Asbury, Michael (2011) Miguel Palma’s state of the art. In: Miguel Palma: linha de montagem (assembly line). Loja Gulbenkian / Livraria Almedina, Lisbon, Portugal, pp. 81-96. ISBN 9789726352396
Andrea, Cavalletti and Adami, Elisa (2020) Masses, class and the power of suggestion. Radical Philosophy, 2 (07). ISSN 0300-211X
Allen, Richard and May, Shaun (2015) Encountering Anthropomorphism. Performance Research: A Journal of the Performing Arts, 20 (2). pp. 1-3. ISSN 1352 8165
Allen, Richard (2020) The Magician's Apparatus. In: The Collector's Room. JGM Gallery, London, pp. 12-15. ISBN 978-1-9160585-5-2
Albano, Caterina and Cologni, Elena (2020) Elena Cologni's Art as Research as Art Approach in Context. PsicoArt, 10 (10). pp. 21-22. ISSN 2038-6184
Albano, Caterina (2018) The Exhibition as an Experiment: An Analogy and its Implications. Journal of Visual Culture, 17 (1). pp. 97-116. ISSN 1470-4129
Albano, Caterina (2020) Forgotten Images and the Geopolitics of Memory: The Italo-Ethiopian War (1935–6). Cultural History, 9 (9). pp. 72-92. ISSN 2045-2918
Albano, Caterina (2022) Out of Breath: Vulnerability of Air in Contemporary Art. Forerunners: Ideas First . Minnesota University Press, Minneapolis. ISBN 978-1-5179-1355-7
Albano, Caterina (2022) To ‘Hold In-Common’ in the Midst of Clouds’ Drift. Performance Research, 26 (7). pp. 38-43. ISSN 1469-9990
Albano, Caterina (2022) Topologies of air: Shona Illingworth’s art practice and the ethics of air. Digital War. ISSN 2662-1983
Brassett, Jamie and Reynolds, Richard (2019) Killgrave. The Purple Man. In: Representing acts of violence in comics. Routledge Advances in Comics Studies, 2 . Routledge, London. ISBN 9781138484535
Brassett, Jamie and Reynolds, Richard (2019) Random extracts from <CROSSED OUT 57 120 1001 2001 types> an inexhaustible taxonomy of superhero excess. In: Joint International Conference of Graphic Novels, Comics and Bande Dessinées, 24-28 June 2019, Manchester, United Kingdom.
Brassett, Jamie and O'Reilly, John (2021) 2078/1978. Anticipation and the Contemporary. In: A Creative Philosophy of Anticipation: Futures in the Gaps of the Present. Routledge Research in Anticipation and Futures . Routledge, Abingdon, Oxon and New York, NY, pp. 241-255. ISBN 9780367234560
Brassett, Jamie and O'Reilly, John (2018) Collisions, Design & The Swerve. In: Advancements in Philosophy of Design. Design Research Foundations . Springer International Publishing AG, Cham, Switzerland, pp. 71-98. ISBN 978-3-319-73301-2
Brassett, Jamie and O'Reilly, John (2021) A Creative Philosophy of Anticipation: Futures in the Gaps of the Present. Routledge Research in Anticipation and Futures . Routledge, Abingdon, Oxon and New York. ISBN 9780367234560
Brassett, Jamie and O'Reilly, John (2021) Introduction to a Creative Philosophy of Anticipation. In: A Creative Philosophy of Anticipation: Futures in the Gaps of the Present. Routledge Research in Anticipation and Futures . Routledge, Abingdon, Oxon and New York, pp. 1-23. ISBN 9780367234560
Brassett, Jamie and O'Reilly, John (2019) Retour en 2078 : Réflexions sur l'anticipation et le contemporain. Prospective et Stratégie, 1 (9). pp. 11-22. ISSN 2260-0299
Brassett, Jamie and O'Reilly, John (2015) Styling the Future. A philosophical account of scenarios & design. Futures. ISSN 0016-3287
Brassett, Jamie and Marenko, Betti (2015) Deleuze and Design. Deleuze Connections . Edinburgh University Press, Edinburgh. ISBN 9780748691548
Brassett, Jamie and Booth, Peter (2008) Ecstatic innovation: Digesting, designing and democracy. Re-Public: Re-imagining Democracy.. ISSN 1791857X
Brassett, Jamie (2016) Affect, Assemblage and Modes of Existence. Towards an Ethological Design-Driven Social Innovation. In: 8th International Social Innovation Research Conference, 5-7 September 2016, Glasgow, Scotland.
Brassett, Jamie (2007) Affecting Bodies Affecting Design. In: Design, Body, Sense. Physical and Psychical Embodiment in Design. Design History Society Annual Conference, 5–7 September 2007, Kingston University, UK.
Brassett, Jamie (2019) Atoms and Worms (ontologies of fragments). In: Fragmentation of the Photographic in the Digital Age. Routledge History of Photography . Routledge, New York. ISBN 9781138493490
Brassett, Jamie (1997) Become-Cyborg! In: Just Postmodernism. Postmodern Studies (23). Rodopi, Amsterdam; Atlanta, GA, pp. 279-300. ISBN 978-90-420-0233-3
Brassett, Jamie (2018) Creating Affective Social Design: An ethical and ontological discussion. Cubic Journal, 1 (1). pp. 172-185. ISSN 2589-7098
Brassett, Jamie (2017) Creating Different Modes of Existence. Towards an Ontological Ethics of Design. In: IASDR 2017 Conference Proceedings. University of Cincinnati, Cincinnati, OH, USA, pp. 158-171.
Brassett, Jamie (2019) Creating Different Modes of Existence. Towards an Ontological Ethics of Design. In: Philosophical Frameworks and Design Processes. Re:Research (2). Intellect Books, Bristol, pp. 17-30. ISBN 9781789381382
Brassett, Jamie (2020) Creativity. In: Designing in Dark Times: An Arendtian Lexicon. Designing in Dark Times . Bloomsbury Visual Arts, New York. ISBN 9781350070257
Brassett, Jamie (1999) Emerging cyber subjects. frAme: Journal of Culture & Technology (1). ISSN 1470-2134
Brassett, Jamie (2021) For a Creative Ontology of the Future: An Ode to Love. In: A Creative Philosophy of Anticipation: Futures in the Gaps of the Present. Routledge Research in Anticipation and Futures . Routledge, Abingdon, Oxon and New York, NY, pp. 152-181. ISBN 9780367234560
Brassett, Jamie (2013) Networks: open, closed or complex. Connecting philosophy, design and innovation, part 3. Proceedings of the 2013 Tsinghua International Design Management Symposium "Design-Driven Business Innovation".
