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Items where Division is "Creative Research into Sound Arts Practice (CRiSAP)"

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Jump to: Art/Design Item | Article | Book | Book Section | Conference, Symposium or Workshop Item | Other | Performance | Report | Show/Exhibition | Thesis
Number of items at this level: 533.

Art/Design Item

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Taylor, j Milo and Trimble, Rhys (2023) gglec .-..-.. [Art/Design Item]

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Stanović, Adam (2022) Hymnes sans Paroles. [Art/Design Item]

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Stanović, Adam (2022) Baltazar's Adventure through the Great Machine. [Art/Design Item]

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Stanović, Adam and Stanović, Inja and Milsom, David and Miller, Duncan (2022) Austro-German Revivals: (Re)constructing Acoustic Recordings. [Art/Design Item]

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Voegelin, Salomé and Drozd, Magda (2022) Herbal Audition. [Art/Design Item]

Lane, Cathy (2022) The River Goes On. [Art/Design Item] Item not available online.

Stanović, Adam (2022) We are the Voices of the Wandering Wind. [Art/Design Item] Item not available online.

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Lane, Cathy (2021) Square Peg Round Hole. [Art/Design Item]

Stanović, Adam (2021) Goodnight, Tin Hau. [Art/Design Item] Item not available online.

Stanović, Adam (2021) To US.S..S... [Art/Design Item] Item not available online.

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Gardner, Thomas (2020) Collected works of the Automatic Writing Circle: 2009-2019. [Art/Design Item]

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Priest, Colin (2020) Breathing Machinery. [Art/Design Item]

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Lane, Cathy (2020) Here We All Are (Lucier Mix). [Art/Design Item]

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Wynne, John and Hawrysio, Denise (2020) Cats and Dogs. [Art/Design Item]

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Wynne, John and Sara, Davidmann (2020) I am the gigantic baobab. [Art/Design Item]

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Wright, Mark Peter (2019) Go live in the Middle of Nowhere Obviously. [Art/Design Item]

Stanović, Adam (2019) Exchanges of Pace. [Art/Design Item] Item not available online.

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Cusack, Peter (2019) Five Pankow Soundwalks. [Art/Design Item]

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Lane, Cathy (2019) From Marching Band to Marching Band (or the very extraordinary relationship between the UK peace movement and the Ethiopian Army). [Art/Design Item]

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Wright, Mark Peter and Carlyle, Angus (2018) Decoys. [Art/Design Item]

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Stanović, Adam (2018) Ténébrisme. [Art/Design Item]

Stanović, Adam (2018) Helix. [Art/Design Item] Item not available online.

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Carlyle, Angus and Cox, Rupert and Hiramatsu, Kozo and Nishimura, Atsushi (2017) Zawawa: The Sound of Sugar Cane in the Wind. [Art/Design Item]

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Voegelin, Salomé and Mollin, David (2017) The Glad Circle. [Art/Design Item]

Voegelin, Salomé and Mollin, David and Ploner, Silvia and Perret, Nicolas (2017) They Own the Night. [Art/Design Item] Item not available online.

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Alarcon, Ximena, Suelo Fértil Collective (2017) Suelo Fértil: a telematic platform for migrant women [Audio-Essay]. [Art/Design Item]

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Cusack, Peter (2017) Favourite Sounds of Hull. [Art/Design Item]

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Lane, Cathy (2017) …the pickle jar is her home…. [Art/Design Item]

Goh, Annie (2016) Burning Kroner. [Art/Design Item] Item not available online.

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Carlyle, Angus (2016) A Crossing Bell. [Art/Design Item]

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Toop, David (2016) Entities Inertias Faint Beings. [Art/Design Item]

Lane, Cathy (2016) Sweet Airs, CD release. [Art/Design Item] Item not available online.

Alarcon, Ximena and Diaz Daza, Patricia (2016) Weaving Migrations. [Art/Design Item] Item not available online.

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Carlyle, Angus (2016) In the Shadow of the Silent Mountain. [Art/Design Item]

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Wright, Mark Peter (2016) Ventricles. [Art/Design Item]

Goh, Annie (2015) GendyTrouble: Cyber*Feminist Computer Music. [Art/Design Item] Item not available online.

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Wright, Mark Peter (2015) I, the Thing in the Margins (solo exhibition). [Art/Design Item]

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Wynne, John (2015) Grave. [Art/Design Item]

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Wright, Mark Peter (2015) Auto-dialogical Feedback: Towards an Archive of Loss. [Art/Design Item]

Goh, Annie (2015) Chronopoetik der Wendelsteinhöhle. [Art/Design Item] Item not available online.

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Lane, Cathy (2015) Preparations for an Imaginary Conflict. [Art/Design Item]

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Wright, Mark Peter (2015) Can You Hear Me? [Art/Design Item]

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Mollin, David and Voegelin, Salomé (2015) Factual Dispersion, Poetic Compression: LANGUAGES OF EXILE. [Art/Design Item]

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Wright, Mark Peter, Sonic Terrain (2014) Bio-Critical Incidents. [Art/Design Item]

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Wright, Mark Peter (2014) Out of Hand. [Art/Design Item]

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Goh, Annie (2014) The Banality of Affect. [Art/Design Item]

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Cusack, Peter (2014) Sound recording for Here Comes Everybody. [Art/Design Item]

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Wright, Mark Peter, Psyche Tropes (2014) Ecstatic Electric. [Art/Design Item]

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Wynne, John and Wainwright, Tim (2014) I Am Not the Cancer. [Art/Design Item]

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Wright, Mark Peter (2014) I am Sitting in a Screen. [Art/Design Item]

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Wright, Mark Peter (2014) Tasked to Hear. [Art/Design Item]

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Wright, Mark Peter (2013) Re-Capturing. [Art/Design Item]

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Wright, Mark Peter (2013) A Proposed Vocabulary Exchange. [Art/Design Item]

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Lane, Cathy (2013) The Hebrides Suite. [Art/Design Item]

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Cusack, Peter (2013) Favourite Berlin Sounds. [Art/Design Item]

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Wynne, John and Egoyan, Atom (2013) Nocturnal. [Art/Design Item]

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Stanović, Adam (2013) Isthmus. [Art/Design Item]

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Wynne, John (2013) Hearing Loss / Cold Atlantic. [Art/Design Item]

Parry, Nye (2013) Significant Birds. [Art/Design Item] Item not available online.

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Wynne, John and Hawrysio, Denise (2013) What is What. [Art/Design Item]

Parry, Nye and Campell, Jamie (2012) Exploded Sound. [Art/Design Item] Item not available online.

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Wynne, John (2012) Hearing Voices: Speakers/Languages. [Art/Design Item]

Toop, David (2012) Star-shaped Biscuit. [Art/Design Item] Item not available online.

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Carlyle, Angus and Cox, Rupert (2011) A farm in Toho: soundfilm. [Art/Design Item]

Carlyle, Angus (2011) Noli me tangere. [Art/Design Item] Item not available online.

Lane, Cathy, Gruenrekorder: Phonography and Sound Art (recording company) (2010) Playing with words: an audio compilation. [Art/Design Item] Item not available online.

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Wynne, John (2010) Beating Tones and Flapping Wings. [Art/Design Item]

Cusack, Peter (2010) Favourite sounds: Southend. [Art/Design Item] Item not available online.

Cusack, Peter (2010) Favourite sounds: Birmingham. [Art/Design Item] Item not available online.

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Carlyle, Angus (2010) Air Pressure Blog. [Art/Design Item]

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Wynne, John (2010) Anspayaxw. [Art/Design Item]

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Alarcon, Ximena (2009) Sounding Underground. [Art/Design Item]

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Wynne, John and Sterritt, Angela (2009) Faster Higher Stronger. [Art/Design Item]

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Carlyle, Angus (2009) Some Memories of Bamboo. [Art/Design Item]

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Gardner, Thomas, Ecosonic Ensemble (2008) Ecosonic rehearsal : London College of Communication. [Art/Design Item]

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Gardner, Thomas, Ecosonic Ensemble (2008) Ecosonic rehearsal : City performance. [Art/Design Item]

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Wynne, John (2008) Hearts, lungs and minds. [Art/Design Item]

Carlyle, Angus (2008) 51° 32 ' 6.954” N / 0° 00 ' 47.0808” W. [Art/Design Item] Item not available online.

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Wynne, John (2008) Feeding the Habit of Energy. [Art/Design Item]

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Gardner, Thomas (2008) Ouija Board : Union Chapel. [Art/Design Item]

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Yee-King, Matthew (2008) Question wok, 2008. [Art/Design Item]

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Wynne, John and Wainwright, Tim (2008) Transplant. [Art/Design Item]

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Voegelin, Salomé (2008) The arrangement. [Art/Design Item]

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Gardner, Thomas, Ecosonic Ensemble (2007) Ecosonic : Union Chapel performance. [Art/Design Item]

Toop, David (2007) Sound Body - CD curation (project investigating the impact of digital technology on improvised music and sonic arts). [Art/Design Item] Item not available online.

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Carlyle, Angus, Gruenrekorder: Phonography and Sound Art (recording company) (2007) Autumn leaves : field recording and soundscape compilation. [Art/Design Item]

Voegelin, Salomé and Mollin, David (2007) The Barry Echo. [Art/Design Item] Item not available online.

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Wynne, John and Wainwright, Tim (2007) Flow. [Art/Design Item]

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Voegelin, Salomé (2007) Hobbies. [Art/Design Item]

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Wynne, John and Wainwright, Tim (2007) ITU. [Art/Design Item]

Gardner, Thomas (2006) The Ouija Board. [Art/Design Item] Item not available online.

Greenhalgh, Cathy and Lane, Cathy and Butcher, Rosemary (2006) Aftermath. [Art/Design Item] Item not available online.

Wynne, John (2006) Fallender Ton Für 207 Lautsprecher Boxen (Falling Tone for 207 Loudspeakers) and 230 Unwanted Speakers. [Art/Design Item] Item not available online.

Cusack, Peter and Biemann, Ursula (2005) 'Baku in 5 Quarters' and 'The Black Sea Files'. [Art/Design Item] Item not available online.

Gardner, Thomas (2005) Lipsync. [Art/Design Item] Item not available online.

Wynne, John and Leister, David (2005) Medicine Box. [Art/Design Item] Item not available online.

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Wynne, John (2005) Hearing Voices. [Art/Design Item]

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Cunningham, David (2005) The listening room, Camden Arts Centre. [Art/Design Item]

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Voegelin, Salomé (2005) Helidor. [Art/Design Item]

Cusack, Peter (2005) 'Your Favourite Beijing Sounds' and 'Beijing Sonic Bicycle Ride'. [Art/Design Item] Item not available online.

