We use cookies on this website, you can read about them here. To use the website as intended please... ACCEPT COOKIES

Items where Subject is "Historical and Philosophical studies > History of Art"

Up a level
Export as [feed] Atom [feed] RSS 1.0 [feed] RSS 2.0 [feed] RSS 2.0
Group by: Date | Creators | Type of Research | No Grouping
Number of items at this level: 257.

Young, Carey (2011) Contribution to MoMA conference: Contemporary Art Forum: Art Speech—A Symposium on Symposia. In: Contemporary Art Forum: Art Speech—A Symposium on Symposia, 21 - 22 May 2011, Museum of Modern Art, New York. (Unpublished)

Withers, Rachel and Archer, Michael and Curtis, Penelope and Gunning, Lucy (2007) Conversation: Rachel Withers and Lucy Gunning. In: Lucy Gunning. Matt’s Gallery London, distributed by Cornerhouse, Manchester, pp. 3-25. ISBN 978-0-907623-52-6

Wilson, Stephen (2009) Every alter ego has a different memory. In: Dancing with men: interactive performances, interventions and other artworks. Live Art Development Agency, pp. 51-71. ISBN 9780954604073

Wilson, Stephen (2011) Fiction Characters. In: ADVENTURE-LANDING: a compendium of animation. Revolver, Berlin, pp. 166-173. ISBN 9783868950342

Wilson, Stephen (2012) Unpainting Collodi's Fireplace. In: Pinocchio, Puppets and Modernity: The Mechanical Body. Children's literature and culture . Routledge, New York; London, pp. 109-134. ISBN 9780415890960

Willson, Jacki (2008) The Happy Stripper: Pleasures and Politics of the New Burlesque. I.B.Tauris, London and New York. ISBN 978-1-84511-318-6

Wilder, Ken (2007) Negotiating Painting's Two Perspectives: a Role for the Imagination. Image & Narrative, 18. ISSN 1780678X

Wilder, Ken (2011) Neither here nor elsewhere: displacement devices in representing the supernatural. Estetika: Central European Journal of aesthetics, 2011 (1). ISSN 00141291

Wilder, Ken (2010) Neither here nor elsewhere: displacement devices in representing the supernatural. In: Proceedings of the European Society of Aesthetics. European Society for Aesthetics, pp. 532-543.

Whitelegg, Isobel (2010) Gasworks International Residency Programme. Arte al Dia International, 131. pp. 68-71. ISSN 03274807

Whitelegg, Isobel (2009) The bienal de São Paulo: unseen/undone (1969—1981). Afterall (22). pp. 106-113. ISSN 14654253

White, Duncan (2012) Media Prepositions for ‘Platon’s Mirror’: Echo/Shadow/Light. In: Platon's mirror and the actuality of the cave allegory: inspired by projections by Mischa Kuball. König , Köln, pp. 99-114. ISBN 9783863351083 (English edition); 9783863351045 (German edition)

White, Duncan (2008) Unnatural fact: the fictions of Robert Smithson. Journal of Writing in Creative Practice, 1 (2). pp. 161-175.

Wells, Thereza (2013) The Madonna of the Yarnwinder: Conservation History and the Painting’s Influence. In: Leonardo da Vinci's technical practise. Paintings, drawings and influence. Éditions Hermann, Paris. ISBN 9782705684556

Wells, Thereza (2008) Introduction. In: Notebooks / Leonardo da Vinci. Oxford World's Classics . Oxford University Press, Oxford, xiii-xxxiii. ISBN 9780199299027

Wells, Alda Thereza and Wallace, Marina, Unione Tipografico-Editrice Torinese (UTET) (2010) ‘Il Valore dell’Arte Italiana’ in Vol X, Italian Art and the History of the Visual, Encyclopedia of Italian Culture, UTET, 2010. In: La Cultura Italiana. Unione Tipografico-Editrice Torinese (UTET), Turin, pp. 502-518. ISBN 978-88-02-08133-5

Watson, Gray (2006) New Makers of Modern Culture. In: New Makers of Modern Culture. Routledge, Various. ISBN 9780415338318

Watanabe, Toshio (2015) Alfred Parsons, RA, PRWS (1847-1920) and the Japanese Watercolour Movement. In: Britain & Japan: Biographical Portraits. Renaissance Books, Folkestone, pp. 284-296. ISBN 978-1-898823-16-2

Watanabe, Toshio (2013) 1910 Japan-British exhibition and the art of Britain and Japan. In: Commerce and Culture at the 1910 Japan-British Exhibition: Centenary Perspectives. Global Oriental, Leiden & Boston, pp. 123-133. ISBN 978-90-04-22916-7

Watanabe, Toshio (2010) 1910: Japan-British exhibition and the art of Britain and Japan. In: 1910: Japan-British exhibition and the art of Britain and Japan, 15 June 2010, Japan Foundation, London.

Watanabe, Toshio (2010) 1910: Japan-British exhibition and the art of Britain and Japan. In: UNSPECIFIED, 30th October 2010, International House, Tokyo. (Unpublished)

Watanabe, Toshio (2010) 20th Century Japonisme: its story between the 1920s and 1950s. In: Orientalism/Occidentalism: Languages of Cultures vs. Languages of Description Location, 23rd -25th September 2010, Russian Academy of State Service at the President of the Russian Federation . (Unpublished)

Watanabe, Toshio (2010) East meets west: fashion crosses continents. In: Future Beauty: 30 Years of Japanese Fashion, 25th November 2010, Barbican Centre, London. (Unpublished)

Watanabe, Toshio (2012) Forgotten Japonisme. In: La creación artistica como puente entre Oriente y Occidente. Grupo de Investigación Completense Arte de Asia, Grupo de Investigación ASIA , Madrid. ISBN 978-84-608-1263-0

Watanabe, Toshio (2007) Japanese Landscape Painting and Taiwan: Modernity, colonialism and national identity. In: Refracted Colonial Modernity: Taiwanese Art and Design. University of Hawai'i Press, pp. 67-81. ISBN 9780824830502

Watanabe, Toshio (2007) Loss of historicity as Identity: The Theory of Japanese Garden by Josiah Conder. In: Traditional Arts and Crafts in the 21st Century: Reconsidering the Future from an International Perspective.

