Asbury, Michael (2023) Floriano Romano: A Pele do Mundo. Futuros Arte e Tecnologia / Refresco produções, Rio de Janeiro. ISBN 978-65-982255-0-6
Artinian, Emily (2007) Underconstruction - Visual Dialogue: Talking About Identities in the Armenian Transnation. [Show/Exhibition]
Antonopoulou, Alexandra and Yermakova, Anya and Hosale, Mark David and Macy, Alan (2021) Siren. [Show/Exhibition]
Allen, Richard and Khandekar, Prachi (2023) Circuits of Sand and Water (Dramaturg). [Performance]
Allen, Richard (2023) Headphone Theatre: A Technology-led approach to Performance Pedagogy. In: ExEd 2023, 3-4 July 2023, UAL London, Online.
Allen, Richard (2023) Kerala International Festival of Theatre Schools (IFTS) 2023. Theatre and Performance Design, 9 (1). pp. 112-119. ISSN 2332-2551
Allen, Richard (2019) Rock Ballad. [Show/Exhibition]
Allen, Richard (2021) Shock Corridor. [Show/Exhibition]
Allen, Richard (2016) Theatrical Latency: Walking Katrina Palmer’s The Loss Adjusters. Theatre and Performance Design, 2 (3-4). pp. 266-278. ISSN 2332-2551
Allan, Jennifer (2019) Fog Tropes: A social and cultural history of the foghorn. PhD thesis, University of the Arts London.
Alarcon, Ximena and O'Brien, Donal (2014) Comparative Review Apps towards an ‘in-between’ performance app. Technical Report. CRiSAP. (Unpublished)
Alarcon, Ximena and Lane, Cathy (2015) Sound Matters: a framework for the creative use and re-use of sound. Project Report. University of the Arts London.
Alarcon, Ximena and Herrema, Ron (2017) Pauline Oliveros: A Shared Resonance. Organised Sound, 22 (1). pp. 7-10. ISSN 1355-7718
Alarcon, Ximena (2017) Bajo la tierra: escucha porosa de modernidad en el metro de México. Revista de Arte Sonoro y Cultura Aural (3). pp. 33-39. ISSN 0719-4625
Alarcon, Ximena (2013) Creating Sounding Underground. Digital Creativity, 24 (3). pp. 252-258. ISSN 1744-3806
Alarcon, Ximena (2012) Letters and Bridges - Telematic Sonic Performance. [Performance]
Alarcon, Ximena (2011) Listening and remembering: networked off-line improvisation for four commuters. CITAR Journal of Science and Technology of the Arts Revista de Ciência e Tecnologias das Artes (03). pp. 21-30. ISSN 16469798
Alarcon, Ximena (2012) Migratory Dreams - Telematic Sonic Performance. [Performance]
Alarcon, Ximena (2008) Networked Improvisation “Listening and Remembering”. [Performance]
Alarcon, Ximena (2014) Networked Migrations: Listening to and performing the in-between space (Paper). Liminalities: a Journal of Performance Studies, 10 (1). ISSN 1557-2935
Alarcon, Ximena (2016) Sonic Migrations: listening in-between, sensing place. In: Environmental Sound Artists: in their own words. Oxford University Press, United States of America, pp. 113-121. ISBN 9780190234621
Alarcon, Ximena (2009) Sounding Underground. [Art/Design Item]
Alarcon, Ximena, Sensory Ethnography, MetaLab Harvard (2011) Sounding underground: listening, performing and transforming the commuting experience. Sensate Journal: A Journal for experiments in Critical Media Practice.
Alarcon, Ximena (2016) Suelo Fértil [Fertile Soil]: Telematic Sonic Performance. [Performance]
Alarcon, Ximena, Suelo Fértil Collective (2017) Suelo Fértil: a telematic platform for migrant women [Audio-Essay]. [Art/Design Item]
Alarcon, Ximena (2015) Telematic Embodiments: Improvising via the Internet in the context of migration. In: vs. Interpretation: An Anthology on Improvisation. Nadace Agosto Foundation, Praha. ISBN 978-80-905021-3-0
Alarcon, Ximena (2016) Tuning the Interface for Relational Listening. In: 3rd International Conference on Live Interfaces, 29 June - 3 July 2016, University of Sussex, Brighton, UK.
Alarcon, Ximena (2016) Tuning the Interface for Relational Listening. In: Proceedings of the 2016 International Conference on Live Interfaces. EMuTe Lab, University of Sussex in collaboration with REFRAME Books, Brighton, pp. 109-115. ISBN 978-0-9931996-8-4
Alarcon, Ximena (2017) A taxonomy for Listening and Performing ‘in-between’ migratory spaces using mobile apps. Wi: Journal of Mobile Media, 11 (1). ISSN 1918-2104
Ahmed, Miraj and Bøhling, Isha and Chorpening, Kelly and D'Avoine, Pierre and Egashira, Shin and Kourbaj, Issam and Franks, Matt and Lee, Jeffrey T Y and Lorenz, Theo and Monroe, Ian and Spragge, Foster and Thatcher, Tony (2015) Between Thought and Space @ Dilston Grove. [Show/Exhibition]
Ahmed, Miraj and Bøhling, Isha and Chorpening, Kelly and D'Avoine, Pierre and Egashira, Shin and Emerson, Tom and Franks, Matt and Kelly, Conor and Kourbaj, Issam and Lee, Jeffrey T Y and Lorenz, Theo and Monroe, Ian and Schweder, Alex and Spragge, Foster and Thatcher, Tony (2014) Between Thought and Space @ Camberwell Space. [Show/Exhibition]
Adami, Elisa (2024) Reverse Shots and Acoustic Ecologies: Marwa Arsanios’s and Nida Sinnokrot’s “Fighting Realism”. In: After Critical Realism. Brill. (In Press)
Burzynska, Justyna (2018) Curating Sound Art: A London Perspective. Leonardo Electronic Almanac, 22 (3). ISSN 1071-4391
Burton, Michael and Nitta, Michiko (2019) New Organs of Creation. [Art/Design Item]
Bown, Oliver and Lexer, Sebastian (2006) Continuous Time Recurrent Neural Networks for Generative and Interactive Musical Performance. In: EvoWorkshops2006: EvoMUSART; the 4th European Workshop on Evolutionary Music and Art, 10 - 12 April 2006, Budapest, Hungary.
Bown, Oliver (2006) The Extended Importance of the Social Creation of Value in Evolutionary Processes. In: Biennial European Conference on Artificial Intelligence (ECAI), Riva de Garda, Italy, 28 - 29 August 2006.
Boursnell, John Philip (2014) The unsound object and intimate space. PhD thesis, Norwich University of the Arts.
Bilbao, Ana (2015) SIN (without): The Alienated Spectator. re-bus, 7. pp. 105-112.
Biagioli, Monica (2013) These are the echoes: Sound Proof 2008-2012. Култура/Culture (4). ISSN 1857-7725
Benalcazar Vega, Diego Eduardo (2021) Development of virtual instruments based in Ancestral Sound Objects. In: ILIA - Universos Sonoros, 1-7 October 2021, Guayaquil, Online.
Benalcazar Vega, Diego Eduardo (2019) Ecuador Sound Map. [Art/Design Item]
Benalcazar Vega, Diego Eduardo (2021) La escucha inconsciente: historias que escuchamos con los ojos. In: ¿Escuchaste eso? La escucha entre habilidad y estética. UArtes Ediciones, Guayaquil - Ecuador, pp. 181-197. ISBN 978-9942-977-39-7
Benalcazar Vega, Diego Eduardo (2021) Producing and mixing in ambisonics. In: Conferencia AES Ecuador 2021, 19-21 May 2021, Online.
Benalcazar Vega, Diego Eduardo (2018) Quinche. [Art/Design Item]
Benalcazar Vega, Diego Eduardo (2020) Recording, sampling and creation of virtual instruments for Ancestral Sound Objects (Grabación, sampleo y creación de instrumentos virtuales para objetos sonoros ancestrales). In: Visiones Sonoras 16, 23-25 September 2020, Morelia, Mexico. Online.
Benalcazar Vega, Diego Eduardo (2019) Tinamú Ondulado (Crypturellus Undulatus). [Performance]
Ball, Steven and Blažíček, Martin (2006) Eutopia. [Art/Design Item]
Ball, Steven and Blažíček, Martin (2016) More Speakers. [Performance]
Ball, Steven (2015) Appropriate Language: Transcription and rearticulation as post-colonial performance strategies. In: IMAGE | SPACE | BODY AAANZ Conference 2015 (Art Association of Australia and New Zealand), 24 - 25 November, 2015, Gallery of Modern Art, Brisbane, Australia.
Ball, Steven (2014) Personal Electronics. [Performance]
Ball, Steven (2009) Unspoken Word. [Art/Design Item]
Cusack, Peter and Poznanska, Martyna (2017) There Will Be No Other Forest. [Show/Exhibition]
Cusack, Peter and Clouter, Isobel (2002) Vermilion Sounds: monthly environmental sound program. [Show/Exhibition]
Cusack, Peter and Biemann, Ursula (2005) 'Baku in 5 Quarters' and 'The Black Sea Files'. [Art/Design Item]
Cusack, Peter (2004) Baikal Ice: Recording and Interpreting the Sounds of the Environment. [Art/Design Item]
Cusack, Peter (2017) Baikal Ice: Springtime Melt. [Show/Exhibition]
Cusack, Peter (2012) Berlin Sonic Places.
Cusack, Peter (2014) Berlin Sonic Places. In: Recomposing the City: Sonic Art and Urban Architectures, 29 May 2014, Institute for Collaborative Research in the Humanities, Queens' University, Belfast.
Cusack, Peter (2017) Berlin Sonic Places: A Brief Guide. Wolke Verlag, Berlin. ISBN 978-3-95593-083-7
Cusack, Peter (2016) Coal and Petrochemical Soundscapes in North Bohemia: Some Personal Thoughts. In: Frontiers of Solitude. Skaftfell Center for Visual Art, Seyðisfjörður, Iceland, pp. 40-43. ISBN 9788026093589
Cusack, Peter (2015) Coal and Petrochemical Soundscapes: Some Personal Thoughts. [Show/Exhibition]
Cusack, Peter (2015) Daily Sounds All Around. [Show/Exhibition]
Cusack, Peter (2013) Favourite Berlin Sounds. [Art/Design Item]
Cusack, Peter (2001) Favourite Sounds Project. [Art/Design Item]
Cusack, Peter (2018) The Favourite Sounds Project. In: Anthropology and Beauty. Routledge. ISBN 1138928798
Cusack, Peter (2017) Favourite Sounds of Hull. [Art/Design Item]
Cusack, Peter (2010) Favourite sounds: Birmingham. [Art/Design Item]
Cusack, Peter (2010) Favourite sounds: Southend. [Art/Design Item]
Cusack, Peter (2016) Field Recording as Sonic Journalism. In: Hearing Landscape Critically, 21-22 April 2016, Faculty of Music, University of Oxford.
Cusack, Peter (2015) Fields of Sound, Fields of Light. [Performance]
Cusack, Peter (2019) Five Pankow Soundwalks. [Art/Design Item]
Cusack, Peter (2012) 'No, It's Not All Music'. Wolke Verlag, Berlin. ISBN 9783936000795
Cusack, Peter (2014) Sound recording for Here Comes Everybody. [Art/Design Item]
Cusack, Peter (2010) Sounds from Chernobyl and other dangerous places. [Performance]
Cusack, Peter (2012) Sounds from Dangerous Places.
