Items where Subject is "History of Art"

von Muller, Johannes and Anderson, Joanne and Finch, Mick (2019) Bilder Auf Wanderschaft. [Show/Exhibition]

von Muller, Johannes and Anderson, Joanne and Finch, Mick (2019) Image Journeys: The Warburg Institute and a British Art History. Dietmar Klinger Verlag, Passau Germany. ISBN 978-3-86328-171-7

lok, susan pui san and Orlando, Sophie (2018) Revising, Reimagining - Whose Past? Whose Future? In: Revisiting the Past, Reimagining the Future, 22 November 2018, De Nieuwe Liefde, Amsterdam.

lok, susan pui san and Boyle, Tiffany (2021) susan pui san lok: seven x seven – Courtauld x GSA x GI2021. In: susan pui san lok: seven x seven – Courtauld x GSA x GI2021, 17 June 2021, Online.

lok, susan pui san (2023) ‘Against and away from that hushing’: notes and scores for voices. In: Association for Art History 49th Annual Conference, 12-14 April 2023, Online.

lok, susan pui san (2020) Contribution to 'Decolonising Art History'. Art History, 43 (1). pp. 34-38. ISSN 0141 6790

lok, susan pui san (2019) Fast Forward, Rewind - Slow, Slow, Quick, Quick, Slow. In: Fast Forward: How Do Women Work?, 30 November - 2 December 2019, Tate Modern, London.

lok, susan pui san (2018) Found and Lost / Waste and Dust – Shimizu, Takahashi, Phaophanit / Oboussier. In: Tampered Emotions - Lust for Dust, 28 June - 1 July 2018, Triangle France, Marseilles.

lok, susan pui san (2019) Found and Lost – A Genealogy of Waste? In: Conceptualism: Intersectional Readings, International Framings. Van Abbemuseum, NL, pp. 68-94. ISBN 9 789490 757199

lok, susan pui san (2018) Testing, Contesting. In: Contesting British Chinese Culture. Palgrave Macmillan, London, pp. 85-100. ISBN 978-3-319-71159-1

lok, susan pui san (2021) Vong Phaophanit and Claire Oboussier: Three Decades, Four Moments. Art History, 44 (3). pp. 624-649. ISSN 0141-6790

lok, susan pui san (2019) We Will Be. In: The Place Is Here: The Work of Black Artists in 1980s Britain. Sternberg Press, Berlin, pp. 14-19. ISBN 9783956794667

lok, susan pui san (2021) Whose Histories? In: Global Britain: Decolonising Art's Histories, 21 June 2021, Online.

lok, susan pui san (2021) between the voice between the words between the work between us. Oxford Art Journal, 43 (2). pp. 195-219. ISSN 0142-6540

de la Haye, Amy and Pel, Martin (2017) Gluck: Art and Identity. Yale University Press, London. ISBN 9780300230482

de Menezes, Caroline (2018) Curatorship and Post-Duchampian Art in Transnational Contexts. PhD thesis, University of the Arts London.

Young, Carey (2011) Contribution to MoMA conference: Contemporary Art Forum: Art Speech—A Symposium on Symposia. In: Contemporary Art Forum: Art Speech—A Symposium on Symposia, 21 - 22 May 2011, Museum of Modern Art, New York. (Unpublished)

Yamamoto, Hiroki (2018) The Art of Decolonisation: On the Possibility of Socially Engaged Art in the Postcolonial Context of East Asia. PhD thesis, University of the Arts London.

Withers, Rachel and Archer, Michael and Curtis, Penelope and Gunning, Lucy (2007) Conversation: Rachel Withers and Lucy Gunning. In: Lucy Gunning. Matt’s Gallery London, distributed by Cornerhouse, Manchester, pp. 3-25. ISBN 978-0-907623-52-6

Wilson, Stephen and Jaffe, Deborah (2017) Memories of the Future: On Countervision. Cultural Memories (6). Peter Lang AG, International Academic Publishers, Oxford, Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Wien. ISBN 9781787075757

Wilson, Stephen (2009) Every alter ego has a different memory. In: Dancing with men: interactive performances, interventions and other artworks. Live Art Development Agency, pp. 51-71. ISBN 9780954604073

Wilson, Stephen (2011) Fiction Characters. In: ADVENTURE-LANDING: a compendium of animation. Revolver, Berlin, pp. 166-173. ISBN 9783868950342

Wilson, Stephen (2012) Unpainting Collodi's Fireplace. In: Pinocchio, Puppets and Modernity: The Mechanical Body. Children's literature and culture . Routledge, New York; London, pp. 109-134. ISBN 9780415890960

Willson, Jacki (2008) The Happy Stripper: Pleasures and Politics of the New Burlesque. I.B.Tauris, London and New York. ISBN 978-1-84511-318-6

Wilder, Ken (2020) Beholding: Situated Art and the Aesthetics of Reception. Bloomsbury, London and New York. ISBN 978-1-3500-8840-5

Wilder, Ken (2007) Negotiating Painting's Two Perspectives: a Role for the Imagination. Image & Narrative, 18. ISSN 1780678X

Wilder, Ken (2011) Neither here nor elsewhere: displacement devices in representing the supernatural. Estetika: Central European Journal of Aesthetics, 2011 (1). ISSN 00141291

Wilder, Ken (2010) Neither here nor elsewhere: displacement devices in representing the supernatural. In: Proceedings of the European Society of Aesthetics. European Society for Aesthetics, pp. 532-543.

Whitelegg, Isobel (2010) Gasworks International Residency Programme. Arte al Dia International, 131. pp. 68-71. ISSN 03274807

Whitelegg, Isobel (2009) The bienal de São Paulo: unseen/undone (1969—1981). Afterall (22). pp. 106-113. ISSN 14654253

White, Duncan (2012) Media Prepositions for ‘Platon’s Mirror’: Echo/Shadow/Light. In: Platon's mirror and the actuality of the cave allegory: inspired by projections by Mischa Kuball. König, Köln, pp. 99-114. ISBN 9783863351083 (English edition); 9783863351045 (German edition)

White, Duncan (2008) Unnatural fact: the fictions of Robert Smithson. Journal of Writing in Creative Practice, 1 (2). pp. 161-175.

Westwood, Martin (2017) Juno Moneta Atlas: Warburgian production or performing context change. Philosophy of Photography, 8 (1-2). pp. 119-130. ISSN 2040-3682

Westwood, Martin (2016) Juno Moneta Atlas: Warburgian production or performing context-change. In: 'The Warburg Haus: Apparatus, Inscription, Data, Speculation', Kulturwissenschaftliche Bibliothek Warburg (KBW), Warburg Haus, Hamburg, Germany.

Wells, Thereza (2008) Introduction. In: Notebooks / Leonardo da Vinci. Oxford World's Classics . Oxford University Press, Oxford, xiii-xxxiii. ISBN 9780199299027

Wells, Thereza (2013) The Madonna of the Yarnwinder: Conservation History and the Painting’s Influence. In: Leonardo da Vinci's technical practise. Paintings, drawings and influence. Éditions Hermann, Paris. ISBN 9782705684556

Wells, Alda Thereza and Wallace, Marina (2010) ‘Il Valore dell’Arte Italiana’ in Vol X, Italian Art and the History of the Visual, Encyclopedia of Italian Culture, UTET, 2010. In: La Cultura Italiana. Unione Tipografico-Editrice Torinese (UTET), Turin, pp. 502-518. ISBN 978-88-02-08133-5

Watson, Gray (2006) New Makers of Modern Culture. In: New Makers of Modern Culture. Routledge, Various. ISBN 9780415338318

Watanabe, Toshio (2013) 1910 Japan-British exhibition and the art of Britain and Japan. In: Commerce and Culture at the 1910 Japan-British Exhibition: Centenary Perspectives. Global Oriental, Leiden & Boston, pp. 123-133. ISBN 978-90-04-22916-7

Watanabe, Toshio (2010) 1910: Japan-British exhibition and the art of Britain and Japan. In: 1910: Japan-British exhibition and the art of Britain and Japan, 15 June 2010, Japan Foundation, London.

Watanabe, Toshio (2010) 1910: Japan-British exhibition and the art of Britain and Japan. In: , 30th October 2010, International House, Tokyo. (Unpublished)

Watanabe, Toshio (2010) 20th Century Japonisme: its story between the 1920s and 1950s. In: Orientalism/Occidentalism: Languages of Cultures vs. Languages of Description Location, 23rd -25th September 2010, Russian Academy of State Service at the President of the Russian Federation. (Unpublished)

Watanabe, Toshio (2015) Alfred Parsons, RA, PRWS (1847-1920) and the Japanese Watercolour Movement. In: Britain & Japan: Biographical Portraits. Renaissance Books, Folkestone, pp. 284-296. ISBN 978-1-898823-16-2

Watanabe, Toshio (2012) The Art Historical Canon and the Transnational. In: The Challenge of the Object (CIHA Congress), 15-20 July 2012, Nuremberg, Germany. (Submitted)

Watanabe, Toshio (2014) The Art Historical Canon and the Transnational. In: The Challenge of the Object = Die Herausforderung des Objekts. Wissenschaftliche Beibände zum Anzeiger des Germanischen Nationalmuseums (32). Verlag des Germanischen Nationalmuseums, Nuremberg, Germany, pp. 1505-1507. ISBN 978-3-936688-66-5

Watanabe, Toshio (2010) East meets west: fashion crosses continents. In: Future Beauty: 30 Years of Japanese Fashion, 25th November 2010, Barbican Centre, London. (Unpublished)

Watanabe, Toshio (2012) Forgotten Japonisme. In: La creación artistica como puente entre Oriente y Occidente. Grupo de Investigación Completense Arte de Asia, Grupo de Investigación ASIA, Madrid. ISBN 978-84-608-1263-0

Watanabe, Toshio (2007) Japanese Landscape Painting and Taiwan: Modernity, colonialism and national identity. In: Refracted Colonial Modernity: Taiwanese Art and Design. University of Hawai'i Press, pp. 67-81. ISBN 9780824830502

Watanabe, Toshio (2007) Loss of historicity as Identity: The Theory of Japanese Garden by Josiah Conder. In: Traditional Arts and Crafts in the 21st Century: Reconsidering the Future from an International Perspective.

Watanabe, Toshio (2011) Mizue: an alternative art magazine promoting Anglophilia, modern landscape and watercolor movement. In: International Convention of Asian Scholars (ICAS)/Association of Asian Stuides(AAS) Conference, 30 March - 3 April 2011, Honolulu, Hawaii. (Unpublished)

Watanabe, Toshio (2011) Modern Japanese gardens. In: Since Meiji: Perspectives on the Japanese Visual Arts, 1868-2000. University of Hawai'i Press, Honolulu. ISBN 9780824834418

Watanabe, Toshio (2018) Nude Art, Censorship and Modernity in Japan: from the ‘Knickers Incident’ of 1901 to now. In: The Persistence of Taste: Art, Museums and Everyday Life After Bourdieu. Routledge. ISBN 9781138670983

Watanabe, Toshio (2013) Rinpa and Japonisme. In: Reconsidering Early Modern Yamato-e: Perspectives from Japan, the UK, and the USA. Brücke, Tokyo. ISBN 9784434183836

Watanabe, Toshio (2012) What is Japonisme? terminology and interpretation. In: Art of Japan, Japanisms and Polish-Japanese Art Relations. Polish Institute of World Art Studies & Tako Publishing House, Torun, Poland, pp. 215-218. ISBN 978-83-62737-16-1

Watanabe, Toshio (2010) What is Japonisme? terminology and interpretation. In: Art of Japan, Japanisms and Polish-Japanese Art Relations, 21st - 23rd October 2010, Manggha Museum of Japanese Art and Technology, Krakow. (Unpublished)

Watanabe, Toshio (2010) Why censor a nude painting? Kuroda Seiki and the nude painting controversy. In: Censure, Autocensure et Tabous. Actes du quatrieme colloque d'etudes japonaises de l'Universite de Strasbourg . P. Picquier, Arles, pp. 188-199. ISBN 9782809702569

Watanabe, Toshio (2010) The establishment of the concept of nature in modern Japan. In: Sensing Nature. Mori Museum of Art, Tokyo, pp. 108-115.

Walsh, Maria and Throp, Mo (2014) The MAKE Archive: Re-contextualising Recurring Themes. In: Association of Art Historians Annual Conference, 2014, Royal College of Art.

