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UAL Research Online

Items where Subject is "Fashion History & Theory"

Group by: Date | Creators | Type of Research | No Grouping
Number of items at this level: 832.

Art/Design Item

Ziesche, Anna-Nicole (2014) Before A Fashion. [Art/Design Item]

Ziesche, Anna-Nicole (2009) Childhood Storage. [Art/Design Item]

Ziesche, Anna-Nicole (2012) Childhood storage. [Art/Design Item]

Torres, Lara (2016) Unmaking. [Art/Design Item]

Hitchcock, Fenella (2017) Clubland. [Art/Design Item]

Harris, Jane (2006) Lady with Ankh Cross (4th century A.D. portrait). [Art/Design Item]

Clark, Judith, Cristobal Balenciaga Museoa (2019) Cristóbal Balenciaga. Fashion and Heritage. Contexts. [Art/Design Item]

Aronowsky Cronberg, Anja (2014) Vestoj On Slowness. [Art/Design Item]

Article

de la Haye, Amy and Clark, Judith (2008) One Object: Multiple Interpretations. Fashion Theory: The Journal of Dress, Body & Culture, 12 (2). pp. 137-169. ISSN 1362704X

de la Haye, Amy (2006) Vogue and the V&A Vitrine. Fashion Theory: The Journal of Dress, Body and Culture, 10 (1). pp. 127-152. ISSN 1362-704X

de Lorenzo, Victoria and Priyadarshini, Meha and Fotheringham, Avalon and Murali, Deepthi (2023) Locating the Madras Kerchief in Global Textile Trade: Convergences between Connecting Threads and the Dutch Textile Trade Project. Journal of Historians of Netherlandish Art, 15 (1). ISSN 1949-9833

Williams, Dilys and Torres, Sara (2015) Dilys Williams: A voice for radical change in the fashion industry. 1 Granary.

Williams, Dilys and Earley, Katharine (2013) Centre for Sustainable Fashion: Inspiring a new way of thinking. Source Intelligence.

Williams, Dilys (2014) Fashion is about desire and reinvention. Sustainability is just the next step to consider. Hudson Walker International.

Williams, Dilys (2014) Fashioning the Future. Fashion Practice: Design, Creative Process and the Fashion Industry, 6 (1). pp. 131-140. ISSN 1756-9370, 1756-9389

Williams, Dilys, Mantis World (2012) Sustainable Futures - In Conversation with Dilys Williams. Well Made Magazine - The Life of a T-Shirt, 1. pp. 14-17.

Weston, Sian (2021) Red Cashmere Cardigan, J'adore. Textile: Cloth & Culture. pp. 1-4. ISSN 1751-8350

Weiner, Nathaniel (2019) Fashion vs style: The repudiation of fashion in online menswear communities. International Journal of Fashion Studies, 6 (1). pp. 3-23. ISSN 2051-7106

Weiner, Nathaniel (2018) ‘Put on your boots and Harrington!’: The ordinariness of 1970s UK punk dress. Punk & Post Punk, 7 (2). pp. 181-202. ISSN 20441983

Weiner, Nathaniel (2018) Resistance through realism: Youth subculture films in 1970s (and 1980s) Britain. European Journal of Cultural Studies, 21 (2). pp. 165-188. ISSN 1367-5494

Vingilyte, Justina and Khadaroo, Ameerah (2022) Personal clothing style and self-concept: Embracing the true, the ideal and the creative self. Fashion, Style and Popular Culture. ISSN 2050-0726

Uhlirova, Marketa (2013) 100 Years of the Fashion Film: Frameworks and Histories. Fashion Theory: The Journal of Dress, Body & Culture, 17 (2). pp. 137-158. ISSN 1362704X

Uhlirova, Marketa (2020) Excavating fashion film: a media archaeological perspective. Journal of Visual Culture, 19 (3). pp. 340-361. ISSN 1741-2994

Tynan, Jane (2011) Military Dress and Men’s Outdoor Leisurewear: Burberry’s Trench Coat in First World War Britain. Journal of Design History, 24 (2). pp. 139-156. ISSN 1741-7279, 0952-4649

Tynan, Jane (2013) Power Dressing: on fashion and regulation clothing. Vestoj,The Journal of Sartorial Matters, 1 (4). 35 -42. ISSN 2000-4036

Tulloch, Carol (2010) Letter from the editor. Fashion Theory: The Journal of Dress, Body and Culture, 14 (3). pp. 269-272. ISSN 1362704X

Tulloch, Carol (2021) Long Time Gyal Me Never See You. KALEIDOSCOPE, 38 (S/S21). ISSN 2038-4807

Tulloch, Carol (2010) Style fashion dress: from black to post-black. Fashion Theory: The Journal of Dress, Body and Culture, 14 (3). pp. 273-304. ISSN 1362704X

Tregenza, Liz (2021) Copying a Master: London Wholesale Couture and Cristóbal Balenciaga in the 1950s. Fashion Theory: The Journal of Dress, Body and Culture, 25 (4). pp. 457-479. ISSN 1362-704X

Tregenza, Liz (2024) Knitted textiles, Sportsclothes and the Development of London Wholesale Couture: 1920-1939. Journal of Textile Design Research and Practice. ISSN 2051-1795

Tregenza, Liz (2020) Starke dresses the stars: Jean Simmons' 21st birthday wardrobe. Film, Fashion & Consumption, 9 (1). pp. 65-79. ISSN 2044-2823

Torres, Lara (2017) Fashion in the Expanded Field: Strategies for Critical Fashion Practices. Journal of Asia-Pacific Pop Culture, 2 (22). pp. 167-183. ISSN 2380-7679

Thorogood, Simon (2012) Phashion. Atelier-Mayer, 2. pp. 28-35.

Teunissen, José (2018) Why are fashion exhibitions so attractive? Fashion Talks..., 7. pp. 32-42.

Stevenson, Caroline (2019) (I was there) when it all went down. Vestoj,The Journal of Sartorial Matters, 09. pp. 41-45. ISSN 2000-4036

Stevenson, Caroline (2022) Radical Pedagogies: Right Here, Right Now! Fashion Theory: The Journal of Dress, Body and Culture, 26. ISSN 1362-704X

Stenton, Marie and Kapsali, Veronika and Blackburn, Richard and Houghon, Joseph (2021) From Clothing Rations to Fast Fashion: Utilising Regenerated Protein Fibres to Alleviate Pressures on Mass Production. Energies, 14 (18). ISSN 1996-1073

Sobande, Francesca and Osei, Krys (2020) An African City: Black Women’s Creativity, Pleasure, Diasporic (Dis)Connections and Resistance Through Aesthetic and Media Practices and Scholarship. Communication, Culture and Critique, 13 (2). pp. 204-221. ISSN 1753-9137

Ryan, Nicky (2005) Exhibition Review: Fashion at Belsay. Fashion Theory: The Journal of Dress, Body & Culture, 9 (3). pp. 343-354. ISSN 1362704X

Ryan, Nicky (2007) Prada and the art of patronage. Fashion Theory: The Journal of Dress, Body and Culture, 11 (1). 7 - 23. ISSN 1362-704X, 1751-7419 (Online)

Rocamora, Agnès and Bartlett, Djurdja (2009) Blogs de mode: les nouveaux espaces du discours de mode. Sociétés, 2 (104). pp. 105-114. ISSN 0765-3697

Rocamora, Agnès (2022) The Datafication and Quantification of Fashion: The Case of Fashion Influencers. Fashion Theory: The Journal of Dress, Body and Culture, 26 (7). pp. 1109-1133. ISSN 1362-704X

Rocamora, Agnès (2007) La Femme des Foules: La Passante, la Mode et la Ville. Sociétés: Revue des Sciences Humaines et Sociales, 95. pp. 109-120. ISSN 1378-1863

Rocamora, Agnès (2002) Le Monde's discours de mode: creating the créateurs. French Cultural Studies, 13 (37). pp. 83-98. ISSN 0957-1558

Rocamora, Agnès (2016) Mediatization and Digital Media in the Field of Fashion. Fashion Theory: The Journal of Dress, Body and Culture. ISSN 1362-704X

Rocamora, Agnès (2006) Over to You: Writing Readers in the French Vogue. The Journal of Dress, Body and Culture, Volume (Issue). pp. 153-174. ISSN 1362-704X

Roberts, Cheryl and Sharma, Priya (2022) Image-Maker in Residence: Cheryl Roberts. The Sociological Review. ISSN 2754-1371

Roberts, Cheryl (2022) Fashion and Class by Rachel Worth. Costume, 56 (1). ISSN 1749-6306

Roberts, Cheryl (2021) Fur: A Sensitive History by Jonathan Faiers. Costume, 55 (2). pp. 271-272. ISSN 1749-6306

Roberts, Cheryl (2017) A Price for Fashion: A Young Working-Class Woman’s Wardrobe in 1930s London. L’Apparences: Histoire et Culture du Paraître, 7. ISSN 1954-3778

Roberts, Cheryl (2021) Worn: Footwear, Attachment and Affects of Wear by Ellen Sampson. The Journal of Dress History, 5 (4). pp. 190-192. ISSN 2515-0995

Reimers, Anne (2015) Fashion Icons: Ali MacGraw. Fashion Photography Archive.

Reimers, Anne (2015) Fashion Icons: Brooke Shields. Fashion Photography Archive.

Reimers, Anne (2018) Inscribing Temporality, Containing Fashion: Otto Dix’s Portrait of the Dancer Anita Berber recontextualised. Art History, 41 (4). pp. 680-709. ISSN 1467-8365

Radclyffe-Thomas, Natascha and Radclyffe-Thomas, Babette (2015) The new Shanghai Xiaojie: Chinese fashion identities. International Journal of Fashion Studies, 2 (1). pp. 43-62. ISSN ISSN 2051-7106, Online ISSN: 2051-7114

Radclyffe-Thomas, Natascha (2015) Fashioning cross-cultural creativity: Investigating the situated pedagogy of creativity. Psychology of Aesthetics, Creativity and the Arts, 9 (2). pp. 152-160. ISSN 978-1-4338-2115-8

Radclyffe-Thomas, Natascha (2016) Intangible cultural heritage in fashion marketing: From number 1 Savile Row to the world. IFFTI 2016 conference proceedings. pp. 126-135.

Radclyffe-Thomas, Natascha (2015) Stitching across time: Heritage and history in contemporary Hong Kong fashion. Clothing Cultures, 2 (3). pp. 241-255. ISSN 2050-0742

Pickering, Jo (2014) Classy Looks and Classificatory Gazes: the fashioning of class on reality TV. Film, Fashion and Consumption, 3 (3). pp. 195-209. ISSN 20442823

Palomino, Elisa and Pardue, June (2021) Alutiiq Fish Skin Traditions: Connecting Communities in the COVID-19 Era. Heritage, 4 (4). 4249-4263.. ISSN 2571-9408

Palomino, Elisa (2021) Fish Skin Coat from the Amur River. TEXT: For the Study of Textile Art Design and History, 2021 (48). pp. 56-60. ISSN 1366 476X

Ouano, Jessica and Mazzarella, Francesco (2021) Design-Driven Approaches to Enable Sustainable Entrepreneurship – Two Case Studies of Regional Textile Communities From the Philippines and the UK. The Design Journal, 24 (5). pp. 1-21. ISSN 1756-3062

Osei, Krys (2019) Fashioning My Garden of Solace: A Black Feminist Autoethnography. Fashion Theory, 23 (6). pp. 733-746. ISSN 1751-7419

O'Neill, Alistair (2011) Here is the secret, here is the trick. Vestoj,The Journal of Sartorial Matters (2). pp. 15-19. ISSN 2000-4036

O'Neill, Alistair (2020) One Photo: A Chinese Beauty as Spectator at the Horse Races at Longchamps, near Paris.’ n.d. Photography and Culture, 13 (1). pp. 129-130. ISSN 1751-4525

O'Neill, Alistair (2012) “A curious revolution has been taking place in the dress of what used to be called 'the workman'“: Walker Evans's unpublished article on men's fashion. Photography and Culture, 5 (1). ISSN 17514517/17514525

Nobbs, Karinna (2013) Making the Marque: Tangible Branding in Fashion Product and Retail Design. Fashion Practice: The Journal of Design, Creative Process and the Fashion Industry, 5 (2). pp. 245-264. ISSN 17569370

Nobbs, Karinna and Moore, Christopher M. and Sheridan, Mandy (2012) The flagship format within the luxury fashion market. International Journal of Retail & Distribution Management, 40 (12). pp. 920-934. ISSN 0959-0552

Moyse Ferreira, Lucy (2019) Archaeology of Fashion Film. International Journal of Fashion Studies, 6 (1). pp. 119-123. ISSN 2051-7106

Moyse Ferreira, Lucy (2016) Femininity, Freedom and Fragility: Fashion and Violence in the Designs of Elsa Schiaparelli, c.1933 - 1939. BIAS: Journal of Dress Practice, 4.

Mora, Emmanuela and Rocamora, Agnès and Volonté, Paolo (2014) The internationalization of fashion studies: rethinking the peer-reviewing process. International Journal of Fashion Studies. pp. 3-17. ISSN 2051-7106

Miller, Janice (2015) Catwalk Music. Bloomsbury Fashion Photography Archive.

Miller, Janice (2014) Collars and Class. Film, Fashion and Consumption, 3 (3). pp. 173-179. ISSN 2044-2823

Miller, Janice (2015) David Bowie is inside.... Fashion, Style and Popular Culture, 2 (2). pp. 276-279. ISSN 2050-0726

Miller, Janice (2014) Making up is masculine: the increasing cultural connections between masculinity and makeup. Critical Studies in Men's Fashion, 1 (3). pp. 241-253. ISSN 2050-070x

Miller, Janice (2012) The Runaways: music, fashion and 'post-feminism'. Film, Fashion, and Consumption, 1 (2). pp. 187-201. ISSN 20442823

Mijovic, Nikola (2013) Narrative Form and the Rhetoric of Fashion in the Promotional Fashion Film. Film, Fashion and Consumption, 2 (2). pp. 175-86. ISSN 20442823

Mey, Adeena and Yu, Qiumei (2021) Reputation Meets Opportunity. Ying Xiang (1).

McDowell, Felice (2012) 'At the Exhibition': the 1948 open-air sculpture exhibition, Battersea Park, in British fashion magazines. Sculpture Journal, 21 (2). pp. 169-181. ISSN 1366-2724

McDowell, Felice (2014) Clarks ‘star’ advertisements of the 1940s: Classificatory terms and practices of historical interpretation. Film, Fashion and Consumption, 3 (3). pp. 241-258. ISSN 2044-2823

McDowell, Felice (2017) Fashioning a life: Exploring How Fashion Literature Fashions the Self. a/b: Auto/Biography Studies, 32 (2). pp. 414-416. ISSN 2151-7290

McDowell, Felice (2017) "I know I am posing"...Feeling the Pose in Post-war Fashion Modeling. Fashion Theory: The Journal of Dress, Body and Culture, 21 (2). pp. 157-173. ISSN 1362-704X

McDowell, Felice (2015) “The Influence of Anthony Denney”: Authorship in the Production and Consumption of British Fashion Media in the Late 1950s. Photography and Culture, 8 (3). ISSN 1751-4517

McDowell, Felice (2019) Inside the Wardrobe: Fashioning a Fashionable Life. European Journal of Life Writing, 8. pp. 56-74. ISSN 2211-243X

McDowell, Felice (2019) Into the Gloss. European Journal of Life Writing, 8. pp. 9-11. ISSN 2211-243X

McDowell, Felice (2018) Model Tote Bags: Advice on How to Perform the Fashionable Self in Post-war Fashion Modelling Literature. About Performance, 16. pp. 45-60. ISSN 1324-6089

McDowell, Felice (2015) “Old” Glossies and “New” Histories: Fashion, Dress and Historical Space. Fashion Theory: The Journal of Dress, Body and Culture. ISSN 1362-704X

McDowell, Felice (2016) 'Photographed at the Royal Festival Hall'...discursive constructions of dress, time and space in post-war British fashion media. Clothing Cultures, 3 (1). pp. 7-22. ISSN 2050-0742

McDowell, Felice (2015) Sketching a silhouette: Histories of life and fashion in ‘Isabella Blow: Fashion Galore!’. International Journal of Fashion Studies, 2 (2). pp. 325-330. ISSN 2051-7106

McColl, Julie and Canning, Catherine and McBride, Louise and Nobbs, Karinna and Shearer, Linda (2013) It’s Vintage Darling! An exploration of vintage fashion retailing. The Journal of the Textile Institute, 104 (2). pp. 140-150. ISSN 0040-5000

McCartney, Nicola and Willson, Jacki (2017) A look at ‘fishy drag’ and androgynous fashion: Exploring the border spaces beyond gender-normative deviance for the straight, cisgendered woman. Critical Studies in Fashion and Beauty, 8 (1). pp. 99-122. ISSN 2040-4417