Cusack, Peter (2014) Soundscapes of Taranto. [Show/Exhibition]
Cusack, Peter (2014) Svetlana Tsalko: Poems from Chernobyl. In: HLYSNAN: The Notion and Politics of Listening. Casino Luxembourg, Luxembourg. ISBN 9789995930233
Cusack, Peter (2016) Vogelsang. [Performance]
Cusack, Peter (2010) The Wire Salon on Field Recording. In: The Wire Salon, 7th October 2010, Cafe Oto, London. (Unpublished)
Cusack, Peter (2005) 'Your Favourite Beijing Sounds' and 'Beijing Sonic Bicycle Ride'. [Art/Design Item]
Cunningham, David (2003) The Listening Room at Ikon Gallery. [Art/Design Item]
Cunningham, David (1998) The Listening Room, Biennale of Sydney. [Art/Design Item]
Cunningham, David (1994) The Listening Room, Chisenhale Gallery, London. [Art/Design Item]
Cunningham, David (2002) The Listening Room: the Connecting Principle, Newcastle. [Art/Design Item]
Cunningham, David (2001) Listening to the architecture, Helsinki. [Art/Design Item]
Cunningham, David (1997) Open square, city hall square, Copenhagen. [Art/Design Item]
Cunningham, David (2003) The listening room and stairwell (untitled) within the exhibition Sounding Spaces, ICC, Tokyo. [Art/Design Item]
Cunningham, David (2005) The listening room, Camden Arts Centre. [Art/Design Item]
Creamer, Anne-Marie (2022) Dear Friend, I Can No Longer Hear Your Voice, solo exhibition at the Sir John Soane Museum London. [Show/Exhibition]
Conran, Maia and Hill, Yannick (2015) This island, and its buildings, is our private paradise. [Show/Exhibition]
Conran, Maia, The Disembodied Voice (2016) The Disembodied Voice and the Cassette Tape. [Art/Design Item]
Conran, Maia (2014) Here is the Yard. [Show/Exhibition]
Cobbing, William and Cooper, Rosie and Krogh Groth, Sanne and Toop, David and Wilson, Andrew (2015) 'Boooook: The Life and Work of Bob Cobbing'. n/a, n/a (n/a). Occasional Papers, UK. ISBN 978-0-9929039-5-4
Cobbing, William and Cooper, Rosie (2015) 'Boooook Laaaaaaunch' evening of performances at the ICA Theatre, London. [Performance]
Cobbing, William (2013) 'ABC in Sound'. [Show/Exhibition]
Cobbing, William (2015) 'What Are Words Worth?'. [Performance]
Clover, Catherine (2011) Birdbrain. [Show/Exhibition]
Clarke, Ciaran (2022) Reviver Voce: The Voice, Technology, and Death. PhD thesis, University of the Arts London and Falmouth University.
Clarke, Ciaran (2022) Reviver Voce: The Voice, Technology, and Death. PhD thesis, Falmouth University.
Christian, Toby (2018) Trippy Scroller. [Show/Exhibition]
Choy, Gerard (2023) Sounding Chinese: Tracing the Voice of Early 20th Century to Present day Transnational Chinese. PhD thesis, University of the Arts London.
Chandy, Sunil (2022) Bible Noise: Hearing Hidden and Silenced Voices through Sound Art Practice in the Reading Aloud of the Bible. PhD thesis, University of the Arts London.
Cascella, Daniela and Voegelin, Salomé (2015) Ora: Multisensory Conflict. In: Sound Studies: Art, Experience, Politics, 8-10 July 2015, CRASSH, University of Cambridge, UK.
Carlyle, Angus and Wright, Mark Peter (2021) Dissonant Doppelgangers: Performing the Post-Natural Through Modulated Foley Techniques. Cadernos de Arte e Antropologia, 10 (1). pp. 37-47. ISSN 2238-0361
Carlyle, Angus and Revell, Irene (2009) Sound Escapes. [Show/Exhibition]
Carlyle, Angus and Lane, Cathy and Nash, Polly (2015) Listening To Self and Other. In: On listening. Uniform Books, London, pp. 176-179. ISBN 978-1-910010-01-3
Carlyle, Angus and Lane, Cathy (2013) On listening. Uniformbooks, Axminster. ISBN 9781910010013
Carlyle, Angus and Cox, Rupert (2017) "The Cave Mouth: Listening To Sound and Voice in Okinawan War Memory". In: Modern Conflict and the Senses. Routledge, London and New York, pp. 123-142. ISBN 9781138927827
Carlyle, Angus and Cox, Rupert (2011) A farm in Toho: soundfilm. [Art/Design Item]
Carlyle, Angus (2008) 51° 32 ' 6.954” N / 0° 00 ' 47.0808” W. [Art/Design Item]
Carlyle, Angus (2010) Air Pressure Blog. [Art/Design Item]
Carlyle, Angus (2021) 'And I listened to the whistlings and patterlings outside': Hearing the Wild Spaces as sound. In: The Oxford Handbook of Sound Art. Oxford Handbooks . Oxford University Press, New York. ISBN 9780190274054
Carlyle, Angus, Gruenrekorder: Phonography and Sound Art (recording company) (2007) Autumn leaves : field recording and soundscape compilation. [Art/Design Item]
Carlyle, Angus (2007) Autumn leaves : sound and the environment in artistic practice. CRiSAP / Double Entendre. ISBN 095480743x
Carlyle, Angus (2016) A Crossing Bell. [Art/Design Item]
Carlyle, Angus (2020) Dropping Down Low: Online Soundmaps, Critique, Genealogies, Alternatives. In: The Bloomsbury Handbook of Sonic Methodologies. Bloomsbury Handbooks . Bloomsbury Academic, New York & London, pp. 581-598. ISBN 9781501338755
Carlyle, Angus (2016) In the Shadow of the Silent Mountain. [Art/Design Item]
Carlyle, Angus (2006) Like Quails Clucking: Landscape, Soundscape and a Noisy Future? In: The West Meets the East in Acoustic Ecology.
Carlyle, Angus (2017) "Memories of Memories of Memories of Memories: Remembering and Recording on the Silent Mountain". In: Sonic Thinking: A Media Philosophical Approach. Thinking | Media . Bloomsbury, New York, pp. 65-83. ISBN 9781501327209
Carlyle, Angus (2011) Noli me tangere. [Art/Design Item]
Carlyle, Angus (2016) "Radio Not". In: Reception: The Radio-Works of Robert Rauschenberg and John Cage. Smith + Brown, London, xi-xv. ISBN 99780986038334
Carlyle, Angus (2010) “Soft Shadows and Bright Light: On Recording and Reality”. In: The World Forum For Acoustic Ecology: Ideologies and Ethics in the Uses and Abuses of Sound, June 16-19, 2010, Koli, Finland. (Unpublished)
Carlyle, Angus (2009) Some Memories of Bamboo. [Art/Design Item]
Carlyle, Angus (2010) Sound Escapes Presentation. In: Beyond The Academy: Research As Exhibition, 14th May 2010, Tate Britain. (Unpublished)
Carlyle, Angus (2011) Sounding Ethics. In: Documentary Now Conference, 28th of January 2011, University of Westminster. (Unpublished)
Cain, Ben and Gverović, Tina and Taylor, Alexis (2016) Bodies and Things, Lost and Found. [Art/Design Item]
Cain, Ben and Gverović, Tina (2015) Audible Audience (part of RadioCity 2014 / 2015). [Art/Design Item]
Denton, Beatrice (2006) Modern Day Miracles. [Art/Design Item]
Danjoux, Michèle and Birringer, Johannes (2019) Sound and Wearables. In: Foundations in Sound Design: A Multidisciplinary Approach. Sound Design . Routledge, New York, pp. 243-274. ISBN 978-1-138-09389-8
Danjoux, Michèle (2014) Choreography and Sounding Wearables. Scene, 2 (1-2). pp. 197-220. ISSN 2044-3714
Danjoux, Michèle (2019) Choreosonic Wearables: creative collaborative practices. In: Routledge Companion to Dance Studies. Routledge Companions, 1 . Routledge, London, pp. 157-177. ISBN 9781138234581
Danjoux, Michèle (2019) Design-in-Motion: Sculpting Choreosonic Wearables. Theatre and Performance Design, 5 (1-2). pp. 114-124. ISSN 2332-2551
Danjoux, Michèle (2015) Wearables and Choreosonic Gesture. In: Fashion Responsive, 24 March 2015, Geneva University of Art & Design (HEAD), Geneva, Switzerland.
Eernstman, Natalia (2016) Art as a Source of Learning for Sustainable Development: Making meaning, multiple knowledges and navigating open-endedness. PhD thesis, University of the Arts London and Falmouth University.
Eden, Michael (2022) Representing Sir Gawain and the Green Knight. [Show/Exhibition]
Furlong, William (2004) Acts of Inscribing. [Show/Exhibition]
Furlong, William (2007) Audio Arts at Tate: Retrospective solo exhibition. [Show/Exhibition]
Furlong, William (2002) To Hear Yourself as Others Hear You. [Show/Exhibition]
Furlong, William (2006) William Furlong Audio Arts: extraction, construction, abstraction. [Show/Exhibition]
Fox, Shelley and Scanner (2004) Fashion at Belsay. [Show/Exhibition]
Finney, Rachael and Smith, Anna FC (2015) Hear My Voice and Answer Me. [Show/Exhibition]
Finney, Rachael (2018) Can I Just Say Something. [Performance]
Finney, Rachael (2017) The Grief of Electra. [Show/Exhibition]
Finney, Rachael (2016) Losing Chorus. [Show/Exhibition]
Finney, Rachael (2018) Tape Chorus. [Art/Design Item]
Gray, Louise (2024) Beyond the Audible: Éliane Radigue’s OCCAM works and Inter/Listening. Contemporary Music Review. pp. 1-16. ISSN 0749-4467
Goh, Annie and Thompson, Marie (2021) Sonic Cyberfeminisms: Introduction. Feminist Review, 127 (1). pp. 1-12. ISSN 1466-4380
Goh, Annie and Rizvi, Uzma Z. (2022) Science Fiction, Speculative Feminism, and the Violence of Colonialism: Listening to an Extremely Grainy Photograph. In: Coming to Know. Archive Books, Truccazano, Milan, Italy, pp. 54-65. ISBN 978-3-948212-58-2
Goh, Annie and Maltez Novaes, Rodrigo and Castello Branco, Marta (2014) Introduction: Music and Sound in Vilém Flusser’s Work. Flusser Studies, 17. ISSN 1661-5719
Goh, Annie and Iles, Anthony (2021) Lights Out at the White Supremacist Theory Disco. In: Ultimate Leisure Workers' Club Reader. Ultimate Leisure Workers’ Club, Vilnius, pp. 32-39.
Goh, Annie (2014) The Banality of Affect. [Art/Design Item]
Goh, Annie (2016) Burning Kroner. [Art/Design Item]
Goh, Annie (2023) CYBERFEMINISM INDEX X SONIC CYBERFEMINISM. In: CYBERFEMINISM INDEX X SONIC CYBERFEMINISM, 15 February 2023, Publics, Helsinki.
Goh, Annie (2015) Chronopoetik der Wendelsteinhöhle. [Art/Design Item]
Goh, Annie (2014) The Dimension of Sound in Flusser. Flusser Studies, 17. ISSN 1661-5719
Goh, Annie (2016) The Dimension of Sound in Flusser: Implications for a Sonic Media Archaeology. MAP – Media | Archive | Performance Research on media, art and performance, 7. ISSN 2191-0901
Goh, Annie (2012) Electronic Voice Phenomena - a C21st Sonic Fiction. Acoustic Space, 11. pp. 119-126. ISSN 1407-2858
Goh, Annie (2020) From White Brothers with No Soul to Feminist Prometheans: Lights Out at the White Supremacist Theory Disco. In: ASSEMBLY 2020, 26 November - 13 December 2020, Luna 6, Lithuania.
Goh, Annie (2016) GenDyTrouble: Cyber*Feminist Computer Music. n.paradoxa international feminist art journal, 37. pp. 78-82. ISSN 1461-0434
Goh, Annie (2015) GendyTrouble: Cyber*Feminist Computer Music. [Art/Design Item]
Goh, Annie (2023) Listening Session: Echoes of Elsewhere. In: Listening Session: Echoes of Elsewhere by Annie Goh, 20 June 2023, Nottingham Contemporary.
