choy, Gerard (2023) Sounding Chinese: Tracing the Voice of Early 20th Century to Present day Transnational Chinese. PhD thesis, University of the Arts London.
Chandy, Sunil (2022) Bible Noise: Hearing Hidden and Silenced Voices through Sound Art Practice in the Reading Aloud of the Bible. PhD thesis, University of the Arts London.
Boursnell, John Philip (2014) The unsound object and intimate space. PhD thesis, Norwich University of the Arts.
Allan, Jennifer (2019) Fog Tropes: A social and cultural history of the foghorn. PhD thesis, University of the Arts London.