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Minkin, Louisa (2023) Shifts and Expedients. [Art/Design Item]
de la Haye, Amy (2018) A Critical Analysis of Practices of Collecting Fashionable Dress. Fashion Theory: The Journal of Dress, Body and Culture, 22. ISSN 1362-704X
Whitelegg, Isobel (2009) The bienal de São Paulo: unseen/undone (1969—1981). Afterall (22). pp. 106-113. ISSN 14654253
Velios, Athanasios and Pickwoad, Nicholas and Honey, Andrew (2011) Manuscript boxing: a technique for objective spatial arrangement. Journal of Paper Conservation - IADA Reports, 12 (4). pp. 16-25. ISSN 1868-0860
Velios, Athanasios (2016) Online event-based conservation documentation: A case study from the IIC website. Studies in Conservation, 61 (1). pp. 13-25. ISSN 0039-3630
Thurlow, Elisabeth (2020) Preserving an emerging digital arts landscape: digital preservation at University of the Arts London. Art Libraries Journal, 45 (2). pp. 78-82. ISSN 0307-4722
Slater, Alix (2004) Revisiting membership scheme typologies in museums and galleries. International Journal of Nonprofit and Voluntary Sector Marketing, volume (number). pp. 238-260. ISSN 14654520
Sandino, Linda and Mallet, John (2011) John Mallet: 'This is the way that life happened'. Keramos, 210. pp. 11-18. ISSN 04537580
Sandino, Linda (2012) For the Record: [Un]Official Voices at the V&A. Journal of Conservation and Museum Studies, 10 (1). ISSN 1364-0429
Ryan, Nicky (2010) Chatsworth House. Museums Journal, 110. pp. 48-51. ISSN 0027416X
Ryan, Nicky (2010) Gallery of Costume, Platt Hall, Rusholme, Manchester. Museums Journal, 110. pp. 48-49. ISSN 0027416X
Ryan, Nicky (2011) Holburne Museum. Museums Journal, 111 (10). pp. 54-57. ISSN 0027416X
Ryan, Nicky (2010) Rediscovering Greece and Rome: The Fitzwilliam Museum, Cambridge. Museums Journal, 5. pp. 52-53. ISSN 0027416X
Ryan, Nicky (2011) Roman Baths, Bath. Museums Journal, 111. pp. 50-51. ISSN 0027416X
Ryan, Nicky (2010) South London Gallery. Museums Journal. ISSN 0027416X
Reynolds, R and Walker, Kevin and Speight, C (2010) Web-based museum trails on PDAs for university-level design students: design and evaluation. Computers & Education, 55 (3). pp. 994-1003. ISSN 03601315
Rathnayake, Chamil and Ntalla, Irida (2020) “Visual Affluence” in Social Photography: Applicability of Image Segmentation as a Visually Oriented Approach to Study Instagram Hashtags. Social Media + Society, 6 (2). pp. 1-24. ISSN 2056 3051
Ntalla, Irida (2014) Engaging Audiences on Ongoing Social Debates through Interactive and Immersive Exhibits. The International Journal of the Inclusive Museum, 6 (2). pp. 105-116. ISSN 1835- 2014
Ntalla, Irida (2021) Play and manifestations of playfulness in interactive and immersive museum spaces. Culture, Theory and Critique, 62 (3). pp. 266-286. ISSN 1473-5776
Morra, Joanne (2013) Seemingly empty: Freud at Berggasse 19, a conceptual museum in Vienna. Journal of Visual Culture, 12 (1). pp. 89-127. ISSN 14704129
Hidalgo Urbaneja, Maribel (2020) Defining online resources typologies in art museums: online exhibitions and publications. International Journal for Digital Art History.
Eden, Michael (2018) Sonia Boyce and a Meta Criticism of the Critics. Trebuchet Magazine.