Brassett, Jamie (2016) Nonlinearity for Design. In: 2006 Design Research Society International Conference, 1-4 November 2006, Lisbon, Portugal.
Brassett, Jamie (2015) Poised and Complex: The Becoming Each Other of Philosophy, Design and Innovation. In: Deleuze and Design. Deleuze Connections . Edinburgh University Press, Edinburgh, pp. 31-57. ISBN 978-0-7486-9153-1
Brassett, Jamie (2015) Restless Innovation. Mapping the ontogenetic opportunities of creative change. In: Transvaluation: Making the World Matter, 21-22 May 2015, Chalmers University, Gothenburg, Sweden.
Brassett, Jamie (1994) Space, Postmodernism and Cartographies. In: Postmodern Surroundings. Postmodern Studies (9). Rodopi, Amsterdam and Atlanta GA, pp. 7-22. ISBN 978-90-5183-671-4
Brassett, Jamie (2016) Speculative Machines and Technical Mentalities. A philosophical approach to designing the future. Digital Creativity, 27 (2). pp. 163-176. ISSN 1744-3806
Brassett, Jamie (2017) What Have We Got to Lose? Uncertainty, Resilience and Anticipation. In: Oxford Futures Forum 2017: Scenarios and Climate Futures, 2–3 June 2017, Said Business School, University of Oxford, UK.
Brassett, Jamie (2005) entropy (fashion) and emergence (fashioning). In: Fashion and Modernity. Berg, Oxford; New York, pp. 197-209. ISBN 9781845200275
Bowditch, Isobel (2006) The First Cut; the locus of decision at the limits of subjectivity. PhD thesis, University of the Arts London.
Black, Prudence and Findlay, Rosie (2016) Dressing the Body: Introduction. Cultural Studies Review, 22 (1). pp. 4-9. ISSN 1837-8692
Bilbao, Ana and Reichl, Pavel (2017) Between Earth and World: Heidegger on Turrell, Nature, and Aesthetic Intelligibility. kritische berichte, 45 (2). pp. 84-91. ISSN 0340-7403
Behr, Bernd (2021) Solar economy of the debt-image (blockchain edition). In: The promise of photography: scale, measure and proportion in a conflicted visual milieu, 17 September 2021, Online.
Bari, Shahidha (2019) Dressed: The Secret Life of Clothes. Jonathan Cape, London. ISBN 9781787331495
Barbieri, Donatella and Pantouvaki, Sofia (2016) Towards a Philosophy of Costume. Studies in Costume and Performance, 1 (1). pp. 3-7. ISSN 2052-4021
Barbieri, Donatella (2020) The Body as the Matter of Costume: a Phenomenological Practice. In: Performance Costume New Perspectives and Methods. Bloomsbury. ISBN 9781350098817
Crowley, Matthew (2019) ‘It’s a hard life if you don’t weaken.’ Arthur, Albert and André: Rebellion and its radical potential. In: Working-Class Studies Association Conference - Beyond the Heartlands, 3-6 September 2019, University of Kent, Canterbury.
Creamer, Anne-Marie and Street, Laura-Gray (2017) Longdendale Lights: Perspectives (I) and Longdendale Lights: Perspectives (II). In: Cross, Multi, Intra, Trans, 6th- 7th September 2017, Sheffield University.
Colman, Felicity (2014) Digital Feminicity: Predication and Measurement, Materialist Informatics and Images. Artnodes: Journal of Art, Science, and Technology, 14. pp. 7-17. ISSN 1695-5951
Colman, Felicity (2020) Feminising politics: notes on material and temporal feminist modal logics in action. Matter: Journal of New Materialist Research, 1 (1). pp. 1-22. ISSN 2604-7551
Colman, Felicity (2014) Film Theory: Creating a Cinematic Grammar. Columbia University Press, New York. ISBN 9780231169738
Clancy, Catherine (2015) Poiesis and Obstruction in Art Practice. PhD thesis, University of the Arts London, University of Surrey.
Chong Kwan, Sara (2023) Fit But You Know It: Practice-Research Project: Sensory workshopping methods to decolonise fashion fitting. In: Uncommon Senses IV: Sensory Ecologies, Economies, and Aesthetics, 3-6 May 2023, Concordia University Tiohtià:ke/Montreal, Canada.
Chong Kwan, Sara (2023) Sensing the spirit of fashion: A provocation. In: Uncommon Senses IV: Sensory Ecologies, Economies, and Aesthetics, 3-6 May 2023, Concordia University Tiohtià:ke/Montreal, Canada.
Chesher, Andrew (2014) Showing the Concealed as Concealed: on phenomenology and walking as art. In: The 64th Congress of Phenomenology, The World Institute of Phenomenology, 1-3 October, 2014, Università Cattolica del Sacro Cuore, Milan, Italy.
Calvert, Sheena M. and Borstrock, Shaun and Bloomfield, Mark and Brownhill, Pete (2015) 3d Printed Book. Artist's experiment. 3rd edition. [Art/Design Item]
Calvert, Sheena M. (2016) Books and the Human. In: Holding / Held by the Book, 1 July 2016, Treasures of the Brotherton Gallery, University of Leeds, UK.
Calvert, Sheena M. (2014) The Cruelty of the Classical Canon. [Art/Design Item]
Calvert, Sheena M., Marshall, J. B. (2013) Designing Atonal Rhythms. In: Zētēsis. ARTicle Press, pp. 119-126. ISBN 978-1-873352-06-9
Calvert, Sheena M. (2013) The Economies of Language in Digital Space/s. Leonardo Electronic Almanac, 19 (4). pp. 280-293. ISSN 1071-4391
Calvert, Sheena M. (2012) In Defence of [Un]disciplined Gestures: The Gesture of Paradox. A Performative Presentation. In: Extending Gesture, October 26, 27, 28 2012, The University of Edinburgh, Edinburgh College of Art.
