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UAL Research Online

Items where Subject is "Fashion History & Theory"

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de la Haye, Amy and Taylor, Lou and Thompson, Eleanor (2005) Fashion and Fancy Dress: The Messel Family Dress Collection 1865-2005. [Show/Exhibition]

de la Haye, Amy and Pel, Martin (2017) Gluck: Art and Identity. Yale University Press, London. ISBN 9780300230482

de la Haye, Amy and Horsley, Jeffrey (2017) Present Imperfect: Disorderly Apparel Reconfigured. [Show/Exhibition]

de la Haye, Amy and Costin, Simon (2022) Wild and Cultivated: Fashioning the Rose. [Show/Exhibition]

de la Haye, Amy and Clark, Judith (2008) One Object: Multiple Interpretations. Fashion Theory: The Journal of Dress, Body & Culture, 12 (2). pp. 137-169. ISSN 1362704X

de la Haye, Amy (2015) Bianca Mosca. In: London Couture 1923-1975: British Luxury. V&A Publishing, London, pp. 150-153. ISBN 9781851778508

de la Haye, Amy (2002) Catherine Walker: 25 Years of British Couture, 1977-2002. [Show/Exhibition]

de la Haye, Amy (2013) Chanel: A New Portrait by Marion Pike. [Show/Exhibition]

de la Haye, Amy (2023) Chanel: Couture and Industry (2023). V&A, London. ISBN 9781838510381

de la Haye, Amy (2019) Conversations on Exhibiting Fashion Between Beca Lipscomb, Lucy McKenzie and Amy de la Haye. In: Atelier E B: Passer-By. Koenig Books, pp. 33-42. ISBN 9783960987529

de la Haye, Amy (2015) Court Dressmaking in Mayfair from the 1890s to the 1920s. In: London Couture 1923-1975: British Luxury. V&A Publishing, London, pp. 10-27. ISBN 9781851778508

de la Haye, Amy (2019) Fashion, Memory and the Archive. In: Thea Porter’s Scrapbook. Unicorn Publishing, xiii-xxi. ISBN 978-1911604563

de la Haye, Amy (2023) Fashioning Flowers. In: Gabrielle Chanel: Fashion Manifesto. Paris Musées, Thames & Hudson, Paris, London. ISBN 978-2-7596-0452-4

de la Haye, Amy (2016) Hardy Amies: A Dagenham Designer. [Show/Exhibition]

de la Haye, Amy (2021) Le Mode et Les Fleurs. In: Gabrielle Chanel: Manifeste de Mode. Paris Musées (French version) / Thames & Hudson (English version), Paris, London, pp. 64-70. ISBN 978-2-7596-0452-4

de la Haye, Amy (2007) Material Evidence: London Haute Couture 1947-1957. In: The Golden Age of Couture: Paris and London 1947-1957. V&A Publications, UK, pp. 89-111. ISBN 9787851775217

de la Haye, Amy (2012) Object analysis. In: Handbags: the making of a museum. Yale University Press in association with Simone Handbag Museum, New Haven, CT, pp. 34-207. ISBN 9780300186185

de la Haye, Amy (2018) Objects of a Passion. In: UAL Professorial Platform Series 2018, 13 November 2018, London College of Fashion.

de la Haye, Amy (2020) Ravishing: The Rose in Fashion. Yale University Press, New York. ISBN 9780300250084

de la Haye, Amy (2021) Ravishing: The Rose in Fashion. [Show/Exhibition]

de la Haye, Amy (2015) Victor Stiebel, Jacqmar. In: London Couture 1923-1975: British Luxury. V&A Publishing, London, pp. 86-97. ISBN 9781851778508

de la Haye, Amy (2006) Vogue and the V&A Vitrine. Fashion Theory: The Journal of Dress, Body and Culture, 10 (1). pp. 127-152. ISSN 1362-704X

de la Haye, Amy (2015) Worth (London) Ltd. In: London Couture 1923-1975: British Luxury. V&A Publishing, London, pp. 110-114. ISBN 9781851778508

de la Haye, Amy (2012) A terminology pertaining to handbags. In: Handbags: the making of a museum. Yale University Press in association with Simone Handbag Museum, New Haven, CT, pp. 257-265. ISBN 9780300186185

de la Haye, Amy (2012) The uniform on the street: the fashionable handbag in 1912. In: Handbags: the making of a museum. Yale University Press in association with Simone Handbag Museum, New Haven, CT, pp. 235-231. ISBN 9780300186185

de Lorenzo, Victoria and Priyadarshini, Meha and Fotheringham, Avalon and Murali, Deepthi (2023) Locating the Madras Kerchief in Global Textile Trade: Convergences between Connecting Threads and the Dutch Textile Trade Project. Journal of Historians of Netherlandish Art, 15 (1). ISSN 1949-9833

da Motta Amadeu, Flavia Regina (2015) Reflecting on capabilities and interactions between designers and local producers through the materiality of the rubber from the Amazon rainforest. PhD thesis, University of the Arts London.

Ziesche, Anna-Nicole and Bugg, Jessica (2013) Fashion & Performance: Materiality, Meaning, Media. [Show/Exhibition]

Ziesche, Anna-Nicole (2014) Before A Fashion. [Art/Design Item]

Ziesche, Anna-Nicole (2009) Childhood Storage. [Art/Design Item]

Ziesche, Anna-Nicole (2012) Childhood storage. [Art/Design Item]

Yusuf, Nilgin (2010) The Suit as Criminal Workwear. In: Workwear, February 13, 2010, Parsons School of Design.

York, Peter (2009) The Magic Mirror - The Fashionista's world-view (and the rest of humanity's). In: UAL Professorial Platform Series 2009-10, 1 December 2009, London College of Fashion, 20 John Prince's Street, London W1G 0BJ.

Wilson Trower, Valerie Pamela (2009) The Fashion Choices of Expatriate Western Women in Hong Kong from 1960 to 1997. PhD thesis, University of the Arts London.

Willson, Jacki (2013) The Beauty Manifesto. In: Gender, Race and Representation in Magazines and New Media, 25th-27th October, 2013, Cornell University, Ithaca, New York, USA.

Willson, Jacki (2015) Being Gorgeous: Feminism, Sexuality and the Pleasures of the Visual. International Library of Cultural Studies . I.B.Tauris, London and New York. ISBN 9781780762838

Willson, Jacki (2013) False Eyes Lashes: With a Flutter Our Gaze is Dispersed. In: Dressed Bodies, 17 July 2013, Sheffield University.

Willson, Jacki (2008) The Happy Stripper: Pleasures and Politics of the New Burlesque. I.B.Tauris, London and New York. ISBN 978-1-84511-318-6

Willson, Jacki (2015) Medicinal Make-up and Bad Hair days: reconsidering the place of the ‘private’ and the ‘public’ in the fashion image. In: Consuming/Culture: women and girls in print and pixels, 5−6 June 2015, Oxford Brookes University.

Willson, Jacki (2015) Myth, Magic and Masquerade Balls: Exploring McQueen through a Cultural and Historical Lens. In: Extreme McQueen: How to Wear Accessories, 13 June 2015, Victoria and Albert Museum, London, UK.

Williams, Dilys and Young, Lola (2013) Design for Sustainability Educators Network: House of Lords Dinner Debate. In: House of Lords Dinner Debate, 19 March 2013, House of Lords.

Williams, Dilys and Torres, Sara (2015) Dilys Williams: A voice for radical change in the fashion industry. 1 Granary.

Williams, Dilys and Mair, Carolyn (2013) Experiencing Fashion - Better Lives Lecture Series. In: Experiencing Fashion - Better Lives Lecture Series, 29 May 2013, London College of Fashion.

Williams, Dilys and Earley, Katharine (2013) Centre for Sustainable Fashion: Inspiring a new way of thinking. Source Intelligence.

Williams, Dilys (2012) Copenhagen Fashion Summit – Youth Summit. In: Copenhagen Fashion Summit – Youth Summit, 2 - 3 May 2012, Copenhagen Opera House.

Williams, Dilys (2012) Designers fashioning the future industry. In: The Sustainable Fashion Handbook. Thames and Hudson, London, pp. 96-108. ISBN 9780500290569

Williams, Dilys (2015) Fashion Design. In: Routledge Handbook of Sustainability and Fashion. Routledge, Oxon, UK, pp. 234-242. ISBN 0415828597

Williams, Dilys (2014) Fashion is about desire and reinvention. Sustainability is just the next step to consider. Hudson Walker International.

Williams, Dilys (2014) Fashioning the Future. Fashion Practice: Design, Creative Process and the Fashion Industry, 6 (1). pp. 131-140. ISSN 1756-9370, 1756-9389

Williams, Dilys (2012) Made in GB ‐ manufacturing and fashion provenance. In: Westminster Media Forum Keynote Seminar: The UK fashion industry – challenges, opportunities and policy options, 13th November 2012, London UK.

Williams, Dilys (2013) The Making of a Social Object: Collaboration between Nike and Centre for Sustainable Fashion. In: Sustainable Fashion: New Approaches. Aalto University, Helsinki, Finland, pp. 164-173. ISBN 978-952-5572-5

Williams, Dilys, Mantis World (2012) Sustainable Futures - In Conversation with Dilys Williams. Well Made Magazine - The Life of a T-Shirt, 1. pp. 14-17.

Williams, Dilys (2013) Sustainable and Innovative Fashion Conference Seminar: The Making of a Social Object. In: Sustainable and Innovative Fashion Conference Seminar: The Making of a Social Object, 2 - 3 October 2013, Aalto University School of Arts, Design and Architecture, Helsinki, Finland.

Wilcox, Claire (2015) Alexander McQueen: Savage Beauty. [Show/Exhibition]

Wilcox, Claire (2020) Beautifully Dangerous. In: Shaun Leane. ACC Art Books, pp. 82-92. ISBN 9781788840835

Wilcox, Claire (2015) Edward Scissorhands. In: Alexander McQueen. V&A Publishing, London, pp. 25-33. ISBN 9781851778270

Wilcox, Claire (2015) Plato's Atlantis: Anatomy of a Collection. In: Alexander McQueen. V&A Publishing, London, pp. 83-103. ISBN 9781851778270

Wilcox, Claire (2012) Victoria and Albert Museum Gallery of Fashion. [Show/Exhibition]

Whyman, Benjamin David (2019) How can material culture analysis of fashionable menswear augment biographical and museological interpretations? A critical analysis of three wardrobes of menswear at the Victoria and Albert Museum and Fashion Museum, Bath. PhD thesis, University of the Arts London.

Weston, Sian (2022) The Changing Face of Burberry: Britishness, Heritage, Labour and Consumption. Bloomsbury Visual Arts . Bloomsbury Academic, London, Sydney, New York and Delhi. ISBN 9781350179608

Weston, Sian (2021) Red Cashmere Cardigan, J'adore. Textile: Cloth & Culture. pp. 1-4. ISSN 1751-8350

Weiner, Nathaniel (2019) Fashion vs style: The repudiation of fashion in online menswear communities. International Journal of Fashion Studies, 6 (1). pp. 3-23. ISSN 2051-7106

Weiner, Nathaniel (2018) ‘Put on your boots and Harrington!’: The ordinariness of 1970s UK punk dress. Punk & Post Punk, 7 (2). pp. 181-202. ISSN 20441983

Weiner, Nathaniel (2018) Resistance through realism: Youth subculture films in 1970s (and 1980s) Britain. European Journal of Cultural Studies, 21 (2). pp. 165-188. ISSN 1367-5494

Weiner, Nathaniel (2014) eBay’s digital culture: Friction-free capitalism in a consumer heterotopia. In: TEM 2014:Proceedings of the Technology & Emerging Media Track. Canadian Communications Association, Saint Catharines, Ontario, Canada.

Walsh, Maria and Throp, Mo (2020) Double Acts: Oscillating Between Optical and Haptic Visuality in a Digital Age. In: Revisiting the Gaze The Fashioned Body and the Politics of Looking. Bloomsbury Visual Arts, London and New York. ISBN 9781350154230

Vuletich, Clara (2015) Transitionary Textiles: a craft-based journey of textile design practice towards new values and roles for a sustainable fashion industry. PhD thesis, University of the Arts London.

Vingilyte, Justina and Khadaroo, Ameerah (2022) Personal clothing style and self-concept: Embracing the true, the ideal and the creative self. Fashion, Style and Popular Culture. ISSN 2050-0726

Uhlirova, Marketa and Gunning, Tom (2017) Wearing Time: Past, Present, Future, Dream. 10th Anniversary Fashion in Film festival. [Show/Exhibition]

Uhlirova, Marketa and Bartlett, Djurdja (2016) Djurdja Bartlett in Conversation with Marketa Uhlirova. In: Djurdja Bartlett in Conversation with Marketa Uhlirova, 27/04/2016, London College of Fashion.

Uhlirova, Marketa (2013) 100 Years of the Fashion Film: Frameworks and Histories. Fashion Theory: The Journal of Dress, Body & Culture, 17 (2). pp. 137-158. ISSN 1362704X

Uhlirova, Marketa (2019) The Aesthetic of Opulence: Channelling Colour and Darkness in Early Costume and Fashion Film. In: Fourth International Conference Colour in Film London, 25 - 27 February 2019, BFI London.

Uhlirova, Marketa (2016) Artists' Moving Image and Fashion. In: Fashion on the Move, 1 December 2016, London College of Fashion.

Uhlirova, Marketa (2013) Birds of Paradise: Costume as Cinematic Spectacle. Koenig, London, UK. ISBN 9783863352189

Uhlirova, Marketa (2021) The Costume-Phantoms of Ester Krumbachová. In: Ester Krumbachová. UMPRUM (Academy of Art, Architecture and Design, Prague) & ARE, Prague, pp. 104-117. ISBN 978-80-88308-47-8

Uhlirova, Marketa (2020) Excavating fashion film: a media archaeological perspective. Journal of Visual Culture, 19 (3). pp. 340-361. ISSN 1741-2994

Uhlirova, Marketa (2017) Fashion in Cinema: Reframing the Field. PhD thesis, University of the Arts London.

Uhlirova, Marketa (2021) Fashion in cinema: reframing the field. In: Routledge Companion to Fashion Studies. Routledge, London and New York. ISBN 9780367209568

Uhlirova, Marketa (2019) Layering: Fashion, Art, Cinema. [Show/Exhibition]

Uhlirova, Marketa (2014) The Lure of the Archive. In: Fashioning the Archive, 25 June 2014, Royal College of Art.

Uhlirova, Marketa (2022) On Fire: When Fashion Meets Cinema. In: The Oxford Handbook of Film Theory. Oxford University Press, New York, pp. 526-547. ISBN 978-0190873929

Uhlirova, Marketa (2018) Palazzo Grassi Celebrates 10 Years of Fashion in Film Festival. [Show/Exhibition]

Uhlirova, Marketa (2010) Snapshot: Dress in Czech Film of the 1920s and 1930s. In: Berg Encyclopedia of World Dress and Fashion: Volume 9 – East Europe, Russia, and the Caucasus: Part 3: East Central Europe and the Baltics. Berg Publishers, London. ISBN 9781847888495, 1847888496

Uhlirova, Marketa (2016) Theatre of Poses: Framing the Fashionable Body in the Early Studio Film. In: Posing the Body: Stillness, Movement, and Representation, 6 - 7 May 2016, The Courtauld Institute of Art, Somerset House, Strand, London WC2R 0RN / University of Westminster, Regent Street Cinema, 309 Regent Street, London W1B 2UW.

Uhlirova, Marketa (2022) Turning and Unfurling: Sonia Delaunay’s 1926 Colour Film. In: Maison Sonia Delaunay. Hatje Cantz, Berlin, pp. 104-131. ISBN 978-3-7757-5380-7

Uhlirova, Marketa (2017) Voyage through Space, Time and Utopian Modernism in Ikarie XB-1. In: Czech Cinema Revisited: Politics, Genres, Techniques. National Film Archive, Prague. ISBN 9788070041819

Tynan, Jane and Kelley, Victoria (2013) Radical Gestures: designing protest, resistance and refusal. In: Radical Gestures, 01 June 2013, Central Saint Martins.

Tynan, Jane (2020) Images of Insurgency: reading the Cuban Revolution through military aesthetics and embodiment. In: Making War on Bodies: militarisation, aesthetics and embodiment in international politics. Advances in Critical Military Studies . Edinburgh University Press, Edinburgh, pp. 213-241. ISBN 978-1-4744-4618-1

Tynan, Jane (2019) Insurgent Trend: the popularity of the keffiyeh. In: Fashion and Politics. Yale University Press. ISBN 9780300238860

Tynan, Jane (2015) Michel Foucault: fashioning the body politic. In: Thinking Through Fashion: A Guide to Key Theorists. Dress Cultures . I.B.Tauris, London and New York. ISBN 9781780767338

Tynan, Jane (2013) Military Chic: fashioning civilian bodies for war. In: War and the body: militarisation, practice and experience. War, politics and experience . Routledge, London, pp. 78-89. ISBN 9780415692151

Tynan, Jane (2011) Military Dress and Men’s Outdoor Leisurewear: Burberry’s Trench Coat in First World War Britain. Journal of Design History, 24 (2). pp. 139-156. ISSN 1741-7279, 0952-4649

Tynan, Jane (2013) Power Dressing: on fashion and regulation clothing. Vestoj,The Journal of Sartorial Matters, 1 (4). 35 -42. ISSN 2000-4036

Tynan, Jane (2009) Representations of soldiering: British army uniform and the male body during the First World War. PhD thesis, University of the Arts London.

Tynan, Jane (2019) Utility Chic: Where fashion and uniform meet. In: Uniform: Clothing and Discipline in the Modern World. Bloomsbury, London, pp. 221-236.

Tynan, Jane (2015) Utopian Bodies: Fashion and Resistance. In: Utopian Bodies: Fashion Looks Forward. Liljevalchs, Stockholm, pp. 182-186. ISBN 978-86011-29-1

Tulloch, Carol and Shonibare, Yinka and Robins, Freddie and Faiers, Jonathan (2011) When clothes speak: the fabric of our heritage. In: When Clothes Speak: The Fabric of Our Heritage, 19 January 2011, Royal Academy of Arts. (Unpublished)

Tulloch, Carol and Kaiser, Susan B. and Rabine, Leslie and Breward, Christopher and Cheddie, Janice and McCullough, Sarah Rebolloso and Cooper, Carolyn and Rose, Clare (2010) Fashion theory, special issue: dress and the African Diaspora. Berg, Oxford, pp. 267-407. ISBN 9781847886538

Tulloch, Carol (2016) The Birth of Cool: Style Narratives of the African Diaspora. Bloomsbury, London, Oxford, New York, New Delhi, Sydney. ISBN 9781474262873

Tulloch, Carol (2011) Buffalo: style with intent. In: Postmodernism: Style and Subversion 1970-1990. Victoria and Albert Museum, London. ISBN 9781851776597

Tulloch, Carol (2010) Letter from the editor. Fashion Theory: The Journal of Dress, Body and Culture, 14 (3). pp. 269-272. ISSN 1362704X

Tulloch, Carol (2021) Long Time Gyal Me Never See You. KALEIDOSCOPE, 38 (S/S21). ISSN 2038-4807

Tulloch, Carol (2010) Style fashion dress: from black to post-black. Fashion Theory: The Journal of Dress, Body and Culture, 14 (3). pp. 273-304. ISSN 1362704X

Tulloch, Carol (2022) T-Shirt Matters. In: Fashion Knowledge: Theories, Methods, Practices and Politics. Intellect, Bristol, Chicago, pp. 113-135. ISBN 9781789387681

Tulloch, Carol (2016) This Time It's Personal. In: UAL Professorial Platform Series 2015-16, 17 March 2016, Chelsea College of Art and Design, 16 John Islip Street, London SW1P 4JU.