Walsh, Maria and Kokoli, Alexandra (2022) Trauma and repair in the museum: an introduction. Psychoanalysis, Culture and Society, 27 (1). pp. 4-19. ISSN 1088-0763

Walsh, Maria (2017) Acts of laughter, acts of tears: The production of ‘truth-effects’ in Oriana Fox’s ‘The O Show’ and Gillian Wearing’s ‘Self Made’. NECSUS European Journal of Media Studies, Spring (2017). ISSN 2213-0217

Walsh, Maria (2016) ‘Archiving Loss in The Green Backyard: Jessie Brennan’s Recollection-objects’. In: Re: development: Voices, Cyanotypes & Writings from The Green Backyard. Metal, Peterborough, pp. 88-90.

Walsh, Maria (2012) Art and psychoanalysis. Art and- . I.B.Tauris Publishers, London, UK. ISBN 9781848857988

Walsh, Maria (2022) Biennale de l’Image en Mouvement (Biennial of Moving Image) ’21: A Goodbye Letter, A Love Song, A Wake-Up Call, curated by DIS and Andrea Bellini. Moving Image Review & Art Journal (MIRAJ), 11 (1). pp. 120-126. ISSN 2045-6301

Walsh, Maria (2019) Female Solidarity as Uncommodified Value: Lucy Beech’s Cannibals and Rehana Zaman’s Some Women, Other Women and all the Bittermen. In: Women Artists, Feminism and the Moving Image. Bloomsbury, London and New York, pp. 229-244. ISBN 9781784537005

Walsh, Maria (2024) Flagging It Up, Zarina Bhimji, curated by Fiona Bradley, Fruitmarket, Edinburgh, 28 October 2023–28 January 2024. Moving Image Review & Art Journal (MIRAJ), 12 (2). pp. 276-282. ISSN 2045-6301

Walsh, Maria (2023) From “Lure” to “Cure”. From Critical Spectatorship to a Relational Space of Reverie. View. Theories and Practices of Visual Culture (35). ISSN 2300-200X

Walsh, Maria (2013) I Object. Art Monthly (371). pp. 9-12. ISSN 0142-6702

Walsh, Maria (2020) Kadie Salmon’s Moon Bathing: Performative Self-Othering in a Lunar Landscape London. In: Kadie Salmon. New Art Projects, London, pp. 62-71. ISBN 9781527211230

Walsh, Maria (2021) Last Stand: The Lookout as Protest. In: Falling Away: Catherine Yass at Ambika P3. University of Westminster, London, pp. 40-47. ISBN 9780992965761

Walsh, Maria (2007) The Light Fantastic: Angela Bulloch interviewed by Maria Walsh. In: Talking Art Monthly: Interviews with Artists since 1976. Ridinghouse, London, pp. 567-573. ISBN 9781905464043

Walsh, Maria (2017) 'Lis Rhodes interviewed by Maria Walsh: Structural Slips'. In: Talking Art 2: Art Monthly interviews with artists since 2007. Ridinghouse, London, pp. 450-455. ISBN 9781909932425

Walsh, Maria (2007) Lost in Translation: Tacita Dean interviewed by Maria Walsh. In: Talking Art Monthly: Interviews with Artists since 1976. Ridinghouse, London, pp. 582-587. ISBN 9781905464043

Walsh, Maria (2019) Off With Their Heads. In: Rachel Maclean. Zabludowicz Collection, London.

Walsh, Maria (2019) The “Paradoxical Gift” of Another Woman’s Dreams: Daria Martin’s Tonight the World. In: Daria Martin: Tonight the World. Barbican Art Gallery, London, pp. 9-13. ISBN 9780995708259

Walsh, Maria (2021) Performative 'healing' and/in Rehana Zaman’s Sharla Shabana Sojourner Selena. In: Inquiring healing across screen cultures: Recuperating narratives, mediums, and creativities, 1-2 June 2021, Online.

Walsh, Maria (2022) Performative ‘Healing’ in Artists’ Moving Image. In: NECS Conference 2022: Epistemic Media: Atlas, Archive, Network, 22-26 June 2022, Bucharest.

Walsh, Maria (2021) Planetary Thinking: Re-encountering Nancy Holt’s and Robert Smithson’s Mono Lake (1968/2004). Moving Image Review & Art Journal (MIRAJ), 9 (2). pp. 154-160. ISSN 2045 6298

Walsh, Maria (2021) Remoter Viewing. Art Monthly (450). pp. 8-11. ISSN 0142-6702

Walsh, Maria (2018) Rose Finn-Kelcey: Life, Belief and Beyond. Moving Image Review & Art Journal (MIRAJ), 7 (1). pp. 168-175. ISSN 20456298

Walsh, Maria (2022) Still Present! - 12th Berlin Biennale for Contemporary Art. Moving Image Review & Art Journal (MIRAJ), 11 (2). pp. 270-277. ISSN 2045-6301

Walsh, Maria (2020) Therapeutic Aesthetics: Performative Encounters in Moving Image Artworks. Radical Aesthetics . Bloomsbury, London and New York. ISBN 978-1-350-09315-7

Walsh, Maria (2021) To Return (Home) is to Become (Unhomely): Reflections on Katharine Fry’s Please Call Me Home.

Walsh, Maria (2013) Tracing a Maternalised Optics. In: Rebecca Fortnum: Self-Contained. RGAP (Research Group for Artists), Sheffield, pp. 69-76. ISBN 9780956902467

Walsh, Maria (2023) Unlearning Imperialism in the Gallery: Diasporic Reanimation of Art and Archives. Stedelijk Studies Journal (12). ISSN 2405-7177

Walsh, Maria (2021) Who is the 'Self' in Self-care? In: Creative Practices, Education and Wellbeing Research Network, 28 April 2021, Online.

Walsh, Maria (2008) Zizek, Deleuze, and the Feminine Cinematic Sublime. Rhizomes (16). ISSN 1555-9998

Walsh, Maria (2024) Sirah Foighel Brutmann and Eitan Efrat: Là. Burlington Contemporary. ISSN 2631-5661

Walsh, Maria (2024) Trauma and Repair in the Museum. In: Trauma and Re-traumatization in the Museum and Provenance Research, 27-29 May 2024, GRASSI Museum for Ethnology, Leipzig, Germany.

Walsh, Maria (2024) A few provocations on trauma in the artwork versus in the museum collection: could the museum be like an artwork? In: Workshop, 28 May 2024, GRASSI Museum for Ethnology, Leipzig, Germany.

Wallace, Marina (2013) Culture Takeaway. In: UAL Professorial Platform Series 2012-13, 23 May 2013, Central Saint Martins, Granary Building, 1 Granary Square, King's Cross, London N1C 4AA.

Wallace, Marina (2013) The Fluidity of Acceptability: Seduced by Art and Pornography and the Kinsey Institute Collection. In: Pornographic Art and the Aesthetics of Pornography. Palgrave Macmillan, pp. 274-286. ISBN 9780230368200

Wallace, Marina (2011) The Lives of Paintings: Seven Masterpieces by Leonardo Da Vinci. Zidane Press and Artakt. ISBN 9780956267882

Wallace, Marina (2009) The mystery of the tattered glove and the dissected knee in the anatomy lesson of Professor Roell. In: Acts of Seeing: Artists, Scientists and the History of the Visual. Zidane Press and Artakt, pp. 34-44. ISBN 97809554850–8–4

Voss, Georgina (2018) Wakefulness, Wine, Noise and Shouts. In: Artificially Intelligent. V&A Publishing/Thames & Hudson. ISBN 9781527229402

Voelcker, Becca (2021) Landscape Theory in Post-War Japanese Cinema: Fūkeiron in Adachi Masao’s A.K.A. Serial Killer. In: Penser l’espace avec le cinéma et la littérature. Film Cultures, 10 . Peter Lang, New York. ISBN 9781433176289

Vodanovic, Lucia and Ossandón, José (2012) Disturbios Culturales. Ediciones UDP, Santiago. ISBN 978-956-314-171-9

Vilalta, Helena and Leckie, Robert and Blocker, Antonia (2011) All I Can See is the Management. [Show/Exhibition]

Vilalta, Helena and Carneiro da Cunha, Manuela (2014) Yanomami, Let's Talk. Afterall. ISSN 14654253

Vilalta, Helena (2010) Landscape in Motion. In: Filipa César: Montrage. Argobooks, Berlin. ISBN 978-3-941560-94-9

Vilalta, Helena (2016) Mattering Information: Lee Lozano and Cybernetics. In: Association of Art Historians Annual Conference, 7 - 9 April 2016, University of Edinburgh.

Vilalta, Helena (2015) No Future. herbst. Theorie zur Praxis. pp. 24-29.

Vilalta, Helena (2014) Researchers Researching Research: 1st Bergen Assembly. Afterall Online.

Vaz, Maria Suzana Mendes da Silva (2012) The Archaic Makes the Avant-garde. Experimental Practice and Primordial Image. Reading the Brazilian Post-neoconcrete and the Japanese Gutai Artists Through Mircea Eliade and Carl Gustav Jung. PhD thesis, University of the Arts London.

Uhlirova, Marketa and Elcott, Noam (2016) Considering Pop Culture's Fascination with Invisibility (an interview with Noam Elcott). AnOther.

Tynan, Jane (2018) Aesthetics, Reality and New Warfare. In: War for Presence: Art, Conflict and Identity at the Art-IR Nexus, Kings College London, UK.

Tynan, Jane (2016) Researching the visual and material cultures of war and conflict. In: The Routledge Companion to Military Research Methods. Routledge, Abingdon, pp. 301-316. ISBN 9781472442758

Tynan, Jane (2015) The unmilitary appearance of the 1916 rebels. In: Making 1916: Material and Visual Culture of the Easter Rising. Liverpool University Press, Liverpool, pp. 25-33.

Tlalim, Tom (2017) The Sound System of the State: Sonic Strategies for Political Critique at the Borders of Palestine-Israel. PhD thesis, Goldsmiths University of London.

Tillotson, Zoe (2007) Ephemeral Art: A Philosophical Proposition about the Nature of Time and Being. PhD thesis, University of the Arts London.

Tatchell, Nick (2009) 'Caracas Centrifugal' - Jaime Gili. In: 'Caracas Centrifugal' - Jaime Gili, 21/10/2009, Lecture Theatre Chelsea College of Arts and Design.

Tatchell, Nick (2011) José Roca - Essays in Geopoetics: the notion of territory critically redefined from the perspective of artistic practice. In: TrAIN Open Lecture, 19/10/2011, Lecture Theatre - Chelsea College of Art and Design.

Tan, Erika and Shabbir Hussain, Mustafa (2009) Persistent Visions. NUS Museum/Vargas Museum, Singapore/Philipines.

Talbot, Emma (2016) Unravel These Knots. In: Intimacy Unguarded: Gender, the Unconscious and Contemporary Art, 27 February 2016, Anna Freud Centre, London.

Swinson, James (2010) At the nerve end of our dreams. In: Scent of invisible footprints: the sculpture of Pitika Ntuli. University of South Africa Press, Pretoria, South Africa. ISBN 9781868886234, 1868886239

Sutcliffe, Paul J.C. (2005) Contemporary Art in Japan and Cuteness in Japanese Popular Culture. PhD thesis, University of the Arts London.

Sturgis, Daniel (2019) Grit and Vitality, Daniel Sturgis on Joan Snyder at Blain Southern, London. Texte sur Kunst (115). pp. 234-239.

Stevenson, Caroline (2018) Fashioning the Contemporary Artist: The Spatial Biography of Sue Tompkins. In: Fashioning Professionals: Identity and Self Representation at Work. Bloomsbury, London. ISBN 9781350001862

Stephens, Tim (2012) From Palimpsest and Pentimento to Decalcomania: A presentation of the works of Jean-Yves Michalik. In: Beyond Representation: Photography, Humans & Computers, 24 May 2012, Centre for Media & Culture Research, London South Bank University.

Stephens, Tim (2021) How is Buddhism Influencing Contemporary Art? In: Buddhism in Five Minutes. Religion in Five Minutes . Equinox Publishing Limited, Sheffield, pp. 259-263. ISBN 9781800500891

Stephens, Tim (2024) Mixed Forms in Visual Culture, Mary Anne Francis (2021). Journal of Writing in Creative Practice, 16 (1). pp. 135-155. ISSN 1753-5204

Stephens, Tim (2023) Photographic Non-Self. In: Handbook of Research on the Relationship Between Autobiographical Memory and Photography. Advances in Media, Entertainment, and the Arts (AMEA) . IGI Global, Pennsylvania, pp. 485-509. ISBN 9781668453377

Stephens, Tim (2011) Walking as Photographic Reinterpretation. In: EastBordNet ISO803 Remaking Borders, 20-22 January 2011, Monastero dei Benedettini, Catania Sicily.

