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UAL Research Online

Items where Division is "Creative Research into Sound Arts Practice (CRiSAP)"

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Number of items at this level: 424.

Art/Design Item

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Lane, Cathy (2022) The River Goes On. [Art/Design Item] Item not available online.

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Lane, Cathy (2021) Square Peg Round Hole. [Art/Design Item]

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Lane, Cathy (2020) Here We All Are (Lucier Mix). [Art/Design Item]

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Wynne, John and Hawrysio, Denise (2020) Cats and Dogs. [Art/Design Item]

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Cusack, Peter (2019) Five Pankow Soundwalks. [Art/Design Item]

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Wright, Mark Peter and Carlyle, Angus (2018) Decoys. [Art/Design Item]

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Voegelin, Salomé and Mollin, David (2017) The Glad Circle. [Art/Design Item]

Voegelin, Salomé and Mollin, David and Ploner, Silvia and Perret, Nicolas (2017) They Own the Night. [Art/Design Item] Item not available online.

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Cusack, Peter (2017) Favourite Sounds of Hull. [Art/Design Item]

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Carlyle, Angus (2016) A Crossing Bell. [Art/Design Item]

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Toop, David (2016) Entities Inertias Faint Beings. [Art/Design Item]

Lane, Cathy (2016) Sweet Airs, CD release. [Art/Design Item] Item not available online.

Alarcon, Ximena and Diaz Daza, Patricia (2016) Weaving Migrations. [Art/Design Item] Item not available online.

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Wright, Mark Peter (2016) Ventricles. [Art/Design Item]

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Wynne, John (2015) Grave. [Art/Design Item]

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Wright, Mark Peter (2015) Can You Hear Me? [Art/Design Item]

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Wynne, John and Wainwright, Tim (2014) I Am Not the Cancer. [Art/Design Item]

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Wright, Mark Peter (2014) Tasked to Hear. [Art/Design Item]

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Wright, Mark Peter (2013) Re-Capturing. [Art/Design Item]

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Lane, Cathy (2013) The Hebrides Suite. [Art/Design Item]

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Cusack, Peter (2013) Favourite Berlin Sounds. [Art/Design Item]

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Wynne, John and Egoyan, Atom (2013) Nocturnal. [Art/Design Item]

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Wynne, John (2013) Hearing Loss / Cold Atlantic. [Art/Design Item]

Parry, Nye (2013) Significant Birds. [Art/Design Item] Item not available online.

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Wynne, John and Hawrysio, Denise (2013) What is What. [Art/Design Item]

Parry, Nye and Campell, Jamie (2012) Exploded Sound. [Art/Design Item] Item not available online.

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Cusack, Peter (2010) Favourite sounds: Southend. [Art/Design Item] Item not available online.

Cusack, Peter (2010) Favourite sounds: Birmingham. [Art/Design Item] Item not available online.

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Carlyle, Angus (2010) Air Pressure Blog. [Art/Design Item]

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Wynne, John (2010) Anspayaxw. [Art/Design Item]

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Alarcon, Ximena (2009) Sounding Underground. [Art/Design Item]

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Carlyle, Angus (2009) Some Memories of Bamboo. [Art/Design Item]

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Wynne, John (2008) Hearts, lungs and minds. [Art/Design Item]

Carlyle, Angus (2008) 51° 32 ' 6.954” N / 0° 00 ' 47.0808” W. [Art/Design Item] Item not available online.

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Wynne, John (2008) Feeding the Habit of Energy. [Art/Design Item]

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Gardner, Thomas (2008) Ouija Board : Union Chapel. [Art/Design Item]

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Yee-King, Matthew (2008) Question wok, 2008. [Art/Design Item]

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Wynne, John and Wainwright, Tim (2008) Transplant. [Art/Design Item]

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Voegelin, Salomé (2008) The arrangement. [Art/Design Item]

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Voegelin, Salomé and Mollin, David (2007) The Barry Echo. [Art/Design Item] Item not available online.

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Wynne, John and Wainwright, Tim (2007) Flow. [Art/Design Item]

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Voegelin, Salomé (2007) Hobbies. [Art/Design Item]

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Wynne, John and Wainwright, Tim (2007) ITU. [Art/Design Item]

Greenhalgh, Cathy and Lane, Cathy and Butcher, Rosemary (2006) Aftermath. [Art/Design Item] Item not available online.

Cusack, Peter and Biemann, Ursula (2005) 'Baku in 5 Quarters' and 'The Black Sea Files'. [Art/Design Item] Item not available online.

Gardner, Thomas (2005) Lipsync. [Art/Design Item] Item not available online.

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Wynne, John (2005) Hearing Voices. [Art/Design Item]

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Voegelin, Salomé (2005) Helidor. [Art/Design Item]

Cusack, Peter (2005) 'Your Favourite Beijing Sounds' and 'Beijing Sonic Bicycle Ride'. [Art/Design Item] Item not available online.

Cusack, Peter (2004) Baikal Ice: Recording and Interpreting the Sounds of the Environment. [Art/Design Item] Item not available online.

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  • + 13 others

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Yee-King, Matthew (2002) Jazz smells funny. [Art/Design Item]

Cusack, Peter (2001) Favourite Sounds Project. [Art/Design Item] Item not available online.

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Yee-King, Matthew (2000) Goodnight Toby. [Art/Design Item]

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Article

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Voegelin, Salomé and Wright, Mark Peter (2022) Points of Listening: Reflections on the Collective, Communal and Participatory in Sonic Practice. Listening and Polyphony. Philosophy, Aesthetics, Art, 64 (1). pp. 19-36.

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Carlyle, Angus and Wright, Mark Peter (2021) Dissonant Dopplegangers: Performing the Post-Natural Through Modulated Foley Techniques. Cadernos de Arte e Antropologia, 10 (1). pp. 37-47. ISSN 2238-0361

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Voegelin, Salomé (2021) Singing Philosophy: deviating voices and rhythms without a time signature. Open Philosophy Journal, 4 (1). pp. 284-291. ISSN 2543-8875

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Wright, Mark Peter (2020) Go Live in the Middle of Nowhere Obviously. Unlikely Journal for Creative Arts (6). ISSN 2205-0027

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Voegelin, Salomé (2020) Listening out for the Ambiguity of Unreliable Things. Documenta: tijdschrift voor theater, 38 (1). pp. 142-154. ISSN 0771-8640

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Voegelin, Salomé and Barney, Anna (2018) Collaboration and Consensus in Listening. Leonardo Music Journal, 28. pp. 82-87. ISSN 0961-1215

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Lane, Cathy (2017) A Manifesto for New Listening (or 20 thoughts about Listening). Reflections on Process in Sound (5). pp. 59-81.

