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UAL Research Online

Items where Subject is "Philosophy"

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Number of items at this level: 187.

fitzPatrick, Edwina (2013) Into the Unknown: Navigating Spaces, Terra Incognita and the Art Archive. eSharp, 20 (Spring).

Young, Carey (2011) Contribution to MoMA conference: Contemporary Art Forum: Art Speech—A Symposium on Symposia. In: Contemporary Art Forum: Art Speech—A Symposium on Symposia, 21 - 22 May 2011, Museum of Modern Art, New York. (Unpublished)

Withers, Rachel (2013) De l’imagination et non de la logique: la physique émotionnelle de Roman Signer. In: Roman Signer: Films Super-8: La nature comme atelier. PLANSécant . Metis Presses, Geneva, pp. 27-38. ISBN 9782940406845

Wilder, Ken (2018) The Configurational Encounter and the problematic of Beholding. In: The Persistence of Taste: Art, Museums and Everyday Life After Bourdieu. Culture, Economy and the Social . Routledge, Abingdon, Oxon and New York, pp. 77-97. ISBN 978-1-138-67098-3

Wilder, Ken (2011) Michael Fried and beholding video art. In: European Society of Aesthetics Annual Conference, 18th - 20th April 2011, Université Pierre Mendès-France, Grenoble, France.

Wilder, Ken (2012) Michael Fried and beholding video art. Estetika: Central European Journal of aesthetics, XLIX/V (1). pp. 5-25. ISSN 00141291

Wilder, Ken (2017) Michael Haneke’s 'Caché (Hidden)' and Wolfgang Iser's 'Blank'. Proceedings of the European Society of Aesthetics, 8. pp. 625-636. ISSN 1664 – 5278

Wilder, Ken (2007) Negotiating Painting's Two Perspectives: a Role for the Imagination. Image & Narrative, 18. ISSN 1780678X

Wilder, Ken (2010) Neither here nor elsewhere: displacement devices in representing the supernatural. In: Proceedings of the European Society of Aesthetics. European Society for Aesthetics, pp. 532-543.

Wilder, Ken (2016) Projective art and the ‘staging’ of empathic projection. Moving Image Review & Art Journal (MIRAJ), 5 (1 & 2). pp. 124-140. ISSN 20456298

Wilder, Ken (2008) The case for an external spectator. British Journal of Aesthetics, 48 (3). pp. 261-277. ISSN 00070904

Westwood, Martin (2018) Gilbert Simondon's Ecumenicism and the Transdisciplinary Shadow. In: Itching Powder or "How Much Harmony?", 2-4 May 2018, Jan Van Eyck Academie.

Voegelin, Salomé (2016) ‘The Critical Agency of the ‘Avatar-I’: accessing the silence of the inaudible’. Four by Three Magazine, 1 (6).

Vodanovic, Lucia and Ossandón, José (2012) Disturbios Culturales. Ediciones UDP, Santiago. ISBN 978-956-314-171-9

Tynan, Jane (2015) Michel Foucault: fashioning the body politic. In: Thinking Through Fashion: A Guide to Key Theorists. Dress Cultures . I.B.Tauris, London and New York. ISBN 9781780767338

Troisi, Anna (2018) OB-scene, a Live Audio/Visual Performance for Photoplethysmograph and Female Body. Organised Sound, 23 (3). pp. 270-276. ISSN 1469-8153

Tillotson, Zoe (2007) Ephemeral Art: A Philosophical Proposition about the Nature of Time and Being. PhD thesis, University of the Arts London.

Thorpe, Adam and Gamman, Lorraine (2020) Power. In: Designing in Dark Times: An Arendtian Lexicon. Bloomsbury. ISBN 9781350070264

Teverson, Andrew and Upstone, Sara (2011) Postcolonial Spaces: The Politics of Place in Contemporary Culture. Palgrave Macmillan, London. ISBN 9780230252257

Steeds, Lucy (2019) Exposability: On the Taking-Place in Future of Art. In: Theater, Garden, Bestiary: A Materialist History of Exhibitions. The MIT Press, pp. 75-84. ISBN 9783956794551

Steeds, Lucy (2015) ‘Unhinging Prehistory, Unbecoming Humanity: Georges Bataille on Lascaux’. In: Allegory of the Cave Painting. Extra City Kunsthal and Mousse Publishing, Antwerp and Milan, pp. 95-114. ISBN 9788867491162

Sliwinska, Basia (2016) The Female Body in the Looking-Glass: Contemporary Art, Aesthetics and Genderland. International Library of Cultural Studies . I.B.Tauris, London. ISBN 9781780766447