Watanabe, Toshio (2011) Mizue: an alternative art magazine promoting Anglophilia, modern landscape and watercolor movement. In: International Convention of Asian Scholars (ICAS)/Association of Asian Stuides(AAS) Conference, 30 March - 3 April 2011, Honolulu, Hawaii. (Unpublished)

Watanabe, Toshio (2011) Modern Japanese gardens. In: Since Meiji: Perspectives on the Japanese Visual Arts, 1868-2000. University of Hawai'i Press, Honolulu. ISBN 9780824834418

Watanabe, Toshio (2013) Rinpa and Japonisme. In: Reconsidering Early Modern Yamato-e: Perspectives from Japan, the UK, and the USA. Brücke, Tokyo. ISBN 9784434183836

Watanabe, Toshio (2012) The Art Historical Canon and the Transnational. In: The Challenge of the Object (CIHA Congress), 15-20 July 2012, Nuremberg, Germany. (Submitted)

Watanabe, Toshio (2014) The Art Historical Canon and the Transnational. In: The Challenge of the Object = Die Herausforderung des Objekts. Wissenschaftliche Beibände zum Anzeiger des Germanischen Nationalmuseums (32). Verlag des Germanischen Nationalmuseums, Nuremberg, Germany, pp. 1505-1507. ISBN 978-3-936688-66-5

Watanabe, Toshio (2010) The establishment of the concept of nature in modern Japan. In: Sensing Nature. Mori Museum of Art, Tokyo, pp. 108-115.

Watanabe, Toshio (2012) What is Japonisme? terminology and interpretation. In: Art of Japan, Japanisms and Polish-Japanese Art Relations. Polish Institute of World Art Studies & Tako Publishing House, Torun, Poland, pp. 215-218. ISBN 978-83-62737-16-1

Watanabe, Toshio (2010) What is Japonisme? terminology and interpretation. In: Art of Japan, Japanisms and Polish-Japanese Art Relations, 21st - 23rd October 2010, Manggha Museum of Japanese Art and Technology, Krakow. (Unpublished)

Watanabe, Toshio (2010) Why censor a nude painting? Kuroda Seiki and the nude painting controversy. In: Censure, Autocensure et Tabous. Actes du quatrieme colloque d'etudes japonaises de l'Universite de Strasbourg . P. Picquier, Arles, pp. 188-199. ISBN 9782809702569

Walsh, Maria and Throp, Mo (2014) The MAKE Archive: Re-contextualising Recurring Themes. In: Association of Art Historians Annual Conference, 2014, Royal College of Art.

Walsh, Maria (2012) Art and psychoanalysis. Art and- . I.B.Tauris Publishers, London, UK. ISBN 9781848857988

Walsh, Maria (2013) I Object. Art Monthly (371). pp. 9-12. ISSN 0142-6702

Walsh, Maria (2007) Lost in Translation: Tacita Dean interviewed by Maria Walsh. In: Talking Art Monthly: Interviews with Artists since 1976. Ridinghouse, London, pp. 582-587. ISBN 9781905464043

Walsh, Maria (2007) The Light Fantastic: Angela Bulloch interviewed by Maria Walsh. In: Talking Art Monthly: Interviews with Artists since 1976. Ridinghouse, London, pp. 567-573. ISBN 9781905464043

Walsh, Maria (2013) Tracing a Maternalised Optics. In: Rebecca Fortnum: Self-Contained. RGAP (Research Group for Artists), Sheffield, pp. 69-76. ISBN 9780956902467

Walsh, Maria (2008) Zizek, Deleuze, and the Feminine Cinematic Sublime. Rhizomes (16). ISSN 1555-9998

Wallace, Marina (2013) Culture Takeaway. In: UAL Professorial Platform Series 2012-13, 23 May 2013, Central Saint Martins, Granary Building, 1 Granary Square, King's Cross, London N1C 4AA.

Wallace, Marina (2013) The Fluidity of Acceptability: Seduced by Art and Pornography and the Kinsey Institute Collection. In: Pornographic Art and the Aesthetics of Pornography. Palgrave Macmillan, pp. 274-286. ISBN 9780230368200

Wallace, Marina (2011) The Lives of Paintings: Seven Masterpieces by Leonardo Da Vinci. Zidane Press and Artakt. ISBN 9780956267882

Wallace, Marina (2009) The mystery of the tattered glove and the dissected knee in the anatomy lesson of Professor Roell. In: Acts of Seeing: Artists, Scientists and the History of the Visual. Zidane Press and Artakt, pp. 34-44. ISBN 97809554850–8–4

Tischler, Victoria (2013) Crossovers: an introduction to art in the asylum. In: Crossovers: an introduction to art in the asylum, 7 Sept-3 Nov 2013 , Lakeside Arts Centre, Nottingham.

Tatchell, Nick (2009) 'Caracas Centrifugal' - Jaime Gili. In: 'Caracas Centrifugal' - Jaime Gili , 21/10/2009, Lecture Theatre Chelsea College of Arts and Design.

Swinson, James (2010) At the nerve end of our dreams. In: Scent of invisible footprints: the sculpture of Pitika Ntuli. University of South Africa Press, Pretoria, South Africa. ISBN 9781868886234, 1868886239

Sutcliffe, Paul J.C. (2005) Contemporary Art in Japan and Cuteness in Japanese Popular Culture. PhD thesis, University of the Arts London.

Steeds, Lucy (2014) Exhibitions and the City: To Accelerate or Pause? Two Asia-Pacific Case Studies. Yishu: Journal of Contemporary Chinese Art, 13 (2). pp. 117-126. ISSN 1683-3082

Steeds, Lucy (2015) Biennial Exhibition Histories, Against the Grain: Juraci Dórea’s Projeto Terra in São Paulo, Venice and Havana. In: Making Biennials in Contemporary Times: Essays from the World Biennial Forum No.2. Biennial Foundation, Fundação Bienal de São Paulo, Instituto de Cultura Contemporânea, Amsterdam and Sao Paulo, pp. 37-45.