Tregenza, Liz (2021) Copying a Master: London Wholesale Couture and Cristóbal Balenciaga in the 1950s. Fashion Theory: The Journal of Dress, Body and Culture, 25 (4). pp. 457-479. ISSN 1362-704X

Tregenza, Liz (2023) Everyday Fashion: Interpreting British Clothing Since 1600. Bloomsbury, London. ISBN 9781350232440

Tregenza, Liz (2024) Knitted textiles, Sportsclothes and the Development of London Wholesale Couture: 1920-1939. Journal of Textile Design Research and Practice. ISSN 2051-1795

Tregenza, Liz (2023) Learning Through Wear: Experiencing the Everyday Vintage Wardrobe. In: Everyday Fashion: Interpreting British Clothing Since 1600. Bloomsbury, pp. 139-155. ISBN 9781350232440

Tregenza, Liz (2022) Location, London: Promoting British ready-to-wear 1959–66. In: Disseminating Dress: Britain’s Fashion Networks, 1600–1970. Bloomsbury, pp. 165-188. ISBN 978-1350181021

Tregenza, Liz (2020) Starke dresses the stars: Jean Simmons' 21st birthday wardrobe. Film, Fashion & Consumption, 9 (1). pp. 65-79. ISSN 2044-2823

Torres, Lara Mendonça Guterres (2019) Towards a practice of unmaking: the essay film as critical discourse for fashion in the expanded field. PhD thesis, University of the Arts London.

Torres, Lara (2022) Fashion Ontology: Researching the Possibilities for Knowing through an Expanded Fashion Practice. In: Fashion Knowledge Theories, Methods, Practices and Politics. Intellect, United Kingdom, pp. 53-69. ISBN 978-1-78938-518-2

Torres, Lara (2017) Fashion in the Expanded Field: Strategies for Critical Fashion Practices. Journal of Asia-Pacific Pop Culture, 2 (22). pp. 167-183. ISSN 2380-7679

Torres, Lara (2016) Unmaking. [Art/Design Item]

Thorogood, Simon (2012) Phashion. Atelier-Mayer, 2. pp. 28-35.

Teunissen, José and van der Voet, Hanka (2013) A Fashion Odyssey: progress in fashion and sustainability. ArtEZ Press, Arnhem the netherlands. ISBN 9789491444067

Teunissen, José and van Zijverden, Mascha (2016) Fashion Data. Het Nieuwe Instituut, Rotterdam.

Teunissen, José (2017) Clogs on High Heels: Dutch Cultural Heritage and Fashion. In: Delft Blue to Denim Blue: Contemporary Dutch Fashion. I.B.Tauris & Co Ltd. ISBN 9781784531973

Teunissen, José (2019) Fashion Curation: Broadening the scope. Different ways of exhibiting fashion. In: Exhibiting Fashion Symposium, 8 March 2019, MFIT New York.

Teunissen, José (2016) Fashion Curation: broadening the scope. In: Fashion Curation: broadening the scope. HEAD - Genevé, Geneva, pp. 289-293.

Teunissen, José (2015) 'Fashion Data', at Het Nieuwe Instituut. [Show/Exhibition]

Teunissen, José (2015) Fashion, graphic design and the body. In: The Triumph of Typography: Text and Design in the information Era. Lannoo Publishers/Terra, pp. 282-293. ISBN 9789089896285

Teunissen, José (2005) Global Fashion, Local Tradition. Terra/ ArtEZ, Arnhem. ISBN 9789058973726

Teunissen, José (2018) State of Fashion 2018: Searching for the New Luxury curator. [Show/Exhibition]

Teunissen, José (2018) State of Fashion: Searching for the New Luxury Pop-up Berlin. [Show/Exhibition]

Teunissen, José (2019) State of Fashion: Searching for the New Luxury. Imagination, sustainability, Embodied Practice, Craft Revival, New narratives. In: Transboundary Fashion, 15-16 February, Bunka Gakuen University Tokyo.

Teunissen, José (2018) Why are fashion exhibitions so attractive? Fashion Talks..., 7. pp. 32-42.

Sullivan, Anthony (2015) Fashion. In: Encyclopaedia of Consumption and Consumer Studies. Wiley-Blackwell, London. ISBN 9780470672846

Sullivan, Anthony (2014) The Hunger Games: Class, Fashion and Freedom. In: EUPOP 2014, July 29th - 31st 2014, London College of Fashion John Princes Street.

Sullivan, Anthony (2017) Jeremy Corbyn: Politics, fashion and brands. In: Fashion and Politics: Historical and Contemporary Perspectives, Friday 7th July 2017, London College of Fashion.

Sullivan, Anthony (2019) Karl Marx: Fashion and Capitalism. In: Thinking Through Fashion: A Guide To Key Theorists. Dress Cultures . Bloomsbury Publishing, London. ISBN 9781350125209

Sullivan, Anthony (2013) Marx: Fashion and Capitalism. In: ADRI Seminar, Middlesex University.

Stevenson, Caroline and Laing, Morna and Bartlett, Djurdja and Pecorari, Marco (2020) Fashion / Politics: 20/21 Manifesto. In: Fashion Politics 20-21: Manifesto, June 19, 2020, online.

Stevenson, Caroline and Hoette, Ruby and Brauchli, Roland (2018) Modus. Onomatopee.

Stevenson, Caroline and Hoette, Ruby (2021) MODUS Hosts: Unfolding Interlocal Practice. [Show/Exhibition]

Stevenson, Caroline (2018) Conversation Pieces. [Show/Exhibition]

Stevenson, Caroline (2023) 'Doing' Fashion Politics: Praxical Pedagogy in London Street Markets. In: Fashion in 3-D: Decolonising, Deconstructing and Decentring, 19-21 October 2023, University of Bologna.

Stevenson, Caroline (2017) Don't be far from me. [Show/Exhibition]

Stevenson, Caroline (2019) (I was there) when it all went down. Vestoj,The Journal of Sartorial Matters, 09. pp. 41-45. ISSN 2000-4036

Stevenson, Caroline (2024) In all the wrong places: Curatorial Acts and Sites of Encounter. In: Unfolding Practice: Creative research, reflections, experiences, 25 January 2024, London College of Fashion.

Stevenson, Caroline (2018) Modus: A Platform for Expanded Fashion Practice. [Show/Exhibition]

Stevenson, Caroline (2023) Projection Cloth: Christine Borland's Philosophy of Making.

Stevenson, Caroline (2022) Radical Pedagogies: Right Here, Right Now! Fashion Theory: The Journal of Dress, Body and Culture, 26. ISSN 1362-704X

Stevenson, Caroline (2023) We are but Shadows: Stories of Immigration in London's East End. In: Lucy Orta, Traces: Stories of Migration. University of the Arts London. ISBN 978-1-906908-84-3

Stevenson, Caroline (2016) Working in the Interzone: Fashion as Interdisciplinary Practice. In: Working in the Interzone: Fashion as Interdisciplinary Practice, 11 May 2016, London College of Fashion.

Stenton, Marie and Kapsali, Veronika and Blackburn, Richard and Houghon, Joseph (2021) From Clothing Rations to Fast Fashion: Utilising Regenerated Protein Fibres to Alleviate Pressures on Mass Production. Energies, 14 (18). ISSN 1996-1073

Stead, Lisa Jane (2005) 'The emotional wardrobe': a fashion perspective on the integration of technology and clothing. PhD thesis, University of the Arts London.

Stauss, Renate (2017) Dress as therapy: Working with dress on the self in therapeutic settings. PhD thesis, University of the Arts London.

Sobande, Francesca and Osei, Krys (2020) An African City: Black Women’s Creativity, Pleasure, Diasporic (Dis)Connections and Resistance Through Aesthetic and Media Practices and Scholarship. Communication, Culture and Critique, 13 (2). pp. 204-221. ISSN 1753-9137

Simonson, Caryn (2015) Telling Stories: Brand Revival, from motorcycle clothing to luxury fashion. In: 5th International Journal of Motorcycle Studies, 16-19 July 2015, Barber Vintage Motorsports Museum, Birmingham Alabama, US.

Salazar, Ligaya (2011) Yohji Yamamoto. [Show/Exhibition]

Saillard, Olivier and Blackman, Cally and Rigaux, Elsa and Renard, Isabelle and Gandon, Emilie and Frisa, Maria Luisa and Arzalluz, Miren and Pessey-Lux, Aude and Tsujita, Kaya and Diatkine, Anne and Arnauld, Maia and Font, Lourdes and Samson, Alexandre and Lecallier, Sylvie (2014) Fashion Mix. Mode d'ici. Createurs d'ailleurs. Flammarion, Paris. ISBN 9782081343092

Sagoo-Reddy, Sukhwinder (2023) Cultural Appreciation.

Sacchetti, Maria José (2013) A minimal aesthetic: the relationships between fashion and art in New York and Paris, from 1964 to the present day. PhD thesis, University of the Arts London.

Ryan, Nicky (2005) Exhibition Review: Fashion at Belsay. Fashion Theory: The Journal of Dress, Body & Culture, 9 (3). pp. 343-354. ISSN 1362704X

Ryan, Nicky (2007) Prada and the art of patronage. Fashion Theory: The Journal of Dress, Body and Culture, 11 (1). 7 - 23. ISSN 1362-704X, 1751-7419 (Online)

Ryan, Nicky (2012) Prada and the art of patronage. In: Fashion and Art. Berg, Oxford, UK. ISBN 9781847887849

Rocamora, Agnès and Smelik, Anneke (2015) Thinking Through Fashion: A Guide to Key Theorists. In: Thinking Through Fashion: A Guide to Key Theorists. Dress Cultures . I.B. Tauris, London. ISBN 9781780767338

Rocamora, Agnès and Bartlett, Djurdja (2009) Blogs de mode: les nouveaux espaces du discours de mode. Sociétés, 2 (104). pp. 105-114. ISSN 0765-3697

Rocamora, Agnès (2009) Fashioning the City: Paris, Fashion and the Media. I. B. Tauris, London. ISBN 9781845118976

Rocamora, Agnès (2007) La Femme des Foules: La Passante, la Mode et la Ville. Sociétés: Revue des Sciences Humaines et Sociales, 95. pp. 109-120. ISSN 1378-1863

Rocamora, Agnès (2002) Le Monde's discours de mode: creating the créateurs. French Cultural Studies, 13 (37). pp. 83-98. ISSN 0957-1558

Rocamora, Agnès (2016) Mediatization and Digital Media in the Field of Fashion. Fashion Theory: The Journal of Dress, Body and Culture. ISSN 1362-704X

Rocamora, Agnès (2018) Mediatization and Digital Retail. In: The End of Fashion. Bloomsbury, London, pp. 99-112. ISBN 978-1-3500-4504-0

Rocamora, Agnès (2006) Over to You: Writing Readers in the French Vogue. The Journal of Dress, Body and Culture, Volume (Issue). pp. 153-174. ISSN 1362-704X

Rocamora, Agnès (2006) Paris Capitale de la Mode: Representing Fashion in the Media. In: Fashion’s World Cities. Berg Publishers, pp. 43-54. ISBN 1845204131

Rocamora, Agnès (2016) Pierre Bourdieu: The Field of Fashion. In: Thinking Through Fashion: A Guide to Key Theorists. IB Tauris, pp. 233-250. ISBN 9781780767338HB

Rocamora, Agnès (2016) Thinking Through Fashion: An Introduction. In: Thinking Through Fashion: An Introduction. IB Tauris, London, pp. 1-27. ISBN 178076734X

Roberts, Cheryl and Sharma, Priya (2022) Image-Maker in Residence: Cheryl Roberts. The Sociological Review. ISSN 2754-1371

Roberts, Cheryl (2024) Choreography of Leftovers: A Rabbit Hole of Possibilities. In: Fashion Forward: Evolution, Resilience, and Responsibility in the Fashion Sector. Intellect Publishing, Bristol. (In Press)

Roberts, Cheryl (2022) Consuming Mass Fashion in 1930s England: Design, Manufacture and Retailing for Young Working-Class Women. Palgrave Studies in Fashion and the Body . Palgrave Macmillan/Springer Nature, Switzerland. ISBN 9783030946128

Roberts, Cheryl (2022) Fashion and Class by Rachel Worth. Costume, 56 (1). ISSN 1749-6306

Roberts, Cheryl (2021) Fur: A Sensitive History by Jonathan Faiers. Costume, 55 (2). pp. 271-272. ISSN 1749-6306

Roberts, Cheryl (2024) “Furland”: Global Fur and Empires of Fashion Materialities in 1930s London. In: Material Selves. Material Cultures in Art & Design . Bloomsbury. (In Press)

Roberts, Cheryl (2019) The Impact of the Purchasing Power of Young, Employed, Modern Working-class Women on the Design, Mass Manufacture and Consumption of Fashionable Lightweight Day Dresses, 1930-1939. PhD thesis, University of Brighton.

Roberts, Cheryl (2017) A Price for Fashion: A Young Working-Class Woman’s Wardrobe in 1930s London. L’Apparences: Histoire et Culture du Paraître, 7. ISSN 1954-3778

Roberts, Cheryl (2022) Synergy and Dissonance of the Senses: Negotiating Fashion Through Second-hand Dealing, Jumble Sales and Street Market Trading in 1930s East End London. In: Shopping and the Senses, 1880-1970. Palgrave Macmillan/Springer Nature, Switzerland, pp. 145-168. ISBN 9783030903343

Roberts, Cheryl (2021) Worn: Footwear, Attachment and Affects of Wear by Ellen Sampson. The Journal of Dress History, 5 (4). pp. 190-192. ISSN 2515-0995

Ripley, Julie (2018) Surf’s Us: constructing surfing identities through clothing culture in Cornwall. PhD thesis, University of the Arts London and Falmouth University.

Rigby, Emma Dulcie (2016) Fashion Design and Laundry Practices: Practice-Orientated Approaches to Design for Sustainability. PhD thesis, University of the Arts London.

Ribeiro, Aileen and Blackman, Cally (2015) A Portrait of Fashion. National Portrait Gallery, London, London, UK. ISBN 9781855145566

Reimers, Anne (2011) Cool glamour: fashion and identity in Christian Schad's portrait "Sonja" (1928). In: Fashion: Exploring Critical Issues, 3rd Global Conference, 22-25 September 2011, Mansfield College, Oxford University, UK.

Reimers, Anne (2015) Dance, drugs and vampiric people: Anita Berber and Otto Dix, Berlin 1925. In: Disseminating Dress: Britain and the Fashion World, 28-30 May 2015, University of York.

Reimers, Anne (2015) Fashion Icons: Ali MacGraw. Fashion Photography Archive.

Reimers, Anne (2015) Fashion Icons: Brooke Shields. Fashion Photography Archive.

Reimers, Anne (2013) From fashion icon to priestess of depravity: the dancer Anita Berber in 1920s Berlin. In: Evil, Women and the Feminine, 18-20 May 2013, Prague.

Reimers, Anne (2018) Inscribing Temporality, Containing Fashion: Otto Dix’s Portrait of the Dancer Anita Berber recontextualised. Art History, 41 (4). pp. 680-709. ISSN 1467-8365

Reimers, Anne (2016) Modeallüre oder Zeittendenz? Zeitlichkeit, Modebegriffe und die Grenzen der Kunstgeschichte in der Kunstkritik der Weimarer Republik. In: Lecture Series 'Herausgefordert von der Gegenwart: Fragen der kunstkritischen Praxis gestern und heute', 1 June 2016, Art History Department, University of Bochum, Germany.

Reimers, Anne (2022) The New and The Outmoded: On the Temporal and Sacrificial Nature of Fashion. In: Can Fashion Be Defended? A Symposium in Memory of Djurdja Bartlett, 11 July 2022, London College of Fashion.

Reimers, Anne (2015) On aesthetic pleasure: the problem of 'fashion' in 1920s German art journals. In: Association of Art Historians (AAH) Summer Symposium 2015: Fashion & Art History, 29-30 June 2015, University of York, UK.

Reimers, Anne (2016) Temporality, Style and the Vocabulary of Fashion in 1920s German Arts Criticism. In: Signs and Symbols: Dress at the Intersection Between Image and Realia, 18-21 February 2016, Humboldt University, Berlin, Germany.

Reimers, Anne (2022) ‘Women in White’: Tennis Dress in Painting and Fashion Magazines in the 1920s. In: Fashioning the Body for Sport and Leisure: A History of Dress and Textiles, 30 September - 1 October 2022, Art Workers' Guild, London.

Radclyffe-Thomas, Natascha and Radclyffe-Thomas, Babette (2013) The New Shanghai Xiaojie: Chinese Fashion Identities. In: 2nd International Non-Western Fashion Conference, 21st-22nd November 2013, London College of Fashion.

Radclyffe-Thomas, Natascha and Radclyffe-Thomas, Babette (2015) The new Shanghai Xiaojie: Chinese fashion identities. International Journal of Fashion Studies, 2 (1). pp. 43-62. ISSN ISSN 2051-7106, Online ISSN: 2051-7114

Radclyffe-Thomas, Natascha (2015) Are you afraid of the fish head? Cultural translation in fashion education. In: Fashion Colloquia Shanghai, 21-22 April 2015, Donghua University, Shanghai.

Radclyffe-Thomas, Natascha (2012) Blogging is Addictive! A Qualitative Case Study on the Integration of Blogs Across a Range of College Level Courses. In: Increasing Student Engagement and Retention Using Online Learning Activities: Wikis, Blogs and Webquests. Cutting-edge Technologies in Higher Education, 6 . Emerald Insight, pp. 75-107. ISBN 9781781902363

Radclyffe-Thomas, Natascha (2015) Fashioning cross-cultural creativity: Investigating the situated pedagogy of creativity. Psychology of Aesthetics, Creativity and the Arts, 9 (2). pp. 152-160. ISSN 978-1-4338-2115-8

Radclyffe-Thomas, Natascha (2016) Intangible cultural heritage in fashion marketing: From number 1 Savile Row to the world. IFFTI 2016 conference proceedings. pp. 126-135.

Radclyffe-Thomas, Natascha (2014) Raiding the World's Wardrobes with Jean Paul Gaultier. In: Gaultier and Beyond: Showcasing Research from London College of Fashion, 27th May 2014, Barbican Art Gallery, London.

Radclyffe-Thomas, Natascha (2015) Stitching across time: Heritage and history in contemporary Hong Kong fashion. Clothing Cultures, 2 (3). pp. 241-255. ISSN 2050-0742

Radclyffe-Thomas, Natascha (2018) Weaving Fashion Stories in Shanghai: Heritage, Retro and Vintage Fashion in Modern Shanghai. In: Transglobal Fashion Narratives. Intellect. ISBN 9781783208449

Radclyffe-Thomas, Natascha (2014) Weaving Fashion Stories in Shanghai: Heritage, Retro and Vintage Fashion in Modern Shanghai. In: Fashion in Fiction Conference: Style Stories and Transglobal Narratives, 12th - 15th June 2014, City University Hong Kong.

Price, Antony (2010) Noughtie Nightlife. [Show/Exhibition]

Potter, Cher (2016) Forecasting Methods. In: Creative Innovation Across Disciplines, 1 - 28 February 2016, Nottingham Trent University.

Potter, Cher (2016) A Network: Design Futures in Sub-Saharan Africa. In: African Futures Conference, 1 - 4 June 2016, Dakar, Senegal.

Potter, Cher (2018) The potential and Problems of Global Fashion and Design Histories. In: KpaKpaKpa: Connecting Places and Practices, 18 - 22 February 2018, Museum of Contemporary African Art (MOCAA), Cape Town, South Africa.