Rubinstein, Daniel and Golding, Johnny and Fisher, Andy (2013) On The Verge of Photography: Imaging Beyond Representation. ARTicle Press, Birmingham. ISBN 9781873352021

Rubinstein, Daniel (2016) Assassination of Experience by Photography. Bijutsu Techo, 68 (1042). pp. 98-104. ISSN 0287-2218

Rubinstein, Daniel (2019) The Cynic's Guide to Political Practice. In: Photography, Activism and the Everyday. Bloomsbury Publishing, London. (Submitted)

Rubinstein, Daniel (2014) Digital Image. Mafte’akh; Lexical Review of Political Thought, 6 (1). ISSN 2224-4557

Rubinstein, Daniel (2013) Discourse in a coma; A Comment on a Comma in the Title of Jean François Lyotard’s Discourse, Figure. Zētēsis; Research Generated by Curiosity, 1 (1). pp. 29-33. ISSN 9781873352069

Rubinstein, Daniel (2016) Failure to engage: art criticism in the age of simulacrum. Journal of Visual Culture, 16 (1). pp. 43-55. ISSN 1470-4129

Rubinstein, Daniel (2020) Fotografie nach der Philosophie. Merve, Berlin, Germany. ISBN 978-3-96273-022-2

Rubinstein, Daniel (2013) The Grin of Schrödinger's Cat; Quantum Photography and the limits of Representation. In: On the Verge of Photography: Imaging Beyond Representation. ARTicle Press, Birmingham, pp. 33-48. ISBN 9781873352021

Rubinstein, Daniel (2018) Keeping up with the Cartesians: on the culture of the selfie with continual reference to Kim Kardashian. In: Public, Private, Secret: On Photography & the Configuration of Self. Aperture, USA. ISBN 978-1-59711-438-7

Rubinstein, Daniel (2016) Nothing to see here: Fractal Photography and the politics of invisibility. In: The Routledge Companion to Photography Theory. Routledge, London. ISBN 9781138845770

Rubinstein, Daniel (2019) Photography after Philosophy. In: The Handbook of Photography Studies. Bloomsbury, London. ISBN 9781474242219

Rubinstein, Daniel (2013) Photography as the Aesthetic Determination of Difference. PhD thesis, Birmingham City University.

Rubinstein, Daniel (2017) Post-representational photography, or the grin of Schrödinger's cat. In: Photography Reframed. IB Tauris, UK. (Submitted)

Rubinstein, Daniel (2018) Posthuman Photography. In: The Evolution of The Image; Political Action and the Digital Self. Routledge Advances in Art and Visual Studies . Routledge, Taylor & Francis, London, pp. 100-112. ISBN 978-1-138-21603-7

Rubinstein, Daniel (2021) Re-visiting Anti-Oedipus. European Journal of psychotherapy and counselling, 23 (2). ISSN 1364-2537 (Submitted)

Rubinstein, Daniel (2018) Techniques of The Self; On the art of Cindy Sherman from Untitled Film Stills to Instagram. ZUM Revista De Fotografia. (In Press)

Rubinstein, Daniel (2017) Value of Nothing. Journal of Visual Art Practice, 15 (2-3). pp. 127-137. ISSN 1470-2029

Rubinstein, Daniel (2015) What is 21st Century Photography? The Photographers' Gallery Blog.

Roubelat, Fabrice and Brassett, Jamie and McAllum, Michael and Hoffmann, Jonas and Kera, Denisa (2015) Probing Ephemeral Futures: scenarios as fashion design. Futures. The journal of policy, planning and future studies. ISSN 0016-3287

Rawes, Peg and Rendell, Jane and Araujo, Ana and Garb, Tamar and Morris, Sharon and Matthews, Tim (2010) Sexuate subjects. In: Sexuate Subjects, 3-5 December 2010, University College London.

Quinn, Malcolm (2018) Introduction: Taste, Hierarchy and Social Value after Bourdieu. In: The Persistence of Taste: Art, Museums and Everyday Life After Bourdieu. CRESC . Routledge, London, pp. 1-18. ISBN ISBN-10: 9781138670983 ISBN-13: 978-1138670983

Quinn, Malcolm (2017) 'Jeremy Bentham on Middle-Class Taste' Bentham Seminars Programme 2017 UCL. In: Bentham Seminars Programme 2017 UCL, 15 March 2017, 22 Gordon Square, University College London, WC1H 0AG.