McCartney, Nicola and Tynan, Jane (2021) Fashioning contemporary art: a new interdisciplinary aesthetics in art-design collaborations. Journal of Visual Art Practice, 20 (1-2). pp. 143-162. ISSN 1758-9185

Mazzarella, Francesco and Storey, Helen and Williams, Dilys (2019) Counter-narratives Towards Sustainability in Fashion. Scoping an Academic Discourse on Fashion Activism through a Case Study on the Centre for Sustainable Fashion. The Design Journal, 22 (sup1). pp. 821-833. ISSN 1756-3062

Mazzarella, Francesco and Mirza, Seher (2024) Decentring fashion – Participatory practices for shifting narratives and regenerating cultures. Discern: International Journal of Design for Social Change, Sustainable Innovation and Entrepreneurship, 5 (1). pp. 1-10. ISSN 2184-6995

Mazzarella, Francesco and Black, Sandy (2022) Fashioning Change: Design Activism and its Outcomes on Local Communities. Fashion Practice: The Journal of Design, Creative Process and the Fashion Industry. ISSN 1756 9370

Mathew, Neha and Mazzarella, Francesco (2023) Upskilling marginalised South Asian women based in the United Kingdom through a home decor social enterprise: A collaborative training framework. DISCERN: International Journal of Design for Social Change, Sustainable Innovation and Entrepreneurship, 4 (2). pp. 22-41. ISSN 2184-6995

Madsen, Cyana (2022) Articles of Interest, hosted by Avery Trufelman, https://99percentinvisible.org/aoi/ Handcut Radio, hosted by Aleks Cvetkovic, https://www.handcutradio.com. Textile History, 52 (1-2). pp. 203-205. ISSN 0040-4969

Loscialpo, Flavia (2016) From the physical to the digital and back: Fashion exhibitions in the digital age. International Journal of Fashion Studies, 3 (2). pp. 225-248. ISSN 2051 7106

Loscialpo, Flavia (2019) “I Am an Immigrant”: Fashion, Immigration and Borders in the Contemporary Trans-global Landscape. Fashion Theory: The Journal of Dress, Body and Culture, 23 (6). pp. 619-654. ISSN 1362-704X

Loscialpo, Flavia (2020) Identity politics, untold stories and creative actions: Mundo Latinx at Fashion Space Gallery. International Journal of Fashion Studies, 7 (1). pp. 105-114. ISSN 2051-7106

Loscialpo, Flavia (2012) Traces and Constellations: the Invisible Genealogies of Fashion. Endymatologika, 4. pp. 136-145. ISSN 1108-8400

Loscialpo, Flavia (2014) Utopian clothing: The Futurist and Constructivist proposals in the early 1920s. Clothing Cultures, 1 (3). pp. 225-244. ISSN 2050-0742

Ling, Wessie and Huck, Christian (2008) Mapping Fashion, Cities, Identities and the World Fashion Conquest. Darkmatter. ISSN 2041-3254

Ling, Wessie (2010) From “Made in Hong Kong” to “Designed in Hong Kong”: Searching for an Identity in Fashion. Visual Anthropology, 24 (1-2). pp. 106-123. ISSN 0894-9468

Lewis, Reina and Aune, Kristin (2023) Aesthetic Labor in Religious Contexts: Women Encountering Modest Dress in the Workplace in the UK and Saudi Arabia. Fashion Theory: The Journal of Dress, Body and Culture. ISSN 1362-704X

Lewis, Reina and Almila, Anna-Mari (2020) Muslim Fashion, Youth and Belonging: an Interview with Reina Lewis. Youth and Globalization, 2 (1). pp. 111-118. ISSN 2589-5745

Lewis, Reina (2019) Modest Body Politics: The Commercial and Ideological Intersect of Fat, Black, and Muslim in the Modest Fashion Market and Media’. Fashion Theory: The Journal of Dress, Body and Culture, 23 (2). pp. 243-273. ISSN 1362-704X

Lewis, Reina (2015) Uncovering Modesty: Dejabis and Dewigies Expanding the Parameters of the Modest Fashion Blogosphere. Fashion Theory: The Journal of Dress, Body & Culture, 19 (2). pp. 243-270. ISSN 1362704X

Lewis, Reina (2007) Veils and Sales: Muslims and the spaces of postcolonial fashion retail. Fashion Theory: The Journal of Dress, Body and Culture, 11 (4). pp. 423-441. ISSN 1362-704X, 1751-7419 (Online)

Laing, Morna (2017) Between Image and Spectator: Reception Studies as Visual Methodology. Fashion Theory: The Journal of Dress, Body and Culture, TBC. ISSN 1362-704X

Laing, Morna (2014) The Lula girl as ‘sublime and childlike’: nostalgic investments in contemporary fashion magazines. Critical Studies in Fashion and Beauty, 5 (2). pp. 271-293. ISSN 2040-4417

Laing, Morna (2014) Meadham Kirchhoff: 'A Wolf in Lamb's Clothing'. SHOWstudio.

König, Anna (2003) Glossy Words: An Analysis of Fashion Writing in British Vogue. Fashion Theory: The Journal of Dress, Body and Culture, 10 (1-2). pp. 205-224. ISSN 1362-704X

König, Anna (2013) A Stitch in Time: Changing Cultural Constructions of Craft and Mending. Culture Unbound: Journal of Current Cultural Research, 5 (33). pp. 569-585. ISSN 2000-1525

Kutesko, Elizabeth (2019) Entering the Contact Zone: Reflections on a Conceptual Framework Used to Study Brazilian Fashion. ZoneModa Journal, 9 (2). pp. 33-45. ISSN 2611-0563

Kutesko, Elizabeth (2016) Fashioning Brazil: Globalization and the Representation of Brazilian Dress in National Geographic since 1988. Fashion Theory: The Journal of Dress, Body and Culture, 20 (2). pp. 181-207. ISSN 1362-704X

Kutesko, Elizabeth (2016) Fashioning Brazil: National Identity and the Politics of Globalisation in Contemporary Brazilian Fashion Photography. Photoworks Annual, 23. pp. 220-231.

Kutesko, Elizabeth (2013) Problems and Tensions in the Representation of the Sapeurs, as demonstrated in the work of two twenty-first century Italian photographers. Immediations: the Courtauld Institute of Art Journal of Postgraduate Research, 3 (2). pp. 60-76.

Kirkland, Teleica (2018) Clothing As Resistance. HARSAR I:Object. pp. 41-42.

Kirkland, Teleica (2021) Reflections of Durbar in the Diaspora. Critical Studies in Men's Fashion, 8. pp. 127-140. ISSN 2050-070X

Kirkland, Teleica (2021) Textiles from Trees to Trash. Surface Design Journal, 45 (4). pp. 54-57. ISSN 0197-4483

Kirkland, Teleica (2023) Methodologies for the Creolization of Fashion Studies. Fashion Studies, Special Issue: State of the Field, 1 (1). ISSN 2371-3453

Kirkham, Neil (2012) The new 'porno-chic'? fashion, consumption and film pornography. Film, Fashion and Consumption, 1 (2). pp. 203-220. ISSN 20442823

Kirkham, Neil (2018) A very British tease: Costume, fetishism and materiality in soft-core pornography. Clothing Cultures, 4 (2). pp. 135-152.

King, Ian and Vickery, Jonathan (2013) Do I look right? De-familiarizing the organizational fashioning of the body. Scandinavian Journal of Management, 29 (4). pp. 394-401. ISSN 0956-5221

Khan, Nathalie (2012) Stealing the moment: The non-narrative fashion films of Ruth Hogben and Gareth Pugh. Film, Fashion and Consumption, 1 (3). pp. 251-262. ISSN 20442823

Kelley, Victoria (2009) The Interpretation of Surface: Boundaries, Systems and Their Transgression in Clothing and Domestic Textiles, c. 1880-1939. Textile: The Journal of Cloth and Culture, 7 (2). pp. 216-235. ISSN 14759756

Kapsali, Veronika and Stenton, Marie and Houghon, Joseph and Blackburn, Richard (2021) The potential for regenerated protein fibres within a circular economy: lessons from the past can inform sustainable innovation in the textiles industry. Sustainability, 13 (4). ISSN 2071-1050

Isaac, Veronica and Calvert, Robyne (2023) Decadence and Aestheticism through Fashion and Textiles: Guest Editors’ Introduction. Volupté, 6 (2). ISSN 2515-0073

Isaac, Veronica (2020) Costume in the Limelight. Oxford Journal of Victorian Culture Online.

Isaac, Veronica (2017) Towards a New Methodology for Working with Historic Theatre Costume: A Biographical Approach Focussing on Ellen Terry’s (1847-1928) ‘Beetlewing Dress’. Studies in Costume & Performance, 2 (2). pp. 115-135. ISSN 2052-4021

Isaac, Veronica (2018) “A Well-Dressed Actress”: Exploring the Theatrical Wardrobe of Ellen Terry (1847-1928). Costume, 52 (1). pp. 74-96. ISSN 0590-8876

Hackney, Fiona and Baines, Emily and Bloodworth, Jo and McKenzie, Althea and Anderson, Claire and Ali, Wells and Howard, Catherine (2020) Talking Textiles, Making Value: Catalysing Fashion, Dress, and Textiles Heritage in the Midlands. Journal of Textile Design Research and Practice (RFTD), 8. pp. 84-111. ISSN 2051-1795

Glavey, Paul (2016) Too Much Fighting on the Dance Floor? Corrupted Files (2).

Fletcher, Kate and Maki, Rawan (2022) Transnational Fashion Sustainability: Between and Across the Gulf and the UK. Fashion Theory: The Journal of Dress, Body and Culture, 26 (4). pp. 509-524. ISSN 1362-704X

Fletcher, Kate (2012) Durability, Fashion, Sustainability: The Processes and Practices of Use. Fashion Practice: The Journal of Design, Creative Process and the Fashion Industry, 4 (2). pp. 221-238. ISSN 17569370

Findlay, Rosie and de Perthuis, Karen (2019) How Fashion Travels: The Fashionable Ideal in the Age of Instagram. Fashion Theory: The Journal of Dress, Body and Culture, 23 (2). pp. 1-24. ISSN 1362-704X

Findlay, Rosie (2012) At one remove from reality: Style bloggers and outfit posts. The Australasian Journal of Popular Culture, 1 (2). pp. 197-208. ISSN 2045-5852

Findlay, Rosie (2016) Review: The Fashioned Body by Joanne Entwistle (2015). Australian Feminist Studies, 31 (87). pp. 109-111. ISSN 0816-4649

Findlay, Rosie (2020) Russh and the All-Australian Girl? Feminist Theory. ISSN 1741-2773

Findlay, Rosie (2015) The Short, Passionate and Close-Knit History of Personal Style Blogs. Fashion Theory: The Journal of Dress, Body and Culture, 19 (2). pp. 157-178. ISSN 1362-704X

Findlay, Rosie (2016) ‘Such Stuff as Dreams are Made On’: Encountering Clothes, Imagining Selves. Cultural Studies Review, 22 (1). pp. 78-94. ISSN 1837-8692

Findlay, Rosie (2017) "Things to be seen": Spectacle and the performance of brand in contemporary fashion shows. About Performance (14-15). pp. 105-119. ISSN 1324-6089

Findlay, Rosie (2019) “Trust Us, We’re You”: Aspirational Realness in the Digital Communication of Contemporary Fashion and Beauty Brands. Communication, Culture and Critique, 12 (4). pp. 553-569. ISSN 1753-9137

Evans, Caroline and Vaccari, Alessandra (2019) Il Tempo della Moda: a Dialogue on Fashion and Time. ZoneModa Journal, 9 (2). ISSN 2611-0563

Evans, Caroline and Vaccari, Alessandra (2019) Il Tempo della Moda: a Dialogue on Fashion and Time. ZoneModa Journal, 9 (2). ISSN 2611-0563

Evans, Caroline and Parikka, Jussi (2020) Introduction: Touch, Click, and Motion: Archaeologies of Fashion Film After Digital Culture. Journal of Visual Culture, 19 (3). pp. 1-17. ISSN 1470-4129

Evans, Caroline (2017) Fashion: from Attitudes to Poses. Philosophy of Photography, 8 (1+2). pp. 149-168. ISSN 20403682

Evans, Caroline (2017) J.W.Anderson. Curating the Body. Disegno (14). pp. 50-54.

Evans, Caroline (2008) Jean Patou's American Mannequins: Early Fashion Shows and Modernism. Modernism/modernity, 15 (2). pp. 243-263. ISSN 1071-6068

Evans, Caroline (2013) On Rereading de Beauvoir’s The Second Sex after Thirty Five Years. Women's Studies Quarterly, 41 (1-2). pp. 194-196. ISSN 0732-1562

Evans, Caroline (2011) The Ontology of the Fashion Model. AA Files (63). pp. 56-69. ISSN 02616823

Eden, Michael (2022) Interrogating glamour: piercing visual pleasure, an antidote to passive spectatorship. Interrogating glamour: piercing visual pleasure, an antidote to passive spectatorship, 17 (1). pp. 127-134. ISSN 1745-8935

Eckert, Claudia and Crommentuijn-Marsh, Philippa and Black, Sandy (2022) The role of networks in supporting micro- and small-sized sustainable fashion businesses. Sustainability: Science, Practice and Policy, 18 (1). pp. 544-559.

Dirix, Emmanuelle and Kirkham, Neil (2014) Fashion in 1930s Hollywood. Film, Fashion and Consumption, 3 (1). pp. 3-13. ISSN 20442823

Dirix, Emmanuelle (2014) Birds of paradise: Feathers, fetishism and costume in classical Hollywood. Film, Fashion and Consumption, 3 (1). pp. 15-29. ISSN 20442823

Dirix, Emmanuelle (2013) From Gallant Little Belgium to Elegant Little Belgium: The creation and marketing of fashions from the flat country. Interactions: Studies in Communication & Culture, 4 (1). ISSN 17572681

Dirix, Emmanuelle (2014) Stitched Up— Representations of Contemporary Vintage Style Mania and the Dark Side of the Popular Knitting Revival. Textile: The Journal of Cloth and Culture, 12 (1). pp. 86-99. ISSN 1475-9756

Delice, Serkan (2022) Critiques of Appropriation and Transnational Labor Ethics. Fashion Theory. ISSN 1751-7419

Dawson, Elizabeth (2013) ‘Comfort and Freedom’: The Duke of Windsor’s Wardrobe. Costume, 47 (2). pp. 198-215. ISSN 0590-8876

Davies, Melanie Gale (2014) Exhibition Review: Women, Fashion, Power - Design Museum, London. Film, Fashion and Consumption, 3 (3). pp. 259-261. ISSN 2044 2823

Conekin, Becky (2001) Fun and Fantasy, Escape and Edification: The Battersea Pleasure Grounds. Twentieth Century Architecture: the Journal of the Twentieth Century Society, 5. pp. 127-138. ISSN 1353 1964

Conekin, Becky (2006) Lee Miller: Model, Photographer, and War Correspondent in Vogue, 1927-1953. Fashion Theory: The Journal of Dress, Body and Culture, 10 (1). pp. 97-125. ISSN 1362-704X

Cole, Shaun and Rousseau, Paul (2016) Or is it Bacon in drag?: How to find an unknown sitter's identity. Fashion, Style and Popular Culture, 3 (2). pp. 209-224. ISSN 2050-0726

Cole, Shaun and Lewis, Reina (2016) Seeing, recording and discussing LGBTQ fashion and style: Introduction. Fashion, Style and Popular Culture, 3 (2). pp. 149-155. ISSN 2050-0726

Cole, Shaun (2012) Considerations on a Gentleman's Posterior. Fashion Theory: The Journal of Dress, Body & Culture, 16 (1). pp. 211-234. ISSN 1751-7419

Cole, Shaun (2014) Costume or Dress? The Use of Clothing in the Gay Pornography of Jim French's Colt Studio. Fashion Theory: The Journal of Dress, Body and Culture, 18 (2). pp. 123-148. ISSN 1362-704X

Cole, Shaun (2013) The Fig Leaf Mentality – On Power, Masculinity, Patriarchy and Man’s Most Precious Ornament. Vestoj,The Journal of Sartorial Matters (4). pp. 11-16. ISSN 2000-4036

Cole, Shaun (2014) 'It was always the stories behind the clothes that interested me': An interview with Shonagh Marshall. Fashion, Style and Popular Culture, 2 (1). pp. 123-131. ISSN 2050-0726

Cole, Shaun (2014) Jocks in Jocks: Sportsmen and Underwear Advertising. Critical Studies in Men's Fashion, 1 (2). pp. 161-176. ISSN 2050-070x

Cole, Shaun (2015) Looking queer? Gay men’s negotiations between masculinity and femininity in style and dress in the twenty-first century. Clothing Cultures, 2 (2). pp. 193-208. ISSN 2050-0742

Cole, Shaun (2016) Statuesque Masculinity: Considering the Idealised Trope of the Underwear Model. Vestoj,The Journal of Sartorial Matters (7). pp. 97-100. ISSN 2000-4036

Cole, Shaun (2012) Television’s fashion gay teens: Justin Suarez and Kurt Hummel. Film, Fashion and Consumption, 1 (2). pp. 159-167. ISSN 20442823

Church Gibson, Pamela (2019) Cindy Sherman in a New Millennium: Fashion, Feminism, Art and Ageing. Australian Feminist Studies, 33 (98). pp. 481-497. ISSN 0816-4649

Church Gibson, Pamela (2009) Millennial masculinity: conflict and denial in contemporary visual culture. Russian Fashion Theory (The Journal of Dress, Body & Culture). pp. 40-62.