Pickering, Jo (2014) Classy Looks and Classificatory Gazes: the fashioning of class on reality TV. Film, Fashion and Consumption, 3 (3). pp. 195-209. ISSN 20442823

Palomino, Elisa and Trachter, Gabriel Fabián and Gustavo Adrian, Defeo (2021) Patagonian fish skin tanning processes. In: XXXVI IULTCS Congress “Greening the Leather Value Chain”, 3-5 November 2021, Ethiopia, Africa.

Palomino, Elisa and Solo, Ana and Karmon, Ayelet and Topaz, Orit and Cordoba Crespo, Ana (2021) Making fish skin pattern-based garments: developing digital tools for the fashion industry based on Ainu fish skin robes and Japanese Kimono Patterns. In: Responsible Fashion Series, 14-22 October 2021, University of Antwerp, Online. (In Press)

Palomino, Elisa and Pardue, June (2021) Alutiiq Fish Skin Traditions: Connecting Communities in the COVID-19 Era. Heritage, 4 (4). 4249-4263.. ISSN 2571-9408

Palomino, Elisa and Freilich, Orit and Raine, Isaac (2021) A virtual Ainu fish skin workshop during Covid-19 times. In: Global Fashion Conference 2021, 21-22 October 2021, Warsaw, Poland.

Palomino, Elisa (2021) Fish Skin Coat from the Amur River. TEXT: For the Study of Textile Art Design and History, 2021 (48). pp. 56-60. ISSN 1366 476X

Ouano, Jessica and Mazzarella, Francesco (2021) Design-Driven Approaches to Enable Sustainable Entrepreneurship – Two Case Studies of Regional Textile Communities From the Philippines and the UK. The Design Journal, 24 (5). pp. 1-21. ISSN 1756-3062

Osei, Krys (2019) Fashioning My Garden of Solace: A Black Feminist Autoethnography. Fashion Theory, 23 (6). pp. 733-746. ISSN 1751-7419

Orta, Lucy and Scardi, Gabi (2010) Aware: Art Fashion Identity. [Show/Exhibition]

Orta, Lucy (2011) Operational Aesthetics. In: UAL Professorial Platform Series 2010-11, 6 June 2011, The Banqueting Hall, Chelsea College of Art and Design, 45 Millbank, London, SW1P 4RL. (Unpublished)

October, Dene (2014) Materialising Meaning(s): Fans, Fashions and the Twelfth Doctor. In: Subverting Fashion: Style Cultures, Fan Culture and the Fashion Industry, 11 July 2014, St Mary’s University Twickenham.

O'Neill, Alistair and Marshall, Shonagh (2013) Isabella Blow: Fashion Galore! [Show/Exhibition]

O'Neill, Alistair and Kinmonth, Patrick and Monfreda, Antonio (2012) Valentino: Master of Couture. [Show/Exhibition]

O'Neill, Alistair and Catterall, Claire and Martin, Penny (2009) SHOWstudio: Fashion Revolution. [Show/Exhibition]

O'Neill, Alistair (2019) Antonio and Juan: Stepping Out. In: Antoino Lopez: Visionary Writing. diChroma Photography, Madrid, Spain, pp. 53-87. ISBN 978-84-948753-3-5

O'Neill, Alistair (2019) Backstory: Alistair O’Neill on photographs and book covers. In: Aperture. Aperture Foundation, pp. 13-14. ISBN 9781597114837

O'Neill, Alistair (2018) A Dedicated Follower of Fashion. In: Pop Art and Design. Bloomsbury, London, pp. 171-185. ISBN 9781474226189

O'Neill, Alistair (2010) Diane Arbus & Maeve Brennan. In: Writing Photography 2, 16 November 2010, London, UK.

O'Neill, Alistair (2020) The Evocative Years, Libuše Jarcovjáková’s vivid chronicle of Prague’s subcultures. In: Aperture. Aperture Foundation, pp. 64-71. ISBN 9781597114844

O'Neill, Alistair (2020) Exploding Fashion: Cutting, Constructing and Thinking Through Things. In: First International Balenciaga Conference, 1-2 October 2020, Balenciaga Museo, Spain.

O'Neill, Alistair (2022) Exploding Fashion: From 2D to 3D to £D Animation. [Show/Exhibition]

O'Neill, Alistair (2021) Exploding Fashion: Making, Unmaking and Remaking Twentieth Century Fashion. Lannoo, Belgium. ISBN 9789401476058

O'Neill, Alistair (2011) Fashion and photography (panel discussion). In: Amber, 01 Jun - 03 July 2011, Event Space, AkzoNobel site, Velperweg 76 6824 BM Arnhem.

O'Neill, Alistair (2011) Fashion in the 1980s: a time of revival. In: The Fashion History Reader: Global Perspectives. Routledge, London, UK and New York, USA, pp. 525-527. ISBN 9780415493246, 9780415493239

O'Neill, Alistair (2022) Faye Toogood: Drawing, Material, Sculpture, Landscape. Phaidon, London. ISBN 978-1838664046

O'Neill, Alistair (2011) Here is the secret, here is the trick. Vestoj,The Journal of Sartorial Matters (2). pp. 15-19. ISSN 2000-4036

O'Neill, Alistair (2022) The Jacket Eroded, Borrowed, Evolved. In: Fashioning Masculinities. V&A Publishing, London, pp. 222-235. ISBN 978-1-83851-011-4

O'Neill, Alistair (2007) London: after a fashion. Reaktion, London, UK. ISBN 9781861893154, 1861893159

O'Neill, Alistair (2020) One Photo: A Chinese Beauty as Spectator at the Horse Races at Longchamps, near Paris.’ n.d. Photography and Culture, 13 (1). pp. 129-130. ISSN 1751-4525

O'Neill, Alistair (2013) A Rose is a Rose is a Rose is a Rose: Essay. In: Valentino Master of Couture: A Private View. Rizzoli, New York. ISBN 9780847840601

O'Neill, Alistair (2017) Staging Fashion in Somerset House. In: Fashion Curating: Critical Perspectives in the Museum and Beyond. Bloomsbury, London, pp. 105-118. ISBN 978-1474287098

O'Neill, Alistair (2011) The culture of the twinset. In: Unravel: Knitwear in Fashion. Editions Lannoo sa Antwerp, Belgium, Antwerp, Belgium. ISBN 9789020995992

O'Neill, Alistair (2012) “A curious revolution has been taking place in the dress of what used to be called 'the workman'“: Walker Evans's unpublished article on men's fashion. Photography and Culture, 5 (1). ISSN 17514517/17514525

O'Neill, Alistair (2012) A display of ‘articles of clothing, for immediate, personal, or domestic use': fashion at the great exhibition. In: Fashion and Art. Berg Publishers, London, pp. 189-200. ISBN 9781847887849

Nobbs, Karinna and Moore, Christopher M. and Sheridan, Mandy (2012) The flagship format within the luxury fashion market. International Journal of Retail & Distribution Management, 40 (12). pp. 920-934. ISSN 0959-0552

Nobbs, Karinna and McColl, Julie (2012) A conceptual taxonomy of fashion visual merchandising attributes. In: KAMS Global Marketing Conference, July 19th-22nd, 2012, COEX, Seoul, Republic of Korea.

Nobbs, Karinna (2013) Making the Marque: Tangible Branding in Fashion Product and Retail Design. Fashion Practice: The Journal of Design, Creative Process and the Fashion Industry, 5 (2). pp. 245-264. ISSN 17569370

Narielwalla, Hormazd Geve (2013) Patterns as Documents and Drawings: An artistic exploration of tailoring patterns as historical documents and drawings abstracting the human form. An analysis from the perspective of a creative art practitioner. PhD thesis, University of the Arts London.

Moyse Ferreira, Lucy (2019) Archaeology of Fashion Film. International Journal of Fashion Studies, 6 (1). pp. 119-123. ISSN 2051-7106

Moyse Ferreira, Lucy (2016) ‘Breaking the Bonds of Beauty’: The Dark Side of Beauty between the World Wars. In: Cosmetic, Aesthetic, Prophetic: Beyond the Boundaries of Beauty. Inter-Disciplinary Press, Oxford, pp. 23-31. ISBN 9789004370470

Moyse Ferreira, Lucy (2016) Femininity, Freedom and Fragility: Fashion and Violence in the Designs of Elsa Schiaparelli, c.1933 - 1939. BIAS: Journal of Dress Practice, 4.

Moyse Ferreira, Lucy (2015) Violence and Western Fashion, 1914–2014. In: Berg Encyclopedia of World Dress and Fashion. Bloomsbury. ISBN 9781847881045

Mora, Emmanuela and Rocamora, Agnès and Volonté, Paolo (2014) The internationalization of fashion studies: rethinking the peer-reviewing process. International Journal of Fashion Studies. pp. 3-17. ISSN 2051-7106

Moloney, Alison and de la Haye, Amy and Clark, Judith and Debo, Kaat and Norton, James and Athanasopoulou, Katerina and Hess, Bart and Van Beirendonck, Walter and Schuller, Marie (2014) 1914 Now: four perspectives on fashion curation. [Show/Exhibition]

Moloney, Alison and de la Haye, Amy (2014) 1914 Now: The Violet Hour. [Show/Exhibition]

Moloney, Alison and Loriot, Thierry-Maxime (2014) Jean Paul Gaultier: Be My Guest. [Show/Exhibition]

Moloney, Alison (2016) Cabinet Stories. [Show/Exhibition]

Moloney, Alison (2016) Cabinet Stories. [Show/Exhibition]

Moloney, Alison (2018) Cabinet Stories: Curators in the Community. In: The Searching for the New Luxury, Arnhem, The Netherlands.

Moloney, Alison (2019) Curatorial Strategies for the Display of Dress. In: Decolonising Fashion, Refashioning Objects in the Ethnographic Museum, 14th November to 15th November 2019, Museum Vulkenunde, Leiden, the Netherlands.

Moloney, Alison (2015) The Dress of Charles and Ray Eames. In: The World of Charles and Ray Eames. Thames & Hudson. ISBN 978-0-500-51830-4

Moloney, Alison (2011) Reconstruction: Cultural Heritage and the Making of Contemporary Fashion. [Show/Exhibition]

Miller, Janice (2015) Catwalk Music. Bloomsbury Fashion Photography Archive.

Miller, Janice (2014) Collars and Class. Film, Fashion and Consumption, 3 (3). pp. 173-179. ISSN 2044-2823

Miller, Janice (2015) David Bowie is inside.... Fashion, Style and Popular Culture, 2 (2). pp. 276-279. ISSN 2050-0726

Miller, Janice (2011) Fashion and music. Berg, Oxford. ISBN 9781847884138

Miller, Janice (2008) Hair without a head: disembodiment and the uncanny. In: Hair: Styling, Culture and Fashion. Berg, Oxford and New York, pp. 183-193. ISBN 9781845207922

Miller, Janice (2012) Heroes and Villains: when men wear make-up. In: EUPOP: Inaugural Conference of the European Association of Popular Culture, July 2012, London College of Fashion.

Miller, Janice (2013) Heroes and Villains: when men wear make-up. In: Fashion cultures revisited: theories, explorations and analysis. Routledge, Oxford, pp. 341-351. ISBN 9780415680059

Miller, Janice (2015) Makeup, Masquerade and McQueen. In: Alexander McQueen: Sabotage And Tradition, 6 June 2015, London College of Fashion.

Miller, Janice (2015) Making Up. In: Alexander McQueen. V&A Publishing, pp. 235-242. ISBN 1851778276

Miller, Janice (2014) Making up is masculine: the increasing cultural connections between masculinity and makeup. Critical Studies in Men's Fashion, 1 (3). pp. 241-253. ISSN 2050-070x

Miller, Janice (2015) More than a fetish: fashion, Freud and psychoanalysis. In: Thinking through fashion: a guide to the key theorists. Dress Cultures . IB Tauris, London. ISBN 9781780767345

Miller, Janice (2012) The Runaways: music, fashion and 'post-feminism'. Film, Fashion, and Consumption, 1 (2). pp. 187-201. ISSN 20442823

Mijovic, Nikola (2013) Narrative Form and the Rhetoric of Fashion in the Promotional Fashion Film. Film, Fashion and Consumption, 2 (2). pp. 175-86. ISSN 20442823

Mey, Adeena and Yu, Qiumei (2021) Reputation Meets Opportunity. Ying Xiang (1).

McDowell, Felice (2015) The 1951 Festival of Britain's 'Theatre of Fashion' and the 'actress mannequins'. In: Hidden in the Archive, Friday 30th January 2015, London College of Fashion.

McDowell, Felice (2015) Anne Scott-James’ In The Mink (1952): An Auto-fictional Account of Fashion, Austerity and Life. In: The Look of Austerity, 11-12 September 2015, Museum of London.

McDowell, Felice (2012) 'At the Exhibition': the 1948 open-air sculpture exhibition, Battersea Park, in British fashion magazines. Sculpture Journal, 21 (2). pp. 169-181. ISSN 1366-2724

McDowell, Felice (2023) Author-Heroines and Autobiographical Acts at exhibitions of Sixties Fashion. In: Narrative Matters 2023, 15-17 June 2023, Tampere University, Finland.

McDowell, Felice (2014) Clarks ‘star’ advertisements of the 1940s: Classificatory terms and practices of historical interpretation. Film, Fashion and Consumption, 3 (3). pp. 241-258. ISSN 2044-2823

McDowell, Felice (2012) 'Clothes in a setting': Fashion, Interior Design & Art in British fashion media c.1955-1959 an archaeological analysis of fashion media discourse. In: Fashion Tales, 7th - 9th June 2012, Univerità Cattolica del Sacro Cuore, Milan, Italy.

McDowell, Felice (2011) Exhibiting Fashion and Art in Post-war British Fashion Magazines: 'Art Patronage - Modern Style' and a 'Cocktail Party Receipt'. In: Fashion Colloquia, 21-22nd September 2011, London.

McDowell, Felice (2015) Fact, fiction and fashion: reading the life-writings of models, journalists, editors, educators and designers. In: Textual Fashion: Representing fashion and clothing in word and image, 8th July - 10th July 2015, University of Brighton, East Sussex, UK.

McDowell, Felice (2012) Fashioned Images of Art in Magazines:"So what? What does it matter?". In: AAH New Voices: Art and its Hierachies, 24th November 2012, University of Nottingham.

McDowell, Felice (2018) Fashioning Professionals: Identity and Representation at Work in the Creative Industries. Bloomsbury, London. ISBN 9781350001848

McDowell, Felice (2017) Fashioning a life: Exploring How Fashion Literature Fashions the Self. a/b: Auto/Biography Studies, 32 (2). pp. 414-416. ISSN 2151-7290

McDowell, Felice (2017) Gazing into her space: the mediatization of fashionable lives in ‘The Top Shelf’. In: Revisiting the Gaze: Feminism, Fashion & the Female Body, 28-29 June 2017, Chelsea College of Arts, UAL.

McDowell, Felice (2017) "I know I am posing"...Feeling the Pose in Post-war Fashion Modeling. Fashion Theory: The Journal of Dress, Body and Culture, 21 (2). pp. 157-173. ISSN 1362-704X

McDowell, Felice (2015) “The Influence of Anthony Denney”: Authorship in the Production and Consumption of British Fashion Media in the Late 1950s. Photography and Culture, 8 (3). ISSN 1751-4517

McDowell, Felice (2019) Inside the Wardrobe: Fashioning a Fashionable Life. European Journal of Life Writing, 8. pp. 56-74. ISSN 2211-243X

McDowell, Felice (2017) Inside the Wardrobe: the mediatization of personal narratives and fashionable personae. In: IABA Europe 2017: Life Writing, Europe and New Media, 07-09 June 2017, King's College London.

McDowell, Felice (2019) Into the Gloss. European Journal of Life Writing, 8. pp. 9-11. ISSN 2211-243X

McDowell, Felice (2018) Introduction. In: Fashioning Professionals: Identity and Representation at Work in the Creative Industries. Bloomsbury, London, pp. 1-25. ISBN 978-1-350-00184-8

McDowell, Felice (2016) A Life of Fashion and A Fashionable Life: Alison Settle’s Clothes Line (1937). In: Revision, Revival, Rediscovery...The 'Re' Word in British Women's Writing between 1930 and 1960, 24 June 2016, University of Hull, UK.

McDowell, Felice (2012) Looking at and locating fashion imagery in studies of visual culture: Post-war fashion media & art historical perspectives. In: Working Papers in Fashion Studies 2. London College of Fashion, London. ISBN 978-1-903455-26-5

McDowell, Felice (2011) Mapping Sculpture in post-war British Fashion Magazines 1945-1951. In: Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951, 25th - 26th February 2011, Victoria and Albert Museum, London.

McDowell, Felice (2013) Model British Citizen. In: Gender, Race, and Representation in Magazines and New Media, 25th - 27th October 2013, Cornell University, New York, USA.

McDowell, Felice (2018) Model Tote Bags: Advice on How to Perform the Fashionable Self in Post-war Fashion Modelling Literature. About Performance, 16. pp. 45-60. ISSN 1324-6089

McDowell, Felice (2015) “Old” Glossies and “New” Histories: Fashion, Dress and Historical Space. Fashion Theory: The Journal of Dress, Body and Culture. ISSN 1362-704X

McDowell, Felice (2021) P.S. from Jill and Sally: Patterns for fashion and young female selfhood in the early pages of Petticoat magazine. In: The Costume Society Conference: Clothing on Paper, 26 June - 21 July 2021, Online.

McDowell, Felice (2016) 'Photographed at the Royal Festival Hall'...discursive constructions of dress, time and space in post-war British fashion media. Clothing Cultures, 3 (1). pp. 7-22. ISSN 2050-0742

McDowell, Felice (2013) Photographed at...Locating Fashion Imagery in the Cultural Landscape of Post-War Britain 1945-1962. PhD thesis, University of the Arts London.

McDowell, Felice (2015) Sketching a silhouette: Histories of life and fashion in ‘Isabella Blow: Fashion Galore!’. International Journal of Fashion Studies, 2 (2). pp. 325-330. ISSN 2051-7106

McDowell, Felice (2013) Somewhere between the past and the present: the fashion magazine and the historical reader. In: Fashion and Re-Collection Postgraduate Symposium, 29th January 2013, London College of Fashion Univeristy of the Arts London.

McDowell, Felice (2015) The Truth About Modelling: Fashion Models and Mannequins in print and in their own words. In: Consuming/Culture: women and girls in print and pixels, 5−6 June 2015, Oxford Brookes University.

McDowell, Felice (2011) The Visual Consumption of Dress and Culture in Post-war British Fashion Magazines: 'Texture and Form: The Fabric is...'. In: Developments in Dress History, 8-10 December 2011, Brighton.

McDowell, Felice (2014) A Visual Footnote: Reflecting on the Thinking and Writing of Fashion Histories. In: Fashion Thinking - Theory, History, Practice, 30 October - 1 November 2014, University of Southern Denmark.

McDowell, Felice (2016) Writing about Posing: myths and narratives of post-war fashion modelling. In: Posing the Body: Stillness, Movement, and Representation, 6 - 7 May 2016, The Courtauld Institute of Art, Somerset House, Strand, London WC2R 0RN / University of Westminster, Regent Street Cinema, 309 Regent Street, London W1B 2UW.

McDowell, Felice (2014) 'another lovely actress who wears Clarks shoes'...advertising brands and socio-professional roles in post-war British fashion media. In: EUPOP 2014, July 29th - 31st 2014, London College of Fashion, High Holborn, London.

McDowell, Felice (2017) ‘how to get the London model-girl look’: democratizing and disciplining female citizens in post-war Britain. In: The Costume Society Conference - Fashion and Democracy?, July 8 - July 10 2016, Whitworth Gallery, Manchester.