Stephens, Tim (2010) What is rhythm in relation to photography? Philosophy of Photography, 1 (2). pp. 157-175. ISSN 2040-3682

Steeds, Lucy and Lafuente, Pablo and Esche, Charles (2010) Exhibiting the New Art: 'Op Losse Schroeven' and 'When Attitudes Become Form' 1969. Exhibition Histories, 1 . Afterall, London, UK. ISBN 9783865608598/9781846380747

Steeds, Lucy (2015) Biennial Exhibition Histories, Against the Grain: Juraci Dórea’s Projeto Terra in São Paulo, Venice and Havana. In: Making Biennials in Contemporary Times: Essays from the World Biennial Forum No.2. Biennial Foundation, Fundação Bienal de São Paulo, Instituto de Cultura Contemporânea, Amsterdam and Sao Paulo, pp. 37-45.

Steeds, Lucy (2015) 當代藝術、策展實踐與多元文化脈絡下的多重展覽史 (‘Contemporary Art, Curating and Exhibition Histories’). Art Critique of Taiwan | ACT 藝術觀點 (64). ISSN 1561-1493

Steeds, Lucy (2019) Curating After the Global: Roadmaps for the Present. The MIT Press. ISBN 9780262537902

Steeds, Lucy (2016) An Exhibitions Anthology. In: Reflections on Archives, Museum and Special Collections. University of the Arts London. ISBN 9781906908423

Steeds, Lucy (2015) Exhibitions [of Drawings] in Britain, 1964–80 / Expositions [de dessin] en Grande-Bretagne, 1964–1980. In: Towards Visibility – Exhibiting Contemporary Drawing – 1964-1980 / Vers le visible – Exposer le dessin contemporain – 1964-1980. Roven éditions and Musée Jenisch, Paris and Vevey, pp. 54-85. ISBN 978-2-918450-27-6 / 978-2-918450-24-5

Steeds, Lucy (2014) Exhibitions and the City: To Accelerate or Pause? Two Asia-Pacific Case Studies. Yishu: Journal of Contemporary Chinese Art, 13 (2). pp. 117-126. ISSN 1683-3082

Steeds, Lucy (2019) Exposability: On the Taking-Place in Future of Art. In: Theater, Garden, Bestiary: A Materialist History of Exhibitions. The MIT Press, pp. 75-84. ISBN 9783956794551

Steeds, Lucy (2015) 'Goshka Macuga, "Picture Room", 2003'. Mousse Magazine (48). pp. 22-37. ISSN 2035-2565

Steeds, Lucy (2017) 'Goshka Macuga, "Picture Room", 2003' [republished 2017]. In: The Artist as Curator: An Anthology. Mousse Publishing, Milan, pp. 324-339.

Steeds, Lucy (2017) How Institutions Think: Between Contemporary Art and Curatorial Discourse. The MIT Press, US. ISBN 978-0-262-53432-1

Steeds, Lucy (2013) Making Art Global (Part 2): 'Magiciens de la Terre' 1989. Exhibition Histories, 4 . Afterall, London. ISBN 9781846381188; 9783863352585

Steeds, Lucy (2015) ‘Unhinging Prehistory, Unbecoming Humanity: Georges Bataille on Lascaux’. In: Allegory of the Cave Painting. Extra City Kunsthal and Mousse Publishing, Antwerp and Milan, pp. 95-114. ISBN 9788867491162

Steeds, Lucy (2016) What is the Future of Exhibition Histories? Or, Toward Art in Terms of Its Becoming-Public. In: The Curatorial Conundrum: What to Study? What to Research? What to Practice? The MIT Press. ISBN 9780262529105

Smith, Donald and Gleadowe, Teresa (2009) Dematerialised: Jack Wendler Gallery, 1971 to 1974. [Show/Exhibition]

Smith, Donald (2012) Neue Slowenische Kunst 1984-1992. [Show/Exhibition]

Smith, Dan (2015) Reading Correspondences Through the Virtual Feminist Museum. Comics Forum.

Sliwinska, Basia and Dormor, Catherine (2016) The gift of transnational belonging in Joanna Rajkowska’s art practice. In: Gender, Sexuality and Citizenship. Thirteenth Annual Conference in Citizenship Studies, 31.03-02.04.2016, Wayne State University, Detroit.

Sliwinska, Basia and Davis, August Jordan (2016) Introduction to Third Text special issue 'Trans-figurations: Transnational Perspectives on Domestic Spaces'. Third Text, 5 (4). pp. 247-255. ISSN 0952-8822

Sliwinska, Basia and Bohr, Marco (2017) Edge Effect: New Image Formations and Politics of Identity. In: Mediated Intimacies: connectivities, relationalities and proximities. Routledge, London, New York, pp. 73-85. ISBN 9781138631878

Sliwinska, Basia and Bohr, Marco (2015) Edge Effect: Politics of Identity across Physical and Virtual Spheres. In: Sixth International Conference On the Image - Media Materiality: Towards Critical Economies of "New" Media, 29-30 October 2015, Clark Kerr Conference Center, University of California at Berkeley, USA.

Sliwinska, Basia and Bohr, Marco (2018) Introduction. In: The Evolution of the Image Political Action and the Digital Self. Routledge Advances in Art and Visual Studies . Routledge, New York, pp. 1-11. ISBN 97811382160372

Sliwinska, Basia (2017) Be(long)ing in a global home – Joanna Rajkowska’s Soon Everything will change (2014) and transnational communal spatial environments. In: The College Art Association 105th Annual Conference, 15-18.02.2017, New York, USA.

Sliwinska, Basia (2020) Cathy Wilkes' care-full matter-scapes: female affects of care, feminist materiality and vibrant things. Journal of Visual Art Practice, 18 (4). pp. 285-304. ISSN 1758-9185

Sliwinska, Basia (2016) Communal breathing and belonging – the gift of space. In: Penetrable / Traversable / Habitable: Exploring Spatial Environments by Women Artists in the 1960s and 1970s, 19-20 May 2016, Centro de Arte Moderna - Fundação Calouste Gulbenkian, Lisbon, Portugal.

Sliwinska, Basia (2018) The Evolution of the Image: Political Action and the Digital Self. Routledge, New York. ISBN 9781138216037

Sliwinska, Basia (2016) The Female Body in the Looking-Glass: Contemporary Art, Aesthetics and Genderland. International Library of Cultural Studies . I.B.Tauris, London. ISBN 9781780766447

Sliwinska, Basia (2017) Healing Female Force of Kyra Belan's 'Symbolic Magic'. In: Symbolic Magic. Create Space. ISBN 9781974579501

Sliwinska, Basia (2017) Homemaking and belonging with/in space. In: The Cookbook with Home Metaphors. Fundacja Razem Pamoja, Krakow. ISBN 9788394805302

Sliwinska, Basia (2018) Mobile places and the 'cyborg body'. Feminine embodied net-community of #CzarnyProtest/ #blackprotest'. In: The Evolution of the Image. Political Action and the Digital Self. Routledge, New York, pp. 59-72. ISBN 9781138216037

Sliwinska, Basia (2016) My body. My choice.’ I am a ‘some body’, not a ‘no body’! LYRA, 2.

Sliwinska, Basia (2016) Transnational Embodied Belonging within ‘Edge Habitats’. Third Text, 29 (4). pp. 287-309. ISSN 0952-8822

Sliwinska, Basia (2015) The ‘aesthetics of pedestrianism’ and the politics of belonging in contemporary women’s art. In: Flâneur New Urban Narratives, 12-13.05.2015, Teatro Municipal São Luiz, Lisbon, Portugal.

Sliwinska, Basia (2016) The ‘aesthetics of pedestrianism’ and the politics of belonging in contemporary women’s art. In: Flâneur New Urban Narratives. Procur.arte, Lisbon, pp. 26-47. ISBN 9789899538733

Sliwinska, Basia (2017) The female body as a consumer object: from ‘edible woman’ to ‘some body’. In: History of Consumer Culture: Objects, Desire and Sociability, 23-25.03.2017, Gakushuin University, Tokyo.

Skelton, Pam (2010) Konspirative Wohnungun/Conspiracy Dwellings: A Personal Report. In: Conspiracy Dwellings: Surveillance in Contemporary Art. Cambridge Scholars Publishing, pp. 1-17. ISBN 9781443819053

Sinclair, Jeanie (2022) ‘The Most Wonderful Wonderful Parties’ Gossip and anecdote as feminist epistemology in women’s oral histories of the creative community in postwar St Ives. PhD thesis, University of the Arts London and Falmouth University.

Simpson, Nicola (2018) right mind-minding: the practice and transmission of Zen and Tantric Buddhist method practices in the poemobjects of Dom Sylvester Houédard, 1960-1975. PhD thesis, Norwich University of the Arts.

Silverthorne, Diane (2018) Music, Art and Performance: From Liszt to Riot Grrrl The Musicalisation of Art. Bloomsbury Visual Arts, Bloomsbury Publishing plc, New York, London. ISBN 978-1-501303013-1; 978-1-5013-3014-8

Silverthorne, Diane (2018) Continuities and Discontinuities: The House and Garden as Rational and Psychical Space in Vienna's Early Modernism. In: Flow Interior, Landscape and Architecture in the Era of Liquid Modernity. Bloomsbury, New York, London, Oxford. ISBN 9781472567994

Silverthorne, Diane (2015) 'Music and Immanence The 1902 Beethoven Exhibition and the Vienna Secession'. In: Music and Transcendence. Routledge (Taylor and Francis Group) with Ashgate, pp. 147-158. ISBN 978-1-4724-1595-0

Silverthorne, Diane (2019) Vienna-London Passage to Safety: The Portrait Photographer As Secondary Witness in Post-Anschluss Émigré Narratives. Austrian Studies, 26. pp. 252-269. ISSN 1350-7532

Silverthorne, Diane (2014) 'Wagner's Gesamtkunstwerk'. In: The Routledge Companion to Music and Visual Culture. Routledge (Taylor and Francis Group), New York, NY and Abingdon, Oxford, pp. 246-254. ISBN 978-0-415-6295-6

Selejan, Ileana L. and Campbell, Andrianna (2017) Margin of Life: Post-war Concerned Photography in Mexico and Guatemala, 1947–1960. In: Collaboration and its (Dis)Contents: Art, Architecture, and Photography since 1950. Courtauld Books Online. ISBN 978-1-907485-07-7

Selejan, Ileana L. (2020) Actions Situations Possible Scenarios. Membrana, 4 (2). pp. 50-54. ISSN 2463-8501

Selejan, Ileana L. (2016) Charlotte Brooks at LOOK, 1951­-1971. [Show/Exhibition]

Selejan, Ileana L. (2020) Women’s Work: Photographers of the Sandinista Revolution. Photography and Culture, 13 (3-4). pp. 339-355. ISSN 1751-4525

Selejan, Ileana L. (2014) The reVoltaire Archive, Slightly further than a million light-years away. NMC Media-N, Journal of the New Media Caucus. ISSN 1942-017X

Sandino, Linda and Pye, Matilda and Saumarez Smith, Charles and Avery Quash, Susanna and Marsden, Christopher and Timmers, Margaret and Cummings, Neil and Fleming, Martha and Storrie, Calum and Ahl, Zandra and Harrison, Keith and Atha, Christine and Greenhalgh, Paul (2013) Artists Work in Museums: Histories Interventions Subjectivities. Wunderkammer Press, Bath Spa University, Bath. ISBN 978-0-9566462-8-6

Sabin, Roger and Grennan, Simon and Waite, Julian (2018) Marie Duval. Myriad Editions, UK. ISBN 978-0-9955900-9-0

Sabin, Roger and Grennan, Simon and Waite, Julian (2020) Marie Duval: Maverick Victorian cartoonist. Interventions: Rethinking the Nineteenth Century . Manchester University Press. ISBN 978-1-5261-3356-4

Sabin, Roger and Grennan, Simon and Waite, Julian (2023) Marie Duval: the methods and politics of attribution. In: Nineteenth-century women illustrators and cartoonists. Manchester University Press, Manchester. ISBN 978-1-5261-6169-7

Sabin, Roger (2014) Ally Sloper, Victorian comic book hero: interpreting a comedy type. In: Visual Communication. Handbooks of communication science, 4 . De Gruyter Mouton, Berlin, pp. 429-444. ISBN 9783110255492

Sabin, Roger (2021) Framing pre-1914 British Comics. In: Framing [in] Comics and Cartoons: Essays on Aesthetics, History and Mediality. Ch. A. Bachmann Verlag, Germany. ISBN 978-3-96234-013-1

Ryan, Nicky (2006) Interview: Gambling on Contemporary Art in Vegas. The Art Book, 13 (3). pp. 14-15. ISSN 1368-6267

Rowe, Lois (2015) Meet the artist running for election with absolutely no policies. The Conversation.