Church Gibson, Pamela (2014) Pornostyle: Sexualised Dress and the Fracturing of Feminism. Fashion Theory: The Journal of Dress, Body and Culture, 18 (2). pp. 189-206. ISSN 1362-704X

Chong Kwan, Sara and Laing, Morna and Roman, Mario, J. (2014) Fashion and Memory. Critical Studies in Fashion and Beauty, 5 (2). pp. 201-205. ISSN 2040-4417

Chon, Harah (2021) Sustainable practice: The future mode of temporality in fashion. Fashion, Style and Popular Culture, 8 (4). pp. 377-385. ISSN 2050-0734

Cheang, Sarah (2007) Selling China: Class, Gender and Orientalism at the Department Store. Journal of Design History, 20 (1). pp. 1-16. ISSN 09524649

Cardwell, Thomas (2017) Battle jackets, authenticity and ‘material individuality’. Metal Music Studies, 3 (3). pp. 437-458. ISSN ISSN 2052-3998 (Print); ISSN 2052-4005 (Online)

Cardwell, Thomas (2019) Illuminating Battle Jackets. Riffs.

Buruma, Anna (2007) A Clinging Liberty Tea-Gown instead of a Magenta Satin - The Colour Red in Artistic Dress. Costume, 41. pp. 105-110. ISSN 0590-8876

Burcikova, Mila (2018) Fashion in Utopia, Utopia in Fashion. Utopian Studies: The Journal of the Society for Utopian Studies, 28 (3). pp. 381-397. ISSN 1045-991X

Burcikova, Mila (2019) One Dress: Shaping Fashion Futures through Utopian Thinking. Fashion Practice: The Journal of Design, Creative Process & the Fashion Industry, 11 (3). pp. 328-345. ISSN 1756 9389

Briggs, Adam (2009) Book Review: Regina Lee Blaszczyk (ed.), Producing Fashion: Commerce, Culture, and Consumers. Philadelphia, PA: University of Pennsylvania Press, 2008. 363 pp. ISBN-13 978--0--8122--4037--5/ISBN-10 0--8122-- 4037--5 (hbk). Journal of Consumer Culture, 9 (1). pp. 145-147. ISSN 1469-5405

Blackman, Cally (2022) The Colour of Fashion at the Salon du Goût Français: A Virtual Exhibition of French Luxury Commodities, 1921–1923. Costume, 56 (1). pp. 51-73. ISSN 0590-8876

Blackman, Cally (2014) Colouring the Claddagh: a distorted view? Costume, 48 (2). pp. 213-235. ISSN 0590-8876

Black, Sandy (2009) Editorial in "Fashion Practice: Design, Creative Process and the Fashion Industry". Fashion Practice: The Journal of Design, Creative Process and the Fashion Industry, 1 (1). pp. 5-8. ISSN 17569370

Black, Prudence and Findlay, Rosie (2016) Dressing the Body: Introduction. Cultural Studies Review, 22 (1). pp. 4-9. ISSN 1837-8692

Biddle-Perry, Geraldine (2012) Clothing the British Olympic Ideal: The Emergence of Olympic Ceremonial Attire, 1896–1924. Journal of Design History, 25 (3). pp. 252-267. ISSN 1741-7279, 0952-4649

Biddle-Perry, Geraldine (2012) Fair Play and Fascism: The Development of British Olympic Team Uniforms 1908-1948. Sport in History, 32 (2). pp. 231-256. ISSN 1746-0263

Biddle-Perry, Geraldine (2014) Fashioning Suburban Aspiration: Awheel with the Catford Cycling Club, 1886-1900. The London Journal, 39 (3). pp. 187-204. ISSN 0305-8034

Biddle-Perry, Geraldine (2014) The Rise of the World's Largest Sports and Athletic Outfitter: A Study of Gamage's of Holborn, 1878-1913. Sport in History, 34 (2). pp. 295-314. ISSN 1746-0263

Biddle-Perry, Geraldine (2014) Sporting hats and national symbolism: The Kangol beret and the London Olympic Games of 1948. Clothing Cultures, 1 (2). pp. 111-126. ISSN 2050-0750

Betts, Liza (2017) Costuming the Everyday: Interview with James Keast. Film, Fashion and Consumption, 6 (1). pp. 25-48. ISSN 20442823

Betts, Liza (2014) Working Class Masculinity and Fashion: David Beckham, Del Boy and the Representation of Taste. Film, Fashion and Consumption, 3 (3). pp. 211-226. ISSN 2044-2823

Begum, Lipi and Barn, Ravinder (2019) Crossing boundaries: bras, lingerie and rape myths in postcolonial urban middle-class India. Gender Place and Culture: A Journal of Feminist Geography. ISSN 0966-369X

Begum, Lipi (2019) Neorealism, the bra and the new Indian woman in Satyajit Ray’s The Big City. Fashion Theory: The Journal of Dress, Body and Culture. ISSN 1362-704X

Bartlett, Djurdja (2004) Book Review: Fashion under the Occupation by Dominique Veillon. Fashion Theory: The Journal of Dress, Body & Culture, 8 (1). pp. 117-122. ISSN 1362 704X

Bartlett, Djurdja (2014) Glitz and Restraint - Paris Haute Couture on Display. Fashion Theory: The Journal of Dress, Body and Culture, 18 (4). pp. 427-446. ISSN 1362-704X

Bartlett, Djurdja (2006) In Russia, at Last and Forever: The First Seven Years of Russian Vogue. Fashion Theory: The Journal of Dress, Body and Culture, 10 (1-2). pp. 175-203. ISSN 1362-704X

Bartlett, Djurdja (2004) Let Them Wear Beige: The Petit-Bourgeois World of Official Socialist Dress. Fashion Theory: The Journal of Dress, Body and Culture, 8 (12). pp. 127-164. ISSN 1362-704X

Bartlett, Djurdja (2017) Léon Bakst and Fashion: beyond and after the Ballets Russes. Costume, 51 (2). ISSN ISSN: 0590-8876

Bartlett, Djurdja (2011) Moscow on the fashion map: between periphery and centre. Studies in East European Thought, 63 (2). pp. 111-121. ISSN 09259392/15730948

Bartlett, Djurdja (2016) Nadezhda Lamanova and Russian pre-1917 Modernity: between haute couture and avant-garde art. Fashion Theory: The Journal of Dress, Body and Culture. ISSN 1362-704X

Bartlett, Djurdja (2016) Nadezhda Lamanova: Couturier to the Nobility, Tailor to the Masses. Experiment: Journal of Russian Culture, 22 (1). pp. 117-138. ISSN 2211-730X

Bartlett, Djurdja (2010) New Russian luxury. Les Cahiers Européens de l’Imaginaire (2). pp. 140-153.

Bartlett, Djurdja (2013) Socialist Dandies International: East Europe, 1946-1959. Fashion Theory: The Journal of Dress, Body and Culture, 17 (3). pp. 249-289. ISSN 1362-704X

Barry, Ben and Weiner, Nathaniel (2019) Suited for success? Suits, status and hybrid masculinity. Men and Masculinities, 22 (2). pp. 151-176. ISSN 1097-184X

Banerjee, Archi and Mazzarella, Francesco (2022) Designing Innovative Craft Enterprises in India: A Framework for Change Makers. She Ji: The Journal of Design, Economics and Innovation, 8 (2). pp. 192-216. ISSN 2405-8726

Aune, Kristin and Lewis, Reina and Molokotos-Liederman, Lina (2022) Modest Dress at Work as Lived Religion: Women’s Dress in Religious Work Contexts in Saudi Arabia and the UK. Sociology of Religion. ISSN 1759-8818

Auerbach George, H and Stenton, Marie and Houghon, Joseph and Kapsali, Veronika and Blackburn, Richard (2022) Referencing Historical Practices and Emergent Technologies in the Future Development of Sustainable Textiles: A Case Study Exploring “Ardil”, a UK-Based Regenerated Protein Fibre. Sustainability, 14 (14). ISSN 2071-1050

Athill, Charlie (2021) Reverse tomboy: (Re)definitions of gender fluidity through sensory engagement with material culture. Queer Studies in Media and Popular Culture, 5 (2-3). pp. 149-170. ISSN 2055-5695

Athill, Charlie (2018) Who Are You Calling a Hackney Twat: Gender and Stigma in Media Represention. Journal of Extreme Anthropology, 2 (1). pp. 46-65. ISSN 2535-3241

Almila, Anna-Mari and Zeilig, Hannah (2021) In Older Men’s Wardrobes: Creative Tales of Affect, Style and Constraint. Fashion Theory: The Journal of Dress, Body and Culture, 26 (5). pp. 651-672. ISSN 1362-704X

Almila, Anna-Mari and Inglis, David (2020) What is “Fashion” and How to Research it? Polybius for Punk Fashion Sociology. ZoneModa Journal, 10 (1). pp. 1-14. ISSN 2611-0563

Almila, Anna-Mari (2018) The Dressed Body, Material and Technology: Rethinking the Hijab through Sartorial Sociology. The International Journal of Fashion Studies, 5 (2). pp. 309-328. ISSN 2051-7114

Almila, Anna-Mari (2020) Fashion in the Time of Corona: What Can the Sociology of Fashion Reveal? European Sociologist, 1 (45). ISSN 2415-6426

Almila, Anna-Mari (2019) From protestant peasant dress to gay pride t-shirt: transformations in sartorial strategy amongst the körtti movement in Finland. Religions, 10 (6). ISSN 2077-1444

Almila, Anna-Mari (2021) What is ‘space’ for dress? Theoretical considerations of a spatial turn for fashion studies. International Journal of Fashion Studies, 8 (1). pp. 7-23. ISSN 2051-7106

Almila, Anna-Mari (2019) A tale of two centuries: The körtti movement and dress in battles over Finnish politics and identities. Clothing Cultures, 6 (2). pp. 145-162. ISSN 2050-0742

Ahmed, Tanveer (2021) Are fashion sketchbooks racist? Fashion, Style & Popular Culture. pp. 1-16. ISSN 2050 0726

Ahmed, Tanveer (2022) Towards a decolonial feminist fashion design reading list. Art Libraries Journal, 47 (1). pp. 9-13. ISSN 0307-4722

Book

de la Haye, Amy and Pel, Martin (2017) Gluck: Art and Identity. Yale University Press, London. ISBN 9780300230482

de la Haye, Amy (2023) Chanel: Couture and Industry (2023). V&A, London. ISBN 9781838510381

de la Haye, Amy (2020) Ravishing: The Rose in Fashion. Yale University Press, New York. ISBN 9780300250084

Willson, Jacki (2015) Being Gorgeous: Feminism, Sexuality and the Pleasures of the Visual. International Library of Cultural Studies . I.B.Tauris, London and New York. ISBN 9781780762838

Willson, Jacki (2008) The Happy Stripper: Pleasures and Politics of the New Burlesque. I.B.Tauris, London and New York. ISBN 978-1-84511-318-6

Weston, Sian (2022) The Changing Face of Burberry: Britishness, Heritage, Labour and Consumption. Bloomsbury Visual Arts . Bloomsbury Academic, London, Sydney, New York and Delhi. ISBN 9781350179608

Uhlirova, Marketa (2013) Birds of Paradise: Costume as Cinematic Spectacle. Koenig, London, UK. ISBN 9783863352189

Tulloch, Carol and Kaiser, Susan B. and Rabine, Leslie and Breward, Christopher and Cheddie, Janice and McCullough, Sarah Rebolloso and Cooper, Carolyn and Rose, Clare (2010) Fashion theory, special issue: dress and the African Diaspora. Berg, Oxford, pp. 267-407. ISBN 9781847886538

Tulloch, Carol (2016) The Birth of Cool: Style Narratives of the African Diaspora. Bloomsbury, London, Oxford, New York, New Delhi, Sydney. ISBN 9781474262873

Tregenza, Liz (2023) Everyday Fashion: Interpreting British Clothing Since 1600. Bloomsbury, London. ISBN 9781350232440

Teunissen, José and van der Voet, Hanka (2013) A Fashion Odyssey: progress in fashion and sustainability. ArtEZ Press, Arnhem the netherlands. ISBN 9789491444067

Teunissen, José and van Zijverden, Mascha (2016) Fashion Data. Het Nieuwe Instituut, Rotterdam.

Teunissen, José (2005) Global Fashion, Local Tradition. Terra/ ArtEZ, Arnhem. ISBN 9789058973726

Stevenson, Caroline and Hoette, Ruby and Brauchli, Roland (2018) Modus. Onomatopee.

Saillard, Olivier and Blackman, Cally and Rigaux, Elsa and Renard, Isabelle and Gandon, Emilie and Frisa, Maria Luisa and Arzalluz, Miren and Pessey-Lux, Aude and Tsujita, Kaya and Diatkine, Anne and Arnauld, Maia and Font, Lourdes and Samson, Alexandre and Lecallier, Sylvie (2014) Fashion Mix. Mode d'ici. Createurs d'ailleurs. Flammarion, Paris. ISBN 9782081343092

Rocamora, Agnès (2009) Fashioning the City: Paris, Fashion and the Media. I. B. Tauris, London. ISBN 9781845118976

Roberts, Cheryl (2022) Consuming Mass Fashion in 1930s England: Design, Manufacture and Retailing for Young Working-Class Women. Palgrave Studies in Fashion and the Body . Palgrave Macmillan/Springer Nature, Switzerland. ISBN 9783030946128

Ribeiro, Aileen and Blackman, Cally (2015) A Portrait of Fashion. National Portrait Gallery, London, London, UK. ISBN 9781855145566

O'Neill, Alistair (2021) Exploding Fashion: Making, Unmaking and Remaking Twentieth Century Fashion. Lannoo, Belgium. ISBN 9789401476058

O'Neill, Alistair (2022) Faye Toogood: Drawing, Material, Sculpture, Landscape. Phaidon, London. ISBN 978-1838664046

O'Neill, Alistair (2007) London: after a fashion. Reaktion, London, UK. ISBN 9781861893154, 1861893159

Miller, Janice (2011) Fashion and music. Berg, Oxford. ISBN 9781847884138

McDowell, Felice (2018) Fashioning Professionals: Identity and Representation at Work in the Creative Industries. Bloomsbury, London. ISBN 9781350001848

Mahawatte, Royce (2013) George Eliot and the Gothic Novel: Genres, Gender and Feeling. Gothic Literary Studies . University of Wales/University of Chicago, Cardiff. ISBN 9780708325766

Lewis, Reina and Micklewright, Nancy (2006) Gender, Modernity & Liberty: Middle Eastern and Western Women's Writings: A Critical Sourcebook. I.B. Tauris, London & New York. ISBN 9781860649578

Lewis, Reina (2018) Contemporary Muslim Fashions. Fine Arts Museums of San Francisco, San Francisco. ISBN 9783791357829

Lewis, Reina (1996) Gendering Orientalism: Race, Femininity and Representation. Routledge, London & New York. ISBN 9780415124904

Lewis, Reina (2015) Muslim Fashion: Contemporary Style Cultures. Duke University Press, Durham, North Carolina, US. ISBN 978-0-8223-5914-2

König, Anna (2013) Slow Fashions: Making Sense of Sustainable Fashion. I.B.Tauris, London. ISBN 9781848853423

Kutesko, Elizabeth (2018) Fashioning Brazil: globalization and the representation of Brazilian Dress in National Geographic. Dress and Fashion Research . Bloomsbury, London. ISBN 9781350026605

King, Ian (2017) The Aesthetics of Dress. Springer Briefs in Philosophy . Springer. ISBN 9783319543215

Isaac, Ceri (2007) The Cat Walk as Spectacle: Hussein Chalayan Spring 2007. A Magician of Technology. London College of Fashion, London, pp. 59-69. ISBN 9781903455135

Fletcher, Kate and Toth-Fejel, Katelyn (2014) The Craft of Use Event - A publication of the Local Wisdom project. Centre for Sustainable Fashion, London. ISBN 978-1-906908-31-7

Fletcher, Kate and Tham, Mathilda (2014) The Handbook of Sustainability and Fashion. Routledge International Handbooks . Routledge, Abingdon, Oxon. ISBN 9780415828598

Fletcher, Kate (2008) Sustainable Fashion and Textiles: Design Journeys. Earthscan, London. ISBN 9781844074815

Findlay, Rosie (2017) Personal Style Blogs: Appearances that Fascinate. Intellect UK, Bristol UK. ISBN 9781783208340

Fiell, Charlotte and Dirix, Emmanuelle (2012) 1930s Fashion: The Definitive Sourcebook. Fiell Publishing Ltd., London. ISBN 1847960332

Fiell, Charlotte and Dirix, Emmanuelle (2012) Fashion Sourcebook 1920s. Fiell Fashion Sourcebooks . Fiell Publishing Ltd., London. ISBN 1906863482

Evans, Caroline and Vaccari, Alessandra (2020) Time in Fashion: Industrial, Antilinear and Uchronic Temporalities. Bloomsbury Visual Arts, London. ISBN 978-1-3501-4694-5

Evans, Caroline and Uhlirova, Marketa (2014) Marcel L’Herbier: Dossier. Fashion in Film, London, UK.