Cusack, Peter (2004) Baikal Ice: Recording and Interpreting the Sounds of the Environment. [Art/Design Item] Item not available online.

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Cunningham, David (2003) The Listening Room at Ikon Gallery. [Art/Design Item]

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Cunningham, David (2003) The listening room and stairwell (untitled) within the exhibition Sounding Spaces, ICC, Tokyo. [Art/Design Item]

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Cunningham, David (2002) The Listening Room: the Connecting Principle, Newcastle. [Art/Design Item]

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Yee-King, Matthew (2002) Jazz smells funny. [Art/Design Item]

Toop, David (2001) Not Necessarily "English Music" - curated double CD. [Art/Design Item] Item not available online.

Cusack, Peter (2001) Favourite Sounds Project. [Art/Design Item] Item not available online.

Wynne, John (2001) 'Cry Wolf' and 'Do(n’t)'. [Art/Design Item] Item not available online.

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Yee-King, Matthew (2000) Goodnight Toby. [Art/Design Item]

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Cunningham, David (1998) The Listening Room, Biennale of Sydney. [Art/Design Item]

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Cunningham, David (1997) Open square, city hall square, Copenhagen. [Art/Design Item]

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Cunningham, David (1994) The Listening Room, Chisenhale Gallery, London. [Art/Design Item]

Article

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Taylor, j Milo (2024) Disparate Kingdoms Tangled in the Abyss: Biodiversity, Artificial Intelligence and Audio-Visual Performance. Sonic Ideas Sónicas (31). pp. 55-68.

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Gray, Louise (2024) Beyond the Audible: Éliane Radigue’s OCCAM works and Inter/Listening. Contemporary Music Review. pp. 1-16. ISSN 0749-4467

Voegelin, Salomé and Barney, Anna and Wright, Mark Peter and Stubbs, Phoebe and Smith, Timothy and Weaver, Julian (2022) Protocols of Listening: Reflections on the development of an interactive digital platform for cross-disciplinary sound research. Resonance Journal for Sound and Culture, 3 (3). pp. 224-254. ISSN 2688-867X Item not available online.

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Gardner, Thomas (2022) Between listening and sounding: exploring the limits of augmented instruments. Ricercare, 15. ISSN 2346-4879

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Goh, Annie (2022) Flusser’s Sonic Modernity. Flusser Studies, 33. ISSN 1661-5719

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Voegelin, Salomé and Wright, Mark Peter (2022) Points of Listening: Reflections on the Collective, Communal and Participatory in Sonic Practice. Listening and Polyphony. Philosophy, Aesthetics, Art, 64 (1). pp. 19-36.

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Carlyle, Angus and Wright, Mark Peter (2021) Dissonant Doppelgangers: Performing the Post-Natural Through Modulated Foley Techniques. Cadernos de Arte e Antropologia, 10 (1). pp. 37-47. ISSN 2238-0361

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Wright, Mark Peter and Voegelin, Salomé (2021) Leaky Knowledge: Listening between bodies, technology and Learning. Seismograf Journal.

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Voegelin, Salomé (2021) Singing Philosophy: deviating voices and rhythms without a time signature. Open Philosophy Journal, 4 (1). pp. 284-291. ISSN 2543-8875

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Goh, Annie and Thompson, Marie (2021) Sonic Cyberfeminisms: Introduction. Feminist Review, 127 (1). pp. 1-12. ISSN 1466-4380

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Voegelin, Salomé (2021) Uncurating Politics in the Gallery space: the Possibility of Resistance and the Performance of Alternatives. New Literary Observer, 138 (4).

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Wright, Mark Peter (2020) Go Live in the Middle of Nowhere Obviously. Unlikely Journal for Creative Arts (6). ISSN 2205-0027

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Lane, Cathy (2020) Synthesizer and portastudio: their roles in the Tigrayan People’s Liberation struggle - an audio essay. HERRI (4).

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Voegelin, Salomé (2020) Listening out for the Ambiguity of Unreliable Things. Documenta: tijdschrift voor theater, 38 (1). pp. 142-154. ISSN 0771-8640

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Goh, Annie (2019) Appropriating the Alien: A critique of Xenofeminism. Mute. Culture and Politics after the Net. ISSN 1356-7748-27

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Voegelin, Salomé and Barney, Anna (2018) Collaboration and Consensus in Listening. Leonardo Music Journal, 28. pp. 82-87. ISSN 0961-1215

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Wynne, John and Xyrichis, Andreas and Carlyle, Angus and Rafferty, Anne Marie and Mackrill, Jamie (2018) Noise pollution in hospitals. British Medical Journal. ISSN 0959-8138

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Lane, Cathy (2017) Listening and not listening to voices: interrogating the prejudicial foundations of the sound arts canon (audio paper). Seismograf: Sound Art Matters. ISSN 2245-4705

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Lane, Cathy (2017) A Manifesto for New Listening (or 20 thoughts about Listening). Reflections on Process in Sound (5). pp. 59-81.

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Goh, Annie (2017) Sounding Situated Knowledges - Echo in Archaeoacoustics. Parallax, 23 (3). pp. 283-304. ISSN 1353-4645

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Wright, Mark Peter (2017) Post-Natural Sound Arts. Journal of Sonic Studies, 14. ISSN 2212-6252

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Alarcon, Ximena (2017) Bajo la tierra: escucha porosa de modernidad en el metro de México. Revista de Arte Sonoro y Cultura Aural (3). pp. 33-39. ISSN 0719-4625

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Alarcon, Ximena (2017) A taxonomy for Listening and Performing ‘in-between’ migratory spaces using mobile apps. Wi: Journal of Mobile Media, 11 (1). ISSN 1918-2104

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Alarcon, Ximena and Herrema, Ron (2017) Pauline Oliveros: A Shared Resonance. Organised Sound, 22 (1). pp. 7-10. ISSN 1355-7718

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Wright, Mark Peter (2017) The Noisy-Nonself: Towards A Monstrous Practice of More-Than-Human Listening. Evental Aesthetics, 6 (1). pp. 24-42. ISSN 2167-1931

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Wright, Mark Peter (2016) The Thing About Microphones. Leonardo Music Journal (special issue on Sound Art), 26. pp. 60-63. ISSN 0961-1215

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Voegelin, Salomé (2016) Inhabiting a World of Numerical Things. Circuit Musiques Contemporaines, 26 (3). pp. 27-42. ISSN 1183-1693

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Voegelin, Salomé (2016) ‘The Critical Agency of the ‘Avatar-I’: accessing the silence of the inaudible’. Four by Three Magazine, 1 (6).

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Lane, Cathy (2016) Mapping the Outer Hebrides in sound: towards a sonic methodology. Island Studies Journal, 11 (2). p. 343. ISSN 1715 2593

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Lane, Cathy (2016) Why Not Our Voices? Women and Music: A Journal of Gender and Culture, 20. pp. 96-110. ISSN 1090-7505

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Voegelin, Salomé (2016) Music as Public Art. Program notes for Donaueschinger Musiktage. pp. 20-26. Item availability restricted.

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Lane, Cathy (2016) Sound::Gender::Feminism::Activism: Research and Challenges to the Orthodoxies of Sound Arts. Contemporary Music Review, 35 (1). pp. 32-39. ISSN 0749-4467

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Goh, Annie (2016) The Dimension of Sound in Flusser: Implications for a Sonic Media Archaeology. MAP – Media | Archive | Performance Research on media, art and performance, 7. ISSN 2191-0901

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Voegelin, Salomé (2016) Places Hardly Exist. Island Song.

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Mollin, David and Voegelin, Salomé (2016) During the Night the Crops will Still Grow (unless the player sleeps). Journal of Interdisciplinary Voice Studies, 1 (1). pp. 85-93. ISSN 2057-0341 Item availability restricted.

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Goh, Annie (2016) GenDyTrouble: Cyber*Feminist Computer Music. n.paradoxa international feminist art journal, 37. pp. 78-82. ISSN 1461-0434

Gardner, Thomas and Voegelin, Salomé (2015) Editorial: Historical continuum, mimetic fissures. Organised Sound, 20 (2). ISSN 1469-8153 Item not available online.

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Voegelin, Salomé (2015) Reversed Anechoics (catalogue essay). Play it by Ear. pp. 32-37.

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Mollin, David and Voegelin, Salomé (2015) Writers’ habits. Reflections on Process in Sound (4). pp. 65-80.

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Wynne, John (2014) Hearing Voices: Research and creative practice across cultures and disciplines. Language Documentation and Description, 12. pp. 120-150. ISSN 1740-6234

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Wright, Mark Peter (2014) Still Listening? Interference: A Journal of Audio Cultures, 4. ISSN 2009-3578

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Goh, Annie (2014) The Dimension of Sound in Flusser. Flusser Studies, 17. ISSN 1661-5719

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Goh, Annie and Maltez Novaes, Rodrigo and Castello Branco, Marta (2014) Introduction: Music and Sound in Vilém Flusser’s Work. Flusser Studies, 17. ISSN 1661-5719

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Voegelin, Salomé (2014) Collateral Damage. The Wire: adventures in modern music (364).

Goh, Annie and Engelmann, Constantin (2014) Was ist generative Kunst? Positionen. Texte zur aktuellen Musik, 99. pp. 4-6. ISSN 0941-4711 Item not available online.

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Alarcon, Ximena (2014) Networked Migrations: Listening to and performing the in-between space (Paper). Liminalities: a Journal of Performance Studies, 10 (1). ISSN 1557-2935

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Voegelin, Salomé (2014) Forewords. Festival Catalogue.

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Voegelin, Salomé (2013) Sonic Possible Worlds. Leonardo Music Journal (special issue on Sound Art), 23. ISSN 0961-1215

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Alarcon, Ximena (2013) Creating Sounding Underground. Digital Creativity, 24 (3). pp. 252-258. ISSN 1744-3806

Taylor, j Milo and Alves, Carlos and Erkizia, Xabier and Ottavi, Julien and Yaseen, Wajid, Opensound.eu (2013) OA#1. Listening and Mapping the Sonic. Plurality and Wayfaring: Writing the OpenSound Project. Journal of Sonic Studies, 4. ISSN 2212–6252 Item not available online.

Goh, Annie (2012) Electronic Voice Phenomena - a C21st Sonic Fiction. Acoustic Space, 11. pp. 119-126. ISSN 1407-2858 Item not available online.

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Voegelin, Salomé (2012) Ethics of Listening. Journal of Sonic Studies, 2 (1).

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Alarcon, Ximena (2011) Listening and remembering: networked off-line improvisation for four commuters. CITAR Journal of Science and Technology of the Arts Revista de Ciência e Tecnologias das Artes (03). pp. 21-30. ISSN 16469798

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Toop, David (2011) The Mediumship of Listening: Notes on Sound in the Silent Arts. Journal of Visual Culture, 10 (2). pp. 169-176. ISSN 1470-4129 Item availability restricted.

