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Marenko, Betti (2018) Speculative Design. The body of the digital mind. In: Speculative Design. The body of the digital mind. Galerie im Gartenhaus.
Marenko, Betti (2018) Tattooing 2.0. In: Body of Reverbs. New Rituals for Contemporary Bodies. Galleria Varsi, Roma, pp. 21-25.
Marenko, Betti (2020) Zukunftsgestaltung: Die Nichtmenschlichkeit der planetarischen Berechnung oder wie mit der digitalen Ungewissheit zu leben ist. In: Hybride Ökologien. Diaphanes AG, Zurich, pp. 234-247.
Marenko, Betti (2018) The un-designability of the virtual. Design from problem-solving to problem-finding. In: UnDesign: Critical Practices at the Intersection of Art and Design. Routledge, London. ISBN 9781138695719
Loscialpo, Flavia (2011) Fashion and Philosophical Deconstruction: A Fashion in-Deconstruction. In: Fashion Forward. Inter-Disciplinary Press, Oxford, pp. 13-29. ISBN 978-1-84888-001
Loscialpo, Flavia (2020) Subject, Power and Political Critique. In: Already But Not Yet. Punctum Press. ISBN 978-88-95410-63-0
Kul-Want, Christopher (2023) Dreaming the Unthinkable: The Cinema of Yorgos Lanthimos. In: Dreams and Atrocity: The Oneiric in Representations of Trauma. Manchester University Press, Manchester, pp. 199-219. ISBN 978 1 5261 5807 9
King, Ian (2014) Expression and the Body. In: The Power of the Image: Emotion, Expression, Explanation. Visual Learning (4). Peter Lang, Frankfurt am Main, Berlin, Bern, Bruxelles, New York, Oxford, Wien, pp. 215-230. ISBN 978-3-631-64713-4
Kaszynska, Patrycja (2020) Cultural value and economic value in the arts and culture. In: Teaching Cultural Economics. Edward Elgar Publishing, pp. 51-57. ISBN 9781788970730
Goodwin, Paul (2018) Confessions of a Recalcitrant Curator: Or How to Re-Programme the Global Museum. In: The Persistence of Taste: Art, Museums and Everyday Life After Bourdieu. Culture, Economy and the Social . Routledge, London. ISBN 9781138670983
Calvert, Sheena M., Marshall, J. B. (2013) Designing Atonal Rhythms. In: Zētēsis. ARTicle Press, pp. 119-126. ISBN 978-1-873352-06-9
Calvert, Sheena M. (2019) Punctuating Philosophy. In: Face Forward: International Conference of Typography. Dublin Institute of Technology, Dublin.
Calvert, Sheena M. (2013) [Un]common Sense and [Un]disciplined Gestures. In: Zētēsis. ARTicle Press, Birmingham, pp. 73-79. ISBN 978-1-873352-07-6
Brassett, Jamie and Reynolds, Richard (2019) Killgrave. The Purple Man. In: Representing acts of violence in comics. Routledge Advances in Comics Studies, 2 . Routledge, London. ISBN 9781138484535
Brassett, Jamie and O'Reilly, John (2021) 2078/1978. Anticipation and the Contemporary. In: A Creative Philosophy of Anticipation: Futures in the Gaps of the Present. Routledge Research in Anticipation and Futures . Routledge, Abingdon, Oxon and New York, NY, pp. 241-255. ISBN 9780367234560
Brassett, Jamie and O'Reilly, John (2018) Collisions, Design & The Swerve. In: Advancements in Philosophy of Design. Design Research Foundations . Springer International Publishing AG, Cham, Switzerland, pp. 71-98. ISBN 978-3-319-73301-2
Brassett, Jamie and O'Reilly, John (2021) Introduction to a Creative Philosophy of Anticipation. In: A Creative Philosophy of Anticipation: Futures in the Gaps of the Present. Routledge Research in Anticipation and Futures . Routledge, Abingdon, Oxon and New York, pp. 1-23. ISBN 9780367234560
Brassett, Jamie (2019) Atoms and Worms (ontologies of fragments). In: Fragmentation of the Photographic in the Digital Age. Routledge History of Photography . Routledge, New York. ISBN 9781138493490
Brassett, Jamie (1997) Become-Cyborg! In: Just Postmodernism. Postmodern Studies (23). Rodopi, Amsterdam; Atlanta, GA, pp. 279-300. ISBN 978-90-420-0233-3
Brassett, Jamie (2017) Creating Different Modes of Existence. Towards an Ontological Ethics of Design. In: IASDR 2017 Conference Proceedings. University of Cincinnati, Cincinnati, OH, USA, pp. 158-171.