Calvert, Sheena M. (2019) The Language of Luxury, the Luxury of Language. Journal of Design, Business & Society, 5 (2). pp. 223-231. ISSN 2055-2106
Calvert, Sheena M. (2019) Language: The Non-Trivial Machine. Interalia Magazine, 53. ISSN 2059-2280
Calvert, Sheena M. (2012) Materia Prima, Text-as-Image. Journal of Writing in Creative Practice, 4 (3). pp. 309-329. ISSN 17535190
Calvert, Sheena M. (2011) Materia Secunda. Book 2.0: From Codex to Computer, 1 (2). pp. 139-161. ISSN 2042-8022
Calvert, Sheena M. (2016) 'A Philosophy of Punctuation' (Book Work), 2016. [Art/Design Item]
Calvert, Sheena M. (2015) A Philosophy of Punctuation. In: Face Forward Typography Conference, 11-12 December 2015, Dublin Institute of Technology, Ireland.
Calvert, Sheena M. (2019) Punctuating Philosophy. In: Face Forward: International Conference of Typography. Dublin Institute of Technology, Dublin.
Calvert, Sheena M. (2013) [Un]common Sense and [Un]disciplined Gestures. In: Zētēsis. ARTicle Press, Birmingham, pp. 73-79. ISBN 978-1-873352-07-6
Calvert, Sheena M. (2009) [Un]disciplined Gestures and [Un]common Sense: The Sensual, Acoustic Logic[s] of Paradox and Art. PhD thesis, University of Greenwich.
Calvert, Sheena M. (2017) Unbound: Beyond the Codex, The Book as Process/Experience/Event. Book 2.0: From Codex to Computer, 7 (1). ISSN 2042-8022
Calvert, Sheena M. (2013) Zētēsis: Research generated by curiosity (series design). [Art/Design Item]
de Selincourt, Chris (2018) The Boyle Family and Radical Enactivism. In: 6th Annual Cognitive Futures Conference, 2-4 July 2018, University of Kent, Canterbury.
Dada, Maria (2019) Queering Geographic Information Systems. APRJA, 8 (1). pp. 58-68. ISSN 2245-7755
Eden, Michael (2024) The Abortive Superman: Übermensch as monster in the work of Panos Cosmatos. Film International, 21 (1-2). pp. 76-101. ISSN 2040-3801
Eden, Michael (2018) Equivalence & the Loss of the Engaged Human. Trebuchet Magazine.
Eden, Michael (2018) Exclaim Galatea. Trebuchet Magazine.
Eden, Michael (2023) The High Wasteland, Scar, Form, and Monstrosity in the English Landscape: What Is the Function of the Monster in Representations of the English Landscape? PhD thesis, Middlesex University.
Eden, Michael (2016) The Right Business: Politics and the Randian Hero. Trebuchet Magazine.
Eden, Michael (2016) Why the Size of Trump’s Hands Matters: Deconstructing the Randian Superman. Trebuchet Magazine.
Eden, Michael (2019) William Kentridge In Praise of Shadows. Trebuchet Magazine.
fitzPatrick, Edwina (2013) Into the Unknown: Navigating Spaces, Terra Incognita and the Art Archive. eSharp, 20 (Spring).
Francis, Mary Anne (2008) In the Café Flaubert. Journal of Writing in Creative Practice, 1 (2). pp. 133-149. ISSN 17535190
Findlay, Rosie (2016) ‘Such Stuff as Dreams are Made On’: Encountering Clothes, Imagining Selves. Cultural Studies Review, 22 (1). pp. 78-94. ISSN 1837-8692
Findlay, Rosie (2016) You Can’t Lose Something You Never Had: Longing and the fashion photograph. In: Crossroads in Cultural Studies, 14-17 December 2016, Sydney, Australia.
Gray, Victoria Kent (2017) A Somatics of Affect: Articulating Affective-Kinaesthetic Experience through BMC approaches to Performance and Writing. PhD thesis, University of the Arts London.
Goodwin, Paul (2018) Confessions of a Recalcitrant Curator: Or How to Re-Programme the Global Museum. In: The Persistence of Taste: Art, Museums and Everyday Life After Bourdieu. Culture, Economy and the Social . Routledge, London. ISBN 9781138670983
Goh, Annie (2019) Sonic Knowledge Production in Archaeoacoustics – Theorising an ‘Aural Gnoseology’. In: Archaeologies of Media and Technology (AMT), 10 May 2019, Winchester School of Art, Southampton University, UK.
Goh, Annie (2017) Sounding Situated Knowledges - Echo in Archaeoacoustics. Parallax, 23 (3). pp. 283-304. ISSN 1353-4645
Husain, Amber (2021) Cyborgs Without Organs. Radical Philosophy, 2 (9). pp. 97-100. ISSN 0300-211X
Husain, Amber (2021) Replace Me. Peninsula Press, London. ISBN 9781913512064
Husain, Amber (2020) Virtual Tower, 'Virtual' Pit: On Potentiality and the Status of Unrealised Art. Afterall, 50. pp. 76-93. ISSN 1465-4253
Hernández Velázquez, Yaiza María (2013) Third-Way Aesthetics. Radical Philosophy (180). pp. 53-55.
Hartnoll, Louis C (2016) Art and Its History; Hegel and Art’s Historical Exceptionalism. In: Society for European Philosophy–Forum for European Philosophy 2016 Annual Conference, 25–27 August, Regent's University, London.
Hartnoll, Louis C (2018) Without Further Ado. Radical Philosophy, 2 (03). pp. 108-111. ISSN 0300-211X
Hardie, Sarah and Sheen, Jack and Drennan, Eleesha (2016) before sleep at the end of love (description of a lullaby). [Show/Exhibition]
Hardie, Sarah and Sheen, Jack and Drennan, Eleesha (2017) before sleep at the end of love (description of a lullaby). [Performance]
Hardie, Sarah (2021) Spring Sometimes Rises In Me Too. [Art/Design Item]
Hardie, Sarah (2021) Spring Sometimes Rises In Me Too (Script). [Art/Design Item]
Ingham, Mark (2005) AFTERIMAGES: Photographs as an External Autobiographical Memory System and a Contemporary Art Practice. PhD thesis, Goldsmiths College.
Ingham, Mark (2021) Mutant Algae and Fighting Fascism with Félix Guattari. Medium.
Jewell, Jonathan D.A. and Cauchi, Marcus (2021) Plus Ça Change Plus La Même Chose, Exploring Change and Innovation.