McColl, Julie and Canning, Catherine and McBride, Louise and Nobbs, Karinna and Shearer, Linda (2013) It’s Vintage Darling! An exploration of vintage fashion retailing. The Journal of the Textile Institute, 104 (2). pp. 140-150. ISSN 0040-5000

McCauley Bowstead, Jay and Golmohammadi, Lili (2018) Trend Forecasting, Taste and Fashion Production. In: Teaching Fashion Studies. Bloomsbury, London, pp. 33-42. ISBN 9781350022881

McCauley Bowstead, Jay (2022) Refashioning the Male Body: Contemporary Media Representations of the Spornosexual and the Waif. In: The Male Body in Representation: Returning to Matter. Palgrave Studies in (Re)Presenting Gender . Palgrave Macmillan, Cham, Switzerland, pp. 99-122. ISBN 978-3-030-88604-2

McCartney, Nicola and Willson, Jacki (2017) A look at ‘fishy drag’ and androgynous fashion: Exploring the border spaces beyond gender-normative deviance for the straight, cisgendered woman. Critical Studies in Fashion and Beauty, 8 (1). pp. 99-122. ISSN 2040-4417

McCartney, Nicola and Tynan, Jane (2021) Fashioning contemporary art: a new interdisciplinary aesthetics in art-design collaborations. Journal of Visual Art Practice, 20 (1-2). pp. 143-162. ISSN 1758-9185

Mazzarella, Francesco and Williams, Dilys (2021) Fashion Values Nature – A Landscape Review. Project Report. University of the Arts London.

Mazzarella, Francesco and Williams, Dilys (2022) Fashion Values Society – A Landscape Review. Project Report. University of the Arts London.

Mazzarella, Francesco and Storey, Helen and Williams, Dilys (2019) Counter-narratives Towards Sustainability in Fashion. Scoping an Academic Discourse on Fashion Activism through a Case Study on the Centre for Sustainable Fashion. The Design Journal, 22 (sup1). pp. 821-833. ISSN 1756-3062

Mazzarella, Francesco and Radziunaite, Migle (2023) Reality, Reciprocity, Resilience: Scoping a Decolonised Process of Designing for Cultural Sustainability with Refugee Communities. Project Report. University of the Arts London, London.

Mazzarella, Francesco and Mirza, Seher (2023) Textile Autobiographies: Crafting shifting identities with refugee communities. In: IASDR 2023 Conference: Life-Changing Design, 9-13 October 2023, Milan.

Mazzarella, Francesco and McKay, Fiona and Jugovic, Mina (2019) Making for Change: Waltham Forest showcase. [Show/Exhibition]

Mazzarella, Francesco and Black, Sandy (2022) Fashioning Change: Design Activism and its Outcomes on Local Communities. Fashion Practice: The Journal of Design, Creative Process and the Fashion Industry. ISSN 1756 9370

Mazzarella, Francesco (2023) Fashion Activism and Design for Social Change – The Making for Change: Waltham Forest Project. In: Design, Materials and Making for Social Change. Design Research for Change . Routledge, pp. 159-177. ISBN 9781003260356

Mazzarella, Francesco (2020) Making for Change: Waltham Forest. Project Report. University of the Arts London, London.

Mathew, Neha and Mazzarella, Francesco (2023) Upskilling marginalised South Asian women based in the United Kingdom through a home decor social enterprise: A collaborative training framework. DISCERN: International Journal of Design for Social Change, Sustainable Innovation and Entrepreneurship, 4 (2). pp. 22-41. ISSN 2184-6995

Marenko, Betti (2008) The Eyes are trapped: Dario Argento’s ‘The bird with the crystal plumage’. In: If Looks Could Kill. Fashion Film Festival Catalogue. Koenig Books, London.

Manzini, Ezio and Till, Jeremy and Williams, Dilys (2015) Fashion Habit(AT) for Resilience. In: Cultures of Resilience Book 1. Hato Press, London, 2015, pp. 92-95. ISBN 978-1-910239-10-0

Mahawatte, Royce (2018) Fashion and Adornment. In: A Cultural History of Hair in the Modern Age. Bloomsbury, London. ISBN 9781474232128

Mahawatte, Royce (2013) George Eliot and the Gothic Novel: Genres, Gender and Feeling. Gothic Literary Studies . University of Wales/University of Chicago, Cardiff. ISBN 9780708325766

Mahawatte, Royce (2008) Hair and Fashioned Femininity in Two Nineteenth-Century Novels. In: Hair: Styling, Culture and Fashion. Berg, Oxford and New York, pp. 193-203. ISBN 9781845207922

Mahawatte, Royce (2018) The Sad Fortunes of ‘Stylish Things’: George Eliot and the Languages of Fashion. In: Transglobal Fashion Narratives. Intellect Books, Bristol. ISBN 9781783208449

Mahawatte, Royce (2019) The dandy novel as fashion text: Edward Bulwer Lytton’s Pelham (1828) and fashion editorial. In: Fashion and Material Culture in Victorian Fiction and Periodicals. Edward Everett Root Publishers, London. ISBN 978-1912224692

Madsen, Cyana (2023) Curatorial Interruption: Critical analysis of sources of decision-making bias in dress/fashion curators and examination of the impact of curatorial bias on wearer/object biography in worn clothing acquired by institutional collections in the United Kingdom. PhD thesis, University of the Arts London.

Madsen, Cyana (2019) Pockets and memory in the Francis Golding Collections. In: Everyday Fashion: Extraordinary Stories of Ordinary Clothes, 27-28 June 2019, University of Huddersfield.

Lynge-Jorlén, Ane (2009) Between Edge and Elite: Niche Fashion Magazines, Producers and Readers. PhD thesis, University of the Arts London.

Loscialpo, Flavia (2023) Ethno-Racial Capitalism in Contemporary Fashion: Forced Labour and the Uyghur Crisis. In: Fashion’s Transnational Inequalities: Socio-Political, Economic, and Environmental. Fashion Sociologies . Routledge, Abingdon on Thames, pp. 29-46. ISBN 9781032113845

Loscialpo, Flavia (2011) Fashion and Philosophical Deconstruction: A Fashion in-Deconstruction. In: Fashion Forward. Inter-Disciplinary Press, Oxford, pp. 13-29. ISBN 978-1-84888-001

Loscialpo, Flavia (2016) From the physical to the digital and back: Fashion exhibitions in the digital age. International Journal of Fashion Studies, 3 (2). pp. 225-248. ISSN 2051 7106

Loscialpo, Flavia (2021) Human rights, transparency and accountability in fashion: A conversation on Uyghur forced labour.

Loscialpo, Flavia (2019) “I Am an Immigrant”: Fashion, Immigration and Borders in the Contemporary Trans-global Landscape. Fashion Theory: The Journal of Dress, Body and Culture, 23 (6). pp. 619-654. ISSN 1362-704X

Loscialpo, Flavia (2020) Identity politics, untold stories and creative actions: Mundo Latinx at Fashion Space Gallery. International Journal of Fashion Studies, 7 (1). pp. 105-114. ISSN 2051-7106

Loscialpo, Flavia (2021) A Lack of Transparency and the Uyghur Crisis.

Loscialpo, Flavia (2012) Traces and Constellations: the Invisible Genealogies of Fashion. Endymatologika, 4. pp. 136-145. ISSN 1108-8400

Loscialpo, Flavia (2014) Utopian clothing: The Futurist and Constructivist proposals in the early 1920s. Clothing Cultures, 1 (3). pp. 225-244. ISSN 2050-0742

Loscialpo, Flavia (2021) The racial capitalocene and the 'not yet': a discourse for the politics of the possible. In: LCF Cultural & Historical Studies Digital Symposium, 11-12 June 2021, London College of Fashion.

Lomas, Clare and James, Alison and Baird, Katherine (2008) Labels, lies and luxury: lessons from the LCF archives. In: BSA Study Group: Keeping Up Appearances: Autobiography and Dress, 18 December 2008, Institute of Education, London, UK. (Unpublished)

Lomas, Clare and James, Alison and Baird, Katherine (2009) Labels, lies and luxury: lessons from the LCF archives. In: Collecting Experiences: Enriching Design Students' Learning in the Museum, 24 April 2009, Sackler Centre for Arts Education, Victoria and Albert Museum, London. (Unpublished)

Lomas, Clare (2009) Men don’t wear velvet you know!: Fashionable gay masculinity and the shopping experience, London, 1950- early 1970s. In: The Men’s Fashion Reader. Berg, Oxford. ISBN 9781845207861

Lomas, Clare (2010) Personal stories. In: Hand Made Tales: Women and Domestic Crafts Study Days, 12-13 November 2010, The Women's Library, London Metropolitan University. (Unpublished)

Lomas, Clare (2011) A top hat and a family secret. In: Developments in Dress History, 8-10 December 2011, Brighton. (Unpublished)

Ling, Wessie and Huck, Christian (2008) Mapping Fashion, Cities, Identities and the World Fashion Conquest. Darkmatter. ISSN 2041-3254

Ling, Wessie (2010) From “Made in Hong Kong” to “Designed in Hong Kong”: Searching for an Identity in Fashion. Visual Anthropology, 24 (1-2). pp. 106-123. ISSN 0894-9468

Ling, Wessie (2007) Fusionable Cheongsam: New Work by Wessie Ling. [Show/Exhibition]

Ling, Wessie (2009) Harmony and Concealment: How Chinese Women Fashioned the Qipao in 1930s China. In: Material women, 1750-1950: consuming desires and collecting practices. Ashgate, Farnham, pp. 209-225. ISBN 9780754665397

Ling, Wessie (2005) Paris and the Designers: Processes of Engagement of Oriental Designers in the Fashion Capital. In: IFFTI 2005 Annual Conference Proceedings. Bunka Women’s University, Tokyo.

Lifter, Rachel (2012) Contemporary indie and the construction of identity: discursive representations of indie, gendered subjectivities and the interconnections between indie music and popular fashion in the UK. PhD thesis, University of the Arts London.

Lewis, Reina and Micklewright, Nancy (2006) Gender, Modernity & Liberty: Middle Eastern and Western Women's Writings: A Critical Sourcebook. I.B. Tauris, London & New York. ISBN 9781860649578

Lewis, Reina and Aune, Kristin and Molokotos-Liederman, Lina (2021) Modest Fashion in UK Women’s Working Life: A report for fashion and the creative industries and creative arts education. Project Report. University of the Arts London, London.

Lewis, Reina and Aune, Kristin (2023) Aesthetic Labor in Religious Contexts: Women Encountering Modest Dress in the Workplace in the UK and Saudi Arabia. Fashion Theory: The Journal of Dress, Body and Culture. ISSN 1362-704X

Lewis, Reina and Almila, Anna-Mari (2020) Muslim Fashion, Youth and Belonging: an Interview with Reina Lewis. Youth and Globalization, 2 (1). pp. 111-118. ISSN 2589-5745

Lewis, Reina (2016) The Commercial Limits of the Ummah? National and regional taste distinctions in the modest fashion market. In: Islam, Marketing and Consumption Critical Perspectives on the Intersections. Routledge Studies in Critical Marketing . Routledge, Abingdon, Oxon, UK, pp. 88-101. ISBN 978-0415746946

Lewis, Reina (2018) Contemporary Muslim Fashions. Fine Arts Museums of San Francisco, San Francisco. ISBN 9783791357829

Lewis, Reina (2017) Dressing to belong: Religious and Faith Identities in an Expanded Europe. In: Reconsidering Europe Volume 4 Longing for the stranger - neighborhood. Anton Pustet Verlag, Salzburg, Austria, pp. 183-190. ISBN 978-3-7025-0858-6

Lewis, Reina (2013) Establishing Reputation, Maintaining Independence: the modest fashion blogosphere. In: Fashion Media. Bloomsbury, Oxford, pp. 165-174. ISBN 9780857853073

Lewis, Reina (2015) Fashion, Shame and Pride: Constructing the Modest Fashion Industry in Three Faiths. In: The Changing World Religion Map: Sacred Places, Identities, Practices and Politics. Springer Netherlands, Dortrecht, pp. 2597-2609. ISBN 978-94-017-9375-9

Lewis, Reina (2018) Futures in Fashion: Modest Dress Practices and Influence. In: Foundations and Futures in the Sociology of Religion. Routledge, London, pp. 115-132. ISBN 9780367889197

Lewis, Reina (1996) Gendering Orientalism: Race, Femininity and Representation. Routledge, London & New York. ISBN 9780415124904

Lewis, Reina (2013) Hijab Stories: Choice, Politics, Fashion. In: Fashion Cultures Revisited (second edition). Bloomsbury, Oxford, pp. 305-321. ISBN 97804156860066

Lewis, Reina (2013) Insider Voices, Changing Practices: Press and Industry Professionals Speak. In: Modest Fashion: Styling Bodies, Mediating Faith. I.B. Tauris, London, pp. 190-220. ISBN 9780857722256

Lewis, Reina (2013) Introduction: Mediating Modesty. In: Modest Fashion: Styling Bodies, Mediating Faith. I.B. Tauris, London, pp. 1-13. ISBN 9780857722256

Lewis, Reina (2021) Mapping Modern Bodies in the Middle East: Introduction. In: Fashioning the Modern Middle East: Gender, Body, and Nation. Dress Cultures . Bloomsbury, London, pp. 1-18. ISBN 9781350135215

Lewis, Reina (2019) Modest Body Politics: The Commercial and Ideological Intersect of Fat, Black, and Muslim in the Modest Fashion Market and Media’. Fashion Theory: The Journal of Dress, Body and Culture, 23 (2). pp. 243-273. ISSN 1362-704X

Lewis, Reina (2017) Modest Fashion and Anti-fashion. In: The Routledge International Handbook to Veils and Veiling. Routledge International Handbooks . Routledge, Abingdon, Oxon, UK, pp. 139-151. ISBN 978-1472455369

Lewis, Reina (2018) Muslim Fashion Now, and Then. In: Contemporary Muslim Fashions. Fine Arts Museums of San Francisco, San Francisco, pp. 20-47. ISBN 9783791357829

Lewis, Reina (2015) Muslim Fashion: Contemporary Style Cultures. Duke University Press, Durham, North Carolina, US. ISBN 978-0-8223-5914-2

Lewis, Reina (2021) Patronage, Taste, and Power: Slave, Manumitted, and Free Subjects in the Fashioning of Middle Eastern Modernity. In: Fashioning the Modern Middle East: Gender, Body, and Nation. Dress Cultures . Bloomsbury, London, pp. 71-90. ISBN 9781350135215

Lewis, Reina (2003) Preface. In: Veil: Veiling, Representation and Contemporary Art. inIVA (Institute of International Visual Arts) and MIT Press, London, pp. 8-15. ISBN 978-0262523486

Lewis, Reina (2015) Uncovering Modesty: Dejabis and Dewigies Expanding the Parameters of the Modest Fashion Blogosphere. Fashion Theory: The Journal of Dress, Body & Culture, 19 (2). pp. 243-270. ISSN 1362704X

Lewis, Reina (2007) Veils and Sales: Muslims and the spaces of postcolonial fashion retail. Fashion Theory: The Journal of Dress, Body and Culture, 11 (4). pp. 423-441. ISSN 1362-704X, 1751-7419 (Online)

Lang, Ruth (2018) Conversation Pieces: What We Talk About When We Talk About FASHION/ARCHITECTURE. [Show/Exhibition]

Laing, Morna (2017) Between Image and Spectator: Reception Studies as Visual Methodology. Fashion Theory: The Journal of Dress, Body and Culture, TBC. ISSN 1362-704X

Laing, Morna (2012) ‘Heavenly creatures’ in Vogue: Childlike femininity and longing for innocence lost. In: Working Papers in Fashion Studies 2. London College of Fashion, London, pp. 17-32. ISBN 978-1-903455-26-5

Laing, Morna (2014) The Lula girl as ‘sublime and childlike’: nostalgic investments in contemporary fashion magazines. Critical Studies in Fashion and Beauty, 5 (2). pp. 271-293. ISSN 2040-4417

Laing, Morna (2014) Meadham Kirchhoff: 'A Wolf in Lamb's Clothing'. SHOWstudio.

Laing, Morna (2016) The ‘Woman-child’ in Fashion Photography, 1990-2015: Childlike Femininities, Performativity, and Reception Studies. PhD thesis, University of the Arts London.

König, Anna (2003) Glossy Words: An Analysis of Fashion Writing in British Vogue. Fashion Theory: The Journal of Dress, Body and Culture, 10 (1-2). pp. 205-224. ISSN 1362-704X

König, Anna (2012) Psychodynamic reflections on the fashion system. In: Psychoanalytic Reflections on a Changing World. Karnac, London, pp. 113-132. ISBN 9781855758865

König, Anna (2013) Slow Fashions: Making Sense of Sustainable Fashion. I.B.Tauris, London. ISBN 9781848853423

König, Anna (2013) A Stitch in Time: Changing Cultural Constructions of Craft and Mending. Culture Unbound: Journal of Current Cultural Research, 5 (33). pp. 569-585. ISSN 2000-1525

König, Anna (2012) A stitch in time: cultural constructions of household mending in everyday life. In: Pursuing the Trivial – Investigations into Popular Culture, June 1-2 2012, Vienna. (Unpublished)

Kutesko, Elizabeth (2019) Entering the Contact Zone: Reflections on a Conceptual Framework Used to Study Brazilian Fashion. ZoneModa Journal, 9 (2). pp. 33-45. ISSN 2611-0563

Kutesko, Elizabeth (2016) Fashioning Brazil: Globalization and the Representation of Brazilian Dress in National Geographic. PhD thesis, Courtauld Institute of Art.

Kutesko, Elizabeth (2016) Fashioning Brazil: Globalization and the Representation of Brazilian Dress in National Geographic since 1988. Fashion Theory: The Journal of Dress, Body and Culture, 20 (2). pp. 181-207. ISSN 1362-704X

Kutesko, Elizabeth (2016) Fashioning Brazil: National Identity and the Politics of Globalisation in Contemporary Brazilian Fashion Photography. Photoworks Annual, 23. pp. 220-231.

Kutesko, Elizabeth (2018) Fashioning Brazil: globalization and the representation of Brazilian Dress in National Geographic. Dress and Fashion Research . Bloomsbury, London. ISBN 9781350026605

Kutesko, Elizabeth (2014) Fashioning the Other: Representations of Brazilian Women's Dress in National Geographic, 1888-1988. In: Fashion and its Multicultural Facets. Inter-disciplinary Press, Oxford.

Kutesko, Elizabeth (2013) Problems and Tensions in the Representation of the Sapeurs, as demonstrated in the work of two twenty-first century Italian photographers. Immediations: the Courtauld Institute of Art Journal of Postgraduate Research, 3 (2). pp. 60-76.

Kirkland, Teleica (2018) Clothing As Resistance. HARSAR I:Object. pp. 41-42.

Kirkland, Teleica (2012) Cultural Dress and Costume History of the Caribbean. Documentation. The Churchill Fellowship.

Kirkland, Teleica (2021) Reflections of Durbar in the Diaspora. Critical Studies in Men's Fashion, 8. pp. 127-140. ISSN 2050-070X

Kirkland, Teleica (2022) Tartan: Its Journey Through the African Diaspora. In: Scotland's Transnational Heritage: Legacies of Empire and Slavery. Edinburgh University Press, Edinburgh, Scotland, UK, pp. 23-37. ISBN 978-1-4744-9352-9

Kirkland, Teleica (2014) Tartan: Its Journey through the African Diaspora. [Show/Exhibition]

Kirkland, Teleica (2021) Textiles from Trees to Trash. Surface Design Journal, 45 (4). pp. 54-57. ISSN 0197-4483

Kirkland, Teleica (2021) To Just Be. In: Still Breathing: 100 Black Voices on Racism – 100 Ways to Change the Narrative. Harper Collins, pp. 138-139. ISBN 9780310126737

Kirkham, Neil (2012) The new 'porno-chic'? fashion, consumption and film pornography. Film, Fashion and Consumption, 1 (2). pp. 203-220. ISSN 20442823

Kirkham, Neil (2018) A very British tease: Costume, fetishism and materiality in soft-core pornography. Clothing Cultures, 4 (2). pp. 135-152.