Brassett, Jamie (2019) Creating Different Modes of Existence. Towards an Ontological Ethics of Design. In: Philosophical Frameworks and Design Processes. Re:Research (2). Intellect Books, Bristol, pp. 17-30. ISBN 9781789381382
Brassett, Jamie (2020) Creativity. In: Designing in Dark Times: An Arendtian Lexicon. Designing in Dark Times . Bloomsbury Visual Arts, New York. ISBN 9781350070257
Brassett, Jamie (2021) For a Creative Ontology of the Future: An Ode to Love. In: A Creative Philosophy of Anticipation: Futures in the Gaps of the Present. Routledge Research in Anticipation and Futures . Routledge, Abingdon, Oxon and New York, NY, pp. 152-181. ISBN 9780367234560
Brassett, Jamie (2015) Poised and Complex: The Becoming Each Other of Philosophy, Design and Innovation. In: Deleuze and Design. Deleuze Connections . Edinburgh University Press, Edinburgh, pp. 31-57. ISBN 978-0-7486-9153-1
Brassett, Jamie (1994) Space, Postmodernism and Cartographies. In: Postmodern Surroundings. Postmodern Studies (9). Rodopi, Amsterdam and Atlanta GA, pp. 7-22. ISBN 978-90-5183-671-4
Brassett, Jamie (2005) entropy (fashion) and emergence (fashioning). In: Fashion and Modernity. Berg, Oxford; New York, pp. 197-209. ISBN 9781845200275
Barbieri, Donatella (2020) The Body as the Matter of Costume: a Phenomenological Practice. In: Performance Costume New Perspectives and Methods. Bloomsbury. ISBN 9781350098817
Asbury, Michael (2011) Miguel Palma’s state of the art. In: Miguel Palma: linha de montagem (assembly line). Loja Gulbenkian / Livraria Almedina, Lisbon, Portugal, pp. 81-96. ISBN 9789726352396
Allen, Richard (2020) The Magician's Apparatus. In: The Collector's Room. JGM Gallery, London, pp. 12-15. ISBN 978-1-9160585-5-2
de Selincourt, Chris (2018) The Boyle Family and Radical Enactivism. In: 6th Annual Cognitive Futures Conference, 2-4 July 2018, University of Kent, Canterbury.
Young, Carey (2011) Contribution to MoMA conference: Contemporary Art Forum: Art Speech—A Symposium on Symposia. In: Contemporary Art Forum: Art Speech—A Symposium on Symposia, 21 - 22 May 2011, Museum of Modern Art, New York. (Unpublished)
Wilder, Ken (2011) Michael Fried and beholding video art. In: European Society of Aesthetics Annual Conference, 18th - 20th April 2011, Université Pierre Mendès-France, Grenoble, France.
Westwood, Martin (2018) Gilbert Simondon's Ecumenicism and the Transdisciplinary Shadow. In: Itching Powder or "How Much Harmony?", 2-4 May 2018, Jan Van Eyck Academie.
Stephens, Tim (2011) ‘The End(s) of the Still’ – Releasing rhythm from photographic geometry. In: Rhythm & Event, 29 October 2011, London Graduate School.
Rawes, Peg and Rendell, Jane and Araujo, Ana and Garb, Tamar and Morris, Sharon and Matthews, Tim (2010) Sexuate subjects. In: Sexuate Subjects, 3-5 December 2010, University College London.
Quinn, Malcolm (2017) 'Jeremy Bentham on Middle-Class Taste' Bentham Seminars Programme 2017 UCL. In: Bentham Seminars Programme 2017 UCL, 15 March 2017, 22 Gordon Square, University College London, WC1H 0AG.
Oki, Michiko (2014) Contagion and Transgression: Visions/Auditions of Excess towards a Space of Sound and Art. In: Sovereignty and the Human: Exploring Bataille’s Accursed Share Project, 25 April 2014, University of West England.