Evans, Caroline (2019) Il Tempo della Moda. Mimesis, Milan. ISBN 9788857544472

Evans, Caroline (2013) The Mechanical Smile: Modernism and the First Fashion Shows in France and America, 1900-1929. Yale University Press, London, UK and New Haven, USA. ISBN 9780300189537

Doshi, Usha (2017) Creating with Shapes. COS Stores, London. ISBN 9781527212138

Dirix, Emmanuelle and Fiell, Charlotte (2013) 1940s Fashion: The Definitive Sourcebook. Goodman Books, London. ISBN 1847960464

Dirix, Emmanuelle and Fiell, Charlotte (2014) 1970s Fashion: The Definitive Sourcebook. Carlton Books Ltd., London. ISBN 1783130105

Dirix, Emmanuelle (2011) Unravel: Knitwear in fashion / Tricot in de mode. Lanoo, Tielt. ISBN 9789020995992

Conekin, Becky (2003) 'The Autobiography of a Nation': The 1951 Festival of Britain. Studies in Design . Manchester University Press, Manchester. ISBN 0719060605

Cole, Shaun (2000) Don We Now Our Gay Apparel: Gay Men's Dress in the Twentieth Century. Dress, Body, Culture . Berg, Oxford; New York. ISBN 9781859734209

Cole, Shaun (2010) The story of men's underwear. Parkstone Press International, New York. ISBN 9781859956229

Clark, Judith and de la Haye, Amy (2014) Exhibiting Fashion: Before and After 1971. Yale University Press, New Haven. ISBN 9780300125795

Clark, Judith and Phillips, Adam (2010) The concise dictionary of dress (book). Violette Editions, London, pp. 108-131. ISBN 9781900828352

Clark, Judith and Frisa, Maria Luisa (2012) Diana Vreeland after Diana Vreeland. Marsilio; Rizzoli, Venice; New York. ISBN 9788831712798

Clark, Judith (2012) Handbags: The Making of a Museum. Yale University Press in association with Simone Handbag Museum, New Haven, CT. ISBN 9780300186185

Church Gibson, Pamela (2012) Fashion and celebrity culture. Berg Publishers, London. ISBN 9781847883858

Cardwell, Thomas (2022) Heavy Metal Armour: A Visual Study of Battle Jackets. Intellect, Bristol, UK. ISBN 9781789385366

Butchart, Amber (2017) Fashion Illustration in Britain - Society and the Seasons. British Library, London. ISBN 978-0712352000

Butchart, Amber (2016) The Fashion of Film: How Cinema has Inspired Fashion. Mitchell Beazley. ISBN 9781784721763

Butchart, Amber (2015) Nautical Chic. Thames & Hudson, London. ISBN 9780500517802

Breward, Christopher and Gilbert, David and Lister, Jenny (2006) Swinging Sixties. V&A Publications, London. ISBN 185177484X

Breward, Christopher and Gilbert, David (2006) Fashion's World Cities. Berg, London. ISBN 1845204131

Breward, Christopher (2003) Fashion. Oxford University Press, Oxford, UK. ISBN 0192840304

Breward, Christopher (2004) Fashioning London: Clothing and the Modern Metropolis. Berg., London. ISBN 1859737927

Bolton, Andrew (2006) AngloMania: Tradition and Transgression in British Fashion. Yale University Press. ISBN 978-0-300-11785-1

Bolton, Andrew (2003) Bravehearts: Men in Skirts. Abrams. ISBN 081965585

Bolton, Andrew (2007) Catalogue for the Poiret exhibition, Metropolitan Museum of Art. Yale University Press. ISBN 978-0-300-120295

Bolton, Andrew (2004) WILD: Fashion Untamed. Yale University Press, pp180. ISBN 978-0300106381

Blackman, Cally (2012) 100 Years of Fashion. Laurence King, London. ISBN 9781856697989

Blackman, Cally (2009) 100 Years of Menswear. Laurence King, London. ISBN 978 1 85669 614 2

Blackman, Cally (2019) Fashion Central Saint Martins. Thames & Hudson Ltd, London. ISBN 978-0-500-29371-3

Black, Sandy (2012) Knitting: fashion, industry, craft. V&A Publishing, London. ISBN 9781851775590

Biddle-Perry, Geraldine (2016) Dressing for Austerity: Aspiration, Leisure and Fashion in Post-War Britain. Dress Cultures . I.B.Tauris, London. ISBN 9781780766287

Begum, Lipi and Dasgupta, Rohit K. and Lewis, Reina (2018) Styling South Asian Youth Cultures: Fashion Media and Society. Dress Cultures . I.B Tauris, London. ISBN 9781784539177

Bartlett, Djurdja and Cole, Shaun and Rocamora, Agnès (2013) Fashion Media: Past and Present. Bloomsbury Academic, London/New York. ISBN 978-0-8578-5307-3

Bartlett, Djurdja (2010) Berg encyclopedia of world dress and fashion. Volume 9: East Europe, Russia, and the Caucasus. Berg Publishers, Oxford, UK and New York, USA. ISBN 9781847883988

Bartlett, Djurdja (2019) Fashion and Politics. Yale University Press, London.

Bartlett, Djurdja (2010) FashionEast: the spectre that haunted socialism. MIT Press, Cambridge, Mass. ISBN 9780262026505

Bari, Shahidha (2019) Dressed: The Secret Life of Clothes. Jonathan Cape, London. ISBN 9781787331495

Bari, Shahidha (2022) Fashion. Look Again . Tate, London. ISBN 9781849767170

Almila, Anna-Mari (2018) Veiling in Fashion: Space, Materiality and the Hijab in Minority Communities. Dress Cultures . I B Tauris. ISBN 9781784539238

Book Section

de la Haye, Amy (2015) Bianca Mosca. In: London Couture 1923-1975: British Luxury. V&A Publishing, London, pp. 150-153. ISBN 9781851778508

de la Haye, Amy (2019) Conversations on Exhibiting Fashion Between Beca Lipscomb, Lucy McKenzie and Amy de la Haye. In: Atelier E B: Passer-By. Koenig Books, pp. 33-42. ISBN 9783960987529

de la Haye, Amy (2015) Court Dressmaking in Mayfair from the 1890s to the 1920s. In: London Couture 1923-1975: British Luxury. V&A Publishing, London, pp. 10-27. ISBN 9781851778508

de la Haye, Amy (2019) Fashion, Memory and the Archive. In: Thea Porter’s Scrapbook. Unicorn Publishing, xiii-xxi. ISBN 978-1911604563

de la Haye, Amy (2023) Fashioning Flowers. In: Gabrielle Chanel: Fashion Manifesto. Paris Musées, Thames & Hudson, Paris, London. ISBN 978-2-7596-0452-4

de la Haye, Amy (2021) Le Mode et Les Fleurs. In: Gabrielle Chanel: Manifeste de Mode. Paris Musées (French version) / Thames & Hudson (English version), Paris, London, pp. 64-70. ISBN 978-2-7596-0452-4

de la Haye, Amy (2007) Material Evidence: London Haute Couture 1947-1957. In: The Golden Age of Couture: Paris and London 1947-1957. V&A Publications, UK, pp. 89-111. ISBN 9787851775217

de la Haye, Amy (2012) Object analysis. In: Handbags: the making of a museum. Yale University Press in association with Simone Handbag Museum, New Haven, CT, pp. 34-207. ISBN 9780300186185

de la Haye, Amy (2015) Victor Stiebel, Jacqmar. In: London Couture 1923-1975: British Luxury. V&A Publishing, London, pp. 86-97. ISBN 9781851778508

de la Haye, Amy (2015) Worth (London) Ltd. In: London Couture 1923-1975: British Luxury. V&A Publishing, London, pp. 110-114. ISBN 9781851778508

de la Haye, Amy (2012) A terminology pertaining to handbags. In: Handbags: the making of a museum. Yale University Press in association with Simone Handbag Museum, New Haven, CT, pp. 257-265. ISBN 9780300186185

de la Haye, Amy (2012) The uniform on the street: the fashionable handbag in 1912. In: Handbags: the making of a museum. Yale University Press in association with Simone Handbag Museum, New Haven, CT, pp. 235-231. ISBN 9780300186185

Williams, Dilys (2012) Designers fashioning the future industry. In: The Sustainable Fashion Handbook. Thames and Hudson, London, pp. 96-108. ISBN 9780500290569

Williams, Dilys (2015) Fashion Design. In: Routledge Handbook of Sustainability and Fashion. Routledge, Oxon, UK, pp. 234-242. ISBN 0415828597

Williams, Dilys (2013) The Making of a Social Object: Collaboration between Nike and Centre for Sustainable Fashion. In: Sustainable Fashion: New Approaches. Aalto University, Helsinki, Finland, pp. 164-173. ISBN 978-952-5572-5

Wilcox, Claire (2020) Beautifully Dangerous. In: Shaun Leane. ACC Art Books, pp. 82-92. ISBN 9781788840835

Wilcox, Claire (2015) Edward Scissorhands. In: Alexander McQueen. V&A Publishing, London, pp. 25-33. ISBN 9781851778270

Wilcox, Claire (2015) Plato's Atlantis: Anatomy of a Collection. In: Alexander McQueen. V&A Publishing, London, pp. 83-103. ISBN 9781851778270

Weiner, Nathaniel (2014) eBay’s digital culture: Friction-free capitalism in a consumer heterotopia. In: TEM 2014:Proceedings of the Technology & Emerging Media Track. Canadian Communications Association, Saint Catharines, Ontario, Canada.

Walsh, Maria and Throp, Mo (2020) Double Acts: Oscillating Between Optical and Haptic Visuality in a Digital Age. In: Revisiting the Gaze The Fashioned Body and the Politics of Looking. Bloomsbury Visual Arts, London and New York. ISBN 9781350154230

Uhlirova, Marketa (2021) The Costume-Phantoms of Ester Krumbachová. In: Ester Krumbachová. UMPRUM (Academy of Art, Architecture and Design, Prague) & ARE, Prague, pp. 104-117. ISBN 978-80-88308-47-8

Uhlirova, Marketa (2021) Fashion in cinema: reframing the field. In: Routledge Companion to Fashion Studies. Routledge, London and New York. ISBN 9780367209568

Uhlirova, Marketa (2022) On Fire: When Fashion Meets Cinema. In: The Oxford Handbook of Film Theory. Oxford University Press, New York, pp. 526-547. ISBN 978-0190873929

Uhlirova, Marketa (2010) Snapshot: Dress in Czech Film of the 1920s and 1930s. In: Berg Encyclopedia of World Dress and Fashion: Volume 9 – East Europe, Russia, and the Caucasus: Part 3: East Central Europe and the Baltics. Berg Publishers, London. ISBN 9781847888495, 1847888496

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Church Gibson, Pamela (2013) Dressing and undressing in Dirty Dancing: consumption, gender and visual culture in the 1980s. In: The Time of Our Lives: Dirty Dancing and Popular Culture. Contemporary Approaches to Film and Media . Wayne State University Press, Detroit, Michigan, pp. 105-124. ISBN 9780814336243

Church Gibson, Pamela (2005) Fashion, Fetish and Spectacle; The Matrix Dresses Up - And Down. In: The Matrix Trilogy: Cyberpunk Reloaded. Wallflower Press, UK, pp. 114-125. ISBN 1904764320

Church Gibson, Pamela (2011) Fashion, art and celebrity at the biennale; catwalk, collecting and the power of the luxury brand. In: Look at Me: Celebrity Culture at the Venice Art Biennale. Verlag für Moderne Kunst, Nurnberg, Germany. ISBN 9783869841779, 386984177X

Church Gibson, Pamela (2012) New alliances: the art world, the fashion house and new shapes in stardom = Nuove alleanze: mondo dell'arte, case di moda e celebrità. In: Moda e arte. Produrre cultura creare comunicazione del Centro per lo studio della moda e della produzione culturale . Franco Angeli, Milan, Italy. ISBN 9788856848861

Chong Kwan, Sara (2012) Drawing on Jules Prown's material culture method of object analysis to investigate sensory engagement with everyday dress. In: Working Papers in Fashion Studies 2. London College of Fashion, London. ISBN 978-1-903455-26-5

Chon, Harah and Lim, Natasha Jiayi and Lim, Elisa (2021) Designing Resilience: Mapping Singapore’s Sustainable Fashion Movements. In: Design Culture(s). Cumulus Conference Proceedings Roma 2021. Cumulus International Association of Universities and Colleges of Art, Design and Media. ISBN 978-952-64-9004-5

Chon, Harah (2017) Exploring Research Space in Fashion: The Fluidity of Knowledge between Designers, Individuals and Society. In: Routledge Companion to Design Research. Routledge, pp. 72-86. ISBN 9781138310247

Chon, Harah (2023) Exploring research space in fashion: A framework for meaning-making. In: The Routledge Companion to Design Research. Routledge Art History and Visual Studies Companions, 2 . Routledge, pp. 224-238. ISBN 9781032022277

Chon, Harah (2013) Fashion as Aesthetic Experience: A Discussion of Subject-Object Interaction. In: Consilience and Innovation in Design: Proceedings and Program : 5th IASDR 2013 Tokyo. Shibaura Institute of Technology. ISBN 9784998077633

Chon, Harah (2013) An Investigation of Spatially Fluid Knowledge within the Retail System. In: EKSIG 2013: Knowing Inside Out – Experiential Knowledge, Expertise and Connoisseurship. Loughborough University. ISBN 978-1-907382-72-7

Cardwell, Thomas (2023) Battle Jackets: Wearing Metal Identity. In: The Cambridge Companion to Metal Music. The Cambridge Companions to Music . Cambridge University Press, Cambridge, UK, pp. 202-216. ISBN 9781108991162

Cardwell, Thomas (2015) Battle jackets: craft and folk culture research through creative practice. In: Modern Heavy Metal: Markets, Practices and Cultures. Crossover . Aalto University, Aalto, Finland, pp. 138-149. ISBN 9789526062174

Burcikova, Mila (2024) I Like It because It’s been Worn Before: The Sensory Longevity of Worn Clothing. In: Recycling and Lifetime Management in the Textile and Fashion Sector. CRC Press, Taylor & Francis, pp. 48-65. ISBN 9780367490836

Bugg, Jessica (2013) Emotion and memory: clothing the body as performance. In: Activating the inanimate: visual vocabularies of performance practice. Critical Issues . Inter-disciplinary Press, Oxford. ISBN 9781848881211

Briggs, Adam (2013) Capitalism’s Favourite Child: The Production of Fashion. In: Fashion cultures revisited: theories, explorations and analysis. Routledge, London, pp. 186-199. ISBN 9780415680066

Bowles, Hamish and Bolton, Andrew and Menkes, Suzy and Martin, Penny and Piaggi, Anna and Clark, Judith (2010) Stephen Jones and the accent of fashion. In: Stephen Jones and The Accent of Fashion. lanoo publishers, Tielt, Belgium, pp. 203-221. ISBN 9781851496525

Blackman, Cally (2023) Le Salon du Gout Français, 1921-1923. In: Les Couleurs de la Mode: Autochromes du Salon du Gout Français 1921-1923. Editions Paris Musees, Paris, France, pp. 11-14. ISBN 978-2-7596-0565-1

Blackman, Cally (2015) The Rise of the Celebrity Shoe Designer. In: Shoes: Pleasure & Pain. V&A Publishing, London, pp. 114-123. ISBN 9781851778324

Black, Sandy and Rocamora, Agnès and Thomas, Helen and Entwistle, Joanne and de la Haye, Amy and Root, Regina (2013) The Handbook of Fashion Studies. In: The Fashion Studies Handbook. Bloomsbury, London. ISBN 9780857851949

Black, Sandy (2010) Knitting technology comes full circle. In: In the Loop: Knitting Now. Black Dog Publishing, London, pp. 118-127. ISBN 9781906155964

Black, Sandy (2011) A Quiet Revolution in Classic Collection. In: Classic Collection: four decades of knitwear design by Sasha Kagan. GMC Publications, Lewes Sussex, pp. 74-79. ISBN 9781861088451

Black, Sandy (2019) Sustainability and Digitalization. In: The End of Fashion: Clothing and Dress in the Age of Globalizaton. Bloomsbury Visual Arts, London, pp. 113-131. ISBN 978-1-3500-4504-0

Bide, Bethan and Halbert, Jade and Tregenza, Liz (2023) Conclusion: Common threads. In: Everyday Fashion: Interpreting British Clothing since 1600. Bloomsbury, pp. 319-322.