Goh, Annie (2021) Myths of Echo. [Show/Exhibition]
Goh, Annie (2022) Sonic Cyberfeminisms Collection for Cyberfeminism Index. In: Cyberfeminism Index. Inventory Press, Los Angeles, pp. 38-40. ISBN 978-1-941753-51-4
Goh, Annie (2018) Sonic Cyberfeminisms and GenDyTrouble: Cyber*Feminist Computer Music. In: Critical Media In the Arts, 19 June 2018, University of Birmingham.
Goh, Annie (2019) Sonic Knowledge Production in Archaeoacoustics – Theorising an ‘Aural Gnoseology’. In: Archaeologies of Media and Technology (AMT), 10 May 2019, Winchester School of Art, Southampton University, UK.
Goh, Annie (2020) Sonic Knowledge Production in Archaeoacoustics: Echoes of elsewhere? PhD thesis, Goldsmiths University of London.
Goh, Annie (2017) Sounding Cyber*feminist Futures. Speculations on Sonic Unknowns. In: The Future Sound of Pop Music, 30 November - 3 December 2017, HKB, Bern, Germany.
Goh, Annie (2017) Sounding Situated Knowledges - Echo in Archaeoacoustics. Parallax, 23 (3). pp. 283-304. ISSN 1353-4645
Goh, Annie (2024) Beyond Her Noise: Feminisms and the Sonic. In: Women in Revolt: Radical Acts and Contemporary Resonances, 22-23 March 2024, Tate Modern.
Goh, Annie (2024) Echoes of Elsewhere. In: AuralPluralities: Distortion and Resonance, 28 June 2024, Conway Hall, London.
Goh, Annie (2024) Echoes of elsewhere? From Archaeoacoustics to Sonic Cyberfeminisms. In: Whiteness and Sound Studies, 9 April - 8 May 2024, Online.
Goatley, Wesley and Voss, Georgina (2016) As Above Not Below. [Art/Design Item]
Goatley, Wesley and Voss, Georgina (2015) Familiars. [Art/Design Item]
Glaude, Benoît and Hague, Ian (2024) Comics Aloud: Introduction. Comicalités. Studies in Graphic Culture. ISSN 2117-4911
Gilmurray, Jonathan (2018) Ecology and Environmentalism in Contemporary Sound Art. PhD thesis, University of the Arts London.
Garrelfs, Iris (2015) From inputs to outputs: an investigation of process in sound art practice. PhD thesis, University of the Arts London.
Gardner, Thomas and Voegelin, Salomé and Mollin, David (2016) Practising the Relationship. [Performance]
Gardner, Thomas and Voegelin, Salomé (2015) Editorial: Historical continuum, mimetic fissures. Organised Sound, 20 (2). ISSN 1469-8153
Gardner, Thomas and Preston, Stephen and Edwards, Kirsten and Ayyaz, Seth and Coyte, Peter (2009) Automatic Writing Circle at the Sibelius Academy. [Performance]
Gardner, Thomas (2010) “Arab” and “avant garde” and multi-local avant-gardes? from Beirut and beyond. In: Volatile Frequencies: Topologies of Authority, Technology and Production in Contemporary Middle Eastern Music Practices, 18th - 20th November 2010, City University, London. (Unpublished)
Gardner, Thomas (2010) Automatic writing circle. [Performance]
Gardner, Thomas (2022) Between listening and sounding: exploring the limits of augmented instruments. Ricercare, 15. ISSN 2346-4879
Gardner, Thomas (2020) Collected works of the Automatic Writing Circle: 2009-2019. [Art/Design Item]
Gardner, Thomas, Ecosonic Ensemble (2007) Ecosonic : Union Chapel performance. [Art/Design Item]
Gardner, Thomas, Ecosonic Ensemble (2008) Ecosonic rehearsal : City performance. [Art/Design Item]
Gardner, Thomas, Ecosonic Ensemble (2008) Ecosonic rehearsal : London College of Communication. [Art/Design Item]
Gardner, Thomas (2018) Fortress for 3 musicians. [Performance]
Gardner, Thomas (2005) Lipsync. [Art/Design Item]
Gardner, Thomas (2014) Minuet On/Off. [Performance]
Gardner, Thomas (2008) Ouija Board : Union Chapel. [Art/Design Item]
Gardner, Thomas (2006) The Ouija Board. [Art/Design Item]
Gardner, Thomas (2019) Researching "Scored Out" a portable testimony to װאַסילישאָק for 3 musicians. In: Bournemouth University: Research Seminar Series, 13 November 2019, Bournemouth University.
Gardner, Thomas (2014) Sound art, music and the rehabilitation of schizophonia. In: The Embodiment of Authority. Interdisziplinäre Studien zur Musik . Peter Lang, pp. 147-168. ISBN 978-3-653-98762-1
Gardner, Thomas (2022) Sound as memorial: Case study of the use of sound to mediate complex traumatic memory. In: Why Remember? Peace, Conflict and Culture Conference, 6-8 July 2022, Sarajevo and Srebrenica.
Gardner, Thomas (2011) The rehabilitation of schizophonia: social interaction, sound and media in the Automatic Writing Circle. In: The Embodiment of Authority: Perspectives on Performances, 10–12 September 2010, Department of Doctoral Studies in Musical Performance and Research, Sibelius Academy, Helsinki, Finland.. (Unpublished)
Holdsworth, Claire (2019) Speaking out: Split identities, politics and the ventriloquial voice in artists’ film and video of the 1970s and 1980s. In: Association of Art History Conference 2019, 4-6 April 2019, University of Brighton.
Holdsworth, Claire (2020) Ventriloquial bodies: Re-framing ephemerality in artists’ film & video. In: Sound Methods and the Aural Dimension of Film and Media History, XXVII International Film and Media Studies Conference, 2–4 November 2020, University of Udine, Gorizia, Italy [online].
Holdsworth, Claire (2020) Vocal acts: video art and the artist’s voice. Journal of Art Historiography (23). ISSN 2042-4752
Henry, Amy (2021) Resonant Bodies. Self-published, London, UK.
Jones, Stuart (2006) Space-Dis-Place: How Sound and Interactivity can Reconfigure our Apprehension of Space. Leonardo Music Journal: Noises Off - Sound Beyond Music, 16. pp. 20-27. ISSN 09611215
Jones, Stuart (2002) ...Upon the Seas to which It Eventually Flows. [Art/Design Item]
Jain, Sadhna (2017) Re-Animating Materiality through Sound. In: Tate Exchange, 22 March 2016, Tate Modern, Bankside, London, SE1 9TG.
Jackson, Mark (2014) Nothing Short of Complete Liberation: The Burroughsian Ideal of Space as Curatorial Strategy in Audial Art. PhD thesis, University of the Arts London.
Kim-Cohen, Seth and Wright, Mark Peter (2016) Anxious, Dismal, Giddy, Aggressive: Seth Kim-Cohen interviewed by Mark Peter Wright for Ear Room. In: Against Ambience and Other Essays. Bloomsbury, New York, pp. 175-188. ISBN 9781501310324
Kelly, Edward and Sheridan, Tessa (2006) Floatsam - 27 minute sound art composition created for BBC Radio 3's Between the Ears. [Art/Design Item]
Karlsson, Victoria (2022) Mapping Experiences of Inner Sounds. PhD thesis, University of the Arts London.
Kannenberg, John (2020) Listening to Museums: Sounds as objects of culture and curatorial care. PhD thesis, University of the Arts London.
lok, susan pui san (2022) Centenary. [Art/Design Item]
lok, susan pui san (2023) Centenary. In: Speaking Nearby, 22 July 2023, esea contemporary, Manchester.
lok, susan pui san (2006) Chorus / Mobile Chorus (2006, 2014, 2017). [Art/Design Item]
lok, susan pui san (2023) Circling the Archive. In: Rewinding Internationalism. Van Abbemuseum, Eindhoven. ISBN 9789490757236
lok, susan pui san (2006) DIY Lessons (2006). [Art/Design Item]
lok, susan pui san (2006) Golden Hour (2006). [Art/Design Item]
lok, susan pui san (2006) Mobile Ballroom (2006). [Art/Design Item]
lok, susan pui san (2022) REWIND/REPLAY (Netwerk Aalst). [Show/Exhibition]
lok, susan pui san (2022) REWIND/REPLAY (Van Abbemuseum). [Show/Exhibition]
lok, susan pui san (2022) REWIND/REPLAY (Villa Arson). [Show/Exhibition]
lok, susan pui san (2005) Songs I-VI (2005-17, ongoing). [Art/Design Item]
lok, susan pui san (2006) Untitled (Ballroom) (2006). [Art/Design Item]
lok, susan pui san (2006) Untitled (Pavilion) and Untitled (Shower) (2017). [Art/Design Item]
lok, susan pui san (2021) seven x seven. [Show/Exhibition]
Loscialpo, Flavia (2017) Let’s get Lost. Southampton as the Situationist city. [Show/Exhibition]
Logan, Kevin (2018) How to DO(O) Things with Sounds: A Performative (Re)User Manual. PhD thesis, University of the Arts London.
Livergant, Elyssa (2005) Wapping: Audio. [Art/Design Item]
Lepri, Giacomo and McPherson, Andrew and Nonnis, Antonella and Stapleton, Paul (2020) Play Make Believe: Exploring Design Fiction and Absurd Making for Critical NIME Design. In: NIME 2020, 21-25 July 2020, Royal Birmingham Conservatoire.
Leister, Wiebke and Toop, David (2016) Echoes and Afterlives. [Performance]
Leister, Wiebke and Toop, David (2018) Echoes and Callings. [Performance]
Leister, Wiebke (2019) Echoes and Callings (film). [Art/Design Item]
Leister, Wiebke (2010) Figuring Out, Taking Shape, Facing In. [Show/Exhibition]
Lane, Cathy and Ingleton, Holly (2016) White Noise. In: sound acts :: music performance identity, 5-8 May 2016, Polychoros KET, Athens, Greece.
Lane, Cathy and Hall, Lisa and Meena, Vari (2017) Connecting Columns. [Show/Exhibition]
Lane, Cathy and Carlyle, Angus and Ingleton, Holly (2016) Sound::Gender::Feminism::Activism (SGFA).
Lane, Cathy and Carlyle, Angus (2013) In the Field: The Art of Field Recording. Uniformbooks, Axminster, Devon. ISBN 9780956855961
Lane, Cathy and Carlyle, Angus (2021) Sound Arts Now. Uniformbooks, Axminster, Devon. ISBN 978 1 910010 26 6
Lane, Cathy and Butcher, Rosemary and Martin, Daria and Appleton, Melissa and Butcher, Matthew (2010) Lapped Translated Lines. [Show/Exhibition]
Lane, Cathy and Butcher, Rosemary and Bronstein, Pablo (2010) Destructive navigations. [Performance]
Lane, Cathy and Brown, Tessa (2013) The Ties That Bind. [Show/Exhibition]
Lane, Cathy (2016) Am I Here? [Performance]
Lane, Cathy (2015) Am I Here? [Performance]
Lane, Cathy (2014) Am I Here? (Fixed media exhibition version). [Show/Exhibition]
Lane, Cathy (2014) Am I Here? (Live concert version). [Performance]
Lane, Cathy (2015) ‘BEAM and MAOS’: Two approaches to urban listenings. In: Sound Studies: Art, Experience, Politics, 5-8 July 2015, Centre for Research in the Arts, Social Sciences and Humanities (CRASSH), Cambridge, UK.
Lane, Cathy (2015) BEAM: Exploring maritime Kochi through sound. In: Sound Passages: passaggi di suono, 16 November 2015, Università Iuav di Venezia (IUAV), Venice, Italy..
Lane, Cathy (2011) Babble and Speech : approaches to technology and the spoken word in contemporary sound arts practices. In: ISEA (International Symposium on Electronic Arts 2011, 14.9.2011-21.9.2011, Istanbul, Turkey. (Unpublished)
Lane, Cathy (2015) Beam. [Show/Exhibition]
Lane, Cathy (2011) Being there: meditations on listening, recording and composing. In: ICTM conference: Listening, 18 - 21 February 2011, University of Ulster, Derry, Northern Ireland. (Unpublished)
Lane, Cathy (2020) Cathy Lane: The stories we tell.....and are told. In: Bath Spa Creative Sound Forum Talks, 6 January 2020, Online.