Steeds, Lucy (2015) Goshka Macuga, 'Picture Room', 2003. Mousse Magazine (48). pp. 22-37. ISSN 2035-2565

Steeds, Lucy (2015) ‘Unhinging Prehistory, Unbecoming Humanity: Georges Bataille on Lascaux’. In: Allegory of the Cave Painting. Extra City Kunsthal and Mousse Publishing, Antwerp and Milan, pp. 95-114. ISBN 9788867491162

Steeds, Lucy and Lafuente, Pablo and Esche, Charles (2010) Exhibiting the New Art: 'Op Losse Schroeven' and 'When Attitudes Become Form' 1969. Exhibition Histories, 1 . Afterall, London, UK. ISBN 9783865608598/9781846380747

Steeds, Lucy (2013) Making Art Global (Part 2): 'Magiciens de la Terre' 1989. Exhibition Histories, 4 . Afterall, London. ISBN 9781846381188; 9783863352585

Smith, Donald and Gleadowe, Teresa (2009) Dematerialised: Jack Wendler Gallery, 1971 to 1974. [Show/Exhibition]

Smith, Donald (2012) Neue Slowenische Kunst 1984-1992. [Show/Exhibition]

Skelton, Pam (2010) Konspirative Wohnungun/Conspiracy Dwellings: A Personal Report. In: Conspiracy Dwellings: Surveillance in Contemporary Art. Cambridge Scholars Publishing, pp. 1-17. ISBN 9781443819053

Sandino, Linda and Pye, Matilda and Saumarez Smith, Charles and Avery Quash, Susanna and Marsden, Christopher and Timmers, Margaret and Cummings, Neil and Fleming, Martha and Storrie, Calum and Ahl, Zandra and Harrison, Keith and Atha, Christine and Greenhalgh, Paul (2013) Artists Work in Museums: Histories Interventions Subjectivities. Wunderkammer Press, Bath Spa University, Bath. ISBN 978-0-9566462-8-6

Sabin, Roger (2014) Ally Sloper, Victorian comic book hero: interpreting a comedy type. In: Visual Communication. Handbooks of communication science, 4 . De Gruyter Mouton, Berlin, pp. 429-444. ISBN 9783110255492

Ryan, Nicky (2006) Interview: Gambling on Contemporary Art in Vegas. The Art Book, 13 (3). pp. 14-15. ISSN 1368-6267

Rowe, Lois (2015) Meet the artist running for election with absolutely no policies. The Conversation.

Rowe, Lois (2014) The internet is not going to sap originality from art. The Conversation.

Rowe, Lois (2014) Turner Prize show fails to live up to potential of shortlist. The Conversation.

Reiber, Bettina (2005) Where Does that Leave the Introverts? A Critique of Modernist Art Theory from a Jungian Perspective. Harvest, International Journal for Jungian Studies (Special Issue: Art and Image), 51 (2). pp. 124-143. ISSN 0266-4771

Quinn, Malcolm (2002) The Legions of the Blind. In: The Philistine Controversy. Verso, p. 255. ISBN 1859843743

Quinn, Malcolm (2013) The Pedagogy of Capital: Art History and Art School Knowledge. In: The Concept of the 'Master' in Art Education in Britain and Ireland, 1770 to the Present. Ashgate, London, UK, pp. 215-233.

Quinn, Malcolm (2012) Utilitarianism and the Art School in Nineteenth-Century Britain. Pickering and Chatto, London, UK. ISBN 9781848932982

Plessner, Daphne (2011) The citizen artist asks: is the idea of artistic transgression only a conceit? protest, subversion and resistance in contemporary artistic discourse. In: Art & Education and ArtForum Conference, 2011. (Submitted)

Morra, Giovanna (2014) Autobiographical Fictions: Contemporary Art and the Freud Museum. In: Inside Out Festival, 24 October 2014, Freud Museum London.

Morra, Giovanna (2014) Contemporary Art Inside the Freud Museum. Imperica.

Morra, Giovanna (2015) Inside the Freud Museum: contemporary art and psychoanalysis. International Library of Modern and Contemporary Art . IB Tauris. ISBN 9781780762074

Morra, Giovanna and Smith, Marquard (2006) The Prosthetic Impulse: From a Posthuman Present to a Biocultural Future. The MIT Press, Cambridge. ISBN 0262195305

Morra, Giovanna and Smith, Marquard (2006) Visual Culture: Critical Concepts in Media and Cultural Studies. Routledge, London. ISBN 0415326419

Morra, Giovanna (2007) Utopia Lost: Allegory, Ruins and Pieter Brugel's Towers of Babel. Art History, 30 (2). pp. 198-216. ISSN 01416790

Minkin, Louisa (2014) The Study of Saint Jerome: between Desert and Occupation. In: Buildings and the Body: Exploring Living and Building in the Medieval and Early Modern World, 27-28 June 2014, University of Southampton.

Melvin, Joanna and Lefeuvre, Lisa (2008) Ping Pong Slippage. In: Bill Beckley: ping-pong dialogues. Chelsea Space, London. ISBN 9781906203191

Melvin, Joanna (2015) Barry Flanagan, black holes and the digital dot: barryflanagan.com. Art Libraries Journal, 40 (2). pp. 31-41. ISSN 03074722

Melvin, Joanna (2014) Dennis Oppenheim: Danger and the Domain of Procedural Risk. NOIT (2). ISSN 9781908971289

Melvin, Joanna (2013) Hand in Foot. [Show/Exhibition]

Melvin, Joanna (2013) John Latham and Peter Townsend. NOIT, 1 (1). pp. 36-41. ISSN 9781908971289

Melvin, Joanna (2014) Peter Halley painting: Visual pleasure and aesthetic alienation. In: Peter Halley since 2000. Editions Maruani and Noirhomme, Brussels. ISBN 9782930487137

Melvin, Joanna (2014) Peter Townsend, Studio International and Phillip Leider, Art Forum: Tactics to Define New Critical Paradigms in Editorial Strategies. In: Art-Information: Editorial Strategies, Text-based Formats, Publishing Contexts, 26 April 2014, Institute of Contemporary Arts, London.

Melvin, Joanna (2008) Ping Pong Dialogues: Bill Beckley. [Show/Exhibition]

Melvin, Joanna (2012) Seth Siegelaub in conversation with Jo Melvin. In: From Conceptualism to Feminism: Lucy Lippard's Numbers Shows 1969-1974. Exhibition histories . Afterall, London, pp. 244-262. ISBN ISBN 978-1-84638-088-4

Melvin, Joanna (2013) Sir Peter Blake: Four Decades: Collection and Homage. In: Peter Blake Four Decades. Chelsea Space, Chelsea Space, UAL, London, pp. 4-7. ISBN 9781906203702

Melvin, Joanna (2008) Tales from Studio International. [Show/Exhibition]

Melvin, Joanna (2012) Transforming Artist Books: Is the Term ‘Digital Artist Books’ a Misnomer? Tate.

Melvin, Joanna (2014) Two Pataphysicians: Flanagan Miró. Waddington Custot Galleries, London. ISBN 978-0-9576612-3-3

Melvin, Joanna (2014) When actions speak louder than words: productive exchanges between Peter Townsend and Seth Siegelaub in Studio International. In: Siegelaub et caetera, archive, art conceptuel, textile, 26 May 2014, Institute nationale De L'historie de l'art de France, Paris.

