Items where Division is "Transnational Art Identity and Nation (TrAIN)"

Asbury, Michael (2023) Today is Always Yesterday: Contemporary Brazilian Art. Reaktion Books. ISBN 9781789148008

Asbury, Michael (2023) Floriano Romano: A Pele do Mundo. Futuros Arte e Tecnologia / Refresco produções, Rio de Janeiro. ISBN 978-65-982255-0-6

Asbury, Michael (2023) Pedrosa em Londres. In: Mario Pedrosa: Revolução Sensível. SESC / Perseu Abramo, São Paulo, pp. 217-232. ISBN 978-85-9493-251-8

Asbury, Michael (2022) Marcelo Silveira: Ata. Nara Roesler Books. ISBN 978-65-996226-8-7

Asbury, Michael (2022) Between Incomprehension and Forgetfulness: The 4th Bienal de São Paulo. In: Bienal de Sao Paulo since 1951. Fundacao Bienal de Sao Paulo, pp. 85-95.

Asbury, Michael (2021) Guy Brett – presence, absence. Concinnitas, 22 (42). pp. 412-415. ISSN 1981-9897

Asbury, Michael and Tawadros, Gilane (2021) Michael Asbury and Gilane Tawadros in conversation: Remembering Guy Brett through inIVA and the British Art Scene. Concinnitas, 22 (42). pp. 323-336. ISSN 1981-9897

Asbury, Michael (2021) Beyond Brazil: remembering Guy Brett through his own eyes. Arte e Ensaios, 27 (41). pp. 350-408. ISSN 2448-3338

Asbury, Michael (2021) Anna Maria Maiolino: Entrevidas, Vida Afora. In: Senzamargine: Passages in Italian Art at the turn of the Millenium. Marsilio Editori / Fondazione Maxxi, Venice / Rome, Italy, pp. 184-199. ISBN 978-88-297-0982-3

Asbury, Michael (2021) Form and Sensibility: Discursive Discrepancies in Concrete and Neoconcrete Art. In: Form and Feeling: The making of concretism in Brazil. Bronx Museum / Fordham Press, pp. 35-58. ISBN 9780823289110

Asbury, Michael (2020) Entre o ‘eu’ e o ‘universo’: Entrevidas de Anna Maria Maiolino. In: Jornada Internacional de Filosofia, Arte e Estetica, Unicamp, Campinas, 15 December 2020, Campinas (Online). Item not available online.

Asbury, Michael (2020) E Possivel se pensar numa arte contemporânea brasileira? In: Guest Lecture, 13 March 2020, Escola de Artes Visuais do Parque Lage, Rio de Janeiro.

Asbury, Michael (2020) E Agora José? Sergio Camargo e os circuitos internacionais de arte nos anos 1960. In: Encontros Fundamentais: IAC 20 Anos. Ubu, Sao Paulo, pp. 156-203. ISBN 978-85-7126-059-7

Asbury, Michael (2019) Anna Maria Maiolino: Articulations and Translations of and in Anthropophagy. In: Anna Maria Maiolino: Making Love Revolutionary. Whitechapel Gallery, London, pp. 35-39. ISBN 978-0-85488-279-3

Asbury, Michael (2019) Anna Maria Maiolino: Articulations and Translations of and in Anthropophagy. In: Anna Maria Maiolino: O Amor se Faz Revolucionario. PAC and Silvana Editoriale, Milan, pp. 87-91. Item availability restricted.

Asbury, Michael (2019) Cinthia Marcelle, Order and Process. In: Cinthia Marcelle: The Family in Disorder, Truth or Dare. Modern Art Oxford, Oxford, pp. 116-126. ISBN 978-9996404-3-9

Asbury, Michael (2018) Alfredo Volpi: at the crossroads of modernity. In: Alfredo Volpi - Frieze Masters Spotlight exhibition catalogue. AD Gallery, London, pp. 9-17.

Asbury, Michael (2018) Cruz Credo: anachronism and antagonism in the art of Antonio Dias. Paulo Darze Gallery, Salvador, Bahia, Brazil. Item not available online.

Asbury, Michael (2018) The Art of Diplomacy: Brazilian Modernism Painted for War. The Embassy of Brazil in London, London, pp. 35-41. ISBN 978-5272-1858-1

Asbury, Michael (2017) Rodrigo Andrade: um olhar em retrospecto [Rodrigo Andrade: a retrospective view]. In: Rodrigo Andrade: pintura e materia (1983-2014). Pinacoteca do Estado de Sao Paulo, Sao Paulo, pp. 25-35. ISBN 978-85-8256-094-5

Asbury, Michael (2017) Bilateral Teman de Helio Oiticica. In: Ars Symposium on Helio Oiticica, 26 October 2017, Universidade de São Paulo, Brazil. Item not available online.

Asbury, Michael (2017) Deu Bode no MAM: on the rise of politically motivated moralistic censorship in Brazil. In: Jornada de Pesquisa, 4 October 2017, UNESP, São Paulo.

Asbury, Michael (2017) The Global Within: A comparison on the reception of LGBT themed exhibitions in the UK and Brazil. In: Transnational Cities: Tokyo and London, 29-30 September 2017, Tate Britain, London. Item not available online.

Asbury, Michael (2017) Art History as Translation: towards a historiographical critique. In: International Conference of Research in Education, 19-21 July 2017, Escola Superior de Educacao, Instituto Politecnico do Porto. Item not available online.

Asbury, Michael (2017) Purity is a Myth: the monochrome in contemporary art. [Show/Exhibition] Item not available online.

Asbury, Michael (2017) Historiografias do Contemporâneo. Revista Modos, 1 (2).

Asbury, Michael (2017) Some notes on the contamination and quarantine of Brazilian art. In: Art/Histories in Transcultural Dynamics: Perspectives on Narratives and Frameworks in the 20th and 21st Century. Wilhelm Fink GmbH & Co. Verlags-KG. ISBN 978-3-7705-5939-8

Asbury, Michael (2017) Historiographies of the Contemporary: Modes of Translating in and from Conceptual Art. In: New Worlds: Frontiers, Inclusion, Utopias. Comitê Brasileiro de História da Arte (CBHA); Comité International de l’Histoire de l’Art and Vasto, Sao Paulo, pp. 188-201. ISBN ISBN: 978-85-93921-00-1

Asbury, Michael (2016) Between art criticism and art history. In: III Colloquium of Art Criticism and Art History, November 2016, National Museum, Brasilia. Item not available online.

Asbury, Michael (2016) Brasilia: anachronisms of utopia. In: 49th AICA Congress, 12 October 2016, Museo Nacional de Bellas Artes, Havana, Cuba. Item not available online.

Asbury, Michael (2016) Historiographies of the contemporary: Notes on translation. In: Genealogias Possiveis: arquivo, exibição e circulação, September 2016, Instituto das Artes, Campinas, UNICAMP. Item not available online.

Asbury, Michael (2016) Contaminação e Quarentena: Curadoria para inglês ver. VIS: Revista do Programa de Pós-graduação em Arte da UnB, 15 (2). pp. 254-266. ISSN 1518-5494

Asbury, Michael (2016) Volpi: at the crossroads of Brazilian modern art. [Show/Exhibition] Item not available online.

Asbury, Michael (2016) Form and Sensibility: Convergences in the thoughts of Mario Pedrosa and Herbert Read. In: Form and Feeling: The Making of Concretism, 8 February 2016, CUNY Graduate Centre, New York. Item not available online.

Arango Velasquez, Maria Isabel (2015) Acts of Endurance — A Creative Transformation in Times of Struggle in Contemporary Colombian Memory. PhD thesis, University of the Arts London. Item availability restricted.

Asbury, Michael (2015) Historiographies of the Contemporary. In: Joint Comité International de l'Histoire de l'Art (CIHA) and Comite Brasileiro de Historia da Arte (CBHA) Conference, 27 August 2015, Museu Nacional de Belas Artes, Rio de Janeiro. Item not available online.

Asbury, Michael (2015) Hélio Oiticica: O Q Faço é Música. In: II Seminario Internacional de Historia e Arte, May 2015, Universidade Federal do Paraná, Curitiba. Item not available online.

Asbury, Michael (2015) Notes on Translation. In: Possibilities of Exchange, May 2015, University of Edinburgh. Item not available online.

Asbury, Michael (2015) Modernity in Whose Name? In: Modernidad y vanguardia: rutas de intercambio entre España y Latinoamérica (1920-1970). Museo Reina Sofia, pp. 121-126. ISBN 978-84-8026-515-7

Asbury, Michael (2014) Process and organicism in post war constructivist art from Brazil. In: Sculpture Creatures, 26 November 2014, Henry Moore Institute, Leeds. Item not available online.

Asbury, Michael (2014) Maria Laet: Pedra Vão. [Show/Exhibition] Item not available online.

Asbury, Michael (2014) Franz Weissmann. In: LASA2014, 21-24 May 2014, Chicago, IL. Item not available online.

Asbury, Michael (2014) Notes on Hybridity from Contemporary to Modern Art. In: Guest Lecture, May 2014, MoMA, New York. Item not available online.

Asbury, Michael (2014) Daniel Senise: Painting and Duchamp. In: Guest Lecture, March 2014, Museu de Arte do Rio de Janeiro. Item not available online.

Asbury, Michael (2014) Hélio Oiticica and the notion of Creleisure. In: The Ludic Museum, 31 January–1 February 2014, Tate Liverpool. Item not available online.

Asbury, Michael (2013) Some problems with the notion of hybridity. In: Negotiating Art Historical Narratives and Transcultural Negotiation in the Ambits of Art, December 2013, Freie Universität Berlin, Germany. Item not available online.

Asbury, Michael (2013) Contesting Hybrid Notions within Brazilian Contemporary Art. In: Afternoons at the Institute, 11 November 2013, Concordia University, Montreal, Canada.. Item not available online.

Asbury, Michael (2013) Helio Oiticica and Brazilian Popular Culture. In: Guest Lecture, November 2013, Université du Québec à Montréal (UQÀM), Canada. Item not available online.

Akomfrah, John and Rughani, Pratap (2013) Interview. John Akomfrah in Conversation with Pratap Rughani at the AHRC Artists’ Moving Image Research Network. Moving Image Review & Art Journal (MIRAJ), 2 (2). pp. 214-226. ISSN 20456298

Asbury, Michael (2013) Curadoria Para Ingles Ver. In: Seminario Internacional sobre Curadoria, October 2013, Fundação Ibere Camargo, Porto Alegre, Brazil. Item not available online.

