Items where Subject is "Intellectual History"

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Brar, Dhanveer and Sharma, Ashwani (2020) What is this ‘Black’ in Black Studies: From Black British Cultural Studies to Black Critical Thought in U.K. Arts and Higher Education. New Formations (99). pp. 88-109. ISSN 0950 2378

Baddeley, Oriana (2017) Boissonnas in Egypt. Saint Catherine Foundation, London. ISBN 9781906908478

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Cherry, Deborah (2015) The Contradictions of the (Para)National. In: Association of Art Historians Annual Conference, 9-11 April 2015, Norwich.

Calvert, Sheena M. (2016) Books and the Human. In: Holding / Held by the Book, 1 July 2016, Treasures of the Brotherton Gallery, University of Leeds, UK.

Calvert, Sheena M. (2018) History of Illustration. In: History of Illustration. Bloomsbury/Fairchild (US/UK), USA and London, pp. 15-500. ISBN 978-1-6289-2753-5

Calvert, Sheena M. (2015) A Philosophy of Punctuation. In: Face Forward Typography Conference, 11-12 December 2015, Dublin Institute of Technology, Ireland.

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Green, Alison (2015) Intermedia, Exile and Carolee Schneemann. In: Across the Great Divide: Modernism's Intermedialities from Fluxus to Futurism. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 137-157. ISBN 1-4438-54786

Green, Alison (2017) 'A Supreme Fiction': Michael Fried and Art Criticism. Journal of Visual Culture, 16 (1). pp. 89-102. ISSN 1470-4129

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Hardy, Jonathan (2021) Media systems and misinformation. In: The Routledge Companion to Media Disinformation and Populism. Routledge, Abingdon, Oxon, pp. 59-70. ISBN 9780367435769

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Ingham, Mark (2021) Mutant Algae and Fighting Fascism with Félix Guattari. Medium.

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Kollectiv, Galia and Kollectiv, Pil (2023) Subversive Performance in the Age of Human Capital. Palgrave Macmillan, London. ISBN 978-3-031-35814-2

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Mey, Adeena (2013) Rancière as Foucauldian? On the Distribution of the Sensible and New Forms of Subjectivities. In: Foucault, Biopolitics, and Governmentality. Södertörn Philosophical Studies (14). Södertörn University, Stockholm, pp. 175-183. ISBN 978-91-86069-59-9

Mey, Adeena (2022) The Slave Trade and Contemporary Art in the Museum. ‘Uncomfortable Truths’ at the V&A. Afterall

Melvin, Jo and Lefeuvre, Lisa (2008) Ping Pong Slippage. In: Bill Beckley: ping-pong dialogues. Chelsea Space, London. ISBN 9781906203191

Melvin, Jo and Dobai, Sarah and McCarthy, Tom and Campany, David and Dobai, Sarah (2015) The Copyists. In: The Copyists, 20 March 2015, Institute of Contemporary Art London.

Melvin, Jo (2014) When actions speak louder than words: productive exchanges between Peter Townsend and Seth Siegelaub in Studio International. In: Siegelaub et caetera, archive, art conceptuel, textile, 26 May 2014, Institute nationale De L'historie de l'art de France, Paris.

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Quinn, Malcolm (2021) Bentham on Utility and Cultural Value. Revue d’études benthamiennes (20). ISSN 1760-7507

Quinn, Malcolm (2020) Enlightenment Unrefined: Bentham’s realism and the analysis of Beauty. In: Bentham and the Arts. UCL Press, London, pp. 201-226. ISBN 9781787357365

Quinn, Malcolm (2016) Jeremy Bentham on Liberty of Taste. History of European Ideas, 43 (6). pp. 614-627. ISSN 0191-6599

Quinn, Malcolm (2017) 'Jeremy Bentham on Middle-Class Taste' Bentham Seminars Programme 2017 UCL. In: Bentham Seminars Programme 2017 UCL, 15 March 2017, 22 Gordon Square, University College London, WC1H 0AG.

Quinn, Malcolm (2017) The Plot Against the Future. In: Memories of the Future: On Countervision. Cultural Memories (6). Peter Lang, Bern, pp. 33-48. ISBN 978-3-0343-1935-5

Quinn, Malcolm (2022) Psychoanalysis and radical philistinism in the museum. Psychoanalysis, Culture and Society, 27 (1). pp. 20-36. ISSN 1088-0763

Quinn, Malcolm (2014) ‘[T]he Royal Academy, and the effects produced by it’: accounting for art education in 1835. Journal of Visual Art Practice, 13 (1). pp. 7-16. ISSN 1470-2029

Quinn, Malcolm (2018) The Tastemaker and the Algorithm. In: The Persistence of Taste: Art, Museums and Everyday Life After Bourdieu. CRESC . Routledge, London, pp. 345-350. ISBN ISBN-10: 9781138670983 ISBN-13: 978-1138670983

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Ross, Rebecca (2023) Situating Google’s Alphabet. In: Articulating Media: Genealogy, Interface, Situation. Technographies . Open Humanities Press, pp. 153-167. ISBN 978-1-78542-112-9

Reimers, Anne (2018) Inscribing Temporality, Containing Fashion: Otto Dix’s Portrait of the Dancer Anita Berber recontextualised. Art History, 41 (4). pp. 680-709. ISSN 1467-8365

Razmi, Anahita (2022) GENERICS.

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Stevenson, Caroline (2023) We are but Shadows: Stories of Immigration in London's East End. In: Lucy Orta, Traces: Stories of Migration. University of the Arts London. ISBN 978-1-906908-84-3

Steeds, Lucy (2014) Exhibition. Documents of Contemporary Art . Whitechapel Gallery and The MIT Press, London. ISBN 9780262526586

Steeds, Lucy (2019) Exposability: On the Taking-Place in Future of Art. In: Theater, Garden, Bestiary: A Materialist History of Exhibitions. The MIT Press, pp. 75-84. ISBN 9783956794551

Steeds, Lucy (2013) Making Art Global (Part 2): 'Magiciens de la Terre' 1989. Exhibition Histories, 4 . Afterall, London. ISBN 9781846381188; 9783863352585

Smith, Dan (2009) Altertopian.com. [Art/Design Item]

Silverthorne, Diane (2011) Music, Modernism and the Vienna Secession: Musical Form in Ver Sacrum (1898-1903). In: Music and Modernism c.1849-1950. Cambridge Scholars, Newcastle, pp. 26-52. ISBN 9781443826969

Saenz de Sicilia, Andrés (2018) Bolívar Echeverría: Critical Discourse and Capitalist Modernity. In: The SAGE Handbook of Frankfurt School Critical Theory. SAGE, pp. 433-447. ISBN 9781473953345

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Teverson, Andrew (2013) Fairy Tale. New Critical Idiom . Routledge, London and New York. ISBN 9780415616065

Teverson, Andrew (2019) The Fairy Tale World. Routledge Worlds . Routledge, London and New York. ISBN 9781138217577

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Willmoth, Simon (2016) What is the point of an Art University? In: The Art University - Political Dream or Broadened future for the Arts? Artistic Research Yearbook 2016 . Swedish Research Council, Stockholm Sweden, pp. 16-23. ISBN 978-91-7307-314-1

Wells, Thereza (2008) Introduction. In: Notebooks / Leonardo da Vinci. Oxford World's Classics . Oxford University Press, Oxford, xiii-xxxiii. ISBN 9780199299027