Bide, Bethan and Halbert, Jade and Tregenza, Liz (2023) Introduction: Negotiating the Everyday. In: Everyday Fashion: Interpreting British Clothing since 1600. Bloomsbury, pp. 1-16. ISBN 9781350232440

Biddle-Perry, Geraldine and Cheang, Sarah (2008) Conclusion: Hair and Human Identity. In: Hair: Styling, Culture and Fashion. Berg, Oxford and New York, pp. 243-255. ISBN 9781845207922

Biddle-Perry, Geraldine and Cheang, Sarah (2008) Introduction: Thinking about Hair. In: Hair: Styling, Culture and Fashion. Berg, Oxford and New York, pp. 3-13. ISBN 9781845207922

Biddle-Perry, Geraldine (2008) Hair, Gender and Looking. In: Hair: Styling, Culture and Fashion. Berg, Oxford and New York, pp. 97-111. ISBN 9781845207922

Betts, Liza (2018) Costume in Literature: What do television adaptations of modern literature 'write' on the body via the clothing used as costume? In: Culture, Costume and Dress; Proceedings of the first international conference. Birmingham City University. 10-12 May 2017. Gold Word Publishing, Birmingham/Shanghai, pp. 32-37. ISBN 978-1-909379-26-8

Betts, Liza (2024) “Ole Rag 'n' Lumber”: Intergenerational, Gendered, and Classed Relationships with Clothing, from Rag 'n' Bone to Depop. In: Fashion and Motherhood: Image, Material, Identity. Bloomsbury, Great Britain, pp. 211-228. ISBN 978-1-3502-7669-7

Bartlett, Djurdja (2019) Can Fashion Be Defended? In: Fashion and Politics. Yale University Press, New Haven and London, pp. 16-57. ISBN 978-0-300-238860

Bartlett, Djurdja (2013) Coco Chanel and Socialist Fashion. In: Fashion Media: Past and Present. Bloomsbury Academic, London/New York, pp. 46-57. ISBN 978-0-8578-5307-3

Bartlett, Djurdja (2020) The Constructivist Sartorial Utopia and Its Revolutionary Potential: Then and Now. In: The Oxford Handbook of Communist Visual Cultures. Oxford University Press, Oxford and New York. ISBN 9780190885533

Bartlett, Djurdja (2011) Fashion and life-style. In: Art Deco and Art in Croatia between the Two Wars. Zagreb: Museum of Arts and Crafts, Zagreb, Croatia, pp. 61-92. ISBN 9789537641146

Bartlett, Djurdja (2010) Fashion under socialism. In: Berg encyclopedia of world dress and fashion. Volume 9: East Europe, Russia, and the Caucasus. Berg Publishers, pp. 76-82. ISBN 9781847883988

Bartlett, Djurdja (2010) Introduction to dress and fashion in East Europe, Russia, and the Caucasus. In: Berg encyclopedia of world dress and fashion. Volume 9: East Europe, Russia, and the Caucasus. Berg Publishers, pp. 3-14. ISBN 9781847883988

Bartlett, Djurdja (2010) Le chic oligarchique et le principe de l’excès (Oligarch Chic and the Principle of Excess). In: Les Cahiers européens de l'imaginaire: Le luxe. CNRS Editions, Paris, France. ISBN 978-2271069016

Bartlett, Djurdja (2014) ‘Myth and Reality: Socialist Fashion and Five-Year Plans’. In: Fashion, Consumption and Everyday Culture in the Soviet Union between 1945 and 1985. Verlag Otto Sagner, München, Berlin and Washington, D.C, pp. 9-31. ISBN 978-3-86688-522-6; e-book 978-3-86688-523-3

Bartlett, Djurdja (2019) Overalls: Functional, Political, Fashionable. In: Understanding Uniform: clothing and discipline in the modern world. Bloomsbury Visual Arts, London, pp. 185-201. ISBN 978-1-350-04555-2

Bartlett, Djurdja (2010) Snapshot: Azerbaijan — urban dress, the 1920s to the twenty-first century. In: Berg encyclopedia of world dress and fashion. Volume 9: East Europe, Russia, and the Caucasus. Berg Publishers, pp. 307-310. ISBN 9781847883988

Bartlett, Djurdja (2010) Snapshot: Lithuanian urban dress, 1940s to twenty-first century. In: Berg encyclopedia of world dress and fashion. Volume 9: East Europe, Russia, and the Caucasus. Berg Publishers, pp. 214-216. ISBN 9781847883988

Bartlett, Djurdja (2010) Snapshot: Russian constructivism in dress and textiles. In: Berg encyclopedia of world dress and fashion. Volume 9: East Europe, Russia, and the Caucasus. Berg Publishers, pp. 361-364.

Bartlett, Djurdja (2020) Soong Ching-ling, Soong May-ling: Negotiating Dresses and Politics in Modern Shanghai, 1913-49. In: Styling Shanghai. Bloomsbury Academic, London and New York, pp. 109-145. ISBN 9781350051140 HB; 9781350051133 PB

Bartlett, Djurdja (2016) Stars on Screen and Red Carpet. In: A Companion to Russian Cinema. Wiley-Blackwell. ISBN 978-1-118-41276-3

Bartlett, Djurdja (2010) Totalitarian dress. In: The Fashion History Reader: Global Perspectives. Routledge, London UK and New York USA, pp. 498-502. ISBN 9780415493246, 9780415493239

Bartlett, Djurdja (2010) Zuzi Jelinek: the incredible adventures of a socialist Chanel. In: Remembering Utopia: the Culture of Everyday Life in Yugoslavia. New Academia Publishing LCC, Washington, USA, pp. 407-427. ISBN 0984406239, 9780984406234

Baddeley, Oriana (2018) Frida Re-Dressed. In: Frida Kahlo: Making Herself Up. V&A, London, pp. 174-187. ISBN 9781851779604

Atkinson, Douglas (2017) Post-Industrial Fashion and the Digital Body. In: Digital Bodies: Creativity and Technology in the Arts and Humanities. Palgrave Studies in Performance and Technology . Palgrave Macmillan UK. ISBN 978-1-349-95240-3

Aronowsky Cronberg, Anja (2015) On the Intersection Between Our Clothing and Our Past. In: Utopian Bodies: Fashion Looks Forward. Liljevalchs, Stockholm, pp. 236-238. ISBN 978-86011-29-1

Aronowsky Cronberg, Anja (2020) 'There will never be a Chinese Fashion' – Staking a claim for Shanghai as a Fashion City. In: Styling Shanghai. Bloomsbury, Great Britain, pp. 287-308. ISBN 978-1-3500-5114-0

Almila, Anna-Mari (2016) Cultural Sociology of Fashion: On the Sartorial, Symbolic and Social. In: The SAGE Handbook of Cultural Sociology. SAGE, London, pp. 510-526. ISBN 9781446271971

Almila, Anna-Mari (2017) What is ‘Fashion’ Really? The Promise of an Ecumenical Analytic for Fashion Studies and Beyond in a Globalized World. In: Epistemology and Transformation of Knowledge in Global Age. InTech. ISBN 978-953-51-5432-7

Ahmed, Tanveer (2018) “All about Love”: How would bell hooks teach fashion design? In: Proceedings of DRS2018 International Conference, Vol. 2: Design as a catalyst for change. Design Research Society. ISBN 978-1-912294-27-5

Ahmed, Tanveer (2019) Anti-Fashion: using the sari to decolonise fashion. In: Modes of Criticism 4 – Radical Pedagogy. Onomatopee, pp. 32-51. ISBN 978-9493148130

Ahmed, Tanveer (2021) Anti-Racist Design: A Decolonial Feminist Approach to Fashion. In: Design Struggles: Intersecting Histories, Pedagogies, and Perspectives. Valiz, Netherlands, pp. 189-203. ISBN 978-94-92095-88-6

Ahmed, Tanveer (2023) Decolonizing the Mannequin. In: Fashion Education: The Systemic Revolution. Intellect, Bristol, pp. 153-168. ISBN 9781789386806

Conference, Symposium or Workshop Item

de la Haye, Amy (2018) Objects of a Passion. In: UAL Professorial Platform Series 2018, 13 November 2018, London College of Fashion.

Yusuf, Nilgin (2010) The Suit as Criminal Workwear. In: Workwear, February 13, 2010, Parsons School of Design.

York, Peter (2009) The Magic Mirror - The Fashionista's world-view (and the rest of humanity's). In: UAL Professorial Platform Series 2009-10, 1 December 2009, London College of Fashion, 20 John Prince's Street, London W1G 0BJ.

Willson, Jacki (2013) The Beauty Manifesto. In: Gender, Race and Representation in Magazines and New Media, 25th-27th October, 2013, Cornell University, Ithaca, New York, USA.

Willson, Jacki (2013) False Eyes Lashes: With a Flutter Our Gaze is Dispersed. In: Dressed Bodies, 17 July 2013, Sheffield University.

Willson, Jacki (2015) Medicinal Make-up and Bad Hair days: reconsidering the place of the ‘private’ and the ‘public’ in the fashion image. In: Consuming/Culture: women and girls in print and pixels, 5−6 June 2015, Oxford Brookes University.

Willson, Jacki (2015) Myth, Magic and Masquerade Balls: Exploring McQueen through a Cultural and Historical Lens. In: Extreme McQueen: How to Wear Accessories, 13 June 2015, Victoria and Albert Museum, London, UK.

Williams, Dilys and Young, Lola (2013) Design for Sustainability Educators Network: House of Lords Dinner Debate. In: House of Lords Dinner Debate, 19 March 2013, House of Lords.

Williams, Dilys and Mair, Carolyn (2013) Experiencing Fashion - Better Lives Lecture Series. In: Experiencing Fashion - Better Lives Lecture Series, 29 May 2013, London College of Fashion.

Williams, Dilys (2012) Copenhagen Fashion Summit – Youth Summit. In: Copenhagen Fashion Summit – Youth Summit, 2 - 3 May 2012, Copenhagen Opera House.

Williams, Dilys (2012) Made in GB ‐ manufacturing and fashion provenance. In: Westminster Media Forum Keynote Seminar: The UK fashion industry – challenges, opportunities and policy options, 13th November 2012, London UK.

Williams, Dilys (2013) Sustainable and Innovative Fashion Conference Seminar: The Making of a Social Object. In: Sustainable and Innovative Fashion Conference Seminar: The Making of a Social Object, 2 - 3 October 2013, Aalto University School of Arts, Design and Architecture, Helsinki, Finland.

Uhlirova, Marketa and Bartlett, Djurdja (2016) Djurdja Bartlett in Conversation with Marketa Uhlirova. In: Djurdja Bartlett in Conversation with Marketa Uhlirova, 27/04/2016, London College of Fashion.

Uhlirova, Marketa (2019) The Aesthetic of Opulence: Channelling Colour and Darkness in Early Costume and Fashion Film. In: Fourth International Conference Colour in Film London, 25 - 27 February 2019, BFI London.

Uhlirova, Marketa (2016) Artists' Moving Image and Fashion. In: Fashion on the Move, 1 December 2016, London College of Fashion.

Uhlirova, Marketa (2014) The Lure of the Archive. In: Fashioning the Archive, 25 June 2014, Royal College of Art.

Uhlirova, Marketa (2016) Theatre of Poses: Framing the Fashionable Body in the Early Studio Film. In: Posing the Body: Stillness, Movement, and Representation, 6 - 7 May 2016, The Courtauld Institute of Art, Somerset House, Strand, London WC2R 0RN / University of Westminster, Regent Street Cinema, 309 Regent Street, London W1B 2UW.

Tynan, Jane and Kelley, Victoria (2013) Radical Gestures: designing protest, resistance and refusal. In: Radical Gestures, 01 June 2013, Central Saint Martins.

Tulloch, Carol and Shonibare, Yinka and Robins, Freddie and Faiers, Jonathan (2011) When clothes speak: the fabric of our heritage. In: When Clothes Speak: The Fabric of Our Heritage, 19 January 2011, Royal Academy of Arts. (Unpublished)

Tulloch, Carol (2016) This Time It's Personal. In: UAL Professorial Platform Series 2015-16, 17 March 2016, Chelsea College of Art and Design, 16 John Islip Street, London SW1P 4JU.

Tregenza, Liz and Riedel, Jana (2024) Dressing up in the collections? Digital dressing and the future of fashion history. In: Beyond the Blockbuster: Exhibiting Fashion Now, 30-31 May 2024, Museum of London Docklands and London College of Fashion.

Tregenza, Liz and Auerbach George, Hannah (2022) The Business of Fashion, Textiles and Technology: Back to the Future. In: Association for Art History's Art History Festival 2022, 21 September 2022, University of Oxford.

Tregenza, Liz and Auerbach George, Hannah (2023) Challenging perceptions of fast and slow fashion: 1960s paper dresses and the concept of disposable garments. In: Sustainable fashion: transdisciplinary approaches to innovation, 23 May 2023, The Royal Society.

Tregenza, Liz (2024) From eBay to Vinted: Selling secondhand fashion. In: Digital Fashion Innovation Conference, 2-4 July 2024, Manchester Metropolitan University.

Tregenza, Liz (2022) Jewish immigrants and the early history of London Wholesale Couture. In: The Global Diffusion of Tailored Clothes for Women 1750-1930, 17 September 2022, Online.

Tregenza, Liz (2024) London Wholesale Couture. In: London Fashion and its Transnational Networks, 22 March 2024, London College of Fashion.

Tregenza, Liz (2023) Masseys for the Masses: Harry Massey and a London Fashion Empire. In: DATS 2023: Networks and interchange: knowledge, skills and cultures across spaces, 5 October 2023, Ulster Museum (Online).

Tregenza, Liz (2022) On the Beach or on Bond Street: Knitwear and early wholesale couture 1920-1935. In: Fleece to Fashion, 8-9 September 2022, University of Glasgow.

Teunissen, José (2019) Fashion Curation: Broadening the scope. Different ways of exhibiting fashion. In: Exhibiting Fashion Symposium, 8 March 2019, MFIT New York.

Teunissen, José (2019) State of Fashion: Searching for the New Luxury. Imagination, sustainability, Embodied Practice, Craft Revival, New narratives. In: Transboundary Fashion, 15-16 February, Bunka Gakuen University Tokyo.

Sullivan, Anthony (2014) The Hunger Games: Class, Fashion and Freedom. In: EUPOP 2014, July 29th - 31st 2014, London College of Fashion John Princes Street.

Sullivan, Anthony (2017) Jeremy Corbyn: Politics, fashion and brands. In: Fashion and Politics: Historical and Contemporary Perspectives, Friday 7th July 2017, London College of Fashion.

Sullivan, Anthony (2013) Marx: Fashion and Capitalism. In: ADRI Seminar, Middlesex University.

Stevenson, Caroline and Laing, Morna and Bartlett, Djurdja and Pecorari, Marco (2020) Fashion / Politics: 20/21 Manifesto. In: Fashion Politics 20-21: Manifesto, June 19, 2020, online.

Stevenson, Caroline (2023) 'Doing' Fashion Politics: Praxical Pedagogy in London Street Markets. In: Fashion in 3-D: Decolonising, Deconstructing and Decentring, 19-21 October 2023, University of Bologna.

Stevenson, Caroline (2024) In all the wrong places: Curatorial Acts and Sites of Encounter. In: Unfolding Practice: Creative research, reflections, experiences, 25 January 2024, London College of Fashion.

Stevenson, Caroline (2016) Working in the Interzone: Fashion as Interdisciplinary Practice. In: Working in the Interzone: Fashion as Interdisciplinary Practice, 11 May 2016, London College of Fashion.

Simonson, Caryn (2015) Telling Stories: Brand Revival, from motorcycle clothing to luxury fashion. In: 5th International Journal of Motorcycle Studies, 16-19 July 2015, Barber Vintage Motorsports Museum, Birmingham Alabama, US.

Reimers, Anne (2011) Cool glamour: fashion and identity in Christian Schad's portrait "Sonja" (1928). In: Fashion: Exploring Critical Issues, 3rd Global Conference, 22-25 September 2011, Mansfield College, Oxford University, UK.

Reimers, Anne (2015) Dance, drugs and vampiric people: Anita Berber and Otto Dix, Berlin 1925. In: Disseminating Dress: Britain and the Fashion World, 28-30 May 2015, University of York.

Reimers, Anne (2013) From fashion icon to priestess of depravity: the dancer Anita Berber in 1920s Berlin. In: Evil, Women and the Feminine, 18-20 May 2013, Prague.