Lane, Cathy (2015) Disordered Listening. In: Disordered Listening Workshop, June 18 -19, 2015, Academy of Fine Arts, Schillerplatz 3, 1030 Vienna, Austria.
Lane, Cathy (2016) Disordering our Listening. In: Sonologia 2016 Out Of Phase, November 2016, Centro de Pesquisa e Formação SESC São Paulo 4º andar, Rua Dr. Plínio Barreto, 285 - Bela Vista, sao Paulo, Brazil.
Lane, Cathy (2008) Episodes of Flight. [Performance]
Lane, Cathy (2019) From Marching Band to Marching Band (or the very extraordinary relationship between the UK peace movement and the Ethiopian Army). [Art/Design Item]
Lane, Cathy (2015) Gaoth (Wind). [Show/Exhibition]
Lane, Cathy (2020) Gender, Intimacy, and Voices in Sound Art. Encouragements, Self-portraits, and Shadow Walks. In: The Bloomsbury Handbook of Sound Art. Bloomsbury Academic. ISBN 9781501338809
Lane, Cathy (2011) The Hebrides Suite. [Performance]
Lane, Cathy (2013) The Hebrides Suite. [Art/Design Item]
Lane, Cathy (2020) Here We All Are (Lucier Mix). [Art/Design Item]
Lane, Cathy (2004) Hidden Voices, composition for dance; choreographed by R Butcher. [Performance]
Lane, Cathy (2010) In Combat with .... [Show/Exhibition]
Lane, Cathy (2021) "In your DNA”: sound arts and song. In: Sound Studies Lecture Series, 8 November 2021, Sound Environment Centre, Sweden, Online.
Lane, Cathy (2019) Land Sound Struggle Music. In: Land Music: sound practices in the age of ecological crisis, 12-14 September 2019, City University, London.
Lane, Cathy (2017) Listening and not listening to voices: interrogating the prejudicial foundations of the sound arts canon (audio paper). Seismograf: Sound Art Matters. ISSN 2245-4705
Lane, Cathy (2011) Listening for the past: A composer's ear-lead approach to exploring island culture past and present in the Outer Hebrides. Shima: The International Journal of Research into Island Cultures, 5 (1). pp. 32-39. ISSN 1834-6057
Lane, Cathy (2017) A Manifesto for New Listening (or 20 thoughts about Listening). Reflections on Process in Sound (5). pp. 59-81.
Lane, Cathy (2017) 'A Manifesto for New Listening' (or 'Twenty thoughts about Listening'). In: Sonic waterloo, South London Sound Art Festival 2017, July 2017, Iklectik, London, SE1 7LG.
Lane, Cathy (2016) Mapping the Outer Hebrides in sound: towards a sonic methodology. Island Studies Journal, 11 (2). p. 343. ISSN 1715 2593
Lane, Cathy (2016) Music, Composition, Interdisciplinarity: States of Play. In: Music, Composition, Interdisciplinarity: states of play, 28 January 2016, Oxford Brookes University, UK.
Lane, Cathy (2015) Of Narratives that are fractured and those that need to be fractured. In: Fractured Narratives - Improvised sounds and stories, 25 April 2015, Queen’s University Belfast, Northern Ireland.
Lane, Cathy (2016) Playing with Words: Spoken language as material for composition. In: Conferencia “Playing with Words: Spoken language as material for composition”, 5 January 2016, Insituto de Estudios Avanzados, Universidad de Santiago de Chile, Santiago, Chile.
Lane, Cathy (2010) Playing with Words: an online compilation | Various Artists. Gruenrekorder ::. Phonography & Sound Art
Lane, Cathy, Gruenrekorder: Phonography and Sound Art (recording company) (2010) Playing with words: an audio compilation. [Art/Design Item]
Lane, Cathy (2015) Preparations for an Imaginary Conflict. [Art/Design Item]
Lane, Cathy (2022) The River Goes On. [Art/Design Item]
Lane, Cathy (2015) SCAN (composed dance score). [Performance]
Lane, Cathy (2010) Sound History & Memory at ELEKTRONISCHER FRÜHLING Alte Schmiede, Vienna. [Performance]
Lane, Cathy (2022) Sound in Words : Words in Sound. In: Sound in Words - MANTIS Festival of Electroacoustic Music, March 4-6, 2022, University of Manchester.
Lane, Cathy (2011) Sound, sense, babble and speech: approaches to the spoken word in contemporary sound arts practices. In: sforzando!, 14 - 19 June 2011, New York, USA. (Unpublished)
Lane, Cathy (2019) Sound::Gender:: Feminism:: Activism. In: Sound::Gender:: Feminism::Activism Tokyo 2019, 4-5 October2019, Chinretsukan Gallery, Tokyo University of the Arts, Tokyo, Japan.
Lane, Cathy (2016) Sound::Gender::Feminism::Activism: Research and Challenges to the Orthodoxies of Sound Arts. Contemporary Music Review, 35 (1). pp. 32-39. ISSN 0749-4467
Lane, Cathy (2017) Soundings and re-soundings: a theme and variations. In: UAL Professorial Platform series 2017, 27 April 2017, London College of Communication.
Lane, Cathy (2021) Square Peg Round Hole. [Art/Design Item]
Lane, Cathy (2014) Sweet Airs. [Show/Exhibition]
Lane, Cathy (2016) Sweet Airs, CD release. [Art/Design Item]
Lane, Cathy (2020) Synthesizer and portastudio: their roles in the Tigrayan People’s Liberation struggle - an audio essay. HERRI (4).
Lane, Cathy (2010) Tweed. [Performance]
Lane, Cathy (2013) Tweed. [Show/Exhibition]
Lane, Cathy (2016) Why Not Our Voices? Women and Music: A Journal of Gender and Culture, 20. pp. 96-110. ISSN 1090-7505
Lane, Cathy (2013) ‘Why not our Voices?’. In: 13th Feminist Theory and Musicology Conference, 31 July - 4 August 2013, Hamilton College, New York, USA. (Unpublished)
Lane, Cathy (2016) Why not our voices? New listenings and new worlds in the sonic imaginary. In: Sound Art Matters, 1-4 June 2016, Aarhus, Denmark.
Lane, Cathy (2018) Women as animal, women as alien: reclaiming women’s demonic voices. In: Grounds for Possible Music: On Gender, Voice, Language, and Identity. Errant Bodies, Berlin. ISBN 978-0-9978744-2-6
Lane, Cathy (2010) ... the pickle jar is her home ... [Show/Exhibition]
Lane, Cathy (2017) …the pickle jar is her home…. [Art/Design Item]
Mullender, Rob (2016) As Above, So Below. [Show/Exhibition]
Mullender, Rob (2016) Coding Bodies. In: Seeing Sound, 9th and 10th April, 2016, Bath Spa University.
Mullender, Rob (2011) Silent Light, Luminous Noise: Photophonics, Machines and the Senses. PhD thesis, University of the Arts London.
Mullender, Rob (2016) Works for Air. [Show/Exhibition]
Mollin, David and Voegelin, Salomé (2016) During the Night the Crops will Still Grow (unless the player sleeps). Journal of Interdisciplinary Voice Studies, 1 (1). pp. 85-93. ISSN 2057-0341
Mollin, David and Voegelin, Salomé (2015) Factual Dispersion, Poetic Compression: LANGUAGES OF EXILE. [Art/Design Item]
Mollin, David and Voegelin, Salomé (2016) Languages of Exile. [Show/Exhibition]
Mollin, David and Voegelin, Salomé (2015) Nietzsche, Cyclists and Mushrooms: Language in Contemporary Art. [Show/Exhibition]
Mollin, David and Voegelin, Salomé (2015) Writers’ habits. Reflections on Process in Sound (4). pp. 65-80.
Minkin, Louisa and Schady, Alex (2023) Vestibule. [Show/Exhibition]
Mey, Adeena (2008) Christian Marclay’s Christmas Tales. Helvetic Centre, London.
Mey, Adeena (2024) Divided Desire. Notes on Youngjoo Cho’s Full time-double, Writing my body, and Three breaths. In: Cho 0 Joo — 조 0 주. Artist Research-Study-Critique Support Project . Arts Council Korea, 한국문화예술위원회; Gyeongbokgung Collabo, Seoul, pp. 170-172. ISBN 979-11-981028-1-2 (95600)
Mey, Adeena (2018) Hylétique/Helvétique/Cinématique. [Show/Exhibition]
Mey, Adeena (2013) Listening and Looking beside. On the ‘Parasonic’ and the ‘Paracinematic’. In: Art History and Sound, Workshop series: The Listening Art Historian, 14 March 2013, The Courtauld Institute of Art.
Mey, Adeena (2015) Materiality and Exhibitionality in Contemporary Art Practice: Mark Leckey, Simon Starling, Rosa Barba / 현대 예술에서의 물질성과 전시성. In: Materiality and Exhibitionality in Contemporary Art Practice: Mark Leckey, Simon Starling, Rosa Barba, 4 September 2015, Cheongju Art Studio/Cheongju Museum of Art, South Korea.
Melvin, Jo (2022) The aesthetics of silence, withdrawal and negation in conceptual art. In: Picturing the Invisible Exploring: interdisciplinary synergies from the arts and the sciences. UCL Press, London. ISBN 9781800081055
McVeigh, Whitney (2017) 6857 Days. [Art/Design Item]
McMillan, Michael, Dubmorphology (2015) Rockers, Soulheads & Lovers: Sound Systems back in da Day. [Show/Exhibition]
McCallum, Louis and Fiebrink, Rebecca (2019) Supporting Feature Engineering in End-User Machine Learning. In: CHI 2019 Workshop on Emerging Perspectives in Human-Centered Machine Learning, 4 May 2019, Glasgow, Scotland.
Matomoro Vidal, Artur (2018) After Silence: Improvised Music, Listening and Environmental Sound. Other thesis, University of the Arts London.
Marshall, Louise Catherine Antonia (2018) Deep Listening: The Strategic Practice of Female Experimental Composers post 1945. PhD thesis, University of the Arts London.
Marechal, Nicolas and Brown, Julian (2017) Sounds of the Elephant. [Art/Design Item]
Nonnis, Antonella and Bryan-Kinns, Nick (2019) Mazi: Tangible Technologies as a Channel for Collaborative Play. In: CHI '19: Proceedings of the 2019 CHI Conference on Human Factors in Computing Systems. Association for Computing Machinery. ISBN 978-1-4503-5970-2
Nonnis, Antonella and Bryan-Kinns, Nick (2019) Mazi: a Tangible Toy for Collaborative Play between Children with Autism. In: IDC '19: Proceedings of the 18th ACM International Conference on Interaction Design and Children. Association for Computing Machinery, pp. 672-675. ISBN 978-1-4503-6690-8
Nonnis, Antonella and Bryan-Kinns, Nick (2021) Olly: A tangible for togetherness. International Journal of Human-Computer Studies, 153. ISSN 1071-5819
Noce, Kim and Demouilpied, Hutch (2018) Your Mothers Are Mine! [Art/Design Item]
Noce, Kim, Mewlab (2015) Hunters Downstream. [Show/Exhibition]
Nichols, Claire (2023) Maus Hábitos Variations. [Performance]
Nichols, Claire (2022) Projection Trails. [Art/Design Item]
Nichols, Claire (2021) Hangar Variations. [Art/Design Item]
Nichols, Claire (2024) Lissa Gbassa Variations. [Art/Design Item]
Namazi, Mohammad (2023) Process As Work. In: Transacting as Art, Design and Architecture: A Non-Commercial Market. Intellect Books, pp. 135-136. ISBN 978-1-78938-443-7
Naldi, Pat (2023) Performing Mersea Island: Out of Place. [Show/Exhibition]
Orta, Lucy and Orta, Jorge (2014) Food / Water / Life. [Show/Exhibition]
Orta, Lucy and Orta, Jorge (2016) Lucy + Jorge Orta. [Show/Exhibition]
Orta, Lucy (2020) Symphony for Absent Wildlife. [Art/Design Item]
O'Dair, Marcus (2018) Mute Records: Artists, Business, History. Bloomsbury. ISBN 9781501340604
Priest, Colin (2011) Bow Bells Ring. [Show/Exhibition]
Priest, Colin (2020) Breathing Machinery. [Art/Design Item]
Plum, Ingrid (2017) Response to: How do individuals and communities navigate gendered spaces in these [music and sound technology] practices? In: Activating Inclusive Sound Spaces, 8-9 Jul 2017, Huddersfield University.