Kinsella, Raymond (2020) Post-war Britain’s First Youth Subculture: The Bebop Scene in Soho, 1945–1950. PhD thesis, University of the Arts London.

King, Julie (2011) Colour Forecasting: An investigation into how its development and use impacts on accuracy. PhD thesis, University of the Arts London.

King, Ian and Vickery, Jonathan (2013) Do I look right? De-familiarizing the organizational fashioning of the body. Scandinavian Journal of Management, 29 (4). pp. 394-401. ISSN 0956-5221

King, Ian (2017) The Aesthetics of Dress. Springer Briefs in Philosophy . Springer. ISBN 9783319543215

King, Ian (2015) Fashion and the Mobile Body: The Value of Clothing and Fashion for Merleau-Ponty’s Concept of Chiasm’. In: Touring Consumption. Springer, pp. 117-131. ISBN 978-3-658-10018-6

Kikuchi, Yuko (2013) ‘Transnational Vernacularity of Taiwan Floral Chintz: craft-design and cultural industry in Taiwan’. In: Inter-Asia Cultural Studies Conference ‘Beyond the Cultural Industry’, 3-5 July 2013, National University of Singapore.

Khan, Nathalie (2000) Catwalk Politics. In: Fashion Cultures. Routledge, London. ISBN 0-415-20685-5

Khan, Nathalie (2012) Controlling Vision: The Fashion Films of Ruth Hogben and Gareth Pugh. In: Fashion Tales, 7th - 9th June 2012, Università Cattolica del Sacro Cuore, Milan, Italy.

Khan, Nathalie (2012) Cutting the Fashion Body - Fashion in the Digital Frame. In: Visibility in Fashion, December 2012, University of Potsdam, Germany.

Khan, Nathalie (2011) Empty Sparkle - Celebrity Fashion Icons. In: Fashion Icons FIT Annual Symposium, November 2011, FIT Fashion Institute New York.

Khan, Nathalie (2013) Fashion as Fictional Act - K8 Hardy and Chicks on Speed. In: Fashion Curation Now, 16th November 2013, Parsons The New School for Design.

Khan, Nathalie (2013) Fashion as Mythology - Considerations on the Legacy of Alexander McQueen. In: Fashion Cultures Revisited: Theories, Explorations and Analysis. Routledge, London. ISBN 9780415680066

Khan, Nathalie (2012) The Image is Walking: Fashion Film and the Catwalk Show. In: NORDIC Art History Conference, 24th - 27th October 2012, Stockholm.

Khan, Nathalie (2012) Stealing the moment: The non-narrative fashion films of Ruth Hogben and Gareth Pugh. Film, Fashion and Consumption, 1 (3). pp. 251-262. ISSN 20442823

Kelley, Victoria (2009) The Interpretation of Surface: Boundaries, Systems and Their Transgression in Clothing and Domestic Textiles, c. 1880-1939. Textile: The Journal of Cloth and Culture, 7 (2). pp. 216-235. ISSN 14759756

Kapsali, Veronika and Stenton, Marie and Houghon, Joseph and Blackburn, Richard (2021) The potential for regenerated protein fibres within a circular economy: lessons from the past can inform sustainable innovation in the textiles industry. Sustainability, 13 (4). ISSN 2071-1050

Jenkyn-Jones, Sue (2011) Fashion design: the dynamics of textiles in advancing cultural memes. In: Textile Design: Principles, Advances and Applications. Woodhead Publishing Ltd., Cambridge, UK, pp. 232-262. ISBN 9781845696467

Jansen, M Angela (2013) Three Generations of Moroccan Fashion Designers. In: Fashioning identities: cultures of exchange. Critical Issues . Inter-Disciplinary Press, Oxford, UK. ISBN 9781848882126

Jansen, M Angela (2013) Three Generations of Moroccan Fashion Designers: Negotiating Local and Global Identity. In: Fashioning Identities: Cultures of Exchange. Inter-Disciplinary Press, Oxford, pp. 161-180. ISBN 978-1-84888-212-6

Isaac, Veronica and Calvert, Robyne (2023) Decadence and Aestheticism through Fashion and Textiles: Guest Editors’ Introduction. Volupté, 6 (2). ISSN 2515-0073

Isaac, Veronica (2020) Costume Centre Stage: Re-membering Ellen Terry. In: Performance Costume: New Perspectives. Bloomsbury Visual Arts, London, pp. 69-89. ISBN 9781350098824

Isaac, Veronica (2020) Costume in the Limelight. Oxford Journal of Victorian Culture Online.

Isaac, Veronica (2023) Dressing the Part: Ellen Terry (1847-1928). In: Stitches That Speak: Biography Through Objects Symposium, 20 April 2023, De Montfort University.

Isaac, Veronica (2022) Ellen Terry, Shopping in Byzantium: Decadent costumes fit for a ‘Temple of Art’.

Isaac, Veronica (2021) 'Re-Dressing The Part:' The Scenographic Strategies of Ellen Terry (1847-1928). In: Scenography and Art History: Performance Design and Visual Culture. Bloomsbury Visual Arts, London, pp. 141-165. ISBN 9781350204447

Isaac, Veronica (2022) Seductively Rounded and Padded to Perfection: Re-Evaluating ‘Victorian’ Beauty Ideals.

Isaac, Veronica (2017) Towards a New Methodology for Working with Historic Theatre Costume: A Biographical Approach Focussing on Ellen Terry’s (1847-1928) ‘Beetlewing Dress’. Studies in Costume & Performance, 2 (2). pp. 115-135. ISSN 2052-4021

Isaac, Veronica (2018) “A Well-Dressed Actress”: Exploring the Theatrical Wardrobe of Ellen Terry (1847-1928). Costume, 52 (1). pp. 74-96. ISSN 0590-8876

Isaac, Ceri (2007) The Cat Walk as Spectacle: Hussein Chalayan Spring 2007. A Magician of Technology. London College of Fashion, London, pp. 59-69. ISBN 9781903455135

Inglis, David and Almila, Anna-Mari and Ho, Hang Kei (2021) Is Fashion Universal? Towards a Sociology of Proto-Fashion. In: Advances in Sociology Research. Advances in Sociology Research, 34 . Nova Science. ISBN 978-1-53619-406-7

Inglis, David and Almila, Anna-Mari (2019) Inebriation / Participation / Democratization: On Wine, Fashion and Wine Fashions. In: 9th National Conference in Cultural Studies and 6th National Conference in Cultural Policy Studies, 13-14 December 2019, University of Tampere.

Horsley, Jeffrey (2019) The Absent Shadow: reflections on the incidence of menswear in fashion exhibitions. In: Invisible Men, 29 October 2019, University of Westminster.

Horsley, Jeffrey (2012) Embedding the personal: the construction of a 'fashion autobiography' as a museum exhibition, informed by innovative practice at ModeMuseum, Antwerp. PhD thesis, University of the Arts London.

Horsley, Jeffrey (2019) Exhibiting Biography: Queering the Exhibition. In: EFHA International Conference 2019: Fashion and the Politics of Heritage, 8-9 November 2019, London College of Fashion.

Hitchcock, Fenella and McCauley Bowstead, Jay (2018) Queer Fashion & The Camp Strategies of Charles Jeffrey’s LOVERBOY. In: Fashion, Costume and Visual Cultures, 17-19 July 2018, University of Zagreb.

Hitchcock, Fenella (2017) Clubland. [Art/Design Item]

Hitchcock, Fenella (2018) Drag Performance, Community and Resistance. In: Queer Media, Culture and Heritage Seminar Series, 1 August 2018, University of Newcastle.

Hitchcock, Fenella (2021) The (Im)materiality of Charles Jeffrey LOVERBOY 2014-2016. In: Memory Full? Reimagining the Relations Between Design and History, 2-4 September 2021.

Hill, Colleen Rachel (2023) Wearing the Wunderkammer: A practice-led analysis of cabinets of curiosities, examining the quality of curiosity and applying it to a fashion exhibition. PhD thesis, University of the Arts London.

Herrington, Eldrid (2014) Black is beautiful: John S. Rock, somatic nationalism and race. In: Fashion and Politics, 4 June 2014, London College of Fashion.

Henestrosa, Circe and Chon, Harah (2017) Learning through Disruptive Interactions. In: Cumulus REDO Conference Proceedings 30 May - 2 June 2017. Design School Kolding. ISBN 978-87-93416-15-4

Harris, Jane (2006) Lady with Ankh Cross (4th century A.D. portrait). [Art/Design Item]

Hackney, Fiona and Baines, Emily and Bloodworth, Jo and McKenzie, Althea and Anderson, Claire and Ali, Wells and Howard, Catherine (2020) Talking Textiles, Making Value: Catalysing Fashion, Dress, and Textiles Heritage in the Midlands. Journal of Textile Design Research and Practice (RFTD), 8. pp. 84-111. ISSN 2051-1795

Gunning, Tom and Uhlirova, Marketa (2016) Wearing Time: Returns, Recalls, Renewals. [Show/Exhibition]

Granata, Francesca (2010) The Bakhtinian Grotesque in fashion at the turn of the twenty-first century. PhD thesis, University of the Arts London.

Glavey, Paul (2016) Ballroom Blitz: Military Uniform as Fashion at Vintage Events. In: Muse of Modernity? Remembering, Mediating and Modernising Popular Dance, 16 April 2016, Senate House, University of London.

Glavey, Paul (2013) The Great Escape: Imagining Wartime at British 1940s Vintage Events. In: Tourism and the shifting values of cultural heritage: visiting pasts, developing futures: international conference, Taipei, Taiwan, April 5-9 2013. Ironbridge International Institute for Cultural Heritage, University of Birmingham. ISBN 9780704428393

Glavey, Paul (2016) Too Much Fighting on the Dance Floor? Corrupted Files (2).

George, Lesley (2019) Modesty, Dress-codes and ‘Local Taste’: Examining Abaya-led Fashion Practices in The United Arab Emirates. PhD thesis, University of the Arts London.

Foden, Eleanor (2023) Demythologizing the sixties; reappraising the British groupie and her relationship to feminism, 1965-1974. PhD thesis, University of the Arts London.

Fletcher, Kate and Toth-Fejel, Katelyn (2014) The Craft of Use Event - A publication of the Local Wisdom project. Centre for Sustainable Fashion, London. ISBN 978-1-906908-31-7

Fletcher, Kate and Tham, Mathilda (2014) The Handbook of Sustainability and Fashion. Routledge International Handbooks . Routledge, Abingdon, Oxon. ISBN 9780415828598

Fletcher, Kate and Maki, Rawan (2022) Transnational Fashion Sustainability: Between and Across the Gulf and the UK. Fashion Theory: The Journal of Dress, Body and Culture, 26 (4). pp. 509-524. ISSN 1362-704X

Fletcher, Kate (2012) Durability, Fashion, Sustainability: The Processes and Practices of Use. Fashion Practice: The Journal of Design, Creative Process and the Fashion Industry, 4 (2). pp. 221-238. ISSN 17569370

Fletcher, Kate (2008) Sustainable Fashion and Textiles: Design Journeys. Earthscan, London. ISBN 9781844074815

Findlay, Rosie and de Perthuis, Karen (2019) How Fashion Travels: The Fashionable Ideal in the Age of Instagram. Fashion Theory: The Journal of Dress, Body and Culture, 23 (2). pp. 1-24. ISSN 1362-704X

Findlay, Rosie and Jana, Rosalind and Rocamora, Agnès (2017) Strangers in Style: Digital Intimacy and the Self Becoming on the Style Blogosphere. In: Strangers in Style: Digital Intimacy and the Self Becoming on the Style Blogosphere, Wednesday 22 November 2017, LCF John Prince's Street.

Findlay, Rosie (2020) As seen on the street: Tomoaki Suzuki. In: NGV Triennial 2020. National Gallery of Victoria, pp. 170-179.

Findlay, Rosie (2012) At one remove from reality: Style bloggers and outfit posts. The Australasian Journal of Popular Culture, 1 (2). pp. 197-208. ISSN 2045-5852

Findlay, Rosie (2017) "Inspired by real life": Examining 'aspirational realness' on the websites of Glossier and Maryam Nassir Zadeh. In: Revisiting the Gaze: Feminism, Fashion & the Female Body, 28-29 June 2017, Chelsea College of Arts, UAL.

Findlay, Rosie (2017) Personal Style Blogs: Appearances that Fascinate. Intellect UK, Bristol UK. ISBN 9781783208340

Findlay, Rosie (2020) RUSSH and the All-Australian Girl? In: Critical Fashion Studies, 27-29 February 2020, University of Melbourne, Australia.

Findlay, Rosie (2016) Review: The Fashioned Body by Joanne Entwistle (2015). Australian Feminist Studies, 31 (87). pp. 109-111. ISSN 0816-4649

Findlay, Rosie (2020) Russh and the All-Australian Girl? Feminist Theory. ISSN 1741-2773

Findlay, Rosie (2015) The Short, Passionate and Close-Knit History of Personal Style Blogs. Fashion Theory: The Journal of Dress, Body and Culture, 19 (2). pp. 157-178. ISSN 1362-704X

Findlay, Rosie (2016) ‘Such Stuff as Dreams are Made On’: Encountering Clothes, Imagining Selves. Cultural Studies Review, 22 (1). pp. 78-94. ISSN 1837-8692

Findlay, Rosie (2017) "Things to be seen": Spectacle and the performance of brand in contemporary fashion shows. About Performance (14-15). pp. 105-119. ISSN 1324-6089

Findlay, Rosie (2019) “Trust Us, We’re You”: Aspirational Realness in the Digital Communication of Contemporary Fashion and Beauty Brands. Communication, Culture and Critique, 12 (4). pp. 553-569. ISSN 1753-9137

Findlay, Rosie (2014) ‘The best way I knew– through fashion’: On Personal Style Bloggers and Self-Expression. In: Fashion and Its Multi-Cultural Facets. Inter-Disciplinary Press, pp. 1-6. ISBN 978-1-84888-309-3

Fiell, Charlotte and Dirix, Emmanuelle (2012) 1930s Fashion: The Definitive Sourcebook. Fiell Publishing Ltd., London. ISBN 1847960332

Fiell, Charlotte and Dirix, Emmanuelle (2012) Fashion Sourcebook 1920s. Fiell Fashion Sourcebooks . Fiell Publishing Ltd., London. ISBN 1906863482

Evans, Caroline and Vaccari, Alessandra (2019) Il Tempo della Moda: a Dialogue on Fashion and Time. ZoneModa Journal, 9 (2). ISSN 2611-0563

Evans, Caroline and Vaccari, Alessandra (2019) Il Tempo della Moda: a Dialogue on Fashion and Time. ZoneModa Journal, 9 (2). ISSN 2611-0563

Evans, Caroline and Vaccari, Alessandra (2020) Time in Fashion: Industrial, Antilinear and Uchronic Temporalities. Bloomsbury Visual Arts, London. ISBN 978-1-3501-4694-5

Evans, Caroline and Uhlirova, Marketa (2014) Marcel L’Herbier: Dossier. Fashion in Film, London, UK.

Evans, Caroline and Parikka, Jussi (2020) Introduction: Touch, Click, and Motion: Archaeologies of Fashion Film After Digital Culture. Journal of Visual Culture, 19 (3). pp. 1-17. ISSN 1470-4129

Evans, Caroline (2010) British Fashion. In: The Cambridge Companion to Modern British Culture. Cambridge University Press, Cambridge, UK, pp. 208-224. ISBN 9780521864978

Evans, Caroline (2020) Chanel: the New Woman as Dandy. In: Gabrielle Chanel: Fashion Manifesto. Thames & Hudson, London, pp. 107-111. ISBN 9780500023464

Evans, Caroline (2017) Fashion: from Attitudes to Poses. Philosophy of Photography, 8 (1+2). pp. 149-168. ISSN 20403682

Evans, Caroline (2011) Hussein Chalayan: No Man's Land. In: Toward a New Interior: An Anthology of Interior Design Theory. Princeton Architectural Press, New York. ISBN 9781616890308

Evans, Caroline (2019) Il Tempo della Moda. Mimesis, Milan. ISBN 9788857544472

Evans, Caroline (2017) J.W.Anderson. Curating the Body. Disegno (14). pp. 50-54.

Evans, Caroline (2008) Jean Patou's American Mannequins: Early Fashion Shows and Modernism. Modernism/modernity, 15 (2). pp. 243-263. ISSN 1071-6068

Evans, Caroline (2013) Materiality, Memory and History: Adventures in the Archive. In: Isabella Blow: Fashion Galore! Rizzoli International Publications, New York. ISBN 9780847841721

Evans, Caroline (2013) The Mechanical Smile: Modernism and the First Fashion Shows in France and America, 1900-1929. Yale University Press, London, UK and New Haven, USA. ISBN 9780300189537

Evans, Caroline (2015) Modelling McQueen: Hard Grace. In: Alexander McQueen. V&A Publishing, London, UK, pp. 189-201. ISBN 9781851778270

Evans, Caroline (2012) The Modernist Body: Mechanization, Motion and the Missing Part. In: UAL Professorial Platform Series 2011-12, 6 March 2012, Central Saint Martins, Granary Building, 1 Granary Square, King's Cross, London N1C 4AA.

Evans, Caroline (2013) On Rereading de Beauvoir’s The Second Sex after Thirty Five Years. Women's Studies Quarterly, 41 (1-2). pp. 194-196. ISSN 0732-1562

Evans, Caroline (2011) The Ontology of the Fashion Model. AA Files (63). pp. 56-69. ISSN 02616823

Evans, Caroline (2014) Skating on Film. [Show/Exhibition]

Evans, Caroline (2011) Toward a new interior: an anthology of interior design theory. In: Toward a New Interior. Princeton Architectural Press. ISBN 9781616890308

Evans, Caroline (2011) The Walkies: Early French Fashion Shows as a Cinema of Attractions. In: Fashion in Film. New Directions in National Cinemas . Indiana University Press, Bloomington, IN, pp. 110-134. ISBN 9780253222992

Evans, Caroline (2010) The origins of the modern fashion show. In: The fashion history reader: Global perspectives. Routledge. ISBN 9780415493246, 9780415493239

Ehrman, Edwina and de la Haye, Amy (2015) Introduction and Conclusion to 'London Couture 1923-1975: British Luxury'. In: London Couture 1923-1975: British Luxury. V&A Publishing, London. ISBN 9781851778508

Edwards, Eiluned (2003) Marriage and Dowry Customs of the Rabari of Kutch: Evolving Traditions. In: Wedding Dress Across Cultures. Berg, Oxford, pp. 67-84. ISBN 1859737420

Eden, Michael (2022) Interrogating glamour: piercing visual pleasure, an antidote to passive spectatorship. Interrogating glamour: piercing visual pleasure, an antidote to passive spectatorship, 17 (1). pp. 127-134. ISSN 1745-8935

Eckert, Claudia and Crommentuijn-Marsh, Philippa and Black, Sandy (2022) The role of networks in supporting micro- and small-sized sustainable fashion businesses. Sustainability: Science, Practice and Policy, 18 (1). pp. 544-559.

Doshi, Usha (2017) Creating with Shapes. COS Stores, London. ISBN 9781527212138

Dirix, Emmanuelle and O'Neill, Alistair and Evans, Caroline (2010) Antwerp Avant-Garde. In: Antwerp Avant-Garde, Somerset House, London.