Oki, Michiko (2024) Hedonism through polytheism: Towards a critique of the violence of normalisation. In: London Conference in Critical Thought, 28-29 June 2024, University of Greenwich.
Oki, Michiko (2014) Kafka’s Odradek - Thoughts of Distortion and Transformation. In: European Network for Avant-Garde and Modernism Studies 4th Conference: Utopia, 29 August 2014, University of Helsinki.
Oki, Michiko (2014) Threshold – a Place of Secret and Violence: Open Doors in Magritte and Kafka. In: The Secret in Contemporary Theory, Society, and Culture, 31 May 2014, School of European Culture and Languages, University of Kent.
Oki, Michiko (2024) The Surreal, The Digital, The Primitively Instinctive – Revisiting Surrealism through ‘Digital Animism’. In: ISSS Surréalismes Paris 2024, 28-30 October 2024, American University of Paris.
Mey, Adeena (2022) Curating’s technological unconscious: the history of cybernetics and the Gaian transformation of curation. In: Helsinki Biennial 2023 Symposium, 9 December 2022, HAM Helsinki Art Museum.
Mey, Adeena (2018) Media Mass-Age in Monte Verità. René Berger’s Media Theory. In: Media History from the Margins, 19-24 August 2018, Monte Verità, Switzerland.
Melvin, Jo and Dobai, Sarah and McCarthy, Tom and Campany, David and Dobai, Sarah (2015) The Copyists. In: The Copyists, 20 March 2015, Institute of Contemporary Art London.
Marenko, Betti and Benqué, David (2018) Speculative diagrams: plotting to reclaim algorithmic prediction. In: Art, Materiality and Representation, 3 June 2018, British Museum, London.
Marenko, Betti (2022) #2 Planetary perspectives on digital technologies. In: Digital Innovation Season 2022, 26 April 2022, Central Saint Martins, Online.
Marenko, Betti (2011) Commodity encounters: late capitalist re-design of the consumer pathosphere. In: Creation, Crisis, Critique. 4th International Deleuze Studies Conference, 27 – 29th June 2011, Copenhagen Business School. (Unpublished)
Marenko, Betti (2021) Critical Practice in the Algorithmic Age. In: More-than-Human Futures: Reframing design knowledge provotyping for human-non-human ecologies, 23-29 June 2021, Politecnico di Milano. Doctoral Summer School.
Marenko, Betti (2014) Deleuzian Design. The Adventure of Actualizing the Virtual by Capturing Material Stories from the Future. In: Political Aesthetics, Political Design., Institute for Design Research, Zurich University of the Arts.
Marenko, Betti (2022) Design In Times of Crisis. Inquiring the role, agency, and responsibility of Design for decolonising, (un)knowing, and world-building. In: Design PhD 2022 Summer School, 15-21 June 2022, Politecnico di Milano.
Marenko, Betti (2011) Designing futures: a Deleuzian take on design as embodiment of virtuality. In: Deleuzian Futures, 22 - 24th May 2011, Tel Aviv. (Unpublished)
Marenko, Betti (2014) Digital Materiality. In: Architecture, Utopia, Realism Guest Lecture Program, Faculty of Architecture, University of Belgrade. Architectural.
Marenko, Betti (2017) Digital Uncertainty, FutureCrafting and Animistic Fiction. In: Hybrid Ecologies Lecture Series, 12 January 2017, Academy of Fine Arts Munich.
Marenko, Betti (2014) Digital materiality and the Intelligence of the Technodigital Object. In: MIT Computation Lectures, MIT Architecture.
Marenko, Betti (2014) Digital materiality, morphogenesis, and the intelligence of the technodigital object. In: What’s the Matter. Materiality and Materialism at the Age of Computation, Chamber of Architects Barcelona, ETSAB and ETSAV.
Marenko, Betti (2017) FutureCrafting: Speculation, Design and the Nonhuman, or how to live with digital uncertainty. In: Agents in the Anthropocene: Trans/disciplinary Practices in Art and Design Education Today, 27-28 January 2017, Piet Zwart Institute / Willem de Kooning Academy, Rotterdam.
Marenko, Betti (2014) Material morphogenesis. For an encounter between philosophy and design. In: Computational Making Workshop. 6th International Conference On Design Computing And Cognition, University College London.