Melvin, Joanna and Jump, Meri (2013) Barry Flanagan's archive: interconnectivities. In: All this stuff: archiving the artist. Libri, Oxfordshire, pp. 123-138. ISBN 9781907471766

Melvin, Joanna (2009) Bob Law: Something which is nothing. In: Bob Law: A retrospective. Ridinghouse, London, pp. 24-31. ISBN 9781905464265

Melvin, Joanna (2008) Spinofferie: Barbara Reise, art critic, writer, editor, landlady, art historian, and collector, American in London. The Happy Hypocrite (2). pp. 64-71. ISSN 1755-473X

Melvin, Joanna (2008) Tracing the way to work: Tracks, a journal of artists' writings, New York 1974-1977. Sculpture Journal, 17 (1). pp. 89-93. ISSN 1366-2724

McMullen, Ken and Beuys, Joseph (2005) Word Works. [Art/Design Item]

McMullen, Ken (2005) "Pioneers in Art and Science: John Berger and Gustav Metzger". [Art/Design Item]

McDowell, Felice (2012) 'At the Exhibition': the 1948 open-air sculpture exhibition, Battersea Park, in British fashion magazines. Sculpture Journal, 21 (2). pp. 169-181. ISSN 1366-2724

McDowell, Felice (2012) 'Clothes in a setting': Fashion, Interior Design & Art in British fashion media c.1955-1959 an archaeological analysis of fashion media discourse. In: Fashion Tales , 7th - 9th June 2012, Univerità Cattolica del Sacro Cuore, Milan, Italy.

McDowell, Felice (2011) Exhibiting Fashion and Art in Post-war British Fashion Magazines: 'Art Patronage - Modern Style' and a 'Cocktail Party Receipt'. In: Fashion Colloquia, 21-22nd September 2011, London.

McDowell, Felice (2012) Fashioned Images of Art in Magazines:"So what? What does it matter?". In: AAH New Voices: Art and its Hierachies, 24th November 2012, University of Nottingham.

McDowell, Felice (2011) Looking at and locating fashion imagery in studies of visual culture: Post-war fashion media & art historical perspectives. In: Working Papers in Fashion Studies. London College of Fashion, London. ISBN 9781903455265

McDowell, Felice (2011) Mapping Sculpture in post-war British Fashion Magazines 1945-1951. In: Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951, 25th - 26th February 2011, Victoria and Albert Museum, London.

Martínez Rodríguez, Fabiola (2004) Civilizing the Prehispanic: Neo-Prehispanic Imagery and Constructions of Nationhood in Porfirian Mexico (1876-1910). PhD thesis, University of the Arts London.

Marks, Laura (2008) SCIRIA Openmind seminar series, tactile perception and the will to figuration in Islamic art and new media art. In: Tactile perception and the will to figuration in Islamic art and new media art, 23rd April 2008. (Unpublished)

Manovich, Lev (2007) SCIRIA Openmind seminar series, after effects or velvet revolution in modern culture. In: After effects or velvet revolution in modern culture, 17th October 2007. (Unpublished)

Lovejoy, Annie (2011) Interfaces of location and memory: An exploration of place through context-led arts practice. PhD thesis, University of the Arts London and Falmouth University.

Leister, Wiebke (2003) Ethics of Photographic Portraiture. In: Ethisierung – Ethikferne; Wieviel Ethik braucht die Wissenschaft? Akademie Verlag, Berlin, pp. 160-176. ISBN 3-05-003855-1

Leister, Wiebke (2010) Mona Lisa on a Bad Day: Or the Impossibility of Neutrality and the Non-Likeness of Photographic Portraiture. Journal of Photography and Culture, 3 (2). pp. 153-174. ISSN 17514517

Leister, Wiebke (2014) Photography In-the-Round: Gerhard Richter’s “48 Portraits”, 1972 and 1998. Photographies, 7 (2). pp. 217-246. ISSN 1754-0763

Leister, Wiebke (2014) The Whitened Face as a Visual Gap: Thoughts and Methods. In: Unsettling Whiteness; Images of Whiteness 3. Images of Whiteness, 3 . Inter-Disciplinary Press, Oxford, pp. 3-10. ISBN 978-1-84888-282-9

Lafuente, Pablo and Kuzma, Marta (2011) Whatever happened to sex in Scandinavia? Verksted, 12 . Koenig Books/Office for Contemporary Art Norway. ISBN 9783863350680

Lafuente, Pablo (2010) A Picture that Moves: Goshka Macuga's Guernica. In: Goshka Macuga: The Nature of the Beast. Whitechapel Gallery. ISBN 978-0-85488-180-2

Lafuente, Pablo (2011) Can emancipation not be abstract? In: Not I: A Conference on Art and Politics, 25th March 2011, The Universidad Nacional Autónoma de México, Mexico City. (Unpublished)

Lafuente, Pablo (2009) For a History of Exhibition Practice. In: 1st Former West Congress, 5-7 November 2009, BAK, Utrecht.

Lafuente, Pablo, Casa de Cultura de España, Mexico City (2010) La gramática de las exposiciones y la creación del arte global. In: La gramática de las exposiciones y la creación del arte global, 22 June 2010, Casa de Cultura de España, Mexico City.

Kikuchi, Yuko (2015) The Craft Debate at the Crossroads of Global Visual Culture: re-centring craft in postmodern and postcolonial histories. World Art. ISSN 2150-0894

Kikuchi, Yuko (2013) The Evolution of Mingei into the 21st Century. In: Mingei: Are You Here? Pace Gallery, London. ISBN 9781909406070

Kikuchi, Yuko and Watanabe, Toshio (2002) The British 'Discovery' of Japanese Art. In: G. Daniels & C. Tsuzuki (eds.) The history of Anglo-Japanese relations, 1600-2000. Vol. 5, Social and cultural perspectives. Palgrave Macmillan, London, pp. 146-170. ISBN 9780333791950

Kemp, Martin and Wells, Thereza (2011) Leonardo da Vinci's Madonna of the Yarnwinder: A Historical and Scientific Detective Story: Scientific Quest v. 2. Zidane, London. ISBN 9780955485060

Kelley, Victoria and Adamson, Glenn (2013) Surface tensions: surface, finish and the meaning of objects. Studies in Design . Manchester University Press, Manchester. ISBN 978-0-7190-8751-6

Kass, Jason and Harland, Beth and Donnelly, Nick (2014) Abstracting the Set: Monet’s Cathedrals and Stable Mental Concepts from Serial Pictorial Artworks. Art & Perception, 2. ISSN 2213-4905, 2213-4913

Kass, Jason (2014) Abstracting concepts from sets of instances: the case of serial works of art. In: Visual In-Sights Conference, 26-27 June 2014, Newcastle University.