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Wright, Mark Peter (2017) Post-Natural Sound Arts. Journal of Sonic Studies, 14. ISSN 2212-6252

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Alarcon, Ximena (2017) Bajo la tierra: escucha porosa de modernidad en el metro de México. Revista de Arte Sonoro y Cultura Aural (3). pp. 33-39. ISSN 0719-4625 Item availablity restricted.

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Alarcon, Ximena and Herrema, Ron (2017) Pauline Oliveros: A Shared Resonance. Organised Sound, 22 (1). pp. 7-10. ISSN 1355-7718

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Wright, Mark Peter (2016) The Thing About Microphones. Leonardo Music Journal (special issue on Sound Art), 26. pp. 60-63. ISSN 0961-1215

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Voegelin, Salomé (2016) Inhabiting a World of Numerical Things. Circuit Musiques Contemporaines, 26 (3). pp. 27-42. ISSN 1183-1693

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Lane, Cathy (2016) Mapping the Outer Hebrides in sound: towards a sonic methodology. Island Studies Journal, 11 (2). p. 343. ISSN 1715 2593

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Lane, Cathy (2016) Why Not Our Voices? Women and Music: A Journal of Gender and Culture, 20. pp. 96-110. ISSN 1090-7505

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Voegelin, Salomé (2016) Music as Public Art. Program notes for Donaueschinger Musiktage. pp. 20-26. Item availablity restricted.

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Lane, Cathy (2016) Sound::Gender::Feminism::Activism: Research and Challenges to the Orthodoxies of Sound Arts. Contemporary Music Review, 35 (1). pp. 32-39. ISSN 0749-4467

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Mollin, David and Voegelin, Salomé (2016) During the Night the Crops will Still Grow (unless the player sleeps). Journal of Interdisciplinary Voice Studies, 1 (1). pp. 85-93. ISSN 2057-0341 Item availablity restricted.

Gardner, Thomas and Voegelin, Salomé (2015) Editorial: Historical continuum, mimetic fissures. Organised Sound, 20 (2). ISSN 1469-8153 Item not available online.

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Voegelin, Salomé (2015) Reversed Anechoics (catalogue essay). Play it by Ear. pp. 32-37.

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Mollin, David and Voegelin, Salomé (2015) Writers’ habits. Reflections on Process in Sound (4). pp. 65-80.

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Wynne, John (2014) Hearing Voices: Research and creative practice across cultures and disciplines. Language Documentation and Description, 12. pp. 120-150. ISSN 1740-6234

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Wright, Mark Peter (2014) Still Listening? Interference: A Journal of Audio Cultures, 4. ISSN 2009-3578

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Voegelin, Salomé (2014) Collateral Damage. The Wire: adventures in modern music (364).

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Alarcon, Ximena (2014) Networked Migrations: Listening to and performing the in-between space (Paper). Liminalities: a Journal of Performance Studies, 10 (1). ISSN 1557-2935

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Voegelin, Salomé (2014) Forewords. Festival Catalogue.

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Voegelin, Salomé (2013) Sonic Possible Worlds. Leonardo Music Journal (special issue on Sound Art), 23. ISSN 0961-1215

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Alarcon, Ximena (2013) Creating Sounding Underground. Digital Creativity, 24 (3). pp. 252-258. ISSN 1744-3806

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Voegelin, Salomé (2012) Ethics of Listening. Journal of Sonic Studies, 2 (1).

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Alarcon, Ximena (2011) Listening and remembering: networked off-line improvisation for four commuters. CITAR Journal of Science and Technology of the Arts Revista de Ciência e Tecnologias das Artes (03). pp. 21-30. ISSN 16469798

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Taylor, j Milo and Brock-Nannested, George and Specht, Dirk (2011) Noisecleaning: Emerging from the Noise. Off Topic 4: Zullassen. ISSN 1867-5948

Alarcon, Ximena, Sensory Ethnography, MetaLab Harvard (2011) Sounding underground: listening, performing and transforming the commuting experience. Sensate Journal: A Journal for experiments in Critical Media Practice. Item not available online.

Voegelin, Salomé (2011) Epiphanies. The Wire: Adventures in Modern Music (324). Item not available online.

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Lane, Cathy (2011) Listening for the past: A composer's ear-lead approach to exploring island culture past and present in the Outer Hebrides. Shima: The International Journal of Research into Island Cultures, 5 (1). pp. 32-39. ISSN 1834-6057

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Voegelin, Salomé (2007) The anxiety of the lonely listener. /seconds., 5 (3). ISSN 17514134

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Kelly, Edward (2006) Deconstructing Speech: new tools for speech manipulation. Organised Sound, 11 (1). pp. 73-80. ISSN 1355-7718

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Wynne, John (2006) Language ecology and photographic sound in the McWorld. Organised Sound, 11 (1). pp. 45-54. ISSN 1355-7718

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Voegelin, Salomé (2006) Sonic memory material as 'pathetic trigger'. Organised Sound, 11 (1). pp. 13-18. ISSN 13557718

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Lane, Cathy (2006) Voices from the Past: compositional approaches to using recorded speech. Organised Sound, 11 (1). pp. 3-11. ISSN 1355-7718

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Lane, Cathy and Parry, Nye (2005) The Memory Machine: sound and memory at the British Museum. Organised Sound, 10 (2). pp. 141-148. ISSN 13557718

Book

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Wright, Mark Peter (2022) Listening After Nature: Field Recording, Ecology, Critical Practice. Bloomsbury, New York/London. ISBN 9781501354519

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Lane, Cathy and Carlyle, Angus (2021) Sound Arts Now. Uniformbooks, Axminster, Devon. ISBN 978 1 910010 26 6

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Voegelin, Salomé (2021) Sonic Possible Worlds: Hearing the Continuum of Sound. Bloomsbury, NY,, US. ISBN 9781501367625

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Carlyle, Angus (2020) Night Blooms. New Words . Makina Books, London. ISBN 9781916060852

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Voegelin, Salomé (2018) The Political Possibility of Sound: Fragments of Listening. Bloomsbury, New York, US. ISBN 9781501312168

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Cusack, Peter (2017) Berlin Sonic Places: A Brief Guide. Wolke Verlag, Berlin. ISBN 978-3-95593-083-7

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Toop, David (2017) Flutter Echo: Living Within Sound. Du Books, Tokyo, Japan. ISBN 978-4-86647-011-5

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Voegelin, Salomé and Gardner, Thomas (2016) Colloquium: Sound Art – Music. Zero Books, Winchester and New York. ISBN 9781782798958

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Voegelin, Salomé and Gardner, Thomas (2016) Colloquium: Sound Art - Music. Zero Books, John Hunt Publisher, UK and US. ISBN 978-1-78279-895-8

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Toop, David (2016) Into the Maelstrom: Music, Improvisation and the Dream of Freedom, Volume 1. Bloomsbury Academic, New York, London, New Delhi, Sydney. ISBN 9781628927696

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Voegelin, Salomé (2014) Sonic Possible Worlds: Hearing the Continuum of Sound. Bloomsbury, New York; London. ISBN 9781623566951

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Lane, Cathy and Carlyle, Angus (2013) In the Field: The Art of Field Recording. Uniformbooks, Axminster, Devon. ISBN 9780956855961

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Carlyle, Angus and Lane, Cathy (2013) On listening. Uniformbooks, Axminster. ISBN 9781910010013

Cusack, Peter (2012) 'No, It's Not All Music'. Wolke Verlag, Berlin. ISBN 9783936000795 Item not available online.

