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Items where Subject is "Creative Arts and Design > Sound Arts & Design"

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Number of items at this level: 257.

Art/Design Item

Wynne, John and Wainwright, Tim (2007) Flow. [Art/Design Item]

Wynne, John and Wainwright, Tim (2014) I Am Not the Cancer. [Art/Design Item]

Wynne, John and Wainwright, Tim (2007) ITU. [Art/Design Item]

Wynne, John and Wainwright, Tim (2008) Transplant. [Art/Design Item]

Wynne, John and Sterritt, Angela (2009) Faster Higher Stronger. [Art/Design Item]

Wynne, John and Hawrysio, Denise (2013) What is What. [Art/Design Item]

Wynne, John and Egoyan, Atom (2013) Nocturnal. [Art/Design Item]

Wynne, John (2010) Anspayaxw. [Art/Design Item]

Wynne, John (2010) Beating Tones and Flapping Wings. [Art/Design Item]

Wynne, John (2001) 'Cry Wolf' and 'Do(n’t)'. [Art/Design Item]

Wynne, John (2006) Fallender Ton Für 207 Lautsprecher Boxen (Falling Tone for 207 Loudspeakers) and 230 Unwanted Speakers. [Art/Design Item]

Wynne, John (2008) Feeding the Habit of Energy. [Art/Design Item]

Wynne, John (2015) Grave. [Art/Design Item]

Wynne, John (2013) Hearing Loss / Cold Atlantic. [Art/Design Item]

Wynne, John (2005) Hearing Voices. [Art/Design Item]

Wynne, John (2012) Hearing Voices: Speakers/Languages. [Art/Design Item]

Wynne, John (2008) Hearts, lungs and minds. [Art/Design Item]

Voegelin, Salomé and Mollin, David (2007) The Barry Echo. [Art/Design Item]

Voegelin, Salomé (2005) Helidor. [Art/Design Item]

Voegelin, Salomé (2007) Hobbies. [Art/Design Item]

Voegelin, Salomé (2008) The arrangement. [Art/Design Item]

Toop, David (2007) Sound Body - CD curation (project investigating the impact of digital technology on improvised music and sonic arts). [Art/Design Item]

Thorogood, Simon and Wolff, Stephen (2004) Soundforms. [Art/Design Item]

Sutherland, Patrick (2007) The Spiti Sound Archive. [Art/Design Item]

Sheridan, Tessa (2006) Flotsam. [Art/Design Item]

Rickett, Sophy (2011) To The River. [Art/Design Item]

Rickards, Hannah (2014) Grey light. Left and right back, high up, two small windows. [Art/Design Item]

Parry, Nye (2013) Significant Birds. [Art/Design Item]

Noce, Kim, Mewlab (2016) Love in Idleness. [Art/Design Item]

Mollin, David and Voegelin, Salomé (2015) Factual Dispersion, Poetic Compression: LANGUAGES OF EXILE. [Art/Design Item]

Lane, Cathy (2013) The Hebrides Suite. [Art/Design Item]

Lane, Cathy, Gruenrekorder: Phonography and Sound Art (recording company) (2010) Playing with words: an audio compilation. [Art/Design Item]

Lane, Cathy (2015) Preparations for an Imaginary Conflict. [Art/Design Item]

Kelly, Edward and Sheridan, Tessa (2006) Floatsam - 27 minute sound art composition created for BBC Radio 3's Between the Ears. [Art/Design Item]

Jones, Stuart (2002) ...Upon the Seas to which It Eventually Flows. [Art/Design Item]

Gardner, Thomas, Ecosonic Ensemble (2007) Ecosonic : Union Chapel performance. [Art/Design Item]

Gardner, Thomas, Ecosonic Ensemble (2008) Ecosonic rehearsal : City performance. [Art/Design Item]

Gardner, Thomas, Ecosonic Ensemble (2008) Ecosonic rehearsal : London College of Communication. [Art/Design Item]

Gardner, Thomas (2005) Lipsync. [Art/Design Item]

Gardner, Thomas (2008) Ouija Board : Union Chapel. [Art/Design Item]

Gardner, Thomas (2006) The Ouija Board. [Art/Design Item]

Denton, Beatrice (2006) Modern Day Miracles. [Art/Design Item]

Cusack, Peter and Biemann, Ursula (2005) 'Baku in 5 Quarters' and 'The Black Sea Files'. [Art/Design Item]

Cusack, Peter (2004) Baikal Ice: Recording and Interpreting the Sounds of the Environment. [Art/Design Item]

Cusack, Peter (2013) Favourite Berlin Sounds. [Art/Design Item]

Cusack, Peter (2001) Favourite Sounds Project. [Art/Design Item]