Kass, Jason (2013) The Unique Particular. [Show/Exhibition]

Jordan, Christopher (2007) Steering Taste: Ernest Marsh, a study of private collecting in England in the early 20th Century. PhD thesis, University of the Arts London.

Janes, Dominic (2007) Back to the Future of the Body. In: Back to the Future of the Body. Cambridge Scholars Press, Newcastle, pp. 1-16. ISBN 978184718162-6

Janes, Dominic (2011) God and Gold in Late Antiquity. Cambridge University Press, Cambridge. ISBN 9780521158749

Janes, Dominic (2015) Picturing the Closet: Male Secrecy and Homosexual Visibility in Britain. Oxford University Press, New York. ISBN 9780190205638

Janes, Dominic (2009) Victorian Reformation: The Fight Over Idolatry in the Church of England, 1840-1860. Oxford University Press, New York. ISBN 9780195378511

Janes, Dominic (2015) Visions of Queer Martyrdom from John Henry Newman to Derek Jarman. University of Chicago Press, Chicago. ISBN 9780226250618

Hunter, Tom, University College London (2011) Caravaggio yesterday and today: art, genius and legend. In: Caravaggio Yesterday and Today: Art, Genius and Legend, 28 january 2011, University College London.

Hunter, Tom (2010) Unheralded Stories. [Show/Exhibition]

Horton, Ian and Furnee, Bettina (2011) Private voices and public places: using oral histories in site-specific text-based art. In: [Record] [Create] Oral History in Art, Craft and Design, 2nd - 3rd July 2010, Victoria and Albert Museum. (Unpublished)

Horton, Ian and Furnee, Bettina (2010) Oral history, site-specificity and the indexical. In: Oral History in Art, Craft and Design: the Oral History Society Annual Conference, 02 - 03 July 2010, V&A Museum, London, UK. (Unpublished)

Holme, Adrian (2014) Alchemy, image and text: the waning of alchemy and the decline of visual discourse in the late Renaissance. Journal of Illustration, 1 (2). pp. 189-209. ISSN 2052-0204

Harland, Beth and Gillet, John and Mann, Carl M. and Kass, Jason and Godwin, Hayward J. and Liversedge, Simon P. and Donnelly, Nick (2014) Modes of Address in Pictorial Art: An Eye Movement Study of Manet's Bar at the Folies-Bergère. Leonardo, 47 (3). pp. 241-248. ISSN 0024-094X

Guerrero , Inti and Baddeley, Oriana, TrAIN Research Centre (2011) TrAIN open lecture: Flavio de Carvalho and his ‘city for the naked man’. In: TrAIN Open Lecture, 9th February 2011, Chelsea College of Art and Design. (Unpublished)

Gronlund, Melissa (2012) Rezi Van Lankveld: writing fireflies. In: Rezi Van Lankveld: at the first clear sight. Ridinghouse, U.K..

Green, Alison and Houlberg, Barbara and Martin, Trevor (2007) Paul Dickerson: As Art. [Show/Exhibition]

Green, Alison (2011) Citizen Artists: Group Material. Afterall: A Journal of Art, Context and Enquiry, 26. pp. 17-25.

Green, Alison (2004) When Attitudes Become Form and the Contest over Conceptual Art's History. In: Conceptual Art: Theory, Myth and Practice. Cambridge University Press, pp. 123-143. ISBN ISBN-13: 9780521530873 | ISBN-10: 0521530873

Goodwin, Paul and Himid, Lubaina (2012) Thin Black Line(s). [Show/Exhibition]

Goodwin, Paul (2012) New Diasporic Voices in Migrations: Journeys into British Art. [Show/Exhibition]

Gooding, Mel (2001) Abstract Art (Movements in Modern Art Series). Tate Publishing. ISBN 1854373021

Gooding, Mel (2002) Ceri Richards: a curated exhibition. [Show/Exhibition]

Gooding, Mel (2006) Herman de Vries: chance and change. Thames and Hudson. ISBN 978-0500093276

Gooding, Mel (2006) John Hoyland. Thames and Hudson. ISBN 978-0500093306

Giebelhausen, Michaela and Barringer, Timothy J. (2009) Writing the Pre-Raphaelites: Text, Context, Subtext. Ashgate, Aldershot and London. ISBN 978-0-7546-5717-0

Giebelhausen, Michaela (2006) Painting the Bible: Representation and Belief in mid-Victorian Britain. British Art and Visual Culture since 1750: New Readings . Ashgate, Aldershot and London. ISBN 978-0-7546-3074-6

Francis, Mary Anne (2007) Dirty work: art beyond 'autonomy'. Journal of Visual Art Practice, 6 (1). pp. 33-44. ISSN 1470-2029

Fortnum, Rebecca (2006) Contemporary British Women Artists: In Their Own Words. IB Tauris. ISBN 1845112245

Fortnum, Rebecca (2003) Seeing and Feeling. In: Unframed: Practices and Politics of Women’s Contemporary Painting. IB Tauris, pp139-162. ISBN 1 86064 771 5

Finch, Mick (2012) Kilka możliwych konstelacji. In: Wladyslaw Strzeminski: Czytelnosc Obrazow. Muzeum Sztuki.

Fer, Briony and Baddeley, Oriana, TrAIN Research Centre (2011) TrAIN open lecture: Gabriel Orozco: Mobile Work. In: TrAIN Open Lecture, 9th March 2011, Chelsea College of Art and Design. (Unpublished)

Farthing, Stephen (2007) Leaf to Leopard: An analysis of The Elements of Drawing. [Show/Exhibition]

Farthing, Stephen (2011) Museum Rome: the curriculum and the art school. In: 37th Anual Association of Art Historians Conference, 31st March - 2nd April 2011, University of Warwick. (Unpublished)

Edwards, Elizabeth and Peter, James (2006) A Record of England: Sir Benjamin Stone and the National Photographic Association 1897-1910. Dewi Lewis / V&A Publications, UK. ISBN 1904587372

Delice, Serkan and Cakirlar, Cüneyt (2013) 1553. In: Taner Ceylan: The Lost Paintings Series. Standard Press; Paul Kasmin Gallery; Damiani. ISBN 9788862083126

Delice, Serkan and Cakirlar, Cüneyt (2013) 1640. In: Taner Ceylan The Lost Paintings Series. Standard Press; Paul Kasmin Gallery; Damiani, pp. 26-27.