Plum, Ingrid (2018) Taut: Investigations into Contemporary Composition and Performance. Plum Press/Fractal Meat, UK.
Plum, Ingrid (2019) Unsounding The Voice. Plum Press, UK.
Patel, Shreepali (2014) The Golden Window. [Art/Design Item]
Patel, Shreepali and Flavin, Susan (2024) Weaving Complex Historical Narratives Through Sonic & Visual Artistic Practice. In: Shaping Gastronomy: Regenerating Food Systems & Societies, 26-28 September 2024, Pollenzo & Turin, Italy.
Parry, Owen G. (2016) Sex, Work, and Negative Affects in Participatory Performance. Contemporary Theatre Review, 26 (4). ISSN 1477-2264
Parry, Nye (2012) Kontexte für eine Reise durch Zeit und Raum Zum künstlerischen Schaffen von Peter Vogel (Peter Vogel: Contexts for a journey in space and time). Neue Zeitschrift für Musik, 2012 (3).
Parry, Nye (2013) Significant Birds. [Art/Design Item]
Parker, Matthew (2019) Vibrating the Web: Sonospheric Studies of Media Infrastructure Ecologies. PhD thesis, University of the Arts London.
Papadomanolaki, Maria Eftychia (2015) Sonic Perceptual Ecologies: Strategies for sound-based exploration,perception and composition in spaces of transient encounters. PhD thesis, University of the Arts London.
Palestra, Camilla (2018) Art for the Environment. [Show/Exhibition]
Palestra, Camilla (2019) Art for the Environment: An Overview. In: Art for the Environment: Creative Practice in the Amazon, 5 March 2019, London College of Fashion.
Padilla Jargstorf, Pablo and Oki, Michiko (2024) Voices from the Ground - Part 1: The Mushroom Vortex, Part 2: Fern Vortex & Part 3: The Invisible Vortex. [Show/Exhibition]
Robson, Nicole and McPherson, Andrew and Bryan-Kinns, Nick (2023) On Mediating Space, Sound and Experience: Interviews with situated sound art practitioners. Organised Sound, 28 (1). pp. 25-34. ISSN 1469-8153
Robertson, Helen (2020) a different path. [Art/Design Item]
Rickett, Sophy (2011) To The River. [Art/Design Item]
Rickards, Hannah (2014) Grey light. Left and right back, high up, two small windows. [Art/Design Item]
Revell, Irene (2022) Live Materials: Womens Work, Pauline Oliveros & the feminist performance score. PhD thesis, University of the Arts London.
Reeder, Philip M. (2013) Inter-Piece Sampling and Convolution: Portfolio of 5.1 Acousmatic and Electronica Compositions, Interactive Diagrams and Text. PhD thesis, University of the Arts London and Falmouth University.
Rakotoniaina, Sitraka and Friend, Andrew and Blasco, Jasmin (2017) Very Very Far Away (VVFA) - ‘From Dissemination to Anticipation’: Democratising the future using public co-enquiries and serialised fiction podcasts. In: 68th International Astronautical Congress, 25-29 Spetember 2017, Adelaide, Australia.
Rakotoniaina, Sitraka and Friend, Andrew (2022) Sound Systems: A Lunar Folklore. [Show/Exhibition]
Rae, Nicola and Blondel, Philippe (2015) 'Arctic Glacier Sonic Frequencies - night projections over flood tides', 2014-15, at FaB (Fringe Arts Bath) Ignites Research. [Show/Exhibition]
Rae, Nicola (2015) 'Interplanetary Radio Frequencies: received from different planetary magnetospheres 1979-2014' at Partial Presence (Testing Ground for Art and Education). [Show/Exhibition]
Rae, Nicola (2014) 'Magnetospheric Frequencies' at AstroLAB. [Show/Exhibition]
Rae, Nicola (2015) 'Reciprocal Resonances Refracted, St Petersburg' at the 9th annual CYBERFEST: PATTERNS OF THE MIND. [Show/Exhibition]
Rae, Nicola (2013) 'Reciprocal Resonances Refracted, Venice' at Personal Structures: Culture-Mind-Becoming. [Show/Exhibition]
Rae, Nicola (2013) SOUNDLAB. In: Personal Structures: Culture-Mind-Becoming. La Biennale di Venezia 2013. Global Art Affairs Publishing, Venice, Italy, pp. 166-167. ISBN 978-94-90784-12-6
Sutherland, Patrick (2007) The Spiti Sound Archive. [Art/Design Item]
Stewart, Christopher and Teichmann, Esther (2015) Staging Disorder. [Show/Exhibition]
Stevenson, Caroline (2011) Hum. [Show/Exhibition]
Stevenson, Caroline (2013) Modular. [Show/Exhibition]
Stevenson, Caroline (2017) Picnic at Tornado Sands. [Show/Exhibition]
Stephens, Tim (2011) ‘The End(s) of the Still’ – Releasing rhythm from photographic geometry. In: Rhythm & Event, 29 October 2011, London Graduate School.
Spinks, Tansy (2015) Associating Places: Strategies for Live, Site Specific, Sound Art Performance. PhD thesis, University of the Arts London.
Smith, Timothy (2019) A Queering of Memory, Temporality, Subjectivity: Subversive Methods in Audiovisual Practice. PhD thesis, University of the Arts London.
Sinclair, Peter Francis (2013) Using Real-Time Data Flux In Art – The Mediation Of A Situation As It Unfolds: RoadMusic – An Experimental Case Study. PhD thesis, University of the Arts London.
Sheridan, Tessa (2006) Flotsam. [Art/Design Item]
Shepherd, Caitlin and Wood, James and Harney, Luke and Pope, Tabitha and Halahan, Dan (2016) Discord. [Show/Exhibition]
Shepherd, Caitlin (2015) In Your Face the Longest Light. [Show/Exhibition]
Shepherd, Caitlin (2017) A Life, A Presence, Like the Air. [Show/Exhibition]
Shepherd, Caitlin (2014) Sanctuary. [Show/Exhibition]
Scott-Cumming, Daniel (2017) The Listening Artist: On Listening as an Artistic Practice beyond Sound Art. PhD thesis, University of the Arts London.
Schuppli, Susan and Tlalim, Tom (2014) Uneasy Listening. [Art/Design Item]
Salazar, Ligaya and Stevenson-Keating, Patrick and Garbin, Giulia and Harry, Yeff (2014) Polyphonic Playground. [Show/Exhibition]
Sajovic, Eva and Privato, Nicola and Soutter, Lucy (2024) #end_of_empire: artist talk and discussion. In: LOOK Photo Biennial, 22 February 2024, Open Eye Gallery, Liverpool.
Sajovic, Eva (2022) Plantscapes. [Show/Exhibition]
Sajovic, Eva (2023) #end of empire. [Show/Exhibition]
Saenz de Sicilia, Andrés and Vasquez, Emiddio (2020) Sediment Versions I-IX. [Art/Design Item]
Saenz de Sicilia, Andrés (2021) Forest Scape. [Art/Design Item]
Toop, David and Michener, Elaine and Lewis, Barry (2010) Of Leonardo da Vinci: quills, a black giant, deluge. [Performance]
Toop, David and Bailey, Giles (2017) The Order In Expectedness and So On. [Show/Exhibition]
Toop, David (2016) Entities Inertias Faint Beings. [Art/Design Item]
Toop, David (2016) Exhibition Histories: Sonic Boom. In: Exhibition Histories, 24 November 2016, Whitechapel Gallery, London.
Toop, David (2017) Flutter Echo: Living Within Sound. Du Books, Tokyo, Japan. ISBN 978-4-86647-011-5
Toop, David (2015) In Praise of Blandness: An exploration of hyper-nothingness. In: No Needless Noise: Silence and Music, 25 - 26 February 2015, Royal College of Music, London, UK.
Toop, David (2017) Instruments of Darkness. [Performance]
Toop, David (2011) The Mediumship of Listening: Notes on Sound in the Silent Arts. Journal of Visual Culture, 10 (2). pp. 169-176. ISSN 1470-4129
Toop, David (2010) Sinister resonance: the mediumship of the listener. Continuum, New York/London. ISBN 9781441149725
Toop, David (2007) Sound Body - CD curation (project investigating the impact of digital technology on improvised music and sonic arts). [Art/Design Item]
Toop, David (2017) Stephen Cripps: Exploding Practice Inevitable. In: Stephen Cripps: Performing Machines. Verlag fur Moderne Kunst/Museum Tinguely, Basle, Switzerland, pp. 25-30. ISBN 978-3-9524392-9-6
Toop, David (2013) Trap Set. In: Haroon Mirza. A User's Manual. Spike Island, Bristol, pp. 34-35. ISBN 978-0-9574490-0-8
Toop, David (2010) The body event: voice and recorded histories in the creation of a sound installation based on the ideas of the work of artist John Latham. In: [Record] [Create] Oral History in Art, Craft and Design, 2nd - 3rd July 2010, Victoria and Albert Museum. (Unpublished)
Tlalim, Tom and Trutzschler von Fahlkenstein, Jan (2009) Alter Ego: A Generative Music Creation System. Proceedings of the International Computer Music Conference (ICMC 2009), Montreal, Canada. ISSN 2223-3881
Tlalim, Tom and Ikeshiro, Ryo (2021) Sound Envelope HK-LDN. [Show/Exhibition]
Tlalim, Tom (2008) Concerning Time We Remain, Divided. In: Additions: Architecture Along a Continuum. Venice Architecture Biennale, pp. 32-46.
Tlalim, Tom (2022) Interview: Tom Tlalim. Arshake. ISSN 2283-3676
Tlalim, Tom (2019) Phantom Resonances: A Site Specific installation exploring Tinnitus. [Show/Exhibition]
Tlalim, Tom (2020) The Sound System of the State: Critical Listening as Performative Resistance. In: Bloomsbury Handbook of Sonic Methodologies. Bloomsbury Handbooks . Bloomsbury, pp. 719-732. ISBN 9781501338779
Tlalim, Tom (2017) The Sound System of the State: Sonic Strategies for Political Critique at the Borders of Palestine-Israel. PhD thesis, Goldsmiths University of London.
Tlalim, Tom (2018) Tonotopia: A Catalogue of Leaves. [Art/Design Item]
Tlalim, Tom (2018) Tonotopia: Listening Through Cochlear Implants. [Show/Exhibition]
Tlalim, Tom and Zaides, Arkadi (2014) Archive. [Performance]
Tlalim, Tom and Ikeshiro, Ryo (2024) Listening to the Earth: Sonifying planetary health ecologies. [Show/Exhibition]
Thorogood, Simon and Wolff, Stephen (2004) Soundforms. [Art/Design Item]
Thornett, Lucy (2017) Tower. [Performance]
Thomas, Jennet (2010) All suffering soon to end! [Show/Exhibition]
Thomas, Jennet (2018) Animal Condensed<Animal Expanded #2. [Art/Design Item]
Thomas, Jennet (2011) Echo versus gown. In: This is not a Performance or a Lecture!, 17-18th June 2011, Loughborough University. (Unpublished)
Thomas, Jennet (2022) The Great Curdling. [Art/Design Item]
Thomas, Jennet (2012) SCHOOL OF CHANGE. [Show/Exhibition]
Thomas, Jennet (2010) The advice shape. [Show/Exhibition]
Taylor, j Milo and Woolford, K and Norman, Sally Jane and Dunn, Stuart and Barker, Leon and White, Martin (2011) Motion in Place: Sounding Spaces, Movement, Affect and Technologised Mediation. In: World Forum for Acoustic Ecology, 3-7 October 2011, Corfu.