Asbury, Michael (2013) Modernism in Latin America and the great hybrid mix up. In: Encuentros Transatlánticos: discursos vanguardistas en España y Latinoamérica, 11-13 July 2013, Reina Sofia, Madrid, Spain. Item not available online.

Asbury, Michael (2013) The Monochrome as Historical Painting. In: Connecting Art Histories/Grounds for Comparison: Neo-vanguards and Latin American/Latino Art, June 2013, Bogota, Colombia. Item not available online.

Asbury, Michael (2013) 2892 de Daniel Senise: Entre o ser e o nada, o espectador. In: Symposium InED, 10-11 May 2011, Escola Superior de Educação, Politecnico do Porto, Portugal. Item not available online.

Asbury, Michael (2013) Displays of/from the other: a critical perspective on political correctness and the case of Brazilian contemporary art. In: International Conference on Widening Participation, April 2013, Göteborg, Sweden. Item not available online.

Asbury, Michael (2013) Iberê Camargo: o carretel – meu personagem. [Show/Exhibition] Item not available online.

Asbury, Michael (2013) Raymundo Colares: Hybridity is a Myth. In: Global Pop Symposium, 14-15 March 2013, Tate Modern, London. Item not available online.

Araujo, Ana (2013) Unmasking: a speculation on the meanings of domestic patterns and their cultural bearings. Home Cultures, 10 (1). pp. 5-24. ISSN 1751-7427 Item not available online.

Asbury, Michael (2013) Miguel Palma: man, machine and motion: night, night, Mr Tenjag. In: Miguel Palma, Jaguar Project. University of Warwick, Coventry, UK. ISBN 978-0957040441

Asbury, Michael (2012) Hélio Oiticica and the Hagomoro Noh Theatre play. In: International Meeting, Detours IV – Modus Locandi: Modes of Production / Modes of Exhibition, Reciprocal Influences, 1-3 November 2012, Guimarães, Portugal. Item not available online.

Asbury, Michael (2012) Anna Maria Maiolino: A biblioteca infinita e a fome de ler. In: Projeto Politica das Artes, August 2012, Fundação Joaquim Nabuco, Recife, Brazil. Item not available online.

Asbury, Michael (2012) Contaminações no Modernismo Brasileiro. In: Ciclo de Palestras, August 2012, Museu de Arte do Espirito Santo (MAES), Vitoria, Brazil. Item not available online.

Asbury, Michael (2012) Flans, Urnas Quentes and the Radicalism of a Cordial Man. In: Antonio Manuel: I want to Act, not Represent. Americas Society; Associação para o Patronato Contemporâneo, New York; São Paulo, pp. 26-44. ISBN 9781879128408

Asbury, Michael (2012) Hélio Oiticica: what I do is music, América Latina, extranjería y la pertenencia cultural: Artes visuales y música en los años sesenta. In: LASA2012 / Toward a Third Century of Independence in Latin America, 23rd - 26th May 2012, San Francisco, USA. (Unpublished) Item not available online.

Asbury, Michael (2012) Brazilian Contemporary Art as self-consuming. In: History Without Past: Counter-images of Coloniality Spain/Latin America, April 2012, Centro 2 de Mayo, Madrid. Item not available online.

Araujo, Ana (2012) Lina & Gio: the last humanists. [Show/Exhibition] Item not available online.

Asbury, Michael (2011) Science and Sensibility in Brazilian modern art. In: Meeting Margins, December 2011, Tate Modern, London. Item not available online.

Asbury, Michael (2011) The Colonel and the Hippie: Hard Line and Soft Drugs during the Brazilian Economic Miracle. In: The Politics of Camouflage in Artistic Practices from the 1970s, October 2011, Columbia University, New York. Item not available online.

Asbury, Michael (2011) Dislocations and transitions in the work of Antonio Manuel. In: Antonio Manuel Symposium, October 2011, New York, USA. (Unpublished) Item not available online.

Asbury, Michael (2011) Anna Maria Maiolino: Utopias e Subjetividades. In: ANPAP (Associação Nacional de Pesquisadores de Artes Plasticas), 26 September - 1 October 2011, State University of Rio de Janeiro, Brazil. Item not available online.

Asbury, Michael (2011) Modernismo in São Paulo and L’Esprit nouveau in Paris. In: Abstract Space Concrete Media: Avant-gardes beyond Western Modernism, 27-28 May 2011, MUMOK Lounge Akademie der Bildenden Kunste Wien and Museum Moderner Kunst Stiftung, Ludwig Wien, Vienna, Austria.

Araujo, Ana and Herval, Silvia and Vaz, Ana (2011) Aqui fazemos nuvens. In: Aqui Fazemos Nuvens, 2 - 7th May 2011, Aglomerado da Serra, Belo Horizonte, Brazil. (Unpublished)

Araujo, Ana (2011) Artesanato no campo expandido. In: Design e Política: Seminário Internacional Design e Política, Mostra de Design event, Belo Horizonte, Brazil. (Unpublished) Item not available online.

Asbury, Michael (2011) Julio Villani: for a playful domestication of history. Archibooks, Paris, pp. 10-11. ISBN 9782357331235

Asbury, Michael (2011) Antonio Manuel: Ocupações / Descobrimentos. (des)locações / (dis)locations.

Asbury, Michael (2011) Flans and urnas quentes by Antonio Manuel. In: Antonio Manuel: Art Catalogue. Americas Society, New York, USA. Item not available online.

Al-Ani, Jananne (2010) The Disappearing Body. In: Photographic Portraiture Transgressive and Transformative Potentials, November 5th 2010, Chelsea College of Art and Design, London. (Unpublished) Item not available online.

Asbury, Michael (2010) Afro modern: journeys through the black Atlantic. In: Ler a historia social através da arte en Brasil desde o século dezoito á actualidade: Algunhas Reflexions sobre o Atlantico Negro, 15 October 2010, Santiago de Compostela, Spain. (Unpublished) Item not available online.

Asbury, Michael (2010) Antonio Manuel: a instalação como pintura: pintura como instalação (painting and installation in the work of Manuel Antonio). In: The Contemporary Painting and (m) of their fields, 2010, Porto Alegre, Brazil. (Unpublished) Item not available online.

Asbury, Michael (2010) Anna Maria Maiolino: continuous. [Show/Exhibition]

Asbury, Michael (2010) Antonio Manuel: A Instalação como Pintura – A Pintura como Instalação. In: A Pintura Contemporanea e(m) seus Campos, Ciclo de Palestras, April 2010, Porto Alegre, Brazil. Item not available online.

Asbury, Michael (2010) Anna Maria Maiolino’s Articulations of the Notion of Anthopophagy. In: Sub-Objects and Studiowork: From Eva Hessa to Anna Maria Maiolino, 6 February 2010, University College London. Item not available online.

Asbury, Michael (2009) Neoconcrete Experience. [Show/Exhibition]

Asbury, Michael (2009) Insertions, Situations and Clandestines: The work of Cildo Meireles, Artur Barrio and Antonio Manuel in the late-1960s and early 1970s. In: Outside the Material World: The exhibition, circulation and insertion of art beyond the market, December 2009, Tate Modern. Item not available online.

Asbury, Michael (2009) Rosángela Rennó: ‘Ring’. [Show/Exhibition] Item not available online.

Asbury, Michael (2009) Brazilian Art and the International Avant-Garde. In: Departmental lecturers at Department of Art History, November 2009, University of North Carolina, Asheville, USA. Item not available online.

Asbury, Michael (2009) Daily Heterotopias. [Show/Exhibition]

Asbury, Michael (2009) This Same World Over. [Show/Exhibition] Item not available online.

Asbury, Michael (2009) Anna Maria Maiolino: Order and Subjectivity. Pharos Publishers, Nicosia, Cyprus. ISBN 9789963919956 Item not available online.

Asbury, Michael (2009) From constructivism to pop: Avant-Garde practices in Brazil, Britain and North America between the 1950s and 1960s. In: Crossing Cultures: Conflict, Migration and Convergence: The Proceedings of the 32nd International Congress of the History of Art. The Miegunyah Press, Melbourne, Australia, pp. 743-746. ISBN 9780522855005

Asbury, Michael (2009) Neoconcrete Experience.

Asbury, Michael (2008) The Bienal de São Paulo between the National and the International. In: Bienais, Bienais, Bienais... The Biennial see from Outside, 8 November 2008, Bienal de São Paulo Pavilion, Parque Ibirapuera, São Paulo.

Asbury, Michael (2008) A Arte Brasileira no Exterior. In: I Congresso do Brasil na Europa, November 2008, Universidad de Salamanca, Spain. Item not available online.

Asbury, Michael (2008) Cildo Meireles: Occasion. [Show/Exhibition] Item not available online.

Asbury, Michael (2008) Cao Guimarães: Gambiarras. [Show/Exhibition] Item not available online.

Asbury, Michael (2008) Pharos Collection: Tenth Year Anniversary. [Show/Exhibition] Item not available online.

Asbury, Michael (2008) José Patricio. [Show/Exhibition] Item not available online.

Asbury, Michael (2008) Anna Maria Maiolino. [Show/Exhibition]

Asbury, Michael (2008) Sutapa Biswas: Birdsong. [Show/Exhibition] Item not available online.

Asbury, Michael (2008) From Constructivism to Pop. In: 32nd International Congress of Art Historians (CIHA), 8 January 2008, University of Melborne, Australia. Item not available online.

Asbury, Michael (2007) Detanico & Lain. [Show/Exhibition]

Asbury, Michael (2007) Anna Maria Maiolino: Order and Subjectivity. [Show/Exhibition] Item not available online.

Asbury, Michael (2007) The Transnationality of Concrete Art. In: Transnational Correspondance, 14 September 2007, Tate Modern. Item not available online.

Asbury, Michael (2007) Exhibiting Oiticica: an issue of conceptual conservation. In: Hélio Oiticica, June 2007, Tate Modern, London. Item not available online.

Asbury, Michael (2007) Angela Detanico, Rafael Lain. Pharos Publishing, Cyprus. ISBN 9789963919932 Item not available online.

Asbury, Michael (2006) Detanico & Lain: After Utopia. [Show/Exhibition] Item not available online.

Asbury, Michael (2006) Art in Brazil from the 1950s to the 1960s. In: Espaço Aberto/Espaço Fechado: sites for sculpture in modern Brazil, March 2006, Henry Moore Institute, Leeds. Item not available online.