Cusack, Peter (2010) Favourite sounds: Birmingham. [Art/Design Item]

Cusack, Peter (2010) Favourite sounds: Southend. [Art/Design Item]

Cusack, Peter, Close and Remote (2014) Sound recording for Here Comes Everybody. [Art/Design Item]

Cusack, Peter (2005) 'Your Favourite Beijing Sounds' and 'Beijing Sonic Bicycle Ride'. [Art/Design Item]

Cunningham, David (2003) The Listening Room at Ikon Gallery. [Art/Design Item]

Cunningham, David (1998) The Listening Room, Biennale of Sydney. [Art/Design Item]

Cunningham, David (1994) The Listening Room, Chisenhale Gallery, London. [Art/Design Item]

Cunningham, David (2002) The Listening Room: the Connecting Principle, Newcastle. [Art/Design Item]

Cunningham, David (2001) Listening to the architecture, Helsinki. [Art/Design Item]

Cunningham, David (1997) Open square, city hall square, Copenhagen. [Art/Design Item]

Cunningham, David (2003) The listening room and stairwell (untitled) within the exhibition Sounding Spaces, ICC, Tokyo. [Art/Design Item]

Cunningham, David (2005) The listening room, Camden Arts Centre. [Art/Design Item]

Carlyle, Angus and Cox, Rupert (2011) A farm in Toho: soundfilm. [Art/Design Item]

Carlyle, Angus (2008) 51° 32 ' 6.954” N / 0° 00 ' 47.0808” W. [Art/Design Item]

Carlyle, Angus (2010) Air Pressure Blog. [Art/Design Item]

Carlyle, Angus, Gruenrekorder: Phonography and Sound Art (recording company) (2007) Autumn leaves : field recording and soundscape compilation. [Art/Design Item]

Carlyle, Angus (2011) Noli me tangere. [Art/Design Item]

Carlyle, Angus (2009) Some Memories of Bamboo. [Art/Design Item]

Cain, Ben and Gverovic, Tina (2015) Audible Audience (part of RadioCity 2014 / 2015). [Art/Design Item]

Ball, Steven and Blazicek, Martin (2006) Eutopia. [Art/Design Item]

Ball, Steven (2009) Unspoken Word. [Art/Design Item]

Alarcon, Ximena (2009) Sounding Underground. [Art/Design Item]


Yee-King, Matthew and Woolf, Sam (2003) Virtual and Physical Interfaces for Collaborative Evolution of Sound. Contemporary Music Review, 22 (3). 31 - 41. ISSN 0749-4467

Wynne, John (2014) Hearing Voices: Research and creative practice across cultures and disciplines. Language Documentation and Description, 12. pp. 120-150. ISSN 1740-6234

Voegelin, Salomé (2014) Collateral Damage. The Wire: adventures in modern music (364).

Voegelin, Salomé (2011) Epiphanies. The Wire: Adventures in Modern Music (324).

Voegelin, Salomé (2012) Ethics of Listening. Journal of Sonic Studies, 2 (1).

Voegelin, Salomé (2014) Forewords. Festival Catalogue.

Voegelin, Salomé (2016) Places Hardly Exist. Island Song.

Voegelin, Salomé (2015) Reversed Anechoics (catalogue essay). Play it by Ear. pp. 32-37.

Voegelin, Salomé (2013) Sonic Possible Worlds. Leonardo Music Journal (special issue on Sound Art), 23. ISSN 0961-1215

Voegelin, Salomé (2007) The anxiety of the lonely listener. /seconds., 5 (3). ISSN 17514134

Toop, David (2011) The Mediumship of Listening: Notes on Sound in the Silent Arts. Journal of Visual Culture, 10 (2). pp. 169-176. ISSN 1470-4129

Parry, Nye (2012) Kontexte für eine Reise durch Zeit und Raum Zum künstlerischen Schaffen von Peter Vogel (Peter Vogel: Contexts for a journey in space and time). Neue Zeitschrift für Musik, 2012 (3).

Mollin, David and Voegelin, Salomé (2016) During the Night the Crops will Still Grow (unless the player sleeps). Journal of Interdisciplinary Voice Studies, 1 (1). pp. 85-93. ISSN 2057-0341

Mollin, David and Voegelin, Salomé (2015) Writers’ habits. Reflections on Process in Sound (4). pp. 65-80.