Kul-want, Christopher (2007) Introducing Aesthetics. Icon Books Ltd. ISBN 1840467908
Kul-want, Christopher, Piero (2013) Introducing Continental Philosophy: A Graphic Guide. INTRODUCING . Icon Books Ltd, London, UK. ISBN 9781848314177
Kul-want, Christopher (2011) Introducing Slavoj Zizek: a graphic guide. Introducing . Icon Books Ltd, London, UK. ISBN 9781848312937
Kul-want, Christopher (2019) Philosophers on Film: From Bergson to Badiou, A Critical Reader. Columbia University press, New York. ISBN 978-0-231-17603-3
Kul-Want, Christopher (2023) Dreaming the Unthinkable: The Cinema of Yorgos Lanthimos. In: Dreams and Atrocity: The Oneiric in Representations of Trauma. Manchester University Press, Manchester, pp. 199-219. ISBN 978 1 5261 5807 9
Kollectiv, Galia and Kollectiv, Pil (2023) Subversive Performance in the Age of Human Capital. Palgrave Macmillan, London. ISBN 978-3-031-35814-2
Kollectiv, Galia and Kollectiv, Pil (2024) Sound Strategies: Music as Ideological Apparatus. Strange Attractor / MIT, London. (In Press)
King, Ian (2014) Expression and the Body. In: The Power of the Image: Emotion, Expression, Explanation. Visual Learning (4). Peter Lang, Frankfurt am Main, Berlin, Bern, Bruxelles, New York, Oxford, Wien, pp. 215-230. ISBN 978-3-631-64713-4
King, Ian (2015) ‘What to wear?’: Clothing as an example of expression and intentionality. Argument, 5 (1). pp. 59-78. ISSN 2084-1043
Kear, Adrian (2005) The Anxiety of the Image. Parallax, 11 (3). pp. 107-116. ISSN 1353-4645
Katsuragi, Camille Nao (2005) Condition of Singularity: Viewer, Temporality and Otherness. PhD thesis, University of the Arts London.
Kaszynska, Patrycja and Coyle, Diane and Dwyer, Emma and Lawton, Ricky and Riganti, Patrizia and Watson, Sadie and Dâmaso, Mafalda and Wang, Yang (2022) Scoping Culture and Heritage Capital Report. Project Report. Department for Digital, Culture, Media and Sport.
Kaszynska, Patrycja and Anzel, Andrew and Rolls, Christopher (2022) Reasons to Co-create. Project Report. University of Warwick.
Kaszynska, Patrycja (2020) Cultural value and economic value in the arts and culture. In: Teaching Cultural Economics. Edward Elgar Publishing, pp. 51-57. ISBN 9781788970730
Kaszynska, Patrycja (2021) From calculation to deliberation: the contemporaneity of Dewey. Culture, Theory and Critique. ISSN 1473-5776
Kaszynska, Patrycja (2023) Valuation through Narrative Intelligibility. Valuation Studies. ISSN 2001-5992
Kaszynska, Patrycja (2024) Whose cultural capital? Towards an interdisciplinary understanding of cultural capital through cultural value. Journal of Cultural Management and Cultural Policy, 10 (1). pp. 211-228. ISSN 2701-9276
Lotringer, Sylvère and Morris, David (2014) Schizo-Culture: The Event, The Book. Semiotext(e) / The MIT Press. ISBN 9781584351245
Loscialpo, Flavia (2011) Fashion and Philosophical Deconstruction: A Fashion in-Deconstruction. In: Fashion Forward. Inter-Disciplinary Press, Oxford, pp. 13-29. ISBN 978-1-84888-001
Loscialpo, Flavia (2016) From the physical to the digital and back: Fashion exhibitions in the digital age. International Journal of Fashion Studies, 3 (2). pp. 225-248. ISSN 2051 7106
Loscialpo, Flavia (2019) “I Am an Immigrant”: Fashion, Immigration and Borders in the Contemporary Trans-global Landscape. Fashion Theory: The Journal of Dress, Body and Culture, 23 (6). pp. 619-654. ISSN 1362-704X
Loscialpo, Flavia (2020) Identity politics, untold stories and creative actions: Mundo Latinx at Fashion Space Gallery. International Journal of Fashion Studies, 7 (1). pp. 105-114. ISSN 2051-7106
Loscialpo, Flavia (2020) Subject, Power and Political Critique. In: Already But Not Yet. Punctum Press. ISBN 978-88-95410-63-0
Loscialpo, Flavia (2021) The racial capitalocene and the 'not yet': a discourse for the politics of the possible. In: LCF Cultural & Historical Studies Digital Symposium, 11-12 June 2021, London College of Fashion.
Morris, David (2022) Sylvère Lotringer, 1938-2021. Radical Philosophy, 212. pp. 109-114. ISSN 0300-211X
Mey, Adeena and Roh Bannwart, Kyung (2020) Neo Geography 네오지오그래피. CAN, Centre d'art Neuchâtel and Les presses du réel, Neuchâtel and Dijon. ISBN 978-2-8399-2651-5
Mey, Adeena and Hui, Yuk (2022) The Exhibition as Medium: Some Observations on the Cybernetisation of the Institution and the Exhibition. Afterall. A Journal of Art, Context and Enquiry (53). pp. 74-91. ISSN 1465-4253
Mey, Adeena and Hui, Yuk (2017) L’exposition comme médium. Quelques observations sur la cybernétisation de l’institution et de l’exposition. Appareil (18).
Mey, Adeena (2022) Curating’s technological unconscious: the history of cybernetics and the Gaian transformation of curation. In: Helsinki Biennial 2023 Symposium, 9 December 2022, HAM Helsinki Art Museum.
Mey, Adeena (2018) Media Mass-Age in Monte Verità. René Berger’s Media Theory. In: Media History from the Margins, 19-24 August 2018, Monte Verità, Switzerland.
Mey, Adeena (2013) Rancière as Foucauldian? On the Distribution of the Sensible and New Forms of Subjectivities. In: Foucault, Biopolitics, and Governmentality. Södertörn Philosophical Studies (14). Södertörn University, Stockholm, pp. 175-183. ISBN 978-91-86069-59-9
Melvin, Jo and Dobai, Sarah and McCarthy, Tom and Campany, David and Dobai, Sarah (2015) The Copyists. In: The Copyists, 20 March 2015, Institute of Contemporary Art London.