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Toop, David (2010) Sinister resonance: the mediumship of the listener. Continuum, New York/London. ISBN 9781441149725

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Lane, Cathy, ed. (2008) Playing with words : the spoken word in artistic practice. CRiSAP/RGAP, UK. ISBN 9780955827334

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Carlyle, Angus (2007) Autumn leaves : sound and the environment in artistic practice. CRiSAP / Double Entendre. ISBN 095480743x

Book Section

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Voegelin, Salomé and Mollin, David (2022) Hummingbirds fly upwards. In: Risonanze e coesistenze. Suono, territori e margini. Da Liminaria al Manifesto del futurismo rurale: 2017-2020. Luca Sossella Publisher, Italy, pp. 109-133. ISBN 9791259980236

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Voegelin, Salomé (2022) Silence Does Not Exist. In: The Concert. Sternberg Press, Switzerland, pp. 111-133. ISBN 9781501367625

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Voegelin, Salomé (2022) Disrupting the Dominant Song. In: Open Scriptures: Notation in Contemporary Artistic Practices in Europe and the Americas. Iberoammericana Vervuert, Germany, pp. 187-203. ISBN 978-84-9192-244-5

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Wright, Mark Peter (2022) Interference Acts: Performances along the Threshold of the Human and Nonhuman. In: Postcards from the Anthropocene: Unsettling the Geopolitics of Representation. DPR, Barcelona, pp. 110-114. ISBN 978-84-122529-1-0

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Voegelin, Salomé (2022) Keynote: Sonic Sense: The Meaning of the Invisible. In: Oxford Handbook of Sound Art. Oxford University Press, Oxford, UK, pp. 349-367. ISBN 9780190274054

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Carlyle, Angus (2021) And Listened To The Whistlings and Patterings Outside: Hearing The Wild As Sound. In: Oxford Handbook of Sound Art. Oxford Handbooks . Oxford University Press, New York. ISBN 9780190274054 (In Press)

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Voegelin, Salomé (2021) Part II Sounding Flesh: Pulse Salomé Voegelin. In: The Bloomsbury Handbook of the Anthropology of Sound. Bloomsbury, NY, US, pp. 107-111. ISBN 978-1-5013-3539-6

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Carlyle, Angus (2020) Dropping Down Low: Online Soundmaps, Critique, Genealogies, Alternatives. In: The Bloomsbury Handbook of Sonic Methodologies. Bloomsbury Handbooks . Bloomsbury Academic, New York & London, pp. 581-598. ISBN 9781501338755

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Voegelin, Salomé (2020) Sonic Methodologies of Sound. In: The Bloomsbury Handbook of Sonic Methodologies. Bloomsbury, NY, pp. 269-283. ISBN 9781501338779

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Voegelin, Salomé (2020) Vampiric Silences. In: silence. speakerspeaker (3). Book Printing UK, UK, pp. 98-103. ISBN 978-82-93739-02-9

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Lane, Cathy (2020) Gender, Intimacy, and Voices in Sound Art. Encouragements, Self-portraits, and Shadow Walks. In: The Bloomsbury Handbook of Sound Art. Bloomsbury Academic. ISBN 9781501338809

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Voegelin, Salomé (2020) I See You listening. In: Audiosphere: Sound Experimentation 1980-2020. Reina Sofia Museum, Madrid, pp. 94-101. ISBN 828-20-005-5

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Voegelin, Salomé (2020) Building an ephemeral place from the indivisible volume of words. In: Ecos de un lugar. Buró-Buró Mexico and Museo Experimental Eco, Mexico City, Mexico.

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Voegelin, Salomé (2019) Sonic Materialism: Hearing the Arche-Sonic. In: Oxford Handbook of Sound and Imagination. Oxford University Press, Oxford, UK, pp. 559-577. ISBN 9780190460242

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Voegelin, Salomé (2019) Reflections on the Politics of Sentiment Score for Performing the Criticality of a Sonic Sensibility. In: Sensorial Aesthetics in Music Practices. Orpheus Institute Series . Orpheus Institute, Ghent, Belgium, pp. 151-169. ISBN 9789462701847

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Voegelin, Salomé (2019) Unstable Contacts. In: The Middle Matter – Sound as interstice. Umland, Belgium, pp. 147-155. ISBN 9789082649543

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Lane, Cathy (2018) Women as animal, women as alien: reclaiming women’s demonic voices. In: Grounds for Possible Music: On Gender, Voice, Language, and Identity. Errant Bodies, Berlin. ISBN 978-0-9978744-2-6

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Cusack, Peter (2018) The Favourite Sounds Project. In: Anthropology and Beauty. Routledge. ISBN 1138928798

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Carlyle, Angus (2017) "Memories of Memories of Memories of Memories: Remembering and Recording on the Silent Mountain". In: Sonic Thinking: A Media Philosophical Approach. Thinking | Media . Bloomsbury, New York, pp. 65-83. ISBN 9781501327209

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Toop, David (2017) Stephen Cripps: Exploding Practice Inevitable. In: Stephen Cripps: Performing Machines. Verlag fur Moderne Kunst/Museum Tinguely, Basle, Switzerland, pp. 25-30. ISBN 978-3-9524392-9-6

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Carlyle, Angus and Cox, Rupert (2017) "The Cave Mouth: Listening To Sound and Voice in Okinawan War Memory". In: Modern Conflict and the Senses. Routledge, London and New York, pp. 123-142. ISBN 9781138927827

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Carlyle, Angus (2016) "Radio Not". In: Reception: The Radio-Works of Robert Rauschenberg and John Cage. Smith + Brown, London, xi-xv. ISBN 99780986038334

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Alarcon, Ximena (2016) Tuning the Interface for Relational Listening. In: Proceedings of the 2016 International Conference on Live Interfaces. EMuTe Lab, University of Sussex in collaboration with REFRAME Books, Brighton, pp. 109-115. ISBN 978-0-9931996-8-4

Alarcon, Ximena (2016) Sonic Migrations: listening in-between, sensing place. In: Environmental Sound Artists: in their own words. Oxford University Press, United States of America, pp. 113-121. ISBN 9780190234621 Item not available online.