Lane, Cathy (2016) Sound::Gender::Feminism::Activism: Research and Challenges to the Orthodoxies of Sound Arts. Contemporary Music Review, 35 (1). pp. 32-39. ISSN 0749-4467

Lane, Cathy (2016) Why Not Our Voices? Women and Music: A Journal of Gender and Culture, 20. ISSN 1090-7505 (In Press)

Jones, Stuart (2006) Space-Dis-Place: How Sound and Interactivity can Reconfigure our Apprehension of Space. Leonardo Music Journal: Noises Off - Sound Beyond Music, 16. pp. 20-27. ISSN 09611215

Biagioli, Monica (2013) These are the echoes: Sound Proof 2008-2012. Култура/Culture (4). ISSN 1857-7725

Alarcon, Ximena (2013) Creating Sounding Underground. Digital Creativity, 24 (3). pp. 252-258. ISSN 1744-3806

Alarcon, Ximena (2011) Listening and remembering: networked off-line improvisation for four commuters. CITAR Journal of Science and Technology of the Arts Revista de Ciência e Tecnologias das Artes (03). pp. 21-30. ISSN 16469798

Alarcon, Ximena (2014) Networked Migrations: Listening to and performing the in-between space (Paper). Liminalities: a Journal of Performance Studies, 10 (1). ISSN 1557-2935

Alarcon, Ximena, Sensory Ethnography, MetaLab, Harvard (2011) Sounding underground: listening, performing and transforming the commuting experience. Sensate Journal: A Journal for experiments in Critical Media Practice.


Voegelin, Salomé (2010) Listening to noise and silence: toward a philosophy of sound art. Continuum, New York. ISBN 9781441162076

Voegelin, Salomé (2014) Sonic Possible Worlds: Hearing the Continuum of Sound. Bloomsbury, New York; London. ISBN 9781623566951

Toop, David (2010) Sinister resonance: the mediumship of the listener. Continuum, New York/London. ISBN 9781441149725

Lane, Cathy and Carlyle, Angus (2013) In the Field: The Art of Field Recording. Uniformbooks, Axminster, Devon. ISBN 9780956855961

Cusack, Peter (2012) 'No, It's Not All Music'. Wolke Verlag, Berlin. ISBN 9783936000795

Carlyle, Angus and Lane, Cathy (2013) On listening. Uniformbooks, Axminster. ISBN 9781910010013

Carlyle, Angus (2007) Autumn leaves : sound and the environment in artistic practice. CRiSAP / Double Entendre. ISBN 095480743x

Lane, Cathy, ed. (2008) Playing with words : the spoken word in artistic practice. CRiSAP/RGAP, UK. ISBN 9780955827334

Book Section

Yee-King, Matthew (2007) An Automated Music Improviser Using a Genetic Algorithm Driven Synthesis Engine. In: Proceedings of the 2007 EvoWorkshops 2007 on EvoCoMnet, EvoFIN, EvoIASP,EvoINTERACTION, EvoMUSART, EvoSTOC and EvoTransLog: Applications of Evolutionary Computing. Springer-Verlag, pp. 567-576.

Wynne, John and Wainwright, Tim (2016) Transplant (excerpt). In: Beyond text? Critical practices and sensory anthropology. University of Manchester Press, Manchester. ISBN 978-0-7190-8505-5

Wynne, John and Lenskyj, Helen (2012) Symbolic Resistance: Turning the Rings. In: The Art of Dissent: London’s Olympic State. Marshgate Press, London. ISBN 978-0-9572943-0-1

Wynne, John (2013) Anspayaxw. In: Hlysnan: The Notion and Politics of Listening. Casino Luxembourg, Luxembourg, pp. 62-67. ISBN 978-99959-30-23-3

Wynne, John (2011) Hearing faces, seeing voices: sound art, experimentalism and the ethnographic gaze. In: Between Art and Anthropology: Contemporary Ethnographic Practice. Berg Publishers, London, UK, pp. 49-67. ISBN 9781847885005

Wynne, John (2013) ITU: the din of recovery. In: The Art of Immersive Soundscapes. University of Regina Press, Regina. ISBN 978-0-88977-258-8

Wynne, John (2014) Outside In: Re-framing urban noise. In: Urban Traces – Wahrnehmung im öffentlichen Raum Künstlerische Transformationen im urbanen Kontext [Perception in Public Space: Artistic transformations in the urban context]. Kunst und Kulturwissenschaft in der Gegenwart [Contemporary Art and Cultural Studies] (9). Athena Verlag, Oberhausen, pp. 59-72. ISBN 978-3-89896-598-9

Voegelin, Salomé (2015) Klangkunst als Öffentliche Kunst (Sound Art as Public Art). In: Labor Mühlheim Künstlerisches Forschen in Feldern zwischen Prekarität und Kreativität. Jovis, Berlin, DE, pp. 167-178. ISBN 978-3-86859-360-0

Voegelin, Salomé (2013) Listening to the Stars. In: What Matters Now? (What Can't You Hear?). Noch. ISBN 9781783011179