Dixon, Catherine and Baines, Phil (2018) Back to the classroom: the Central Saint Martins Museum & Study Collection & Central Lettering Record (CLR). Communication Design: Interdiciplinary and Graphic Design Research, 5. pp. 258-264. ISSN 2055-7140
de la Haye, Amy and Sutton, Emily (2011) Clara Button and the magical hat day. V&A Publishing, London, UK. ISBN 9781851776580
Tan, Erika (2014) Come Cannibalise Us, Why Don’t You? / Sila Mengkanibalkan kami mahu tak? [Book]. National University of Singapore, Singapore. ISBN 978-981-07-9128-5
Putnam, James (2009) Art and artifact: the museum as medium. Thames and Hudson, London. ISBN 9780500288351
Green, Alison (2018) When Artists Curate: Contemporary Art and the Exhibition as Medium. Art Since the '80s . Reaktion, London. ISBN 9781780239330
Dibosa, David and Walsh, Victoria and Dewdney, Andrew (2012) Post-critical museology: theory and practice in the art museum. Routledge, London, UK. ISBN 978-0-415-60601-1, 978-0-415-60600-4
Dalal-Clayton, Anjalie and Puri Purini, Ilaria (2022) Doing the Work: Embedding Anti-Racism and Decolonisation in Museum Practice. Contemporary Art Society and UAL Decolonising Arts Institute, London, UK. ISBN 978-1-7397065-0-0
Willcocks, Judy (2015) The Power of Concrete Experience: museum collections, touch and meaning-making in art and design pedagogy. In: Engaging the Senses: Object-Based Learning in Higher Education. Routledge, Taylor & Francis, London, pp. 43-56. ISBN 9781472446152
Voegelin, Salomé (2014) Soundwalking the Museum: A Sonic Journey through the Visual Display. In: The Multisensory Museum Cross-Disciplinary Perspectives on Touch, Sound, Smell, Memory, and Space. AltaMira, Walnut Creek, CA. ISBN 9780759123540
Slater, Alix (2007) 'Constructive chillers': a new market for museums. In: Museum marketing: competing in the global marketplace. Routledge, Oxford, pp. 91-103. ISBN 9780750680653
Sandino, Linda (2012) A Curatocracy: Who and What is a V&A curator? In: Museums and Biographies: Stories Objects Identities. Boydell and Brewer, Woodbridge, Suffolk.
Morris, David (2020) Дэвид Моррис. Музеи в андеграунде: отчет об исследовании. In: Альманах ЦЭМ: номер 1. CEM, V–A–C Press.
Milic, Nela (2022) Belgrade’s Protest Museum: Digital Memorialisation as Continuing the Event. In: The Memorial Museum in the Digital Age. Reframe Books, UK, pp. 246-282. ISBN 978-1-7395820-0-5
Leister, Wiebke (2017) Photographic Installation Strategies En-bloc and In-the-round. In: A Companion to Modern Art. Wiley-Blackwell, pp. 187-207. ISBN 978-1-118-63987-0
Kidd, Jenny and Ntalla, Irida and Lyons, Williams (2011) Multi-touch interfaces in museum spaces: reporting preliminary findings on the nature of interaction. In: Proceedings of the International Conference Re-thinking Technology in Museums, Emerging Experiences. University of Limerick. ISBN 978-1-905952-31-1
Hernández Velázquez, Yaiza María (2004) Museos de Sol y Playa. In: Paisajes del Placer, Paisajes de la Crisis. El espacio turístico canario y sus representaciones. Fundación César Manrique, Madrid, pp. 137-155. ISBN 8488550545
Geary, Angela (2006) 3D Virtual Restoration of Polychrome Sculpture: Techniques and Applications. In: Digital Heritage - Applying Digital Imaging to Cultural Heritage. Elsevier, Oxford, pp489-512. ISBN 0-7506-6183-6
Froes, Isabel and Walker, Kevin (2011) The art of play: exploring the roles of technology and social play in museums. In: Museums at Play: Games, Interaction and Learning. Museums Etc, Edinburgh. ISBN 9781907697135
Dyson, Lynda (2002) Collecting Practices and Autobiography: The Role of Objects in the Mnemonic Landscape of Nation. In: Temporalities: Autobiography and Everyday Life. Manchester University Press, pp. 128-140. ISBN 071905575X
Dyson, Lynda (2005) Reinventing the Nation: British Heritage and the Bicultural Settlement in New Zealand. In: The Politics of Heritage; The Legacy of 'Race'. Routledge Taylor and Francis Group, pp. 115-130. ISBN 0415322111
Dibosa, David and Dewdney, Andrew and Walsh, Victoria (2012) Cultural diversity: politics, policy and practices. The case of Tate Encounters. In: Museums, Equality and Social Justice. Museum Meanings . Routledge, Abingdon, Oxon; New York, pp. 114-124. ISBN 9780415504683
Dibosa, David and Dewdney, Andrew and Walsh, Victoria (2010) Cultural inequality, multicultural nationalism and global diversity: Tate encounters: Britishness and visual culture. In: Beyond Cultural Diversity: The Case for Creativity. A Third Text Report . Routledge on behalf of Black Umbrella, London, UK, pp. 81-91. ISBN 978-0-947753-11-5
Antoniou, Alexander-Stamatios and Ntalla, Irida and Woollard, Vicky (2013) Discussing Museum Learning Opportunities For Children With Disabilities. In: Education, Family and Child & Adolescent Health. DIADRASSI Publications, Athens, pp. 277-292. ISBN 978-960-9541-94-7
Sandino, Linda (2011) Curatorial narratives at the V&A: "but there’s another invisible level only you see". In: Voices in (and around) the Museum, 25th May 2011, UCL. (Unpublished)
Rose, Adam and Daniels, Gabriela and Burrows, Kimberly (2023) Enriching exhibitions through inclusive digital access. In: Museum Next: Digital Exhibition Summit, 11-12 December 2023, Online.