Quinn, Malcolm (2006) Practice-Led Research and the Engagement With Truth. In: Proceeds of Reflections on Creativity. Duncan of Jordanstone College, Dundee University. ISBN 1899837566

Quinn, Malcolm (2018) The Tastemaker and the Algorithm. In: The Persistence of Taste: Art, Museums and Everyday Life After Bourdieu. CRESC . Routledge, London, pp. 345-350. ISBN ISBN-10: 9781138670983 ISBN-13: 978-1138670983

O'Riley, Tim (2011) Flusser Studies (Chance and Improbability). Flusser Studies (12). ISSN 1661-5719

Mey, Adeena and Roh Bannwart, Kyung (2020) Neo Geography 네오지오그래피. CAN, Centre d'art Neuchâtel and Les presses du réel, Neuchâtel and Dijon. ISBN 978-2-8399-2651-5

Mey, Adeena and Hui, Yuk (2017) L’exposition comme médium. Quelques observations sur la cybernétisation de l’institution et de l’exposition. Appareil (18).

Mey, Adeena (2018) Media Mass-Age in Monte Verità. René Berger’s Media Theory. In: Media History from the Margins, 19-24 August 2018, Monte Verità, Switzerland.

Mey, Adeena (2013) Rancière as Foucauldian? On the Distribution of the Sensible and New Forms of Subjectivities. In: Foucault, Biopolitics, and Governmentality. Södertörn Philosophical Studies (14). Södertörn University, Stockholm, pp. 175-183. ISBN 978-91-86069-59-9

Melvin, Jo (2014) Dennis Oppenheim: Danger and the Domain of Procedural Risk. NOIT (2). ISSN 9781908971289

Melvin, Jo (2015) Palindromes: Exchanges between Barry Flanagan and John Latham. [Show/Exhibition]

Melvin, Jo (2014) Peter Halley painting: Visual pleasure and aesthetic alienation. In: Peter Halley since 2000. Editions Maruani and Noirhomme, Brussels. ISBN 9782930487137

Marenko, Betti and van Allen, Philip (2016) Animistic design: how to reimagine digital interaction between the human and the nonhuman. Digital Creativity, 27. pp. 1-19. ISSN 1744-3806

Marenko, Betti and Brassett, Jamie (2015) Introduction. In: Deleuze and Design. Deleuze Connections . Edinburgh University Press, Edinburgh, pp. 1-30. ISBN 978 0 7486 9154 8

Marenko, Betti and Benqué, David (2019) Speculative Diagrams: Experiments in Mapping YouTube. Research Through Design Conference Proceedings.

Marenko, Betti and Benqué, David (2018) Speculative diagrams: plotting to reclaim algorithmic prediction. In: Art, Materiality and Representation, 3 June 2018, British Museum, London.

Marenko, Betti (2019) Algorithm Magic: Simondon and Techno-animism. In: Believing in Bits: Digital Media and the Supernatural. Oxford University Press, United Kingdom. ISBN 9780190949983

Marenko, Betti (2010) Body marking/mapping: embodied difference and strategies of deconstruction of identity. Documenti di Lavoro/ Documents de Travail/Working papers.

Marenko, Betti (2011) Commodity encounters: late capitalist re-design of the consumer pathosphere. In: Creation, Crisis, Critique. 4th International Deleuze Studies Conference, 27 – 29th June 2011, Copenhagen Business School. (Unpublished)

Marenko, Betti (2010) Contagious affectivity: the management of emotions in late capitalist design. In: Contagious affectivity: the management of emotions in late capitalist design. 6th Swiss Design Network Conference, Basel, Switzerland. ISBN 9783952366219

Marenko, Betti (2021) Critical Practice in the Algorithmic Age. In: More-than-Human Futures: Reframing design knowledge provotyping for human-non-human ecologies, 23-29 June 2021, Politecnico di Milano. Doctoral Summer School.

Marenko, Betti (2014) Deleuzian Design. The Adventure of Actualizing the Virtual by Capturing Material Stories from the Future. In: Political Aesthetics, Political Design., Institute for Design Research, Zurich University of the Arts.

Marenko, Betti (2011) Designing futures: a Deleuzian take on design as embodiment of virtuality. In: Deleuzian Futures, 22 - 24th May 2011, Tel Aviv. (Unpublished)

Marenko, Betti (2014) Digital Materiality. In: Architecture, Utopia, Realism Guest Lecture Program, Faculty of Architecture, University of Belgrade. Architectural.

Marenko, Betti (2015) Digital Materiality, Morphogenesis and the Intelligence of the Technodigital Object. In: Deleuze and Design. Deleuze Connections . Edinburgh University Press, Edinburgh, pp. 107-138. ISBN 978-0-7486-9153-1

Marenko, Betti (2017) Digital Uncertainty, FutureCrafting and Animistic Fiction. In: Hybrid Ecologies Lecture Series, 12 January 2017, Academy of Fine Arts Munich.