Voegelin, Salomé (2008) Night Train. In: Nachtschichten. Schriftenreihe des Instituts für Gegenwartskünste, Zürcher Hochschule der Künste, 3 . Edition Fink, Zurich. ISBN 9783037461280

Voegelin, Salomé (2014) Soundwalking the Museum: A Sonic Journey through the Visual Display. In: The Multisensory Museum Cross-Disciplinary Perspectives on Touch, Sound, Smell, Memory, and Space. AltaMira, Walnut Creek, CA. ISBN 9780759123540

Voegelin, Salomé (2007) Völlig Losgelöst. In: Autumn Leaves: sound and the environment. Double Entendre, Paris, France. ISBN 095480743X

Voegelin, Salomé (2013) A short history of radio listening. In: On Listening. Uniformbooks. ISBN 9781910010013

Toop, David (2013) Trap Set. In: Haroon Mirza. A User's Manual. Spike Island, Bristol, pp. 34-35. ISBN 978-0-9574490-0-8

Rae, Nicola (2013) SOUNDLAB. In: Personal Structures: Culture-Mind-Becoming. La Biennale di Venezia 2013. Global Art Affairs Publishing, Venice, Italy, pp. 166-167. ISBN 978-94-90784-12-6

Gardner, Thomas (2014) Sound art, music and the rehabilitation of schizophonia. In: Embodiment of Authority. Interdisziplinäre Studien zur Musik . Peter Lang, pp. 147-168. (In Press)

Cusack, Peter (2016) Coal and Petrochemical Soundscapes in North Bohemia: Some Personal Thoughts. In: Frontiers of Solitude. Skaftfell Center for Visual Art, Seyðisfjörður, Iceland, pp. 40-43. ISBN 9788026093589

Cusack, Peter (2014) Svetlana Tsalko: Poems from Chernobyl. In: HLYSNAN: The Notion and Politics of Listening. Casino Luxembourg, Luxembourg. ISBN 9789995930233

Alarcon, Ximena (2016) Sonic Migrations: listening in-between, sensing place. In: Environmental Sound Artists: in their own words. Oxford University Press, United States of America, pp. 113-121. ISBN 9780190234621

Alarcon, Ximena (2015) Telematic Embodiments: Improvising via the Internet in the context of migration. In: vs. Interpretation: An Anthology on Improvisation. Nadace Agosto Foundation, Praha. ISBN 978-80-905021-3-0

Alarcon, Ximena (2016) Tuning the Interface for Relational Listening. In: Proceedings of the 2016 International Conference on Live Interfaces. EMuTe Lab, University of Sussex in collaboration with REFRAME Books, Brighton, pp. 109-115. ISBN 978-0-9931996-8-4

Conference, Symposium or Workshop Item

Wynne, John and Wainwright, Tim (2016) Pain and Renewal in Organ Transplantation. In: Encountering Pain: hearing, seeing, speaking, 1-2 July 2016, University College London.

Wynne, John (2010) Artist Talk by John Wynne. In: Artist Talk by John Wynne, July 2010, Museum of Anthropology, Vancouver. (Unpublished)

Wynne, John (2011) Bouncing off the Walls. In: Bouncing off the Walls, 23 March 2011, London College of Communication.

Wynne, John (2016) The Intersection of Research and Practice. In: Research and Innovation Conference 2016: Practice-Related Research, 19-20 May 2016, Southampton Solent University, UK.

Wynne, John (2011) Sound art, documentary practices and ethical minefields: Trust, interpretive freedom and responsible engagement with vulnerable subjects. In: Documentary Now! A Conference on the Contemporary Contexts and Possibilities of the Documentary, 28-30 January 2011, University of Westminster, London. (Unpublished)

Wynne, John, In the Dark (2011) The Voice, the Rules and the Art. In: Clocks and Clouds, March 7, 2011, Toynbee Hall, London. (Unpublished)

Voegelin, Salomé and Jackson, Mark and Burrows, David, IMT Gallery (2010) Listening in the present time. In: Dead Fingers Talk, 12th June 2010, IMT Gallery. 2-210 Cambridge Heath Road, London, E2 9NQ. (Unpublished)

Voegelin, Salomé and Herrington, Tony and Montgomery, Will and Frosi, Helen (2010) We hear a new world: microphony technology and the rise of sound art. In: The Wire Salon, 2nd September 2010. (Unpublished)

Voegelin, Salomé (2008) Digital listening. In: Approaches to the Born-Digital Challenge in Art & Design Archives, 11/11/2008, UCL, London. (Unpublished)

Voegelin, Salomé (2013) Hearing the Continuum of Sound. In: Performance Research Seminars of the AHRC Research Centre for Musical Performance as Creative Practice, 7th October 2013, Senate House, London.

Voegelin, Salomé (2015) Inaudible Disaster Warnings. In: Aural Lighthouses, 17-22 May 2015, Santorini.