Melvin, Jo (2014) Dennis Oppenheim: Danger and the Domain of Procedural Risk. NOIT (2). ISSN 9781908971289
Melvin, Jo (2017) Interview with Jo Melvin about Portraiture.
Melvin, Jo (2015) Palindromes: Exchanges between Barry Flanagan and John Latham. [Show/Exhibition]
Melvin, Jo (2014) Peter Halley painting: Visual pleasure and aesthetic alienation. In: Peter Halley since 2000. Editions Maruani and Noirhomme, Brussels. ISBN 9782930487137
Matthews, Aaron (2020) Across May ‘68 Reading Friendships in Jacques Derrida’s Dissemination and Glas. PhD thesis, University of the Arts London.
Marenko, Betti and van Allen, Philip (2016) Animistic design: how to reimagine digital interaction between the human and the nonhuman. Digital Creativity, 27. pp. 1-19. ISSN 1744-3806
Marenko, Betti and Brassett, Jamie (2015) Introduction. In: Deleuze and Design. Deleuze Connections . Edinburgh University Press, Edinburgh, pp. 1-30. ISBN 978 0 7486 9154 8
Marenko, Betti and Benqué, David (2019) Speculative Diagrams: Experiments in Mapping YouTube. Research Through Design Conference Proceedings.
Marenko, Betti and Benqué, David (2018) Speculative diagrams: plotting to reclaim algorithmic prediction. In: Art, Materiality and Representation, 3 June 2018, British Museum, London.
Marenko, Betti (2022) #2 Planetary perspectives on digital technologies. In: Digital Innovation Season 2022, 26 April 2022, Central Saint Martins, Online.
Marenko, Betti (2019) Algorithm Magic: Simondon and Techno-animism. In: Believing in Bits: Digital Media and the Supernatural. Oxford University Press, United Kingdom. ISBN 9780190949983
Marenko, Betti (2010) Body marking/mapping: embodied difference and strategies of deconstruction of identity. Documenti di Lavoro/ Documents de Travail/Working papers.
Marenko, Betti (2011) Commodity encounters: late capitalist re-design of the consumer pathosphere. In: Creation, Crisis, Critique. 4th International Deleuze Studies Conference, 27 – 29th June 2011, Copenhagen Business School. (Unpublished)
Marenko, Betti (2010) Contagious affectivity: the management of emotions in late capitalist design. In: Contagious affectivity: the management of emotions in late capitalist design. 6th Swiss Design Network Conference, Basel, Switzerland. ISBN 9783952366219
Marenko, Betti (2021) Critical Practice in the Algorithmic Age. In: More-than-Human Futures: Reframing design knowledge provotyping for human-non-human ecologies, 23-29 June 2021, Politecnico di Milano. Doctoral Summer School.
Marenko, Betti (2014) Deleuzian Design. The Adventure of Actualizing the Virtual by Capturing Material Stories from the Future. In: Political Aesthetics, Political Design., Institute for Design Research, Zurich University of the Arts.
Marenko, Betti (2022) Design In Times of Crisis. Inquiring the role, agency, and responsibility of Design for decolonising, (un)knowing, and world-building. In: Design PhD 2022 Summer School, 15-21 June 2022, Politecnico di Milano.
Marenko, Betti (2011) Designing futures: a Deleuzian take on design as embodiment of virtuality. In: Deleuzian Futures, 22 - 24th May 2011, Tel Aviv. (Unpublished)
Marenko, Betti (2014) Digital Materiality. In: Architecture, Utopia, Realism Guest Lecture Program, Faculty of Architecture, University of Belgrade. Architectural.
Marenko, Betti (2015) Digital Materiality, Morphogenesis and the Intelligence of the Technodigital Object. In: Deleuze and Design. Deleuze Connections . Edinburgh University Press, Edinburgh, pp. 107-138. ISBN 978-0-7486-9153-1
Marenko, Betti (2017) Digital Uncertainty, FutureCrafting and Animistic Fiction. In: Hybrid Ecologies Lecture Series, 12 January 2017, Academy of Fine Arts Munich.
Marenko, Betti (2014) Digital materiality and the Intelligence of the Technodigital Object. In: MIT Computation Lectures, MIT Architecture.
Marenko, Betti (2014) Digital materiality, morphogenesis, and the intelligence of the technodigital object. In: What’s the Matter. Materiality and Materialism at the Age of Computation, Chamber of Architects Barcelona, ETSAB and ETSAV.
Marenko, Betti (2018) FutureCrafting. A Speculative Method for an Imaginative AI. In: AAAI Spring Symposium Series. Technical Report SS-18. Association for the Advancement of Artificial Intelligence, Palo Alto, California, pp. 419-422. ISBN 978-1-57735-795-7
Marenko, Betti (2017) FutureCrafting: Speculation, Design and the Nonhuman, or how to live with digital uncertainty. In: Agents in the Anthropocene: Trans/disciplinary Practices in Art and Design Education Today, 27-28 January 2017, Piet Zwart Institute / Willem de Kooning Academy, Rotterdam.
Marenko, Betti (2022) Hybrid Animism: The Sensing Surfaces Of Planetary Computation. New Formations (104). pp. 183-197. ISSN 1741-0789
Marenko, Betti (1997) Ibridazioni: Corpi in Transito e Alchimie della Nuova Carne. Castelvecchi, Roma. ISBN 8882100421
Marenko, Betti (2022) In praise of the sublime-pharmakon. In: The Blue, The Pink, The Immaterial, The Void. Austrian Cultural Forum, pp. 99-102. ISBN 978-1-9999269-7-7
Marenko, Betti (2007) Is there life in bio-art? Mute. Culture and Politics after the Net.
Marenko, Betti (2014) Material morphogenesis. For an encounter between philosophy and design. In: Computational Making Workshop. 6th International Conference On Design Computing And Cognition, University College London.
Marenko, Betti (2014) Neo-Animism and Design. A New Paradigm in Object Theory. Design and Culture, 6 (2). pp. 219-242. ISSN 1754-7075
Marenko, Betti (2015) The Nonhumanity of Planetary Computation: or how to live with Digital Uncertainty. In: Machinic Ecologies. Deleuze Scholarship Conference, Amsterdam School for Cultural Analysis (ASCA) - University of Amsterdam.