Rowe, Lois (2014) Turner Prize show fails to live up to potential of shortlist. The Conversation.

Rowe, Lois (2014) The internet is not going to sap originality from art. The Conversation.

Rossi, Mario (2019) The Most Dangerous Game. Journal of Contemporary Painting, 5 (2). pp. 273-296. ISSN 2052-6695

Ribeiro, Aileen and Blackman, Cally (2015) A Portrait of Fashion. National Portrait Gallery, London, London, UK. ISBN 9781855145566

Revell, Tobias and Kane, Natalie (2015) Haunted Machines: Alchemy. [Art/Design Item]

Reimers, Anne (2018) Against Kunstkonfektion: Art and the Problem of Fashion in 1920s German Arts Criticism. In: Signs and Symbols: Dress at the Intersection between Image and Realia. De Gruyter, Berlin. ISBN 9783110515909

Reimers, Anne (2011) Cool glamour: fashion and identity in Christian Schad's portrait "Sonja" (1928). In: Fashion: Exploring Critical Issues, 3rd Global Conference, 22-25 September 2011, Mansfield College, Oxford University, UK.

Reimers, Anne (2015) Dance, drugs and vampiric people: Anita Berber and Otto Dix, Berlin 1925. In: Disseminating Dress: Britain and the Fashion World, 28-30 May 2015, University of York.

Reimers, Anne (2001) Ein Holzschnitt von Herzog Phillip dem Guten von Burgund in der Cronycke van Hollandt Zeelandt ende Vrieslandt, Leiden 1517. In: Genie ohne Namen: der Meister des Bartholomäus-Altars / Genius without a Name: The Master of the Bartholomew-Altarpiece. Dumont, Cologne.

Reimers, Anne (2014) From Fashion Icon to Incarnation of the Abject: Anita Berber and Otto Dix. In: Vile Women: Female Evil in Fact, Fiction and Mythology. Inter-Disciplinary Press, Oxford. ISBN 9781848882881

Reimers, Anne (2013) From fashion icon to priestess of depravity: the dancer Anita Berber in 1920s Berlin. In: Evil, Women and the Feminine, 18-20 May 2013, Prague.

Reimers, Anne (2018) Inscribing Temporality, Containing Fashion: Otto Dix’s Portrait of the Dancer Anita Berber recontextualised. Art History, 41 (4). pp. 680-709. ISSN 1467-8365

Reimers, Anne (2016) Modeallüre oder Zeittendenz? Zeitlichkeit, Modebegriffe und die Grenzen der Kunstgeschichte in der Kunstkritik der Weimarer Republik. In: Lecture Series 'Herausgefordert von der Gegenwart: Fragen der kunstkritischen Praxis gestern und heute', 1 June 2016, Art History Department, University of Bochum, Germany.

Reimers, Anne (2015) On aesthetic pleasure: the problem of 'fashion' in 1920s German art journals. In: Association of Art Historians (AAH) Summer Symposium 2015: Fashion & Art History, 29-30 June 2015, University of York, UK.

Reimers, Anne (2022) Otto Dix and Weimar Media Culture: Time, Fashion and Photography in Portrait Paintings of the Neue Sachlichkeit. German Visual Culture . Peter Lang Academic Publishers, Oxford. ISBN 9781800791237

Reimers, Anne (2023) Sotheby's. In: Bloomsbury Art Markets. Bloomsbury Visual Arts, London.

Reimers, Anne (2016) Temporality, Style and the Vocabulary of Fashion in 1920s German Arts Criticism. In: Signs and Symbols: Dress at the Intersection Between Image and Realia, 18-21 February 2016, Humboldt University, Berlin, Germany.

Reimers, Anne (2024) "The most burning question for contemporary thinking about art": Art Competitions and the Discourse on Painting in Reproduction in Weimar Germany. In: Historic Avant-Garde Work on Paper. Routledge Research in Art History . Routledge, New York. ISBN 9781032537351

Reimers, Anne (2024) Foujita, Fashion, and the Aesthetic Codification of the Male Modern Artist. In: Dress and Painting: Clothing and Textiles in Art, 7-8 October 2024, Tower of London.

Reiber, Bettina (2005) Where Does that Leave the Introverts? A Critique of Modernist Art Theory from a Jungian Perspective. Harvest, International Journal for Jungian Studies (Special Issue: Art and Image), 51 (2). pp. 124-143. ISSN 0266-4771

Rebernjak, Rujana (2022) Self-management on Display: Negotiating the Visions of Yugoslav Socialist Modernity at Expo 58 and Porodica i domacinstvo Exhibitions, Rujana Rebernjak. In: Exhibitions Beyond Boundaries: Transnational Exchanges through Art, Architecture, and Design 1945-1985. Bloomsbury Visual Arts, London, pp. 77-96. ISBN 978-1-3500-8848-1

Quinn, Malcolm (2018) Introduction: Taste, Hierarchy and Social Value after Bourdieu. In: The Persistence of Taste: Art, Museums and Everyday Life After Bourdieu. CRESC . Routledge, London, pp. 1-18. ISBN ISBN-10: 9781138670983 ISBN-13: 978-1138670983

Quinn, Malcolm (2002) The Legions of the Blind. In: The Philistine Controversy. Verso, p. 255. ISBN 1859843743

Quinn, Malcolm (2013) The Pedagogy of Capital: Art History and Art School Knowledge. In: The Concept of the 'Master' in Art Education in Britain and Ireland, 1770 to the Present. Ashgate, London, UK, pp. 215-233.

Quinn, Malcolm (2015) Pop Goes Taste. In: Late Tuesday: Good Taste/Bad Taste, 27 October 2015, RIBA.

Quinn, Malcolm (2012) Utilitarianism and the Art School in Nineteenth-Century Britain. Pickering and Chatto, London, UK. ISBN 9781848932982

Putnam, James (2018) ‘Eyedentity’, Stephane Graff. In: Eyedentity, Stephane Graff. Galleria Mucciaccia, Rome. ISBN 978-88-6403-283-2

Plessner, Daphne (2011) The citizen artist asks: is the idea of artistic transgression only a conceit? protest, subversion and resistance in contemporary artistic discourse. In: Art & Education and ArtForum Conference, 2011. (Submitted)

Phelps, Sharon (2017) Agnes Martin: painting as making and its relation to contemporary practice. PhD thesis, University of the Arts London.

Peters, Charley (2018) Genital Panic: Abstraction by Women in 'Surface Work'. Instant Loveland.

Perry, Colin (2016) Into the Mainstream: Independent Film and Video Counterpublics and Television in Britain, 1974–1990. PhD thesis, University of the Arts London.

Parry, Richard (2017) London, London. MAY (18).

Oliver, Elisa (2016) 'Hanging About’: The Teenage Moment of the 1970s/80s and its representation in British Art from the 1990s. With reference to artists: Paul Housley George Shaw Paul Rooney. PhD thesis, University of the Arts London.

Oki, Michiko and Ohashi, Etsuko (2016) The Photograph as Contemporary Art.

Oki, Michiko and Federica, Lippi (2021) Digital literacy or delicacy? Nurturing the ethics of ‘telepresence’ - in the case of ‘Synchronic Theatre' in the Global Art Joint Project 2021 ‘SOIL’. In: Case studies in presence and belonging in Digital Education, 15 December 2021, Online.

Oki, Michiko (2016) Bataille and Contagion, or Towards a Space of Sound and Art. Kritikos, 13. ISSN 1552-5112

Oki, Michiko (2021) Bourdelle’s Impact in East Asia.

Oki, Michiko (2024) The British Academy ECR Research Presentation. In: ECR Research Café: London Special, 23 April 2024, Online.

Oki, Michiko (2022) Dreadful charm: Yōkai that resides at the threshold of the unknown. Swedenborg Review 0.04. pp. 20-21.

Oki, Michiko (2023) Dreams and thresholds: The violence of doors that never close in Magritte, Kafka and Buñuel. In: Dreams and Atrocity: The Oneiric in Representations of Trauma. Manchester University Press, pp. 60-78. ISBN 978-1-5261-5807-9

Oki, Michiko (2021) Enemy / Life to Life. In: Use Music To Kill. Donald M. Grant Publisher.

Oki, Michiko (2015) Hearing Insects: The Droning World of Dread in Kafka’s The Burrow. In: (Re)Imagining the Insect: Natures and Cultures of Invertebrates, 1700-1900, 7 March 2015, University of Warwick.

Oki, Michiko (2017) Hearing/seeing dread: Thought of distortion and transformation in Kafka’s The Burrow and Odradek. Journal for Cultural Research, 22 (1). pp. 16-26. ISSN 1740-1666

Oki, Michiko (2021) Hunchback as a Visual Paradigm of Violence in Modern Art: Géricault, Dix, and Salomon. In: The Body in Theory: Essays After Lacan and Foucault. McFarland, pp. 80-91. ISBN 978-1-4766-7855-9

Oki, Michiko (2014) Kafka’s Odradek - Thoughts of Distortion and Transformation. In: European Network for Avant-Garde and Modernism Studies 4th Conference: Utopia, 29 August 2014, University of Helsinki.

Oki, Michiko (2013) Life on the Threshold: Hunchback as a Visual Paradigm in Modern Art. In: London Conference of Critical Thought 2013, 6 June 2013, Royal Holloway, University of London.

Oki, Michiko (2015) Making it Intelligible: Art and Violence in the Nuclear Age in Postwar Japan. In: Occhi e sguardi nella filosofia e nelle arti / Eyes and Gazes in Philosophy and Arts. UniversItalia, pp. 365-380. ISBN 978-88-6507-864-8

Oki, Michiko (2014) The Threshold – a Place of the Hunchback. Violence and Transformation in works by Géricault, Dix, Salomon, Magritte, and Kafka. PhD thesis, University College London.

Oki, Michiko (2022) Unleashing Fantastic Nightmares: Ee ja nai ka (1867-1868), The Dawn of Transgression in Japan. In: EAM8 Lisbon 2022 - Globalising the Avant-Garde, 1-3 September 2022, Instituto de História da Arte, IHA/FCSH-Universidade NOVA de Lisboa.

Oki, Michiko (2024) What the Hell? Performing the extraordinary: Pandemonium, parade and vengeance. In: PSi #29 - Assemble!, 20-23 June 2024, Senate House, London.

Oki, Michiko (2024) The Surreal, The Digital, The Primitively Instinctive – Revisiting Surrealism through ‘Digital Animism’. In: ISSS Surréalismes Paris 2024, 28-30 October 2024, American University of Paris.

Okada, Atsushi and Oki, Michiko and Ishitani, Haruhiro and Hashimoto, Azusa (2005) Jonathan Crary, Suspension of Perception: Attention, Spectacle and Modern Culture.

O'Kane, Paul (2017) The Other Side of the Word : Translation and Migration in the Anthologised Writings of Lee Yil. In: Everywhere and nowhere: migration and contemporary art, Musée national de l'histoire de l'immigration, Paris.

O'Kane, Paul (2018) The Other Side of the Word : Translation as Migration in the Anthologised Writings of Lee Yil. Third Text, Online. ISSN 0952-8822

Nunez, G. Alfonso (2015) Between Technophilia, Cold War and Rationality: A Social and Cultural History of Digital Art. PhD thesis, University of the Arts London.

Naldi, Pat (2006) High Noon at 12˚ 21' 8" in Responding to Rome: British Artists in Rome, 1995-2005. [Show/Exhibition]

Moyse Ferreira, Lucy (2016) Femininity, Freedom and Fragility: Fashion and Violence in the Designs of Elsa Schiaparelli, c.1933 - 1939. BIAS: Journal of Dress Practice, 4.

Morris, David (2018) DIY. In: Artists in the City: SPACE in ’68 and beyond. SPACE, London. ISBN 9781999927806

Morris, David (2016) Themerson & Themerson. Afterall. ISSN 1465-4253

Morra, Joanne and Smith, Marquard (2006) The Prosthetic Impulse: From a Posthuman Present to a Biocultural Future. The MIT Press, Cambridge. ISBN 0262195305

Morra, Joanne and Smith, Marquard (2006) Visual Culture: Critical Concepts in Media and Cultural Studies. Routledge, London. ISBN 0415326419

Morra, Joanne (2017) Acting Out: An Intimate Encounter Between Louise Bourgeois and Melanie Klein. In: Spectacular Evidence: Theatres of the Observed Mind, 24 March 2017, ArtsAdmin, London.