Voegelin, Salomé (2011) Listening to possible worlds. In: Sound Art Theories Symposium, 5 - 6 November 2011, Art Institute of Chicago. (Unpublished)

Voegelin, Salomé (2014) Listening to the inaudible: The sound of unicorns. In: Sonar+D, 9-14 June 2014, Caixa Forum, Barcelona, Spain.

Voegelin, Salomé (2016) Morality of the invisible, ethics of the inaudible. In: Sound, Ethics, Art and Morality, 29-30 May 2016, Tel-Aviv University, Israel.

Voegelin, Salomé (2013) Response to Public and Private Listening, Sonozones, at “Prekäre Landschaften”. In: Prekäre Landschaften, 24-25.10.2013, Mülheim an der Ruhr.

Voegelin, Salomé, World Forum for Acoustic Ecology (2014) Sound Art as Public Art. In: Invisible Places | Sounding Cities: Sound, Urbanism and Sense of Place, 18-20 July 2014, Viseu, Portugal.

Voegelin, Salomé (2013) Sound Words and Sonic Fictions. In: The Noises of Art: Audiovisual Practice in History, Theory and Culture, 4-6 September 2013, Aberystwyth, Wales, UK.

Voegelin, Salomé (2014) Warm words, fine words, deep words…. In: Tertulia Writing Sound, 25th January 2014, Arnolfini, Bristol.

Voegelin, Salomé (2016) Writing about the Sound of Unicorns. In: International Conference on Artistic Research: Writing as Practice, Practice as Writing, 28-29 April 2016, Royal Academy of Art, The Hague, Netherlands.

Voegelin, Salomé, Sound Reason (2013) Writing as Phonography | Delhi Soundwords. In: Sound Reason Conference and Festival, November-December 2013, Delhi, India.

Voegelin, Salomé (2011) The place my listening makes. In: Sounds and Sound Technology as Spatial Parameters, 2nd June 2011, ETH Zürich, Switzerland. (Unpublished)

Toop, David (2015) In Praise of Blandness: An exploration of hyper-nothingness. In: No Needless Noise: Silence and Music, 25 - 26 February 2015, Royal College of Music, London, UK.

Toop, David (2010) The body event: voice and recorded histories in the creation of a sound installation based on the ideas of the work of artist John Latham. In: [Record] [Create] Oral History in Art, Craft and Design, 2nd - 3rd July 2010, Victoria and Albert Museum. (Unpublished)

Thomas, Jennet (2011) Echo versus gown. In: This is not a Performance or a Lecture!, 17-18th June 2011, Loughborough University. (Unpublished)

Mullender, Rob (2016) Coding Bodies. In: Seeing Sound, 9th and 10th April, 2016, Bath Spa University.

Lane, Cathy and Ingleton, Holly (2016) White Noise. In: sound acts :: music performance identity, 5-8 May 2016, Polychoros KET, Athens, Greece.

Lane, Cathy (2015) ‘BEAM and MAOS’: Two approaches to urban listenings. In: Sound Studies: Art, Experience, Politics, 5-8 July 2015, Centre for Research in the Arts, Social Sciences and Humanities (CRASSH), Cambridge, UK.

Lane, Cathy (2015) BEAM: Exploring maritime Kochi through sound. In: Sound Passages: passaggi di suono, 16 November 2015, Università Iuav di Venezia (IUAV), Venice, Italy..

Lane, Cathy (2011) Babble and Speech : approaches to technology and the spoken word in contemporary sound arts practices. In: ISEA (International Symposium on Electronic Arts 2011, 14.9.2011-21.9.2011, Istanbul, Turkey. (Unpublished)

Lane, Cathy (2011) Being there: meditations on listening, recording and composing. In: ICTM conference: Listening, 18 - 21 February 2011, University of Ulster, Derry, Northern Ireland. (Unpublished)

Lane, Cathy (2016) Music, Composition, Interdisciplinarity: States of Play. In: Music, Composition, Interdisciplinarity: states of play, 28 January 2016, Oxford Brookes University, UK.

Lane, Cathy (2015) Of Narratives that are fractured and those that need to be fractured. In: Fractured Narratives - Improvised sounds and stories, 25 April 2015, Queen’s University Belfast, Northern Ireland.

Lane, Cathy (2016) Playing with Words: Spoken language as material for composition. In: Conferencia “Playing with Words: Spoken language as material for composition”, 5 January 2016, Insituto de Estudios Avanzados, Universidad de Santiago de Chile, Santiago, Chile.