Asbury, Michael (2006) Antonio Manuel. Pharos Publishing, Cyprus. ISBN 9789963919901 Item not available online.

Asbury, Michael (2006) The Bienal de São Paulo: Between Nationalism and Internationalism. In: Espaço Aberto/ Espaço Fechado: Sites for Sculpture in Modern Brazil. The Henry Moore Institute, Leeds, pp. 72-83. ISBN 1900081997 Item not available online.

Asbury, Michael (2005) Antonio Manuel. [Show/Exhibition] Item not available online.

Asbury, Michael (2005) Neoconcretism and minimalism: on Ferreira Gullar’s theory of the non-object. In: Cosmopolitan Modernisms. InIVA / MIT, pp. 168-189. ISBN 9780262633215

Asbury, Michael (2004) From Foreground to Background: the development of cubism and its relation to Latin American artists. In: Nation, Identity and Modernity: Visual Culture of India, Japan and Mexico 1860s-1940s, 24 June 2004, Victoria and Albert Museum, London. Item not available online.

Asbury, Michael and Wegner, Claudia (2004) Artivists. [Show/Exhibition] Item not available online.

Asbury, Michael (2004) A history of “making do”: the dissemination of Brazilian modern and contemporary art. In: Gambiara: New Art from Brazil, March 2004, Firstsite, Minories Art Gallery, Colchester. Item not available online.

Asbury, Michael (2002) Sebastião Salgado. [Show/Exhibition] Item not available online.

Asbury, Michael (2002) Is Brazilian Modernism an Alternative Modernism? In: Association of Art Historians (AAH) Annual Conference, April 2002, University of Liverpool. Item not available online.

Asbury, Michael (2001) From Brasilia to Tropicália, Transcultural Architecture in Latin America. In: Transcultural Architecture in Latin America, 9-10 November 2001, Senate House, University of London. Item not available online.

Asbury, Michael (2001) Experiment: Experiência. In: Experiment: Experiência, 1 October 2001, Modern Art Oxford.

Asbury, Michael (2001) Hybridity and Brazilian Contemporary Art. In: Tate Liverpool Critical Forum, June 2001, Tate Gallery, Liverpool. Item not available online.

Asbury, Michael (2001) Art and Identity in Contemporary Brazil. In: Annual Conference of the Society of Latin American Studies, April 2001, University of Birmingham. Item not available online.

Asbury, Michael (2001) Introduction to ‘Ideals of Modernity. Rio de Janeiro 1950 -1964’. In: Ideals of Modernity. Rio de Janeiro 1950 -1964, April 2001, Tate Modern, London. Item not available online.

Asbury, Michael and Venancio, Paulo (2001) Rio de Janeiro 1950 - 1964. [Show/Exhibition] Item not available online.

Asbury, Michael (2000) Paradox or Paradigm: Hélio Oiticica and the notion of Other Modernities. In: 30th International Congress of Art Historians (CIHA), 3-8 September 2000, London. Item not available online.

Asbury, Michael and Baddeley, Oriana (2000) Other Modernities: Foreign Investment, Milton Machado, Cildo Meireles, Yinka Shonibare. [Show/Exhibition] Item not available online.

Boyce, Sonia (2022) Feeling Her Way. [Art/Design Item]

Boyce, Sonia (2022) Yes, I Hear You. [Art/Design Item]

Boyce, Sonia and Price, Dorothy (2021) Dearly Beloved or Unrequited? To Be 'Black' in Art's Histories. Art History, 44 (3). pp. 462-480. ISSN 0141 6790

Boyce, Sonia (2021) Newham Trackside Wall. [Art/Design Item]

Boyce, Sonia (2020) In the Castle of My Skin. [Art/Design Item]

Boyce, Sonia (2019) Dearly Beloved: Transitory Relations and the Queering of 'Women's Work' in David Medalla's A Stitch in Time (1967-72). In: Conceptualism – Intersectional Readings, International Framings: Situating ‘Black Artists & Modernism’ in Europe. Van Abbe Museum, pp. 282-299. ISBN 9789490757199

Bartlett, Djurdja (2019) Fashion and Politics. Yale University Press, London.

Boyce, Sonia (2019) All the Rage: For Oluwale and Destruction of the National Front. In: The Place is Here: The Work of Black British Artists in 1980s Britain. Sternberg Press, Eindhoven, pp. 115-138. ISBN 978-3956794667

Boyce, Sonia (2019) From Substrate to Riverbed. In: Frank Bowling. Tate Publishing, London, pp. 70-77. ISBN 978-1849766289

Bartlett, Djurdja (2018) Soviet Fashion in the 1920s: Fusion of socialism and Art Deco. In: Roaring 1920s in Russia: Art, Design, Architecture, 3 May 2019, Dorich House/Kingston University.

Baddeley, Oriana (2018) Fred Boissonnas in Egypt. [Show/Exhibition] Item not available online.

Bartlett, Djurdja (2018) ‘Ways of living at home abroad or abroad at home’. In: New Borders, New Boundaries: Fashion in a Shifting World, 17 March 2018, Calvert 22 Foundation, 22 Calvert Avenue, London.

Baddeley, Oriana (2018) Frida Re-Dressed. In: Frida Kahlo: Making Herself Up. V&A, London, pp. 174-187. ISBN 9781851779604

Baddeley, Oriana (2018) Teresa Margolles: from Carousel to Dance Floor. In: ANOTHER KIND OF LIFE: PHOTOGRAPHY ON THE MARGINS. Barbican Centre, London. ISBN 9783791384276

Baddeley, Oriana (2017) Boissonnas in Egypt. Saint Catherine Foundation, London. ISBN 9781906908478

Baddeley, Oriana (2013) Last Rites: From Frida Kahlo to Teresa Margolles, Mexicanness and Visualizing the Politics of Victimhood. In: The Ghosts of the Mexican Revolution. Peter Lang.

Brooks, Ethel (2012) Digging Through the Rubble: Romani Women’s Holocaust Testimony and What it Tells us about History. In: TrAIN & CCW Graduate School Open Lecture, 25 January 2012, Chelsea College of Art and Design, London SW1P 4JU.

Baddeley, Oriana (2011) Fred Boissonnas: The Sinai Expeditions 1929-1933. musee de l'art chretien, Geneva. ISBN 90780955862823

Barson, Tanya and Baddeley, Oriana (2011) Itinerant drawing from Latin America. In: Travelling Lines: Drawing as an Itinerant Practice, 22-23 September 2011, Chelsea College of Art and Design. (Unpublished)

Brett, Guy (2007) Grippo's Vision. Third Text, 21 (4). pp. 417-430. ISSN 09528822 Item not available online.

Basham, Anna Elizabeth (2007) From Victorian to Modernist: the changing perceptions of Japanese architecture encapsulated in Wells Coates' Japonisme dovetailing East and West. PhD thesis, University of the Arts London.

Brett, Guy and Figueiredo, Luciano (2007) Oiticica in London. Tate Publishing. ISBN 9781854377470 Item not available online.

Baddeley, Oriana (2007) The Relocation of Authenticity and Transnational Dilemmas. In: Arte and Ensaios: Transnational Correspondence (special edition). Universidade Federal do Rio de Janeiro, Rio de Janeiro, pp. 68-82. ISBN 15561692 Item not available online.

Brett, Guy (2005) Brasil Experimental arte/vida: proposicoes e paradoxos. Rio de Janeiro: Contra Capa Livraria Ltda.. ISBN 85-86011-94-0

Baddeley, Oriana (2005) Reflecting on Kahlo: Mirrors, Masquerade and the Politics of Identification. In: Frida Kahlo. Tate Publishing, London, pp. 47-53. ISBN 9781854375674

Brett, Guy (2004) Carnival of Perception: Selected Writings on Art. inIVA. ISBN 1899846344

Baddeley, Oriana (1994) Engendering New Worlds: Allegories of Rape and Reconciliation. Art and Design Magazine. ISSN 1854902202

Baddeley, Oriana (1992) Nostalgia for a new world. Third Text, 6 (21). pp. 29-34. ISSN 0952-8822

Collins, Jane (2024) Report from Kampala, Uganda. Theatre and Performance Design, 10. ISSN 2332-2551

Choy, Gerard (2023) Sounding Chinese: Tracing the Voice of Early 20th Century to Present day Transnational Chinese. PhD thesis, University of the Arts London.

Collins, Jane (2018) Orosei,Sardinia: Museo Don Giovanni Guiso. Theatre and Performance Design, 4 (1-2). pp. 149-164. ISSN 23322551

Collins, Jane and Anandhakrishnan, B. (2018) Against a hierarchy of expressive means; arguments for new pedagogies in performer education in India and the UK. Studies in Theatre and Performance. ISSN 2040-0616 online Print 14682761

Collins, Jane (2017) Playing with Materials: Performing effect on the indoor Jacobean stage. In: The Routledge Companion to Scenography. Routledge, Oxon and New York, pp. 215-224. ISBN 978-1-138-91780-4

Cherry, Deborah (2017) Suitcase Aesthetics: The Making of Memory in Diaspora Art in Britain in the Later 1980s. Art History, 40 (4). pp. 784-807. ISSN 01416790

Collins, Jane and Brooks, Ethel (2017) Scenography Matters: Performing Romani Identities as Strategy and Critique. In: Scenography Expanded. Performance and design . Bloomsbury, London, pp. 95-111. ISBN 9781474244398

Crippa, Elena and Steeds, Lucy (2016) Exhibition, Design, Participation: ‘an Exhibit’ 1957 and Related Projects. Exhibition Histories . London: Afterall Books. ISBN 978-3-86335-897-6

Cherry, Deborah and Dickson, Malcolm (2016) Maud Sulter: Passion. [Show/Exhibition]

Cherry, Deborah (2015) The Ghost Begins By Coming Back: Revenants and Returns in Maud Sulter's Photomontages. Maud Sulter: Syrcas.

Collins, Jane (2015) Report from the Edinburgh International Festival August 2015. Theatre and Performance Design, 1 (3). pp. 256-267. ISSN 2332-2551

Cherry, Deborah (2015) The Ghost Begins by Coming Back. Revenants And Returns In Maud Sulter’s Photomontages. In: Revival. Memories, Identities, Utopias. Courtauld Books Online (3). The Courtauld Institute of Art, London, pp. 29-44. ISBN 978-1-907485-04-6

Cherry, Deborah (2015) Maud Sulter: Passion. Altitude Editions, London UK. ISBN 978-1-906908-36-2

Cherry, Deborah (2015) Poetry--in Motion. In: Maud Sulter: Passion. Altitude Editions, London, pp. 8-19. ISBN 978-1-906908-36-2

Cherry, Deborah (2015) Maud Sulter: Passion. [Show/Exhibition]

Cherry, Deborah (2015) The Contradictions of the (Para)National. In: Association of Art Historians Annual Conference, 9-11 April 2015, Norwich.