Morra, Joanne (2014) Autobiographical Fictions: Contemporary Art and the Freud Museum. In: Inside Out Festival, 24 October 2014, Freud Museum London.

Morra, Joanne (2018) Being in Analysis: On the Intimate Art of Transference. Journal of Visual Art Practice, 16 (3). pp. 163-184. ISSN 1758-9185

Morra, Joanne (2014) Contemporary Art Inside the Freud Museum. Imperica.

Morra, Joanne (2017) Evocative Objects. In: Paul Coldwell, Temporarily Accessioned, Freud's Coat Revisited. Freud Museum London, London, pp. 12-33. ISBN 978-0-94868738-9

Morra, Joanne (2017) Imaginary Interactions: Failure, Redemption and the Case of Contemporary Art Inside the Freud Museums. In: Elucidatory Minds, 10 March 2017, Royal College of Art.

Morra, Joanne (2018) Inside the Freud Museum: History, Memory and Site-responsive Art. International Library of Modern and Contemporary Art . IB Tauris. ISBN 9781780762074 and 978 1 780762067

Morra, Joanne (2017) On Use: Art Education and Psychoanalysis. Journal of Visual Culture, 16 (1). pp. 56-73. ISSN 1470-4129

Morra, Joanne (2017) Unsettling Memory. In: Unsettling Memory, 19 January 2017, Sigmund Freud Museum Vienna.

Morra, Joanne (2007) Utopia Lost: Allegory, Ruins and Pieter Brugel's Towers of Babel. Art History, 30 (2). pp. 198-216. ISSN 01416790

Morra, Joanne (2018) When Art and Psychoanalysis Meet: Critical Adventures Inside the Freud Museum London. Caliban. Latin American Journal of Psychoanalysis, 16 (1). ISSN 2304-5531

Morra, Joanne (2017) Why Contemporary Art? Why Inside the Freud Museum? In: Beyond the White Cube: Exploring Artists Interventions at the Freud Museum and Beyond, 22 April 2017, Ann Freud Centre London.

Moloney, Donal (2015) Slippages between the picture plane and the painting surface. An analysis, through my paintings, of specular highlights, proximal spaces and the Lacanian gaze. PhD thesis, University of the Arts London.

Minkin, Louisa (2014) The Study of Saint Jerome: between Desert and Occupation. In: Buildings and the Body: Exploring Living and Building in the Medieval and Early Modern World, 27-28 June 2014, University of Southampton.

Michael, Marcia (2023) Did it Work? Re-enacting the maternal body as a site for ancestral memories: photography and oral history as vehicles for reconstructing history in the re-embodiment of Black Matrilineage. PhD thesis, University of the Arts London.

Mey, Adeena and Thorel, Benjamin (2016) Tell'n'Talk 02. In: Labor Zero Labor, 26-28 August 2016, Triangle France, Friche la Belle de Mai, Marseille.

Mey, Adeena and Roh Bannwart, Kyung (2020) Neo Geography 네오지오그래피. CAN, Centre d'art Neuchâtel and Les presses du réel, Neuchâtel and Dijon. ISBN 978-2-8399-2651-5

Mey, Adeena and Hui, Yuk (2022) The Exhibition as Medium: Some Observations on the Cybernetisation of the Institution and the Exhibition. Afterall. A Journal of Art, Context and Enquiry (53). pp. 74-91. ISSN 1465-4253

Mey, Adeena and Hui, Yuk (2017) L’exposition comme médium. Quelques observations sur la cybernétisation de l’institution et de l’exposition. Appareil (18).

Mey, Adeena and Bovier, François and Schärer, Thomas and Truniger, Fred (2020) Minor Cinema. Experimental Film in Switzerland. Documents . JRP|Editions, Zurich. ISBN 978-3-03764-550-5

Mey, Adeena and Bovier, François (2019) 무빙 이미지 전시하기:다시 본 역사. Mediabus, Seoul. ISBN 979-11-966934-3-5

Mey, Adeena and Bovier, François (2015) Cinema in the Expanded Field. Documents . JRP|Editions, Zurich. ISBN 978-3-03764-433-1

Mey, Adeena and Bovier, François (2015) Exhibited Cinema/Cinéma Exposé. Les presses du réel and ECAL, Dijon and Lausanne. ISBN 978-2-8399-1404-8

Mey, Adeena and Bovier, François (2015) Exhibiting the Moving Image. Documents . JRP|Editions, Zurich. ISBN 978-3-03764-388-4

Mey, Adeena and Bovier, François (2014) René Berger. L'art vidéo. Documents . JRP|Editions, Zurich. ISBN 978-3-03764-389-1

Mey, Adeena (2024) Afterall at 25. In: Check-In 2024. Art & Market, Singapore, pp. 188-194. ISBN 978-981-94-0340-0

Mey, Adeena (2012) Art contemporain et paracinéma : Rosa Barba, Juliana Borinski et David Maljkovic. Décadrages: Cinéma, à travers champs (21-22). pp. 108-121.

Mey, Adeena (2015) By Other Means or not at All: Experimental Moving Image Practices in Switzerland 1960 – 1970. In: EXIS-Experimental Film & Video Festival in Seoul, 19-26 August 2015, Audio Visual Pavilion - 시청각.

Mey, Adeena (2008) Christian Marclay’s Christmas Tales. Helvetic Centre, London.

Mey, Adeena (2023) Curating’s Technological Unconscious: The History of Cybernetics and the Gaian Transformation of Curation. In: The Helsinki Biennial Art Mediation Forum 2023: An Anthology. HAM Helsinki Art Museum Publication (156). HAM Helsinki Art Museum, Helsinki, pp. 35-48. ISBN 978-952-5939-45-3

Mey, Adeena (2022) Curating’s technological unconscious: the history of cybernetics and the Gaian transformation of curation. In: Helsinki Biennial 2023 Symposium, 9 December 2022, HAM Helsinki Art Museum.

Mey, Adeena (2023) The Cybernetisation of the Exhibition. From Cybernetic Serendipity (1968) to lumbung (2022). In: System Shifts: Politics of Artistic Form in 'Post' - Imperial Britain, 25 January 2023, Whitworth Art Gallery Study Centre, Manchester.

Mey, Adeena (2015) Dialogue avec Monologue. Notes sur Vandy Rattana et la question de l’art contemporain au Cambodge. Le magazine du Jeu de Paume.

Mey, Adeena (2024) Divided Desire. Notes on Youngjoo Cho’s Full time-double, Writing my body, and Three breaths. In: Cho 0 Joo — 조 0 주. Artist Research-Study-Critique Support Project . Arts Council Korea, 한국문화예술위원회; Gyeongbokgung Collabo, Seoul, pp. 170-172. ISBN 979-11-981028-1-2 (95600)

Mey, Adeena (2015) E.A.T. and the Moving Image. A conversation with Barbara Rose. OEI (69-70). pp. 339-341.

Mey, Adeena (2020) Ecart, Film et Intermédia. Notes sur Re-Constructing the Missing Photograph d'Anthony McCall. In: Almanach Ecart. Une archive collective, 1969–2019, nouvelle édition. art&fiction, Geneva, pp. 406-412. ISBN 978-2-88964-010-2

Mey, Adeena (2016) “The Entire Country as Field of Operation”: Sonsbeek 71, Communication and the Film/Exhibition Apparatus. In: NECS Conference 2016, 28-30 July 2016, University of Potsdam.

Mey, Adeena (2020) Exhibiting Structural Film? Annette Michelson, Between Criticism and Curating. In: Minor Cinema: Experimental Film in Switzerland. JRP|Editions, Zurich, pp. 228-245. ISBN 978-3-03764-550-5

Mey, Adeena (2021) Exhibitionary Feedback. On 'Cybernetic Serendipity'. In: Nouveaux médias: mythes et expérimentations dans les arts. DFK Paris, NAIMA Editions, pp. 51-65. ISBN 978-3-98501-002-8

Mey, Adeena (2021) Foreword. Afterall: A Journal of Art, Context and Enquiry (51). pp. 3-7. ISSN 1465-4253

Mey, Adeena (2022) Foreword. Afterall: A Journal of Art, Context and Enquiry (52). pp. 3-6. ISSN 1465-4253

Mey, Adeena (2023) Foreword. Afterall. A Journal of Art, Context and Enquiry (55–56). p. 5. ISSN 1465-4253

Mey, Adeena (2024) The Hollow Man: Adeena Mey on Hu Yun. In: Lecture, 15 June 2024, Rockbund Art Museum, Shanghai.

Mey, Adeena (2013) Listening and Looking beside. On the ‘Parasonic’ and the ‘Paracinematic’. In: Art History and Sound, Workshop series: The Listening Art Historian, 14 March 2013, The Courtauld Institute of Art.

Mey, Adeena (2015) Materiality and Exhibitionality in Contemporary Art Practice: Mark Leckey, Simon Starling, Rosa Barba / 현대 예술에서의 물질성과 전시성. In: Materiality and Exhibitionality in Contemporary Art Practice: Mark Leckey, Simon Starling, Rosa Barba, 4 September 2015, Cheongju Art Studio/Cheongju Museum of Art, South Korea.

Mey, Adeena (2018) Media Mass-Age in Monte Verità. René Berger’s Media Theory. In: Media History from the Margins, 19-24 August 2018, Monte Verità, Switzerland.

Mey, Adeena (2023) Media Pluralism. Kim Woong Yong's Post-Cinema. In: 2022 NANJI. seMA NANJI RESIDENCY . Seoul Museum of Art, Seoul, pp. 52-66. ISBN 979-11-88619-98-6

Mey, Adeena (2019) Michelle Henning, Photography. The Unfettered Image, 2019. Transbordeur (3). pp. 208-209. ISSN 2552-9137

Mey, Adeena (2014) Mobility and Event: Fragments towards an Archaeology of the Ambulant Spectator. In: SCMS (Society for Cinema and Media Studies) Conference 2014, 19–23 March 2014, Sheraton Seattle Hotel.

Mey, Adeena (2019) The Moving Image in the Museum in the Era of Late Capitalism: Thinking Film Exhibitions with and after Annette Michelson. In: Annette Michelson, une américaine à Paris Conférences et projections, 23-25 Oct 2019, Centre Pompidou, Paris.

Mey, Adeena (2017) On New Forms in Film and Other Exhibitions. A conversation with Annette Michelson. In: Early Video Art and Experimental Films Networks. ECAL and Les presses du réel, Lausanne and Dijon, pp. 217-220. ISBN 978-2-9701157-0-0

Mey, Adeena (2020) Projection between exhibition and information: experimental and artists' film at 'Sonsbeek 71'. In: Practices of Projection. Oxford University Press, pp. 211-236. ISBN 9780190934118

Mey, Adeena (2020) Repurpose and Remake. Afterall. A Journal of Art, Context and Enquiry (50). pp. 132-149. ISSN 1465-4253

Mey, Adeena (2020) Return to the Kinomuseum. In: Limit as Material, 11-12 December 2020, Online.

Mey, Adeena (2022) The Slave Trade and Contemporary Art in the Museum. ‘Uncomfortable Truths’ at the V&A. Afterall

Mey, Adeena (2024) Method and Metaphor: Dinh Q. Lê’s Untitled (Soldiers at Rest) (2003). post. notes on art in a global context.

Mey, Adeena (2024) 'Qoede Lee'; 'Evelyn Taocheng Wang'. In: Foreigners everywhere = Stranieri ovunque : Biennale Arte 2024. La Biennale di Venezia, Venezia. ISBN 9788836657735

Mendelson, Zoë (2017) Spectacular Evidence: Theatres of the Observed Mind. In: Spectacular Evidence: Theatres of the Observed Mind, 24 March 2017, Artsadmin, Toynbee Studios, 28 Commercial Street, London E1 6AB.

Melvin, Jo and Lefeuvre, Lisa (2008) Ping Pong Slippage. In: Bill Beckley: ping-pong dialogues. Chelsea Space, London. ISBN 9781906203191

Melvin, Jo and Jump, Meri (2013) Barry Flanagan's archive: interconnectivities. In: All this stuff: archiving the artist. Libri, Oxfordshire, pp. 123-138. ISBN 9781907471766

Melvin, Jo and Dobai, Sarah and McCarthy, Tom and Campany, David and Dobai, Sarah (2015) The Copyists. In: The Copyists, 20 March 2015, Institute of Contemporary Art London.