Dirix, Emmanuelle and Kirkham, Neil (2014) Fashion in 1930s Hollywood. Film, Fashion and Consumption, 3 (1). pp. 3-13. ISSN 20442823

Dirix, Emmanuelle and Fiell, Charlotte (2013) 1940s Fashion: The Definitive Sourcebook. Goodman Books, London. ISBN 1847960464

Dirix, Emmanuelle and Fiell, Charlotte (2014) 1970s Fashion: The Definitive Sourcebook. Carlton Books Ltd., London. ISBN 1783130105

Dirix, Emmanuelle (2010) All in black but not a funeral in sight: the black suit and the 19th century man. In: Black: masters of black in fashion and costume = Zwart: meesterlijk zwart in mode & kostuum. Lanoo, Tielt, pp. 113-119. ISBN 9789020988505

Dirix, Emmanuelle (2010) Beauty & the Blitz - WWII Fashion. In: Under Attack - Lecture series, 7/12/2010, London Transport Museum.

Dirix, Emmanuelle (2014) Birds of paradise: Feathers, fetishism and costume in classical Hollywood. Film, Fashion and Consumption, 3 (1). pp. 15-29. ISSN 20442823

Dirix, Emmanuelle (2011) Collisions: when fashion meets art. In: Red October Factory Design workshops, Red October Factory, Moscow.

Dirix, Emmanuelle (2014) Contradictory Colors: The Tricolor in French Fashion 1939-1944. In: Costume Colloquium IV: Colors in Fashion, 20-23 November, Florence, Italy.

Dirix, Emmanuelle (2014) Fashion, feathers & fetishism. In: Birds of Paradise, 16 May 2014, MoMu, Antwerp, Belgium.

Dirix, Emmanuelle (2008) Fashioning the Tube: Women and Transport Posters in the 1920s and 1930s. In: London Transport posters: a century of art and design. Lund Humphries, Aldershot, pp. 130-145. ISBN 9780853319856

Dirix, Emmanuelle (2008) Fashioning the tube: posters and the new consumers. In: Art of the Poster- Century of Design lecture series, 25/11/2008, London Transport Museum.

Dirix, Emmanuelle (2015) Feathers Fringes and the spectacular modern Flapper: ode to a fallen type. In: Jazz Age: Fashion in the Roaring Twenties. Snoeck, Belgium. ISBN 978-94-6161-253-3

Dirix, Emmanuelle (2013) From Gallant Little Belgium to Elegant Little Belgium: The creation and marketing of fashions from the flat country. Interactions: Studies in Communication & Culture, 4 (1). ISSN 17572681

Dirix, Emmanuelle (2011) From Gallant Little Belgium to Fashionable Little Belgium. In: Trans/National Clothing: Production and Consumption, 4th September 2011, Bath Spa University.

Dirix, Emmanuelle (2015) How to dress for a Teenage Riot? Alternative Female 90s musicians, Fashion and the curse of Authenticity. In: EUPOP 2015 European Popular Culture Association Conference, 29-31 July 2015, Humboldt University, Berlin, Germany.

Dirix, Emmanuelle (2014) ‘Not only fine feathers make a fine bird’- the use of feathers in 1930s Cinematic Costume. In: Birds of paradise: plumes & feathers in fashion. Lannoo. ISBN 9789401415460

Dirix, Emmanuelle (2011) The Rule of Fashion. In: Futiel Textiel. MIAT; Houtekiet, Gent; Antwerp. ISBN 9789089241979

Dirix, Emmanuelle (2014) Stitched Up— Representations of Contemporary Vintage Style Mania and the Dark Side of the Popular Knitting Revival. Textile: The Journal of Cloth and Culture, 12 (1). pp. 86-99. ISSN 1475-9756

Dirix, Emmanuelle (2013) ‘Students are expected to be very good draughtsmen.’ The Role of Drawing in Fashion. In: Fashion Antwerp Academy 50. Lannoo/Flammarion, Tielt, Belgium. ISBN 9401409404

Dirix, Emmanuelle (2012) Unravel, the changing status of knitwear in fashion. In: MAGLIFICO! Italian Sublime Knitscape / 50 anni di straordinaria maglieria Made in Italy. Skira, Milano. ISBN 8857216171

Dirix, Emmanuelle (2011) Unravel: Knitwear in Fashion. [Show/Exhibition]

Dirix, Emmanuelle (2011) Unravel: Knitwear in fashion / Tricot in de mode. Lanoo, Tielt. ISBN 9789020995992

Dirix, Emmanuelle (2011) Unraveling the Status of Knitwear: Drop one, pick up two, drop one. In: Unravel Symposium, 5 May 2011, MoMu, Antwerp, Belgium.

Dirix, Emmanuelle (2010) “We would like to offer our sincere apologies” Or the commodification of Non-Western religious iconography by Western fashion designers. In: Devout/Divine: Fashion & religion. Mode Museum Hasselt.

Dirix, Emmanuelle (2012) What’s in a name? The promotion of The Antwerp 6. In: Fashioning the City: Exploring Fashion Cultures, Structures, and Systems, 19 - 21 September, 2012, Royal College of Art.

Dirix, Emmanuelle (2014) Women, Fashion and the First World War. In: Goodbye Piccadilly - London and the Great War, London Transport Museum.

Dirix, Emmanuelle (2010) The little black dress, the status of black in 1920s fashion. In: Black: masters of black in fashion and costume = Zwart: meesterlijk zwart in mode & kostuum. Lanoo, Tielt, pp. 163-179. ISBN 9789020988505

Dirix, Emmanuelle (2010) The story of the LBD. In: Masters of Black Symposium, 5/5/2012, MoMu, Antwerp, Belgium.

Delice, Serkan and Almila, Anna-Mari (2023) Introduction: Fashion and Transnational Inequalities – What, Where, Why? In: Fashion’s Transnational Inequalities: Socio-Political, Economic, and Environmental. Routledge. ISBN 9781032113845

Delice, Serkan (2022) Critiques of Appropriation and Transnational Labor Ethics. Fashion Theory. ISSN 1751-7419

Delice, Serkan (2019) Cultural Appropriation: Fashion, Race, and the Limits of Critique. In: Being the Other – Orientalizing, Self-Orientalizing and Deconstruction, 25-26 July 2019, Institut für Orientalistik, Otto-Friedrich-Universität Bamberg.

Delice, Serkan (2017) Cultural Appropriation: Symptom or Diagnosis? In: Fashion, Race and Cultural Appropriation: a conference at CSM.

Delice, Serkan (2019) Cultural appropriation in translation: fashion, race and the limits of critique. In: A la Mexicana: An encounter of Mexican fashion and artisan techniques: Cultural appropriation panel discussion, 2-7 July 2019, J/M Gallery, London.

Delice, Serkan (2018) Cultural appropriation in translation: fashion, race, and the limits of critique. In: EFHA International Conference 2018 Europe and Fashion: Questioning Identities and Cultures, 8–9 November 2018, Musée des Arts Décoratifs, Paris.

Delice, Serkan (2021) The Empire’s New Clothes: racial capitalism and the limitations of decolonisation. In: Cultural Urgencies: Decentring Fashion, 2 March 2021, Online.

Delice, Serkan (2018) Fashion and Emotions in the Age of Neoliberal Capitalism. In: New Borders, New Boundaries: Fashion in a Shifting World, Saturday 17 March 2018, Calvert 22 Space, London.

Delice, Serkan (2017) Fashion and its Refugees: production, consumption and subjectivity in the age of neoliberal authoritarianism. In: Fashion & Politics: Historical & Contemporary Perspectives, 7 July 2017, London College of Fashion.

Delice, Serkan (2018) Fashion and its refugees: labour, ethics and activism in neoliberal times. In: Symposium: Feminist Visual Activism, 10 July 2018, Institute of Contemporary Arts (ICA), London.

Delice, Serkan (2021) Fashion and its refugees: towards a transnational worker solidarity and labour citizenship. In: What is Radical about Cultural Studies Now? Fashion, Culture and Politics in the Age of the Anthropocene, 11-12 June 2021, London College of Fashion.

Delice, Serkan (2023) Fashion, Decolonisation, and Living Labour. In: LOOMS AND LABOR, 24 November 2023, Berlin.

Delice, Serkan (2012) Fashion, Politics, and Queer Resistance in the Middle East. In: Masculinities and Fashion – Current and Recent Work, 5 December 2012, London College of Fashion.

Delice, Serkan (2023) Fashion’s unhealed wounds: is reparative justice possible? In: Fashion Against Borders: Decolonisation, Creative Practice, and Critical Pedagogy, 30 November 2023, London College of Fashion.

Delice, Serkan (2016) The Janissaries and Their Bedfellows: Masculinity and Male Homosexuality in Early Modern Ottoman Istanbul. In: "Enlightenment Sex(ualities) - Texts, Practices, Species and Spaces", 7th and 8th November 2016, Georg-August-Universität Göttingen.

Delice, Serkan (2014) Orientalism, masculinity, and global interests: Jean Paul Gaultier’s Menswear between East and West. In: Gaultier and Beyond: Showcasing Research from London College of Fashion, 27 May 2014, Barbican.

Delice, Serkan (2021) Refugees as a Reserve Army of Labour: neoliberalism and the limits of fashion ethics. In: LCF: Cultural & Historical Studies Online Research Seminar, 2 March - 11 May 2021, Online.

Delice, Serkan (2014) ‘They got the guns, but we got the numbers’: Fashion, masculinity, and political resistance in the Middle East. In: Fashion and Politics: 2nd Research Hubs Conference, 4 June 2014, London College of Fashion.

Delice, Serkan (2019) 'Thrown Away Like a Piece of Cloth': Fashion Production and the European Refugee Crisis. In: 'Thrown Away Like a Piece of Cloth': Fashion Production and the European Refugee Crisis. Yale University Press, pp. 197-215. ISBN 9780300238860

Delice, Serkan (2017) 'We cannot have love without lovers': Sexuality and Self-fashioning in Early Modern Ottoman Istanbul. In: Desiring and Deorienting the Middle East at Pembroke, 2 June 2017, Pembroke College, Cambridge University.

Delice, Serkan (2023) Where is Living Labour in Fashion and Cultural Appropriation Debates? In: Fashion’s Transnational Inequalities: Socio-Political, Economic, and Environmental. Routledge. ISBN 9781032113845

Delice, Serkan (2023) Where there is capital accumulation, there is appropriation! In: Fashion in 3D: Decolonizing Deconstructing Decentering, 20 October 2023, University of Bologna, Italy.

Delamore, Philip and Ballie, Jennifer (2011) E-Co-Creation for Fashion: A review of co-creation and open innovation methods for sustainable fashion. In: 2011 World Conference on Mass Customization, Personalization, and Co‐Creation: Bridging Mass Customization & Open Innovation (MCPC 2011, 15-19 September, 2011, San Francisco, CA.

De la Haye, Amy and Costin, Simon and Robinson, Mellany (2023) Making Mischief: Folklore Costume in Britain. [Show/Exhibition]

Dawson, Elizabeth (2013) ‘Comfort and Freedom’: The Duke of Windsor’s Wardrobe. Costume, 47 (2). pp. 198-215. ISSN 0590-8876

Davies, Melanie Gale (2014) Exhibition Review: Women, Fashion, Power - Design Museum, London. Film, Fashion and Consumption, 3 (3). pp. 259-261. ISSN 2044 2823

Davies, Melanie Gale (2019) What do we know about Beau Brummell? In: Millennial Masculinities: Queers, Pimp Daddies and Lumbersexuals, 10-11 December 2019, Auckland, New Zealand.

Davies, Hywel and Uhlirova, Marketa (2015) The 5th Fashion in Film Festival: Frame By Frame - Dissecting The Fashion Moving Image Now. [Show/Exhibition]

Conekin, Becky (2003) 'The Autobiography of a Nation': The 1951 Festival of Britain. Studies in Design . Manchester University Press, Manchester. ISBN 0719060605

Conekin, Becky (2001) Fun and Fantasy, Escape and Edification: The Battersea Pleasure Grounds. Twentieth Century Architecture: the Journal of the Twentieth Century Society, 5. pp. 127-138. ISSN 1353 1964

Conekin, Becky (2005) Lee Miller and the Limits of Post-war British Modernity: Feminity, Fashion, and the Problem of Biography. In: Fashion and Modernity. Berg, pp. 39-61. ISBN 1845200276

Conekin, Becky (2006) Lee Miller: Model, Photographer, and War Correspondent in Vogue, 1927-1953. Fashion Theory: The Journal of Dress, Body and Culture, 10 (1). pp. 97-125. ISSN 1362-704X

Cole, Shaun and Rousseau, Paul (2016) Or is it Bacon in drag?: How to find an unknown sitter's identity. Fashion, Style and Popular Culture, 3 (2). pp. 209-224. ISSN 2050-0726

Cole, Shaun and Lewis, Reina (2016) Seeing, recording and discussing LGBTQ fashion and style: Introduction. Fashion, Style and Popular Culture, 3 (2). pp. 149-155. ISSN 2050-0726

Cole, Shaun (2008) Butch queens in macho drag: gay men, dress, and subcultural identity. In: Men’s Fashion Reader. Fairchild Books, New York. ISBN 9781563675362

Cole, Shaun (2012) Considerations on a Gentleman's Posterior. Fashion Theory: The Journal of Dress, Body & Culture, 16 (1). pp. 211-234. ISSN 1751-7419

Cole, Shaun (2014) Costume or Dress? The Use of Clothing in the Gay Pornography of Jim French's Colt Studio. Fashion Theory: The Journal of Dress, Body and Culture, 18 (2). pp. 123-148. ISSN 1362-704X

Cole, Shaun (2000) Don We Now Our Gay Apparel: Gay Men's Dress in the Twentieth Century. Dress, Body, Culture . Berg, Oxford; New York. ISBN 9781859734209

Cole, Shaun (2015) Fashion's Gender Agendas. In: Utopian Bodies: Fashion Looks Forward. Liljevalchs, Stockholm, pp. 258-262. ISBN 978-86011-29-1

Cole, Shaun (2013) Feels better because it fits better. In: Fashion Media: Past and Present. Bloomsbury, London. ISBN 9780857853066

Cole, Shaun (2013) The Fig Leaf Mentality – On Power, Masculinity, Patriarchy and Man’s Most Precious Ornament. Vestoj,The Journal of Sartorial Matters (4). pp. 11-16. ISSN 2000-4036

Cole, Shaun (2013) The Finer Detail. In: Where Have All the Bootboys Gone? Skinhead Style and Graphic Subcultures. University of the Arts London, London College of Communication.

Cole, Shaun (2014) The Finer Detail. In: Skinhead: An Archive. Ditto Press, London, 32a.

Cole, Shaun (2008) Hair and (homo)sexuality: 'up-top and down below'. In: Hair: Styling, Culture and Fashion. Berg, Oxford and New York. ISBN 9781845207922

Cole, Shaun (2014) 'It was always the stories behind the clothes that interested me': An interview with Shonagh Marshall. Fashion, Style and Popular Culture, 2 (1). pp. 123-131. ISSN 2050-0726

Cole, Shaun (2014) Jocks in Jocks: Sportsmen and Underwear Advertising. Critical Studies in Men's Fashion, 1 (2). pp. 161-176. ISSN 2050-070x

Cole, Shaun (2013) Les Nouveaux Slips et la Notion de Virilité. In: La Mécanique des Dessous: Une histoire indiscrète de la silhouette. Les Arts Decoratifs, Paris. ISBN 2916914420

Cole, Shaun (2015) Looking queer? Gay men’s negotiations between masculinity and femininity in style and dress in the twenty-first century. Clothing Cultures, 2 (2). pp. 193-208. ISSN 2050-0742

Cole, Shaun (2015) New Underwear and Notions of Virility in Contemporary Society. In: Fashioning the Body: An Intimate History of the Silhouette. Yale University Press, New York and London, pp. 259-263. ISBN 9780300204278

Cole, Shaun (2013) Queerly Visible: gay men's dress and style 1960-2012. In: A Queer History of Fashion: From the Closet to the Catwalk. Yale University Press, New Haven. ISBN 9780300196702

Cole, Shaun (2012) Queers and mods: social and sartorial interaction in London’s Carnaby Street. In: The Meanings of Dress. Fairchild Publishers Ltd, New York, pp. 214-221. ISBN 9781609012786

Cole, Shaun (2014) Sexuality, Identity and the Clothed Male Body. PhD thesis, University of the Arts London.

Cole, Shaun (2016) Statuesque Masculinity: Considering the Idealised Trope of the Underwear Model. Vestoj,The Journal of Sartorial Matters (7). pp. 97-100. ISSN 2000-4036

Cole, Shaun (2012) Television’s fashion gay teens: Justin Suarez and Kurt Hummel. Film, Fashion and Consumption, 1 (2). pp. 159-167. ISSN 20442823

Cole, Shaun (2010) The story of men's underwear. Parkstone Press International, New York. ISBN 9781859956229

Clarke, Philip (2020) Stylist: Etymology and History of a Role. In: Fashion Stylists: History, Meaning and Practice. Bloomsbury, London, pp. 21-39. ISBN 9781350115064

Clark, Judith and de la Haye, Amy (2014) Exhibiting Fashion: Before and After 1971. Yale University Press, New Haven. ISBN 9780300125795

Clark, Judith and Stoppini, Luca and Gray, Richard (2006) Anna Piaggi: Fashion-ology. [Show/Exhibition]

Clark, Judith and Phillips, Adam (2010) The concise dictionary of dress (book). Violette Editions, London, pp. 108-131. ISBN 9781900828352

Clark, Judith and Phillips, Adam (2010) The concise dictionary of dress. [Show/Exhibition]

Clark, Judith and Frisa, Maria Luisa (2012) Diana Vreeland After Diana Vreeland. [Show/Exhibition]

Clark, Judith and Frisa, Maria Luisa (2012) Diana Vreeland after Diana Vreeland. Marsilio; Rizzoli, Venice; New York. ISBN 9788831712798

Clark, Judith (2012) Chloé. Attitudes. [Show/Exhibition]

Clark, Judith (2018) Conversations: Cristobal Balenciaga Museum. [Show/Exhibition]

Clark, Judith, Cristobal Balenciaga Museoa (2019) Cristóbal Balenciaga. Fashion and Heritage. Contexts. [Art/Design Item]

Clark, Judith (2018) Fashion Inside and Out, part of the Homo Faber: Crafting a More Human Future. [Show/Exhibition]

Clark, Judith (2016) The Fashion Project, Bal Harbour, Miami. [Show/Exhibition]

Clark, Judith (2017) Femininities: Guy Bourdin, Maison Chloe and Chloe Girls: The Anthology A-Z installation. [Show/Exhibition]

Clark, Judith (2018) Frida Kahlo: Appearances may be Deceiving, Museo Frida Kahlo. [Show/Exhibition]

Clark, Judith (2012) Handbags: The Making of a Museum. Yale University Press in association with Simone Handbag Museum, New Haven, CT. ISBN 9780300186185

Clark, Judith (2015) La Galerie, Louis Vuitton, Asnières. [Show/Exhibition]

Clark, Judith (2004) Malign Muses: When Fashion Turns Back. [Show/Exhibition]

Clark, Judith (2017) On Attributes and Exhibition Making. In: Curating Fashion Now. Bloomsbury Publishing, London. ISBN 9781474287104

Clark, Judith (2011) Restyling History: Diana Vreeland at the Costume Institute. In: Diana Vreeland: the eye has to travel. Abrams, New York, pp. 226-243. ISBN 9780810997431

Clark, Judith (2012) Simone Handbag Museum. [Show/Exhibition]

Clark, Judith (2016) The Vulgar. [Show/Exhibition]

Clark, Judith (2011) The world of Hussein Chalayan. In: Hussein Chalayan. Rizzoli USA, New York, pp. 250-270. ISBN 9780847833863

Church Gibson, Pamela and Hill, Andrew (2013) ‘Tutte e marchio’ : Excess , Performativity and Masquerade. In: The British Film Industry in the 1970s: Capital, Culture and Creativity. Springer, London, pp. 263-269. ISBN 1137305924

Church Gibson, Pamela (2019) Cindy Sherman in a New Millennium: Fashion, Feminism, Art and Ageing. Australian Feminist Studies, 33 (98). pp. 481-497. ISSN 0816-4649

Church Gibson, Pamela (2013) Dressing and undressing in Dirty Dancing: consumption, gender and visual culture in the 1980s. In: The Time of Our Lives: Dirty Dancing and Popular Culture. Contemporary Approaches to Film and Media . Wayne State University Press, Detroit, Michigan, pp. 105-124. ISBN 9780814336243

Church Gibson, Pamela (2012) Fashion and celebrity culture. Berg Publishers, London. ISBN 9781847883858

Church Gibson, Pamela (2005) Fashion, Fetish and Spectacle; The Matrix Dresses Up - And Down. In: The Matrix Trilogy: Cyberpunk Reloaded. Wallflower Press, UK, pp. 114-125. ISBN 1904764320

Church Gibson, Pamela (2011) Fashion, art and celebrity at the biennale; catwalk, collecting and the power of the luxury brand. In: Look at Me: Celebrity Culture at the Venice Art Biennale. Verlag für Moderne Kunst, Nurnberg, Germany. ISBN 9783869841779, 386984177X

Church Gibson, Pamela (2009) Millennial masculinity: conflict and denial in contemporary visual culture. Russian Fashion Theory (The Journal of Dress, Body & Culture). pp. 40-62.