Delice, Serkan and Cakirlar, Cüneyt (2013) 1879. In: Taner Ceylan: The Lost Paintings Series. Standard Press; Paul Kasmin Gallery; Damiani. ISBN 9788862083126

Delice, Serkan and Cakirlar, Cüneyt (2013) Birth of Hope. In: Taner Ceylan: The Lost Paintings Series. Standard Press; Paul Kasmin Gallery; Damiani. ISBN 9788862083126

Delice, Serkan and Cakirlar, Cüneyt (2013) Cage of Flesh. In: Taner Ceylan: The Lost Paintings Series. Standard Press; Paul Kasmin Gallery; Damiani. ISBN 9788862083126

Delice, Serkan and Cakirlar, Cüneyt (2013) Esma Sultan. In: Taner Ceylan: The Lost Paintings Series. Standard Press; Paul Kasmin Gallery; Damiani. ISBN 9788862083126

Delice, Serkan and Cakirlar, Cüneyt (2013) Fake World. In: Taner Ceylan: The Lost Paintings Series. Standard Press; Paul Kasmin Gallery; Damiani. ISBN 9788862083126

Delice, Serkan and Cakirlar, Cüneyt (2013) Spring Time. In: Taner Ceylan: The Lost Paintings Series. Standard Press; Paul Kasmin Gallery; Damiani. ISBN 9788862083126

Delice, Serkan (2013) 1881. In: Taner Ceylan: The Lost Paintings Series. Standard Press; Paul Kasmin Gallery; Damiani. ISBN 9788862083126

Dakers, Caroline (2013) After Beckford: an examination of the connections between James Morrison and Alfred Morrison, two collectors who once owned the Fonthill estate, and their infamous predecessor, William Beckford. The Beckford Journal, 19. pp. 5-33. ISSN 1359-8503

Dakers, Caroline (2014) Excessive behaviour and extraordinary collections: William Beckford and Alfred Morrison, two nineteenth-century millionaire collectors. In: Gold in/and Art, 18 - 19 September 2014, Musée Paul-Dupuy, Toulouse, France.

Dakers, Caroline (2014) Fact into fiction in the country house novel: who was the model for Charles Ryder? In: The Country House in Britain, 1914-2014, 6-8 June 2014, University of Newcastle, Department of English.

Dakers, Caroline (2014) Fit for purpose: the Victorian artist's studio-house as public and private space. In: Victorians Like Us 2nd International Conference - The Victorian Household: Power, Policies, Practices, 26 - 29 November 2014, University of Lisbon Centre for English Studies (ULICES), Faculty of Letters, University of Lisbon.

Dakers, Caroline (2013) Gendered collecting? An examination of the personalities,the taste and the displays of two 19th century collectors. In: The Gendered Interior in Nineteenth-Century Art, 20 Nov 2013, University of Bern, Switzerland.

Dakers, Caroline, Leighton House Museum (2011) George Aitchison: Leighton’s architect revealed. [Show/Exhibition]

Dakers, Caroline (2012) Size Matters: the extraordinary collection of Alfred Morrison, Victorian Maecenas. In: Picturing the Nineteenth Century (INCS 2012), 22-25 March 2013, University of Kentucky, USA.

Dakers, Caroline (2004) A Casket to Enclose Pictorial Gems, James Morrison, John Buonarotti Papworth and Basildon Park. Apollo. pp. 29-35. ISSN 00036536

Dakers, Caroline (2011) A genius for money: business, art and the Morrisons. Yale University Press, New Haven, CT. ISBN 9780300112207

Dakers, Caroline (2010) Furniture and interior decoration for James and Alfred Morrison. Furniture History: The Journal of the Furniture History Society, XLVI. pp. 189-216. ISSN 00163058

Dakers, Caroline, University College London (2010) J.B.Papworth, Bloomsbury architect. In: Bloomsbury Day: A Celebration of Bloomsbury Past and Present, 12 March 2010, London, UK.

Dakers, Caroline, Nineteenth Century Studies Association (2011) James Morrison millionaire model and model millionaire. In: Money/Myths, 03-06 March 2011, Albuquerque, NM USA.

Dakers, Caroline (2007) Letters from a 19th Century Merchant on the Grand Tour 1826-1827. In: International Society of Cultural Historians, 2007, University of Ghent. (Unpublished)

Dakers, Caroline (2001) Peeps, shows and chats: the promotion of artists in Late-Victorian London and The Artist as Celebrity in Victorian London. In: Locating the Victorians , Science Museum/Imperial College London.

Cussans, John (2011) Anxious objects of un-belonging and un-doing. In: Sacred Matter and Secular Frames, Museum of Ethnography, Stockholm, Sweden. (Unpublished)

Cussans, John (2011) Art, possession and the revolutionary unconscious. In: Pig Party event of the Xism Exhibition, 4th May 2011, Museum of Ethnography, Stockholm, Sweden. (Unpublished)

Courtney, Cathy (2001) Development of 'Artists' Lives'. British Library Sound Archive.

Coldwell, Paul (2006) Morandi's legacy: influences on British art. [Show/Exhibition]

Coldwell, Paul (2005) Paula Rego: printmaker. In: Paula Rego: Printmaker. Marlborough Fine Art: London. ISBN 1904372252

Chesher, Andrew (2014) Showing the Concealed as Concealed: on phenomenology and walking as art. In: The 64th Congress of Phenomenology, The World Institute of Phenomenology, 1-3 October, 2014, Università Cattolica del Sacro Cuore, Milan, Italy.

Chesher, Andrew and Afker, Cristian (2011) The craftsman. [Art/Design Item]

Cherry, Deborah and Walker, Lynne (2002) Elizabeth Garrett Anderson: Image, Identity and Space in the Modernization of Nineteenth-century Medicine. Visual Culture in Britain, 3 (2). pp. 33-56. ISSN 1471-4787

Cherry, Deborah and Scott, Katie (2005) Between Luxury and the Everyday: Decorative Arts in Eighteenth-Century France. Wiley-Blackwell, Oxford, UK. ISBN 9781405131681

Cherry, Deborah and Helland, Janice (2005) Local/Global: Womens Artists in the Nineteenth Century. Ashgate, Aldershot. ISBN 9780754631972

Cherry, Deborah and Cullen, Fintan (2007) Location. Wiley-Blackwell, Oxford, UK. ISBN 9781405146944

Cherry, Deborah and Cullen, Fintan (2008) Spectacle and Display. Wiley-Blackwell, Oxford, UK. ISBN 9781405175241