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Wynne, John and Wainwright, Tim (2016) Transplant (excerpt). In: Beyond text? Critical practices and sensory anthropology. University of Manchester Press, Manchester. ISBN 978-0-7190-8505-5

Wright, Mark Peter (2016) Like When a Cat Enters a Room. In: Listening and its not. SARU & Compost & Height, London, pp. 52-53. Item not available online.

Kim-Cohen, Seth and Wright, Mark Peter (2016) Anxious, Dismal, Giddy, Aggressive: Seth Kim-Cohen interviewed by Mark Peter Wright for Ear Room. In: Against Ambience and Other Essays. Bloomsbury, New York, pp. 175-188. ISBN 9781501310324 Item not available online.

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Cusack, Peter (2016) Coal and Petrochemical Soundscapes in North Bohemia: Some Personal Thoughts. In: Frontiers of Solitude. Skaftfell Center for Visual Art, Seyðisfjörður, Iceland, pp. 40-43. ISBN 9788026093589

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Voegelin, Salomé (2016) Sound Words and Sonic Fictions: Writing the Ephemeral. In: The Routledge Companion to Sounding Art. Routledge, New York, pp. 61-70. ISBN 97810138780613

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Alarcon, Ximena (2015) Telematic Embodiments: Improvising via the Internet in the context of migration. In: vs. Interpretation: An Anthology on Improvisation. Nadace Agosto Foundation, Praha. ISBN 978-80-905021-3-0

Toop, David (2015) FLAT TIME/sounding. In: Artistic Practice as Research in Music: Theory, Criticism, Practice. Sempre Studies in the Psychology of Music . Ashgate, Farnham/Burlington, pp. 237-254. ISBN 9781409445456 Item not available online.

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Mullender, Rob (2015) The Haptic Optic. In: Moving Image. Whitechapel: Documents of Contemporary Art . MIT press, Massachussetts, pp. 120-123. ISBN 978-0262528108

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Voegelin, Salomé (2015) Klangkunst als Öffentliche Kunst (Sound Art as Public Art). In: Labor Mühlheim Künstlerisches Forschen in Feldern zwischen Prekarität und Kreativität. Jovis, Berlin, DE, pp. 167-178. ISBN 978-3-86859-360-0

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Cusack, Peter (2014) Svetlana Tsalko: Poems from Chernobyl. In: HLYSNAN: The Notion and Politics of Listening. Casino Luxembourg, Luxembourg. ISBN 9789995930233

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Toop, David (2014) Instruments of Non-Existence (Through Which Heaven and Earth Seek Reconciliation). In: Art Or Sound. Fondazione Prada, Milan, pp. 319-324. ISBN 978-88-87029-56-7

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Wynne, John (2014) Outside In: Re-framing urban noise. In: Urban Traces – Wahrnehmung im öffentlichen Raum Künstlerische Transformationen im urbanen Kontext [Perception in Public Space: Artistic transformations in the urban context]. Kunst und Kulturwissenschaft in der Gegenwart [Contemporary Art and Cultural Studies] (9). Athena Verlag, Oberhausen, pp. 59-72. ISBN 978-3-89896-598-9

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Gardner, Thomas (2014) Sound art, music and the rehabilitation of schizophonia. In: The Embodiment of Authority. Interdisziplinäre Studien zur Musik . Peter Lang, pp. 147-168. ISBN 978-3-653-98762-1 Item availablity restricted.

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Voegelin, Salomé (2013) Listening to the Stars. In: What Matters Now? (What Can't You Hear?). Noch. ISBN 9781783011179

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Toop, David (2013) New and Rediscovered Musical Instruments Rediscovered. In: Material Culture and Electronic Sound. Artefacts: Studies In the History of Science and Technology (8). Smithsonian Institution Scholarly Press, Washington D.C., USA, pp. 259-270. ISBN 978-1-935623-10-6

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Wynne, John (2013) Anspayaxw. In: Hlysnan: The Notion and Politics of Listening. Casino Luxembourg, Luxembourg, pp. 62-67. ISBN 978-99959-30-23-3

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Taylor, j Milo and Brock-Nannestad, George and Specht, Dirk (2013) Emerging from the Noise: Non-Nostalgia, Reactivation and Appropriation. In: The Noise Non-ference Reader. Qubit, New York, pp. 99-104.

Wright, Mark Peter (2013) Exchanges. In: On Listening. Uniform Books, pp. 34-37. Item not available online.

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Wynne, John (2013) ITU: the din of recovery. In: The Art of Immersive Soundscapes. University of Regina Press, Regina. ISBN 978-0-88977-258-8

Toop, David (2013) Trap Set. In: Haroon Mirza. A User's Manual. Spike Island, Bristol, pp. 34-35. ISBN 978-0-9574490-0-8 Item not available online.

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Voegelin, Salomé (2013) A short history of radio listening. In: On Listening. Uniformbooks. ISBN 9781910010013

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Wynne, John and Lenskyj, Helen (2012) Symbolic Resistance: Turning the Rings. In: The Art of Dissent: London’s Olympic State. Marshgate Press, London. ISBN 978-0-9572943-0-1

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Dunn, Stuart and Taylor, j Milo and Woolford, Kirk and Barker, Leon and Norman, Sally Jane and White, Martin and Hedges, Mark and Bailey, Helen and Fulford, Michael and Clarke, Amanda (2011) Motion in Place: a Case Study of Archaeological Reconstruction Using Motion Capture. In: Revive the Past. Computer Applications and Quantitative Methods in Archaeology (CAA). Proceedings of the 39th International Conference. Pallas Publications, Beijing, pp. 98-106.

Wynne, John (2011) Hearing faces, seeing voices: sound art, experimentalism and the ethnographic gaze. In: Between Art and Anthropology: Contemporary Ethnographic Practice. Berg Publishers, London, UK, pp. 49-67. ISBN 9781847885005 Item not available online.

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Taylor, j Milo (2008) The ImmApp: A Digital Application for Immersive Interaction with Sound Art Archives. In: Computer Music Modeling and Retrieval. Sense of Sounds: 4th International Symposium. Springer Verlag. ISBN 978-3-540-85034-2

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Taylor, j Milo (2008) David Toop’s Laptop Orchestra: A View from the Guitarist’s Chair. In: Playing With Words: The Spoken Word In Artistic Practice. Uniformbooks. ISBN 9781910010303

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Voegelin, Salomé (2008) Night Train. In: Nachtschichten. Schriftenreihe des Instituts für Gegenwartskünste, Zürcher Hochschule der Künste, 3 . Edition Fink, Zurich. ISBN 9783037461280

Yee-King, Matthew (2007) An Automated Music Improviser Using a Genetic Algorithm Driven Synthesis Engine. In: Proceedings of the 2007 EvoWorkshops 2007 on EvoCoMnet, EvoFIN, EvoIASP,EvoINTERACTION, EvoMUSART, EvoSTOC and EvoTransLog: Applications of Evolutionary Computing. Springer-Verlag, pp. 567-576. Item not available online.