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Taylor, j Milo and Brock-Nannested, George and Specht, Dirk (2011) Noisecleaning: Emerging from the Noise. Off Topic 4: Zullassen. ISSN 1867-5948

Alarcon, Ximena, Sensory Ethnography, MetaLab Harvard (2011) Sounding underground: listening, performing and transforming the commuting experience. Sensate Journal: A Journal for experiments in Critical Media Practice. Item not available online.

Voegelin, Salomé (2011) Epiphanies. The Wire: Adventures in Modern Music (324). Item not available online.

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Lane, Cathy (2011) Listening for the past: A composer's ear-lead approach to exploring island culture past and present in the Outer Hebrides. Shima: The International Journal of Research into Island Cultures, 5 (1). pp. 32-39. ISSN 1834-6057

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Tlalim, Tom and Trutzschler von Fahlkenstein, Jan (2009) Alter Ego: A Generative Music Creation System. Proceedings of the International Computer Music Conference (ICMC 2009), Montreal, Canada. ISSN 2223-3881

Toop, David (2008) Search and Reflect: the Changing Practice of Improvisation. New Sound (32). pp. 119-129. ISSN 1821-3782 Item not available online.

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Voegelin, Salomé (2007) The anxiety of the lonely listener. /seconds., 5 (3). ISSN 17514134

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Kelly, Edward (2006) Deconstructing Speech: new tools for speech manipulation. Organised Sound, 11 (1). pp. 73-80. ISSN 1355-7718

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Wynne, John (2006) Language ecology and photographic sound in the McWorld. Organised Sound, 11 (1). pp. 45-54. ISSN 1355-7718

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Voegelin, Salomé (2006) Sonic memory material as 'pathetic trigger'. Organised Sound, 11 (1). pp. 13-18. ISSN 13557718

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Lane, Cathy (2006) Voices from the Past: compositional approaches to using recorded speech. Organised Sound, 11 (1). pp. 3-11. ISSN 1355-7718

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Lane, Cathy and Parry, Nye (2005) The Memory Machine: sound and memory at the British Museum. Organised Sound, 10 (2). pp. 141-148. ISSN 13557718

Book

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Wright, Mark Peter (2022) Listening After Nature: Field Recording, Ecology, Critical Practice. Bloomsbury, New York/London. ISBN 9781501354519

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Lane, Cathy and Carlyle, Angus (2021) Sound Arts Now. Uniformbooks, Axminster, Devon. ISBN 978 1 910010 26 6

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Voegelin, Salomé (2021) Sonic Possible Worlds: Hearing the Continuum of Sound. Bloomsbury, NY,, US. ISBN 9781501367625

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Stanović, Adam and Dack, John and Spinks, Tansy (2020) Music and Sound Art: Composition, Performance, Philosophy. Cambridge Scholars Publishing. ISBN 978-1-5275-5781-9

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Carlyle, Angus (2020) Night Blooms. New Words . Makina Books, London. ISBN 9781916060852

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Plum, Ingrid (2019) Unsounding The Voice. Plum Press, UK.

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Voegelin, Salomé (2018) The Political Possibility of Sound: Fragments of Listening. Bloomsbury, New York, US. ISBN 9781501312168

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Plum, Ingrid (2018) Taut: Investigations into Contemporary Composition and Performance. Plum Press/Fractal Meat, UK.

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Cusack, Peter (2017) Berlin Sonic Places: A Brief Guide. Wolke Verlag, Berlin. ISBN 978-3-95593-083-7

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Toop, David (2017) Flutter Echo: Living Within Sound. Du Books, Tokyo, Japan. ISBN 978-4-86647-011-5

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Voegelin, Salomé and Gardner, Thomas (2016) Colloquium: Sound Art – Music. Zero Books, Winchester and New York. ISBN 9781782798958

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Voegelin, Salomé and Gardner, Thomas (2016) Colloquium: Sound Art - Music. Zero Books, John Hunt Publisher, UK and US. ISBN 978-1-78279-895-8

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Toop, David (2016) Into the Maelstrom: Music, Improvisation and the Dream of Freedom, Volume 1. Bloomsbury Academic, New York, London, New Delhi, Sydney. ISBN 9781628927696

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Cobbing, William and Cooper, Rosie and Krogh Groth, Sanne and Toop, David and Wilson, Andrew (2015) 'Boooook: The Life and Work of Bob Cobbing'. n/a, n/a (n/a). Occasional Papers, UK. ISBN 978-0-9929039-5-4

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Voegelin, Salomé (2014) Sonic Possible Worlds: Hearing the Continuum of Sound. Bloomsbury, New York; London. ISBN 9781623566951

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Lane, Cathy and Carlyle, Angus (2013) In the Field: The Art of Field Recording. Uniformbooks, Axminster, Devon. ISBN 9780956855961

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Carlyle, Angus and Lane, Cathy (2013) On listening. Uniformbooks, Axminster. ISBN 9781910010013

Cusack, Peter (2012) 'No, It's Not All Music'. Wolke Verlag, Berlin. ISBN 9783936000795 Item not available online.

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Fasse, Christine and Stickland, Peter and Toop, David (2011) Rain-forest reveries. 77books, London. ISBN 9780956012180

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Toop, David (2010) Sinister resonance: the mediumship of the listener. Continuum, New York/London. ISBN 9781441149725

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Voegelin, Salomé (2010) Listening to noise and silence: toward a philosophy of sound art. Continuum, New York. ISBN 9781441162076

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Lane, Cathy, ed. (2008) Playing with words : the spoken word in artistic practice. CRiSAP/RGAP, UK. ISBN 9780955827334

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Carlyle, Angus (2007) Autumn leaves : sound and the environment in artistic practice. CRiSAP / Double Entendre. ISBN 095480743x

Toop, David (2004) Haunted Weather Music, Silence and Memory. Serpent's Tail, 4 Blackstock Mews, London N4 2BT. ISBN 1852427892 Item not available online.

Book Section

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Stanović, Adam (2023) Trust in Early Recordings: documents, performances and works. In: Early Sound Recordings: Academic Research and Practice. Routledge. ISBN 9781003194521

Voegelin, Salomé (2022) Sonic testimonies: creating new imaginaries from the in-between. In: For Many Voices. Freigeist Verlag, Berlin, pp. 8-12. ISBN 978-3-947764-06-8 Item not available online.

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Goh, Annie and Rizvi, Uzma Z. (2022) Science Fiction, Speculative Feminism, and the Violence of Colonialism: Listening to an Extremely Grainy Photograph. In: Coming to Know. Archive Books, Truccazano, Milan, Italy, pp. 54-65. ISBN 978-3-948212-58-2

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Voegelin, Salomé and Mollin, David (2022) Hummingbirds fly upwards. In: Risonanze e coesistenze. Suono, territori e margini. Da Liminaria al Manifesto del futurismo rurale: 2017-2020. Luca Sossella Publisher, Italy, pp. 109-133. ISBN 9791259980236

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Voegelin, Salomé (2022) Silence Does Not Exist. In: The Concert. Sternberg Press, Switzerland, pp. 111-133. ISBN 9781501367625

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Voegelin, Salomé (2022) Disrupting the Dominant Song. In: Open Scriptures: Notation in Contemporary Artistic Practices in Europe and the Americas. Iberoammericana Vervuert, Germany, pp. 187-203. ISBN 978-84-9192-244-5

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Wright, Mark Peter (2022) Interference Acts: Performances along the Threshold of the Human and Nonhuman. In: Postcards from the Anthropocene: Unsettling the Geopolitics of Representation. DPR, Barcelona, pp. 110-114. ISBN 978-84-122529-1-0

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Voegelin, Salomé (2022) Keynote: Sonic Sense: The Meaning of the Invisible. In: Oxford Handbook of Sound Art. Oxford University Press, Oxford, UK, pp. 349-367. ISBN 9780190274054

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Goh, Annie (2022) Sonic Cyberfeminisms Collection for Cyberfeminism Index. In: Cyberfeminism Index. Inventory Press, Los Angeles, pp. 38-40. ISBN 978-1-941753-51-4

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Voegelin, Salomé (2022) Sonic Testimonies: Creating New Imaginaries From the In-between. In: For Many Voices. Freigeist Verlag, Berlin, Germany, pp. 8-12. ISBN 978-3-947764-06-8

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Carlyle, Angus (2021) 'And I listened to the whistlings and patterlings outside': Hearing the Wild Spaces as sound. In: The Oxford Handbook of Sound Art. Oxford Handbooks . Oxford University Press, New York. ISBN 9780190274054

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Goh, Annie and Iles, Anthony (2021) Lights Out at the White Supremacist Theory Disco. In: Ultimate Leisure Workers' Club Reader. Ultimate Leisure Workers’ Club, Vilnius, pp. 32-39.

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Voegelin, Salomé (2021) Part II Sounding Flesh: Pulse Salomé Voegelin. In: The Bloomsbury Handbook of the Anthropology of Sound. Bloomsbury, NY, US, pp. 107-111. ISBN 978-1-5013-3539-6

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Carlyle, Angus (2020) Dropping Down Low: Online Soundmaps, Critique, Genealogies, Alternatives. In: The Bloomsbury Handbook of Sonic Methodologies. Bloomsbury Handbooks . Bloomsbury Academic, New York & London, pp. 581-598. ISBN 9781501338755

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Voegelin, Salomé (2020) Sonic Methodologies of Sound. In: The Bloomsbury Handbook of Sonic Methodologies. Bloomsbury, NY, pp. 269-283. ISBN 9781501338779

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Tlalim, Tom (2020) The Sound System of the State: Critical Listening as Performative Resistance. In: Bloomsbury Handbook of Sonic Methodologies. Bloomsbury Handbooks . Bloomsbury, pp. 719-732. ISBN 9781501338779

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Voegelin, Salomé (2020) Vampiric Silences. In: silence. speakerspeaker (3). Book Printing UK, UK, pp. 98-103. ISBN 978-82-93739-02-9

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Lane, Cathy (2020) Gender, Intimacy, and Voices in Sound Art. Encouragements, Self-portraits, and Shadow Walks. In: The Bloomsbury Handbook of Sound Art. Bloomsbury Academic. ISBN 9781501338809

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Voegelin, Salomé (2020) I See You listening. In: Audiosphere: Sound Experimentation 1980-2020. Reina Sofia Museum, Madrid, pp. 94-101. ISBN 828-20-005-5

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Voegelin, Salomé (2020) Building an ephemeral place from the indivisible volume of words. In: Ecos de un lugar. Buró-Buró Mexico and Museo Experimental Eco, Mexico City, Mexico.