Cherry, Deborah (2008) About Mieke Bal. Wiley-Blackwell, Oxford, UK. ISBN 9781405186568

Cherry, Deborah (2006) About Stephen Bann. Wiley-Blackwell, Oxford, UK. ISBN 9781405148306

Cherry, Deborah (2014) Altered States: the social biographies of works of art. She Loved to Breathe - Pure Silence (1987-2012) by Zarina Bhimji. In: Tra memoria e oblio: percorsi nella conservazione dell'arte contemporanea. Castelvecchi, Rome, pp. 210-228. ISBN 9788876159350

Cherry, Deborah (2005) Art: History: Visual: Culture. Blackwell Publishing, Oxford, UK. ISBN 9781405119658

Cherry, Deborah (2000) Beyond the Frame: Feminism and Visual Culture, Britain 1850-1900. Routledge, London, UK; New York, NY, USA. ISBN 9780415107273

Cherry, Deborah (2002) Earth into the World, Land into Landscape: The “Worlding” of Algeria in Nineteenth-Century British Feminism. In: Orientalism’s Interlocutors Painting, Architecture, Photography. Duke University Press . ISBN 978-0-8223-2874-2

Cherry, Deborah (2012) Elizabeth Eleanor Siddall (1829–1862). In: Cambridge Companion to the Pre-Raphaelites. Cambridge companions to literature . Cambridge University Press, Cambridge, pp. 183-195. ISBN 9780521719315

Cherry, Deborah (2003) Going Places: Women Artists in Central London in the 1850s and 1860s. The London Journal, 28 (1). pp. 73-96. ISSN 0305-8034

Cherry, Deborah (2013) Image-making with Jeanne Duval in mind: photoworks by Maud Sulter, 1989−2002. In: Women, the arts and globalization: eccentric experience. Rethinking Art's Histories . Manchester University Press, Manchester, pp. 145-168. ISBN 9780719088759

Cherry, Deborah (2009) In a word, Pre-Raphaelite, Pre-Raphaelites, Pre-Raphaelitism. In: Writing the Pre-Raphaelites: Text, Context, Subtext. Ashgate, Farnham, pp. 17-51. ISBN 9780754657170

Cherry, Deborah (2007) Spatial conversations: on the candy spills of Felix Gonzalez-Torres. Dialogis Espaciais: os Derramamentos de caramelos de Felix Gonzalez Torres. Arte e Ensaios / Arts and Essays (14). pp. 96-109. ISSN 15161692

Cherry, Deborah (2006) Statues in the Square: Hauntings at the Heart of Empire. Art History, 29 (4). pp. 660-697. ISSN 01416790

Cherry, Deborah (2014) The Afterlives of Monuments. Routledge, Oxford . ISBN 9780415739399

Cherry, Deborah (2013) With her Fingers on the Political Pulse: The Transnational Curating of Maud Sulter. In: Politics in a glass case: feminism, exhibition cultures and curatorial transgressions. Value, art, politics (7). Liverpool University Press, Liverpool, UK, pp. 205-226. ISBN 9781846318931

Cherry, Deborah (2002) On the Move: My Bed, 1998-99. In: The Art of Tracey Emin. Thames and Hudson, pp. 134-154. ISBN 0500283850

Cherry, Deborah (2010) The afterlives of monuments. In: The Afterlives of Monuments, 28-30th April 2010, Innovation Centre. (Unpublished)

Cherry, Deborah (2000) Troubling Presence: body, sound and space in installation art of the mid-1990s. Revue d'Art Canadienne / Canadian Art Review, 25 (1-2). pp. 12-30. ISSN 03159906

Brett, Guy and Figueiredo, Luciano (2007) Oiticica in London. Tate Publishing. ISBN 9781854377470

Brett, Guy (2005) Brasil Experimental arte/vida: proposicoes e paradoxos. Rio de Janeiro: Contra Capa Livraria Ltda.. ISBN 85-86011-94-0

Brett, Guy (2004) Carnival of Perception: Selected Writings on Art. inIVA. ISBN 1899846344

Brett, Guy (2007) Grippo's Vision. Third Text , 21 (4). pp. 417-430. ISSN 09528822

Boyce, Sonia and Bailey, David A. and Baucom, Ian (2005) Shades of Black: Assembling Black Arts in 1980s Britain. Duke University Press. ISBN 822334208.00

Beech, Dave (2009) Introduction: art and the politics of beauty. In: Beauty. Documents of contemporary art . Whitechapel Art Gallery, London, pp. 12-19. ISBN 9780854881635

Baniotopolou, Evdoxia (2010) Century City: art and culture in the modern metropolis. A case-study of institutional curating of contemporary art in an urban context. PhD thesis, University of the Arts London.

Baddeley, Oriana (2009) Teresa Margolles and the Pathology of Everyday Death. In: UAL Professorial Platform 2009-10 Series, 4 November 2009, Chelsea College of Arts, 16 John Islip Street, London SW1P 4JU.

Baddeley, Oriana (2003) Ancient Mexican Sources of Art Deco. In: Art Deco: 1910-1939. V&A, pp. 57-65. ISBN 1851773878

Baddeley, Oriana (2011) Fred Boissonnas: The Sinai Expeditions 1929-1933. musee de l'art chretien, Geneva. ISBN 90780955862823

Baddeley, Oriana (2005) Reflecting on Kahlo: Mirrors, Masquerade and the Politics of Identification. In: Frida Kahlo. Tate Publishing, London, pp. 47-53. ISBN 9781854375674

Baddeley, Oriana (2007) The Relocation of Authenticity and Transnational Dilemmas. In: Arte and Ensaios: Transnational Correspondence (special edition). Universidade Federal do Rio de Janeiro, Rio de Janeiro, pp. 68-82. ISBN 15561692

Asbury, Michael and Tatchell, Nick (2011) José Roca - Essays in Geopoetics: the notion of territory critically redefined from the perspective of artistic practice. In: TrAIN Open Lecture, 19/10/2011, Lecture Theatre - Chelsea College of Art and Design.

Asbury, Michael (2014) 21 Forma de Amnesia. In: Milton Machado: Cabeça. Editora Luneta, Rio de Janeiro, pp. 134-139.

Asbury, Michael (2014) Abstract Impulses. In: Impulse, Reason, Sense, Conflict: Abstract Art from the Ella Fontanals-Cisneiros Collection. Cisneros Fontanals Art Foundation (CIFO), Miami, Florida, US.