Marenko, Betti (2014) Digital materiality and the Intelligence of the Technodigital Object. In: MIT Computation Lectures, MIT Architecture.

Marenko, Betti (2014) Digital materiality, morphogenesis, and the intelligence of the technodigital object. In: What’s the Matter. Materiality and Materialism at the Age of Computation, Chamber of Architects Barcelona, ETSAB and ETSAV.

Marenko, Betti (2018) FutureCrafting. A Speculative Method for an Imaginative AI. In: AAAI Spring Symposium Series. Technical Report SS-18. Association for the Advancement of Artificial Intelligence, Palo Alto, California, pp. 419-422. ISBN 978-1-57735-795-7

Marenko, Betti (2017) FutureCrafting: Speculation, Design and the Nonhuman, or how to live with digital uncertainty. In: Agents in the Anthropocene: Trans/disciplinary Practices in Art and Design Education Today, 27-28 January 2017, Piet Zwart Institute / Willem de Kooning Academy, Rotterdam.

Marenko, Betti (1997) Ibridazioni: Corpi in Transito e Alchimie della Nuova Carne. Castelvecchi, Roma. ISBN 8882100421

Marenko, Betti (2007) Is there life in bio-art? Mute. Culture and Politics after the Net.

Marenko, Betti (2014) Material morphogenesis. For an encounter between philosophy and design. In: Computational Making Workshop. 6th International Conference On Design Computing And Cognition, University College London.

Marenko, Betti (2014) Neo-Animism and Design. A New Paradigm in Object Theory. Design and Culture, 6 (2). pp. 219-242. ISSN 1754-7075

Marenko, Betti (2015) The Nonhumanity of Planetary Computation: or how to live with Digital Uncertainty. In: Machinic Ecologies. Deleuze Scholarship Conference, Amsterdam School for Cultural Analysis (ASCA) - University of Amsterdam.

Marenko, Betti (2010) Now I can feel myself! In: Networks of Design: Proceedings of the 2008 Annual International Conference of the Design History Society. Design History Society, Falmouth. ISBN 9781599429069

Marenko, Betti (2009) Object-relics and their effects: for a neo-animist paradigm. In: MEI (Médiation et Information): Objets & Communication. Editions l'Harmattan, Paris, pp. 239-253. ISBN 9782296117075

Marenko, Betti (2018) The Power of Maybes. FutureCrafting, or how to divine futures by design. In: The Shaping of A Message, 8 June 2018, Department of Visual Cultures. Goldsmiths.

Marenko, Betti (2002) Segni Indelebili: Materia e Desiderio del Corpo Tatuato. Feltrinelli, Milano.

Marenko, Betti (2020) Shaping the future: the inhumanity of planetary calculation or how to live with digital uncertainty. In: Hybrid Ecologies. Diaphanes AG, Zurich.

Marenko, Betti (2018) Speculative Design. The body of the digital mind. In: Speculative Design. The body of the digital mind. Galerie im Gartenhaus.

Marenko, Betti (2021) Stacking Complexities: Reframing Uncertainty through Hybrid Literacies. Design and Culture, 13 (2). ISSN 1754-7075 (In Press)

Marenko, Betti (2021) Stay Alert to the Toolification of Experience. The Technocratic Shift is Here. UAL Social Design Institute Publications.

Marenko, Betti (2018) Tattooing 2.0. In: Body of Reverbs. New Rituals for Contemporary Bodies. Galleria Varsi, Roma, pp. 21-25.

Marenko, Betti (2018) Thinking about Future technologies. In: Existential Wearables: Tokyo in 10 years - what are we wearing?, Shibuya Hikarie, Tokyo.

Marenko, Betti (2020) Undisciplined Knowledges for Transversal Futures. In: Designing in Transitional Times. Experiments for Future(s) imagination. PhD Summer School. Politecnico Milano.

Marenko, Betti (2015) Which design fiction for the post-Anthropocene? In: Tomorrow Today: Design, Fiction and Social Responsibility., Institute of Contemporary Arts London.

Marenko, Betti (2020) Zukunftsgestaltung: Die Nichtmenschlichkeit der planetarischen Berechnung oder wie mit der digitalen Ungewissheit zu leben ist. In: Hybride Ökologien. Diaphanes AG, Zurich, pp. 234-247.