Collins, Jane (2015) Introduction to Aesthetics of Absence, Texts on Theatre by Heiner Goebbels. In: Aesthetics of Absence: Texts on Theatre. Routledge, Abingdon, Oxon and New York. ISBN 9780415831048

Cherry, Deborah (2014) The Afterlives of Monuments. Routledge, Oxford. ISBN 9780415739399

Cherry, Deborah (2014) Altered States: the social biographies of works of art. She Loved to Breathe - Pure Silence (1987-2012) by Zarina Bhimji. In: Tra memoria e oblio: percorsi nella conservazione dell'arte contemporanea. Castelvecchi, Rome, pp. 210-228. ISBN 9788876159350

Cherry, Deborah (2013) With her Fingers on the Political Pulse: The Transnational Curating of Maud Sulter. In: Politics in a glass case: feminism, exhibition cultures and curatorial transgressions. Value, art, politics (7). Liverpool University Press, Liverpool, UK, pp. 205-226. ISBN 9781846318931

Cherry, Deborah (2012) Elizabeth Eleanor Siddall (1829–1862). In: Cambridge Companion to the Pre-Raphaelites. Cambridge companions to literature . Cambridge University Press, Cambridge, pp. 183-195. ISBN 9780521719315

Cherry, Deborah (2012) Elizabeth Eleanor Siddall, 1829-61. In: The Cambridge Companion to the Pre-Raphaelites. Cambridge Companions to Literature . Cambridge University Press, pp. 183-195. ISBN 9780521895156

Courtenay, Philip (2011) Through the looking glass. [Art/Design Item] Item not available online.

Courtenay, Philip and Min, Ling and Kearney, Jonathan (2010) Art in the cities: biennial connections: biennale curatorial exchange. e-space on live stream Item not available online.

Cherry, Deborah (2010) The afterlives of monuments. In: The Afterlives of Monuments, 28-30th April 2010, Innovation Centre. (Unpublished) Item not available online.

Cherry, Deborah (2009) Wendelien van Oldenborgh | Lecture/Audience/Camera. In: Wendelien van Oldenborgh | Lecture/Audience/Camera, 14/10/2012, Lecture Theatre - Chelsea College of Arts and Design.

Cherry, Deborah (2009) In a word, Pre-Raphaelite, Pre-Raphaelites, Pre-Raphaelitism. In: Writing the Pre-Raphaelites: Text, Context, Subtext. Ashgate, Farnham, pp. 17-51. ISBN 9780754657170

Cherry, Deborah (2008) About Mieke Bal. Wiley-Blackwell, Oxford, UK. ISBN 9781405186568

Cherry, Deborah and Tatchell, Nick (2008) TrAIN Conversation: Sebastian Lopez. In: TrAIN Conversation: Sebastian Lopez, 03/06/08.

Cherry, Deborah and Cullen, Fintan (2008) Spectacle and Display. Wiley-Blackwell, Oxford, UK. ISBN 9781405175241

Cherry, Deborah and Cullen, Fintan (2007) Location. Wiley-Blackwell, Oxford, UK. ISBN 9781405146944

Cherry, Deborah (2007) A Sea of Senses. In: Right about Now, Art and Theory since the 1990s. Valiz, Amsterdam. ISBN 978-90-78088-17-2

Cherry, Deborah (2007) Spatial conversations: on the candy spills of Felix Gonzalez-Torres. Dialogis Espaciais: os Derramamentos de caramelos de Felix Gonzalez Torres. Arte e Ensaios / Arts and Essays (14). pp. 96-109. ISSN 15161692

Cherry, Deborah (2006) Statues in the Square: Hauntings at the Heart of Empire. Art History, 29 (4). pp. 660-697. ISSN 01416790

Cherry, Deborah (2006) About Stephen Bann. Wiley-Blackwell, Oxford, UK. ISBN 9781405148306

Cherry, Deborah and Scott, Katie (2005) Between Luxury and the Everyday: Decorative Arts in Eighteenth-Century France. Wiley-Blackwell, Oxford, UK. ISBN 9781405131681

Cherry, Deborah and Helland, Janice (2005) Local/Global: Women Artists in the Nineteenth Century. Ashgate, Aldershot. ISBN 9780754631972

Cherry, Deborah (2005) Art: History: Visual: Culture. Blackwell Publishing, Oxford, UK. ISBN 9781405119658

Cherry, Deborah (2004) Dreaming Awake: Images of Women in Pre-Raphaelite Art. In: Waking Dreams: The Art of the Pre-Raphaelites from the Delaware Art Museum. Art Services International, Alexandria, Virginia, US. ISBN 9780883971376

Cherry, Deborah (2003) Going Places: Women Artists in Central London in the 1850s and 1860s. The London Journal, 28 (1). pp. 73-96. ISSN 0305-8034 Item not available online.

Cherry, Deborah (2003) The Art of the Senses and the Making of a Diasporan Aesthetics: Zarina Bhimji's 'She Loved to Breathe–Pure Silence', 1987-2002. Tessera, 32. pp. 34-45. ISSN 1923-9408

Cherry, Deborah (2002) Earth into the World, Land into Landscape: The “Worlding” of Algeria in Nineteenth-Century British Feminism. In: Orientalism’s Interlocutors Painting, Architecture, Photography. Duke University Press. ISBN 978-0-8223-2874-2

Cherry, Deborah and Walker, Lynne (2002) Elizabeth Garrett Anderson: Image, Identity and Space in the Modernization of Nineteenth-century Medicine. Visual Culture in Britain, 3 (2). pp. 33-56. ISSN 1471-4787 Item not available online.

Cherry, Deborah (2002) On the Move: My Bed, 1998-99. In: The Art of Tracey Emin. Thames and Hudson, pp. 134-154. ISBN 0500283850 Item not available online.

Cherry, Deborah (2001) Beyond the Frame: Feminism and Visual Culture, Britain 1850-1900. Routledge, London, UK; New York, NY, USA. ISBN 9780415107273

Cherry, Deborah (2000) Troubling Presence: body, sound and space in installation art of the mid-1990s. Revue d'Art Canadienne / Canadian Art Review, 25 (1-2). pp. 12-30. ISSN 0315 9906 Item not available online.

Donkor, Kimathi (2024) Amble Awhile. [Art/Design Item]

Donkor, Kimathi (2024) Envisioning Charles and Sanite Belair. In: Rasanblaj Fanm: Stories of Haitian Womanhood, Past, Present and Future, 10-12 July 2024, University of Central Lancashire, Preston, United Kingdom.

Donkor, Kimathi (2024) The British Museum collection display of 'Yaa Asantewaa Inspecting the Dispositions at Ejisu'. [Show/Exhibition]

Donkor, Kimathi (2024) Linger Awhile. [Art/Design Item]

Donkor, Kimathi (2024) Kimathi Donkor: Black History Painting. [Show/Exhibition]

Donkor, Kimathi (2024) The Miraculous Destiny of James Somerset. [Art/Design Item]

Donkor, Kimathi (2024) The Time Is Always Now: Artists Reframe the Black Figure. [Show/Exhibition]

Donkor, Kimathi (2024) Soulscapes. [Show/Exhibition]

Donkor, Kimathi (2023) Mary Prince Dictating to Susanna Strickland. [Art/Design Item]

Delice, Serkan (2023) Fashion’s Transnational Inequalities: Socio-Political, Economic, and Environmental. Routledge. ISBN 9781032113845

Delice, Serkan and Almila, Anna-Mari (2023) Introduction: Fashion and Transnational Inequalities – What, Where, Why? In: Fashion’s Transnational Inequalities: Socio-Political, Economic, and Environmental. Routledge. ISBN 9781032113845 Item availability restricted.

Donkor, Kimathi (2023) Painting Landscape. In: Arcadia for All? Rethinking Landscape Painting Now, 22 June 2023, The Stanley & Audrey Burton Gallery, Leeds University, Leeds, UK.

Donkor, Kimathi (2023) Helix/Idyl. [Show/Exhibition]

Donkor, Kimathi (2023) Kumasi. [Art/Design Item]

Donkor, Kimathi (2023) Sharjah Biennial 15: Thinking Historically in the Present. [Show/Exhibition]

Donkor, Kimathi (2023) On Episode Seven. [Show/Exhibition]

Donkor, Kimathi (2022) Ran Away By George 2. [Art/Design Item]

Donkor, Kimathi (2022) Takoradi. [Art/Design Item]

Donkor, Kimathi (2022) The Death of Clinton McCurbin. [Art/Design Item]

Donkor, Kimathi (2022) Helix: We Don't Move in Circles. [Art/Design Item]

Donkor, Kimathi (2022) Play, Rest, Work. [Show/Exhibition]

Donkor, Kimathi (2022) The Hikers. [Art/Design Item]

Donkor, Kimathi (2021) Notebook XXV V MMX. [Art/Design Item]

Donkor, Kimathi (2021) Kimathi Donkor: Notebooks. [Show/Exhibition]

Donkor, Kimathi (2021) idyls: Kimathi Donkor. [Show/Exhibition]

Donkor, Kimathi (2021) Andromeda with Gorgophone, Autochthe and Perseus. [Art/Design Item]

Donkor, Kimathi (2021) War Inna Babylon: The Community's Struggle for Truths and Rights. [Show/Exhibition]

Donkor, Kimathi (2021) Teaching Black Art in Thought & Practice. In: Group Speak, 2 April 2021, Harvard University.

Donkor, Kimathi (2021) Descending A Dune. [Art/Design Item]

Donkor, Kimathi (2021) Notebook XXXIX. [Art/Design Item]

Donkor, Kimathi (2019) Idyl of Osun, Ifé and Sango. [Art/Design Item]

Donkor, Kimathi (2019) Unmasking Africana in British Art. In: African Studies Centre Seminar, 31 January 2019, St Anthony's College, University of Oxford.

Donkor, Kimathi (2019) Art Projects P08: Notebooks. In: Drawing as Praxis: the Reinvention of Drawing, 19 January 2019, Business Design Centre, London, England.