Marenko, Betti (2010) Now I can feel myself! In: Networks of Design: Proceedings of the 2008 Annual International Conference of the Design History Society. Design History Society, Falmouth. ISBN 9781599429069
Marenko, Betti (2009) Object-relics and their effects: for a neo-animist paradigm. In: MEI (Médiation et Information): Objets & Communication. Editions l'Harmattan, Paris, pp. 239-253. ISBN 9782296117075
Marenko, Betti (2018) The Power of Maybes. FutureCrafting, or how to divine futures by design. In: The Shaping of A Message, 8 June 2018, Department of Visual Cultures. Goldsmiths.
Marenko, Betti (2002) Segni Indelebili: Materia e Desiderio del Corpo Tatuato. Feltrinelli, Milano.
Marenko, Betti (2020) Shaping the future: the inhumanity of planetary calculation or how to live with digital uncertainty. In: Hybrid Ecologies. Diaphanes AG, Zurich.
Marenko, Betti (2018) Speculative Design. The body of the digital mind. In: Speculative Design. The body of the digital mind. Galerie im Gartenhaus.
Marenko, Betti (2021) Stacking Complexities: Reframing Uncertainty through Hybrid Literacies. Design and Culture, 13 (2). ISSN 1754-7075
Marenko, Betti (2021) Stay Alert to the Toolification of Experience. The Technocratic Shift is Here. UAL Social Design Institute Publications.
Marenko, Betti (2018) Tattooing 2.0. In: Body of Reverbs. New Rituals for Contemporary Bodies. Galleria Varsi, Roma, pp. 21-25.
Marenko, Betti (2018) Thinking about Future technologies. In: Existential Wearables: Tokyo in 10 years - what are we wearing?, Shibuya Hikarie, Tokyo.
Marenko, Betti (2020) Undisciplined Knowledges for Transversal Futures. In: Designing in Transitional Times. Experiments for Future(s) imagination. PhD Summer School. Politecnico Milano.
Marenko, Betti (2015) Which design fiction for the post-Anthropocene? In: Tomorrow Today: Design, Fiction and Social Responsibility., Institute of Contemporary Arts London.
Marenko, Betti (2020) Zukunftsgestaltung: Die Nichtmenschlichkeit der planetarischen Berechnung oder wie mit der digitalen Ungewissheit zu leben ist. In: Hybride Ökologien. Diaphanes AG, Zurich, pp. 234-247.
Marenko, Betti (2018) The un-designability of the virtual. Design from problem-solving to problem-finding. In: UnDesign: Critical Practices at the Intersection of Art and Design. Routledge, London. ISBN 9781138695719
Macdonald, Anna (2017) Going nowhere: Screendance and the act of dying. International Journal of Screendance, 8. pp. 11-28. ISSN 2154-6878
Oki, Michiko (2014) Contagion and Transgression: Visions/Auditions of Excess towards a Space of Sound and Art. In: Sovereignty and the Human: Exploring Bataille’s Accursed Share Project, 25 April 2014, University of West England.
Oki, Michiko (2023) Dreams and thresholds: The violence of doors that never close in Magritte, Kafka and Buñuel. In: Dreams and Atrocity: The Oneiric in Representations of Trauma. Manchester University Press, pp. 60-78. ISBN 978-1-5261-5807-9
Oki, Michiko (2021) Enemy / Life to Life. In: Use Music To Kill. Donald M. Grant Publisher.
Oki, Michiko (2017) Hearing/seeing dread: Thought of distortion and transformation in Kafka’s The Burrow and Odradek. Journal for Cultural Research, 22 (1). pp. 16-26. ISSN 1740-1666
Oki, Michiko (2024) Hedonism through polytheism: Towards a critique of the violence of normalisation. In: London Conference in Critical Thought, 28-29 June 2024, University of Greenwich.
Oki, Michiko (2021) Hunchback as a Visual Paradigm of Violence in Modern Art: Géricault, Dix, and Salomon. In: The Body in Theory: Essays After Lacan and Foucault. McFarland, pp. 80-91. ISBN 978-1-4766-7855-9
Oki, Michiko (2014) Kafka’s Odradek - Thoughts of Distortion and Transformation. In: European Network for Avant-Garde and Modernism Studies 4th Conference: Utopia, 29 August 2014, University of Helsinki.
Oki, Michiko (2014) Threshold – a Place of Secret and Violence: Open Doors in Magritte and Kafka. In: The Secret in Contemporary Theory, Society, and Culture, 31 May 2014, School of European Culture and Languages, University of Kent.
Oki, Michiko (2014) The Threshold – a Place of the Hunchback. Violence and Transformation in works by Géricault, Dix, Salomon, Magritte, and Kafka. PhD thesis, University College London.
O'Riley, Tim (2011) Flusser Studies (Chance and Improbability). Flusser Studies (12). ISSN 1661-5719
Parsons, Allan (2022) Derrida, Democracy and the State of Education: Learning, by Design, Perchance. In: Derrida's Politics of Friendship: Amity or Enmity. Edinburgh University Press, Edinburgh, pp. 223-233. ISBN 9781474486736
Quinn, Malcolm (2018) Introduction: Taste, Hierarchy and Social Value after Bourdieu. In: The Persistence of Taste: Art, Museums and Everyday Life After Bourdieu. CRESC . Routledge, London, pp. 1-18. ISBN ISBN-10: 9781138670983 ISBN-13: 978-1138670983
Quinn, Malcolm (2017) 'Jeremy Bentham on Middle-Class Taste' Bentham Seminars Programme 2017 UCL. In: Bentham Seminars Programme 2017 UCL, 15 March 2017, 22 Gordon Square, University College London, WC1H 0AG.