Quinn, Malcolm (2015) Pop Goes Taste. In: Late Tuesday: Good Taste/Bad Taste, 27 October 2015, RIBA.
Ntalla, Irida and Stamatiou, Alexandros (2012) The museum as a transitional learning space for children with special needs. In: The Quality in Education: Trends and Perspectives Conference, 11-13 May 2012, Athens, Greece.
Ntalla, Irida (2013) Haptic Interactions through Touch-Screen Interfaces. In: Electronic Visualisation and the Arts (EVA 2013), 29-31 July 2013, London.
Morra, Joanne (2010) The archaeological impulse. In: Department of Art and Media Studies, Norwegian University of Science and Technology, September 2010, Department of Art and Media Studies, Norwegian University of Science and Technology. (Unpublished)
Minkin, Louisa and Shouting, Melissa and Heavy Head, Danielle and Clark, Christine and Mills, Josephine (2024) Reconnecting Blackfoot items through technology. In: Worlding Northern Art (WONA), 15 February 2024, Online.
Minkin, Louisa and Dawson, Ian and Allison, Thomas and Clark, Christine and Shouting, Melissa and Mills, Josephine and Heavy Head, Danielle and Reilly, Paul (2021) Concepts That Bite Through Time: Blackfoot Objects as Curriculum. In: Indigenous Mobilities: Travellers through the Heart(s) of Empire, 15-18 June 2021, Online.
Minkin, Louisa and Clark, Christine and Shouting, Melissa and Heavy Head, Danielle and Clark, Alison and Allison, Thomas and Brown, Alison K. and Meirion Jones, Andrew and Dawson, Ian (2022) Mootookakio’ssin Distant Awareness: Digital Imaging, Remote Viewing and Blackfoot items in the collections of Marischal Museum and National Museums Scotland. In: MEG Conference 2022: Rethinking Practice, Reimagining the Future, 28-29 April 2022, National Museums Scotland, Edinburgh.
Minkin, Louisa (2021) Isttoán – Knife. In: Diffracting Digital Images, 26 March 2021, Online.
Markowski, Marianne and Ntalla, Irida and Kamposiori, Christina and Routsis, Vasileios (2015) Multidisciplinary Perspectives on Affective Experiences. In: Electronic Visualisation and the Arts (EVA 2015), 7-9 July 2015, London.
Hidalgo Urbaneja, Maribel and Velios, Athanasios and Goodwin, Paul (2022) Worlding databases: A decolonising approach to the structuring and representation of data about global arts. In: DH2022, 25-29 July 2022, Tokyo, Japan, Online.
Hidalgo Urbaneja, Maribel and Velios, Athanasios and Goodwin, Paul (2023) Worlding ontologies. Towards more ethical museum databases. In: Museum Analytics: New Directions, 18 May 2023, Kings College London.
Hidalgo Urbaneja, Maribel and Jaillant, Lise (2023) Artificial intelligence as a decolonisation tool: Lessons from libraries, archives and museums. In: Many Worlds of AI, 26-28 April 2023, Cambridge, England.
Hidalgo Urbaneja, Maribel (2021) Global Digital Museum Narratives: Representation, authorship and audiences. In: Association for Art History 2021 Annual Conference, 14-17 April 2021, Birmingham, Online.
Hernández Velázquez, Yaiza María (2011) Otra Institucionalidad. De la Crítica Institucional a la Institución en Crisis. In: "Artefactos de Acción Directa", 30-11-2011 to 1-12-2011, Museo Nacional Centro de Arte Reina Sofía, Madrid.
Dalal-Clayton, Anjalie and Rutherford, Ananda (2022) Making the Case for Slow Cataloguing. In: Collections Trust 2022 Annual Conference: Rethinking Cataloguing, 6 October 2022, Millennium Gallery, Sheffield.
Dalal-Clayton, Anjalie and Rutherford, Ananda (2023) Provisional Inclusion: Can collections research projects ever be genuinely ethical and equitable? In: Towards a National Collection Conference, 26 April 2023, British Museum.
Austin, Patricia (2014) TyPA Workshop. In: TyPA Lab on Museum Management, 1 - 3 October 2014, Buenos Aries.
Sandino, Linda (2011) Open secrets: stories from the V&A Archive.