Donkor, Kimathi (2018) Diaspora Pavilion: Venice to Wolverhampton. [Show/Exhibition]

Donkor, Kimathi (2017) Ink and Blood: Stories of Abolition / Challenging Histories. [Show/Exhibition]

Donkor, Kimathi (2017) Diaspora Pavilion, 57th Venice Biennale. [Show/Exhibition]

Donkor, Kimathi (2017) Untitled: Art on the Conditions of Our Time. [Show/Exhibition]

Donkor, Kimathi (2016) Making ‘Yaa Asantewaa Inspecting the Dispositions at Ejisu’. In: Revisiting Picturing Blackness, 4 April 2016, The Banqueting Suite, Chelsea College of Arts, London, England.

Donkor, Kimathi (2015) Kimathi Donkor: Some Clarity of Vision. [Show/Exhibition]

Donkor, Kimathi (2015) For Moses Had Married An Ethiopian Woman—Numbers 12:1. [Art/Design Item]

Dibosa, David (2014) Fugitive Direction: Reflections on the Troppen Museum. In: Amateur: Wendelien van Oldenborgh. Berlin: Sternberg Press, pp. 161-184. ISBN 9783956791918 Item not available online.

Donkor, Kimathi (2013) Daddy, I Want To Be A Black Artist. [Show/Exhibition]

Dibosa, David and Walsh, Victoria and Dewdney, Andrew (2012) Post-critical museology: theory and practice in the art museum. Routledge, London, UK. ISBN 978-0-415-60601-1, 978-0-415-60600-4

Donkor, Kimathi (2012) Kimathi Donkor: Queens of the Undead. [Show/Exhibition] Item not available online.

Donkor, Kimathi (2012) Happening To Be. [Show/Exhibition]

Doron, Itai and Perry, Martin (2010) Spotlight: Itai Doron, photographer, London UK. Out There, 2. pp. 12-17. ISSN 20439210

Dibosa, David and Dewdney, Andrew and Walsh, Victoria (2010) Cultural inequality, multicultural nationalism and global diversity: Tate encounters: Britishness and visual culture. In: Beyond Cultural Diversity: The Case for Creativity. A Third Text Report . Routledge on behalf of Black Umbrella, London, UK, pp. 81-91. ISBN 978-0-947753-11-5

Dyson, Lynda (2005) Reinventing the Nation: British Heritage and the Bicultural Settlement in New Zealand. In: The Politics of Heritage; The Legacy of 'Race'. Routledge Taylor and Francis Group, pp. 115-130. ISBN 0415322111 Item not available online.

Dyson, Lynda (2002) Collecting Practices and Autobiography: The Role of Objects in the Mnemonic Landscape of Nation. In: Temporalities: Autobiography and Everyday Life. Manchester University Press, pp. 128-140. ISBN 071905575X Item not available online.

Fer, Briony and Baddeley, Oriana, TrAIN Research Centre (2011) TrAIN open lecture: Gabriel Orozco: Mobile Work. In: TrAIN Open Lecture, 9th March 2011, Chelsea College of Art and Design. (Unpublished) Item not available online.

Goodwin, Paul (2018) Confessions of a Recalcitrant Curator: Or How to Re-Programme the Global Museum. In: The Persistence of Taste: Art, Museums and Everyday Life After Bourdieu. Culture, Economy and the Social . Routledge, London. ISBN 9781138670983 Item not available online.

Goodwin, Paul (2017) UNTITLED: Art on the conditions of our time. [Show/Exhibition] Item not available online.

Goodwin, Paul (2015) On Critical Curation - the role and the strategies of the curator in the age of globalization. In: Arts and Globalisation: Achieving Intercultural Dialogue Through the Arts, May 26-28 2015, Øksnehallen, Copenhagen.

Goodwin, Paul and Walsh, Victoria and Mari, Bartomeu (2014) Transfigurations: Curatorial and Artistic Research in an Age of Migrations. [Show/Exhibition]

Gallagher, Ellen and Barson, Tanya and Baddeley, Oriana, TrAIN Research Centre, The Drawing Room (2011) Ellen Gallagher in conversation with Tanya Barson. In: Travelling Lines: Drawing as an Itinerant Practice, 22nd - 23rd September 2011, Chelsea College of Art and Design. (Unpublished) Item not available online.

Guerrero, Inti and Baddeley, Oriana, TrAIN Research Centre (2011) TrAIN open lecture: Flavio de Carvalho and his ‘city for the naked man’. In: TrAIN Open Lecture, 9th February 2011, Chelsea College of Art and Design. (Unpublished) Item not available online.

Hidalgo Urbaneja, Maribel (2024) Global Digital Museum Narratives: Representation, Authorship, and Audiences. In: Critical Digital Art: History Interface and Data Politics in the Post-Digital Era. Intellect, pp. 37-55. ISBN 9781789389746

Hidalgo Urbaneja, Maribel and Van Hoeve, Janneke (2024) Mobile Subjects in Linked Open Data: Biases and Gaps in Identity and Representation. In: 2024 LD4 Conference, 7-11 October 2024, Online. Item not available online.

Harrison, Dominica and Noce, Kim and Nunu, Ala and Park, Dal and Riza, Mo and Sun, Yu and Melehova, Sofia and Thompson, Ben and Firth, Anna and Mulhearn, Eleanor and Andrew, Alexander and Rainbow, Christopher (2024) In The Garden: Giggles In The Greenery. Anima Mundi Corpus . Manchester Metropolitan University & University of the Arts London.

Hidalgo Urbaneja, Maribel (2024) Worlding Museums’ Data. In: #Legacy150 The Museum will not be Decolonised, 18-20 April 2024, Edinburgh and Blantyre. Item not available online.

Hidalgo Urbaneja, Maribel and Velios, Athanasios and Goodwin, Paul (2023) Worlding ontologies. Towards more ethical museum databases. In: Museum Analytics: New Directions, 18 May 2023, Kings College London. Item not available online.

Hidalgo Urbaneja, Maribel and Atta, Pansee and Tiampo, Ming and Van Hoeve, Janneke (2023) Porous Borders: Ambiguities, Uncertainties, and Gaps in Urban History, Identities, and Data. In: DH Benelux 2023, 31 May - 2 June 2023, Brussels.

Hidalgo Urbaneja, Maribel and Jaillant, Lise (2023) Artificial intelligence as a decolonisation tool: Lessons from libraries, archives and museums. In: Many Worlds of AI, 26-28 April 2023, Cambridge, England. Item not available online.

Hidalgo Urbaneja, Maribel and Atta, Pansee and Tiampo, Ming and Van Hoeve, Janneke (2022) Mobile Subjects, Contrapuntal Modernisms. In: Mass Data Methodologies, 9 December 2022, London, Online.

Hidalgo Urbaneja, Maribel and Velios, Athanasios and Goodwin, Paul (2022) Worlding databases: A decolonising approach to the structuring and representation of data about global arts. In: DH2022, 25-29 July 2022, Tokyo, Japan, Online.

Hidalgo Urbaneja, Maribel (2021) Global Digital Museum Narratives: Representation, authorship and audiences. In: Association for Art History 2021 Annual Conference, 14-17 April 2021, Birmingham, Online. Item not available online.

Hidalgo Urbaneja, Maribel (2020) Towards a Definition of Digital Narratives in Art Museums. PhD thesis, University of Glasgow.

Hatton, Kate (2016) A Poetical Journey: in what ways are theories derived from postcolonialism, whiteness and poststructural feminism implicated in matters of intercultural arts research? In: The Routledge International Handbook of Intercultural Arts Research. The Routledge International Handbook Series . Routledge/Taylor & Francis, London and New York, pp. 46-56. ISBN 9781138909939

Hatton, Kate (2015) “Hard to Reach Groups” in the Context of Arts and Social Sciences Research: Using Interchangeable Methods as a Means of Understanding Identity. In: Researching Marginalized Groups. Routledge Advances in Research Methods . Routledge/Taylor & Francis, London/New York, pp. 196-210. ISBN 9781138824034

Handal, Alexandra Sophia (2010) Uncovering the Hidden Palestinian City of Jerusalem: Disrupting Power Through Art Intervention. PhD thesis, University of the Arts London. Item availability restricted.

Heathcott, Joseph and Baddeley, Oriana, TrAIN Research Centre (2010) TrAIN open lecture: the known city. In: TrAIN Open Lecture, 1st December 2010, Chelsea College of Art and Design. (Unpublished) Item not available online.

Hamann, Sigune (2007) The Moment We Knew Nothing of Each Other. [Show/Exhibition]

Igwe, Onyeka (2021) Unbossed and Unbound: How can critical proximity transfigure British colonial moving images? PhD thesis, University of the Arts London.

Kheirkhah, Maria (2021) Another Emerging: Locating the Islamo-Orientalised Female Other Navigating Anotherness in Contemporary Western Visual Culture. PhD thesis, University of the Arts London.

Kikuchi, Yuko (2017) ‘Gurcharan Singh and the Transnational Mingei movement’. In: ‘Asian Dialogues: Gurcharan Singh, an Indian Potter in Japan’, 28 March 2017, Auditorium,Government Museum and Art Gallery, Chandigarh, India.

Kikuchi, Yuko (2016) ‘Bamboo Nationalism: The Complicity of Orientalism, Modernism, and Neo-traditionalism in Japanese Bamboo Crafts’. In: Annual Lecture, 2 November 2016, The National Palace Museum Southern Branch, Chiayi, Taiwan..

Kikuchi, Yuko (2016) '“Craft” as Resistance and as a Means of Negotiating Histories’. In: ‘Field of Resistance or Space of Negotiation : Who dominates?', 31 October 2017, The National Kaohsiung Normal University, Taiwan.

Kikuchi, Yuko and Wong, Wendy Siuyi and Lin, Tingyi S. (2016) Making Trans/National Contemporary Design History. In: The 10th anniversary ICDHS conference, 26-28 October 2016, The National Taiwan University of Science and Technology, Taipei.

Kikuchi, Yuko (2016) The Cold War Design Business of John D. Rockefeller 3rd. In: The Routledge Companion to Design Studies. Routledge, London and New York, pp. 518-530. ISBN 9781138780507

Kikuchi, Yuko (2016) ‘Transnational Trajectories and Cold War Design under the Russel Wright Project in Asia: the Case of Ken and Michiko Uyemura ’. In: Smithsonian Fellows Lectures, 18-20 May, 2016, Smithsonian American Art Museum, Washington DC.

Kikuchi, Yuko (2015) The Mingei Folk Crafts Movement. In: Visual Arts Lecture Series, 17 November 2015, Bennington, Vermont, USA.