Marenko, Betti (2015) The Nonhumanity of Planetary Computation: or how to live with Digital Uncertainty. In: Machinic Ecologies. Deleuze Scholarship Conference, Amsterdam School for Cultural Analysis (ASCA) - University of Amsterdam.
Marenko, Betti (2018) The Power of Maybes. FutureCrafting, or how to divine futures by design. In: The Shaping of A Message, 8 June 2018, Department of Visual Cultures. Goldsmiths.
Marenko, Betti (2018) Thinking about Future technologies. In: Existential Wearables: Tokyo in 10 years - what are we wearing?, Shibuya Hikarie, Tokyo.
Marenko, Betti (2020) Undisciplined Knowledges for Transversal Futures. In: Designing in Transitional Times. Experiments for Future(s) imagination. PhD Summer School. Politecnico Milano.
Marenko, Betti (2015) Which design fiction for the post-Anthropocene? In: Tomorrow Today: Design, Fiction and Social Responsibility., Institute of Contemporary Arts London.
Loscialpo, Flavia (2021) The racial capitalocene and the 'not yet': a discourse for the politics of the possible. In: LCF Cultural & Historical Studies Digital Symposium, 11-12 June 2021, London College of Fashion.
Hartnoll, Louis C (2016) Art and Its History; Hegel and Art’s Historical Exceptionalism. In: Society for European Philosophy–Forum for European Philosophy 2016 Annual Conference, 25–27 August, Regent's University, London.
Goh, Annie (2019) Sonic Knowledge Production in Archaeoacoustics – Theorising an ‘Aural Gnoseology’. In: Archaeologies of Media and Technology (AMT), 10 May 2019, Winchester School of Art, Southampton University, UK.
Findlay, Rosie (2016) You Can’t Lose Something You Never Had: Longing and the fashion photograph. In: Crossroads in Cultural Studies, 14-17 December 2016, Sydney, Australia.
Crowley, Matthew (2019) ‘It’s a hard life if you don’t weaken.’ Arthur, Albert and André: Rebellion and its radical potential. In: Working-Class Studies Association Conference - Beyond the Heartlands, 3-6 September 2019, University of Kent, Canterbury.
Creamer, Anne-Marie and Street, Laura-Gray (2017) Longdendale Lights: Perspectives (I) and Longdendale Lights: Perspectives (II). In: Cross, Multi, Intra, Trans, 6th- 7th September 2017, Sheffield University.
Chong Kwan, Sara (2023) Fit But You Know It: Practice-Research Project: Sensory workshopping methods to decolonise fashion fitting. In: Uncommon Senses IV: Sensory Ecologies, Economies, and Aesthetics, 3-6 May 2023, Concordia University Tiohtià:ke/Montreal, Canada.
Chong Kwan, Sara (2023) Sensing the spirit of fashion: A provocation. In: Uncommon Senses IV: Sensory Ecologies, Economies, and Aesthetics, 3-6 May 2023, Concordia University Tiohtià:ke/Montreal, Canada.
Chesher, Andrew (2014) Showing the Concealed as Concealed: on phenomenology and walking as art. In: The 64th Congress of Phenomenology, The World Institute of Phenomenology, 1-3 October, 2014, Università Cattolica del Sacro Cuore, Milan, Italy.
Calvert, Sheena M. (2016) Books and the Human. In: Holding / Held by the Book, 1 July 2016, Treasures of the Brotherton Gallery, University of Leeds, UK.
Calvert, Sheena M. (2012) In Defence of [Un]disciplined Gestures: The Gesture of Paradox. A Performative Presentation. In: Extending Gesture, October 26, 27, 28 2012, The University of Edinburgh, Edinburgh College of Art.
Calvert, Sheena M. (2015) A Philosophy of Punctuation. In: Face Forward Typography Conference, 11-12 December 2015, Dublin Institute of Technology, Ireland.
Brassett, Jamie and Reynolds, Richard (2019) Random extracts from <CROSSED OUT 57 120 1001 2001 types> an inexhaustible taxonomy of superhero excess. In: Joint International Conference of Graphic Novels, Comics and Bande Dessinées, 24-28 June 2019, Manchester, United Kingdom.