Taylor, j Milo and Ottavi, Julian and Pickett, Jenny (2019) Grand Computer Orchestra (GOO) Concert. [Performance]
Taylor, j Milo and Ottavi, Julian (2019) Solo Experimental Soundscape: Electronic Bodies and the Abstract Morphology of the Real. [Performance]
Taylor, j Milo and Hendrickse, Jan and Setohy, Saffy (2018) Hidden Architectures. [Performance]
Taylor, j Milo and Fox, Alice (2015) It's a Wrap. [Performance]
Taylor, j Milo and Estévez Trujillo, Mayra and Fermont, Cedrik and Irene Eunyoung, Lee (2020) Geopolitics of sound. Colonial regimes and acoustic alterities of listening. In: II Encuentro Internacional Red Ecología Acústica México 2020, 9-12 December 2020, Mexico City.
Taylor, j Milo and Cahen, Joel and Kannenberg, John (2015) Site-Specific Sound Performance. [Performance]
Taylor, j Milo and Brock-Nannested, George and Specht, Dirk (2013) Emerging from the Noise: Non-Nostalgia, Reactivation and Appropriation. In: The Noise Non-ference Reader. Qubit, New York, pp. 99-104.
Taylor, j Milo and Brock-Nannested, George and Specht, Dirk (2011) Noisecleaning: Emerging from the Noise. Off Topic 4: Zullassen. ISSN 1867-5948
Taylor, j Milo and Alves, Carlos and Erkizia, Xabier and Ottavi, Julien and Yaseen, Wajid, Opensound.eu (2013) OA#1. Listening and Mapping the Sonic. Plurality and Wayfaring: Writing the OpenSound Project. Journal of Sonic Studies, 4. ISSN 2212–6252
Taylor, j Milo (2012) Ahad’s Masters Garden. [Performance]
Taylor, j Milo (2020) Ambiguity, Paradox and Musical Illusion.
Taylor, j Milo (2020) Cognitive Psychology and Music.
Taylor, j Milo (2008) David Toop’s Laptop Orchestra: A View from the Guitarist’s Chair. In: Playing With Words: The Spoken Word In Artistic Practice. Uniformbooks. ISBN 9781910010303
Taylor, j Milo (2019) Ears Wide Open: Considerations of Immersive Sound in the Works of Stanley Kubrick. In: 3rd International Conference 'Music and Sound in Film and New Media', Lithuanian Academy of Music and Theatre.
Taylor, j Milo (2012) Hardcore Impro. [Performance]
Taylor, j Milo (2020) Illusion in Speech and Language.
Taylor, j Milo (2009) ImMApp: An Immersive Database of Sound Art. PhD thesis, University of the Arts London.
Taylor, j Milo (2008) The ImmApp: A Digital Application for Immersive Interaction with Sound Art Archives. In: Computer Music Modeling and Retrieval. Sense of Sounds: 4th International Symposium. Springer Verlag. ISBN 978-3-540-85034-2
Taylor, j Milo (2007) Immersion: An Immersive Digital Application for Creative Interaction with Sound Art Archives. In: Proceedings of the 2007 International Computer Music Conference. ICMC and Re:New. Denmark. ISBN 0-9713192-5-1
Taylor, j Milo (2008) An Immersive Database of Sound Art: Towards a Minor History. In: Young investigators Forum in Culture Technology, 30-31 October 2008, Korean Advanced Institute of Science and Technology.
Taylor, j Milo (2019) Immersive Sound Masterclass. In: Aesthetica Short Film Festival, 2-30 November, York.
Taylor, j Milo (2016) Media Encounters in Dark Ecologies: Soundscapes and Solar-powered Sound Circuits. In: Digital Research in the Humanities and Arts Conference, 4-7 September 2016, University of Brighton.
Taylor, j Milo (2012) Meditatio Sonus (Sonic Meditation). [Performance]
Taylor, j Milo (2006) Non-Ferrous Prostitution. In: ev+a 2006. Gandon Editions, Limerick, Ireland, p. 227. ISBN 0946846928
Taylor, j Milo (2012) Photophonosynthesis. [Performance]
Taylor, j Milo (2012) Sound Performance Duo at Klangkunst Mutiny II. [Performance]
Taylor, j Milo (2020) Sound, Memory and Forgetting.
Taylor, j Milo (2020) Sound, Touch and Movement.
Taylor, j Milo (2021) Sounds for an Empty House. [Performance]
Taylor, j Milo (2015) Soundscapes UK-MX. [Performance]
Taylor, j Milo (2020) The role of White Academics in developing Decolonised Curricula. In: London College of Communication Staff Development, 20 July 2020.
Taylor, j Milo (2004) suborg.net. In: Network Book for Urban (P)arts. City Mine(d). ISBN 0-9547260-0-6
Taylor, Rachel Emily (2018) The Outsider. [Art/Design Item]
Taylor, j Milo and Trimble, Rhys (2023) gglec .-..-.. [Art/Design Item]
Taylor, j Milo and Gleeson, Connall (2015) Sound and The Urban Environment. [Show/Exhibition]
Taylor, j Milo and Finer, Ella (2023) Reflections on Artificial intelligence and Digital Audio to imagine life beyond the human. [Performance]
Taylor, j Milo (2024) Disparate Kingdoms Tangled in the Abyss: Biodiversity, Artificial Intelligence and Audio-Visual Performance. Sonic Ideas Sónicas (31). pp. 55-68.
Taylor, j Milo (2023) Quatro Reinos / Pedair Teyrnas / Four Kingdoms. [Performance]
Tariq, Syma (2022) Partitioned listening: sonic methodology and the archive after 1947. PhD thesis, University of the Arts London.
Tan, Erika (2017) Sonic Soundings / Venice Trajectories. [Show/Exhibition]
Uddoh, Rosa-Johan and De Ville, Abigail and Simmons, Xaviera (2021) Brand New Heavies. [Show/Exhibition]
Voegelin, Salomé and Wright, Mark Peter (2022) Points of Listening: Reflections on the Collective, Communal and Participatory in Sonic Practice. Listening and Polyphony. Philosophy, Aesthetics, Art, 64 (1). pp. 19-36.
Voegelin, Salomé and Wright, Mark Peter (2022) Sound’s Transversal Breath. In: Airy Encounters: Respiratory Philosophy and Sound Arts, 6-7 June 2022, Helsinki.
Voegelin, Salomé and Toop, David and Cascella, Daniela (2011) Performance Lecture. [Performance] (Unpublished)
Voegelin, Salomé and Mollin, David and Ploner, Silvia and Perret, Nicolas (2017) They Own the Night. [Art/Design Item]
Voegelin, Salomé and Mollin, David (2017) Aurality and Environment, Auralidad y Entorno, Exhibition at La Tabacalera Gallery in Madrid, Spain part of FASE 6. 30.11.17 – 02.02.18, with David Mollin (Mollin+Voegelin) and Brandon LaBelle. [Show/Exhibition]
Voegelin, Salomé and Mollin, David (2007) The Barry Echo. [Art/Design Item]
Voegelin, Salomé and Mollin, David (2014) The Cyclist and the Mushroom. [Show/Exhibition]
Voegelin, Salomé and Mollin, David (2014) Drafts. [Show/Exhibition]
Voegelin, Salomé and Mollin, David (2014) Dustcatcher. [Show/Exhibition]
Voegelin, Salomé and Mollin, David (2017) The Glad Circle. [Art/Design Item]
Voegelin, Salomé and Mollin, David (2022) Hummingbirds fly upwards. In: Risonanze e coesistenze. Suono, territori e margini. Da Liminaria al Manifesto del futurismo rurale: 2017-2020. Luca Sossella Publisher, Italy, pp. 109-133. ISBN 9791259980236
Voegelin, Salomé and Jackson, Mark and Burrows, David (2010) Listening in the present time. In: Dead Fingers Talk, 12th June 2010, IMT Gallery. 2-210 Cambridge Heath Road, London, E2 9NQ. (Unpublished)
Voegelin, Salomé and Herrington, Tony and Montgomery, Will and Frosi, Helen (2010) We hear a new world: microphony technology and the rise of sound art. In: The Wire Salon, 2nd September 2010. (Unpublished)
Voegelin, Salomé and Gardner, Thomas (2016) Colloquium: Sound Art – Music. Zero Books, Winchester and New York. ISBN 9781782798958
Voegelin, Salomé and Drozd, Magda (2022) Herbal Audition. [Art/Design Item]
Voegelin, Salomé and Cascella, Daniela (2014) ora13: Listening and Writing: Sound Studies on the Radio. [Performance]
Voegelin, Salomé and Barney, Anna (2018) Accessing Disciplinary Hinterlands through Listening. In: ISSTA Irish Sound, Science and Technology Association conference on Who’s Listening? Sound and Public Space, 9 - 11 November 2018, Derry.
Voegelin, Salomé (2020) Building an ephemeral place from the indivisible volume of words. In: Ecos de un lugar. Buró-Buró Mexico and Museo Experimental Eco, Mexico City, Mexico.
Voegelin, Salomé (2007) Clickanywhere. [Show/Exhibition]
Voegelin, Salomé (2016) ‘The Critical Agency of the ‘Avatar-I’: accessing the silence of the inaudible’. Four by Three Magazine, 1 (6).
Voegelin, Salomé (2016) ‘Curating Volumes: hearing architecture, light and words’. In: On Space and Sound: Study Day for Displaying, Collecting and Preserving Sound Pieces at Tate Britain, London, 27.10, 27.10.2017, Tate Britain, Millbank, London.
Voegelin, Salomé (2022) Designing Possible Worlds from Sound’s Transversality. In: I am not sitting in a room: Urban, political and social resonances, 24-26 June 2022, Bauhaus University Weimar, Germany.
Voegelin, Salomé (2008) Digital listening. In: Approaches to the Born-Digital Challenge in Art & Design Archives, 11/11/2008, UCL, London. (Unpublished)
Voegelin, Salomé (2018) Disrupting the Dominant Song. In: Material Contemplations. Open Scriptures. International Colloquium on Notation. Contemporary Practices and Crossroads between Latin America and Europe, 12-14 September 2018, Universidad Nacional Autónoma de México, Mexico City.
Voegelin, Salomé (2022) Disrupting the Dominant Song. In: Open Scriptures: Notation in Contemporary Artistic Practices in Europe and the Americas. Iberoammericana Vervuert, Germany, pp. 187-203. ISBN 978-84-9192-244-5
Voegelin, Salomé (2011) Epiphanies. The Wire: Adventures in Modern Music (324).
Voegelin, Salomé (2012) Erlking. [Show/Exhibition]
Voegelin, Salomé (2012) Ethics of Listening. Journal of Sonic Studies, 2 (1).
Voegelin, Salomé (2020) For Many Voices. In: For Many Voices, 15 February 2020, Middlesbrough Institute of Modern Art (MIMA), UK.
Voegelin, Salomé (2014) Forewords. Festival Catalogue.
Voegelin, Salomé (2017) Geometry of Now. In: Geometry of Now, 20-27 February 2017, Moscow.
Voegelin, Salomé (2013) Hearing the Continuum of Sound. In: Performance Research Seminars of the AHRC Research Centre for Musical Performance as Creative Practice, 7th October 2013, Senate House, London.
Voegelin, Salomé (2005) Helidor. [Art/Design Item]
Voegelin, Salomé (2007) Hobbies. [Art/Design Item]
Voegelin, Salomé (2015) Inaudible Disaster Warnings. In: Aural Lighthouses, 17-22 May 2015, Santorini.
Voegelin, Salomé (2016) Inhabiting a World of Numerical Things. Circuit Musiques Contemporaines, 26 (3). pp. 27-42. ISSN 1183-1693
Voegelin, Salomé (2022) Keynote: Sonic Sense: The Meaning of the Invisible. In: Oxford Handbook of Sound Art. Oxford University Press, Oxford, UK, pp. 349-367. ISBN 9780190274054
Voegelin, Salomé (2015) Klangkunst als Öffentliche Kunst (Sound Art as Public Art). In: Labor Mühlheim Künstlerisches Forschen in Feldern zwischen Prekarität und Kreativität. Jovis, Berlin, DE, pp. 167-178. ISBN 978-3-86859-360-0
Voegelin, Salomé (2021) Knowledge with Voice and Hands: tending to the invisible. In: Sound Practice and Research series, 29 June 2022, Goldsmiths, University of London, Online.