Lane, Cathy (2011) Sound, sense, babble and speech: approaches to the spoken word in contemporary sound arts practices. In: sforzando!, 14 - 19 June 2011, New York, USA. (Unpublished)

Lane, Cathy (2013) ‘Why not our Voices?’. In: 13th Feminist Theory and Musicology Conference, 31 July - 4 August 2013, Hamilton College, New York, USA. (Unpublished)

Lane, Cathy (2016) Why not our voices? New listenings and new worlds in the sonic imaginary. In: Sound Art Matters, 1-4 June 2016, Aarhus, Denmark.

Gardner, Thomas (2010) “Arab” and “avant garde” and multi-local avant-gardes? from Beirut and beyond. In: Volatile Frequencies: Topologies of Authority, Technology and Production in Contemporary Middle Eastern Music Practices, 18th - 20th November 2010, City University, London. (Unpublished)

Gardner, Thomas (2011) The rehabilitation of schizophonia:  social interaction, sound and media in the Automatic Writing Circle. In: The Embodiment of Authority: Perspectives on Performances, 10–12 September 2010, Department of Doctoral Studies in Musical Performance and Research, Sibelius Academy, Helsinki, Finland.. (Unpublished)

Cusack, Peter (2014) Berlin Sonic Places. In: Recomposing the City: Sonic Art and Urban Architectures, 29 May 2014, Institute for Collaborative Research in the Humanities, Queens' University, Belfast.

Cusack, Peter (2016) Field Recording as Sonic Journalism. In: Hearing Landscape Critically, 21-22 April 2016, Faculty of Music, University of Oxford.

Cusack, Peter, The Wire (2010) The wire salon on field recording. In: The Wire Salon, 7th October 2010, Cafe Oto, London. (Unpublished)

Cascella, Daniela and Voegelin, Salomé (2015) Ora: Multisensory Conflict. In: Sound Studies: Art, Experience, Politics, 8-10 July 2015, CRASSH, University of Cambridge, UK.

Carlyle, Angus (2006) Like Quails Clucking: Landscape, Soundscape and a Noisy Future? In: The West Meets the East in Acoustic Ecology.

Carlyle, Angus (2010) “Soft Shadows and Bright Light: On Recording and Reality”. In: The World Forum For Acoustic Ecology: Ideologies and Ethics in the Uses and Abuses of Sound, June 16-19, 2010, Koli, Finland. (Unpublished)

Carlyle, Angus (2010) Sound Escapes Presentation. In: Beyond The Academy: Research As Exhibition, 14th May 2010, Tate Britain. (Unpublished)

Carlyle, Angus (2011) Sounding Ethics. In: Documentary Now Conference, 28th of January 2011, University of Westminster. (Unpublished)

Bown, Oliver and Lexer, Sebastian (2006) Continuous Time Recurrent Neural Networks for Generative and Interactive Musical Performance. In: EvoWorkshops2006: EvoMUSART; the 4th European Workshop on Evolutionary Music and Art, 10 - 12 April 2006, Budapest, Hungary.

Bown, Oliver (2006) The Extended Importance of the Social Creation of Value in Evolutionary Processes. In: Biennial European Conference on Artificial Intelligence (ECAI), Riva de Garda, Italy, 28 - 29 August 2006.

Ball, Steven (2015) Appropriate Language: Transcription and rearticulation as post-colonial performance strategies. In: IMAGE | SPACE | BODY AAANZ Conference 2015 (Art Association of Australia and New Zealand), 24 - 25 November, 2015, Gallery of Modern Art, Brisbane, Australia.

Alarcon, Ximena (2016) Tuning the Interface for Relational Listening. In: 3rd International Conference on Live Interfaces, 29 June - 3 July 2016, University of Sussex, Brighton, UK.


Wynne, John (2011) Andromache. UNSPECIFIED.

Voegelin, Salomé (2015) Sound Art as Public Art. UNSPECIFIED.

Lane, Cathy (2010) Playing with Words: an online compilation | Various Artists. Gruenrekorder ::. Phonography & Sound Art.

Cusack, Peter (2012) Berlin Sonic Places. UNSPECIFIED.

Cusack, Peter (2012) Sounds from Dangerous Places. UNSPECIFIED.