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Voegelin, Salomé (2019) Sonic Materialism: Hearing the Arche-Sonic. In: Oxford Handbook of Sound and Imagination. Oxford University Press, Oxford, UK, pp. 559-577. ISBN 9780190460242

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Voegelin, Salomé (2019) Reflections on the Politics of Sentiment Score for Performing the Criticality of a Sonic Sensibility. In: Sensorial Aesthetics in Music Practices. Orpheus Institute Series . Orpheus Institute, Ghent, Belgium, pp. 151-169. ISBN 9789462701847

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Voegelin, Salomé (2019) Unstable Contacts. In: The Middle Matter – Sound as interstice. Umland, Belgium, pp. 147-155. ISBN 9789082649543

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Lane, Cathy (2018) Women as animal, women as alien: reclaiming women’s demonic voices. In: Grounds for Possible Music: On Gender, Voice, Language, and Identity. Errant Bodies, Berlin. ISBN 978-0-9978744-2-6

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Cusack, Peter (2018) The Favourite Sounds Project. In: Anthropology and Beauty. Routledge. ISBN 1138928798

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Carlyle, Angus (2017) "Memories of Memories of Memories of Memories: Remembering and Recording on the Silent Mountain". In: Sonic Thinking: A Media Philosophical Approach. Thinking | Media . Bloomsbury, New York, pp. 65-83. ISBN 9781501327209

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Toop, David (2017) Stephen Cripps: Exploding Practice Inevitable. In: Stephen Cripps: Performing Machines. Verlag fur Moderne Kunst/Museum Tinguely, Basle, Switzerland, pp. 25-30. ISBN 978-3-9524392-9-6

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Carlyle, Angus and Cox, Rupert (2017) "The Cave Mouth: Listening To Sound and Voice in Okinawan War Memory". In: Modern Conflict and the Senses. Routledge, London and New York, pp. 123-142. ISBN 9781138927827

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Carlyle, Angus (2016) "Radio Not". In: Reception: The Radio-Works of Robert Rauschenberg and John Cage. Smith + Brown, London, xi-xv. ISBN 99780986038334

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Alarcon, Ximena (2016) Tuning the Interface for Relational Listening. In: Proceedings of the 2016 International Conference on Live Interfaces. EMuTe Lab, University of Sussex in collaboration with REFRAME Books, Brighton, pp. 109-115. ISBN 978-0-9931996-8-4

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Wynne, John (2016) >Image>Memory>Sound>Text>. In: The Routledge Companion to Sounding Art. Routledge/Taylor and Francis, London and New York, pp. 111-124. ISBN 978-1-138-78061-3

Alarcon, Ximena (2016) Sonic Migrations: listening in-between, sensing place. In: Environmental Sound Artists: in their own words. Oxford University Press, United States of America, pp. 113-121. ISBN 9780190234621 Item not available online.

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Wynne, John and Wainwright, Tim (2016) Transplant (excerpt). In: Beyond text? Critical practices and sensory anthropology. University of Manchester Press, Manchester. ISBN 978-0-7190-8505-5

Wright, Mark Peter (2016) Like When a Cat Enters a Room. In: Listening and its not. SARU & Compost & Height, London, pp. 52-53. Item not available online.

Kim-Cohen, Seth and Wright, Mark Peter (2016) Anxious, Dismal, Giddy, Aggressive: Seth Kim-Cohen interviewed by Mark Peter Wright for Ear Room. In: Against Ambience and Other Essays. Bloomsbury, New York, pp. 175-188. ISBN 9781501310324 Item not available online.

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Cusack, Peter (2016) Coal and Petrochemical Soundscapes in North Bohemia: Some Personal Thoughts. In: Frontiers of Solitude. Skaftfell Center for Visual Art, Seyðisfjörður, Iceland, pp. 40-43. ISBN 9788026093589

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Voegelin, Salomé (2016) Sound Words and Sonic Fictions: Writing the Ephemeral. In: The Routledge Companion to Sounding Art. Routledge, New York, pp. 61-70. ISBN 97810138780613

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Alarcon, Ximena (2015) Telematic Embodiments: Improvising via the Internet in the context of migration. In: vs. Interpretation: An Anthology on Improvisation. Nadace Agosto Foundation, Praha. ISBN 978-80-905021-3-0

Toop, David (2015) FLAT TIME/sounding. In: Artistic Practice as Research in Music: Theory, Criticism, Practice. Sempre Studies in the Psychology of Music . Ashgate, Farnham/Burlington, pp. 237-254. ISBN 9781409445456 Item not available online.

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Mullender, Rob (2015) The Haptic Optic. In: Moving Image. Whitechapel: Documents of Contemporary Art . MIT press, Massachussetts, pp. 120-123. ISBN 978-0262528108

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Voegelin, Salomé (2015) Klangkunst als Öffentliche Kunst (Sound Art as Public Art). In: Labor Mühlheim Künstlerisches Forschen in Feldern zwischen Prekarität und Kreativität. Jovis, Berlin, DE, pp. 167-178. ISBN 978-3-86859-360-0

Carlyle, Angus and Lane, Cathy and Nash, Polly (2015) Listening To Self and Other. In: On listening. Uniform Books, London, pp. 176-179. ISBN 978-1-910010-01-3 Item not available online.

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Goh, Annie (2015) "Music", "Chamber Music" and "Hörigkeit" in Flusseriana: An Intellectual Toolbox. In: Flusseriana: An Intellectual Toolbox. Univocal Publishing, Minneapolis. ISBN 978-1-937561-52-9

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Tlalim, Tom and Schuppli, Susan and Hoare, Natasha (2015) Susan Schuppli, Tom Tlalim and Natasha Hoare In Conversation. In: Art in the Age Of... Witte de With Centre for Contemporary Art, pp. 150-155. ISBN 978-94-91435-43-0

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Cusack, Peter (2014) Svetlana Tsalko: Poems from Chernobyl. In: HLYSNAN: The Notion and Politics of Listening. Casino Luxembourg, Luxembourg. ISBN 9789995930233

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Voegelin, Salomé (2014) Soundwalking the Museum: A Sonic Journey through the Visual Display. In: The Multisensory Museum Cross-Disciplinary Perspectives on Touch, Sound, Smell, Memory, and Space. AltaMira, Walnut Creek, CA. ISBN 9780759123540

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Toop, David (2014) Instruments of Non-Existence (Through Which Heaven and Earth Seek Reconciliation). In: Art Or Sound. Fondazione Prada, Milan, pp. 319-324. ISBN 978-88-87029-56-7

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Wynne, John (2014) Outside In: Re-framing urban noise. In: Urban Traces – Wahrnehmung im öffentlichen Raum Künstlerische Transformationen im urbanen Kontext [Perception in Public Space: Artistic transformations in the urban context]. Kunst und Kulturwissenschaft in der Gegenwart [Contemporary Art and Cultural Studies] (9). Athena Verlag, Oberhausen, pp. 59-72. ISBN 978-3-89896-598-9

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Gardner, Thomas (2014) Sound art, music and the rehabilitation of schizophonia. In: The Embodiment of Authority. Interdisziplinäre Studien zur Musik . Peter Lang, pp. 147-168. ISBN 978-3-653-98762-1 Item availability restricted.

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Voegelin, Salomé (2013) Listening to the Stars. In: What Matters Now? (What Can't You Hear?). Noch. ISBN 9781783011179

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Toop, David (2013) New and Rediscovered Musical Instruments Rediscovered. In: Material Culture and Electronic Sound. Artefacts: Studies In the History of Science and Technology (8). Smithsonian Institution Scholarly Press, Washington D.C., USA, pp. 259-270. ISBN 978-1-935623-10-6

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Wynne, John (2013) Anspayaxw. In: Hlysnan: The Notion and Politics of Listening. Casino Luxembourg, Luxembourg, pp. 62-67. ISBN 978-99959-30-23-3

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Taylor, j Milo and Brock-Nannested, George and Specht, Dirk (2013) Emerging from the Noise: Non-Nostalgia, Reactivation and Appropriation. In: The Noise Non-ference Reader. Qubit, New York, pp. 99-104.

Wright, Mark Peter (2013) Exchanges. In: On Listening. Uniform Books, pp. 34-37. Item not available online.

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Wynne, John (2013) ITU: the din of recovery. In: The Art of Immersive Soundscapes. University of Regina Press, Regina. ISBN 978-0-88977-258-8

Toop, David (2013) Trap Set. In: Haroon Mirza. A User's Manual. Spike Island, Bristol, pp. 34-35. ISBN 978-0-9574490-0-8 Item not available online.

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Voegelin, Salomé (2013) A short history of radio listening. In: On Listening. Uniformbooks. ISBN 9781910010013

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Wynne, John and Lenskyj, Helen (2012) Symbolic Resistance: Turning the Rings. In: The Art of Dissent: London’s Olympic State. Marshgate Press, London. ISBN 978-0-9572943-0-1

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Dunn, Stuart and Taylor, j Milo and Woolford, Kirk and Barker, Leon and Norman, Sally Jane and White, Martin and Hedges, Mark and Bailey, Helen and Fulford, Michael and Clarke, Amanda (2011) Motion in Place: a Case Study of Archaeological Reconstruction Using Motion Capture. In: Revive the Past. Computer Applications and Quantitative Methods in Archaeology (CAA). Proceedings of the 39th International Conference. Pallas Publications, Beijing, pp. 98-106.

Wynne, John (2011) Hearing faces, seeing voices: sound art, experimentalism and the ethnographic gaze. In: Between Art and Anthropology: Contemporary Ethnographic Practice. Berg Publishers, London, UK, pp. 49-67. ISBN 9781847885005 Item not available online.

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Tlalim, Tom (2010) The New Model City. In: Intimate Stories on Absence. Onomatopee, Eindhoven, pp. 81-110. ISBN 9789078454403

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Taylor, j Milo (2008) The ImmApp: A Digital Application for Immersive Interaction with Sound Art Archives. In: Computer Music Modeling and Retrieval. Sense of Sounds: 4th International Symposium. Springer Verlag. ISBN 978-3-540-85034-2

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Taylor, j Milo (2008) David Toop’s Laptop Orchestra: A View from the Guitarist’s Chair. In: Playing With Words: The Spoken Word In Artistic Practice. Uniformbooks. ISBN 9781910010303

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Voegelin, Salomé (2008) Night Train. In: Nachtschichten. Schriftenreihe des Instituts für Gegenwartskünste, Zürcher Hochschule der Künste, 3 . Edition Fink, Zurich. ISBN 9783037461280

Yee-King, Matthew (2007) An Automated Music Improviser Using a Genetic Algorithm Driven Synthesis Engine. In: Proceedings of the 2007 EvoWorkshops 2007 on EvoCoMnet, EvoFIN, EvoIASP,EvoINTERACTION, EvoMUSART, EvoSTOC and EvoTransLog: Applications of Evolutionary Computing. Springer-Verlag, pp. 567-576. Item not available online.