Kikuchi, Yuko (2015) ‘Cold War Transnational Design: Russel Wright and “Asian Modern”’. In: Shifting Terrain: Mapping a Transnational American Art History, 16-17 October 2015, Smithsonian American Art Museum, 8th St & F ST NW, Washington DC. Item not available online.

Kikuchi, Yuko (2015) Negotiating Histories: Traditions in Modern and Contemporary Asia-Pacific Art. World Art, 5 (1). pp. 5-19. ISSN 2150-0894

Kikuchi, Yuko (2015) The Craft Debate at the Crossroads of Global Visual Culture: re-centring craft in postmodern and postcolonial histories. World Art. ISSN 2150-0894

Kikuchi, Yuko (2015) ‘Recondisering craft from Japan’s Postcolonial Perspective’. In: ‘Reconsidering Craft as Pedagogy from Below’, 16 March 2015, Jaipur, India.

Kikuchi, Yuko (2014) Minor Transnational Inter-Subjectivity in the People's Art of Kitagawa Tamiji. Review of Japanese Culture and Society, XXVI. ISSN 0913-4700

Kikuchi, Yuko and Lee, Yunah (2014) Transnational Modern Design Histories in East Asia: An Introduction. Journal of Design History, 27 (4). pp. 323-334. ISSN 1741-7279

Kikuchi, Yuko (2014) ‘American Occupation and Cold War Japanism: Containment and Mixed Marriage in Design and Film’. In: Ishibashi Visiting Professor Special Public Lecture, 1 July 2014, Heidelberg, Germany.

Kikuchi, Yuko (2014) ‘Modernity and Everydayness: Design under Japan’s Empire’. In: ‘1920-45 Inter-Asia design assimilation: Translations, Differentiations and Transmission’, 30 May 2014, Design Museum, London.

Kikuchi, Yuko (2013) ‘Russel Wright and Designing ‘Asian Modern’ in Vietnam during the Cold War’. In: World History Association Symposium: 'Vietnam in World History', 29-31 December 2013, Hanoi, Vietnam.

Kikuchi, Yuko (2013) The Evolution of Mingei into the 21st Century. In: Mingei: Are You Here? Pace Gallery, London. ISBN 9781909406070 Item not available online.

Kikuchi, Yuko (2013) ‘Recentering Craft in Postmodern and Postcolonial rewriting of Visual Cultural History’. In: ‘Negotiating Histories: Traditions in Modern and Contemporary Asia-Pacific Art’ symposium, 21 October 2013, Tate Modern, London.

Kikuchi, Yuko (2013) ‘Transnational Vernacularity of Taiwan Floral Chintz: craft-design and cultural industry in Taiwan’. In: Inter-Asia Cultural Studies Conference ‘Beyond the Cultural Industry’, 3-5 July 2013, National University of Singapore.

Kikuchi, Yuko (2013) ‘Tōyō shumi’ of household products designed in Imperial Japan of Manchukuo and Taiwan. In: Tōyō Shumi (Oriental taste) in Imperial Japan, Friday 14 June 2013, Sainsbury Institute for the Study of Japanese Arts and Cultures.

Kikuchi, Yuko (2013) Making a Transnational Design History in East Asia: Yen Shuilong’s Craft-Design Movement. Design History (11). pp. 6-15. ISSN 1348-5407

Kikuchi, Yuko (2013) Towards a transnational design history in East Asia (Introduction). Design History (11). pp. 1-5. ISSN 1348-5407

Kikuchi, Yuko and Wong, Wendy S. and Lee, Yunah (2012) re: focus design - Design Histories and Design Studies in East Asia - Conclusion. Journal of Design History, 25 (1). pp. 99-106. ISSN 1741-7279

Kikuchi, Yuko (2011) Design—Design Histories and Design Studies in East Asia (Part 1: Introduction and Japan). Journal of Design History, 24 (3). pp. 273-282. ISSN 1741-7279

Kikuchi, Yuko (2011) American consumption of Japanese design and development of Japanese modern during the occupation and cold war. In: Studies on Audience and Reception of Art in Japan. The Japanese Ministry of Education, Science, Sports, Science & Technology-KAKEN, Tokyo, Japan, pp. 112-124. Item not available online.

Kikuchi, Yuko (2010) Visualising oriental crafts: contested notion of “Japaneseness” and the crafts of the Japanese empire. In: Questioning Oriental Aesthetics and Thinking: Conflicting Visions of ”Asia” under the Colonial Empires, 08-11 November 2010, Kyoto, Japan. (Unpublished) Item not available online.

Kikuchi, Yuko (2010) American occupation and cold war Japonisme: containment and mixed marriage in design and film. In: Forgotten Japonisme: The Taste for Japanese Art in Britain and the USA 1920s-1950s, 09-10 July 2010, London, UK. (Unpublished) Item not available online.

Kikuchi, Yuko (2010) The trans/nationalism in Japanese craft design in the 21st century. In: International Cultural Studies Conference: Crossroads, 17-21 June 2010, Hong Kong, China. (Unpublished)

Kikuchi, Yuko (2010) Authentic design? transnationalism and modernities in modern East Asian design development. In: International Cultural Studies Conference: Crossroads, 17-21 June 2010, Hong Kong, China. (Unpublished) Item not available online.

Kikuchi, Yuko (2010) The question of “Japaneseness” and the creation of the “greater oriental design” for crafts of the Japanese Empire. Archiv orientální / Oriental Archive, 78 (3). pp. 215-242. ISSN 00448699 Item not available online.

Kikuchi, Yuko (2009) Russel Wright and "Asian Modern". In: The Conference of the Society for the Study of Japonisme, July 2009, Tokyo, Japan. (Unpublished) Item not available online.

Kikuchi, Yuko (2008) Russel Wright and Japan: Bridging Japonisme and Good Design through Craft. Journal of Modern Craft, 1 (3). pp. 357-382. ISSN 1749-6772

Kikuchi, Yuko (2008) ‘Yanagi Sōetsu and Korean crafts within the Mingei movement’. In: Korea: The Past and the Present: Selected Papers from the British Association for Korean Studies. Global Oriental, Folkestone, Kent, pp. 80-91. ISBN 1-901903-54-0

Kikuchi, Yuko (2008) Japaneseness of Japanese Modern Design in Transnational Design Visual Culture. In: The 12th European Association for Japanese Studies Conference, September 2008, Salento University, Leece. Item not available online.

Kikuchi, Yuko (2007) Refracted Modernity: Visual Culture and Identity in Colonial Taiwan. University of Hawaii Press, Honolulu. ISBN 9780824830502

Kojima, Kaoru (2006) The Image of Woman as a National Icon in Modern Japanese Art: 1890s-1930s. PhD thesis, University of the Arts London.

Kikuchi, Yuko (2006) Russel Wright's Asian Project and Japanese Post-War Design. In: Connecting conference, International Committee of Design History and Studies (ICDHS) 5th Conference.

Kikuchi, Yuko (2005) ‘Yanagi Sōetsu et l’artisanat traditionnel japonais’. Dossier de l’Art (118). pp. 62-71. ISSN 1161-3122

Kikuchi, Yuko (2005) The Mingei Movement. In: International Arts and Crafts. V&A Publications: London, pp. 296-311. ISBN 1851774467

Kikuchi, Yuko (2004) Japanese Modernisation and Mingei Theory: Cultural Nationalism and Oriental Orientalism. Routledge/Curzon, London. ISBN 9780415297905

Kikuchi, Yuko and Watanabe, Toshio (2002) The British 'Discovery' of Japanese Art. In: G. Daniels & C. Tsuzuki (eds.) The history of Anglo-Japanese relations, 1600-2000. Vol. 5, Social and cultural perspectives. Palgrave Macmillan, London, pp. 146-170. ISBN 9780333791950 Item not available online.

Kikuchi, Yuko (2001) "Li Mei-shu and the Sanxia Zushi Temple: Taiwanese Vernacular 'Modernity' in Comparative Perspectives,". In: Papers from the Symposium in commemoration of Professor Li Mei-shu’s Centennial ‘ The Land, the People and the Art’ 李梅樹教授百年紀念學術研討會論文集. College of Humanities, National Taipei University, Taipei, Taiwan, pp. 190-204.

Kikuchi, Yuko (1998) ‘Hamada and the Mingei Movement’. In: Shoji Hamada Master Potter. https://www.lundhumphries.com/, Lund Humphries in association with Ditchiling Museum, Sussex, pp. 21-25. ISBN 0-85331-728-3

Kikuchi, Yuko and Watanabe, Toshio (1997) Ruskin in Japan 1890-1940: Nature for Art, Art for Life. In: Ruskin in Japan 1890-1940: Nature for Art, Art for Life. Cogito.

Littler, Jo and Tulloch, Carol (2022) ‘We haven’t got here just on our own. It’s a conversation’: An interview with Carol Tulloch. European Journal of Cultural Studies, 25 (5). ISSN 1367-5494

Luther, Anne-Katrin (2016) Collecting Contemporary Art: a visual analysis of a qualitative investigation into patterns of collecting and production. PhD thesis, University of the Arts London.

Leister, Wiebke (2014) The Whitened Face as a Visual Gap: Thoughts and Methods. In: Unsettling Whiteness; Images of Whiteness 3. Images of Whiteness, 3 . Inter-Disciplinary Press, Oxford, pp. 3-10. ISBN 978-1-84888-282-9

Lee, Yunah and Kikuchi, Yuko and Wong, Wendy (2012) Design Histories and Design Studies in East Asia: Part 3 Korea and Conclusion. Journal of Design History, 25 (1). pp. 93-106. ISSN 17417279/09524649 Item not available online.

Lu, Jenny (2007) Between Homes: Examining the notion of the uncanny in art practice and its relationship to post-colonial identity and contemporary society in Taiwan. PhD thesis, University of the Arts London. Item availability restricted.

Montoya Ortega, Marcela (2015) Resituating the Cultural Meanings of Lucha Libre Mexicana: A Practice-Based Exploration of Diasporic Mexicanness. PhD thesis, University of the Arts London.