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Taylor, j Milo (2007) Immersion: An Immersive Digital Application for Creative Interaction with Sound Art Archives. In: Proceedings of the 2007 International Computer Music Conference. ICMC and Re:New. Denmark. ISBN 0-9713192-5-1

Voegelin, Salomé (2007) Völlig Losgelöst. In: Autumn Leaves: sound and the environment. Double Entendre, Paris, France. ISBN 095480743X Item not available online.

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Taylor, j Milo (2006) Non-Ferrous Prostitution. In: ev+a 2006. Gandon Editions, Limerick, Ireland, p. 227. ISBN 0946846928

Taylor, j Milo (2004) suborg.net. In: Network Book for Urban (P)arts. City Mine(d). ISBN 0-9547260-0-6 Item not available online.

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Voegelin, Salomé Sonic Testimonies: Creating New Imaginaries From the In-between. In: For Many Voices. Freigeist Verlag, Berlin, Germany, pp. 8-12. ISBN 978-3-947764-06-8

Conference, Symposium or Workshop Item

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Gardner, Thomas (2022) Sound as memorial: Case study of the use of sound to mediate complex traumatic memory. In: Why Remember? Peace, Conflict and Culture Conference, 6-8 July 2022, Sarajevo and Srebrenica.

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Voegelin, Salomé (2022) Designing Possible Worlds from Sound’s Transversality. In: I am not sitting in a room: Urban, political and social resonances, 24-26 June 2022, Bauhaus University Weimar, Germany.

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Voegelin, Salomé and Wright, Mark Peter (2022) Sound’s Transversal Breath. In: Airy En­coun­ters: Res­pi­ra­tory Phi­los­o­phy and Sound Arts, 6-7 June 2022, Helsinki.

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Voegelin, Salomé (2022) Listening to Wicked Problems: Sound Studies as Transversal Studies. In: Sounding Crises, 23-24 March 2022, University of Copenhagen.

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Wright, Mark Peter (2022) Listening to the Footprints of Sonic Practice. In: Walking Festival of Sound, 23 March 2022, Online.

Lane, Cathy (2022) Sound in Words : Words in Sound. In: Sound in Words - MANTIS Festival of Electroacoustic Music, March 4-6, 2022, University of Manchester. Item not available online.

Voegelin, Salomé (2021) Listening across: Uncurating knowledge. In: Spaces (in) Between, 16-18 November 2021, Rhythmic Music Conservatory. Item not available online.

Voegelin, Salomé (2021) Sonic Possible and Impossible Bodies. In: Sound in Artistic Research, 10 November 2021, University of Arts, Berlin. Item not available online.

Lane, Cathy (2021) "In your DNA”: sound arts and song. In: Sound Studies Lecture Series, 8 November 2021, Sound Environment Centre, Sweden, Online. Item not available online.

Voegelin, Salomé (2021) Knowledge with Voice and Hands: tending to the invisible. In: Sound Practice and Research series, 29 June 2022, Goldsmiths, University of London, Online. Item not available online.

Voegelin, Salomé (2021) Sound, Identity and Territory. In: 8th International Congress of Audiovisual Researchers, 23-25 June 2021, Lisbon. Item not available online.

Wright, Mark Peter (2021) When Mimicry is the Last Song Left. In: OSEH Environmental Lunchtime Discussion series, 19 May 2021, Oslo School of Environmental Humanities. Item not available online.

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Voegelin, Salomé (2021) The Political Possibility of Sound. In: Unthinking / Unlearning New sonic theories and praxis, 15 May - 1 June 2021, UDK Universität der Künste, Berlin.

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Voegelin, Salomé (2021) To Know from the Invisible. In: Art/Tought/Sound, 11 March 2021, Escola des Artes Porto, Portugal.

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Voegelin, Salomé (2021) Silenced Noise. In: Aesthetics of Noise, 24 February 2021, Online.

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Voegelin, Salomé (2021) Listening as Strategy for Research for and from the Arts. In: RMC CPH Online Lecture, 2 February 2021, Rhythmic Music Conservatory, Online.

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Wright, Mark Peter (2021) Microphone Check. In: Multimedia Encounters: Experimental Approaches to Ethnographic Research, 12-15 January 2021, UCL, London.

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Voegelin, Salomé (2021) Phantom Power, ‘Unperforming the Dream House’. In: Phantom Power, 20.11.2021 and 10.12.2021, Venice, Italy.

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Taylor, j Milo and Estévez Trujillo, Mayra and Fermont, Cedrik and Irene Eunyoung, Lee (2020) Geopolitics of sound. Colonial regimes and acoustic alterities of listening. In: II Encuentro Internacional Red Ecología Acústica México 2020, 9-12 December 2020, Mexico City.

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Taylor, j Milo (2020) The role of White Academics in developing Decolonised Curricula. In: London College of Communication Staff Development, 20 July 2020.

Wright, Mark Peter (2020) What Constitutes a Testimonial Voice? In: Audio Testimonies, 2-3 July 2020, Bournemouth Univeristy. Item not available online.

Voegelin, Salomé (2020) For Many Voices. In: For Many Voices, 15 February 2020, Middlesbrough Institute of Modern Art (MIMA), UK. Item not available online.

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Wright, Mark Peter and Voegelin, Salomé (2020) Experiments in Care-ful Listening. In: Experiments in Care-ful Listening, 12 January 2020, De La Warr Pavillion.

Lane, Cathy (2020) Cathy Lane: The stories we tell.....and are told. In: Bath Spa Creative Sound Forum Talks, 6 January 2020, Online. Item not available online.

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Gardner, Thomas (2019) Researching "Scored Out" a portable testimony to װאַסילישאָק for 3 musicians. In: Bournemouth University: Research Seminar Series, 13 November 2019, Bournemouth University.

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Taylor, j Milo (2019) Immersive Sound Masterclass. In: Aesthetica Short Film Festival, 2-30 November, York.

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Voegelin, Salomé (2019) Listening Conduits: hearing between ears and technologies. In: Auralities, 16 October 2019, CRASSH Cambridge University.

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Lane, Cathy (2019) Sound::Gender:: Feminism:: Activism. In: Sound::Gender:: Feminism::Activism Tokyo 2019, 4-5 October2019, Chinretsukan Gallery, Tokyo University of the Arts, Tokyo, Japan.

Voegelin, Salomé (2019) Weaving Nets from the Activities on the Margins. In: Topographies of Sound, 16-20 September 2019, Škuc Gallery, Ljubljana. Item not available online.

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Taylor, j Milo (2019) Ears Wide Open: Considerations of Immersive Sound in the Works of Stanley Kubrick. In: 3rd International Conference 'Music and Sound in Film and New Media', Lithuanian Academy of Music and Theatre.

Lane, Cathy (2019) Land Sound Struggle Music. In: Land Music: sound practices in the age of ecological crisis, 12-14 September 2019, City University, London. Item not available online.