Church Gibson, Pamela (2012) New alliances: the art world, the fashion house and new shapes in stardom = Nuove alleanze: mondo dell'arte, case di moda e celebrità. In: Moda e arte. Produrre cultura creare comunicazione del Centro per lo studio della moda e della produzione culturale . Franco Angeli, Milan, Italy. ISBN 9788856848861

Church Gibson, Pamela (2014) Pornostyle: Sexualised Dress and the Fracturing of Feminism. Fashion Theory: The Journal of Dress, Body and Culture, 18 (2). pp. 189-206. ISSN 1362-704X

Chong Kwan, Sara and Laing, Morna and Roman, Mario, J. (2014) Fashion and Memory. Critical Studies in Fashion and Beauty, 5 (2). pp. 201-205. ISSN 2040-4417

Chong Kwan, Sara (2012) Drawing on Jules Prown's material culture method of object analysis to investigate sensory engagement with everyday dress. In: Working Papers in Fashion Studies 2. London College of Fashion, London. ISBN 978-1-903455-26-5

Chong Kwan, Sara (2016) Making Sense of Everyday Dress: Integrating multisensory experience within our understanding of contemporary dress in the UK. PhD thesis, University of the Arts London.

Chon, Harah and Lim, Natasha Jiayi and Lim, Elisa (2021) Designing Resilience: Mapping Singapore’s Sustainable Fashion Movements. In: Design Culture(s). Cumulus Conference Proceedings Roma 2021. Cumulus International Association of Universities and Colleges of Art, Design and Media. ISBN 978-952-64-9004-5

Chon, Harah (2017) Exploring Research Space in Fashion: The Fluidity of Knowledge between Designers, Individuals and Society. In: Routledge Companion to Design Research. Routledge, pp. 72-86. ISBN 9781138310247

Chon, Harah (2023) Exploring research space in fashion: A framework for meaning-making. In: The Routledge Companion to Design Research. Routledge Art History and Visual Studies Companions, 2 . Routledge, pp. 224-238. ISBN 9781032022277

Chon, Harah (2013) Fashion as Aesthetic Experience: A Discussion of Subject-Object Interaction. In: Consilience and Innovation in Design: Proceedings and Program : 5th IASDR 2013 Tokyo. Shibaura Institute of Technology. ISBN 9784998077633

Chon, Harah (2013) An Investigation of Spatially Fluid Knowledge within the Retail System. In: EKSIG 2013: Knowing Inside Out – Experiential Knowledge, Expertise and Connoisseurship. Loughborough University. ISBN 978-1-907382-72-7

Chon, Harah (2021) Sustainable practice: The future mode of temporality in fashion. Fashion, Style and Popular Culture, 8 (4). pp. 377-385. ISSN 2050-0734

Cholachatpinyo, Anothai (2004) Towards a conceptual model for the apparel industry in Thailand focused on domestic fashion origination. PhD thesis, University of the Arts London.

Cheang, Sarah (2007) Selling China: Class, Gender and Orientalism at the Department Store. Journal of Design History, 20 (1). pp. 1-16. ISSN 09524649

Chapman, Louise (2022) Narratives of Dress: the Pink Silk Dress. [Show/Exhibition]

Cardwell, Thomas and Cardwell, Thomas (2023) 'It’s who you are': Heavy metal ‘battle jackets’ and subcultural loyalty. In: Loyalty – A suspect virtue and its limits, 27 April 2023, University of Helsinki.

Cardwell, Thomas (2023) Battle Jackets: Wearing Metal Identity. In: The Cambridge Companion to Metal Music. The Cambridge Companions to Music . Cambridge University Press, Cambridge, UK, pp. 202-216. ISBN 9781108991162

Cardwell, Thomas (2017) Battle jackets, authenticity and ‘material individuality’. Metal Music Studies, 3 (3). pp. 437-458. ISSN ISSN 2052-3998 (Print); ISSN 2052-4005 (Online)

Cardwell, Thomas (2015) Battle jackets: craft and folk culture research through creative practice. In: Modern Heavy Metal: Markets, Practices and Cultures. Crossover . Aalto University, Aalto, Finland, pp. 138-149. ISBN 9789526062174

Cardwell, Thomas (2022) Folk Metal: Battle Jackets as Contemporary Folk Costumes. In: International Society for Folk Narrative Research Annual Conference, 20-23 July 2022, London College of Fashion.

Cardwell, Thomas (2022) Heavy Metal Armour: A Visual Study of Battle Jackets. Intellect, Bristol, UK. ISBN 9781789385366

Cardwell, Thomas (2019) Illuminating Battle Jackets. Riffs.

Cardwell, Thomas (2019) Illuminating Battle Jackets; a Fine Art Research Project. In: Home of Metal Symposium, 13 - 14 September 2019, Birmingham City University.

Cardwell, Thomas (2023) Re-forming the Chasuble: Links Between Heavy Metal Clothing and Priestly Garments. In: Metal and Transgression: Scenes, Politics, and Religion, 6-7 September 2023, Masaryk University, Brno, Czechia.

Cambridge, Nicolas Adam (2008) Son of Samurai, Daughter of Butterfly: fashioning Japan in the sartorial culture of the United Kingdom, 1980-2006. PhD thesis, University of the Arts London.

Butchart, Amber (2017) Fashion Illustration in Britain - Society and the Seasons. British Library, London. ISBN 978-0712352000

Butchart, Amber (2016) The Fashion of Film: How Cinema has Inspired Fashion. Mitchell Beazley. ISBN 9781784721763

Butchart, Amber (2015) Flamboyant masculinity in coastal cultures: The Lowestoft fisherlads of the 1960s. In: Fashion, the 84th Anglo-American Conference of Historians, 2-3 July 2015, Institute of Historical Research, University of London/Victoria and Albert Museum, London.

Butchart, Amber (2015) “Flooded with little Joan Crawfords” Fashion on Film: Selling Hollywood in London in the Early 1930s. In: Disseminating Dress: Britain and the Fashion World, 28-30 May 2015, University of York.

Butchart, Amber, Alfi Media (2017) From Rags to Riches.

Butchart, Amber (2015) Nautical Chic. Thames & Hudson, London. ISBN 9780500517802

Butchart, Amber (2015) Nautical Chic exhibition. [Show/Exhibition]

Buruma, Anna and Schoeser, Mary and Stabb, Jo Ann (2005) Fashion's Memory. [Show/Exhibition]

Buruma, Anna (2007) A Clinging Liberty Tea-Gown instead of a Magenta Satin - The Colour Red in Artistic Dress. Costume, 41. pp. 105-110. ISSN 0590-8876

Burcikova, Mila (2018) Fashion in Utopia, Utopia in Fashion. Utopian Studies: The Journal of the Society for Utopian Studies, 28 (3). pp. 381-397. ISSN 1045-991X

Burcikova, Mila (2024) I Like It because It’s been Worn Before: The Sensory Longevity of Worn Clothing. In: Recycling and Lifetime Management in the Textile and Fashion Sector. CRC Press, Taylor & Francis, pp. 48-65. ISBN 9780367490836

Burcikova, Mila (2019) One Dress: Shaping Fashion Futures through Utopian Thinking. Fashion Practice: The Journal of Design, Creative Process & the Fashion Industry, 11 (3). pp. 328-345. ISSN 1756 9389

Burcikova, Mila (2018) One Dress: Shaping Fashion Futures through Utopian Thinking. In: What's Going On? A discourse on fashion, design and sustainability (Global Fashion Conference 2018), 31 October - 1 November 2018, London College of Fashion, University of the Arts London.

Bugg, Jessica and Ziesche, Anna-Nicole (2013) Fashion Performance: Materiality, Meaning, Media. [Show/Exhibition]

Bugg, Jessica (2013) Emotion and memory: clothing the body as performance. In: Activating the inanimate: visual vocabularies of performance practice. Critical Issues . Inter-disciplinary Press, Oxford. ISBN 9781848881211

Bugg, Jessica (2006) Interface: concept and context as strategies for innovative fashion design and communication: an analysis from the perspective of the conceptual fashion design practitioner. PhD thesis, University of the Arts London.

Buckley, Chitra (2011) References to the past: the role of heritage and cultural values in fashion branding. In: 13th Annual Conference for the International Foundation of Fashion Technology Institutes: Fashion between heritage and innovation luxury, 13-14 April 2011, Paris, France.

Broach, Zowie and Kirkby, Brian (2012) Isolated Moments from a Cycle. [Show/Exhibition]

Briggs, Adam (2009) Book Review: Regina Lee Blaszczyk (ed.), Producing Fashion: Commerce, Culture, and Consumers. Philadelphia, PA: University of Pennsylvania Press, 2008. 363 pp. ISBN-13 978--0--8122--4037--5/ISBN-10 0--8122-- 4037--5 (hbk). Journal of Consumer Culture, 9 (1). pp. 145-147. ISSN 1469-5405

Briggs, Adam (2013) Capitalism’s Favourite Child: The Production of Fashion. In: Fashion cultures revisited: theories, explorations and analysis. Routledge, London, pp. 186-199. ISBN 9780415680066

Breward, Christopher and Gilbert, David and Lister, Jenny (2006) Swinging Sixties. V&A Publications, London. ISBN 185177484X

Breward, Christopher and Gilbert, David (2006) Fashion's World Cities. Berg, London. ISBN 1845204131

Breward, Christopher (2003) Fashion. Oxford University Press, Oxford, UK. ISBN 0192840304

Breward, Christopher (2004) Fashioning London: Clothing and the Modern Metropolis. Berg., London. ISBN 1859737927

Bowles, Hamish and Bolton, Andrew and Menkes, Suzy and Martin, Penny and Piaggi, Anna and Clark, Judith (2010) Stephen Jones and the accent of fashion. In: Stephen Jones and The Accent of Fashion. lanoo publishers, Tielt, Belgium, pp. 203-221. ISBN 9781851496525

Bolton, Andrew (2006) AngloMania: Tradition and Transgression in British Fashion. Yale University Press. ISBN 978-0-300-11785-1

Bolton, Andrew (2003) Bravehearts: Men in Skirts. Abrams. ISBN 081965585

Bolton, Andrew (2007) Catalogue for the Poiret exhibition, Metropolitan Museum of Art. Yale University Press. ISBN 978-0-300-120295

Bolton, Andrew (2004) WILD: Fashion Untamed. Yale University Press, pp180. ISBN 978-0300106381

Blackman, Cally (2012) 100 Years of Fashion. Laurence King, London. ISBN 9781856697989

Blackman, Cally (2009) 100 Years of Menswear. Laurence King, London. ISBN 978 1 85669 614 2

Blackman, Cally (2015) Around the World in Colour: the Salon du Gout Francais 1921-1923. In: Fashion, 2-3 July 2015, Institute of Historical Research, UCL, London.

Blackman, Cally (2021) The Colour of Clothes: selling French couture around the world at the ‘Salon du Goût Français’ virtual exhibition 1921-3. In: Colour Fever, 25 October - 5 November 2021, V&A Museum, Online.

Blackman, Cally (2022) The Colour of Fashion at the Salon du Goût Français: A Virtual Exhibition of French Luxury Commodities, 1921–1923. Costume, 56 (1). pp. 51-73. ISSN 0590-8876

Blackman, Cally (2014) Colouring the Claddagh: a distorted view? Costume, 48 (2). pp. 213-235. ISSN 0590-8876

Blackman, Cally (2019) Fashion Central Saint Martins. Thames & Hudson Ltd, London. ISBN 978-0-500-29371-3

Blackman, Cally (2023) Le Salon du Gout Français, 1921-1923. In: Les Couleurs de la Mode: Autochromes du Salon du Gout Français 1921-1923. Editions Paris Musees, Paris, France, pp. 11-14. ISBN 978-2-7596-0565-1

Blackman, Cally (2015) The Rise of the Celebrity Shoe Designer. In: Shoes: Pleasure & Pain. V&A Publishing, London, pp. 114-123. ISBN 9781851778324

Blackman, Cally (2014) True Colours: dress and fashion in autochromes from Albert Kahn's collection 1914. In: Mode et Guerre Europe 1914-1918: fashion, Dress and Society during World War 1, 12th and 13th December 2014, Institut Francais de la Mode Paris.

Blackman, Cally (2016) Vogue 100: Fashion, Women, Society. In: Vogue 100 Exhibition, 3 March 2016, National Portrait Gallery, London.

Black, Sandy and Rocamora, Agnès and Thomas, Helen and Entwistle, Joanne and de la Haye, Amy and Root, Regina (2013) The Handbook of Fashion Studies. In: The Fashion Studies Handbook. Bloomsbury, London. ISBN 9780857851949

Black, Sandy (2009) Editorial in "Fashion Practice: Design, Creative Process and the Fashion Industry". Fashion Practice: The Journal of Design, Creative Process and the Fashion Industry, 1 (1). pp. 5-8. ISSN 17569370

Black, Sandy (2010) Knitting in 20th Century Popular Culture and Advertising. In: In the Loop 2. Knitting: origins and evolution, 1st-4th September 2010, Shetland Museum and Archives, Lerwick, Shetland Isles, U.K.. (Unpublished)

Black, Sandy (2010) Knitting technology comes full circle. In: In the Loop: Knitting Now. Black Dog Publishing, London, pp. 118-127. ISBN 9781906155964

Black, Sandy (2012) Knitting: fashion, industry, craft. V&A Publishing, London. ISBN 9781851775590

Black, Sandy (2011) A Quiet Revolution in Classic Collection. In: Classic Collection: four decades of knitwear design by Sasha Kagan. GMC Publications, Lewes Sussex, pp. 74-79. ISBN 9781861088451

Black, Sandy (2019) Sustainability and Digitalization. In: The End of Fashion: Clothing and Dress in the Age of Globalizaton. Bloomsbury Visual Arts, London, pp. 113-131. ISBN 978-1-3500-4504-0

Black, Prudence and Findlay, Rosie (2016) Dressing the Body: Introduction. Cultural Studies Review, 22 (1). pp. 4-9. ISSN 1837-8692

Biddle-Perry, Geraldine and Cheang, Sarah (2008) Conclusion: Hair and Human Identity. In: Hair: Styling, Culture and Fashion. Berg, Oxford and New York, pp. 243-255. ISBN 9781845207922

Biddle-Perry, Geraldine and Cheang, Sarah (2008) Introduction: Thinking about Hair. In: Hair: Styling, Culture and Fashion. Berg, Oxford and New York, pp. 3-13. ISBN 9781845207922

Biddle-Perry, Geraldine (2012) Clothing the British Olympic Ideal: The Emergence of Olympic Ceremonial Attire, 1896–1924. Journal of Design History, 25 (3). pp. 252-267. ISSN 1741-7279, 0952-4649

Biddle-Perry, Geraldine (2016) Dressing for Austerity: Aspiration, Leisure and Fashion in Post-War Britain. Dress Cultures . I.B.Tauris, London. ISBN 9781780766287

Biddle-Perry, Geraldine (2012) Fair Play and Fascism: The Development of British Olympic Team Uniforms 1908-1948. Sport in History, 32 (2). pp. 231-256. ISSN 1746-0263

Biddle-Perry, Geraldine (2010) Fashioning Social Aspiration: lower-middle-class rational recreational leisure participation and the evolution of popular rational recreational leisure clothing c.1880-1950. PhD thesis, University of the Arts London.

Biddle-Perry, Geraldine (2014) Fashioning Suburban Aspiration: Awheel with the Catford Cycling Club, 1886-1900. The London Journal, 39 (3). pp. 187-204. ISSN 0305-8034

Biddle-Perry, Geraldine (2008) Hair, Gender and Looking. In: Hair: Styling, Culture and Fashion. Berg, Oxford and New York, pp. 97-111. ISBN 9781845207922

Biddle-Perry, Geraldine (2014) The Rise of the World's Largest Sports and Athletic Outfitter: A Study of Gamage's of Holborn, 1878-1913. Sport in History, 34 (2). pp. 295-314. ISSN 1746-0263

Biddle-Perry, Geraldine (2014) Sporting hats and national symbolism: The Kangol beret and the London Olympic Games of 1948. Clothing Cultures, 1 (2). pp. 111-126. ISSN 2050-0750

Betts, Liza (2018) Costume in Literature: What do television adaptations of modern literature 'write' on the body via the clothing used as costume? In: Culture, Costume and Dress; Proceedings of the first international conference. Birmingham City University. 10-12 May 2017. Gold Word Publishing, Birmingham/Shanghai, pp. 32-37. ISBN 978-1-909379-26-8

Betts, Liza (2017) Costuming the Everyday: Interview with James Keast. Film, Fashion and Consumption, 6 (1). pp. 25-48. ISSN 20442823

Betts, Liza (2017) Fashion and Football: 'The Spice Boys', Masculinity, Male Bodies and Moments of Contestation. In: 6th Annual Conference of European Popular Culture, 25-27 July 2017, UAL LCF.

Betts, Liza (2014) Working Class Masculinity and Fashion: David Beckham, Del Boy and the Representation of Taste. Film, Fashion and Consumption, 3 (3). pp. 211-226. ISSN 2044-2823

Bench, Paul (2021) The Queer Subjectivities and Visual Culture of Stephen Tennant, Oliver Messel and Rex Whistler, 1922-1939. PhD thesis, University of the Arts London.

Beman, Renata Santos (2016) Struggling to buy fashion to wear: Exploring the relevance of B.F.Skinner to fashion for those born blind, those who became blind and those who are visually impaired. PhD thesis, University of the Arts London.

Begum, Lipi and Dasgupta, Rohit K. and Lewis, Reina (2018) Styling South Asian Youth Cultures: Fashion Media and Society. Dress Cultures . I.B Tauris, London. ISBN 9781784539177

Begum, Lipi and Barn, Ravinder (2019) Crossing boundaries: bras, lingerie and rape myths in postcolonial urban middle-class India. Gender Place and Culture: A Journal of Feminist Geography. ISSN 0966-369X

Begum, Lipi (2019) Neorealism, the bra and the new Indian woman in Satyajit Ray’s The Big City. Fashion Theory: The Journal of Dress, Body and Culture. ISSN 1362-704X

Bartlett, Djurdja and Cole, Shaun and Rocamora, Agnès (2013) Fashion Media: Past and Present. Bloomsbury Academic, London/New York. ISBN 978-0-8578-5307-3

Bartlett, Djurdja (2010) 1920s fashionista in the Soviet Union. In: Centre for Contemporary Culture: Lectures, Debates and Workshops, 19 May 2010, Moscow, Russia.