Marenko, Betti (2018) The un-designability of the virtual. Design from problem-solving to problem-finding. In: UnDesign: Critical Practices at the Intersection of Art and Design. Routledge, London. ISBN 9781138695719

Lotringer, Sylvère and Morris, David (2014) Schizo-Culture: The Event, The Book. Semiotext(e) / The MIT Press. ISBN 9781584351245

Kul-want, Christopher (2007) Introducing Aesthetics. Icon Books Ltd. ISBN 1840467908

Kul-want, Christopher, Piero (2013) Introducing Continental Philosophy: A Graphic Guide. INTRODUCING . Icon Books Ltd, London, UK. ISBN 9781848314177

Kul-want, Christopher (2011) Introducing Slavoj Zizek: a graphic guide. Introducing . Icon Books Ltd, London, UK. ISBN 9781848312937

Kul-want, Christopher (2019) Philosophers on Film: From Bergson to Badiou, A Critical Reader. Columbia University press, New York. ISBN 978-0-231-17603-3

King, Ian (2014) Expression and the Body. In: The Power of the Image: Emotion, Expression, Explanation. Visual Learning (4). Peter Lang, Frankfurt am Main, Berlin, Bern, Bruxelles, New York, Oxford, Wien, pp. 215-230. ISBN 978-3-631-64713-4

King, Ian (2015) ‘What to wear?’: Clothing as an example of expression and intentionality. Argument, 5 (1). pp. 59-78. ISSN 2084-1043

Kear, Adrian (2005) The Anxiety of the Image. Parallax, 11 (3). pp. 107-116. ISSN 1353-4645

Katsuragi, Camille Nao (2005) Condition of Singularity: Viewer, Temporality and Otherness. PhD thesis, University of the Arts London.

Kaszynska, Patrycja (2020) Cultural value and economic value in the arts and culture. In: Teaching Cultural Economics. Edward Elgar Publishing, pp. 51-57. ISBN 9781788970730

Kaszynska, Patrycja (2021) From calculation to deliberation: the contemporaneity of Dewey. Culture, Theory and Critique. ISSN 1473-5776

Jewell, Jonathan D.A. and Cauchi, Marcus (2021) Plus Ça Change Plus La Même Chose, Exploring Change and Innovation. UNSPECIFIED.

Ingham, Mark (2005) AFTERIMAGES: Photographs as an External Autobiographical Memory System and a Contemporary Art Practice. PhD thesis, Goldsmiths College.

Ingham, Mark (2021) Mutant Algae and Fighting Fascism with Félix Guattari. Medium.

Husain, Amber (2021) Cyborgs Without Organs. Radical Philosophy, 2 (9). pp. 97-100. ISSN 0300-211X

Husain, Amber (2021) Replace Me. Peninsula Press, London. (In Press)

Husain, Amber (2020) Virtual Tower, 'Virtual' Pit: On Potentiality and the Status of Unrealised Art. Afterall, 50. pp. 76-93. ISSN 1465-4253

Hernández Velázquez, Yaiza María (2013) Third-Way Aesthetics. Radical Philosophy (180). pp. 53-55.

Hartnoll, Louis C (2016) Art and Its History; Hegel and Art’s Historical Exceptionalism. In: Society for European Philosophy–Forum for European Philosophy 2016 Annual Conference, 25–27 August, Regent's University, London.

Hartnoll, Louis C (2018) Without Further Ado. Radical Philosophy, 2 (03). pp. 108-111. ISSN 0300-211X

Gray, Victoria Kent (2017) A Somatics of Affect: Articulating Affective-Kinaesthetic Experience through BMC approaches to Performance and Writing. PhD thesis, University of the Arts London.

Goodwin, Paul (2018) Confessions of a Recalcitrant Curator: Or How to Re-Programme the Global Museum. In: The Persistence of Taste: Art, Museums and Everyday Life After Bourdieu. Culture, Economy and the Social . Routledge, London. ISBN 9781138670983

Goh, Annie (2019) Sonic Knowledge Production in Archaeoacoustics – Theorising an ‘Aural Gnoseology’. In: Archaeologies of Media and Technology (AMT), 10 May 2019, Winchester School of Art, Southampton University, UK.

Goh, Annie (2017) Sounding Situated Knowledges - Echo in Archaeoacoustics. Parallax, 23 (3). pp. 283-304. ISSN 1353-4645

Francis, Mary Anne (2008) In the Café Flaubert. Journal of Writing in Creative Practice, 1 (2). pp. 133-149. ISSN 17535190

Findlay, Rosie (2016) ‘Such Stuff as Dreams are Made On’: Encountering Clothes, Imagining Selves. Cultural Studies Review, 22 (1). pp. 78-94. ISSN 1837-8692

Findlay, Rosie (2016) You Can’t Lose Something You Never Had: Longing and the fashion photograph. In: Crossroads in Cultural Studies, 14-17 December 2016, Sydney, Australia.