Orta, Lucy (2024) Lifeline. University of the Arts London, London. ISBN 978-1-906908-87-4

Orta, Lucy (2023) Traces: Stories of Migration. [Art/Design Item]

Orta, Lucy and Orta, Jorge (2023) A Gateway to Possible Worlds: Art & Science Fiction. [Show/Exhibition]

Orta, Lucy and Palestra, Camilla and Stevenson, Caroline (2023) Traces: Stories of Migration. Traces: Stories of Migration . University of the Arts London, London. ISBN 978-1-906908-84-3

Orta, Lucy and Orta, Jorge (2018) Antarctica World Passport Office, Migration Week Marrakesh. [Art/Design Item]

Orta, Lucy and Orta, Jorge (2018) Peewit - 11 Fountains. [Art/Design Item]

Orta, Lucy and Orta, Jorge (2017) Antarctica World Passport Office. [Art/Design Item]

Orta, Lucy and Orta, Jorge (2017) Kids Creative Lab 5th Edition - Sustainability. In: Kids Creative Lab 5th Edition - Sustainability, 15 November 2016 to 17 April 2017, Italian Primary Schools, Peggy Guggenheim Collection Venice.

Orta, Lucy and Orta, Jorge (2016) Lucy + Jorge Orta: Food. [Show/Exhibition]

Orta, Lucy and Orta, Jorge (2016) Lucy + Jorge Orta: Food & The Public Sphere. 70 x 7 The Meal, HortiRecycling, All in One Basket, Food . Black Dog Publishing London, London. ISBN 9781910433805

Orta, Lucy and Orta, Jorge (2016) Genius Loci: Spirits of the Emscher Valley. [Art/Design Item]

Orta, Lucy and Orta, Jorge (2016) Lucy + Jorge Orta. [Show/Exhibition]

Orta, Lucy and Orta, Jorge (2015) Antarctica World Passport Delivery Bureau - COP21 Paris. [Art/Design Item]

Orta, Lucy and Orta, Jorge (2015) Antarctica World Passport Delivery Bureau - Nansen Initiative Global Consultation, Geneva. [Art/Design Item]

Plessner, Daphne (2010) The citizen artist: an expanded discussion. In: Photography Forum: Photographic Portraiture – Transgressive and Transformative Potentials, 5 November 2010, London, UK. Item not available online.

Quinn, Malcolm and Beech, Dave and Gadie, Robert and Namazi, Mohammad (2014) Reflections on Taste. [Art/Design Item]

Rughani, Pratap (2022) Towards Restorative Narrative. In: It’s the Media Stupid! Essays in honour of Brian Winston 2022. Abramis Academic Publishing, Bury St Edmunds, Suffolk, pp. 151-162. ISBN 9781845497965

Rughani, Pratap (2020) Design for Dialogue: Valuing Doubt in an Age of Conviction. UAL Social Design Institute Publications.

Rughani, Pratap (2015) Kubrick's Lens: Dispatches from the Edge. In: Stanley Kubrick: New Perspectives. Black Dog Publishing, London, pp. 310-327. ISBN 9781908966421 Item not available online.

Rughani, Pratap and Russell, Ben and Russell, Catherine and Wright, Chris and Balsom, Erika (2013) Round table discussion: Documentary, ethnography and the avant-garde. Moving Image Review & Art Journal (MIRAJ), 2 (1). pp. 80-90. ISSN 20456298

Rattemeyer, Christian (2011) Collecting and exhibiting drawing. In: Travelling Lines: Drawing as an Itinerant Practice, 22-23 September 2011, Chelsea College of Art and Design. (Unpublished)

Rughani, Pratap (2011) Where Three Dreams Cross. Photography & Culture, 4 (3). pp. 359-362.

Steeds, Lucy and Mabaso, Nkule (2017) Exhibition Histories and Afrofictions. [Show/Exhibition]

Steeds, Lucy (2017) Exhibitability and Cult Value. Aroop, 2 (1).

Steeds, Lucy (2017) 'Goshka Macuga, "Picture Room", 2003' [republished 2017]. In: The Artist as Curator: An Anthology. Mousse Publishing, Milan, pp. 324-339. Item not available online.

Steeds, Lucy (2016) An Exhibitions Anthology. In: Reflections on Archives, Museum and Special Collections. University of the Arts London. ISBN 9781906908423

Steeds, Lucy (2016) What is the Future of Exhibition Histories? Or, Toward Art in Terms of Its Becoming-Public. In: The Curatorial Conundrum: What to Study? What to Research? What to Practice? The MIT Press. ISBN 9780262529105

Steeds, Lucy (2015) 當代藝術、策展實踐與多元文化脈絡下的多重展覽史 (‘Contemporary Art, Curating and Exhibition Histories’). Art Critique of Taiwan | ACT 藝術觀點 (64). ISSN 1561-1493

Steeds, Lucy (2015) Biennial Exhibition Histories, Against the Grain: Juraci Dórea’s Projeto Terra in São Paulo, Venice and Havana. In: Making Biennials in Contemporary Times: Essays from the World Biennial Forum No.2. Biennial Foundation, Fundação Bienal de São Paulo, Instituto de Cultura Contemporânea, Amsterdam and Sao Paulo, pp. 37-45. Item not available online.

Steeds, Lucy (2015) 'Goshka Macuga, "Picture Room", 2003'. Mousse Magazine (48). pp. 22-37. ISSN 2035-2565

Steeds, Lucy (2015) ‘Unhinging Prehistory, Unbecoming Humanity: Georges Bataille on Lascaux’. In: Allegory of the Cave Painting. Extra City Kunsthal and Mousse Publishing, Antwerp and Milan, pp. 95-114. ISBN 9788867491162

Stylianou, Nicola Stella (2012) Producing and Collecting for Empire: African Textiles in the V&A 1852-2000. PhD thesis, University of the Arts London and the Victoria and Albert Museum.

Stout, Katherine and Rattemeyer, Christian and Watson, Grant and Lampert, Catherine (2011) Transnational drawing. In: Travelling Lines: Drawing as an Itinerant Practice, 22-23 September 2011, Chelsea College of Art and Design. (Unpublished) Item not available online.

Tulloch, Carol (2022) If I don’t do some couching I will burst. European Journal of Cultural Studies. ISSN 1460-3551

Tulloch, Carol (2022) T-Shirt Matters. In: Fashion Knowledge: Theories, Methods, Practices and Politics. Intellect, Bristol, Chicago, pp. 113-135. ISBN 9781789387681

Tulloch, Carol (2021) Long Time Gyal Me Never See You. KALEIDOSCOPE, 38 (S/S21). ISSN 2038-4807

Tlalim, Tom (2020) The Sound System of the State: Critical Listening as Performative Resistance. In: Bloomsbury Handbook of Sonic Methodologies. Bloomsbury Handbooks . Bloomsbury, pp. 719-732. ISBN 9781501338779

Tulloch, Carol (2019) Taste, the home and everyday life. In: The Persistence of Taste Art, Museums and Everyday Life After Bourdieu. Routledge, London, New York, pp. 253-256. ISBN 9780367877903 Item not available online.

Tulloch, Carol (2018) Units of Possibility: The Reknit Revolution. Fashion Practice The Journal of Design, Creative Process & the Fashion Industry. pp. 1-6. ISSN 1756-9370 (Print) 1756-9389 (Online)

Tulloch, Carol (2018) A Riot of Our Own: A Reflection on Agency. In: Disturbing Pasts: Memories, Controversies and creativity. Manchester University Press, Manchester, pp. 36-68. ISBN 978-1-5261-1545-4

Tulloch, Carol (2018) The glamorous ‘diasporic intimacy’ of habitus ‘Taste’, migration and the practice of settlement. In: The Persistence of Taste: Art, Museums and Everyday Life After Bourdieu. Routledge, London, New York, pp. 257-274. ISBN 978-1-138-67098-3 Item not available online.

Tlalim, Tom (2017) The Sound System of the State: Sonic Strategies for Political Critique at the Borders of Palestine-Israel. PhD thesis, Goldsmiths University of London.

Tulloch, Carol (2017) Jessica Ogden: Still. [Show/Exhibition]

Tulloch, Carol (2017) Jessica Ogden: Still. UAL/CCW, London.

Tulloch, Carol (2016) The Birth of Cool: Style Narratives of the African Diaspora. Bloomsbury, London, Oxford, New York, New Delhi, Sydney. ISBN 9781474262873

Tlalim, Tom and Schuppli, Susan and Hoare, Natasha (2015) Susan Schuppli, Tom Tlalim and Natasha Hoare In Conversation. In: Art in the Age Of... Witte de With Centre for Contemporary Art, pp. 150-155. ISBN 978-94-91435-43-0

Tulloch, Carol (2012) International Fashion Showcase - Nigeria, Botswana and Sierra Leone. [Show/Exhibition] Item not available online.

Tatchell, Nick (2011) José Roca - Essays in Geopoetics: the notion of territory critically redefined from the perspective of artistic practice. In: TrAIN Open Lecture, 19/10/2011, Lecture Theatre - Chelsea College of Art and Design.

Tulloch, Carol (2011) A reflection on the inclusion of black studies in design and art education. In: Black Studies in Art and Design Education: Past Gains, Present Resistance, Future Challenges,, 26-27 March 2011, Parson the New School for Design, New York. (Unpublished) Item not available online.

Tatchell, Nick (2011) TrAIN Open Lecture | Inti Guerrero : Flavio de Carvalho and his City for the Naked Man. In: TrAIN Open Lecture | Inti Guerrero : Flavio de Carvalho and his City for the Naked Man, 09/02/2012, Lecture Theatre, Chelsea College of Art & Design.

Tulloch, Carol (2011) Buffalo: style with intent. In: Postmodernism: Style and Subversion 1970-1990. Victoria and Albert Museum, London. ISBN 9781851776597 Item not available online.

Tulloch, Carol and Hackney, Fiona and Thomas, Nicola and Bunnell, Kate (2011) Crafting communities. In: Connecting Craft and Community, 7th - 8th April 2011, The Women's Library, London. (Unpublished) Item not available online.

Tulloch, Carol and Shonibare, Yinka and Robins, Freddie and Faiers, Jonathan (2011) When clothes speak: the fabric of our heritage. In: When Clothes Speak: The Fabric of Our Heritage, 19 January 2011, Royal Academy of Arts. (Unpublished) Item not available online.

Tatchell, Nick (2010) TrAIN Open Lecture - Professor Joseph Heathcott. In: THE KNOWN CITY: VISUAL RHETORICS OF URBANISM IN THE TWENTIETH CENTURY, 01/12/10, Lecture Theatre, Chelsea College of Art and Design.

Tulloch, Carol (2010) Handmade tales: women and domestic crafts. [Show/Exhibition] Item not available online.