Bartlett, Djurdja (2011) Art Deco and Art in Croatia between the Two Wars. [Show/Exhibition]

Bartlett, Djurdja (2010) Berg encyclopedia of world dress and fashion. Volume 9: East Europe, Russia, and the Caucasus. Berg Publishers, Oxford, UK and New York, USA. ISBN 9781847883988

Bartlett, Djurdja (2004) Book Review: Fashion under the Occupation by Dominique Veillon. Fashion Theory: The Journal of Dress, Body & Culture, 8 (1). pp. 117-122. ISSN 1362 704X

Bartlett, Djurdja (2019) Can Fashion Be Defended? In: Fashion and Politics. Yale University Press, New Haven and London, pp. 16-57. ISBN 978-0-300-238860

Bartlett, Djurdja (2013) Coco Chanel and Socialist Fashion. In: Fashion Media: Past and Present. Bloomsbury Academic, London/New York, pp. 46-57. ISBN 978-0-8578-5307-3

Bartlett, Djurdja (2020) The Constructivist Sartorial Utopia and Its Revolutionary Potential: Then and Now. In: The Oxford Handbook of Communist Visual Cultures. Oxford University Press, Oxford and New York. ISBN 9780190885533

Bartlett, Djurdja (2010) Fashion East: the spectre that haunted socialism. In: Centre for South-East European Studies Seminar Series 2010-11, 01 February 2011, London, UK. (Unpublished)

Bartlett, Djurdja (2019) Fashion and Politics. Yale University Press, London.

Bartlett, Djurdja (2011) Fashion and life-style. In: Art Deco and Art in Croatia between the Two Wars. Zagreb: Museum of Arts and Crafts, Zagreb, Croatia, pp. 61-92. ISBN 9789537641146

Bartlett, Djurdja (2010) Fashion under socialism. In: Berg encyclopedia of world dress and fashion. Volume 9: East Europe, Russia, and the Caucasus. Berg Publishers, pp. 76-82. ISBN 9781847883988

Bartlett, Djurdja (2010) FashionEast: the spectre that haunted socialism. MIT Press, Cambridge, Mass. ISBN 9780262026505

Bartlett, Djurdja (2014) Glitz and Restraint - Paris Haute Couture on Display. Fashion Theory: The Journal of Dress, Body and Culture, 18 (4). pp. 427-446. ISSN 1362-704X

Bartlett, Djurdja (2006) Ideology and Clothes: The Rise and Decline of Socialist Official Fashion. PhD thesis, University of the Arts London.

Bartlett, Djurdja (2006) In Russia, at Last and Forever: The First Seven Years of Russian Vogue. Fashion Theory: The Journal of Dress, Body and Culture, 10 (1-2). pp. 175-203. ISSN 1362-704X

Bartlett, Djurdja (2010) Introduction to dress and fashion in East Europe, Russia, and the Caucasus. In: Berg encyclopedia of world dress and fashion. Volume 9: East Europe, Russia, and the Caucasus. Berg Publishers, pp. 3-14. ISBN 9781847883988

Bartlett, Djurdja (2010) La moda puo’ partire da zero? Il caso della moda socialista (Can Fashion Start from Zero? A Case of Socialist Fashion). In: IULM, 01 December 2010, Milan, Italy. (Unpublished)

Bartlett, Djurdja (2010) Le chic oligarchique et le principe de l’excès (Oligarch Chic and the Principle of Excess). In: Les Cahiers européens de l'imaginaire: Le luxe. CNRS Editions, Paris, France. ISBN 978-2271069016

Bartlett, Djurdja (2004) Let Them Wear Beige: The Petit-Bourgeois World of Official Socialist Dress. Fashion Theory: The Journal of Dress, Body and Culture, 8 (12). pp. 127-164. ISSN 1362-704X

Bartlett, Djurdja (2017) Léon Bakst and Fashion: beyond and after the Ballets Russes. Costume, 51 (2). ISSN ISSN: 0590-8876

Bartlett, Djurdja (2011) Moscow on the fashion map: between periphery and centre. Studies in East European Thought, 63 (2). pp. 111-121. ISSN 09259392/15730948

Bartlett, Djurdja (2014) ‘Myth and Reality: Socialist Fashion and Five-Year Plans’. In: Fashion, Consumption and Everyday Culture in the Soviet Union between 1945 and 1985. Verlag Otto Sagner, München, Berlin and Washington, D.C, pp. 9-31. ISBN 978-3-86688-522-6; e-book 978-3-86688-523-3

Bartlett, Djurdja (2016) Nadezhda Lamanova and Russian pre-1917 Modernity: between haute couture and avant-garde art. Fashion Theory: The Journal of Dress, Body and Culture. ISSN 1362-704X

Bartlett, Djurdja (2016) Nadezhda Lamanova: Couturier to the Nobility, Tailor to the Masses. Experiment: Journal of Russian Culture, 22 (1). pp. 117-138. ISSN 2211-730X

Bartlett, Djurdja (2010) New Russian luxury. Les Cahiers Européens de l’Imaginaire (2). pp. 140-153.

Bartlett, Djurdja (2015) On the Left of Fashion: politics and spectacle in interwar leftist magazines. In: Fashion, the 84th Anglo-American Conference of Historians, 2-3 July 2015, Institute of Historical Research, University of London/Victoria and Albert Museum, London.

Bartlett, Djurdja (2019) Overalls: Functional, Political, Fashionable. In: Understanding Uniform: clothing and discipline in the modern world. Bloomsbury Visual Arts, London, pp. 185-201. ISBN 978-1-350-04555-2

Bartlett, Djurdja (2015) ‘Politics and Dresses: Facts and Fiction in Nadezhda Lamanova’s Career’. In: Fact, The 47th Annual ASEEES Convention, 19-22 November 2015, Philadelphia, Pennsylvania, US.

Bartlett, Djurdja (2019) Politics of Luxury: The Burdens of Culture and Ideology in Sartorial Exchanges. In: La Tentation du Luxe, 21 February 2019, Collège d'Études Mondiales/Fondation Maison des sciences de l'homme, Paris.

Bartlett, Djurdja (2011) Proletarian post-war Dandies. In: BASEES Annual Conference, 02-04 April 2011, Cambridge, UK.

Bartlett, Djurdja (2010) Snapshot: Azerbaijan — urban dress, the 1920s to the twenty-first century. In: Berg encyclopedia of world dress and fashion. Volume 9: East Europe, Russia, and the Caucasus. Berg Publishers, pp. 307-310. ISBN 9781847883988

Bartlett, Djurdja (2010) Snapshot: Lithuanian urban dress, 1940s to twenty-first century. In: Berg encyclopedia of world dress and fashion. Volume 9: East Europe, Russia, and the Caucasus. Berg Publishers, pp. 214-216. ISBN 9781847883988

Bartlett, Djurdja (2010) Snapshot: Russian constructivism in dress and textiles. In: Berg encyclopedia of world dress and fashion. Volume 9: East Europe, Russia, and the Caucasus. Berg Publishers, pp. 361-364.

Bartlett, Djurdja (2013) Socialist Dandies International: East Europe, 1946-1959. Fashion Theory: The Journal of Dress, Body and Culture, 17 (3). pp. 249-289. ISSN 1362-704X

Bartlett, Djurdja (2020) Soong Ching-ling, Soong May-ling: Negotiating Dresses and Politics in Modern Shanghai, 1913-49. In: Styling Shanghai. Bloomsbury Academic, London and New York, pp. 109-145. ISBN 9781350051140 HB; 9781350051133 PB

Bartlett, Djurdja (2018) Soviet Fashion in the 1920s: Fusion of socialism and Art Deco. In: Roaring 1920s in Russia: Art, Design, Architecture, 3 May 2019, Dorich House/Kingston University.

Bartlett, Djurdja (2016) Stars on Screen and Red Carpet. In: A Companion to Russian Cinema. Wiley-Blackwell. ISBN 978-1-118-41276-3

Bartlett, Djurdja (2010) Totalitarian dress. In: The Fashion History Reader: Global Perspectives. Routledge, London UK and New York USA, pp. 498-502. ISBN 9780415493246, 9780415493239

Bartlett, Djurdja (2011) Translation and auto-translation in fashion: a case study: new Russian designers. In: Fashion_Versus_Studies, 13 April 2011, Milan, Italy.

Bartlett, Djurdja (2018) ‘Ways of living at home abroad or abroad at home’. In: New Borders, New Boundaries: Fashion in a Shifting World, 17 March 2018, Calvert 22 Foundation, 22 Calvert Avenue, London.

Bartlett, Djurdja (2010) Zuzi Jelinek: the incredible adventures of a socialist Chanel. In: Remembering Utopia: the Culture of Everyday Life in Yugoslavia. New Academia Publishing LCC, Washington, USA, pp. 407-427. ISBN 0984406239, 9780984406234

Bartlett, Djurdja (2010) An unlikely comrade: Coco Chanel and socialist fashion. In: Fashion Media: Yesterday Today Tomorrow, 21-22 October 2010, London, UK.

Barry, Ben and Weiner, Nathaniel (2019) Suited for success? Suits, status and hybrid masculinity. Men and Masculinities, 22 (2). pp. 151-176. ISSN 1097-184X

Barratt, Claire (2010) An investigation into the cultural meanings of contemporary mourning and memento mori jewellery (London 1980-2008). PhD thesis, University of the Arts London.

Bari, Shahidha (2019) Dressed: The Secret Life of Clothes. Jonathan Cape, London. ISBN 9781787331495

Bari, Shahidha (2022) Fashion. Look Again . Tate, London. ISBN 9781849767170

Barford, Katie Elizabeth (2016) Drawing, Interpretation and Costume Design: a study of the costumed body informed by watching 'Tanztheater Wuppertal' in rehearsal and performance. PhD thesis, University of the Arts London.

Banerjee, Archi and Mazzarella, Francesco (2022) Designing Innovative Craft Enterprises in India: A Framework for Change Makers. She Ji: The Journal of Design, Economics and Innovation, 8 (2). pp. 192-216. ISSN 2405-8726

Baddeley, Oriana (2018) Frida Re-Dressed. In: Frida Kahlo: Making Herself Up. V&A, London, pp. 174-187. ISBN 9781851779604

Aune, Kristin and Lewis, Reina and Molokotos-Liederman, Lina (2022) Modest Dress at Work as Lived Religion: Women’s Dress in Religious Work Contexts in Saudi Arabia and the UK. Sociology of Religion. ISSN 1759-8818

Aune, Kristin and Lewis, Reina and Molokotos-Liederman, Lina (2021) Modest Fashion in UK Women’s Working Life: A report for employers, HR professionals, religious organisations, and policymakers. Project Report. University of the Arts London, London.

Auerbach George, H and Stenton, Marie and Houghon, Joseph and Kapsali, Veronika and Blackburn, Richard (2022) Referencing Historical Practices and Emergent Technologies in the Future Development of Sustainable Textiles: A Case Study Exploring “Ardil”, a UK-Based Regenerated Protein Fibre. Sustainability, 14 (14). ISSN 2071-1050

Atkinson, Douglas (2017) Post-Industrial Fashion and the Digital Body. In: Digital Bodies: Creativity and Technology in the Arts and Humanities. Palgrave Studies in Performance and Technology . Palgrave Macmillan UK. ISBN 978-1-349-95240-3

Athill, Charlie (2021) Reverse tomboy: (Re)definitions of gender fluidity through sensory engagement with material culture. Queer Studies in Media and Popular Culture, 5 (2-3). pp. 149-170. ISSN 2055-5695

Athill, Charlie (2018) Who Are You Calling a Hackney Twat: Gender and Stigma in Media Represention. Journal of Extreme Anthropology, 2 (1). pp. 46-65. ISSN 2535-3241

Aspinall, Matilda (2019) Back to the Future of Fashion Past: Re-Fashioning Future Garment Making. PhD thesis, University of the Arts London.

Aronowsky Cronberg, Anja (2015) The Future of Fashion Journalism in the Digital Age. In: 3rd Europeana Fashion International Conference: Digital Fashion Futures, 24-26 February 2015, MoMu (ModeMuseum), Antwerp, Belgium.

Aronowsky Cronberg, Anja (2015) On the Intersection Between Our Clothing and Our Past. In: Utopian Bodies: Fashion Looks Forward. Liljevalchs, Stockholm, pp. 236-238. ISBN 978-86011-29-1

Aronowsky Cronberg, Anja (2015) Power Dressing. [Show/Exhibition]

Aronowsky Cronberg, Anja (2020) 'There will never be a Chinese Fashion' – Staking a claim for Shanghai as a Fashion City. In: Styling Shanghai. Bloomsbury, Great Britain, pp. 287-308. ISBN 978-1-3500-5114-0

Aronowsky Cronberg, Anja (2014) Vestoj On Slowness. [Art/Design Item]

Aronowsky Cronberg, Anja (2015) The Vestoj Salon On Slowness. [Show/Exhibition]

Aronowsky Cronberg, Anja (2015) The Vestoj Storytelling Salon. [Show/Exhibition]

Appleford, Katherine Louise (2011) Classifying Fashion & Fashioning Class: An Inquiry Into Class Distinctions in Fashion Consumption and Taste Amongst British Women Today. PhD thesis, University of the Arts London.

Andras, Sonia (2019) The Women of Little Paris: Women's Fashion in Interwar Bucharest 1919-1939. PhD thesis, University of the Arts London.

Almila, Anna-Mari and Zeilig, Hannah (2021) In Older Men’s Wardrobes: Creative Tales of Affect, Style and Constraint. Fashion Theory: The Journal of Dress, Body and Culture, 26 (5). pp. 651-672. ISSN 1362-704X

Almila, Anna-Mari and Inglis, David (2019) What is ‘fashion’ and how to research it? Implications of an ‘ecumenical moment’ for globalizing fashion studies. In: ZONEMODA CONFERENCE 2019: “Be cool! Aesthetic Imperatives and Social Practices”, 16 - 18 May 2019, University of Bologna.

Almila, Anna-Mari and Inglis, David (2020) What is “Fashion” and How to Research it? Polybius for Punk Fashion Sociology. ZoneModa Journal, 10 (1). pp. 1-14. ISSN 2611-0563

Almila, Anna-Mari (2017) The Art of Burkini: Design and Political Cartoons as Gestures that Matter. In: Gestures That Matter, the 12th international conference of The Arts in Society research network, American University of Paris.

Almila, Anna-Mari (2018) Bending space, managing bodies: veiling, gender and urban space in Finland. In: Creative Locations: Art, Culture and the City, 10th Midterm Conference of the European Sociological Association Research Networks Sociology of the Arts (RN2) & Sociology of Culture (RN7), 4th - 7th September 2018, University of Malta.

Almila, Anna-Mari (2016) Cultural Sociology of Fashion: On the Sartorial, Symbolic and Social. In: The SAGE Handbook of Cultural Sociology. SAGE, London, pp. 510-526. ISBN 9781446271971

Almila, Anna-Mari (2018) The Dressed Body, Material and Technology: Rethinking the Hijab through Sartorial Sociology. The International Journal of Fashion Studies, 5 (2). pp. 309-328. ISSN 2051-7114

Almila, Anna-Mari (2015) Fashion Beyond Western Modernity: A Critique of the ‘Non-Western Fashion’ Concept. In: Fashion Tales 2015: Feeding the Imaginary, 18-20.6.2015, Universita Cattolica del Sacro Cuore, Milan, Italy.

Almila, Anna-Mari (2017) Fashion cosmopolitanism and the de-cosmopolitization of European realities. In: (Un)Making Europe: Capitalism, Solidarities, Subjectivities - 13th Conference of the European Sociological Association 13th Conference of the European Sociological Association, Athens.

Almila, Anna-Mari (2020) Fashion in the Time of Corona: What Can the Sociology of Fashion Reveal? European Sociologist, 1 (45). ISSN 2415-6426

Almila, Anna-Mari (2021) Fashion systems and global fashion research: from divisions to connections. In: En-Compass-Ing Culture(s): Beyond East/West and South/North, 10-12 March 2021, Helsinki/ online.

Almila, Anna-Mari (2015) From pre-modern fashion systems to value illusion today – on fashion and global inequality. In: 12th Conference of the European Sociological Association. Differences, Inequalities and Sociological Imagination., 25-28 August 2015, Prague, Czech Republic.

Almila, Anna-Mari (2019) From protestant peasant dress to gay pride t-shirt: transformations in sartorial strategy amongst the körtti movement in Finland. Religions, 10 (6). ISSN 2077-1444

Almila, Anna-Mari (2017) Sizes and scales of fashion research: connecting bodies and garments from skin to globality. In: Zonemoda, 3.5.-5.5.2017, Rimini, Italy.

Almila, Anna-Mari (2014) Veiling and Visibility in the City: The Hijab and Public Space in Finland. In: British Sociological Association Annual Conference, 23-25 April, 2014, Leeds.

Almila, Anna-Mari (2018) Veiling in Fashion: Space, Materiality and the Hijab in Minority Communities. Dress Cultures . I B Tauris. ISBN 9781784539238

Almila, Anna-Mari (2021) What is in the wardrobe? Spatial analytical considerations of the politics of dress. In: Fashion Tales 2020+1, 17-19 June 2021, Milano/ Online.

Almila, Anna-Mari (2017) What is ‘Fashion’ Really? The Promise of an Ecumenical Analytic for Fashion Studies and Beyond in a Globalized World. In: Epistemology and Transformation of Knowledge in Global Age. InTech. ISBN 978-953-51-5432-7

Almila, Anna-Mari (2021) What is ‘space’ for dress? Theoretical considerations of a spatial turn for fashion studies. International Journal of Fashion Studies, 8 (1). pp. 7-23. ISSN 2051-7106

Almila, Anna-Mari (2019) A tale of two centuries: The körtti movement and dress in battles over Finnish politics and identities. Clothing Cultures, 6 (2). pp. 145-162. ISSN 2050-0742

Aidan, Alexander Jerome (2012) The Mirror Men: An integrated approach to profiling male fashion innovators in London by using self-concept and gender theories. PhD thesis, University of the Arts London.

Ahmed, Tanveer (2018) “All about Love”: How would bell hooks teach fashion design? In: Proceedings of DRS2018 International Conference, Vol. 2: Design as a catalyst for change. Design Research Society. ISBN 978-1-912294-27-5

Ahmed, Tanveer (2019) Anti-Fashion: using the sari to decolonise fashion. In: Modes of Criticism 4 – Radical Pedagogy. Onomatopee, pp. 32-51. ISBN 978-9493148130

Ahmed, Tanveer (2021) Anti-Racist Design: A Decolonial Feminist Approach to Fashion. In: Design Struggles: Intersecting Histories, Pedagogies, and Perspectives. Valiz, Netherlands, pp. 189-203. ISBN 978-94-92095-88-6

Ahmed, Tanveer (2021) Are fashion sketchbooks racist? Fashion, Style & Popular Culture. pp. 1-16. ISSN 2050 0726

Ahmed, Tanveer (2019) Creating Decolonial Feminist Spaces in Art and Design Education. In: Gender and Education Conference 2019, 25-27 June 2019, University of Portsmouth.

Ahmed, Tanveer (2023) Decolonizing the Mannequin. In: Fashion Education: The Systemic Revolution. Intellect, Bristol, pp. 153-168. ISBN 9781789386806

Ahmed, Tanveer (2023) Deconstructing Spaces and Places of Coloniality: A Local Design Pedagogy Walk. In: De-Fashioning Education, 15-16 September 2023, Berlin.

Ahmed, Tanveer (2022) Towards a decolonial feminist fashion design reading list. Art Libraries Journal, 47 (1). pp. 9-13. ISSN 0307-4722

This list was generated on Wed May 22 12:40:00 2024 BST.