Farid, Mark (2019) Seeing I: 7 Days in Virtual Reality. [Show/Exhibition]

Eden, Michael (2018) Equivalence & the Loss of the Engaged Human. Trebuchet Magazine.

Eden, Michael (2018) Exclaim Galatea. Trebuchet Magazine.

Eden, Michael (2016) The Right Business: Politics and the Randian Hero. Trebuchet Magazine.

Eden, Michael (2016) Why the Size of Trump’s Hands Matters: Deconstructing the Randian Superman. Trebuchet Magazine.

Eden, Michael (2019) William Kentridge In Praise of Shadows. Trebuchet Magazine.

Dada, Maria (2019) Queering Geographic Information Systems. APRJA, 8 (1). pp. 58-68. ISSN 2245-7755

Creamer, Anne-Marie and Street, Laura-Gray (2017) Longdendale Lights: Perspectives (I) and Longdendale Lights: Perspectives (II). In: Cross, Multi, Intra, Trans, 6th- 7th September 2017, Sheffield University.

Colman, Felicity (2014) Digital Feminicity: Predication and Measurement, Materialist Informatics and Images. Artnodes: Journal of Art, Science, and Technology, 14. pp. 7-17. ISSN 1695-5951

Colman, Felicity (2020) Feminising politics: notes on material and temporal feminist modal logics in action. Matter: Journal of New Materialist Research, 1 (1). pp. 1-22. ISSN 2604-7551

Colman, Felicity (2014) Film Theory: Creating a Cinematic Grammar. Columbia University Press, New York. ISBN 9780231169738

Clancy, Catherine (2015) Poiesis and Obstruction in Art Practice. PhD thesis, University of the Arts London, University of Surrey.

Chesher, Andrew (2014) Showing the Concealed as Concealed: on phenomenology and walking as art. In: The 64th Congress of Phenomenology, The World Institute of Phenomenology, 1-3 October, 2014, Università Cattolica del Sacro Cuore, Milan, Italy.

Calvert, Sheena M. and Borstrock, Shaun and Bloomfield, Mark and Brownhill, Pete (2015) 3d Printed Book. Artist's experiment. 3rd edition. [Art/Design Item]

Calvert, Sheena M. (2016) Books and the Human. In: Holding / Held by the Book, 1 July 2016, Treasures of the Brotherton Gallery, University of Leeds, UK.

Calvert, Sheena M. (2014) The Cruelty of the Classical Canon. [Art/Design Item]

Calvert, Sheena M., Marshall, J. B. (2013) Designing Atonal Rhythms. In: Zētēsis. ARTicle Press, pp. 119-126. ISBN 978-1-873352-06-9

Calvert, Sheena M. (2013) The Economies of Language in Digital Space/s. Leonardo Electronic Almanac, 19 (4). pp. 280-293. ISSN 1071-4391

Calvert, Sheena M. (2012) In Defence of [Un]disciplined Gestures: The Gesture of Paradox. A Performative Presentation. In: Extending Gesture, October 26, 27, 28 2012, The University of Edinburgh, Edinburgh College of Art.

Calvert, Sheena M. (2019) The Language of Luxury, the Luxury of Language. Journal of Design, Business & Society, 5 (2). pp. 223-231. ISSN 2055-2106

Calvert, Sheena M. (2012) Materia Prima, Text-as-Image. Journal of Writing in Creative Practice, 4 (3). pp. 309-329. ISSN 17535190

Calvert, Sheena M. (2011) Materia Secunda. Book 2.0: From Codex to Computer, 1 (2). pp. 139-161. ISSN 2042-8022

Calvert, Sheena M. (2016) 'A Philosophy of Punctuation' (Book Work), 2016. [Art/Design Item]

Calvert, Sheena M. (2015) A Philosophy of Punctuation. In: Face Forward Typography Conference, 11-12 December 2015, Dublin Institute of Technology, Ireland.

Calvert, Sheena M. (2019) Punctuating Philosophy. In: Face Forward: International Conference of Typography. Dublin Institute of Technology, Dublin.

Calvert, Sheena M. (2013) [Un]common Sense and [Un]disciplined Gestures. In: Zētēsis. ARTicle Press, Birmingham, pp. 73-79. ISBN 978-1-873352-07-6

Calvert, Sheena M. (2009) [Un]disciplined Gestures and [Un]common Sense: The Sensual, Acoustic Logic[s] of Paradox and Art. PhD thesis, University of Greenwich.