Quinn, Malcolm (2006) Practice-Led Research and the Engagement With Truth. In: Proceeds of Reflections on Creativity. Duncan of Jordanstone College, Dundee University. ISBN 1899837566
Quinn, Malcolm (2022) Psychoanalysis and radical philistinism in the museum. Psychoanalysis, Culture and Society, 27 (1). pp. 20-36. ISSN 1088-0763
Quinn, Malcolm (2018) The Tastemaker and the Algorithm. In: The Persistence of Taste: Art, Museums and Everyday Life After Bourdieu. CRESC . Routledge, London, pp. 345-350. ISBN ISBN-10: 9781138670983 ISBN-13: 978-1138670983
Rubinstein, Daniel and Golding, Johnny and Fisher, Andy (2013) On The Verge of Photography: Imaging Beyond Representation. ARTicle Press, Birmingham. ISBN 9781873352021
Rubinstein, Daniel (2021) Anti-Oedipus; Capitalism and schizophrenia. European Journal of Psychotherapy & Counselling, 23 (3). pp. 390-394. ISSN 1364-2537
Rubinstein, Daniel (2016) Assassination of Experience by Photography. Bijutsu Techo, 68 (1042). pp. 98-104. ISSN 0287-2218
Rubinstein, Daniel (2014) Digital Image. Mafte’akh; Lexical Review of Political Thought, 6 (1). ISSN 2224-4557
Rubinstein, Daniel (2013) Discourse in a coma; A Comment on a Comma in the Title of Jean François Lyotard’s Discourse, Figure. Zētēsis; Research Generated by Curiosity, 1 (1). pp. 29-33. ISSN 9781873352069
Rubinstein, Daniel (2016) Failure to engage: art criticism in the age of simulacrum. Journal of Visual Culture, 16 (1). pp. 43-55. ISSN 1470-4129
Rubinstein, Daniel (2020) Fotografie nach der Philosophie. Merve, Berlin, Germany. ISBN 978-3-96273-022-2
Rubinstein, Daniel (2013) The Grin of Schrödinger's Cat; Quantum Photography and the limits of Representation. In: On the Verge of Photography: Imaging Beyond Representation. ARTicle Press, Birmingham, pp. 33-48. ISBN 9781873352021
Rubinstein, Daniel (2022) How Photography Changed Philosophy. Routledge History of Photography . Routledge, UK. ISBN 9780367694227
Rubinstein, Daniel (2018) Keeping up with the Cartesians: on the culture of the selfie with continual reference to Kim Kardashian. In: Public, Private, Secret: On Photography & the Configuration of Self. Aperture, USA. ISBN 978-1-59711-438-7
Rubinstein, Daniel (2016) Nothing to see here: Fractal Photography and the politics of invisibility. In: The Routledge Companion to Photography Theory. Routledge, London. ISBN 9781138845770
Rubinstein, Daniel (2019) Photography after Philosophy. In: The Handbook of Photography Studies. Bloomsbury, London. ISBN 9781474242219
Rubinstein, Daniel (2013) Photography as the Aesthetic Determination of Difference. PhD thesis, Birmingham City University.
Rubinstein, Daniel (2018) Post-representational Photography, or the Grin of Schrödinger’s Cat. In: Photography Reframed: New Visions in Contemporary Photographic Culture. IB Tauris, UK. ISBN 9781350137745
Rubinstein, Daniel (2018) Posthuman Photography. In: The Evolution of The Image; Political Action and the Digital Self. Routledge Advances in Art and Visual Studies . Routledge, Taylor & Francis, London, pp. 100-112. ISBN 978-1-138-21603-7
Rubinstein, Daniel (2023) Schrödinger's Cat Goes Online: Exploring the Paradoxes of Psychotherapy in the Digital Age. European Journal of Psychotherapy & Counselling, 25 (1). ISSN 1634-2537
Rubinstein, Daniel (2018) Techniques of The Self; On the art of Cindy Sherman from Untitled Film Stills to Instagram. ZUM Revista De Fotografia, 15.
Rubinstein, Daniel (2017) Value of Nothing. Journal of Visual Art Practice, 15 (2-3). pp. 127-137. ISSN 1470-2029
Rubinstein, Daniel (2015) What is 21st Century Photography? The Photographers' Gallery Blog.
Rubinstein, Daniel (2023) “A knife without a blade, for which a handle is missing”; on the pleasure of photographic violence. Philosophy of Photography, 13 (1). pp. 207-212. ISSN 2040-3682
Roubelat, Fabrice and Brassett, Jamie and McAllum, Michael and Hoffmann, Jonas and Kera, Denisa (2015) Probing Ephemeral Futures: scenarios as fashion design. Futures. The journal of policy, planning and future studies. ISSN 0016-3287
Rawes, Peg and Rendell, Jane and Araujo, Ana and Garb, Tamar and Morris, Sharon and Matthews, Tim (2010) Sexuate subjects. In: Sexuate Subjects, 3-5 December 2010, University College London.
Raskob, Evan S. (2023) Space as Time. A Study in Improvisational Interactive Computational Sculpting. Trópos. Journal of Hermeneutics and Philosophical Criticism, 15 (1). pp. 177-198. ISSN 2036-542X
Stephens, Tim and Pantridge, Keith (2011) Dosimetry, Personal Monitoring Film. Philosophy of Photography, 2 (1). pp. 153-158. ISSN 2040-3682
Stephens, Tim (2011) ‘The End(s) of the Still’ – Releasing rhythm from photographic geometry. In: Rhythm & Event, 29 October 2011, London Graduate School.
Stephens, Tim (2018) I am what is a photograph: photo-fiction as performative auto-ethnography. Cultural Studies - Critical Methodologies, 19 (2). pp. 79-83. ISSN 1532-7086
Stephens, Tim (2024) Mixed Forms in Visual Culture, Mary Anne Francis (2021). Journal of Writing in Creative Practice, 16 (1). pp. 135-155. ISSN 1753-5204
Stephens, Tim (2010) What is rhythm in relation to photography? Philosophy of Photography, 1 (2). pp. 157-175. ISSN 2040-3682
Steeds, Lucy (2019) Exposability: On the Taking-Place in Future of Art. In: Theater, Garden, Bestiary: A Materialist History of Exhibitions. The MIT Press, pp. 75-84. ISBN 9783956794551
Steeds, Lucy (2015) ‘Unhinging Prehistory, Unbecoming Humanity: Georges Bataille on Lascaux’. In: Allegory of the Cave Painting. Extra City Kunsthal and Mousse Publishing, Antwerp and Milan, pp. 95-114. ISBN 9788867491162
Sliwinska, Basia (2016) The Female Body in the Looking-Glass: Contemporary Art, Aesthetics and Genderland. International Library of Cultural Studies . I.B.Tauris, London. ISBN 9781780766447
Sharma, Ashwani (2021) Towards a Manifesto for Planetary Futurity. estetica, studi e ricerche, 11 (1). pp. 113-128. ISSN 2039-6635
Safatle, Vladimir and Adami, Elisa (2023) Politics Inc. [Art/Design Item]
Saenz de Sicilia, Andrés and Brito Rojas, Sandro (2014) Introduction to Bolívar Echeverría. Radical Philosophy (188). pp. 20-23. ISSN 0300-211X
Saenz de Sicilia, Andrés (2022) Being, Becoming, Subsumption: The Kantian Roots of a Marxist problematic. Radical Philosophy, 2 (12). pp. 35-47. ISSN 0300-211X
Saenz de Sicilia, Andrés (2018) Bolívar Echeverría: Critical Discourse and Capitalist Modernity. In: The SAGE Handbook of Frankfurt School Critical Theory. SAGE, pp. 433-447. ISBN 9781473953345
Saenz de Sicilia, Andrés (2022) Book review: Freedom, Justice, and Decolonization. European Journal of Social Theory. ISSN 1368-4310
Saenz de Sicilia, Andrés (2022) Marx e la Transnaturalizzazione della Materia. In: Sulla Soglia delle Forme: Genealogia, estetica, politica della materia. Meltemi, Milan, pp. 166-179. ISBN 9788855194600
Saenz de Sicilia, Andrés (2016) The Problem of Subsumption in Kant, Hegel and Marx. PhD thesis, Kingston University.