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Voegelin, Salomé (2019) Making Sound Curating Volumes. In: Exhibiting Sound Art Symposium 2019, 23-25 August 2019, Gutenberg University, Mainz, Germany.

Voegelin, Salomé (2019) Sonic Materialism: A Philosophy of Digging and Gardening. In: RE:SOUND, the 8th International Conference on the Histories of Media Arts, 20-23 August 2019, Aalborg, Denmark. Item not available online.

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Wright, Mark Peter (2019) Heal/Toe. In: Geohumanities Summer School: Listening to Field, Voice and Body, 8-12 July 2019, Bude, Cornwall.

Voegelin, Salomé (2019) sonic materialism : sonic cosmopolitanism : raptures and responsibility. In: ICST-Musikgespräche Zhdk, 29 May 2019, University of the Arts Zürich, Switzerland. Item not available online.

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Voegelin, Salomé (2019) Listening out for Ambiguity and unreliable Things. In: Sound & Listening on the edge of Music, Performance, Film and New Media, 20 May 2019, Ghent Doctoral School.

Voegelin, Salomé (2019) Unstable Contacts: a political imaginary made from water and honey. In: Oscillation Festival, 26-27 April 2019, Bruxelles. Item not available online.

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Voegelin, Salomé (2019) The Sonic Volume as a Sphere of Non-resilience. In: CTM Festival for Adventurous Music and Art 2019, 25 January - 3 February 2019, Berlin.

Voegelin, Salomé and Barney, Anna (2018) Accessing Disciplinary Hinterlands through Listening. In: ISSTA Irish Sound, Science and Technology Association conference on Who’s Listening? Sound and Public Space, 9 - 11 November 2018, Derry. Item not available online.

Voegelin, Salomé (2018) Disrupting the Dominant Song. In: Material Contemplations. Open Scriptures. International Colloquium on Notation. Contemporary Practices and Crossroads between Latin America and Europe, 12-14 September 2018, Universidad Nacional Autónoma de México, Mexico City. Item not available online.

Voegelin, Salomé (2018) Possibilité politique du sonores: le son comme volume indivisible. In: Theatre Gaîté Lyrique, 14 June 2018, Paris, Theatre Gaîté Lyrique. Item not available online.

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Lane, Cathy (2017) 'A Manifesto for New Listening' (or 'Twenty thoughts about Listening'). In: Sonic waterloo, South London Sound Art Festival 2017, July 2017, Iklectik, London, SE1 7LG.

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Lane, Cathy (2017) Soundings and re-soundings: a theme and variations. In: UAL Professorial Platform series 2017, 27 April 2017, London College of Communication.

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Voegelin, Salomé (2017) Geometry of Now. In: Geometry of Now, 20-27 February 2017, Moscow.

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Toop, David (2017) Becoming Animal. In: Talk: David Toop, 4 February 2017, Camden Arts Centre, London.

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Voegelin, Salomé (2016) Sound Art as Public Art: performing the civic between listening and being audible. In: The Role and Position of Sounds and Sounding Arts in Public Urban Environments Leiden University, 29-30 November 2016, Leiden University the Netherlands.

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Toop, David (2016) Exhibition Histories: Sonic Boom. In: Exhibition Histories, 24 November 2016, Whitechapel Gallery, London.

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Voegelin, Salomé (2016) Sonic Possible Words Performance Lecture. In: Festival de Arte Sonoro Español (FASE), 04.11.2016, Hybrid Lab, Villa Bell, Marchstraße 8, Berlin.

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Lane, Cathy (2016) Disordering our Listening. In: Sonologia 2016 Out Of Phase, November 2016, Centro de Pesquisa e Formação SESC São Paulo 4º andar, Rua Dr. Plínio Barreto, 285 - Bela Vista, sao Paulo, Brazil.

Voegelin, Salomé (2016) ‘Curating Volumes: hearing architecture, light and words’. In: On Space and Sound: Study Day for Displaying, Collecting and Preserving Sound Pieces at Tate Britain, London, 27.10, 27.10.2017, Tate Britain, Millbank, London. Item not available online.

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Taylor, j Milo (2016) Media Encounters in Dark Ecologies: Soundscapes and Solar-powered Sound Circuits. In: Digital Research in the Humanities and Arts Conference, 4-7 September 2016, University of Brighton.

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Wynne, John and Wainwright, Tim (2016) Pain and Renewal in Organ Transplantation. In: Encountering Pain: hearing, seeing, speaking, 1-2 July 2016, University College London.

Alarcon, Ximena (2016) Tuning the Interface for Relational Listening. In: 3rd International Conference on Live Interfaces, 29 June - 3 July 2016, University of Sussex, Brighton, UK. Item not available online.

Lane, Cathy (2016) Why not our voices? New listenings and new worlds in the sonic imaginary. In: Sound Art Matters, 1-4 June 2016, Aarhus, Denmark. Item not available online.

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Voegelin, Salomé (2016) Morality of the invisible, ethics of the inaudible. In: Sound, Ethics, Art and Morality, 29-30 May 2016, Tel-Aviv University, Israel.

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Wynne, John (2016) The Intersection of Research and Practice. In: Research and Innovation Conference 2016: Practice-Related Research, 19-20 May 2016, Southampton Solent University, UK.

Lane, Cathy and Ingleton, Holly (2016) White Noise. In: sound acts :: music performance identity, 5-8 May 2016, Polychoros KET, Athens, Greece. Item not available online.

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Voegelin, Salomé (2016) Writing about the Sound of Unicorns. In: International Conference on Artistic Research: Writing as Practice, Practice as Writing, 28-29 April 2016, Royal Academy of Art, The Hague, Netherlands.

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Cusack, Peter (2016) Field Recording as Sonic Journalism. In: Hearing Landscape Critically, 21-22 April 2016, Faculty of Music, University of Oxford.

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Mullender, Rob (2016) Coding Bodies. In: Seeing Sound, 9th and 10th April, 2016, Bath Spa University.

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Lane, Cathy (2016) Playing with Words: Spoken language as material for composition. In: Conferencia “Playing with Words: Spoken language as material for composition”, 5 January 2016, Insituto de Estudios Avanzados, Universidad de Santiago de Chile, Santiago, Chile.

Lane, Cathy (2016) Music, Composition, Interdisciplinarity: States of Play. In: Music, Composition, Interdisciplinarity: states of play, 28 January 2016, Oxford Brookes University, UK. Item not available online.

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Lane, Cathy (2015) BEAM: Exploring maritime Kochi through sound. In: Sound Passages: passaggi di suono, 16 November 2015, Università Iuav di Venezia (IUAV), Venice, Italy..

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Lane, Cathy (2015) ‘BEAM and MAOS’: Two approaches to urban listenings. In: Sound Studies: Art, Experience, Politics, 5-8 July 2015, Centre for Research in the Arts, Social Sciences and Humanities (CRASSH), Cambridge, UK.