Melvin, Jo and Bonifati, Vittoria (2019) Machismo. [Show/Exhibition]

Melvin, Jo (2015) Barry Flanagan, black holes and the digital dot: barryflanagan.com. Art Libraries Journal, 40 (2). pp. 31-41. ISSN 03074722

Melvin, Jo (2016) Barry Flanagan: Animal, Vegetable, Mineral Works 1964 - 1983. Waddington Custot, London. ISBN 978-0-9576612-7-1

Melvin, Jo (2009) Bob Law: Something which is nothing. In: Bob Law: A retrospective. Ridinghouse, London, pp. 24-31. ISBN 9781905464265

Melvin, Jo (2016) Christine Kozlov: Conundrums of An Art Practice. Henry Moore Institute: Essays on Sculpture (74). pp. 5-16. ISSN 2047-2471

Melvin, Jo (2014) Dennis Oppenheim: Danger and the Domain of Procedural Risk. NOIT (2). ISSN 9781908971289

Melvin, Jo (2015) Five issues of Studio International. [Show/Exhibition]

Melvin, Jo (2013) Hand in Foot. [Show/Exhibition]

Melvin, Jo (2015) Holes in the Archive - to fill or to leave, that is the question... Bright Light (2). pp. 65-74. ISSN 2055-1606

Melvin, Jo (2013) John Latham and Peter Townsend. NOIT, 1 (1). pp. 36-41. ISSN 9781908971289

Melvin, Jo (2015) Palindromes: Exchanges between Barry Flanagan and John Latham. [Show/Exhibition]

Melvin, Jo (2014) Peter Halley painting: Visual pleasure and aesthetic alienation. In: Peter Halley since 2000. Editions Maruani and Noirhomme, Brussels. ISBN 9782930487137

Melvin, Jo (2014) Peter Townsend, Studio International and Phillip Leider, Art Forum: Tactics to Define New Critical Paradigms in Editorial Strategies. In: Art-Information: Editorial Strategies, Text-based Formats, Publishing Contexts, 26 April 2014, Institute of Contemporary Arts, London.

Melvin, Jo (2008) Ping Pong Dialogues: Bill Beckley. [Show/Exhibition]

Melvin, Jo (2012) Seth Siegelaub in conversation with Jo Melvin. In: From Conceptualism to Feminism: Lucy Lippard's Numbers Shows 1969-1974. Exhibition histories . Afterall, London, pp. 244-262. ISBN ISBN 978-1-84638-088-4

Melvin, Jo (2013) Sir Peter Blake: Four Decades: Collection and Homage. In: Peter Blake Four Decades. Chelsea Space, Chelsea Space, UAL, London, pp. 4-7. ISBN 9781906203702

Melvin, Jo (2008) Spinofferie: Barbara Reise, art critic, writer, editor, landlady, art historian, and collector, American in London. The Happy Hypocrite (2). pp. 64-71. ISSN 1755-473X

Melvin, Jo (2008) Tales from Studio International. [Show/Exhibition]

Melvin, Jo (2008) Tracing the way to work: Tracks, a journal of artists' writings, New York 1974-1977. Sculpture Journal, 17 (1). pp. 89-93. ISSN 1366-2724

Melvin, Jo (2012) Transforming Artist Books: Is the Term ‘Digital Artist Books’ a Misnomer? Tate

Melvin, Jo (2014) Two Pataphysicians: Flanagan Miró. Waddington Custot Galleries, London. ISBN 978-0-9576612-3-3

Melvin, Jo (2014) When actions speak louder than words: productive exchanges between Peter Townsend and Seth Siegelaub in Studio International. In: Siegelaub et caetera, archive, art conceptuel, textile, 26 May 2014, Institute nationale De L'historie de l'art de France, Paris.

Melvin, Jo (2015) The Xerox Project: Installation, Reading, Duration and Multiple Temporalities. Paula Cooper Gallery, New York City, New York USA.

McMullen, Ken and Beuys, Joseph (2005) Word Works. [Art/Design Item]

McMullen, Ken (2005) "Pioneers in Art and Science: John Berger and Gustav Metzger". [Art/Design Item]

McDowell, Felice (2012) 'At the Exhibition': the 1948 open-air sculpture exhibition, Battersea Park, in British fashion magazines. Sculpture Journal, 21 (2). pp. 169-181. ISSN 1366-2724

McDowell, Felice (2012) 'Clothes in a setting': Fashion, Interior Design & Art in British fashion media c.1955-1959 an archaeological analysis of fashion media discourse. In: Fashion Tales, 7th - 9th June 2012, Univerità Cattolica del Sacro Cuore, Milan, Italy.

McDowell, Felice (2011) Exhibiting Fashion and Art in Post-war British Fashion Magazines: 'Art Patronage - Modern Style' and a 'Cocktail Party Receipt'. In: Fashion Colloquia, 21-22nd September 2011, London.

McDowell, Felice (2012) Fashioned Images of Art in Magazines:"So what? What does it matter?". In: AAH New Voices: Art and its Hierachies, 24th November 2012, University of Nottingham.

McDowell, Felice (2012) Looking at and locating fashion imagery in studies of visual culture: Post-war fashion media & art historical perspectives. In: Working Papers in Fashion Studies 2. London College of Fashion, London. ISBN 978-1-903455-26-5

McDowell, Felice (2011) Mapping Sculpture in post-war British Fashion Magazines 1945-1951. In: Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951, 25th - 26th February 2011, Victoria and Albert Museum, London.

McDonnell, Amy (2016) Artists’ Collectives and Collectivities: A Curatorial Investigation into Assembling the Social. PhD thesis, University of the Arts London.

McCartney, Nicola (2013) The Artistic Multitude. Journal of American Studies of Turkey (32). pp. 77-86. ISSN 1300-6606

McCartney, Nicola (2017) Complicating Authorship: Contemporary artists’ names. Performance Research: A Journal of the Performing Arts, 22 (5). pp. 62-71. ISSN 1469 9990

McCartney, Nicola (2018) Death of the Artist: Art World Dissidents and their Alternative Identities. International Library of Modern and Contemporary Art . I.B. Tauris, London. ISBN 9781784534158

Massey, Anne and Seago, Alex (2017) Pop Art and Design. Bloomsbury Academic, London and New York. ISBN 978-1-4742-2619-6

Massey, Anne and Muir, Gregor (2014) Institute of Contemporary Arts: 1946-1968. Institute of Contemporary Arts, London. ISBN 9789491843136

Massey, Anne (2016) Creative Collaboration: The Lasting Impact of the Independent Group. In: This Was Tomorrow: Pop Art in Great Britain. Kunstmuseum Wolfsburg, Wolfsburg, German, pp. 128-135. ISBN 978-3-86832-359-7

Massey, Anne (1995) The Independent Group: modernism and mass culture in Britain, 1945-59. Critical Introductions to Art . Manchester University Press, Manchester. ISBN 9780719042454

Massey, Anne (2013) Introduction to the Themed Issue: The Independent Group. Journal of Visual Culture, 12 (2). pp. 203-204. ISSN 1470-4129

Massey, Anne (2017) The Metallization of a Dream. In: Eduardo Paolozzi. Whitechapel Gallery, London, pp. 178-179. ISBN 978-0-85488-250-2

Massey, Anne (2013) The Mother of Pop? Dorothy Morland and the Independent Group. Journal of Visual Culture, 12 (2). pp. 262-278. ISSN 1470-4129

Massey, Anne (2013) Out of the ivory tower: the Independent Group and popular culture. Studies in Design . Manchester University Press, Manchester. ISBN 9780719088063

Massey, Anne (2017) Reframing the Independent Group. In: Postwar: Art Between the Pacific and the Atlantic. Haus der Kunst/Prestel, Munich, London, New York, pp. 692-696. ISBN 978-3-7913-5584-9

Martínez Rodríguez, Fabiola (2004) Civilizing the Prehispanic: Neo-Prehispanic Imagery and Constructions of Nationhood in Porfirian Mexico (1876-1910). PhD thesis, University of the Arts London.

Marks, Laura (2008) SCIRIA Openmind seminar series, tactile perception and the will to figuration in Islamic art and new media art. In: Tactile perception and the will to figuration in Islamic art and new media art, 23rd April 2008. (Unpublished)

Manovich, Lev (2007) SCIRIA Openmind seminar series, after effects or velvet revolution in modern culture. In: After effects or velvet revolution in modern culture, 17th October 2007. (Unpublished)

Mali, Sofia (2023) Museum Interpretations of Byzantium. In: Byzantium in the Popular Imagination: The Modern Reception of the Byzantine Empire. New Directions in Byzantine Studies . Bloomsbury Publishing. ISBN 9780755607303

Mackinnon, Lee (2022) Love, Games and Gamification: Gambling and Gaming as Techniques of Modern Romantic Love. Theory Culture and Society. ISSN 0263-2764

Lovejoy, Annie (2011) Interfaces of location and memory: An exploration of place through context-led arts practice. PhD thesis, University of the Arts London and Falmouth University.

Long, Catherine (2016) A feminist dialogue with the camera: strategies of visibility in video art practices. PhD thesis, University of the Arts London.

Leister, Wiebke (2003) Ethics of Photographic Portraiture. In: Ethisierung – Ethikferne; Wieviel Ethik braucht die Wissenschaft? Akademie Verlag, Berlin, pp. 160-176. ISBN 3-05-003855-1

Leister, Wiebke (2010) Mona Lisa on a Bad Day: Or the Impossibility of Neutrality and the Non-Likeness of Photographic Portraiture. Journal of Photography and Culture, 3 (2). pp. 153-174. ISSN 17514517

Leister, Wiebke (2014) Photography In-the-Round: Gerhard Richter’s “48 Portraits”, 1972 and 1998. Photographies, 7 (2). pp. 217-246. ISSN 1754-0763

Leister, Wiebke (2014) The Whitened Face as a Visual Gap: Thoughts and Methods. In: Unsettling Whiteness; Images of Whiteness 3. Images of Whiteness, 3 . Inter-Disciplinary Press, Oxford, pp. 3-10. ISBN 978-1-84888-282-9

Lafuente, Pablo and Kuzma, Marta (2011) Whatever happened to sex in Scandinavia? Verksted, 12 . Koenig Books/Office for Contemporary Art Norway. ISBN 9783863350680

Lafuente, Pablo (2011) Can emancipation not be abstract? In: Not I: A Conference on Art and Politics, 25th March 2011, The Universidad Nacional Autónoma de México, Mexico City. (Unpublished)

Lafuente, Pablo (2009) For a History of Exhibition Practice. In: 1st Former West Congress, 5-7 November 2009, BAK, Utrecht.

Lafuente, Pablo (2010) La gramática de las exposiciones y la creación del arte global. In: La gramática de las exposiciones y la creación del arte global, 22 June 2010, Casa de Cultura de España, Mexico City.

Lafuente, Pablo (2010) A Picture that Moves: Goshka Macuga's Guernica. In: Goshka Macuga: The Nature of the Beast. Whitechapel Gallery. ISBN 978-0-85488-180-2

Kutesko, Elizabeth (2016) Fashioning Brazil: Globalization and the Representation of Brazilian Dress in National Geographic. PhD thesis, Courtauld Institute of Art.

Kutesko, Elizabeth (2014) Fashioning the Other: Representations of Brazilian Women's Dress in National Geographic, 1888-1988. In: Fashion and its Multicultural Facets. Inter-disciplinary Press, Oxford.

Kutesko, Elizabeth (2013) Problems and Tensions in the Representation of the Sapeurs, as demonstrated in the work of two twenty-first century Italian photographers. Immediations: the Courtauld Institute of Art Journal of Postgraduate Research, 3 (2). pp. 60-76.

Koskentola, Kristiina (2017) Interconnected In-Between: On the dynamics of abjection, animism, temporality and location in nomadic art practice. PhD thesis, University of the Arts London.

Kojima, Kaoru (2006) The Image of Woman as a National Icon in Modern Japanese Art: 1890s-1930s. PhD thesis, University of the Arts London.

Kivland, Sharon and Clarke, Helen and Dolbear, Sam and Wollin, Christian A. (2017) The Lost Diagrams of Walter Benjamin. In: The Lost Diagrams of Walter Benjamin. MA BIBLIOTHEQUE, London, pp. 56-57. ISBN 9781910055366

Kikuchi, Yuko and Watanabe, Toshio (2002) The British 'Discovery' of Japanese Art. In: G. Daniels & C. Tsuzuki (eds.) The history of Anglo-Japanese relations, 1600-2000. Vol. 5, Social and cultural perspectives. Palgrave Macmillan, London, pp. 146-170. ISBN 9780333791950

Kikuchi, Yuko and Watanabe, Toshio (1997) Ruskin in Japan 1890-1940: Nature for Art, Art for Life. In: Ruskin in Japan 1890-1940: Nature for Art, Art for Life. Cogito.