Voegelin, Salomé (2021) Listening across: Uncurating knowledge. In: Spaces (in) Between, 16-18 November 2021, Rhythmic Music Conservatory.
Voegelin, Salomé (2019) Listening out for Ambiguity and unreliable Things. In: Sound & Listening on the edge of Music, Performance, Film and New Media, 20 May 2019, Ghent Doctoral School.
Voegelin, Salomé (2020) Listening out for the Ambiguity of Unreliable Things. Documenta: tijdschrift voor theater, 38 (1). pp. 142-154. ISSN 0771-8640
Voegelin, Salomé (2019) Listening to Indivisible Volumes. [Performance]
Voegelin, Salomé (2022) Listening to Wicked Problems: Sound Studies as Transversal Studies. In: Sounding Crises, 23-24 March 2022, University of Copenhagen.
Voegelin, Salomé (2016) ‘Listening to audible and inaudible sounds’(Performance Lecture).
Voegelin, Salomé (2010) Listening to noise and silence: toward a philosophy of sound art. Continuum, New York. ISBN 9781441162076
Voegelin, Salomé (2011) Listening to possible worlds. In: Sound Art Theories Symposium, 5 - 6 November 2011, Art Institute of Chicago. (Unpublished)
Voegelin, Salomé (2013) Listening to the Stars. In: What Matters Now? (What Can't You Hear?). Noch. ISBN 9781783011179
Voegelin, Salomé (2014) Listening to the inaudible: The sound of unicorns. In: Sonar+D, 9-14 June 2014, Caixa Forum, Barcelona, Spain.
Voegelin, Salomé (2019) Making Sound Curating Volumes. In: Exhibiting Sound Art Symposium 2019, 23-25 August 2019, Gutenberg University, Mainz, Germany.
Voegelin, Salomé (2016) Morality of the invisible, ethics of the inaudible. In: Sound, Ethics, Art and Morality, 29-30 May 2016, Tel-Aviv University, Israel.
Voegelin, Salomé (2016) Music as Public Art. Program notes for Donaueschinger Musiktage. pp. 20-26.
Voegelin, Salomé (2008) Night Train. In: Nachtschichten. Schriftenreihe des Instituts für Gegenwartskünste, Zürcher Hochschule der Künste, 3 . Edition Fink, Zurich. ISBN 9783037461280
Voegelin, Salomé (2016) Places Hardly Exist. Island Song.
Voegelin, Salomé (2021) The Political Possibility of Sound. In: Unthinking / Unlearning New sonic theories and praxis, 15 May - 1 June 2021, UDK Universität der Künste, Berlin.
Voegelin, Salomé (2018) The Political Possibility of Sound: Fragments of Listening. Bloomsbury, New York, US. ISBN 9781501312168
Voegelin, Salomé (2018) Possibilité politique du sonores: le son comme volume indivisible. In: Theatre Gaîté Lyrique, 14 June 2018, Paris, Theatre Gaîté Lyrique.
Voegelin, Salomé (2013) Response to Public and Private Listening, Sonozones, at “Prekäre Landschaften”. In: Prekäre Landschaften, 24-25.10.2013, Mülheim an der Ruhr.
Voegelin, Salomé (2015) Reversed Anechoics (catalogue essay). Play it by Ear. pp. 32-37.
Voegelin, Salomé (2022) Silence Does Not Exist. In: The Concert. Sternberg Press, Switzerland, pp. 111-133. ISBN 9781501367625
Voegelin, Salomé (2021) Silenced Noise. In: Aesthetics of Noise, 24 February 2021, Online.
Voegelin, Salomé (2021) Singing Philosophy: deviating voices and rhythms without a time signature. Open Philosophy Journal, 4 (1). pp. 284-291. ISSN 2543-8875
Voegelin, Salomé (2019) Sonic Materialism: A Philosophy of Digging and Gardening. In: RE:SOUND, the 8th International Conference on the Histories of Media Arts, 20-23 August 2019, Aalborg, Denmark.
Voegelin, Salomé (2020) Sonic Methodologies of Sound. In: The Bloomsbury Handbook of Sonic Methodologies. Bloomsbury, NY, pp. 269-283. ISBN 9781501338779
Voegelin, Salomé (2016) Sonic Possible Words Performance Lecture. In: Festival de Arte Sonoro Español (FASE), 04.11.2016, Hybrid Lab, Villa Bell, Marchstraße 8, Berlin.
Voegelin, Salomé (2013) Sonic Possible Worlds. Leonardo Music Journal (special issue on Sound Art), 23. ISSN 0961-1215
Voegelin, Salomé (2014) Sonic Possible Worlds: Hearing the Continuum of Sound. Bloomsbury, New York; London. ISBN 9781623566951
Voegelin, Salomé (2021) Sonic Possible Worlds: Hearing the Continuum of Sound. Bloomsbury, NY,, US. ISBN 9781501367625
Voegelin, Salomé (2021) Sonic Possible and Impossible Bodies. In: Sound in Artistic Research, 10 November 2021, University of Arts, Berlin.
Voegelin, Salomé (2022) Sonic Testimonies: Creating New Imaginaries From the In-between. In: For Many Voices. Freigeist Verlag, Berlin, Germany, pp. 8-12. ISBN 978-3-947764-06-8
Voegelin, Salomé (2019) The Sonic Volume as a Sphere of Non-resilience. In: CTM Festival for Adventurous Music and Art 2019, 25 January - 3 February 2019, Berlin.
Voegelin, Salomé (2014) Sound Art as Public Art. In: Invisible Places | Sounding Cities: Sound, Urbanism and Sense of Place, 18-20 July 2014, Viseu, Portugal.
Voegelin, Salomé (2015) Sound Art as Public Art.
Voegelin, Salomé (2016) Sound Art as Public Art: performing the civic between listening and being audible. In: The Role and Position of Sounds and Sounding Arts in Public Urban Environments Leiden University, 29-30 November 2016, Leiden University the Netherlands.
Voegelin, Salomé (2013) Sound Words and Sonic Fictions. In: The Noises of Art: Audiovisual Practice in History, Theory and Culture, 4-6 September 2013, Aberystwyth, Wales, UK.
Voegelin, Salomé (2016) Sound Words and Sonic Fictions: Writing the Ephemeral. In: The Routledge Companion to Sounding Art. Routledge, New York, pp. 61-70. ISBN 97810138780613
Voegelin, Salomé (2011) Sound art. [Show/Exhibition]
Voegelin, Salomé (2021) Sound, Identity and Territory. In: 8th International Congress of Audiovisual Researchers, 23-25 June 2021, Lisbon.
Voegelin, Salomé (2014) Soundwalking the Museum: A Sonic Journey through the Visual Display. In: The Multisensory Museum Cross-Disciplinary Perspectives on Touch, Sound, Smell, Memory, and Space. AltaMira, Walnut Creek, CA. ISBN 9780759123540
Voegelin, Salomé (2021) To Know from the Invisible. In: Art/Tought/Sound, 11 March 2021, Escola des Artes Porto, Portugal.
Voegelin, Salomé (2019) Unstable Contacts. In: The Middle Matter – Sound as interstice. Umland, Belgium, pp. 147-155. ISBN 9789082649543
Voegelin, Salomé (2019) Unstable Contacts: a political imaginary made from water and honey. In: Oscillation Festival, 26-27 April 2019, Bruxelles.
Voegelin, Salomé (2020) Vampiric Silences. In: silence. speakerspeaker (3). Book Printing UK, UK, pp. 98-103. ISBN 978-82-93739-02-9
Voegelin, Salomé (2007) Völlig Losgelöst. In: Autumn Leaves: sound and the environment. Double Entendre, Paris, France. ISBN 095480743X
Voegelin, Salomé (2014) Warm words, fine words, deep words…. In: Tertulia Writing Sound, 25th January 2014, Arnolfini, Bristol.
Voegelin, Salomé (2019) Weaving Nets from the Activities on the Margins. In: Topographies of Sound, 16-20 September 2019, Škuc Gallery, Ljubljana.
Voegelin, Salomé (2016) Writing about the Sound of Unicorns. In: International Conference on Artistic Research: Writing as Practice, Practice as Writing, 28-29 April 2016, Royal Academy of Art, The Hague, Netherlands.
Voegelin, Salomé (2013) Writing as Phonography | Delhi Soundwords. In: Sound Reason Conference and Festival, November-December 2013, Delhi, India.
Voegelin, Salomé (2007) The anxiety of the lonely listener. /seconds., 5 (3). ISSN 17514134
Voegelin, Salomé (2008) The arrangement. [Art/Design Item]
Voegelin, Salomé (2011) The place my listening makes. In: Sounds and Sound Technology as Spatial Parameters, 2nd June 2011, ETH Zürich, Switzerland. (Unpublished)
Voegelin, Salomé (2013) A short history of radio listening. In: On Listening. Uniformbooks. ISBN 9781910010013
Voegelin, Salomé (2019) sonic materialism : sonic cosmopolitanism : raptures and responsibility. In: ICST-Musikgespräche Zhdk, 29 May 2019, University of the Arts Zürich, Switzerland.
Voegelin, Salomé (2014) Collateral Damage. The Wire: adventures in modern music (364).
Wynne, John and Xyrichis, Andreas and Carlyle, Angus and Rafferty, Anne Marie and Mackrill, Jamie (2018) Noise pollution in hospitals. British Medical Journal. ISSN 0959-8138
Wynne, John and Xyrichis, Andreas (2018) Noise pollution in hospitals. In: Acoustics 2019: Conference of the UK Institute of Acoustics, 13 and 14 May 2019, Doubletree Hilton, Milton Keynes.
Wynne, John and Wainwright, Tim (2019) Birds I wouldn't have heard. [Show/Exhibition]
Wynne, John and Wainwright, Tim (2007) Flow. [Art/Design Item]
Wynne, John and Wainwright, Tim (2013) I Am Not the Cancer. [Show/Exhibition]
Wynne, John and Wainwright, Tim (2014) I Am Not the Cancer. [Art/Design Item]
Wynne, John and Wainwright, Tim (2007) ITU. [Art/Design Item]
Wynne, John and Wainwright, Tim (2016) Pain and Renewal in Organ Transplantation. In: Encountering Pain: hearing, seeing, speaking, 1-2 July 2016, University College London.
Wynne, John and Wainwright, Tim (2008) Transplant. [Art/Design Item]
Wynne, John and Wainwright, Tim (2015) Transplant. [Show/Exhibition]
Wynne, John and Wainwright, Tim (2016) Transplant (excerpt). In: Beyond text? Critical practices and sensory anthropology. University of Manchester Press, Manchester. ISBN 978-0-7190-8505-5
Wynne, John and Wainwright, Tim (2017) Transplant and Life. [Show/Exhibition]
Wynne, John and Sterritt, Angela (2009) Faster Higher Stronger. [Art/Design Item]
Wynne, John and Sara, Davidmann (2020) I am the gigantic baobab. [Art/Design Item]
Wynne, John and Lenskyj, Helen (2012) Symbolic Resistance: Turning the Rings. In: The Art of Dissent: London’s Olympic State. Marshgate Press, London. ISBN 978-0-9572943-0-1
Wynne, John and Hawrysio, Denise (2013) What is What. [Art/Design Item]
Wynne, John and Egoyan, Atom (2013) Nocturnal. [Art/Design Item]
Wynne, John (2011) Andromache.
Wynne, John (2010) Anspayaxw. [Art/Design Item]
Wynne, John (2013) Anspayaxw. In: Hlysnan: The Notion and Politics of Listening. Casino Luxembourg, Luxembourg, pp. 62-67. ISBN 978-99959-30-23-3
Wynne, John (2010) Artist Talk by John Wynne. In: Artist Talk by John Wynne, July 2010, Museum of Anthropology, Vancouver. (Unpublished)
Wynne, John (2010) Beating Tones and Flapping Wings. [Art/Design Item]
Wynne, John (2011) Bouncing off the Walls. In: Bouncing off the Walls, 23 March 2011, London College of Communication.