Tulloch, Carol (2010) Black style and James Barnor's transatlantic archive. In: Black Style and James Barnor's Transatlantic Archive, 19 October 2010, Autograph, Rivington Place, London. (Unpublished) Item not available online.

Tulloch, Carol and Kaiser, Susan B. and Rabine, Leslie and Breward, Christopher and Cheddie, Janice and McCullough, Sarah Rebolloso and Cooper, Carolyn and Rose, Clare (2010) Fashion theory, special issue: dress and the African Diaspora. Berg, Oxford, pp. 267-407. ISBN 9781847886538 Item not available online.

Tulloch, Carol (2010) Letter from the editor. Fashion Theory: The Journal of Dress, Body and Culture, 14 (3). pp. 269-272. ISSN 1362704X Item not available online.

Tulloch, Carol (2010) Style fashion dress: from black to post-black. Fashion Theory: The Journal of Dress, Body and Culture, 14 (3). pp. 273-304. ISSN 1362704X Item availability restricted.

Thorogood, Simon (2010) Phashion Design. In: Real Presence Conference 2010 – ‘Expanded Concept of Art Practice and Art Education’, 25th August – 8th September 2010, Belgrade, Serbia. (Unpublished) Item not available online.

Tlalim, Tom (2010) The New Model City. In: Intimate Stories on Absence. Onomatopee, Eindhoven, pp. 81-110. ISBN 9789078454403

Tulloch, Carol (2010) A riot of our own. [Show/Exhibition] Item not available online.

Tulloch, Carol (2010) Handmade tales: exhibition overview. In: Handmade Tales Study Day, 12th - 13th November 2010, The Women's Library, London. (Unpublished) Item not available online.

Tatchell, Nick (2009) 'Caracas Centrifugal' - Jaime Gili. In: 'Caracas Centrifugal' - Jaime Gili, 21/10/2009, Lecture Theatre Chelsea College of Arts and Design.

Tatchell, Nick (2009) The 28th Bienal de Sâo Paulo: a post-mortem discussion. In: The 28th Bienal de Sâo Paulo: a post-mortem discussion, 27/01/09, Chelsea Lecture Theatre.

Tatchell, Nick (2008) TrAIN Open Lecture: Cildo Meireles. In: TrAIn Open Lecture: Cildo Meireles, 21/10/08, Chelsea Lecture Theatre.

Tulloch, Carol (2006) V&A Symposium: Should Art be Authentic. In: V&A Symposium: Should Art be Authentic, V&A Symposium: Should Art be Authentic.

Tulloch, Carol (2005) Picture This: The Black Curator. In: The Politics of Heritage: The Legacies of Race. Comedia . Routledge, London; New York, pp. 169-182. ISBN 9780415322119 Item not available online.

Tulloch, Carol and Cole, Shaun (2004) Black British Style. [Show/Exhibition]

Tulloch, Carol and Cole, Shaun (2001) Day of Record, Nails, Weaves and Naturals: Black British Hairstyle and Nail Art. [Show/Exhibition]

Velios, Athanasios, CIDOC CRM Special Interest Group (2021) Definition of the CIDOC Conceptual Reference Model. CIDOC CRM Special Interest Group.

Velios, Athanasios (2021) Issue 530: Bias in data structure. In: 49th joint meeting of the CIDOC CRM SIG, 42nd FRBR SIG and ISO/TC46/SC4/WG9., 8-11 March 2021, Online.

Vaz, Maria Suzana Mendes da Silva (2012) The Archaic Makes the Avant-garde. Experimental Practice and Primordial Image. Reading the Brazilian Post-neoconcrete and the Japanese Gutai Artists Through Mircea Eliade and Carl Gustav Jung. PhD thesis, University of the Arts London.

Watanabe, Toshio (2018) Nude Art, Censorship and Modernity in Japan: from the ‘Knickers Incident’ of 1901 to now. In: The Persistence of Taste: Art, Museums and Everyday Life After Bourdieu. Routledge. ISBN 9781138670983

Watanabe, Toshio (2015) Alfred Parsons, RA, PRWS (1847-1920) and the Japanese Watercolour Movement. In: Britain & Japan: Biographical Portraits. Renaissance Books, Folkestone, pp. 284-296. ISBN 978-1-898823-16-2 Item not available online.

Walsh, Victoria and Goodwin, Paul and Sepulveda, Pamela (2014) Transfigurations: Curatorial and Artistic Research in an Age of Migrations. Royal College of Art, London. ISBN 978-907342-93-6

Watanabe, Toshio (2014) The Art Historical Canon and the Transnational. In: The Challenge of the Object = Die Herausforderung des Objekts. Wissenschaftliche Beibände zum Anzeiger des Germanischen Nationalmuseums (32). Verlag des Germanischen Nationalmuseums, Nuremberg, Germany, pp. 1505-1507. ISBN 978-3-936688-66-5 Item not available online.

Watanabe, Toshio (2013) 1910 Japan-British exhibition and the art of Britain and Japan. In: Commerce and Culture at the 1910 Japan-British Exhibition: Centenary Perspectives. Global Oriental, Leiden & Boston, pp. 123-133. ISBN 978-90-04-22916-7 Item not available online.

Watanabe, Toshio (2013) Josiah Conder (1852-1920). In: Biographical Portraits. Britain and Japan, VIII . Global Oriental, Leiden & Boston, pp. 324-331. ISBN 978-90-04-24602-7 Item not available online.

Watanabe, Toshio (2013) Rinpa and Japonisme. In: Reconsidering Early Modern Yamato-e: Perspectives from Japan, the UK, and the USA. Brücke, Tokyo. ISBN 9784434183836 Item not available online.

Watanabe, Toshio (2012) The Art Historical Canon and the Transnational. In: The Challenge of the Object (CIHA Congress), 15-20 July 2012, Nuremberg, Germany. (Submitted) Item not available online.

Watanabe, Toshio (2012) Forgotten Japonisme. In: La creación artistica como puente entre Oriente y Occidente. Grupo de Investigación Completense Arte de Asia, Grupo de Investigación ASIA, Madrid. ISBN 978-84-608-1263-0

Watanabe, Toshio (2012) What is Japonisme? terminology and interpretation. In: Art of Japan, Japanisms and Polish-Japanese Art Relations. Polish Institute of World Art Studies & Tako Publishing House, Torun, Poland, pp. 215-218. ISBN 978-83-62737-16-1 Item not available online.

Watanabe, Toshio (2011) Modern Japanese gardens. In: Since Meiji: Perspectives on the Japanese Visual Arts, 1868-2000. University of Hawai'i Press, Honolulu. ISBN 9780824834418 Item not available online.

Whitelegg, Isobel and Lopez, Mateo and Baltar, Brigida and Komatsu, Andre and Paris, Nicolas (2011) Artists in conversation with Isobel Whitelegg. In: Travelling Lines: Drawing as an Itinerant Practice, 22-23 September 2011, Chelsea College of Art and Design. (Unpublished) Item not available online.

Whitelegg, Isobel and Brett, Guy and de la Barra, Pablo León and dos Anjos, Moacir (2011) Peripatetic practices. In: Travelling Lines: Drawing as an Itinerant Practice, 22-23 September 2011, Chelsea College of Art and Design. (Unpublished) Item not available online.

Watanabe, Toshio (2011) Mizue: an alternative art magazine promoting Anglophilia, modern landscape and watercolor movement. In: International Convention of Asian Scholars (ICAS)/Association of Asian Stuides(AAS) Conference, 30 March - 3 April 2011, Honolulu, Hawaii. (Unpublished) Item not available online.

Watanabe, Toshio (2010) The modern Japanese garden in a transnational context. In: The Power of Things and the Flow of Cultural Transformations. Deutscher Kunstverlag, Berlin/Munich, pp. 170-185. ISBN 9783422069787

Watanabe, Toshio (2010) East meets west: fashion crosses continents. In: Future Beauty: 30 Years of Japanese Fashion, 25th November 2010, Barbican Centre, London. (Unpublished) Item not available online.

Watanabe, Toshio (2010) 1910: Japan-British exhibition and the art of Britain and Japan. In: , 30th October 2010, International House, Tokyo. (Unpublished) Item not available online.

Watanabe, Toshio (2010) What is Japonisme? terminology and interpretation. In: Art of Japan, Japanisms and Polish-Japanese Art Relations, 21st - 23rd October 2010, Manggha Museum of Japanese Art and Technology, Krakow. (Unpublished) Item not available online.

Watanabe, Toshio (2010) 20th Century Japonisme: its story between the 1920s and 1950s. In: Orientalism/Occidentalism: Languages of Cultures vs. Languages of Description Location, 23rd -25th September 2010, Russian Academy of State Service at the President of the Russian Federation. (Unpublished) Item not available online.

Watanabe, Toshio (2010) The establishment of the concept of nature in modern Japan. In: Sensing Nature. Mori Museum of Art, Tokyo, pp. 108-115. Item not available online.

Watanabe, Toshio (2010) 1910: Japan-British exhibition and the art of Britain and Japan. In: 1910: Japan-British exhibition and the art of Britain and Japan, 15 June 2010, Japan Foundation, London. Item not available online.

Watanabe, Toshio (2010) Why censor a nude painting? Kuroda Seiki and the nude painting controversy. In: Censure, Autocensure et Tabous. Actes du quatrieme colloque d'etudes japonaises de l'Universite de Strasbourg . P. Picquier, Arles, pp. 188-199. ISBN 9782809702569 Item availability restricted.

Whitelegg, Isobel (2009) The bienal de São Paulo: unseen/undone (1969—1981). Afterall (22). pp. 106-113. ISSN 14654253 Item not available online.

Wainwright, Chris and Tatchell, Nick (2008) Chris Wainwright (Head of College, CCW) in conversation with Venu Dhupa. In: Chris Wainwright (Head of College, CCW) in conversation with Venu Dhupa, 10/06/08, Chelsea Lecture Theatre.

Watanabe, Toshio (2007) Loss of historicity as Identity: The Theory of Japanese Garden by Josiah Conder. In: Traditional Arts and Crafts in the 21st Century: Reconsidering the Future from an International Perspective. Item not available online.

Watanabe, Toshio (2007) Japanese Landscape Painting and Taiwan: Modernity, colonialism and national identity. In: Refracted Colonial Modernity: Taiwanese Art and Design. University of Hawai'i Press, pp. 67-81. ISBN 9780824830502 Item not available online.

Young, Carey (2011) Memento Park. [Show/Exhibition] Item availability restricted.

Young, Carey (2010) Memento Park. [Art/Design Item] Item not available online.