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Smith, Dan (2009) Altertopian.com. [Art/Design Item]
Reimers, Anne (2018) Inscribing Temporality, Containing Fashion: Otto Dix’s Portrait of the Dancer Anita Berber recontextualised. Art History, 41 (4). pp. 680-709. ISSN 1467-8365
Quinn, Malcolm (2021) Bentham on Utility and Cultural Value. Revue d’études benthamiennes (20). ISSN 1760-7507
Quinn, Malcolm (2016) Jeremy Bentham on Liberty of Taste. History of European Ideas, 43 (6). pp. 614-627. ISSN 0191-6599
Quinn, Malcolm (2022) Psychoanalysis and radical philistinism in the museum. Psychoanalysis, Culture and Society, 27 (1). pp. 20-36. ISSN 1088-0763
Quinn, Malcolm (2014) ‘[T]he Royal Academy, and the effects produced by it’: accounting for art education in 1835. Journal of Visual Art Practice, 13 (1). pp. 7-16. ISSN 1470-2029
Ingham, Mark (2021) Mutant Algae and Fighting Fascism with Félix Guattari. Medium.
Green, Alison (2017) 'A Supreme Fiction': Michael Fried and Art Criticism. Journal of Visual Culture, 16 (1). pp. 89-102. ISSN 1470-4129
Brar, Dhanveer and Sharma, Ashwani (2020) What is this ‘Black’ in Black Studies: From Black British Cultural Studies to Black Critical Thought in U.K. Arts and Higher Education. New Formations (99). pp. 88-109. ISSN 0950 2378
Teverson, Andrew (2013) Fairy Tale. New Critical Idiom . Routledge, London and New York. ISBN 9780415616065
Teverson, Andrew (2019) The Fairy Tale World. Routledge Worlds . Routledge, London and New York. ISBN 9781138217577
Steeds, Lucy (2014) Exhibition. Documents of Contemporary Art . Whitechapel Gallery and The MIT Press, London. ISBN 9780262526586
Steeds, Lucy (2013) Making Art Global (Part 2): 'Magiciens de la Terre' 1989. Exhibition Histories, 4 . Afterall, London. ISBN 9781846381188; 9783863352585
Kollectiv, Galia and Kollectiv, Pil (2023) Subversive Performance in the Age of Human Capital. Palgrave Macmillan, London. ISBN 978-3-031-35814-2
Baddeley, Oriana (2017) Boissonnas in Egypt. Saint Catherine Foundation, London. ISBN 9781906908478
Willmoth, Simon (2016) What is the point of an Art University? In: The Art University - Political Dream or Broadened future for the Arts? Artistic Research Yearbook 2016 . Swedish Research Council, Stockholm Sweden, pp. 16-23. ISBN 978-91-7307-314-1
Wells, Thereza (2008) Introduction. In: Notebooks / Leonardo da Vinci. Oxford World's Classics . Oxford University Press, Oxford, xiii-xxxiii. ISBN 9780199299027
Stevenson, Caroline (2023) We are but Shadows: Stories of Immigration in London's East End. In: Lucy Orta, Traces: Stories of Migration. University of the Arts London. ISBN 978-1-906908-84-3
Steeds, Lucy (2019) Exposability: On the Taking-Place in Future of Art. In: Theater, Garden, Bestiary: A Materialist History of Exhibitions. The MIT Press, pp. 75-84. ISBN 9783956794551
Silverthorne, Diane (2011) Music, Modernism and the Vienna Secession: Musical Form in Ver Sacrum (1898-1903). In: Music and Modernism c.1849-1950. Cambridge Scholars, Newcastle, pp. 26-52. ISBN 9781443826969
Saenz de Sicilia, Andrés (2018) Bolívar Echeverría: Critical Discourse and Capitalist Modernity. In: The SAGE Handbook of Frankfurt School Critical Theory. SAGE, pp. 433-447. ISBN 9781473953345
Ross, Rebecca (2023) Situating Google’s Alphabet. In: Articulating Media: Genealogy, Interface, Situation. Technographies . Open Humanities Press, pp. 153-167. ISBN 978-1-78542-112-9
Quinn, Malcolm (2020) Enlightenment Unrefined: Bentham’s realism and the analysis of Beauty. In: Bentham and the Arts. UCL Press, London, pp. 201-226. ISBN 9781787357365
Quinn, Malcolm (2017) The Plot Against the Future. In: Memories of the Future: On Countervision. Cultural Memories (6). Peter Lang, Bern, pp. 33-48. ISBN 978-3-0343-1935-5
Quinn, Malcolm (2018) The Tastemaker and the Algorithm. In: The Persistence of Taste: Art, Museums and Everyday Life After Bourdieu. CRESC . Routledge, London, pp. 345-350. ISBN ISBN-10: 9781138670983 ISBN-13: 978-1138670983
Mey, Adeena (2013) Rancière as Foucauldian? On the Distribution of the Sensible and New Forms of Subjectivities. In: Foucault, Biopolitics, and Governmentality. Södertörn Philosophical Studies (14). Södertörn University, Stockholm, pp. 175-183. ISBN 978-91-86069-59-9
Melvin, Jo and Lefeuvre, Lisa (2008) Ping Pong Slippage. In: Bill Beckley: ping-pong dialogues. Chelsea Space, London. ISBN 9781906203191
Hardy, Jonathan (2021) Media systems and misinformation. In: The Routledge Companion to Media Disinformation and Populism. Routledge, Abingdon, Oxon, pp. 59-70. ISBN 9780367435769
Green, Alison (2015) Intermedia, Exile and Carolee Schneemann. In: Across the Great Divide: Modernism's Intermedialities from Fluxus to Futurism. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 137-157. ISBN 1-4438-54786
Calvert, Sheena M. (2018) History of Illustration. In: History of Illustration. Bloomsbury/Fairchild (US/UK), USA and London, pp. 15-500. ISBN 978-1-6289-2753-5
Quinn, Malcolm (2017) 'Jeremy Bentham on Middle-Class Taste' Bentham Seminars Programme 2017 UCL. In: Bentham Seminars Programme 2017 UCL, 15 March 2017, 22 Gordon Square, University College London, WC1H 0AG.
Melvin, Jo and Dobai, Sarah and McCarthy, Tom and Campany, David and Dobai, Sarah (2015) The Copyists. In: The Copyists, 20 March 2015, Institute of Contemporary Art London.
Melvin, Jo (2014) When actions speak louder than words: productive exchanges between Peter Townsend and Seth Siegelaub in Studio International. In: Siegelaub et caetera, archive, art conceptuel, textile, 26 May 2014, Institute nationale De L'historie de l'art de France, Paris.
Cherry, Deborah (2015) The Contradictions of the (Para)National. In: Association of Art Historians Annual Conference, 9-11 April 2015, Norwich.
Calvert, Sheena M. (2016) Books and the Human. In: Holding / Held by the Book, 1 July 2016, Treasures of the Brotherton Gallery, University of Leeds, UK.
Calvert, Sheena M. (2015) A Philosophy of Punctuation. In: Face Forward Typography Conference, 11-12 December 2015, Dublin Institute of Technology, Ireland.
Razmi, Anahita (2022) GENERICS.
Mey, Adeena (2022) The Slave Trade and Contemporary Art in the Museum. ‘Uncomfortable Truths’ at the V&A. Afterall