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Taylor, j Milo (2007) Immersion: An Immersive Digital Application for Creative Interaction with Sound Art Archives. In: Proceedings of the 2007 International Computer Music Conference. ICMC and Re:New. Denmark. ISBN 0-9713192-5-1

Voegelin, Salomé (2007) Völlig Losgelöst. In: Autumn Leaves: sound and the environment. Double Entendre, Paris, France. ISBN 095480743X Item not available online.

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Taylor, j Milo (2006) Non-Ferrous Prostitution. In: ev+a 2006. Gandon Editions, Limerick, Ireland, p. 227. ISBN 0946846928

Carlyle, Angus (2005) Becoming Second Nature: Dan Holdsworth and the Sublime. In: Dan Holdsworth. Photoworks/Steidl, pp. 38-45. ISBN 3865210872 Item not available online.

Taylor, j Milo (2004) suborg.net. In: Network Book for Urban (P)arts. City Mine(d). ISBN 0-9547260-0-6 Item not available online.

Carlyle, Angus (2002) I See A Darkness. In: Black Holes and Other Inconsistencies. The Moth House Press, pp. 112-118. ISBN 0954395700 Item not available online.

Conference, Symposium or Workshop Item

Goh, Annie (2024) Echoes of Elsewhere. In: AuralPluralities: Distortion and Resonance, 28 June 2024, Conway Hall, London. Item not available online.

Goh, Annie (2024) Echoes of elsewhere? From Archaeoacoustics to Sonic Cyberfeminisms. In: Whiteness and Sound Studies, 9 April - 8 May 2024, Online. Item not available online.

Goh, Annie (2024) Beyond Her Noise: Feminisms and the Sonic. In: Women in Revolt: Radical Acts and Contemporary Resonances, 22-23 March 2024, Tate Modern. Item not available online.

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Goh, Annie (2023) Listening Session: Echoes of Elsewhere. In: Listening Session: Echoes of Elsewhere by Annie Goh, 20 June 2023, Nottingham Contemporary.

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Goh, Annie (2023) CYBERFEMINISM INDEX X SONIC CYBERFEMINISM. In: CYBERFEMINISM INDEX X SONIC CYBERFEMINISM, 15 February 2023, Publics, Helsinki.

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Gardner, Thomas (2022) Sound as memorial: Case study of the use of sound to mediate complex traumatic memory. In: Why Remember? Peace, Conflict and Culture Conference, 6-8 July 2022, Sarajevo and Srebrenica.

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Voegelin, Salomé (2022) Designing Possible Worlds from Sound’s Transversality. In: I am not sitting in a room: Urban, political and social resonances, 24-26 June 2022, Bauhaus University Weimar, Germany.

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Voegelin, Salomé and Wright, Mark Peter (2022) Sound’s Transversal Breath. In: Airy En­coun­ters: Res­pi­ra­tory Phi­los­o­phy and Sound Arts, 6-7 June 2022, Helsinki.

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  • + 6 others
Ingham, Mark and Martin, Jonathan and Vicente Richards, Ana and Beckett, Lynda and Zimmerman, Andrea Luka and Davis-Bonnick, Claudette and Rouse, Louise and Connolly, Crona and O’Reilly, John and Maxwell, Jenny and Kludje, Sicgmone and Arboine, Jheni and Leigh Ross, Stacey and Sadowska, Noemi and Arzani, Elena and Jewell, Jonathan D.A. and Kearney, Jonathan and Wright, Jonathan and Wright, Mark Peter and , Experimental Pedagogies Research Group (2022) 24hrs ON EARTH: ‘Learning to learn about racial, social and environmental (in)justice’. In: 24hrs ON EARTH ‘Learning to learn about racial, social and environmental (in)justice’, 29-30 March 2022, Online.

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Voegelin, Salomé (2022) Listening to Wicked Problems: Sound Studies as Transversal Studies. In: Sounding Crises, 23-24 March 2022, University of Copenhagen.

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Wright, Mark Peter (2022) Listening to the Footprints of Sonic Practice. In: Walking Festival of Sound, 23 March 2022, Online.

Lane, Cathy (2022) Sound in Words : Words in Sound. In: Sound in Words - MANTIS Festival of Electroacoustic Music, March 4-6, 2022, University of Manchester. Item not available online.

Voegelin, Salomé (2021) Listening across: Uncurating knowledge. In: Spaces (in) Between, 16-18 November 2021, Rhythmic Music Conservatory. Item not available online.

Voegelin, Salomé (2021) Sonic Possible and Impossible Bodies. In: Sound in Artistic Research, 10 November 2021, University of Arts, Berlin. Item not available online.

Lane, Cathy (2021) "In your DNA”: sound arts and song. In: Sound Studies Lecture Series, 8 November 2021, Sound Environment Centre, Sweden, Online. Item not available online.

Voegelin, Salomé (2021) Knowledge with Voice and Hands: tending to the invisible. In: Sound Practice and Research series, 29 June 2022, Goldsmiths, University of London, Online. Item not available online.

Voegelin, Salomé (2021) Sound, Identity and Territory. In: 8th International Congress of Audiovisual Researchers, 23-25 June 2021, Lisbon. Item not available online.

Wright, Mark Peter (2021) When Mimicry is the Last Song Left. In: OSEH Environmental Lunchtime Discussion series, 19 May 2021, Oslo School of Environmental Humanities. Item not available online.

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Voegelin, Salomé (2021) The Political Possibility of Sound. In: Unthinking / Unlearning New sonic theories and praxis, 15 May - 1 June 2021, UDK Universität der Künste, Berlin.

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Voegelin, Salomé (2021) To Know from the Invisible. In: Art/Tought/Sound, 11 March 2021, Escola des Artes Porto, Portugal.

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Voegelin, Salomé (2021) Silenced Noise. In: Aesthetics of Noise, 24 February 2021, Online.

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Voegelin, Salomé (2021) Listening as Strategy for Research for and from the Arts. In: RMC CPH Online Lecture, 2 February 2021, Rhythmic Music Conservatory, Online.

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Wright, Mark Peter (2021) Microphone Check. In: Multimedia Encounters: Experimental Approaches to Ethnographic Research, 12-15 January 2021, UCL, London.

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Voegelin, Salomé (2021) Phantom Power, ‘Unperforming the Dream House’. In: Phantom Power, 20.11.2021 and 10.12.2021, Venice, Italy.

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Taylor, j Milo and Estévez Trujillo, Mayra and Fermont, Cedrik and Irene Eunyoung, Lee (2020) Geopolitics of sound. Colonial regimes and acoustic alterities of listening. In: II Encuentro Internacional Red Ecología Acústica México 2020, 9-12 December 2020, Mexico City.

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Goh, Annie (2020) From White Brothers with No Soul to Feminist Prometheans: Lights Out at the White Supremacist Theory Disco. In: ASSEMBLY 2020, 26 November - 13 December 2020, Luna 6, Lithuania.

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Taylor, j Milo (2020) The role of White Academics in developing Decolonised Curricula. In: London College of Communication Staff Development, 20 July 2020.

Wright, Mark Peter (2020) What Constitutes a Testimonial Voice? In: Audio Testimonies, 2-3 July 2020, Bournemouth Univeristy. Item not available online.

Voegelin, Salomé (2020) For Many Voices. In: For Many Voices, 15 February 2020, Middlesbrough Institute of Modern Art (MIMA), UK. Item not available online.

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Wright, Mark Peter and Voegelin, Salomé (2020) Experiments in Care-ful Listening. In: Experiments in Care-ful Listening, 12 January 2020, De La Warr Pavillion.

Lane, Cathy (2020) Cathy Lane: The stories we tell.....and are told. In: Bath Spa Creative Sound Forum Talks, 6 January 2020, Online. Item not available online.

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Gardner, Thomas (2019) Researching "Scored Out" a portable testimony to װאַסילישאָק for 3 musicians. In: Bournemouth University: Research Seminar Series, 13 November 2019, Bournemouth University.

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Taylor, j Milo (2019) Immersive Sound Masterclass. In: Aesthetica Short Film Festival, 2-30 November, York.

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Voegelin, Salomé (2019) Listening Conduits: hearing between ears and technologies. In: Auralities, 16 October 2019, CRASSH Cambridge University.

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Lane, Cathy (2019) Sound::Gender:: Feminism:: Activism. In: Sound::Gender:: Feminism::Activism Tokyo 2019, 4-5 October2019, Chinretsukan Gallery, Tokyo University of the Arts, Tokyo, Japan.

Voegelin, Salomé (2019) Weaving Nets from the Activities on the Margins. In: Topographies of Sound, 16-20 September 2019, Škuc Gallery, Ljubljana. Item not available online.

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Taylor, j Milo (2019) Ears Wide Open: Considerations of Immersive Sound in the Works of Stanley Kubrick. In: 3rd International Conference 'Music and Sound in Film and New Media', Lithuanian Academy of Music and Theatre.

Lane, Cathy (2019) Land Sound Struggle Music. In: Land Music: sound practices in the age of ecological crisis, 12-14 September 2019, City University, London. Item not available online.

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Voegelin, Salomé (2019) Making Sound Curating Volumes. In: Exhibiting Sound Art Symposium 2019, 23-25 August 2019, Gutenberg University, Mainz, Germany.

Voegelin, Salomé (2019) Sonic Materialism: A Philosophy of Digging and Gardening. In: RE:SOUND, the 8th International Conference on the Histories of Media Arts, 20-23 August 2019, Aalborg, Denmark. Item not available online.

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Wright, Mark Peter (2019) Heal/Toe. In: Geohumanities Summer School: Listening to Field, Voice and Body, 8-12 July 2019, Bude, Cornwall.

Voegelin, Salomé (2019) sonic materialism : sonic cosmopolitanism : raptures and responsibility. In: ICST-Musikgespräche Zhdk, 29 May 2019, University of the Arts Zürich, Switzerland. Item not available online.

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Voegelin, Salomé (2019) Listening out for Ambiguity and unreliable Things. In: Sound & Listening on the edge of Music, Performance, Film and New Media, 20 May 2019, Ghent Doctoral School.

Goh, Annie (2019) Sonic Knowledge Production in Archaeoacoustics – Theorising an ‘Aural Gnoseology’. In: Archaeologies of Media and Technology (AMT), 10 May 2019, Winchester School of Art, Southampton University, UK. Item not available online.

Voegelin, Salomé (2019) Unstable Contacts: a political imaginary made from water and honey. In: Oscillation Festival, 26-27 April 2019, Bruxelles. Item not available online.

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Voegelin, Salomé (2019) The Sonic Volume as a Sphere of Non-resilience. In: CTM Festival for Adventurous Music and Art 2019, 25 January - 3 February 2019, Berlin.