Kikuchi, Yuko (2014) ‘American Occupation and Cold War Japanism: Containment and Mixed Marriage in Design and Film’. In: Ishibashi Visiting Professor Special Public Lecture, 1 July 2014, Heidelberg, Germany.

Kikuchi, Yuko (2015) ‘Cold War Transnational Design: Russel Wright and “Asian Modern”’. In: Shifting Terrain: Mapping a Transnational American Art History, 16-17 October 2015, Smithsonian American Art Museum, 8th St & F ST NW, Washington DC.

Kikuchi, Yuko (2015) The Craft Debate at the Crossroads of Global Visual Culture: re-centring craft in postmodern and postcolonial histories. World Art. ISSN 2150-0894

Kikuchi, Yuko (2016) '“Craft” as Resistance and as a Means of Negotiating Histories’. In: ‘Field of Resistance or Space of Negotiation : Who dominates?', 31 October 2017, The National Kaohsiung Normal University, Taiwan.

Kikuchi, Yuko (2013) The Evolution of Mingei into the 21st Century. In: Mingei: Are You Here? Pace Gallery, London. ISBN 9781909406070

Kikuchi, Yuko (2017) ‘Gurcharan Singh and the Transnational Mingei movement’. In: ‘Asian Dialogues: Gurcharan Singh, an Indian Potter in Japan’, 28 March 2017, Auditorium,Government Museum and Art Gallery, Chandigarh, India.

Kikuchi, Yuko (1998) ‘Hamada and the Mingei Movement’. In: Shoji Hamada Master Potter. https://www.lundhumphries.com/, Lund Humphries in association with Ditchiling Museum, Sussex, pp. 21-25. ISBN 0-85331-728-3

Kikuchi, Yuko (2004) Japanese Modernisation and Mingei Theory: Cultural Nationalism and Oriental Orientalism. Routledge/Curzon, London. ISBN 9780415297905

Kikuchi, Yuko (2001) "Li Mei-shu and the Sanxia Zushi Temple: Taiwanese Vernacular 'Modernity' in Comparative Perspectives,". In: Papers from the Symposium in commemoration of Professor Li Mei-shu’s Centennial ‘ The Land, the People and the Art’ 李梅樹教授百年紀念學術研討會論文集. College of Humanities, National Taipei University, Taipei, Taiwan, pp. 190-204.

Kikuchi, Yuko (2015) The Mingei Folk Crafts Movement. In: Visual Arts Lecture Series, 17 November 2015, Bennington, Vermont, USA.

Kikuchi, Yuko (2014) Minor Transnational Inter-Subjectivity in the People's Art of Kitagawa Tamiji. Review of Japanese Culture and Society, XXVI. ISSN 0913-4700

Kikuchi, Yuko (2015) Negotiating Histories: Traditions in Modern and Contemporary Asia-Pacific Art. World Art, 5 (1). pp. 5-19. ISSN 2150-0894

Kikuchi, Yuko (2013) ‘Recentering Craft in Postmodern and Postcolonial rewriting of Visual Cultural History’. In: ‘Negotiating Histories: Traditions in Modern and Contemporary Asia-Pacific Art’ symposium, 21 October 2013, Tate Modern, London.

Kikuchi, Yuko (2015) ‘Recondisering craft from Japan’s Postcolonial Perspective’. In: ‘Reconsidering Craft as Pedagogy from Below’, 16 March 2015, Jaipur, India.

Kikuchi, Yuko (2016) ‘Transnational Trajectories and Cold War Design under the Russel Wright Project in Asia: the Case of Ken and Michiko Uyemura ’. In: Smithsonian Fellows Lectures, 18-20 May, 2016, Smithsonian American Art Museum, Washington DC.

Kikuchi, Yuko (2008) ‘Yanagi Sōetsu and Korean crafts within the Mingei movement’. In: Korea: The Past and the Present: Selected Papers from the British Association for Korean Studies. Global Oriental, Folkestone, Kent, pp. 80-91. ISBN 1-901903-54-0

Kikuchi, Yuko (2005) ‘Yanagi Sōetsu et l’artisanat traditionnel japonais’. Dossier de l’Art (118). pp. 62-71. ISSN 1161-3122

Kemp, Martin and Wells, Thereza (2011) Leonardo da Vinci's Madonna of the Yarnwinder: A Historical and Scientific Detective Story: Scientific Quest v. 2. Zidane, London. ISBN 9780955485060

Kelley, Victoria and Adamson, Glenn (2013) Surface tensions: surface, finish and the meaning of objects. Studies in Design . Manchester University Press, Manchester. ISBN 978-0-7190-8751-6

Kass, Jason and Harland, Beth and Donnelly, Nick (2014) Abstracting the Set: Monet’s Cathedrals and Stable Mental Concepts from Serial Pictorial Artworks. Art & Perception, 2. ISSN 2213-4905, 2213-4913

Kass, Jason (2014) Abstracting concepts from sets of instances: the case of serial works of art. In: Visual In-Sights Conference, 26-27 June 2014, Newcastle University.

Kass, Jason (2017) Cognitive aspects of pictorial address and seriality in art: A practice-led investigtion. PhD thesis, University of Southampton.

Kass, Jason (2013) The Unique Particular. [Show/Exhibition]

Kambalu, Samson (2016) Nyau Philosophy: Contemporary Art and the Problematic of the Gift – a Panegyric. PhD thesis, University of the Arts London.

Jordan, Christopher (2007) Steering Taste: Ernest Marsh, a study of private collecting in England in the early 20th Century. PhD thesis, University of the Arts London.

Janes, Dominic (2007) Back to the Future of the Body. In: Back to the Future of the Body. Cambridge Scholars Press, Newcastle, pp. 1-16. ISBN 978184718162-6

Janes, Dominic (2015) Cecil Beaton, Richard Hamilton and the queer, Transatlantic origins of Pop Art. Visual Culture in Britain, 16 (3). pp. 308-330. ISSN 1471-4787

Janes, Dominic (2011) God and Gold in Late Antiquity. Cambridge University Press, Cambridge. ISBN 9780521158749

Janes, Dominic (2015) Picturing the Closet: Male Secrecy and Homosexual Visibility in Britain. Oxford University Press, New York. ISBN 9780190205638

Janes, Dominic (2009) Victorian Reformation: The Fight Over Idolatry in the Church of England, 1840-1860. Oxford University Press, New York. ISBN 9780195378511

Janes, Dominic (2015) Visions of Queer Martyrdom from John Henry Newman to Derek Jarman. University of Chicago Press, Chicago. ISBN 9780226250618

Janes, Dominic (2017) “The cleavage raises questions”: queer indeterminacies of gender in an alleged photographic portrait of the painter Francis Bacon.

Jameel, Ahmed Mauroof (2019) Comic Book Collaboration: A Practice-Informed Study of Mutual Artistic Figuration. PhD thesis, University of the Arts London.

Ismail-Epps, Samantha (2018) Artists’ Pages: the Accessibility of Art Through the Printed Page 1966 – 1973. PhD thesis, Norwich University of the Arts.

Hunter, Tom (2011) Caravaggio yesterday and today: art, genius and legend. In: Caravaggio Yesterday and Today: Art, Genius and Legend, 28 january 2011, University College London.

Hunter, Tom (2010) Unheralded Stories. [Show/Exhibition]

Horton, Ian and Furnee, Bettina (2010) Oral history, site-specificity and the indexical. In: Oral History in Art, Craft and Design: the Oral History Society Annual Conference, 02 - 03 July 2010, V&A Museum, London, UK. (Unpublished)

Horton, Ian and Furnee, Bettina (2011) Private voices and public places: using oral histories in site-specific text-based art. In: [Record] [Create] Oral History in Art, Craft and Design, 2nd - 3rd July 2010, Victoria and Albert Museum. (Unpublished)

Horton, Ian (2017) The Historians of the Art Form. In: The Routledge Companion to the Secret Origins of Comics Studies. Routledge, London. ISBN 9781138884519

Holme, Adrian (2014) Alchemy, image and text: the waning of alchemy and the decline of visual discourse in the late Renaissance. Journal of Illustration, 1 (2). pp. 189-209. ISSN 2052-0204

Holdsworth, Claire (2023) Intermedial Voices: Intersections in Feminist Sound and Moving Image. In: The Moving Form of Film: Historicizing the Medium through Other Media. Oxford University Press. ISBN 9780197621714

Holdsworth, Claire (2019) Speaking out: Split identities, politics and the ventriloquial voice in artists’ film and video of the 1970s and 1980s. In: Association of Art History Conference 2019, 4-6 April 2019, University of Brighton.

Holdsworth, Claire (2022) Ventriloquial Bodies. Reframing Ephemerality in Artists’ Film and Video. In: Retuning the Screen: Sound Methods and the Aural Dimension of Film and Media History. University of Udine / Mimesis International, pp. 181-186. ISBN 978-88-6977-331

Holdsworth, Claire (2020) Ventriloquial bodies: Re-framing ephemerality in artists’ film & video. In: CTM Festival 2020, 26 January 2020, Berlin.

Holdsworth, Claire (2019) Work in Fluxus: Remediating the Sixties. In: The Radical Sixties: Aesthetics, Politics and Histories of Solidarity, 28-29 June 2019, University of Brighton.

Hidalgo Urbaneja, Maribel and Atta, Pansee and Tiampo, Ming and Van Hoeve, Janneke (2022) Mobile Subjects, Contrapuntal Modernisms. In: Mass Data Methodologies, 9 December 2022, London, Online.

Hidalgo Urbaneja, Maribel and Atta, Pansee and Tiampo, Ming and Van Hoeve, Janneke (2023) Porous Borders: Ambiguities, Uncertainties, and Gaps in Urban History, Identities, and Data. In: DH Benelux 2023, 31 May - 2 June 2023, Brussels.

Hidalgo Urbaneja, Maribel and Van Hoeve, Janneke (2024) Mobile Subjects in Linked Open Data: Biases and Gaps in Identity and Representation. In: 2024 LD4 Conference, 7-11 October 2024, Online.

Hidalgo Urbaneja, Maribel (2024) Global Digital Museum Narratives: Representation, Authorship, and Audiences. In: Critical Digital Art: History Interface and Data Politics in the Post-Digital Era. Intellect, pp. 37-55. ISBN 9781789389746

Hernández Velázquez, Yaiza María (2004) The Art of Puncturing Things without Being Noticed. In: Sylvie Bussières - Objets géographiques. Fage, Lyon. ISBN 9782849750315

Hernández Velázquez, Yaiza María (2018) Can the Museum Liberate Us? In: Art and Decolonization, 18-19 October 2018., Museu de arte de São Paulo Assis Chateaubriand (MASP).

Hernández Velázquez, Yaiza María (2011) Comisariar, Conservar, Archivar. In: Polítiques d'Arxiu, 21-22 December 2011, Universitat de Girona.

Hernández Velázquez, Yaiza María (2013) Cuestionando el "valor social". In: Horizontes del Arte en España, 27-Nov-2013, Museo Nacional Centro de Arte Reina Sofía, Madrid.

Hernández Velázquez, Yaiza María (2013) One of the Two is Always Lacking. Notes on Artwriting. In: Art Writing Under the Sign of Conceptualism, 7th June 2013, Tate Britain.

Hernández Velázquez, Yaiza María (2014) Síntomas mórbidos en el cubo blanco. In: Reclaiming Public Space Through Culture, 13-15 June, 2013, Ateneu Sant Boià, Barcelona.

Hartnoll, Louis C (2016) Art and Its History; Hegel and Art’s Historical Exceptionalism. In: Society for European Philosophy–Forum for European Philosophy 2016 Annual Conference, 25–27 August, Regent's University, London.

Harland, Beth and Gillet, John and Mann, Carl M. and Kass, Jason and Godwin, Hayward J. and Liversedge, Simon P. and Donnelly, Nick (2014) Modes of Address in Pictorial Art: An Eye Movement Study of Manet's Bar at the Folies-Bergère. Leonardo, 47 (3). pp. 241-248. ISSN 0024-094X

Guerrero-Rippberger, Sara Angel (2017) 30° from the Northern Tropic: Art, region and collective practices from urban Latin American and Arab worlds. PhD thesis, University of the Arts London.

Guerrero, Inti and Baddeley, Oriana, TrAIN Research Centre (2011) TrAIN open lecture: Flavio de Carvalho and his ‘city for the naked man’. In: TrAIN Open Lecture, 9th February 2011, Chelsea College of Art and Design. (Unpublished)

Gronlund, Melissa (2012) Rezi Van Lankveld: writing fireflies. In: Rezi Van Lankveld: at the first clear sight. Ridinghouse, U.K..