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Cascella, Daniela and Voegelin, Salomé (2015) Ora: Multisensory Conflict. In: Sound Studies: Art, Experience, Politics, 8-10 July 2015, CRASSH, University of Cambridge, UK.

Lane, Cathy (2015) Disordered Listening. In: Disordered Listening Workshop, June 18 -19, 2015, Academy of Fine Arts, Schillerplatz 3, 1030 Vienna, Austria. Item not available online.

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Voegelin, Salomé (2015) Inaudible Disaster Warnings. In: Aural Lighthouses, 17-22 May 2015, Santorini.

Lane, Cathy (2015) Of Narratives that are fractured and those that need to be fractured. In: Fractured Narratives - Improvised sounds and stories, 25 April 2015, Queen’s University Belfast, Northern Ireland. Item not available online.

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Toop, David (2015) In Praise of Blandness: An exploration of hyper-nothingness. In: No Needless Noise: Silence and Music, 25 - 26 February 2015, Royal College of Music, London, UK.

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Voegelin, Salomé (2014) Sound Art as Public Art. In: Invisible Places | Sounding Cities: Sound, Urbanism and Sense of Place, 18-20 July 2014, Viseu, Portugal.

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Voegelin, Salomé (2014) Listening to the inaudible: The sound of unicorns. In: Sonar+D, 9-14 June 2014, Caixa Forum, Barcelona, Spain.

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Cusack, Peter (2014) Berlin Sonic Places. In: Recomposing the City: Sonic Art and Urban Architectures, 29 May 2014, Institute for Collaborative Research in the Humanities, Queens' University, Belfast. Item availablity restricted.

Voegelin, Salomé (2014) Warm words, fine words, deep words…. In: Tertulia Writing Sound, 25th January 2014, Arnolfini, Bristol. Item not available online.

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Voegelin, Salomé (2013) Writing as Phonography | Delhi Soundwords. In: Sound Reason Conference and Festival, November-December 2013, Delhi, India.

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Voegelin, Salomé (2013) Hearing the Continuum of Sound. In: Performance Research Seminars of the AHRC Research Centre for Musical Performance as Creative Practice, 7th October 2013, Senate House, London.

Voegelin, Salomé (2013) Response to Public and Private Listening, Sonozones, at “Prekäre Landschaften”. In: Prekäre Landschaften, 24-25.10.2013, Mülheim an der Ruhr. Item not available online.

Voegelin, Salomé (2013) Sound Words and Sonic Fictions. In: The Noises of Art: Audiovisual Practice in History, Theory and Culture, 4-6 September 2013, Aberystwyth, Wales, UK. Item not available online.

Lane, Cathy (2013) ‘Why not our Voices?’. In: 13th Feminist Theory and Musicology Conference, 31 July - 4 August 2013, Hamilton College, New York, USA. (Unpublished) Item not available online.

Lane, Cathy (2011) Sound, sense, babble and speech: approaches to the spoken word in contemporary sound arts practices. In: sforzando!, 14 - 19 June 2011, New York, USA. (Unpublished) Item not available online.

Wynne, John (2011) Bouncing off the Walls. In: Bouncing off the Walls, 23 March 2011, London College of Communication. Item not available online.

Gardner, Thomas (2011) The rehabilitation of schizophonia:  social interaction, sound and media in the Automatic Writing Circle. In: The Embodiment of Authority: Perspectives on Performances, 10–12 September 2010, Department of Doctoral Studies in Musical Performance and Research, Sibelius Academy, Helsinki, Finland.. (Unpublished) Item not available online.

Lane, Cathy (2011) Being there: meditations on listening, recording and composing. In: ICTM conference: Listening, 18 - 21 February 2011, University of Ulster, Derry, Northern Ireland. (Unpublished) Item not available online.

Carlyle, Angus (2011) Sounding Ethics. In: Documentary Now Conference, 28th of January 2011, University of Westminster. (Unpublished) Item not available online.

Lane, Cathy (2011) Babble and Speech : approaches to technology and the spoken word in contemporary sound arts practices. In: ISEA (International Symposium on Electronic Arts 2011, 14.9.2011-21.9.2011, Istanbul, Turkey. (Unpublished) Item not available online.

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Wynne, John (2011) Sound art, documentary practices and ethical minefields: Trust, interpretive freedom and responsible engagement with vulnerable subjects. In: Documentary Now! A Conference on the Contemporary Contexts and Possibilities of the Documentary, 28-30 January 2011, University of Westminster, London. (Unpublished) Item not available online.

Wynne, John (2011) The Voice, the Rules and the Art. In: Clocks and Clouds, March 7, 2011, Toynbee Hall, London. (Unpublished) Item not available online.

Wynne, John (2010) Artist Talk by John Wynne. In: Artist Talk by John Wynne, July 2010, Museum of Anthropology, Vancouver. (Unpublished) Item not available online.

Carlyle, Angus (2010) “Soft Shadows and Bright Light: On Recording and Reality”. In: The World Forum For Acoustic Ecology: Ideologies and Ethics in the Uses and Abuses of Sound, June 16-19, 2010, Koli, Finland. (Unpublished) Item not available online.

Carlyle, Angus (2010) Sound Escapes Presentation. In: Beyond The Academy: Research As Exhibition, 14th May 2010, Tate Britain. (Unpublished) Item not available online.

Gardner, Thomas (2010) “Arab” and “avant garde” and multi-local avant-gardes? from Beirut and beyond. In: Volatile Frequencies: Topologies of Authority, Technology and Production in Contemporary Middle Eastern Music Practices, 18th - 20th November 2010, City University, London. (Unpublished) Item not available online.

Cusack, Peter (2010) The Wire Salon on Field Recording. In: The Wire Salon, 7th October 2010, Cafe Oto, London. (Unpublished) Item not available online.

Toop, David (2010) The body event: voice and recorded histories in the creation of a sound installation based on the ideas of the work of artist John Latham. In: [Record] [Create] Oral History in Art, Craft and Design, 2nd - 3rd July 2010, Victoria and Albert Museum. (Unpublished) Item not available online.

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Taylor, j Milo (2008) An Immersive Database of Sound Art: Towards a Minor History. In: Young investigators Forum in Culture Technology, 30-31 October 2008, Korean Advanced Institute of Science and Technology.

Voegelin, Salomé (2008) Digital listening. In: Approaches to the Born-Digital Challenge in Art & Design Archives, 11/11/2008, UCL, London. (Unpublished) Item not available online.

Voegelin, Salomé (2001) "The Aesthetic and Conceptual Digital as Artistic Strategy". In: Digital Creativity: Crossing the Border The Proceedings of CADE 2001: the 4th Computers in Art and Design Education Conference, held at the Glasgow School of Art 9-12 April 2001. Item not available online.