Saenz de Sicilia, Andrés (2022) Ser, Devenir, Subsunción: las raíces Kantianas de una problemática Marxista. Valenciana (29). pp. 253-279. ISSN 2007-2538
Saenz de Sicilia, Andrés (2021) Subsumption. In: The SAGE Handbook of Marxism. SAGE, pp. 609-630. ISBN 9781526455741
Tynan, Jane (2015) Michel Foucault: fashioning the body politic. In: Thinking Through Fashion: A Guide to Key Theorists. Dress Cultures . I.B.Tauris, London and New York. ISBN 9781780767338
Troisi, Anna (2018) OB-scene, a Live Audio/Visual Performance for Photoplethysmograph and Female Body. Organised Sound, 23 (3). pp. 270-276. ISSN 1469-8153
Tillotson, Zoe (2007) Ephemeral Art: A Philosophical Proposition about the Nature of Time and Being. PhD thesis, University of the Arts London.
Thorpe, Adam and Gamman, Lorraine (2020) Power. In: Designing in Dark Times: An Arendtian Lexicon. Bloomsbury. ISBN 9781350070264
Teverson, Andrew and Upstone, Sara (2011) Postcolonial Spaces: The Politics of Place in Contemporary Culture. Palgrave Macmillan, London. ISBN 9780230252257
Voegelin, Salomé (2016) ‘The Critical Agency of the ‘Avatar-I’: accessing the silence of the inaudible’. Four by Three Magazine, 1 (6).
Voegelin, Salomé (2016) Inhabiting a World of Numerical Things. Circuit Musiques Contemporaines, 26 (3). pp. 27-42. ISSN 1183-1693
Voegelin, Salomé (2022) Keynote: Sonic Sense: The Meaning of the Invisible. In: Oxford Handbook of Sound Art. Oxford University Press, Oxford, UK, pp. 349-367. ISBN 9780190274054
Voegelin, Salomé (2021) Singing Philosophy: deviating voices and rhythms without a time signature. Open Philosophy Journal, 4 (1). pp. 284-291. ISSN 2543-8875
Voegelin, Salomé (2019) Sonic Materialism: Hearing the Arche-Sonic. In: Oxford Handbook of Sound and Imagination. Oxford University Press, Oxford, UK, pp. 559-577. ISBN 9780190460242
Voegelin, Salomé (2021) Sonic Possible Worlds: Hearing the Continuum of Sound. Bloomsbury, NY,, US. ISBN 9781501367625
Vodanovic, Lucia and Ossandón, José (2012) Disturbios Culturales. Ediciones UDP, Santiago. ISBN 978-956-314-171-9
Withers, Rachel (2013) De l’imagination et non de la logique: la physique émotionnelle de Roman Signer. In: Roman Signer: Films Super-8: La nature comme atelier. PLANSécant . Metis Presses, Geneva, pp. 27-38. ISBN 9782940406845
Wilder, Ken (2021) Architecture as performance: Sigurd Lewerentz's uncut bricks. Aesthetic Investigations, 5 (1). pp. 28-50. ISSN 2352-2704
Wilder, Ken (2018) The Configurational Encounter and the problematic of Beholding. In: The Persistence of Taste: Art, Museums and Everyday Life After Bourdieu. Culture, Economy and the Social . Routledge, Abingdon, Oxon and New York, pp. 77-97. ISBN 978-1-138-67098-3
Wilder, Ken (2011) Michael Fried and beholding video art. In: European Society of Aesthetics Annual Conference, 18th - 20th April 2011, Université Pierre Mendès-France, Grenoble, France.
Wilder, Ken (2012) Michael Fried and beholding video art. Estetika: Central European Journal of aesthetics, XLIX/V (1). pp. 5-25. ISSN 00141291
Wilder, Ken (2017) Michael Haneke’s 'Caché (Hidden)' and Wolfgang Iser's 'Blank'. Proceedings of the European Society of Aesthetics, 8. pp. 625-636. ISSN 1664 – 5278
Wilder, Ken (2007) Negotiating Painting's Two Perspectives: a Role for the Imagination. Image & Narrative, 18. ISSN 1780678X
Wilder, Ken (2010) Neither here nor elsewhere: displacement devices in representing the supernatural. In: Proceedings of the European Society of Aesthetics. European Society for Aesthetics, pp. 532-543.
Wilder, Ken (2016) Projective art and the ‘staging’ of empathic projection. Moving Image Review & Art Journal (MIRAJ), 5 (1 & 2). pp. 124-140. ISSN 20456298
Wilder, Ken (2008) The case for an external spectator. British Journal of Aesthetics, 48 (3). pp. 261-277. ISSN 00070904
Westwood, Martin (2018) Gilbert Simondon's Ecumenicism and the Transdisciplinary Shadow. In: Itching Powder or "How Much Harmony?", 2-4 May 2018, Jan Van Eyck Academie.
Young, Carey (2011) Contribution to MoMA conference: Contemporary Art Forum: Art Speech—A Symposium on Symposia. In: Contemporary Art Forum: Art Speech—A Symposium on Symposia, 21 - 22 May 2011, Museum of Modern Art, New York. (Unpublished)
Zeilig, Hannah and van der byl Williams, Millie (2022) Broadening and deepening the understanding of agency in dementia. Medical Humanities. pp. 1-10. ISSN 1473-4265