Voegelin, Salomé and Barney, Anna (2018) Accessing Disciplinary Hinterlands through Listening. In: ISSTA Irish Sound, Science and Technology Association conference on Who’s Listening? Sound and Public Space, 9 - 11 November 2018, Derry. Item not available online.

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Wynne, John and Xyrichis, Andreas (2018) Noise pollution in hospitals. In: Acoustics 2019: Conference of the UK Institute of Acoustics, 13 and 14 May 2019, Doubletree Hilton, Milton Keynes.

Voegelin, Salomé (2018) Disrupting the Dominant Song. In: Material Contemplations. Open Scriptures. International Colloquium on Notation. Contemporary Practices and Crossroads between Latin America and Europe, 12-14 September 2018, Universidad Nacional Autónoma de México, Mexico City. Item not available online.

Goh, Annie (2018) Sonic Cyberfeminisms and GenDyTrouble: Cyber*Feminist Computer Music. In: Critical Media In the Arts, 19 June 2018, University of Birmingham. Item not available online.

Voegelin, Salomé (2018) Possibilité politique du sonores: le son comme volume indivisible. In: Theatre Gaîté Lyrique, 14 June 2018, Paris, Theatre Gaîté Lyrique. Item not available online.

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Wright, Mark Peter and Gallagher, Michael and Rousell, David (2018) Becoming Listening Bodies: Soundwalking as a Pedagogy of Sensation. In: 5th Conference on Arts Based Research & Artistic Research Provoking Research and Social Intervention, 13 -15 March 2018, TATE Liverpool.

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Goh, Annie (2017) Sounding Cyber*feminist Futures. Speculations on Sonic Unknowns. In: The Future Sound of Pop Music, 30 November - 3 December 2017, HKB, Bern, Germany.

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Lane, Cathy (2017) 'A Manifesto for New Listening' (or 'Twenty thoughts about Listening'). In: Sonic waterloo, South London Sound Art Festival 2017, July 2017, Iklectik, London, SE1 7LG.

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Wright, Mark Peter (2017) Interference Acts: Performances Along the Threshold of the Human and Nonhuman. In: Postcards from the Anthropocene: Unsettling the Geopolitics of Representation, 22 - 24 June 2017, University of Edinburgh, School of Architecture and Landscape Architecture.

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Wright, Mark Peter (2017) Foleys from the Field. In: Liar Lyre, May 6th, 2017, Wellcome Collection.

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Lane, Cathy (2017) Soundings and re-soundings: a theme and variations. In: UAL Professorial Platform series 2017, 27 April 2017, London College of Communication.

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Voegelin, Salomé (2017) Geometry of Now. In: Geometry of Now, 20-27 February 2017, Moscow.

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Toop, David (2017) Becoming Animal. In: Talk: David Toop, 4 February 2017, Camden Arts Centre, London.

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Plum, Ingrid (2017) Response to: How do individuals and communities navigate gendered spaces in these [music and sound technology] practices? In: Activating Inclusive Sound Spaces, 8-9 Jul 2017, Huddersfield University.

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Voegelin, Salomé (2016) Sound Art as Public Art: performing the civic between listening and being audible. In: The Role and Position of Sounds and Sounding Arts in Public Urban Environments Leiden University, 29-30 November 2016, Leiden University the Netherlands.

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Toop, David (2016) Exhibition Histories: Sonic Boom. In: Exhibition Histories, 24 November 2016, Whitechapel Gallery, London.

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Voegelin, Salomé (2016) Sonic Possible Words Performance Lecture. In: Festival de Arte Sonoro Español (FASE), 04.11.2016, Hybrid Lab, Villa Bell, Marchstraße 8, Berlin.

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Lane, Cathy (2016) Disordering our Listening. In: Sonologia 2016 Out Of Phase, November 2016, Centro de Pesquisa e Formação SESC São Paulo 4º andar, Rua Dr. Plínio Barreto, 285 - Bela Vista, sao Paulo, Brazil.

Voegelin, Salomé (2016) ‘Curating Volumes: hearing architecture, light and words’. In: On Space and Sound: Study Day for Displaying, Collecting and Preserving Sound Pieces at Tate Britain, London, 27.10, 27.10.2017, Tate Britain, Millbank, London. Item not available online.

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Taylor, j Milo (2016) Media Encounters in Dark Ecologies: Soundscapes and Solar-powered Sound Circuits. In: Digital Research in the Humanities and Arts Conference, 4-7 September 2016, University of Brighton.

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Wynne, John and Wainwright, Tim (2016) Pain and Renewal in Organ Transplantation. In: Encountering Pain: hearing, seeing, speaking, 1-2 July 2016, University College London.

Alarcon, Ximena (2016) Tuning the Interface for Relational Listening. In: 3rd International Conference on Live Interfaces, 29 June - 3 July 2016, University of Sussex, Brighton, UK. Item not available online.

Lane, Cathy (2016) Why not our voices? New listenings and new worlds in the sonic imaginary. In: Sound Art Matters, 1-4 June 2016, Aarhus, Denmark. Item not available online.

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Voegelin, Salomé (2016) Morality of the invisible, ethics of the inaudible. In: Sound, Ethics, Art and Morality, 29-30 May 2016, Tel-Aviv University, Israel.

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Wynne, John (2016) The Intersection of Research and Practice. In: Research and Innovation Conference 2016: Practice-Related Research, 19-20 May 2016, Southampton Solent University, UK.

Lane, Cathy and Ingleton, Holly (2016) White Noise. In: sound acts :: music performance identity, 5-8 May 2016, Polychoros KET, Athens, Greece. Item not available online.

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Wright, Mark Peter (2016) "I" is another and another (looped). In: The Promises of Monsters, 28 -29 April 2018, University of Stavanger, Norway.

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Voegelin, Salomé (2016) Writing about the Sound of Unicorns. In: International Conference on Artistic Research: Writing as Practice, Practice as Writing, 28-29 April 2016, Royal Academy of Art, The Hague, Netherlands.

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Cusack, Peter (2016) Field Recording as Sonic Journalism. In: Hearing Landscape Critically, 21-22 April 2016, Faculty of Music, University of Oxford.

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Mullender, Rob (2016) Coding Bodies. In: Seeing Sound, 9th and 10th April, 2016, Bath Spa University.

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Wright, Mark Peter (2016) The Thing About Microphones. In: Sounding Out the Anthropocene: Investigating Sonic Media Ecologies, 10 -11 March 2016, Critical Media Lab, Basel.

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Lane, Cathy (2016) Playing with Words: Spoken language as material for composition. In: Conferencia “Playing with Words: Spoken language as material for composition”, 5 January 2016, Insituto de Estudios Avanzados, Universidad de Santiago de Chile, Santiago, Chile.

Lane, Cathy (2016) Music, Composition, Interdisciplinarity: States of Play. In: Music, Composition, Interdisciplinarity: states of play, 28 January 2016, Oxford Brookes University, UK. Item not available online.

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Lane, Cathy (2015) BEAM: Exploring maritime Kochi through sound. In: Sound Passages: passaggi di suono, 16 November 2015, Università Iuav di Venezia (IUAV), Venice, Italy..

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Lane, Cathy (2015) ‘BEAM and MAOS’: Two approaches to urban listenings. In: Sound Studies: Art, Experience, Politics, 5-8 July 2015, Centre for Research in the Arts, Social Sciences and Humanities (CRASSH), Cambridge, UK.

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Cascella, Daniela and Voegelin, Salomé (2015) Ora: Multisensory Conflict. In: Sound Studies: Art, Experience, Politics, 8-10 July 2015, CRASSH, University of Cambridge, UK.

Lane, Cathy (2015) Disordered Listening. In: Disordered Listening Workshop, June 18 -19, 2015, Academy of Fine Arts, Schillerplatz 3, 1030 Vienna, Austria. Item not available online.

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Voegelin, Salomé (2015) Inaudible Disaster Warnings. In: Aural Lighthouses, 17-22 May 2015, Santorini.

Lane, Cathy (2015) Of Narratives that are fractured and those that need to be fractured. In: Fractured Narratives - Improvised sounds and stories, 25 April 2015, Queen’s University Belfast, Northern Ireland. Item not available online.

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Toop, David (2015) In Praise of Blandness: An exploration of hyper-nothingness. In: No Needless Noise: Silence and Music, 25 - 26 February 2015, Royal College of Music, London, UK.

Wright, Mark Peter (2015) Re-hearing environmental sound arts asymmetrical relations. In: Hearing Landscape Critically: Music, Place, and the Spaces of Sound, 14 -16 January, Harvard University. Item not available online.

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Voegelin, Salomé (2014) Sound Art as Public Art. In: Invisible Places | Sounding Cities: Sound, Urbanism and Sense of Place, 18-20 July 2014, Viseu, Portugal.

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Wright, Mark Peter (2014) Whistle-blowing the field: how might perspectives and aesthetics of field recording adapt within a contemporary ‘post-crash’ world? In: Sound Studies: Mapping the Field. 2nd European Sound Studies Association (ESSA) Conference, 27 -29 June 2014, University of Copenhagen.

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Voegelin, Salomé (2014) Listening to the inaudible: The sound of unicorns. In: Sonar+D, 9-14 June 2014, Caixa Forum, Barcelona, Spain.

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Cusack, Peter (2014) Berlin Sonic Places. In: Recomposing the City: Sonic Art and Urban Architectures, 29 May 2014, Institute for Collaborative Research in the Humanities, Queens' University, Belfast. Item availability restricted.

Voegelin, Salomé (2014) Warm words, fine words, deep words…. In: Tertulia Writing Sound, 25th January 2014, Arnolfini, Bristol. Item not available online.

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Wright, Mark Peter (2013) (Auto) Dialogical Feedback & the Poetics of Letting Go. In: The Symposium on Acoustic Ecology, 8 - 9 November 2013, University of Kent.

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Voegelin, Salomé (2013) Writing as Phonography | Delhi Soundwords. In: Sound Reason Conference and Festival, November-December 2013, Delhi, India.

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Voegelin, Salomé (2013) Hearing the Continuum of Sound. In: Performance Research Seminars of the AHRC Research Centre for Musical Performance as Creative Practice, 7th October 2013, Senate House, London.

Voegelin, Salomé (2013) Response to Public and Private Listening, Sonozones, at “Prekäre Landschaften”. In: Prekäre Landschaften, 24-25.10.2013, Mülheim an der Ruhr. Item not available online.

Voegelin, Salomé (2013) Sound Words and Sonic Fictions. In: The Noises of Art: Audiovisual Practice in History, Theory and Culture, 4-6 September 2013, Aberystwyth, Wales, UK. Item not available online.