Reimers, Anne (2016) Modeallüre oder Zeittendenz? Zeitlichkeit, Modebegriffe und die Grenzen der Kunstgeschichte in der Kunstkritik der Weimarer Republik. In: Lecture Series 'Herausgefordert von der Gegenwart: Fragen der kunstkritischen Praxis gestern und heute', 1 June 2016, Art History Department, University of Bochum, Germany.

Reimers, Anne (2022) The New and The Outmoded: On the Temporal and Sacrificial Nature of Fashion. In: Can Fashion Be Defended? A Symposium in Memory of Djurdja Bartlett, 11 July 2022, London College of Fashion.

Reimers, Anne (2015) On aesthetic pleasure: the problem of 'fashion' in 1920s German art journals. In: Association of Art Historians (AAH) Summer Symposium 2015: Fashion & Art History, 29-30 June 2015, University of York, UK.

Reimers, Anne (2016) Temporality, Style and the Vocabulary of Fashion in 1920s German Arts Criticism. In: Signs and Symbols: Dress at the Intersection Between Image and Realia, 18-21 February 2016, Humboldt University, Berlin, Germany.

Reimers, Anne (2022) ‘Women in White’: Tennis Dress in Painting and Fashion Magazines in the 1920s. In: Fashioning the Body for Sport and Leisure: A History of Dress and Textiles, 30 September - 1 October 2022, Art Workers' Guild, London.

Radclyffe-Thomas, Natascha and Radclyffe-Thomas, Babette (2013) The New Shanghai Xiaojie: Chinese Fashion Identities. In: 2nd International Non-Western Fashion Conference, 21st-22nd November 2013, London College of Fashion.

Radclyffe-Thomas, Natascha (2015) Are you afraid of the fish head? Cultural translation in fashion education. In: Fashion Colloquia Shanghai, 21-22 April 2015, Donghua University, Shanghai.

Radclyffe-Thomas, Natascha (2014) Raiding the World's Wardrobes with Jean Paul Gaultier. In: Gaultier and Beyond: Showcasing Research from London College of Fashion, 27th May 2014, Barbican Art Gallery, London.

Radclyffe-Thomas, Natascha (2014) Weaving Fashion Stories in Shanghai: Heritage, Retro and Vintage Fashion in Modern Shanghai. In: Fashion in Fiction Conference: Style Stories and Transglobal Narratives, 12th - 15th June 2014, City University Hong Kong.

Potter, Cher (2016) Forecasting Methods. In: Creative Innovation Across Disciplines, 1 - 28 February 2016, Nottingham Trent University.

Potter, Cher (2016) A Network: Design Futures in Sub-Saharan Africa. In: African Futures Conference, 1 - 4 June 2016, Dakar, Senegal.

Potter, Cher (2018) The potential and Problems of Global Fashion and Design Histories. In: KpaKpaKpa: Connecting Places and Practices, 18 - 22 February 2018, Museum of Contemporary African Art (MOCAA), Cape Town, South Africa.

Palomino, Elisa and Trachter, Gabriel Fabián and Gustavo Adrian, Defeo (2021) Patagonian fish skin tanning processes. In: XXXVI IULTCS Congress “Greening the Leather Value Chain”, 3-5 November 2021, Ethiopia, Africa.

Palomino, Elisa and Solo, Ana and Karmon, Ayelet and Topaz, Orit and Cordoba Crespo, Ana (2021) Making fish skin pattern-based garments: developing digital tools for the fashion industry based on Ainu fish skin robes and Japanese Kimono Patterns. In: Responsible Fashion Series, 14-22 October 2021, University of Antwerp, Online. (In Press)

Palomino, Elisa and Freilich, Orit and Raine, Isaac (2021) A virtual Ainu fish skin workshop during Covid-19 times. In: Global Fashion Conference 2021, 21-22 October 2021, Warsaw, Poland.

Orta, Lucy (2011) Operational Aesthetics. In: UAL Professorial Platform Series 2010-11, 6 June 2011, The Banqueting Hall, Chelsea College of Art and Design, 45 Millbank, London, SW1P 4RL. (Unpublished)

October, Dene (2014) Materialising Meaning(s): Fans, Fashions and the Twelfth Doctor. In: Subverting Fashion: Style Cultures, Fan Culture and the Fashion Industry, 11 July 2014, St Mary’s University Twickenham.

O'Neill, Alistair (2010) Diane Arbus & Maeve Brennan. In: Writing Photography 2, 16 November 2010, London, UK.

O'Neill, Alistair (2020) Exploding Fashion: Cutting, Constructing and Thinking Through Things. In: First International Balenciaga Conference, 1-2 October 2020, Balenciaga Museo, Spain.

O'Neill, Alistair (2011) Fashion and photography (panel discussion). In: Amber, 01 Jun - 03 July 2011, Event Space, AkzoNobel site, Velperweg 76 6824 BM Arnhem.

Nobbs, Karinna and McColl, Julie (2012) A conceptual taxonomy of fashion visual merchandising attributes. In: KAMS Global Marketing Conference, July 19th-22nd, 2012, COEX, Seoul, Republic of Korea.

Moloney, Alison (2018) Cabinet Stories: Curators in the Community. In: The Searching for the New Luxury, Arnhem, The Netherlands.

Moloney, Alison (2019) Curatorial Strategies for the Display of Dress. In: Decolonising Fashion, Refashioning Objects in the Ethnographic Museum, 14th November to 15th November 2019, Museum Vulkenunde, Leiden, the Netherlands.

Miller, Janice (2012) Heroes and Villains: when men wear make-up. In: EUPOP: Inaugural Conference of the European Association of Popular Culture, July 2012, London College of Fashion.

Miller, Janice (2015) Makeup, Masquerade and McQueen. In: Alexander McQueen: Sabotage And Tradition, 6 June 2015, London College of Fashion.

McDowell, Felice (2015) The 1951 Festival of Britain's 'Theatre of Fashion' and the 'actress mannequins'. In: Hidden in the Archive, Friday 30th January 2015, London College of Fashion.

McDowell, Felice (2015) Anne Scott-James’ In The Mink (1952): An Auto-fictional Account of Fashion, Austerity and Life. In: The Look of Austerity, 11-12 September 2015, Museum of London.

McDowell, Felice (2023) Author-Heroines and Autobiographical Acts at exhibitions of Sixties Fashion. In: Narrative Matters 2023, 15-17 June 2023, Tampere University, Finland.

McDowell, Felice (2012) 'Clothes in a setting': Fashion, Interior Design & Art in British fashion media c.1955-1959 an archaeological analysis of fashion media discourse. In: Fashion Tales, 7th - 9th June 2012, Univerità Cattolica del Sacro Cuore, Milan, Italy.

McDowell, Felice (2011) Exhibiting Fashion and Art in Post-war British Fashion Magazines: 'Art Patronage - Modern Style' and a 'Cocktail Party Receipt'. In: Fashion Colloquia, 21-22nd September 2011, London.

McDowell, Felice (2015) Fact, fiction and fashion: reading the life-writings of models, journalists, editors, educators and designers. In: Textual Fashion: Representing fashion and clothing in word and image, 8th July - 10th July 2015, University of Brighton, East Sussex, UK.

McDowell, Felice (2012) Fashioned Images of Art in Magazines:"So what? What does it matter?". In: AAH New Voices: Art and its Hierachies, 24th November 2012, University of Nottingham.

McDowell, Felice (2017) Gazing into her space: the mediatization of fashionable lives in ‘The Top Shelf’. In: Revisiting the Gaze: Feminism, Fashion & the Female Body, 28-29 June 2017, Chelsea College of Arts, UAL.

McDowell, Felice (2017) Inside the Wardrobe: the mediatization of personal narratives and fashionable personae. In: IABA Europe 2017: Life Writing, Europe and New Media, 07-09 June 2017, King's College London.

McDowell, Felice (2016) A Life of Fashion and A Fashionable Life: Alison Settle’s Clothes Line (1937). In: Revision, Revival, Rediscovery...The 'Re' Word in British Women's Writing between 1930 and 1960, 24 June 2016, University of Hull, UK.

McDowell, Felice (2011) Mapping Sculpture in post-war British Fashion Magazines 1945-1951. In: Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951, 25th - 26th February 2011, Victoria and Albert Museum, London.

McDowell, Felice (2013) Model British Citizen. In: Gender, Race, and Representation in Magazines and New Media, 25th - 27th October 2013, Cornell University, New York, USA.

McDowell, Felice (2021) P.S. from Jill and Sally: Patterns for fashion and young female selfhood in the early pages of Petticoat magazine. In: The Costume Society Conference: Clothing on Paper, 26 June - 21 July 2021, Online.

McDowell, Felice (2013) Somewhere between the past and the present: the fashion magazine and the historical reader. In: Fashion and Re-Collection Postgraduate Symposium, 29th January 2013, London College of Fashion Univeristy of the Arts London.

McDowell, Felice (2015) The Truth About Modelling: Fashion Models and Mannequins in print and in their own words. In: Consuming/Culture: women and girls in print and pixels, 5−6 June 2015, Oxford Brookes University.

McDowell, Felice (2011) The Visual Consumption of Dress and Culture in Post-war British Fashion Magazines: 'Texture and Form: The Fabric is...'. In: Developments in Dress History, 8-10 December 2011, Brighton.

McDowell, Felice (2014) A Visual Footnote: Reflecting on the Thinking and Writing of Fashion Histories. In: Fashion Thinking - Theory, History, Practice, 30 October - 1 November 2014, University of Southern Denmark.

McDowell, Felice (2016) Writing about Posing: myths and narratives of post-war fashion modelling. In: Posing the Body: Stillness, Movement, and Representation, 6 - 7 May 2016, The Courtauld Institute of Art, Somerset House, Strand, London WC2R 0RN / University of Westminster, Regent Street Cinema, 309 Regent Street, London W1B 2UW.

McDowell, Felice (2014) 'another lovely actress who wears Clarks shoes'...advertising brands and socio-professional roles in post-war British fashion media. In: EUPOP 2014, July 29th - 31st 2014, London College of Fashion, High Holborn, London.

McDowell, Felice (2017) ‘how to get the London model-girl look’: democratizing and disciplining female citizens in post-war Britain. In: The Costume Society Conference - Fashion and Democracy?, July 8 - July 10 2016, Whitworth Gallery, Manchester.

Mazzarella, Francesco and Mirza, Seher (2023) Textile Autobiographies: Crafting shifting identities with refugee communities. In: IASDR 2023 Conference: Life-Changing Design, 9-13 October 2023, Milan.

Madsen, Cyana (2020) Collecting on the Periphery: Pocket Contents and Biography in the Clothing of Francis Golding. In: Fashion at the Periphery, 22 September and 4-11 October 2020, Online.

Madsen, Cyana (2019) Pockets and memory in the Francis Golding Collections. In: Everyday Fashion: Extraordinary Stories of Ordinary Clothes, 27-28 June 2019, University of Huddersfield.

Loscialpo, Flavia (2021) The racial capitalocene and the 'not yet': a discourse for the politics of the possible. In: LCF Cultural & Historical Studies Digital Symposium, 11-12 June 2021, London College of Fashion.

Loscialpo, Flavia (2023) Fashion’s Reserve Armies of Labour: Ethno-racial Capitalism and Forced Labour. In: Fashion in 3D: Decolonising, Deconstructing, Decentering, 19-21 October 2023, Bologna University.

Lomas, Clare and James, Alison and Baird, Katherine (2008) Labels, lies and luxury: lessons from the LCF archives. In: BSA Study Group: Keeping Up Appearances: Autobiography and Dress, 18 December 2008, Institute of Education, London, UK. (Unpublished)

Lomas, Clare and James, Alison and Baird, Katherine (2009) Labels, lies and luxury: lessons from the LCF archives. In: Collecting Experiences: Enriching Design Students' Learning in the Museum, 24 April 2009, Sackler Centre for Arts Education, Victoria and Albert Museum, London. (Unpublished)

Lomas, Clare (2010) Personal stories. In: Hand Made Tales: Women and Domestic Crafts Study Days, 12-13 November 2010, The Women's Library, London Metropolitan University. (Unpublished)

Lomas, Clare (2011) A top hat and a family secret. In: Developments in Dress History, 8-10 December 2011, Brighton. (Unpublished)

König, Anna (2012) A stitch in time: cultural constructions of household mending in everyday life. In: Pursuing the Trivial – Investigations into Popular Culture, June 1-2 2012, Vienna. (Unpublished)

Kikuchi, Yuko (2013) ‘Transnational Vernacularity of Taiwan Floral Chintz: craft-design and cultural industry in Taiwan’. In: Inter-Asia Cultural Studies Conference ‘Beyond the Cultural Industry’, 3-5 July 2013, National University of Singapore.

Khan, Nathalie (2012) Controlling Vision: The Fashion Films of Ruth Hogben and Gareth Pugh. In: Fashion Tales, 7th - 9th June 2012, Università Cattolica del Sacro Cuore, Milan, Italy.

Khan, Nathalie (2012) Cutting the Fashion Body - Fashion in the Digital Frame. In: Visibility in Fashion, December 2012, University of Potsdam, Germany.

Khan, Nathalie (2011) Empty Sparkle - Celebrity Fashion Icons. In: Fashion Icons FIT Annual Symposium, November 2011, FIT Fashion Institute New York.

Khan, Nathalie (2013) Fashion as Fictional Act - K8 Hardy and Chicks on Speed. In: Fashion Curation Now, 16th November 2013, Parsons The New School for Design.

Khan, Nathalie (2012) The Image is Walking: Fashion Film and the Catwalk Show. In: NORDIC Art History Conference, 24th - 27th October 2012, Stockholm.

Isaac, Veronica (2023) Dressing the Part: Ellen Terry (1847-1928). In: Stitches That Speak: Biography Through Objects Symposium, 20 April 2023, De Montfort University.

Inglis, David and Almila, Anna-Mari (2019) Inebriation / Participation / Democratization: On Wine, Fashion and Wine Fashions. In: 9th National Conference in Cultural Studies and 6th National Conference in Cultural Policy Studies, 13-14 December 2019, University of Tampere.

Horsley, Jeffrey (2019) The Absent Shadow: reflections on the incidence of menswear in fashion exhibitions. In: Invisible Men, 29 October 2019, University of Westminster.

Horsley, Jeffrey (2019) Exhibiting Biography: Queering the Exhibition. In: EFHA International Conference 2019: Fashion and the Politics of Heritage, 8-9 November 2019, London College of Fashion.

Hitchcock, Fenella and McCauley Bowstead, Jay (2018) Queer Fashion & The Camp Strategies of Charles Jeffrey’s LOVERBOY. In: Fashion, Costume and Visual Cultures, 17-19 July 2018, University of Zagreb.

Hitchcock, Fenella (2018) Drag Performance, Community and Resistance. In: Queer Media, Culture and Heritage Seminar Series, 1 August 2018, University of Newcastle.

Hitchcock, Fenella (2021) The (Im)materiality of Charles Jeffrey LOVERBOY 2014-2016. In: Memory Full? Reimagining the Relations Between Design and History, 2-4 September 2021.

Herrington, Eldrid (2014) Black is beautiful: John S. Rock, somatic nationalism and race. In: Fashion and Politics, 4 June 2014, London College of Fashion.

Glavey, Paul (2016) Ballroom Blitz: Military Uniform as Fashion at Vintage Events. In: Muse of Modernity? Remembering, Mediating and Modernising Popular Dance, 16 April 2016, Senate House, University of London.

Findlay, Rosie and Jana, Rosalind and Rocamora, Agnès (2017) Strangers in Style: Digital Intimacy and the Self Becoming on the Style Blogosphere. In: Strangers in Style: Digital Intimacy and the Self Becoming on the Style Blogosphere, Wednesday 22 November 2017, LCF John Prince's Street.

Findlay, Rosie (2017) "Inspired by real life": Examining 'aspirational realness' on the websites of Glossier and Maryam Nassir Zadeh. In: Revisiting the Gaze: Feminism, Fashion & the Female Body, 28-29 June 2017, Chelsea College of Arts, UAL.

Findlay, Rosie (2020) RUSSH and the All-Australian Girl? In: Critical Fashion Studies, 27-29 February 2020, University of Melbourne, Australia.

Evans, Caroline (2012) The Modernist Body: Mechanization, Motion and the Missing Part. In: UAL Professorial Platform Series 2011-12, 6 March 2012, Central Saint Martins, Granary Building, 1 Granary Square, King's Cross, London N1C 4AA.

Dirix, Emmanuelle and O'Neill, Alistair and Evans, Caroline (2010) Antwerp Avant-Garde. In: Antwerp Avant-Garde, Somerset House, London.

Dirix, Emmanuelle (2010) Beauty & the Blitz - WWII Fashion. In: Under Attack - Lecture series, 7/12/2010, London Transport Museum.

Dirix, Emmanuelle (2011) Collisions: when fashion meets art. In: Red October Factory Design workshops, Red October Factory, Moscow.