Other

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Cusack, Peter (2012) Berlin Sonic Places. UNSPECIFIED.

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Wynne, John (2011) Andromache. UNSPECIFIED.

Lane, Cathy (2010) Playing with Words: an online compilation | Various Artists. Gruenrekorder ::. Phonography & Sound Art. Item not available online.

Performance

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Gardner, Thomas (2018) Fortress for 3 musicians. [Performance] Item not available online.

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  • + 1 others

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Toop, David (2017) Instruments of Darkness. [Performance]

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Cusack, Peter (2016) Vogelsang. [Performance]

Gardner, Thomas and Voegelin, Salomé and Mollin, David (2016) Practising the Relationship. [Performance] Item not available online.

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Lane, Cathy (2016) Am I Here? [Performance]

Lane, Cathy (2015) Am I Here? [Performance] Item not available online.

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Taylor, j Milo (2015) Soundscapes UK-MX. [Performance]

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  • + 2 others
Taylor, j Milo and Fox, Alice (2015) It's a Wrap. [Performance]

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Toop, David and Norment, Camille (2015) Rapture. [Performance]

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Cusack, Peter (2015) Fields of Sound, Fields of Light. [Performance] Item not available online.

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Gardner, Thomas (2014) Minuet On/Off. [Performance] Item not available online.

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Wright, Mark Peter (2014) I Suck. [Performance]

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Taylor, j Milo (2012) Photophonosynthesis. [Performance]

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Taylor, j Milo (2012) Hardcore Impro. [Performance]

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Lane, Cathy (2011) The Hebrides Suite. [Performance] Item not available online.

Voegelin, Salomé and Toop, David and Cascella, Daniela (2011) Performance Lecture. [Performance] (Unpublished) Item not available online.

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Lane, Cathy (2010) Tweed. [Performance] Item not available online.

Cusack, Peter (2010) Sounds from Chernobyl and other dangerous places. [Performance] Item not available online.

Gardner, Thomas (2010) Automatic writing circle. [Performance] Item not available online.

Lane, Cathy and Butcher, Rosemary and Bronstein, Pablo (2010) Destructive navigations. [Performance] Item not available online.

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Lane, Cathy (2008) Episodes of Flight. [Performance] Item availablity restricted.

Alarcon, Ximena (2008) Networked Improvisation “Listening and Remembering”. [Performance] Item not available online.

Lane, Cathy (2004) Hidden Voices, composition for dance; choreographed by R Butcher. [Performance] Item not available online.

Report

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Alarcon, Ximena and Lane, Cathy (2015) Sound Matters: a framework for the creative use and re-use of sound. Project Report. Creative Research into Sound Arts Practice - CRiSAP. (Submitted)

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Show/Exhibition

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Toop, David and Bailey, Giles (2017) The Order In Expectedness and So On. [Show/Exhibition] Item not available online.

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Cusack, Peter (2017) Baikal Ice: Springtime Melt. [Show/Exhibition]

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Lane, Cathy and Hall, Lisa and Meena, Vari (2017) Connecting Columns. [Show/Exhibition]

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Wynne, John and Wainwright, Tim (2017) Transplant and Life. [Show/Exhibition]

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Mullender, Rob (2016) Works for Air. [Show/Exhibition]

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Mullender, Rob (2016) As Above, So Below. [Show/Exhibition]

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Wynne, John and Wainwright, Tim (2016) Transplant. [Show/Exhibition]

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Mollin, David and Voegelin, Salomé (2016) Languages of Exile. [Show/Exhibition]

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Cusack, Peter (2015) Daily Sounds All Around. [Show/Exhibition]

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Lane, Cathy (2015) Gaoth (Wind). [Show/Exhibition]

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Wynne, John and Wainwright, Tim (2015) Transplant. [Show/Exhibition]

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Lane, Cathy (2015) Beam. [Show/Exhibition]

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Wynne, John (2015) Untitled installation. [Show/Exhibition]

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Lane, Cathy (2014) Sweet Airs. [Show/Exhibition]

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Cusack, Peter (2014) Soundscapes of Taranto. [Show/Exhibition]

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Voegelin, Salomé and Mollin, David (2014) Drafts. [Show/Exhibition]

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Voegelin, Salomé and Mollin, David (2014) Dustcatcher. [Show/Exhibition]

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Lane, Cathy and Brown, Tessa (2013) The Ties That Bind. [Show/Exhibition]

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Lane, Cathy (2013) Tweed. [Show/Exhibition]

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Wynne, John and Wainwright, Tim (2013) I Am Not the Cancer. [Show/Exhibition]

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Wright, Mark Peter (2012) 30 Minutes of Listening. [Show/Exhibition]

Wynne, John (2012) Installation no. 2 for high and low frequencies. [Show/Exhibition] Item not available online.

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Voegelin, Salomé (2012) Erlking. [Show/Exhibition]

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Clover, Catherine (2011) Birdbrain. [Show/Exhibition] Item not available online.

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Lane, Cathy (2010) In Combat with .... [Show/Exhibition] Item not available online.

Lane, Cathy (2010) ... the pickle jar is her home ... [Show/Exhibition] Item not available online.

Carlyle, Angus and Revell, Irene (2009) Sound Escapes. [Show/Exhibition] Item not available online.

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Toop, David (2009) Sound Traces : The LMC Archive. [Show/Exhibition]

Voegelin, Salomé (2007) Clickanywhere. [Show/Exhibition] Item not available online.

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Thesis

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Karlsson, Victoria (2022) Mapping Experiences of Inner Sounds. PhD thesis, University of the Arts London. Item availablity restricted.

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Kannenberg, John (2020) Listening to Museums: Sounds as objects of culture and curatorial care. PhD thesis, University of the Arts London. Item availablity restricted.

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Smith, Timothy (2019) A Queering of Memory, Temporality, Subjectivity: Subversive Methods in Audiovisual Practice. PhD thesis, University of the Arts London. Item availablity restricted.

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Allan, Jennifer (2019) Fog Tropes: A social and cultural history of the foghorn. PhD thesis, University of the Arts London. Item availablity restricted.

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Parker, Matthew (2019) Vibrating the Web: Sonospheric Studies of Media Infrastructure Ecologies. PhD thesis, University of the Arts London. Item availablity restricted.

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Gilmurray, Jonathan (2018) Ecology and Environmentalism in Contemporary Sound Art. PhD thesis, University of the Arts London. Item availablity restricted.

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Logan, Kevin (2018) How to DO(O) Things with Sounds: A Performative (Re)User Manual. PhD thesis, University of the Arts London.

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Scott-Cumming, Daniel (2017) The Listening Artist: On Listening as an Artistic Practice beyond Sound Art. PhD thesis, University of the Arts London. Item availablity restricted.

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This list was generated on Fri Aug 19 17:36:18 2022 BST.