Dent, Katie and Willcocks, Judy (2016) The impact of strategic agencies on university partnerships with cultural heritage organisations in England. Project Report. National Co-ordinating Centre for Public Engagement.
Bonacchi, Chiara and Willcocks, Judy (2016) Realities and impacts of museum-university partnerships in England. Project Report. National Co-ordinating Centre for Public Engagement.
Thorogood, Simon (2004) Fragment/a. [Show/Exhibition]
Perez Martinez, Sol (2018) Lansbury MicroMuseum in Urban Rooms: Civic Schools & City Learning. Past, Present and Future. [Show/Exhibition]
Minkin, Louisa and Mills, Josephine and Solis, Migueltzinta (2023) Mootookakio'ssin: Creating in Space Time. [Show/Exhibition]
Minkin, Louisa and Eshun, Esi (2023) OST. [Show/Exhibition]
Minkin, Louisa (2024) Agents of Deterioration. [Show/Exhibition]
Maloney, Peter (2021) The Domestic Imaginary. [Show/Exhibition]
Kovats, Tania (2007) Museum of The White Horse. [Show/Exhibition]
Collingwood, Ruth and Kavanagh, Jen and Sajeva, Monica-carmela (2017) A Short Exhibition About Music Zines. [Show/Exhibition]
Brambilla, Gabriella and Cleverly, Jason and Coupland, Geoff and Priest, Colin and Sukthana, Jar and Taylor, Rachel Emily and Maloney, Peter (2023) Talking Toys. [Show/Exhibition]
Yu-Kiener, Tobias (2021) European Biographical Graphic Novels about Canonical Painters: An Analysis of Form and Function in the Context of Art Museums. PhD thesis, University of the Arts London.
Tan, Bridget Tracy (2014) Gestures and Acclamations: some assembly required Contextualising curating and exhibtion practices in Southeast Asia for Singapore, Indonesia and Hong Kong. PhD thesis, University of the Arts London.
Stylianou, Nicola Stella (2012) Producing and Collecting for Empire: African Textiles in the V&A 1852-2000. PhD thesis, University of the Arts London and the Victoria and Albert Museum.
Ross, Michaela Louise (2012) The artist-as-educator: dialogue, community and the institutional site. PhD thesis, University of the Arts London.
Piehl, Jona (2015) Reframing Exhibition Graphic Design: An exploration of the multiple roles of graphic design and its impact on storytelling in museum exhibitions. PhD thesis, University of the Arts London.
Mendelson, Zoë (2014) Psychologies and Spaces of Accumulation: The hoard as collagist methodology (and other stories). PhD thesis, University of the Arts London.
Jin, Yunshui (2022) Realism, Storytelling and User Experience in HMD-based eXtended Reality for Holocaust Museum. PhD thesis, Falmouth University.
Horsley, Jeffrey (2012) Embedding the personal: the construction of a 'fashion autobiography' as a museum exhibition, informed by innovative practice at ModeMuseum, Antwerp. PhD thesis, University of the Arts London.
Hill, Colleen Rachel (2023) Wearing the Wunderkammer: A practice-led analysis of cabinets of curiosities, examining the quality of curiosity and applying it to a fashion exhibition. PhD thesis, University of the Arts London.
Hidalgo Urbaneja, Maribel (2020) Towards a Definition of Digital Narratives in Art Museums. PhD thesis, University of Glasgow.
Georgaki, Maria (2016) Pedagogies of ‘Good Design’ and Handling in Relation to the I.L.E.A./Camberwell Collection. PhD thesis, University of the Arts London.
Ferreira da Rocha e Silva, Ana Beatriz (2011) Spectacular architecture, identity crisis, cultural politics and the reinvention of the significance of museums of modern art. PhD thesis, University of the Arts London.
Daikos, Antonis (2023) UNSEX: Exhibition-Making as a Methodological Approach to Interpret Contemporary Gender-Neutral Fashion in Museums and Gallery Spaces. PhD thesis, University of the Arts London.
Crawford, Richard (2021) Re-Presenting Taxidermy: Contemporary Art Interventions in Natural History Museums. PhD thesis, University of the Arts London.
Burkhanova, Aleksandra Sasha (2022) A manifesto of an (un)ethical Curator: from a curator as a person - to a curator as a process. PhD thesis, University of the Arts London.
Baniotopolou, Evdoxia (2010) Century City: Art and Culture in the Modern Metropolis. A case-study of institutional curating of contemporary art in an urban context. PhD thesis, University of the Arts London.
Baker, Daniel Alexander (2018) Technologies of Encounter: Exhibition-Making and the 18th Century South Pacific. PhD thesis, University of the Arts London.