Dirix, Emmanuelle (2014) Contradictory Colors: The Tricolor in French Fashion 1939-1944. In: Costume Colloquium IV: Colors in Fashion, 20-23 November, Florence, Italy.

Dirix, Emmanuelle (2014) Fashion, feathers & fetishism. In: Birds of Paradise, 16 May 2014, MoMu, Antwerp, Belgium.

Dirix, Emmanuelle (2008) Fashioning the tube: posters and the new consumers. In: Art of the Poster- Century of Design lecture series, 25/11/2008, London Transport Museum.

Dirix, Emmanuelle (2011) From Gallant Little Belgium to Fashionable Little Belgium. In: Trans/National Clothing: Production and Consumption, 4th September 2011, Bath Spa University.

Dirix, Emmanuelle (2015) How to dress for a Teenage Riot? Alternative Female 90s musicians, Fashion and the curse of Authenticity. In: EUPOP 2015 European Popular Culture Association Conference, 29-31 July 2015, Humboldt University, Berlin, Germany.

Dirix, Emmanuelle (2011) Unraveling the Status of Knitwear: Drop one, pick up two, drop one. In: Unravel Symposium, 5 May 2011, MoMu, Antwerp, Belgium.

Dirix, Emmanuelle (2012) What’s in a name? The promotion of The Antwerp 6. In: Fashioning the City: Exploring Fashion Cultures, Structures, and Systems, 19 - 21 September, 2012, Royal College of Art.

Dirix, Emmanuelle (2014) Women, Fashion and the First World War. In: Goodbye Piccadilly - London and the Great War, London Transport Museum.

Dirix, Emmanuelle (2010) The story of the LBD. In: Masters of Black Symposium, 5/5/2012, MoMu, Antwerp, Belgium.

Delice, Serkan (2019) Cultural Appropriation: Fashion, Race, and the Limits of Critique. In: Being the Other – Orientalizing, Self-Orientalizing and Deconstruction, 25-26 July 2019, Institut für Orientalistik, Otto-Friedrich-Universität Bamberg.

Delice, Serkan (2017) Cultural Appropriation: Symptom or Diagnosis? In: Fashion, Race and Cultural Appropriation: a conference at CSM.

Delice, Serkan (2019) Cultural appropriation in translation: fashion, race and the limits of critique. In: A la Mexicana: An encounter of Mexican fashion and artisan techniques: Cultural appropriation panel discussion, 2-7 July 2019, J/M Gallery, London.

Delice, Serkan (2018) Cultural appropriation in translation: fashion, race, and the limits of critique. In: EFHA International Conference 2018 Europe and Fashion: Questioning Identities and Cultures, 8–9 November 2018, Musée des Arts Décoratifs, Paris.

Delice, Serkan (2021) The Empire’s New Clothes: racial capitalism and the limitations of decolonisation. In: Cultural Urgencies: Decentring Fashion, 2 March 2021, Online.

Delice, Serkan (2018) Fashion and Emotions in the Age of Neoliberal Capitalism. In: New Borders, New Boundaries: Fashion in a Shifting World, Saturday 17 March 2018, Calvert 22 Space, London.

Delice, Serkan (2017) Fashion and its Refugees: production, consumption and subjectivity in the age of neoliberal authoritarianism. In: Fashion & Politics: Historical & Contemporary Perspectives, 7 July 2017, London College of Fashion.

Delice, Serkan (2018) Fashion and its refugees: labour, ethics and activism in neoliberal times. In: Symposium: Feminist Visual Activism, 10 July 2018, Institute of Contemporary Arts (ICA), London.

Delice, Serkan (2021) Fashion and its refugees: towards a transnational worker solidarity and labour citizenship. In: What is Radical about Cultural Studies Now? Fashion, Culture and Politics in the Age of the Anthropocene, 11-12 June 2021, London College of Fashion.

Delice, Serkan (2023) Fashion, Decolonisation, and Living Labour. In: LOOMS AND LABOR, 24 November 2023, Berlin.

Delice, Serkan (2012) Fashion, Politics, and Queer Resistance in the Middle East. In: Masculinities and Fashion – Current and Recent Work, 5 December 2012, London College of Fashion.

Delice, Serkan (2016) The Janissaries and Their Bedfellows: Masculinity and Male Homosexuality in Early Modern Ottoman Istanbul. In: "Enlightenment Sex(ualities) - Texts, Practices, Species and Spaces", 7th and 8th November 2016, Georg-August-Universität Göttingen.

Delice, Serkan (2014) Orientalism, masculinity, and global interests: Jean Paul Gaultier’s Menswear between East and West. In: Gaultier and Beyond: Showcasing Research from London College of Fashion, 27 May 2014, Barbican.

Delice, Serkan (2021) Refugees as a Reserve Army of Labour: neoliberalism and the limits of fashion ethics. In: LCF: Cultural & Historical Studies Online Research Seminar, 2 March - 11 May 2021, Online.

Delice, Serkan (2014) ‘They got the guns, but we got the numbers’: Fashion, masculinity, and political resistance in the Middle East. In: Fashion and Politics: 2nd Research Hubs Conference, 4 June 2014, London College of Fashion.

Delice, Serkan (2017) 'We cannot have love without lovers': Sexuality and Self-fashioning in Early Modern Ottoman Istanbul. In: Desiring and Deorienting the Middle East at Pembroke, 2 June 2017, Pembroke College, Cambridge University.

Delice, Serkan (2023) Where there is capital accumulation, there is appropriation! In: Fashion in 3D: Decolonizing Deconstructing Decentering, 20 October 2023, University of Bologna, Italy.

Delice, Serkan (2023) Fashion’s unhealed wounds: is reparative justice possible? In: Fashion Against Borders: Decolonisation, Creative Practice, and Critical Pedagogy, 30 November 2023, London College of Fashion.

Delamore, Philip and Ballie, Jennifer (2011) E-Co-Creation for Fashion: A review of co-creation and open innovation methods for sustainable fashion. In: 2011 World Conference on Mass Customization, Personalization, and Co‐Creation: Bridging Mass Customization & Open Innovation (MCPC 2011, 15-19 September, 2011, San Francisco, CA.

Davies, Melanie Gale (2019) What do we know about Beau Brummell? In: Millennial Masculinities: Queers, Pimp Daddies and Lumbersexuals, 10-11 December 2019, Auckland, New Zealand.

Davies, Melanie Gale (2022) What do we know about Beau Brummell? In: Fashioning Masculinities: The Art of Menswear Symposium, 13-14 October 2022, Victoria & Albert Museum, London, UK.

Davies, Melanie Gale (2022) What do we know about Beau Brummell? In: Fashion and Freaks and Monsters, 5-9 March 2022, Online.

Cardwell, Thomas and Cardwell, Thomas (2023) 'It’s who you are': Heavy metal ‘battle jackets’ and subcultural loyalty. In: Loyalty – A suspect virtue and its limits, 27 April 2023, University of Helsinki.

Cardwell, Thomas (2022) Folk Metal: Battle Jackets as Contemporary Folk Costumes. In: International Society for Folk Narrative Research Annual Conference, 20-23 July 2022, London College of Fashion.

Cardwell, Thomas (2019) Illuminating Battle Jackets; a Fine Art Research Project. In: Home of Metal Symposium, 13 - 14 September 2019, Birmingham City University.

Cardwell, Thomas (2023) Re-forming the Chasuble: Links Between Heavy Metal Clothing and Priestly Garments. In: Metal and Transgression: Scenes, Politics, and Religion, 6-7 September 2023, Masaryk University, Brno, Czechia.

Butchart, Amber (2015) Flamboyant masculinity in coastal cultures: The Lowestoft fisherlads of the 1960s. In: Fashion, the 84th Anglo-American Conference of Historians, 2-3 July 2015, Institute of Historical Research, University of London/Victoria and Albert Museum, London.

Butchart, Amber (2015) “Flooded with little Joan Crawfords” Fashion on Film: Selling Hollywood in London in the Early 1930s. In: Disseminating Dress: Britain and the Fashion World, 28-30 May 2015, University of York.

Burcikova, Mila (2018) One Dress: Shaping Fashion Futures through Utopian Thinking. In: What's Going On? A discourse on fashion, design and sustainability (Global Fashion Conference 2018), 31 October - 1 November 2018, London College of Fashion, University of the Arts London.

Buckley, Chitra (2011) References to the past: the role of heritage and cultural values in fashion branding. In: 13th Annual Conference for the International Foundation of Fashion Technology Institutes: Fashion between heritage and innovation luxury, 13-14 April 2011, Paris, France.

Blackman, Cally (2015) Around the World in Colour: the Salon du Gout Francais 1921-1923. In: Fashion, 2-3 July 2015, Institute of Historical Research, UCL, London.

Blackman, Cally (2021) The Colour of Clothes: selling French couture around the world at the ‘Salon du Goût Français’ virtual exhibition 1921-3. In: Colour Fever, 25 October - 5 November 2021, V&A Museum, Online.

Blackman, Cally (2014) True Colours: dress and fashion in autochromes from Albert Kahn's collection 1914. In: Mode et Guerre Europe 1914-1918: fashion, Dress and Society during World War 1, 12th and 13th December 2014, Institut Francais de la Mode Paris.

Blackman, Cally (2016) Vogue 100: Fashion, Women, Society. In: Vogue 100 Exhibition, 3 March 2016, National Portrait Gallery, London.

Black, Sandy (2010) Knitting in 20th Century Popular Culture and Advertising. In: In the Loop 2. Knitting: origins and evolution, 1st-4th September 2010, Shetland Museum and Archives, Lerwick, Shetland Isles, U.K.. (Unpublished)

Betts, Liza (2017) Fashion and Football: 'The Spice Boys', Masculinity, Male Bodies and Moments of Contestation. In: 6th Annual Conference of European Popular Culture, 25-27 July 2017, UAL LCF.

Bartlett, Djurdja (2010) 1920s fashionista in the Soviet Union. In: Centre for Contemporary Culture: Lectures, Debates and Workshops, 19 May 2010, Moscow, Russia.

Bartlett, Djurdja (2010) Fashion East: the spectre that haunted socialism. In: Centre for South-East European Studies Seminar Series 2010-11, 01 February 2011, London, UK. (Unpublished)

Bartlett, Djurdja (2010) La moda puo’ partire da zero? Il caso della moda socialista (Can Fashion Start from Zero? A Case of Socialist Fashion). In: IULM, 01 December 2010, Milan, Italy. (Unpublished)

Bartlett, Djurdja (2015) On the Left of Fashion: politics and spectacle in interwar leftist magazines. In: Fashion, the 84th Anglo-American Conference of Historians, 2-3 July 2015, Institute of Historical Research, University of London/Victoria and Albert Museum, London.

Bartlett, Djurdja (2015) ‘Politics and Dresses: Facts and Fiction in Nadezhda Lamanova’s Career’. In: Fact, The 47th Annual ASEEES Convention, 19-22 November 2015, Philadelphia, Pennsylvania, US.

Bartlett, Djurdja (2019) Politics of Luxury: The Burdens of Culture and Ideology in Sartorial Exchanges. In: La Tentation du Luxe, 21 February 2019, Collège d'Études Mondiales/Fondation Maison des sciences de l'homme, Paris.

Bartlett, Djurdja (2011) Proletarian post-war Dandies. In: BASEES Annual Conference, 02-04 April 2011, Cambridge, UK.

Bartlett, Djurdja (2018) Soviet Fashion in the 1920s: Fusion of socialism and Art Deco. In: Roaring 1920s in Russia: Art, Design, Architecture, 3 May 2019, Dorich House/Kingston University.

Bartlett, Djurdja (2011) Translation and auto-translation in fashion: a case study: new Russian designers. In: Fashion_Versus_Studies, 13 April 2011, Milan, Italy.

Bartlett, Djurdja (2018) ‘Ways of living at home abroad or abroad at home’. In: New Borders, New Boundaries: Fashion in a Shifting World, 17 March 2018, Calvert 22 Foundation, 22 Calvert Avenue, London.

Bartlett, Djurdja (2010) An unlikely comrade: Coco Chanel and socialist fashion. In: Fashion Media: Yesterday Today Tomorrow, 21-22 October 2010, London, UK.

Atalla Filho, Alberto (2024) Cut, Construction and Silhouette: The practice of bespoke tailoring and shifting forms of identity in the early nineteenth century. In: Beau Brummell and New Masculinities, 4-5 April 2024, Central Saint Martins, London.

Aronowsky Cronberg, Anja (2015) The Future of Fashion Journalism in the Digital Age. In: 3rd Europeana Fashion International Conference: Digital Fashion Futures, 24-26 February 2015, MoMu (ModeMuseum), Antwerp, Belgium.

Almila, Anna-Mari and Inglis, David (2019) What is ‘fashion’ and how to research it? Implications of an ‘ecumenical moment’ for globalizing fashion studies. In: ZONEMODA CONFERENCE 2019: “Be cool! Aesthetic Imperatives and Social Practices”, 16 - 18 May 2019, University of Bologna.

Almila, Anna-Mari (2017) The Art of Burkini: Design and Political Cartoons as Gestures that Matter. In: Gestures That Matter, the 12th international conference of The Arts in Society research network, American University of Paris.

Almila, Anna-Mari (2018) Bending space, managing bodies: veiling, gender and urban space in Finland. In: Creative Locations: Art, Culture and the City, 10th Midterm Conference of the European Sociological Association Research Networks Sociology of the Arts (RN2) & Sociology of Culture (RN7), 4th - 7th September 2018, University of Malta.

Almila, Anna-Mari (2015) Fashion Beyond Western Modernity: A Critique of the ‘Non-Western Fashion’ Concept. In: Fashion Tales 2015: Feeding the Imaginary, 18-20.6.2015, Universita Cattolica del Sacro Cuore, Milan, Italy.

Almila, Anna-Mari (2017) Fashion cosmopolitanism and the de-cosmopolitization of European realities. In: (Un)Making Europe: Capitalism, Solidarities, Subjectivities - 13th Conference of the European Sociological Association 13th Conference of the European Sociological Association, Athens.

Almila, Anna-Mari (2021) Fashion systems and global fashion research: from divisions to connections. In: En-Compass-Ing Culture(s): Beyond East/West and South/North, 10-12 March 2021, Helsinki/ online.

Almila, Anna-Mari (2015) From pre-modern fashion systems to value illusion today – on fashion and global inequality. In: 12th Conference of the European Sociological Association. Differences, Inequalities and Sociological Imagination., 25-28 August 2015, Prague, Czech Republic.

Almila, Anna-Mari (2017) Sizes and scales of fashion research: connecting bodies and garments from skin to globality. In: Zonemoda, 3.5.-5.5.2017, Rimini, Italy.

Almila, Anna-Mari (2014) Veiling and Visibility in the City: The Hijab and Public Space in Finland. In: British Sociological Association Annual Conference, 23-25 April, 2014, Leeds.

Almila, Anna-Mari (2021) What is in the wardrobe? Spatial analytical considerations of the politics of dress. In: Fashion Tales 2020+1, 17-19 June 2021, Milano/ Online.

Ahmed, Tanveer (2019) Creating Decolonial Feminist Spaces in Art and Design Education. In: Gender and Education Conference 2019, 25-27 June 2019, University of Portsmouth.

Ahmed, Tanveer (2023) Deconstructing Spaces and Places of Coloniality: A Local Design Pedagogy Walk. In: De-Fashioning Education, 15-16 September 2023, Berlin.

Other

Stevenson, Caroline (2023) Projection Cloth: Christine Borland's Philosophy of Making.

Sagoo-Reddy, Sukhwinder (2023) Cultural Appreciation.

Loscialpo, Flavia (2021) Human rights, transparency and accountability in fashion: A conversation on Uyghur forced labour.

Loscialpo, Flavia (2021) A Lack of Transparency and the Uyghur Crisis.

Isaac, Veronica (2022) Ellen Terry, Shopping in Byzantium: Decadent costumes fit for a ‘Temple of Art’.

Isaac, Veronica (2022) Seductively Rounded and Padded to Perfection: Re-Evaluating ‘Victorian’ Beauty Ideals.

Butchart, Amber, Alfi Media (2017) From Rags to Riches.

Report

Morgado, Sylvia and Mazzarella, Francesco (2024) Refugees as Creative Change-Makers: Evaluation Report of DFT and WTRE Projects. Project Report. University of the Arts London.

Mazzarella, Francesco and Williams, Dilys (2021) Fashion Values Nature – A Landscape Review. Project Report. University of the Arts London.

Mazzarella, Francesco and Williams, Dilys (2022) Fashion Values Society – A Landscape Review. Project Report. University of the Arts London.

Mazzarella, Francesco and Radziunaite, Migle (2023) Reality, Reciprocity, Resilience: Scoping a Decolonised Process of Designing for Cultural Sustainability with Refugee Communities. Project Report. University of the Arts London, London.