Voegelin, Salomé and Toop, David and Cascella, Daniela (2011) Performance Lecture. [Performance] (Unpublished)

Voegelin, Salomé and Cascella, Daniela (2014) ora13: Listening and Writing: Sound Studies on the Radio. [Performance]

Toop, David and Michener, Elaine and Lewis, Barry (2010) Of Leonardo da Vinci: quills, a black giant, deluge. [Performance]

Leister, Wiebke and Toop, David (2016) Echoes. [Performance]

Lane, Cathy and Butcher, Rosemary and Bronstein, Pablo (2010) Destructive navigations. [Performance]

Lane, Cathy (2016) Am I Here? [Performance]

Lane, Cathy (2015) Am I Here? [Performance]

Lane, Cathy (2008) Episodes of Flight. [Performance]

Lane, Cathy (2011) The Hebrides Suite. [Performance]

Lane, Cathy (2004) Hidden Voices, composition for dance; choreographed by R Butcher. [Performance]

Lane, Cathy (2015) SCAN (composed dance score). [Performance]

Lane, Cathy (2010) Sound History & Memory at ELEKTRONISCHER FRÜHLING Alte Schmiede, Vienna. [Performance]

Lane, Cathy (2010) Tweed. [Performance]

Gardner, Thomas and Preston, Stephen and Edwards, Kirsten and Ayyaz, Seth and Coyte, Peter (2009) Automatic Writing Circle at the Sibelius Academy. [Performance]

Gardner, Thomas (2010) Automatic writing circle. [Performance]

Gardner, Thomas (2014) Minuet On/Off. [Performance]

Cusack, Peter (2015) Fields of Sound, Fields of Light. [Performance]

Cusack, Peter (2010) Sounds from Chernobyl and other dangerous places. [Performance]

Ball, Steven (2014) Personal Electronics. [Performance]

Alarcon, Ximena (2012) Letters and Bridges - Telematic Sonic Performance. [Performance]

Alarcon, Ximena (2012) Migratory Dreams - Telematic Sonic Performance. [Performance]

Alarcon, Ximena (2008) Networked Improvisation “Listening and Remembering”. [Performance]


Alarcon, Ximena and O'Brien, Donal (2014) Comparative Review Apps towards an ‘in-between’ performance app. Technical Report. CRiSAP. (Unpublished)

Alarcon, Ximena and Lane, Cathy (2015) Sound Matters: a framework for the creative use and re-use of sound. Project Report. Creative Research into Sound Arts Practice - CRiSAP. (Submitted)


Wynne, John and Wainwright, Tim (2013) I Am Not the Cancer. [Show/Exhibition]

Wynne, John and Wainwright, Tim (2015) Transplant. [Show/Exhibition]

Wynne, John (2010) Installation for 300 speakers, Pianola and vacuum cleaner. [Show/Exhibition]

Wynne, John (2011) Installation no 1 for high and low frequencies. [Show/Exhibition]

Wynne, John (2014) Installation no 3 for high and low frequencies. [Show/Exhibition]

Wynne, John (2012) Installation no. 2 for high and low frequencies. [Show/Exhibition]

Wynne, John (2015) Untitled installation. [Show/Exhibition]

Voegelin, Salomé and Mollin, David (2014) The Cyclist and the Mushroom. [Show/Exhibition]

Voegelin, Salomé and Mollin, David (2014) Drafts. [Show/Exhibition]

Voegelin, Salomé and Mollin, David (2014) Dustcatcher. [Show/Exhibition]

Voegelin, Salomé (2007) Clickanywhere. [Show/Exhibition]

Voegelin, Salomé (2012) Erlking. [Show/Exhibition]

Voegelin, Salomé (2011) Sound art. [Show/Exhibition]

Thomas, Jennet (2010) All suffering soon to end! [Show/Exhibition]

Thomas, Jennet (2012) SCHOOL OF CHANGE. [Show/Exhibition]

Thomas, Jennet (2010) The advice shape. [Show/Exhibition]

Stevenson, Caroline (2011) Hum. [Show/Exhibition]

Stevenson, Caroline (2013) Modular. [Show/Exhibition]

Silva, Corinne (2015) Garden State. [Show/Exhibition]

Rae, Nicola and Blondel, Philippe (2015) 'Arctic Glacier Sonic Frequencies - night projections over flood tides', 2014-15, at FaB (Fringe Arts Bath) Ignites Research. [Show/Exhibition]

Rae, Nicola (2015) 'Interplanetary Radio Frequencies: received from different planetary magnetospheres 1979-2014' at Partial Presence (Testing Ground for Art and Education). [Show/Exhibition]

Rae, Nicola (2014) 'Magnetospheric Frequencies' at AstroLAB. [Show/Exhibition]

Rae, Nicola (2015) 'Reciprocal Resonances Refracted, St Petersburg' at the 9th annual CYBERFEST: PATTERNS OF THE MIND. [Show/Exhibition]

Rae, Nicola (2013) 'Reciprocal Resonances Refracted, Venice' at Personal Structures: Culture-Mind-Becoming. [Show/Exhibition]

Orta, Lucy and Orta, Jorge (2014) Food / Water / Life. [Show/Exhibition]

Mollin, David and Voegelin, Salomé (2016) Languages of Exile. [Show/Exhibition]

Mollin, David and Voegelin, Salomé (2015) Nietzsche, Cyclists and Mushrooms: Language in Contemporary Art. [Show/Exhibition]