Calvert, Sheena M. (2017) Unbound: Beyond the Codex, The Book as Process/Experience/Event. Book 2.0: From Codex to Computer, 7 (1). ISSN 2042-8022

Calvert, Sheena M. (2013) ​Zētēsis: Research generated by curiosity (series design). [Art/Design Item]

Brassett, Jamie and Reynolds, Richard (2019) Killgrave. The Purple Man. In: Representing acts of violence in comics. Routledge Advances in Comics Studies, 2 . Routledge, London. ISBN 9781138484535

Brassett, Jamie and Reynolds, Richard (2019) Random extracts from <CROSSED OUT 57 120 1001 2001 types> an inexhaustible taxonomy of superhero excess. In: Joint International Conference of Graphic Novels, Comics and Bande Dessinées, 24-28 June 2019, Manchester, United Kingdom.

Brassett, Jamie and O'Reilly, John (2021) 2078/1978. Anticipation and the contemporary. In: A Creative Philosophy of Anticipation. Futures in the Cracks of the Present. Routledge Research in Anticipation and Futures . Routledge, Abingdon, Oxon and New York, NY, pp. 241-255. ISBN 9780367234560 (In Press)

Brassett, Jamie and O'Reilly, John (2018) Collisions, Design & The Swerve. In: Advancements in Philosophy of Design. Design Research Foundations . Springer International Publishing AG, Cham, Switzerland, pp. 71-98. ISBN 978-3-319-73301-2

Brassett, Jamie and O'Reilly, John (2021) A Creative Philosophy of Anticipation. Futures in the Cracks of the Present. Routledge Research in Anticipation and Futures . Routledge, Abingdon, Oxon and New York. ISBN 9780367234560 (In Press)

Brassett, Jamie and O'Reilly, John (2021) Introduction to a creative philosophy of anticipation. In: A Creative Philosophy of Anticipation. Futures in the Cracks of the Present. Routledge Research in Anticipation and Futures . Routledge, Abingdon, Oxon and New York, pp. 1-23. ISBN 9780367234560 (In Press)

Brassett, Jamie and O'Reilly, John (2019) Retour en 2078 : Réflexions sur l'anticipation et le contemporain. Prospective et Stratégie, 1 (9). pp. 11-22. ISSN 2260-0299

Brassett, Jamie and O'Reilly, John (2015) Styling the Future. A philosophical account of scenarios & design. Futures. ISSN 0016-3287

Brassett, Jamie and Marenko, Betti (2015) Deleuze and Design. Deleuze Connections . Edinburgh University Press, Edinburgh. ISBN 9780748691548

Brassett, Jamie and Booth, Peter (2008) Ecstatic innovation: Digesting, designing and democracy. Re-Public: Re-imagining Democracy.. ISSN 1791857X

Brassett, Jamie (2016) Affect, Assemblage and Modes of Existence. Towards an Ethological Design-Driven Social Innovation. In: 8th International Social Innovation Research Conference, 5-7 September 2016, Glasgow, Scotland.

Brassett, Jamie (2007) Affecting Bodies Affecting Design. In: Design, Body, Sense. Physical and Psychical Embodiment in Design. Design History Society Annual Conference, 5–7 September 2007, Kingston University, UK.

Brassett, Jamie (2019) Atoms and Worms (ontologies of fragments). In: Fragmentation of the Photographic in the Digital Age. Routledge History of Photography . Routledge, New York. ISBN 9781138493490

Brassett, Jamie (1997) Become-Cyborg! In: Just Postmodernism. Postmodern Studies (23). Rodopi, Amsterdam; Atlanta, GA, pp. 279-300. ISBN 978-90-420-0233-3

Brassett, Jamie (2018) Creating Affective Social Design: An ethical and ontological discussion. Cubic Journal, 1 (1). pp. 172-185. ISSN 2589-7098

Brassett, Jamie (2017) Creating Different Modes of Existence. Towards an Ontological Ethics of Design. In: IASDR 2017 Conference Proceedings. University of Cincinnati, Cincinnati, OH, USA, pp. 158-171.