Mazzarella, Francesco and Mirza, Seher and Legaspi, Froilan (2024) Threads of Opportunity: Good Work for Refugees in the Fashion Industry. Technical Report. University of the Arts London.

Mazzarella, Francesco (2020) Making for Change: Waltham Forest. Project Report. University of the Arts London, London.

Mazzarella, Francesco and Mirza, Seher and Palestra, Camilla (2024) Shifting Narratives: Reciprocal Making and Learning through Fashion and Textiles. Project Report. University of the Arts London.

Lewis, Reina and Aune, Kristin and Molokotos-Liederman, Lina (2021) Modest Fashion in UK Women’s Working Life: A report for fashion and the creative industries and creative arts education. Project Report. University of the Arts London, London.

Kirkland, Teleica (2012) Cultural Dress and Costume History of the Caribbean. Documentation. The Churchill Fellowship.

Aune, Kristin and Lewis, Reina and Molokotos-Liederman, Lina (2021) Modest Fashion in UK Women’s Working Life: A report for employers, HR professionals, religious organisations, and policymakers. Project Report. University of the Arts London, London.

Show/Exhibition

de la Haye, Amy and Taylor, Lou and Thompson, Eleanor (2005) Fashion and Fancy Dress: The Messel Family Dress Collection 1865-2005. [Show/Exhibition]

de la Haye, Amy and Peebles, Alisdair, Fashion and Textile Museum (2023) Oh Boy! Boy’s Dress 1760-1930. [Show/Exhibition]

de la Haye, Amy and Horsley, Jeffrey (2017) Present Imperfect: Disorderly Apparel Reconfigured. [Show/Exhibition]

de la Haye, Amy and Costin, Simon and Robinson, Mellany (2023) Making Mischief: Folklore Costume in Britain. [Show/Exhibition]

de la Haye, Amy and Costin, Simon (2022) Wild and Cultivated: Fashioning the Rose. [Show/Exhibition]

de la Haye, Amy (2002) Catherine Walker: 25 Years of British Couture, 1977-2002. [Show/Exhibition]

de la Haye, Amy (2013) Chanel: A New Portrait by Marion Pike. [Show/Exhibition]

de la Haye, Amy (2016) Hardy Amies: A Dagenham Designer. [Show/Exhibition]

de la Haye, Amy (2021) Ravishing: The Rose in Fashion. [Show/Exhibition]

Ziesche, Anna-Nicole and Bugg, Jessica (2013) Fashion & Performance: Materiality, Meaning, Media. [Show/Exhibition]

Wilcox, Claire (2015) Alexander McQueen: Savage Beauty. [Show/Exhibition]

Wilcox, Claire (2012) Victoria and Albert Museum Gallery of Fashion. [Show/Exhibition]

Uhlirova, Marketa and Gunning, Tom (2017) Wearing Time: Past, Present, Future, Dream. 10th Anniversary Fashion in Film festival. [Show/Exhibition]

Uhlirova, Marketa (2019) Layering: Fashion, Art, Cinema. [Show/Exhibition]

Uhlirova, Marketa (2018) Palazzo Grassi Celebrates 10 Years of Fashion in Film Festival. [Show/Exhibition]

Teunissen, José (2015) 'Fashion Data', at Het Nieuwe Instituut. [Show/Exhibition]

Teunissen, José (2018) State of Fashion 2018: Searching for the New Luxury curator. [Show/Exhibition]

Teunissen, José (2018) State of Fashion: Searching for the New Luxury Pop-up Berlin. [Show/Exhibition]

Stevenson, Caroline and Hoette, Ruby (2021) MODUS Hosts: Unfolding Interlocal Practice. [Show/Exhibition]

Stevenson, Caroline (2018) Conversation Pieces. [Show/Exhibition]

Stevenson, Caroline (2017) Don't be far from me. [Show/Exhibition]

Stevenson, Caroline (2018) Modus: A Platform for Expanded Fashion Practice. [Show/Exhibition]

Salazar, Ligaya (2011) Yohji Yamamoto. [Show/Exhibition]

Price, Antony (2010) Noughtie Nightlife. [Show/Exhibition]

Orta, Lucy and Scardi, Gabi (2010) Aware: Art Fashion Identity. [Show/Exhibition]

O'Neill, Alistair and Marshall, Shonagh (2013) Isabella Blow: Fashion Galore! [Show/Exhibition]

O'Neill, Alistair and Kinmonth, Patrick and Monfreda, Antonio (2012) Valentino: Master of Couture. [Show/Exhibition]

O'Neill, Alistair and Catterall, Claire and Martin, Penny (2009) SHOWstudio: Fashion Revolution. [Show/Exhibition]

O'Neill, Alistair (2022) Exploding Fashion: From 2D to 3D to £D Animation. [Show/Exhibition]

Moloney, Alison and de la Haye, Amy and Clark, Judith and Debo, Kaat and Norton, James and Athanasopoulou, Katerina and Hess, Bart and Van Beirendonck, Walter and Schuller, Marie (2014) 1914 Now: four perspectives on fashion curation. [Show/Exhibition]

Moloney, Alison and de la Haye, Amy (2014) 1914 Now: The Violet Hour. [Show/Exhibition]

Moloney, Alison and Loriot, Thierry-Maxime (2014) Jean Paul Gaultier: Be My Guest. [Show/Exhibition]

Moloney, Alison (2016) Cabinet Stories. [Show/Exhibition]

Moloney, Alison (2016) Cabinet Stories. [Show/Exhibition]

Moloney, Alison (2011) Reconstruction: Cultural Heritage and the Making of Contemporary Fashion. [Show/Exhibition]

Mazzarella, Francesco and McKay, Fiona and Jugovic, Mina (2019) Making for Change: Waltham Forest showcase. [Show/Exhibition]

Mazzarella, Francesco and Palestra, Camilla (2024) Shifting Narratives: Reciprocal Making and Learning through Fashion and Textiles. [Show/Exhibition]

Ling, Wessie (2007) Fusionable Cheongsam: New Work by Wessie Ling. [Show/Exhibition]

Lang, Ruth (2018) Conversation Pieces: What We Talk About When We Talk About FASHION/ARCHITECTURE. [Show/Exhibition]

Kirkland, Teleica (2014) Tartan: Its Journey through the African Diaspora. [Show/Exhibition]

Gunning, Tom and Uhlirova, Marketa (2016) Wearing Time: Returns, Recalls, Renewals. [Show/Exhibition]

Evans, Caroline (2014) Skating on Film. [Show/Exhibition]

Dirix, Emmanuelle (2011) Unravel: Knitwear in Fashion. [Show/Exhibition]

Davies, Hywel and Uhlirova, Marketa (2015) The 5th Fashion in Film Festival: Frame By Frame - Dissecting The Fashion Moving Image Now. [Show/Exhibition]

Clark, Judith and Stoppini, Luca and Gray, Richard (2006) Anna Piaggi: Fashion-ology. [Show/Exhibition]

Clark, Judith and Phillips, Adam (2010) The concise dictionary of dress. [Show/Exhibition]

Clark, Judith and Frisa, Maria Luisa (2012) Diana Vreeland After Diana Vreeland. [Show/Exhibition]

Clark, Judith (2012) Chloé. Attitudes. [Show/Exhibition]

Clark, Judith (2018) Conversations: Cristobal Balenciaga Museum. [Show/Exhibition]

Clark, Judith (2018) Fashion Inside and Out, part of the Homo Faber: Crafting a More Human Future. [Show/Exhibition]

Clark, Judith (2016) The Fashion Project, Bal Harbour, Miami. [Show/Exhibition]

Clark, Judith (2017) Femininities: Guy Bourdin, Maison Chloe and Chloe Girls: The Anthology A-Z installation. [Show/Exhibition]

Clark, Judith (2018) Frida Kahlo: Appearances may be Deceiving, Museo Frida Kahlo. [Show/Exhibition]

Clark, Judith (2015) La Galerie, Louis Vuitton, Asnières. [Show/Exhibition]

Clark, Judith (2004) Malign Muses: When Fashion Turns Back. [Show/Exhibition]

Clark, Judith (2012) Simone Handbag Museum. [Show/Exhibition]

Clark, Judith (2016) The Vulgar. [Show/Exhibition]

Chapman, Louise (2022) Narratives of Dress: the Pink Silk Dress. [Show/Exhibition]

Butchart, Amber (2015) Nautical Chic exhibition. [Show/Exhibition]

Buruma, Anna and Schoeser, Mary and Stabb, Jo Ann (2005) Fashion's Memory. [Show/Exhibition]

Bugg, Jessica and Ziesche, Anna-Nicole (2013) Fashion Performance: Materiality, Meaning, Media. [Show/Exhibition]

Broach, Zowie and Kirkby, Brian (2012) Isolated Moments from a Cycle. [Show/Exhibition]

Bartlett, Djurdja (2011) Art Deco and Art in Croatia between the Two Wars. [Show/Exhibition]

Aronowsky Cronberg, Anja (2015) Power Dressing. [Show/Exhibition]

Aronowsky Cronberg, Anja (2015) The Vestoj Salon On Slowness. [Show/Exhibition]

Aronowsky Cronberg, Anja (2015) The Vestoj Storytelling Salon. [Show/Exhibition]

Thesis

da Motta Amadeu, Flavia Regina (2015) Reflecting on capabilities and interactions between designers and local producers through the materiality of the rubber from the Amazon rainforest. PhD thesis, University of the Arts London.

Wilson Trower, Valerie Pamela (2009) The Fashion Choices of Expatriate Western Women in Hong Kong from 1960 to 1997. PhD thesis, University of the Arts London.

Whyman, Benjamin David (2019) How can material culture analysis of fashionable menswear augment biographical and museological interpretations? A critical analysis of three wardrobes of menswear at the Victoria and Albert Museum and Fashion Museum, Bath. PhD thesis, University of the Arts London.

Vuletich, Clara (2015) Transitionary Textiles: a craft-based journey of textile design practice towards new values and roles for a sustainable fashion industry. PhD thesis, University of the Arts London.

Uhlirova, Marketa (2017) Fashion in Cinema: Reframing the Field. PhD thesis, University of the Arts London.

Tynan, Jane (2009) Representations of soldiering: British army uniform and the male body during the First World War. PhD thesis, University of the Arts London.

Torres, Lara Mendonça Guterres (2019) Towards a practice of unmaking: the essay film as critical discourse for fashion in the expanded field. PhD thesis, University of the Arts London.

Stead, Lisa Jane (2005) 'The emotional wardrobe': a fashion perspective on the integration of technology and clothing. PhD thesis, University of the Arts London.

Stauss, Renate (2017) Dress as therapy: Working with dress on the self in therapeutic settings. PhD thesis, University of the Arts London.

Sacchetti, Maria José (2013) A minimal aesthetic: the relationships between fashion and art in New York and Paris, from 1964 to the present day. PhD thesis, University of the Arts London.

Roberts, Cheryl (2019) The Impact of the Purchasing Power of Young, Employed, Modern Working-class Women on the Design, Mass Manufacture and Consumption of Fashionable Lightweight Day Dresses, 1930-1939. PhD thesis, University of Brighton.

Ripley, Julie (2018) Surf’s Us: constructing surfing identities through clothing culture in Cornwall. PhD thesis, University of the Arts London and Falmouth University.

Rigby, Emma Dulcie (2016) Fashion Design and Laundry Practices: Practice-Orientated Approaches to Design for Sustainability. PhD thesis, University of the Arts London.

Omoyele, Tolulope Olabisi (2023) Africa Fashion Week London 2011-2020: Exploring African Cultural Identities and the Transnational Practices of Nigerian Fashion. PhD thesis, University of the Arts London.

Narielwalla, Hormazd Geve (2013) Patterns as Documents and Drawings: An artistic exploration of tailoring patterns as historical documents and drawings abstracting the human form. An analysis from the perspective of a creative art practitioner. PhD thesis, University of the Arts London.

McDowell, Felice (2013) Photographed at...Locating Fashion Imagery in the Cultural Landscape of Post-War Britain 1945-1962. PhD thesis, University of the Arts London.

Madsen, Cyana (2023) Curatorial Interruption: Critical analysis of sources of decision-making bias in dress/fashion curators and examination of the impact of curatorial bias on wearer/object biography in worn clothing acquired by institutional collections in the United Kingdom. PhD thesis, University of the Arts London.

Lynge-Jorlén, Ane (2009) Between Edge and Elite: Niche Fashion Magazines, Producers and Readers. PhD thesis, University of the Arts London.

Lifter, Rachel (2012) Contemporary indie and the construction of identity: discursive representations of indie, gendered subjectivities and the interconnections between indie music and popular fashion in the UK. PhD thesis, University of the Arts London.

Laing, Morna (2016) The ‘Woman-child’ in Fashion Photography, 1990-2015: Childlike Femininities, Performativity, and Reception Studies. PhD thesis, University of the Arts London.

Kutesko, Elizabeth (2016) Fashioning Brazil: Globalization and the Representation of Brazilian Dress in National Geographic. PhD thesis, Courtauld Institute of Art.

Kinsella, Raymond (2020) Post-war Britain’s First Youth Subculture: The Bebop Scene in Soho, 1945–1950. PhD thesis, University of the Arts London.

King, Julie (2011) Colour Forecasting: An investigation into how its development and use impacts on accuracy. PhD thesis, University of the Arts London.

Horsley, Jeffrey (2012) Embedding the personal: the construction of a 'fashion autobiography' as a museum exhibition, informed by innovative practice at ModeMuseum, Antwerp. PhD thesis, University of the Arts London.

Hill, Colleen Rachel (2023) Wearing the Wunderkammer: A practice-led analysis of cabinets of curiosities, examining the quality of curiosity and applying it to a fashion exhibition. PhD thesis, University of the Arts London.

Granata, Francesca (2010) The Bakhtinian Grotesque in fashion at the turn of the twenty-first century. PhD thesis, University of the Arts London.

George, Lesley (2019) Modesty, Dress-codes and ‘Local Taste’: Examining Abaya-led Fashion Practices in The United Arab Emirates. PhD thesis, University of the Arts London.

Foden, Eleanor (2023) Demythologizing the sixties; reappraising the British groupie and her relationship to feminism, 1965-1974. PhD thesis, University of the Arts London.

Cole, Shaun (2014) Sexuality, Identity and the Clothed Male Body. PhD thesis, University of the Arts London.

Chong Kwan, Sara (2016) Making Sense of Everyday Dress: Integrating multisensory experience within our understanding of contemporary dress in the UK. PhD thesis, University of the Arts London.

Cholachatpinyo, Anothai (2004) Towards a conceptual model for the apparel industry in Thailand focused on domestic fashion origination. PhD thesis, University of the Arts London.

Cambridge, Nicolas Adam (2008) Son of Samurai, Daughter of Butterfly: fashioning Japan in the sartorial culture of the United Kingdom, 1980-2006. PhD thesis, University of the Arts London.

Bugg, Jessica (2006) Interface: concept and context as strategies for innovative fashion design and communication: an analysis from the perspective of the conceptual fashion design practitioner. PhD thesis, University of the Arts London.

Biddle-Perry, Geraldine (2010) Fashioning Social Aspiration: lower-middle-class rational recreational leisure participation and the evolution of popular rational recreational leisure clothing c.1880-1950. PhD thesis, University of the Arts London.

Bench, Paul (2021) The Queer Subjectivities and Visual Culture of Stephen Tennant, Oliver Messel and Rex Whistler, 1922-1939. PhD thesis, University of the Arts London.

Beman, Renata Santos (2016) Struggling to buy fashion to wear: Exploring the relevance of B.F.Skinner to fashion for those born blind, those who became blind and those who are visually impaired. PhD thesis, University of the Arts London.

Bartlett, Djurdja (2006) Ideology and Clothes: The Rise and Decline of Socialist Official Fashion. PhD thesis, University of the Arts London.

Barratt, Claire (2010) An investigation into the cultural meanings of contemporary mourning and memento mori jewellery (London 1980-2008). PhD thesis, University of the Arts London.

Barford, Katie Elizabeth (2016) Drawing, Interpretation and Costume Design: a study of the costumed body informed by watching 'Tanztheater Wuppertal' in rehearsal and performance. PhD thesis, University of the Arts London.

Aspinall, Matilda (2019) Back to the Future of Fashion Past: Re-Fashioning Future Garment Making. PhD thesis, University of the Arts London.

Appleford, Katherine Louise (2011) Classifying Fashion & Fashioning Class: An Inquiry Into Class Distinctions in Fashion Consumption and Taste Amongst British Women Today. PhD thesis, University of the Arts London.

Andras, Sonia (2019) The Women of Little Paris: Women's Fashion in Interwar Bucharest 1919-1939. PhD thesis, University of the Arts London.

Aidan, Alexander Jerome (2012) The Mirror Men: An integrated approach to profiling male fashion innovators in London by using self-concept and gender theories. PhD thesis, University of the Arts London.

This list was generated on Thu Oct 3 12:47:36 2024 BST.