Wynne, John (2001) 'Cry Wolf' and 'Do(n’t)'. [Art/Design Item]
Wynne, John (2006) Fallender Ton Für 207 Lautsprecher Boxen (Falling Tone for 207 Loudspeakers) and 230 Unwanted Speakers. [Art/Design Item]
Wynne, John (2008) Feeding the Habit of Energy. [Art/Design Item]
Wynne, John (2015) Grave. [Art/Design Item]
Wynne, John (2013) Hearing Loss / Cold Atlantic. [Art/Design Item]
Wynne, John (2005) Hearing Voices. [Art/Design Item]
Wynne, John (2014) Hearing Voices: Research and creative practice across cultures and disciplines. Language Documentation and Description, 12. pp. 120-150. ISSN 1740-6234
Wynne, John (2012) Hearing Voices: Speakers/Languages. [Art/Design Item]
Wynne, John (2011) Hearing faces, seeing voices: sound art, experimentalism and the ethnographic gaze. In: Between Art and Anthropology: Contemporary Ethnographic Practice. Berg Publishers, London, UK, pp. 49-67. ISBN 9781847885005
Wynne, John (2008) Hearts, lungs and minds. [Art/Design Item]
Wynne, John (2013) ITU: the din of recovery. In: The Art of Immersive Soundscapes. University of Regina Press, Regina. ISBN 978-0-88977-258-8
Wynne, John (2016) >Image>Memory>Sound>Text>. In: The Routledge Companion to Sounding Art. Routledge/Taylor and Francis, London and New York, pp. 111-124. ISBN 978-1-138-78061-3
Wynne, John (2010) Installation for 300 speakers, Pianola and vacuum cleaner. [Show/Exhibition]
Wynne, John (2011) Installation no 1 for high and low frequencies. [Show/Exhibition]
Wynne, John (2014) Installation no 3 for high and low frequencies. [Show/Exhibition]
Wynne, John (2012) Installation no. 2 for high and low frequencies. [Show/Exhibition]
Wynne, John (2016) The Intersection of Research and Practice. In: Research and Innovation Conference 2016: Practice-Related Research, 19-20 May 2016, Southampton Solent University, UK.
Wynne, John (2014) Outside In: Re-framing urban noise. In: Urban Traces – Wahrnehmung im öffentlichen Raum Künstlerische Transformationen im urbanen Kontext [Perception in Public Space: Artistic transformations in the urban context]. Kunst und Kulturwissenschaft in der Gegenwart [Contemporary Art and Cultural Studies] (9). Athena Verlag, Oberhausen, pp. 59-72. ISBN 978-3-89896-598-9
Wynne, John (2011) Sound art, documentary practices and ethical minefields: Trust, interpretive freedom and responsible engagement with vulnerable subjects. In: Documentary Now! A Conference on the Contemporary Contexts and Possibilities of the Documentary, 28-30 January 2011, University of Westminster, London. (Unpublished)
Wynne, John (2015) Untitled installation. [Show/Exhibition]
Wynne, John (2011) The Voice, the Rules and the Art. In: Clocks and Clouds, March 7, 2011, Toynbee Hall, London. (Unpublished)
Wyeld, Mike (2018) The Face It Attracts: Prince in London: 3121, Psychogeography, and Urbanism. In: Prince from Minneapolis, 16-18 April 2018, University of Minnesota.
Wyeld, Mike (2019) LOVED: Echoes of masculinity and it's toxicities. In: SOUND::GENDER::FEMINISM::ACTIVISM, 4 - 5 October 2019, Chinretsukan Gallery, Tokyo University of the Arts.
Wyeld, Mike and Hartmann, Mathias (2023) “Poor” Sound Design – Guitars as a Gateway to Thinking Sonically. In: Resonant Fields. Vexer Verlag, St. Gallen, Switzerland, pp. 142-147. ISBN 9783907112687
Wyeld, Mike (2024) Climate Crimes. [Art/Design Item]
Wyeld, Mike (2024) LOVED: Empathy Engine. [Show/Exhibition]
Wyeld, Mike (2024) Satanic Panic. [Show/Exhibition]
Wright, Mark Peter and Voegelin, Salomé (2020) Experiments in Care-ful Listening. In: Experiments in Care-ful Listening, 12 January 2020, De La Warr Pavillion.
Wright, Mark Peter and Voegelin, Salomé (2021) Leaky Knowledge: Listening between bodies, technology and Learning. Seismograf Journal.
Wright, Mark Peter and Hunter, Helena (2017) This Debris Tells a Story. [Performance]
Wright, Mark Peter and Gallagher, Michael and Rousell, David (2018) Becoming Listening Bodies: Soundwalking as a Pedagogy of Sensation. In: 5th Conference on Arts Based Research & Artistic Research Provoking Research and Social Intervention, 13 -15 March 2018, TATE Liverpool.
Wright, Mark Peter and Carlyle, Angus (2018) Decoys. [Art/Design Item]
Wright, Mark Peter (2012) 30 Minutes of Listening. [Show/Exhibition]
Wright, Mark Peter (2013) (Auto) Dialogical Feedback & the Poetics of Letting Go. In: The Symposium on Acoustic Ecology, 8 - 9 November 2013, University of Kent.
Wright, Mark Peter (2015) Auto-dialogical Feedback: Towards an Archive of Loss. [Art/Design Item]
Wright, Mark Peter, Sonic Terrain (2014) Bio-Critical Incidents. [Art/Design Item]
Wright, Mark Peter (2015) Can You Hear Me? [Art/Design Item]
Wright, Mark Peter (2015) Contact Zones and Elsewhere Fields: The Poetics and Politics of Environmental Sound Arts. PhD thesis, University of the Arts London.
Wright, Mark Peter, Psyche Tropes (2014) Ecstatic Electric. [Art/Design Item]
Wright, Mark Peter (2013) Exchanges. In: On Listening. Uniform Books, pp. 34-37.
Wright, Mark Peter (2017) Foleys from the Field. In: Liar Lyre, May 6th, 2017, Wellcome Collection.
Wright, Mark Peter (2020) Go Live in the Middle of Nowhere Obviously. Unlikely Journal for Creative Arts (6). ISSN 2205-0027
Wright, Mark Peter (2019) Go live in the Middle of Nowhere Obviously. [Art/Design Item]
Wright, Mark Peter (2019) Heal/Toe. In: Geohumanities Summer School: Listening to Field, Voice and Body, 8-12 July 2019, Bude, Cornwall.
Wright, Mark Peter (2014) I Suck. [Performance]
Wright, Mark Peter (2014) I am Sitting in a Screen. [Art/Design Item]
Wright, Mark Peter (2016) "I" is another and another (looped). In: The Promises of Monsters, 28 -29 April 2018, University of Stavanger, Norway.
Wright, Mark Peter (2015) I, the Thing in the Margins (solo exhibition). [Art/Design Item]
Wright, Mark Peter (2017) Interference Acts: Performances Along the Threshold of the Human and Nonhuman. In: Postcards from the Anthropocene: Unsettling the Geopolitics of Representation, 22 - 24 June 2017, University of Edinburgh, School of Architecture and Landscape Architecture.
Wright, Mark Peter (2022) Interference Acts: Performances along the Threshold of the Human and Nonhuman. In: Postcards from the Anthropocene: Unsettling the Geopolitics of Representation. DPR, Barcelona, pp. 110-114. ISBN 978-84-122529-1-0
Wright, Mark Peter (2016) Like When a Cat Enters a Room. In: Listening and its not. SARU & Compost & Height, London, pp. 52-53.
Wright, Mark Peter (2022) Listening After Nature: Field Recording, Ecology, Critical Practice. Bloomsbury, New York/London. ISBN 9781501354519
Wright, Mark Peter (2022) Listening to the Footprints of Sonic Practice. In: Walking Festival of Sound, 23 March 2022, Online.
Wright, Mark Peter (2021) Microphone Check. In: Multimedia Encounters: Experimental Approaches to Ethnographic Research, 12-15 January 2021, UCL, London.
Wright, Mark Peter (2017) The Noisy-Nonself: Towards A Monstrous Practice of More-Than-Human Listening. Evental Aesthetics, 6 (1). pp. 24-42. ISSN 2167-1931
Wright, Mark Peter (2014) Out of Hand. [Art/Design Item]
Wright, Mark Peter (2017) Post-Natural Sound Arts. Journal of Sonic Studies, 14. ISSN 2212-6252
Wright, Mark Peter (2013) A Proposed Vocabulary Exchange. [Art/Design Item]
Wright, Mark Peter (2013) Re-Capturing. [Art/Design Item]
Wright, Mark Peter (2015) Re-hearing environmental sound arts asymmetrical relations. In: Hearing Landscape Critically: Music, Place, and the Spaces of Sound, 14 -16 January, Harvard University.
Wright, Mark Peter (2014) Still Listening? Interference: A Journal of Audio Cultures, 4. ISSN 2009-3578
Wright, Mark Peter (2015) Strange Strangers (solo exhibition). [Show/Exhibition]
Wright, Mark Peter (2014) Tasked to Hear. [Art/Design Item]
Wright, Mark Peter (2016) The Thing About Microphones. Leonardo Music Journal (special issue on Sound Art), 26. pp. 60-63. ISSN 0961-1215
Wright, Mark Peter (2016) The Thing About Microphones. In: Sounding Out the Anthropocene: Investigating Sonic Media Ecologies, 10 -11 March 2016, Critical Media Lab, Basel.
Wright, Mark Peter (2016) Ventricles. [Art/Design Item]
Wright, Mark Peter (2020) What Constitutes a Testimonial Voice? In: Audio Testimonies, 2-3 July 2020, Bournemouth Univeristy.
Wright, Mark Peter (2021) When Mimicry is the Last Song Left. In: OSEH Environmental Lunchtime Discussion series, 19 May 2021, Oslo School of Environmental Humanities.
Wright, Mark Peter (2014) Whistle-blowing the field: how might perspectives and aesthetics of field recording adapt within a contemporary ‘post-crash’ world? In: Sound Studies: Mapping the Field. 2nd European Sound Studies Association (ESSA) Conference, 27 -29 June 2014, University of Copenhagen.
Windle, Amanda (2011) Territorial Violence and Design, 1950-2010: A Human-Computer Study of Personal Space and Chatbot Interaction. PhD thesis, University of the Arts London with Surrey University.
Whitby, Richard and Parkinson, Siôn and Patel, Amit Dinesh (2021) ROT. [Performance]
Whitby, Richard and Parkinson, Siôn (2019) Stinkhorn. [Art/Design Item]
Westwood, Martin (2016) Re-cut Piece (working title). [Show/Exhibition]
Yee-King, Matthew and Woolf, Sam (2003) Virtual and Physical Interfaces for Collaborative Evolution of Sound. Contemporary Music Review, 22 (3). 31 - 41. ISSN 0749-4467
Yee-King, Matthew (2007) An Automated Music Improviser Using a Genetic Algorithm Driven Synthesis Engine. In: Proceedings of the 2007 EvoWorkshops 2007 on EvoCoMnet, EvoFIN, EvoIASP,EvoINTERACTION, EvoMUSART, EvoSTOC and EvoTransLog: Applications of Evolutionary Computing. Springer-Verlag, pp. 567-576.
Zimmerman, Andrea Luka (2021) Shelter in Place. [Art/Design Item]
Zimmerman, Andrea Luka (2022) Sounding The Voices. [Art/Design Item]
Zimmerman, Andrea Luka (2024) Wayfaring Stranger. [Art/Design Item]
Zheng, Zhuoyang and Xambó Sedó, Anna and Bryan-Kinns, Nick (2024) A Mapping Strategy for Interacting with Latent Audio Synthesis Using Artistic Materials. In: Explainable AI for the Arts - XAIxArts 2024, 23 June 2024, Chicago.
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