Asbury, Michael (2013) Angelo Venosa, Deixo que falem o que quizerem. In: Angelo Venosa: A febre da matéria. Cosac Naify, São Paulo, Brazil, pp. 169-177.

Asbury, Michael (2012) Anna Maria Maiolino: Utopias and Subjectivitides. In: Narrativas Ficções Subjetividades. Quartet Editora, pp. 93-111. ISBN 9788578120719

Asbury, Michael (2010) Anna Maria Maiolino: continuous. [Show/Exhibition]

Asbury, Michael (2011) Antonio Manuel: Occupations / Discoveries. In: (Des)locações: Exílio, Topologia, Deslocalização, (Dis)Locations: Exile, Topology, Relocation. Universidade do Porto. Faculdade de Belas Artes. Gabinete Editorial, Porto, Portugal, pp. 58-68. ISBN 978-972-98517-5-9

Asbury, Michael (2012) Daily Heterotopias. In: Shirley Paes Leme. Editora Alfaiatar, São Paulo, pp. 195-203. ISBN 9788562328268

Asbury, Michael (2011) Daniel Senise, 2892: entre o ser e o nada, o espectador / Daniel Senise, 2892: Between Being and Nothingness, The Spectator. Porto Arte (31). pp. 31-40. ISSN 0103-7269

Asbury, Michael (2015) Her Other Selves: On Anna Maria Maiolino’s art of becoming. Flash Art International (300). ISSN 0394-1493

Asbury, Michael (2014) Iberê Camargo: O Carretel Meu Personagem. In: 100 Anos de Iberê. Cosac & Naify and Fundação Iberê Camargo, pp. 253-275.

Asbury, Michael (2013) Iberê Camargo: O Carretel – Meu Personagem. Fundação Iberê Camargo.

Asbury, Michael (2011) Julio Villani: for a playful domestication of history. Archibooks, Paris, pp. 10-11. ISBN 9782357331235

Asbury, Michael (2012) Maria Nepomuceno: Money for Old Rope. In: Tempo para Respirar. Turner Contemporary, Margate, Kent, UK, pp. 33-44.

Asbury, Michael (2013) Milton Machado: Prize Nominations. In: Imagine Brazil. Astrup Fearnley Musset, Oslo, Norway, pp. 70-72.

Asbury, Michael (2011) Modernismo in São Paulo and L’Esprit nouveau in Paris. In: Abstract Space Concrete Media: Avant-gardes beyond Western Modernism, 27-28 May 2011, MUMOK Lounge Akademie der Bildenden Kunste Wien and Museum Moderner Kunst Stiftung, Ludwig Wien, Vienna, Austria.

Asbury, Michael (2008) Parisienses no Brasil, Brasileiros em Paris: relatos de viagem e modernismos nacionais. Concinnitas (12). pp. 37-47. ISSN 19819897/14152681

Asbury, Michael (2015) Raul Mourão: Toque Devagar/Handle with Care. In: Raul Mourão Volume I. Automatica, Rio de Janeiro, pp. 240-251.

Asbury, Michael (2014) Sobre a Mobilidade. In: Milton Machado: Cabeça. Editora Luneta, Rio de Janeiro, pp. 158-159.

Asbury, Michael (2013) Some Notes on Abraham Palatnik’s Kinechromatic Apparatus. In: Abraham Palatnik: a reinvenção da pintura. Centro Cultural Banco do Brasil, pp. 61-77.

Asbury, Michael (2012) The Uroborus Effect: Brazilian Contemporary Art as Self-Consuming. Third Text , 26 (1). pp. 141-147. ISSN 0952-8822

Asbury, Michael (2013) Tunga: Tropical Baroque. In: Brasiliana: Installations from 1960 to the Present. Schirn Kunsthalle Frankfurt, Frankfurt, Germany, pp. 130-137.

Asbury, Michael (2012) When art spoke to power. Art in America.

Asbury, Michael (2012) ‘Viver é muito perigoso’ (To live is a very dangerous thing). In: Shirley Paes Leme. Editora Alfaiatar, São Paulo, pp. 25-45. ISBN 9788562328268

Asbury, Michael (2010) Antonio Manuel: a instalação como pintura: pintura como instalação (painting and installation in the work of Manuel Antonio). In: The Contemporary Painting and (m) of their fields, 2010, Porto Alegre, Brazil. (Unpublished)

Asbury, Michael (2010) Barbarella: Cravo e Canela. Ernesto Neto: Intimacy.

Asbury, Michael (2011) Dislocations and transitions in the work of Antonio Manuel. In: Antonio Manuel Symposium, October 2011, New York, USA. (Unpublished)

Asbury, Michael (2011) Flans and urnas quentes by Antonio Manuel. In: Antonio Manuel: Art Catalogue. Americas Society, New York, USA.

Asbury, Michael (2012) Flans, Urnas Quentes and the Radicalism of a Cordial Man. In: Antonio Manuel: I want to Act, not Represent. Americas Society; Associação para o Patronato Contemporâneo, New York; São Paulo , pp. 26-44. ISBN 9781879128408

Asbury, Michael (2009) From constructivism to pop: Avant-Garde practices in Brazil, Britain and North America between the 1950s and 1960s. In: Crossing Cultures: Conflict, Migration and Convergence: The Proceedings of the 32nd International Congress of the History of Art. The Miegunyah Press, Melbourne, Australia, pp. 743-746. ISBN 9780522855005

Asbury, Michael (2012) Hélio Oiticica: what I do is music, América Latina, extranjería y la pertenencia cultural: Artes visuales y música en los años sesenta. In: LASA2012 / Toward a Third Century of Independence in Latin America, 23rd - 26th May 2012, San Francisco, USA. (Unpublished)

Asbury, Michael (2011) Miguel Palma’s state of the art. In: Miguel Palma: linha de montagem (assembly line). Loja Gulbenkian / Livraria Almedina, Lisbon, Portugal, pp. 81-96. ISBN 9789726352396

Asbury, Michael (2005) Neoconcretism and minimalism: on Ferreira Gullar’s theory of the non-object. In: Cosmopolitan Modernisms. InIVA / MIT, pp. 168-189. ISBN 9780262633215

Asbury, Michael (2010) Shirley Paes Leme: heterotopias cotidianas. Alfaiatar, São Paulo, Brazil. ISBN 9788562328084

Araujo, Ana (2010) PhD research projects 2010. Bartlett School of Architecture, London. ISBN 9780955833168

Adam, Grace (2014) Modes of Remembrance (catalogue). [Art/Design Item]

This list was generated on Sat Sep 5 00:09:08 2015 BST.