Brassett, Jamie (2016) Affect, Assemblage and Modes of Existence. Towards an Ethological Design-Driven Social Innovation. In: 8th International Social Innovation Research Conference, 5-7 September 2016, Glasgow, Scotland.
Brassett, Jamie (2007) Affecting Bodies Affecting Design. In: Design, Body, Sense. Physical and Psychical Embodiment in Design. Design History Society Annual Conference, 5–7 September 2007, Kingston University, UK.
Brassett, Jamie (2016) Nonlinearity for Design. In: 2006 Design Research Society International Conference, 1-4 November 2006, Lisbon, Portugal.
Brassett, Jamie (2015) Restless Innovation. Mapping the ontogenetic opportunities of creative change. In: Transvaluation: Making the World Matter, 21-22 May 2015, Chalmers University, Gothenburg, Sweden.
Brassett, Jamie (2017) What Have We Got to Lose? Uncertainty, Resilience and Anticipation. In: Oxford Futures Forum 2017: Scenarios and Climate Futures, 2–3 June 2017, Said Business School, University of Oxford, UK.
Behr, Bernd (2021) Solar economy of the debt-image (blockchain edition). In: The promise of photography: scale, measure and proportion in a conflicted visual milieu, 17 September 2021, Online.
Melvin, Jo (2017) Interview with Jo Melvin about Portraiture.
Jewell, Jonathan D.A. and Cauchi, Marcus (2021) Plus Ça Change Plus La Même Chose, Exploring Change and Innovation.
Hardie, Sarah and Sheen, Jack and Drennan, Eleesha (2017) before sleep at the end of love (description of a lullaby). [Performance]
Kaszynska, Patrycja and Coyle, Diane and Dwyer, Emma and Lawton, Ricky and Riganti, Patrizia and Watson, Sadie and Dâmaso, Mafalda and Wang, Yang (2022) Scoping Culture and Heritage Capital Report. Project Report. Department for Digital, Culture, Media and Sport.
Kaszynska, Patrycja and Anzel, Andrew and Rolls, Christopher (2022) Reasons to Co-create. Project Report. University of Warwick.
Melvin, Jo (2015) Palindromes: Exchanges between Barry Flanagan and John Latham. [Show/Exhibition]
Hardie, Sarah and Sheen, Jack and Drennan, Eleesha (2016) before sleep at the end of love (description of a lullaby). [Show/Exhibition]
Tillotson, Zoe (2007) Ephemeral Art: A Philosophical Proposition about the Nature of Time and Being. PhD thesis, University of the Arts London.
Saenz de Sicilia, Andrés (2016) The Problem of Subsumption in Kant, Hegel and Marx. PhD thesis, Kingston University.
Rubinstein, Daniel (2013) Photography as the Aesthetic Determination of Difference. PhD thesis, Birmingham City University.
Oki, Michiko (2014) The Threshold – a Place of the Hunchback. Violence and Transformation in works by Géricault, Dix, Salomon, Magritte, and Kafka. PhD thesis, University College London.
Matthews, Aaron (2020) Across May ‘68 Reading Friendships in Jacques Derrida’s Dissemination and Glas. PhD thesis, University of the Arts London.
Katsuragi, Camille Nao (2005) Condition of Singularity: Viewer, Temporality and Otherness. PhD thesis, University of the Arts London.
Ingham, Mark (2005) AFTERIMAGES: Photographs as an External Autobiographical Memory System and a Contemporary Art Practice. PhD thesis, Goldsmiths College.
Gray, Victoria Kent (2017) A Somatics of Affect: Articulating Affective-Kinaesthetic Experience through BMC approaches to Performance and Writing. PhD thesis, University of the Arts London.
Eden, Michael (2023) The High Wasteland, Scar, Form, and Monstrosity in the English Landscape: What Is the Function of the Monster in Representations of the English Landscape? PhD thesis, Middlesex University.
Clancy, Catherine (2015) Poiesis and Obstruction in Art Practice. PhD thesis, University of the Arts London, University of Surrey.
Calvert, Sheena M. (2009) [Un]disciplined Gestures and [Un]common Sense: The Sensual, Acoustic Logic[s] of Paradox and Art. PhD thesis, University of Greenwich.
Bowditch, Isobel (2006) The First Cut; the locus of decision at the limits of subjectivity. PhD thesis, University of the Arts London.