Lane, Cathy (2013) ‘Why not our Voices?’. In: 13th Feminist Theory and Musicology Conference, 31 July - 4 August 2013, Hamilton College, New York, USA. (Unpublished) Item not available online.

Carlyle, Angus (2011) Animal, vegetable, mineral. In: Rhythm & Event, 29th October 2011, London Graduate School. (Unpublished) Item not available online.

Lane, Cathy (2011) Sound, sense, babble and speech: approaches to the spoken word in contemporary sound arts practices. In: sforzando!, 14 - 19 June 2011, New York, USA. (Unpublished) Item not available online.

Wynne, John (2011) Bouncing off the Walls. In: Bouncing off the Walls, 23 March 2011, London College of Communication. Item not available online.

Gardner, Thomas (2011) The rehabilitation of schizophonia:  social interaction, sound and media in the Automatic Writing Circle. In: The Embodiment of Authority: Perspectives on Performances, 10–12 September 2010, Department of Doctoral Studies in Musical Performance and Research, Sibelius Academy, Helsinki, Finland.. (Unpublished) Item not available online.

Lane, Cathy (2011) Being there: meditations on listening, recording and composing. In: ICTM conference: Listening, 18 - 21 February 2011, University of Ulster, Derry, Northern Ireland. (Unpublished) Item not available online.

Carlyle, Angus (2011) Sounding Ethics. In: Documentary Now Conference, 28th of January 2011, University of Westminster. (Unpublished) Item not available online.

Lane, Cathy (2011) Babble and Speech : approaches to technology and the spoken word in contemporary sound arts practices. In: ISEA (International Symposium on Electronic Arts 2011, 14.9.2011-21.9.2011, Istanbul, Turkey. (Unpublished) Item not available online.

Voegelin, Salomé (2011) Listening to possible worlds. In: Sound Art Theories Symposium, 5 - 6 November 2011, Art Institute of Chicago. (Unpublished) Item not available online.

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Taylor, j Milo and Woolford, K and Norman, Sally Jane and Dunn, Stuart and Barker, Leon and White, Martin (2011) Motion in Place: Sounding Spaces, Movement, Affect and Technologised Mediation. In: World Forum for Acoustic Ecology, 3-7 October 2011, Corfu.

Wynne, John (2011) Sound art, documentary practices and ethical minefields: Trust, interpretive freedom and responsible engagement with vulnerable subjects. In: Documentary Now! A Conference on the Contemporary Contexts and Possibilities of the Documentary, 28-30 January 2011, University of Westminster, London. (Unpublished) Item not available online.

Wynne, John (2011) The Voice, the Rules and the Art. In: Clocks and Clouds, March 7, 2011, Toynbee Hall, London. (Unpublished) Item not available online.

Voegelin, Salomé (2011) The place my listening makes. In: Sounds and Sound Technology as Spatial Parameters, 2nd June 2011, ETH Zürich, Switzerland. (Unpublished) Item not available online.

Wynne, John (2010) Artist Talk by John Wynne. In: Artist Talk by John Wynne, July 2010, Museum of Anthropology, Vancouver. (Unpublished) Item not available online.

Carlyle, Angus (2010) “Soft Shadows and Bright Light: On Recording and Reality”. In: The World Forum For Acoustic Ecology: Ideologies and Ethics in the Uses and Abuses of Sound, June 16-19, 2010, Koli, Finland. (Unpublished) Item not available online.

Carlyle, Angus (2010) Sound Escapes Presentation. In: Beyond The Academy: Research As Exhibition, 14th May 2010, Tate Britain. (Unpublished) Item not available online.

Gardner, Thomas (2010) “Arab” and “avant garde” and multi-local avant-gardes? from Beirut and beyond. In: Volatile Frequencies: Topologies of Authority, Technology and Production in Contemporary Middle Eastern Music Practices, 18th - 20th November 2010, City University, London. (Unpublished) Item not available online.

Voegelin, Salomé and Jackson, Mark and Burrows, David (2010) Listening in the present time. In: Dead Fingers Talk, 12th June 2010, IMT Gallery. 2-210 Cambridge Heath Road, London, E2 9NQ. (Unpublished) Item not available online.

Voegelin, Salomé and Herrington, Tony and Montgomery, Will and Frosi, Helen (2010) We hear a new world: microphony technology and the rise of sound art. In: The Wire Salon, 2nd September 2010. (Unpublished) Item not available online.

Cusack, Peter (2010) The Wire Salon on Field Recording. In: The Wire Salon, 7th October 2010, Cafe Oto, London. (Unpublished) Item not available online.

Toop, David (2010) The body event: voice and recorded histories in the creation of a sound installation based on the ideas of the work of artist John Latham. In: [Record] [Create] Oral History in Art, Craft and Design, 2nd - 3rd July 2010, Victoria and Albert Museum. (Unpublished) Item not available online.

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Taylor, j Milo (2008) An Immersive Database of Sound Art: Towards a Minor History. In: Young investigators Forum in Culture Technology, 30-31 October 2008, Korean Advanced Institute of Science and Technology.

Voegelin, Salomé (2008) Digital listening. In: Approaches to the Born-Digital Challenge in Art & Design Archives, 11/11/2008, UCL, London. (Unpublished) Item not available online.

Carlyle, Angus (2006) Like Quails Clucking: Landscape, Soundscape and a Noisy Future? In: The West Meets the East in Acoustic Ecology. Item not available online.

Voegelin, Salomé (2001) "The Aesthetic and Conceptual Digital as Artistic Strategy". In: Digital Creativity: Crossing the Border The Proceedings of CADE 2001: the 4th Computers in Art and Design Education Conference, held at the Glasgow School of Art 9-12 April 2001. Item not available online.

Other

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Taylor, j Milo (2020) Sound, Memory and Forgetting.

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Taylor, j Milo (2020) Sound, Touch and Movement.

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Taylor, j Milo (2020) Illusion in Speech and Language.

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Taylor, j Milo (2020) Ambiguity, Paradox and Musical Illusion.

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Taylor, j Milo (2020) Cognitive Psychology and Music.

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Lane, Cathy and Carlyle, Angus and Ingleton, Holly (2016) Sound::Gender::Feminism::Activism (SGFA).

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Voegelin, Salomé (2016) ‘Listening to audible and inaudible sounds’(Performance Lecture).

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Toop, David (2015) Lost Shadows: In Defence of the Soul, Yanomami Shamanism, Songs, Ritual, 1978.

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Voegelin, Salomé (2015) Sound Art as Public Art.

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Cusack, Peter (2012) Berlin Sonic Places.

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Cusack, Peter (2012) Sounds from Dangerous Places.

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Wynne, John (2011) Andromache.

Lane, Cathy (2010) Playing with Words: an online compilation | Various Artists. Gruenrekorder ::. Phonography & Sound Art Item not available online.

Performance

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Taylor, j Milo (2023) Quatro Reinos / Pedair Teyrnas / Four Kingdoms. [Performance]

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Taylor, j Milo (2021) Sounds for an Empty House. [Performance]

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Taylor, j Milo and Ottavi, Julian and Pickett, Jenny (2019) Grand Computer Orchestra (GOO) Concert. [Performance]

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Taylor, j Milo and Ottavi, Julian (2019) Solo Experimental Soundscape: Electronic Bodies and the Abstract Morphology of the Real. [Performance]

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Voegelin, Salomé (2019) Listening to Indivisible Volumes. [Performance]

Gardner, Thomas (2018) Fortress for 3 musicians. [Performance] Item not available online.

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  • + 1 others
Taylor, j Milo and Hendrickse, Jan and Setohy, Saffy (2018) Hidden Architectures. [Performance]

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Wright, Mark Peter and Hunter, Helena (2017) This Debris Tells a Story. [Performance]

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Toop, David (2017) Instruments of Darkness. [Performance]

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Cusack, Peter (2016) Vogelsang. [Performance]

Gardner, Thomas and Voegelin, Salomé and Mollin, David (2016) Practising the Relationship. [Performance] Item not available online.

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Leister, Wiebke and Toop, David (2016) Echoes and Afterlives. [Performance]

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Alarcon, Ximena (2016) Suelo Fértil [Fertile Soil]: Telematic Sonic Performance. [Performance]

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Lane, Cathy (2016) Am I Here? [Performance]

Lane, Cathy (2015) Am I Here? [Performance] Item not available online.

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Lane, Cathy (2015) SCAN (composed dance score). [Performance]

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Taylor, j Milo (2015) Soundscapes UK-MX. [Performance]

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  • + 2 others
Taylor, j Milo and Fox, Alice (2015) It's a Wrap. [Performance]

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Taylor, j Milo and Cahen, Joel and Kannenberg, John (2015) Site-Specific Sound Performance. [Performance]

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Toop, David and Norment, Camille (2015) Rapture. [Performance]

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Voegelin, Salomé and Cascella, Daniela (2015) Performing Silences. [Performance]

Cusack, Peter (2015) Fields of Sound, Fields of Light. [Performance] Item not available online.

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Toop, David (2015) The Myriad Creatures will be Transformed of Their own Accord. [Performance]

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Voegelin, Salomé and Cascella, Daniela (2014) ora13: Listening and Writing: Sound Studies on the Radio. [Performance]

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Lane, Cathy (2014) Am I Here? (Live concert version). [Performance]

Gardner, Thomas (2014) Minuet On/Off. [Performance] Item not available online.

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Wright, Mark Peter (2014) I Suck. [Performance]

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Taylor, j Milo (2012) Sound Performance Duo at Klangkunst Mutiny II. [Performance]

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Taylor, j Milo (2012) Meditatio Sonus (Sonic Meditation). [Performance]

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Taylor, j Milo (2012) Photophonosynthesis. [Performance]

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Taylor, j Milo (2012) Ahad’s Masters Garden. [Performance]

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Taylor, j Milo (2012) Hardcore Impro. [Performance]

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Alarcon, Ximena (2012) Migratory Dreams - Telematic Sonic Performance. [Performance]

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Alarcon, Ximena (2012) Letters and Bridges - Telematic Sonic Performance. [Performance]

Alarcon, Ximena (2012) Networked Migrations: listening to and performing the in-between space. [Performance] Item not available online.

Lane, Cathy (2011) The Hebrides Suite. [Performance] Item not available online.

Voegelin, Salomé and Toop, David and Cascella, Daniela (2011) Performance Lecture. [Performance] (Unpublished) Item not available online.

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Toop, David and Michener, Elaine and Lewis, Barry (2010) Of Leonardo da Vinci: quills, a black giant, deluge. [Performance]

Lane, Cathy (2010) Tweed. [Performance] Item not available online.

Cusack, Peter (2010) Sounds from Chernobyl and other dangerous places. [Performance] Item not available online.

Gardner, Thomas (2010) Automatic writing circle. [Performance] Item not available online.