Brassett, Jamie (2019) Creating Different Modes of Existence. Towards an Ontological Ethics of Design. In: Philosophical Frameworks and Design Processes. Re:Research (2). Intellect Books, Bristol, pp. 17-30. ISBN 9781789381382

Brassett, Jamie (2020) Creativity. In: Designing in Dark Times: An Arendtian Lexicon. Designing in Dark Times . Bloomsbury Academic, New York. ISBN 9781350070257 (In Press)

Brassett, Jamie (1999) Emerging cyber subjects. frAme: Journal of Culture & Technology (1). ISSN 1470-2134

Brassett, Jamie (2021) For a creative ontology of the future. An ode to love. In: A Creative Philosophy of Anticipation. Futures in the Cracks of the Present. Routledge Research in Anticipation and Futures . Routledge, Abingdon, Oxon and New York, NY, pp. 152-181. ISBN 9780367234560 (In Press)

Brassett, Jamie (2013) Networks: open, closed or complex. Connecting philosophy, design and innovation, part 3. Proceedings of the 2013 Tsinghua International Design Management Symposium "Design-Driven Business Innovation".

Brassett, Jamie (2016) Nonlinearity for Design. In: 2006 Design Research Society International Conference, 1-4 November 2006, Lisbon, Portugal.

Brassett, Jamie (2015) Poised and Complex: The Becoming Each Other of Philosophy, Design and Innovation. In: Deleuze and Design. Deleuze Connections . Edinburgh University Press, Edinburgh, pp. 31-57. ISBN 978-0-7486-9153-1

Brassett, Jamie (2015) Restless Innovation. Mapping the ontogenetic opportunities of creative change. In: Transvaluation: Making the World Matter, 21-22 May 2015, Chalmers University, Gothenburg, Sweden.

Brassett, Jamie (1994) Space, Postmodernism and Cartographies. In: Postmodern Surroundings. Postmodern Studies (9). Rodopi, Amsterdam and Atlanta GA, pp. 7-22. ISBN 978-90-5183-671-4

Brassett, Jamie (2016) Speculative Machines and Technical Mentalities. A philosophical approach to designing the future. Digital Creativity, 27 (2). pp. 163-176. ISSN 1744-3806

Brassett, Jamie (2017) What Have We Got to Lose? Uncertainty, Resilience and Anticipation. In: Oxford Futures Forum 2017: Scenarios and Climate Futures, 2–3 June 2017, Said Business School, University of Oxford, UK.

Brassett, Jamie (2005) entropy (fashion) and emergence (fashioning). In: Fashion and Modernity. Berg, Oxford; New York, pp. 197-209. ISBN 9781845200275

Bowditch, Isobel (2006) The First Cut; the locus of decision at the limits of subjectivity. PhD thesis, University of the Arts London.

Black, Prudence and Findlay, Rosie (2016) Dressing the Body: Introduction. Cultural Studies Review, 22 (1). pp. 4-9. ISSN 1837-8692

Bilbao, Ana and Reichl, Pavel (2017) Between Earth and World: Heidegger on Turrell, Nature, and Aesthetic Intelligibility. kritische berichte, 45 (2). pp. 84-91. ISSN 0340-7403

Bari, Shahidha (2019) Dressed: The Secret Life of Clothes. Jonathan Cape, London. ISBN 9781787331495

Barbieri, Donatella and Pantouvaki, Sofia (2016) Towards a Philosophy of Costume. Studies in Costume and Performance, 1 (1). pp. 3-7. ISSN 2052-4021

Barbieri, Donatella (2020) The Body as the Matter of Costume: a Phenomenological Practice. In: Performance Costume New Perspectives and Methods. Bloomsbury. ISBN 9781350098817

Asbury, Michael (2011) Miguel Palma’s state of the art. In: Miguel Palma: linha de montagem (assembly line). Loja Gulbenkian / Livraria Almedina, Lisbon, Portugal, pp. 81-96. ISBN 9789726352396

Andrea, Cavalletti and Adami, Elisa (2020) Masses, class and the power of suggestion. Radical Philosophy, 2 (07). ISSN 0300-211X

Albano, Caterina and Cologni, Elena (2020) Elena Cologni's Art as Research as Art Approach in Context. PsicoArt, 10 (10). pp. 21-22. ISSN 2038-6184

Albano, Caterina (2018) The Exhibition as an Experiment: An Analogy and its Implications. Journal of Visual Culture, 17 (n.a.). pp. 1-20. ISSN 1470-4129

Albano, Caterina (2020) Forgotten Images and the Geopolitics of Memory: The Italo-Ethiopian War (1935–6). Cultural History, 9 (9). pp. 72-92. ISSN 2045-2918

Albano, Caterina (2021) 'To hold in-common' in the midst of clouds' drift. Performance Research. ISSN 1469-9990 (Submitted)

This list was generated on Tue Nov 30 23:25:45 2021 GMT.