McMillan, Michael, Dubmorphology (2015) Rockers, Soulheads & Lovers: Sound Systems back in da Day. [Show/Exhibition]

Lane, Cathy and Butcher, Rosemary and Martin, Daria and Appleton, Melissa and Butcher, Matthew (2010) Lapped Translated Lines. [Show/Exhibition]

Lane, Cathy and Brown, Tessa (2013) The Ties That Bind. [Show/Exhibition]

Lane, Cathy (2015) Beam. [Show/Exhibition]

Lane, Cathy (2015) Gaoth (Wind). [Show/Exhibition]

Lane, Cathy (2010) In Combat with .... [Show/Exhibition]

Lane, Cathy (2014) Sweet Airs. [Show/Exhibition]

Lane, Cathy (2013) Tweed. [Show/Exhibition]

Lane, Cathy (2010) ... the pickle jar is her home ... [Show/Exhibition]

Furlong, William (2004) Acts of Inscribing. [Show/Exhibition]

Furlong, William (2007) Audio Arts at Tate: Retrospective solo exhibition. [Show/Exhibition]

Furlong, William (2002) To Hear Yourself as Others Hear You. [Show/Exhibition]

Furlong, William (2006) William Furlong Audio Arts: extraction, construction, abstraction. [Show/Exhibition]

Fox, Shelley and Scanner, (2004) Fashion at Belsay. [Show/Exhibition]

Cusack, Peter and Clouter, Isobel (2002) Vermilion Sounds: monthly environmental sound program. [Show/Exhibition]

Cusack, Peter (2015) Coal and Petrochemical Soundscapes: Some Personal Thoughts. [Show/Exhibition]

Cusack, Peter (2015) Daily Sounds All Around. [Show/Exhibition]

Cusack, Peter (2014) Soundscapes of Taranto. [Show/Exhibition]

Clover, Catherine (2011) Birdbrain. [Show/Exhibition]

Carlyle, Angus and Revell, Irene (2009) Sound Escapes. [Show/Exhibition]

Artinian, Emily (2007) Underconstruction - Visual Dialogue: Talking About Identities in the Armenian Transnation. [Show/Exhibition]

Ahmed, Miraj and Bøhling, Isha and Chorpening, Kelly and D'Avoine, Pierre and Egashira, Shin and Kourbaj, Issam and Franks, Matt and Lee, Jeffrey T Y and Lorenz, Theo and Monroe, Ian and Spragge, Foster and Thatcher, Tony (2015) Between Thought and Space @ Dilston Grove. [Show/Exhibition]

Ahmed, Miraj and Bøhling, Isha and Chorpening, Kelly and D'Avoine, Pierre and Egashira, Shin and Emerson, Tom and Franks, Matt and Kelly, Conor and Kourbaj, Issam and Lee, Jeffrey T Y and Lorenz, Theo and Monroe, Ian and Schweder, Alex and Spragge, Foster and Thatcher, Tony (2014) Between Thought and Space @ Camberwell Space. [Show/Exhibition]


Wright, Mark (2015) Contact Zones and Elsewhere Fields: The Poetics and Politics of Environmental Sound Arts. PhD thesis, University of the Arts London.

Windle, Amanda (2011) Territorial Violence and Design, 1950-2010: A Human-Computer Study of Personal Space and Chatbot Interaction. PhD thesis, University of the Arts London with Surrey University.

Taylor, Jonathan Milo (2009) ImMApp: An immersive database of sound art. PhD thesis, University of the Arts London.

Spinks, Tansy (2015) Associating Places: Strategies for Live, Site Specific, Sound Art Performance. PhD thesis, University of the Arts London.

Sinclair, Peter Francis (2013) Using Real-Time Data Flux In Art – The Mediation Of A Situation As It Unfolds: RoadMusic – An Experimental Case Study. PhD thesis, University of the Arts London.

Reeder, Philip M. (2013) Inter-Piece Sampling and Convolution: Portfolio of 5.1 Acousmatic and Electronica Compositions, Interactive Diagrams and Text. PhD thesis, University of the Arts London and Falmouth University.

Jackson, Mark (2014) Nothing Short of Complete Liberation: The Burroughsian Ideal of Space as Curatorial Strategy in Audial Art. PhD thesis, University of the Arts London.

Garrelfs, Iris (2015) From inputs to outputs: an investigation of process in sound art practice. PhD thesis, University of the Arts London.

Eernstman, Natalia (2016) Art as a Source of Learning for Sustainable Development: Making meaning, multiple knowledges and navigating open-endedness. PhD thesis, University of the Arts London and Falmouth University.

This list was generated on Fri Oct 28 09:18:03 2016 BST.