Lane, Cathy and Butcher, Rosemary and Bronstein, Pablo (2010) Destructive navigations. [Performance] Item not available online.

Lane, Cathy (2010) Sound History & Memory at ELEKTRONISCHER FRÜHLING Alte Schmiede, Vienna. [Performance] Item not available online.

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Toop, David (2010) Flat time/sounding. [Performance]

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Gardner, Thomas and Preston, Stephen and Edwards, Kirsten and Ayyaz, Seth and Coyte, Peter (2009) Automatic Writing Circle at the Sibelius Academy. [Performance]

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Lane, Cathy (2008) Episodes of Flight. [Performance]

Alarcon, Ximena (2008) Networked Improvisation “Listening and Remembering”. [Performance] Item not available online.

Lane, Cathy (2004) Hidden Voices, composition for dance; choreographed by R Butcher. [Performance] Item not available online.

Report

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Ingham, Mark and Martin, Jonathan and Vicente Richards, Ana (2022) 24hrs ON EARTH; We Are All Over The World ‘Learning to learn about racial, social and environmental (in)justice’. Project Report. Experimental Pedagogies Research Group, LCC.

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Alarcon, Ximena and Lane, Cathy (2015) Sound Matters: a framework for the creative use and re-use of sound. Project Report. University of the Arts London.

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Alarcon, Ximena and O'Brien, Donal (2014) Comparative Review Apps towards an ‘in-between’ performance app. Technical Report. CRiSAP. (Unpublished)

Show/Exhibition

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Clark, Edmund and Black, Crofton (2021) The Real and the Record. [Show/Exhibition]

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Goh, Annie (2021) Myths of Echo. [Show/Exhibition]

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Wynne, John and Wainwright, Tim (2019) Birds I wouldn't have heard. [Show/Exhibition]

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Voegelin, Salomé and Mollin, David (2018) A Cartography of Knuckles and Fingertips. [Show/Exhibition]

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Voegelin, Salomé and Mollin, David (2017) Aurality and Environment, Auralidad y Entorno, Exhibition at La Tabacalera Gallery in Madrid, Spain part of FASE 6. 30.11.17 – 02.02.18, with David Mollin (Mollin+Voegelin) and Brandon LaBelle. [Show/Exhibition]

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Cusack, Peter and Poznanska, Martyna (2017) There Will Be No Other Forest. [Show/Exhibition]

Toop, David and Bailey, Giles (2017) The Order In Expectedness and So On. [Show/Exhibition] Item not available online.

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Cusack, Peter (2017) Baikal Ice: Springtime Melt. [Show/Exhibition]

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Lane, Cathy and Hall, Lisa and Meena, Vari (2017) Connecting Columns. [Show/Exhibition]

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Wynne, John and Wainwright, Tim (2017) Transplant and Life. [Show/Exhibition]

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Mullender, Rob (2016) Works for Air. [Show/Exhibition]

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Mullender, Rob (2016) As Above, So Below. [Show/Exhibition]

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Wynne, John and Wainwright, Tim (2016) Transplant. [Show/Exhibition]

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Mollin, David and Voegelin, Salomé (2016) Languages of Exile. [Show/Exhibition]

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Cusack, Peter (2015) Daily Sounds All Around. [Show/Exhibition]

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Lane, Cathy (2015) The Hebrides Suite: mapping the islands in sound. [Show/Exhibition]

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Lane, Cathy (2015) Gaoth (Wind). [Show/Exhibition]

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Wynne, John and Wainwright, Tim (2015) Transplant. [Show/Exhibition]

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Taylor, j Milo and Gleeson, Connall (2015) Sound and The Urban Environment. [Show/Exhibition]

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Mollin, David and Voegelin, Salomé (2015) Nietzsche, Cyclists and Mushrooms: Language in Contemporary Art. [Show/Exhibition]

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Cusack, Peter (2015) Coal and Petrochemical Soundscapes: Some Personal Thoughts. [Show/Exhibition]

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Lane, Cathy (2015) Beam. [Show/Exhibition]

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Wynne, John (2015) Untitled installation. [Show/Exhibition]

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Wright, Mark Peter (2015) Strange Strangers (solo exhibition). [Show/Exhibition]

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Lane, Cathy (2014) Sweet Airs. [Show/Exhibition]

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Lane, Cathy (2014) Am I Here? (Fixed media exhibition version). [Show/Exhibition]

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Wynne, John (2014) Installation no 3 for high and low frequencies. [Show/Exhibition]

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Cusack, Peter (2014) Soundscapes of Taranto. [Show/Exhibition]

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Voegelin, Salomé and Mollin, David (2014) The Cyclist and the Mushroom. [Show/Exhibition]

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Voegelin, Salomé and Mollin, David (2014) Drafts. [Show/Exhibition]

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Voegelin, Salomé and Mollin, David (2014) Dustcatcher. [Show/Exhibition]

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Lane, Cathy and Brown, Tessa (2013) The Ties That Bind. [Show/Exhibition]

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Lane, Cathy (2013) Tweed. [Show/Exhibition]

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Wynne, John and Wainwright, Tim (2013) I Am Not the Cancer. [Show/Exhibition]

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Wright, Mark Peter (2012) 30 Minutes of Listening. [Show/Exhibition]

Wynne, John (2012) Installation no. 2 for high and low frequencies. [Show/Exhibition] Item not available online.

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Voegelin, Salomé (2012) Erlking. [Show/Exhibition]

Carlyle, Angus and Cox, Rupert (2011) Air pressure. [Show/Exhibition] Item not available online.

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Wynne, John (2011) Installation no 1 for high and low frequencies. [Show/Exhibition]

Clover, Catherine (2011) Birdbrain. [Show/Exhibition] Item not available online.

Voegelin, Salomé (2011) Sound art. [Show/Exhibition] Item not available online.

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Lane, Cathy and Butcher, Rosemary and Martin, Daria and Appleton, Melissa and Butcher, Matthew (2010) Lapped Translated Lines. [Show/Exhibition]

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Toop, David and Herrington, Tony (2010) Blow Up: Exploding Sound and Noise (London to Brighton, 1959-1969). [Show/Exhibition]

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Wynne, John (2010) Installation for 300 speakers, Pianola and vacuum cleaner. [Show/Exhibition]

Lane, Cathy (2010) In Combat with .... [Show/Exhibition] Item not available online.

Lane, Cathy (2010) ... the pickle jar is her home ... [Show/Exhibition] Item not available online.

Carlyle, Angus and Revell, Irene (2009) Sound Escapes. [Show/Exhibition] Item not available online.

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Toop, David (2009) Sound Traces : The LMC Archive. [Show/Exhibition]

Voegelin, Salomé (2007) Clickanywhere. [Show/Exhibition] Item not available online.

Toop, David (2005) Playing John Cage - curated a group exhibition related to composer John Cage. Organised and performed in the concert 'Playing John Cage Live' featuring other artists involved in the exhibition. [Show/Exhibition] Item not available online.

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Cusack, Peter and Clouter, Isobel (2002) Vermilion Sounds: monthly environmental sound program. [Show/Exhibition]

Thesis

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Chandy, Sunil (2022) Bible Noise: Hearing Hidden and Silenced Voices through Sound Art Practice in the Reading Aloud of the Bible. PhD thesis, University of the Arts London.

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Tariq, Syma (2022) Partitioned listening: sonic methodology and the archive after 1947. PhD thesis, University of the Arts London. Item availability restricted.

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Revell, Irene (2022) Live Materials: Womens Work, Pauline Oliveros & the feminist performance score. PhD thesis, University of the Arts London.

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Karlsson, Victoria (2022) Mapping Experiences of Inner Sounds. PhD thesis, University of the Arts London.

Goh, Annie (2020) Sonic Knowledge Production in Archaeoacoustics: Echoes of elsewhere? PhD thesis, Goldsmiths University of London. Item not available online.

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Kannenberg, John (2020) Listening to Museums: Sounds as objects of culture and curatorial care. PhD thesis, University of the Arts London.

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Smith, Timothy (2019) A Queering of Memory, Temporality, Subjectivity: Subversive Methods in Audiovisual Practice. PhD thesis, University of the Arts London.

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Allan, Jennifer (2019) Fog Tropes: A social and cultural history of the foghorn. PhD thesis, University of the Arts London. Item availability restricted.

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Parker, Matthew (2019) Vibrating the Web: Sonospheric Studies of Media Infrastructure Ecologies. PhD thesis, University of the Arts London.

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Gilmurray, Jonathan (2018) Ecology and Environmentalism in Contemporary Sound Art. PhD thesis, University of the Arts London.

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Marshall, Louise Catherine Antonia (2018) Deep Listening: The Strategic Practice of Female Experimental Composers post 1945. PhD thesis, University of the Arts London.

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Logan, Kevin (2018) How to DO(O) Things with Sounds: A Performative (Re)User Manual. PhD thesis, University of the Arts London.

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Scott-Cumming, Daniel (2017) The Listening Artist: On Listening as an Artistic Practice beyond Sound Art. PhD thesis, University of the Arts London.

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Tlalim, Tom (2017) The Sound System of the State: Sonic Strategies for Political Critique at the Borders of Palestine-Israel. PhD thesis, Goldsmiths University of London.

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Papadomanolaki, Maria Eftychia (2015) Sonic Perceptual Ecologies: Strategies for sound-­based exploration,perception and composition in spaces of transient encounters. PhD thesis, University of the Arts London.

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Spinks, Tansy (2015) Associating Places: Strategies for Live, Site Specific, Sound Art Performance. PhD thesis, University of the Arts London.

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Hall, Margaret A. (2015) Radio After Radio: Redefining radio art in the light of new media technology through expanded practice. PhD thesis, University of the Arts London.

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Garrelfs, Iris (2015) From inputs to outputs: an investigation of process in sound art practice. PhD thesis, University of the Arts London.

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Wright, Mark Peter (2015) Contact Zones and Elsewhere Fields: The Poetics and Politics of Environmental Sound Arts. PhD thesis, University of the Arts London.

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Jackson, Mark (2014) Nothing Short of Complete Liberation: The Burroughsian Ideal of Space as Curatorial Strategy in Audial Art. PhD thesis, University of the Arts London.

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  • + 8 others
Sinclair, Peter Francis (2013) Using Real-Time Data Flux In Art – The Mediation Of A Situation As It Unfolds: RoadMusic – An Experimental Case Study. PhD thesis, University of the Arts London.

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Mullender, Rob (2011) Silent Light, Luminous Noise: Photophonics, Machines and the Senses. PhD thesis, University of the Arts London.

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Taylor, j Milo (2009) ImMApp: An Immersive Database of Sound Art. PhD thesis, University of the Arts London.

This list was generated on Thu Dec 26 19:56:39 2024 GMT.

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