Green, Alison and Houlberg, Barbara and Martin, Trevor (2007) Paul Dickerson: As Art. [Show/Exhibition]

Green, Alison (2017) 'Articulate Bodies and Fractured Images: Carolee Schneemann's Aesthetic Politics'. In: Carolee Schneemann: More Wrong Things. London: Hales Gallery, pp. 3-29.

Green, Alison (2011) Citizen Artists: Group Material. Afterall: A Journal of Art, Context and Enquiry, 26. pp. 17-25.

Green, Alison (2015) Intermedia, Exile and Carolee Schneemann. In: Across the Great Divide: Modernism's Intermedialities from Fluxus to Futurism. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 137-157. ISBN 1-4438-54786

Green, Alison (2016) Stout's Doubt. Journal of Contemporary Painting, 2 (2). pp. 165-187. ISSN 2052-6695

Green, Alison (2017) 'A Supreme Fiction': Michael Fried and Art Criticism. Journal of Visual Culture, 16 (1). pp. 89-102. ISSN 1470-4129

Green, Alison (2018) When Artists Curate: Contemporary Art and the Exhibition as Medium. Art Since the '80s . Reaktion, London. ISBN 9781780239330

Green, Alison (2004) When Attitudes Become Form and the Contest over Conceptual Art's History. In: Conceptual Art: Theory, Myth and Practice. Cambridge University Press, pp. 123-143. ISBN ISBN-13: 9780521530873 | ISBN-10: 0521530873

Grandal Montero, Gustavo (2015) From Cambridge to Brighton: Concrete poetry in Britain, an interview with Stephen Bann. In: Artist’s Book Yearbook 2016-2017. Impact Press at the Centre for Fine Print Research, UWE, Bristol, pp. 70-93. ISBN 978-1-906501-10-5

Gotti, Sofia (2016) Expanded Pop: Politics, Popular Culture and Art in Argentina, Brazil and Peru, 1960s. PhD thesis, University of the Arts London.

Goodwin, Paul and Himid, Lubaina (2012) Thin Black Line(s). [Show/Exhibition]

Goodwin, Paul (2018) Confessions of a Recalcitrant Curator: Or How to Re-Programme the Global Museum. In: The Persistence of Taste: Art, Museums and Everyday Life After Bourdieu. Culture, Economy and the Social . Routledge, London. ISBN 9781138670983

Goodwin, Paul (2012) New Diasporic Voices in Migrations: Journeys into British Art. [Show/Exhibition]

Gooding, Mel (2001) Abstract Art (Movements in Modern Art Series). Tate Publishing. ISBN 1854373021

Gooding, Mel (2002) Ceri Richards: a curated exhibition. [Show/Exhibition]

Gooding, Mel (2006) Herman de Vries: chance and change. Thames and Hudson. ISBN 978-0500093276

Gooding, Mel (2006) John Hoyland. Thames and Hudson. ISBN 978-0500093306

Good, Jennifer (2021) Day Zero: Photographs at the Epicenter of History. In: Screening American Nostalgia: Essays on Pop Culture Constructions of Past Times. McFarland & Company, Jefferson, NC, USA, pp. 147-161. ISBN 978-1476680743

Giebelhausen, Michaela and Barringer, Timothy J. (2009) Writing the Pre-Raphaelites: Text, Context, Subtext. Ashgate, Aldershot and London. ISBN 978-0-7546-5717-0

Giebelhausen, Michaela (2020) Page, Canvas, Wall: Visualising the History of Art. In: Inspiration: Iconic Works. Ateneum Art Museum, Finnish National Gallery and The Nationalmuseum, Stockholm, Helsinki and Stockholm, pp. 31-45.

Giebelhausen, Michaela (2020) Page, Canvas, Wall: Visualising the History of Art. FNG Research (4/2020). pp. 1-14. ISSN 2343-0850

Giebelhausen, Michaela (2006) Painting the Bible: Representation and Belief in mid-Victorian Britain. British Art and Visual Culture since 1750: New Readings . Ashgate, Aldershot and London. ISBN 978-0-7546-3074-6

Giebelhausen, Michaela (2019) The Prado: Spanish Culture and Leisure, 1819–1939. Hispanic Research Journal, 19 (5). pp. 543-545. ISSN 1745-820X

Gathercole, Sam (2016) British Constructivist Art. British Art Studies, 3.

Garrett, Louise (2016) …of delay, hesitation and detour: Resisting the constitution of knowledge: Walter Benjamin, re-search and contemporary art. PhD thesis, University of the Arts London.

Gadie, Robert (2022) The Art School PhD: What is the problem of knowledge? PhD thesis, University of the Arts London.

Francke, Andrea and de Kersaint Giraudeau, Matthew (2023) Ten Texts on Sculpture 1: Duchamp and the Readymade.

Francke, Andrea and de Kersaint Giraudeau, Matthew (2023) Ten Texts on Sculpture 2: Robert Gober and the Part Object.

Francke, Andrea and de Kersaint Giraudeau, Matthew (2023) Ten Texts on Sculpture 3: Phyllida Barlow.

Francke, Andrea and de Kersaint Giraudeau, Matthew (2023) Ten Texts on Sculpture 4: Sculpture in the Expanded Field.

Francke, Andrea and de Kersaint Giraudeau, Matthew (2023) Ten Texts on Sculpture 5: Sculpture and Ritual.

Francke, Andrea and Dhillon, Kim (2024) Shapes 2014-2017. In: How We Hold: Rehearsals in Art and Social Change. Serpentine Education and Civic Projects . Verlag der Buchhandlung Walther Konig, London, pp. 205-210.

Francke, Andrea and Cisneros, Teresa (2020) Afterword: Nobody Wants to Deal with this Shit Internally. In: Decolonizing: The Curriculum, the Museum and the Mind. Vilnus Academy of Arts Press, Vilnus, pp. 196-224. ISBN 978-609-447-343-2

Francke, Andrea and de Kersaint Giraudeau, Matthew (2024) Ten Texts on Sculpture 10: Maintenance.

Francke, Andrea and de Kersaint Giraudeau, Matthew (2024) Ten Texts on Sculpture 6: Entropy.

Francke, Andrea and de Kersaint Giraudeau, Matthew (2024) Ten Texts on Sculpture 7: Park McArthur.

Francke, Andrea and de Kersaint Giraudeau, Matthew (2024) Ten Texts on Sculpture 8: Sculptural Pedagogy.

Francke, Andrea and de Kersaint Giraudeau, Matthew (2024) Ten Texts on Sculpture 9: The Non-Object.

Francis, Mary Anne (2007) Dirty work: art beyond 'autonomy'. Journal of Visual Art Practice, 6 (1). pp. 33-44. ISSN 1470-2029

Fortnum, Rebecca (2006) Contemporary British Women Artists: In Their Own Words. IB Tauris. ISBN 1845112245

Fortnum, Rebecca (2003) Seeing and Feeling. In: Unframed: Practices and Politics of Women’s Contemporary Painting. IB Tauris, pp139-162. ISBN 1 86064 771 5

Finch, Mick and Westwood, Martin (2017) The Warburg Haus: Apparatus, inscription, data, speculation. Philosophy of Photography, 8 (1-2). pp. 3-7. ISSN 2040-3682

Finch, Mick and Lisbon, Laura and Sturgis, Daniel (2015) Simon Hantaï Editorial. Journal of Contemporary Painting, 1 (2). pp. 195-199. ISSN 2052-6695

Finch, Mick and Beyer, Andreas (2018) Foreword to'Metadata'. In: Metadata. Bilderfahrzeuge, London, pp. 9-19. ISBN 978 1 5272 1845 1

Finch, Mick (2021) The Bounded and the Synoptic: the archive and photographic appropriation. In: DigitalPaintingPhotography, 21-22 October 2021, University of Derby, Online.

Finch, Mick (2017) Dead and Alive: Warburg’s Mnemosyne Atlas. Journal of Visual Art Practice, 15 (2-3). pp. 286-297. ISSN 1470-2029

Finch, Mick (2012) Kilka możliwych konstelacji. In: Wladyslaw Strzeminski: Czytelnosc Obrazow. Muzeum Sztuki.

Finch, Mick (2017) L'Artiste comme chercher. In: Les arts du feu à l’heure actuelle - rencontres entre la céramique, le verre et les langages numériques - nouveaux lieux d’expérience et de recherche, 3 - 4 January 2017, École nationale supérieure d'art de Limoges.

Finch, Mick (2017) L’Artiste Comme Chercheur. In: La céramique comme expérience. École nationale supérieure d’art de Limoges / Naima, Limoges, pp. 31-51. ISBN ISBN 978-2-37440-041-9

Finch, Mick (2018) Recherche: un mode d'emploi. In: Passeur:enseignants & médiateurs. Exposer/Démontrer. Les écarts de la recherche en art. Art, enseignement & médiation, 3 (3). Opemap, Art, enseignement & médiation, Bruxelles, pp. 124-137. ISBN 978-2-9601926-1-2

Finch, Mick (2015) Simon Hantaï: Round table discussion. Journal of Contemporary Painting, 1 (2). pp. 263-276. ISSN 20526695

Finch, Mick (2015) Synthetic Composition 1, 1923: Some Possible Constellations. In: Władysław Strzemiński. Readability of Images. Muzeum Sztuki, Lódź, Poland, pp. 145-162. ISBN 978-83-63820-39-8

Finch, Mick (2015) The Technical Apparatus of the Warburg Haus. In: Headstone to Hard Drive III. Spolia, Relic, Data, 26 June 2015, British School at Rome, via Antonio Gramsci 61, Rome, Italy.

Finch, Mick (2017) The Technical Apparatus of the Warburg Haus. Journal of Visual Art Practice, 15 (2-3). ISSN 1470-2029

Finch, Mick (2017) The Technical Apparatus of the Warburg Haus: possible returns from oblivion. Philosophy of Photography, 8 (1-2). pp. 35-51. ISSN 2040-3682

Finch, Mick (2022) Thickness/Flatness + Thinness. In: Association for Art History’s 48th Annual Conferenc, 6-8 April 2022, Online.

Finch, Mick (2017) A Vision for Europe: British Art and the Mediterranean. In: A Vision for Europe: British Art and the Mediterranean, 22 March 2017, Lethaby Gallery, CSM, London.

Finch, Mick (2018) Warburg's Trans-disciplinarity: the iconographic and technical apparatuses. In: Itching Powder or “How much harmony?”, 2 - 4 May 2018.

Finch, Mick (2015) Éric de Chassey on Simon Hantaï. Journal of Contemporary Painting, 1 (2). pp. 277-299. ISSN 2052-6695

Fer, Briony and Baddeley, Oriana, TrAIN Research Centre (2011) TrAIN open lecture: Gabriel Orozco: Mobile Work. In: TrAIN Open Lecture, 9th March 2011, Chelsea College of Art and Design. (Unpublished)

Farthing, Stephen (2007) Leaf to Leopard: An analysis of The Elements of Drawing. [Show/Exhibition]

Farthing, Stephen (2011) Museum Rome: the curriculum and the art school. In: 37th Anual Association of Art Historians Conference, 31st March - 2nd April 2011, University of Warwick. (Unpublished)

Evans, Graeme (2017) Graffiti art & the city: from piece-making to place-making. In: Routledge Handbook of Graffiti and Street Art. Routledge, New York, pp. 164-178. ISBN 9781138792937

Ellis, Patricia (2017) In The Before. In: Kirstine Roepstorff. Koenig Books, Berlin.

Edwards, Elizabeth and Peter, James (2006) A Record of England: Sir Benjamin Stone and the National Photographic Association 1897-1910. Dewi Lewis / V&A Publications, UK. ISBN 1904587372

Eden, Michael (2021) Randomness and chance as writing methodology: Is there a case for Dada in the academic essay? Journal of Writing in Creative Practice, 14 (1). ISSN 1753 5190

Dzuverovic, Lina (2024) The Hegemonic Gaze and East-Central Europe - Challenging the Totalitarian Paradigm. In: Plural and Multiple Geographies of Modern and Contemporary Art in East-Central Europe. Routledge, London. (In Press)

Donkor, Kimathi (2020) Africana Andromeda: Contemporary Painting and the Classical Black Figure. In: Classicisms in the Black Atlantic. Classical Presences . Oxford University Press, Oxford and New York, pp. 163-193. ISBN 9780198814122

Donkor, Kimathi (2015) Africana Unmasked: Fugitive signs of Africa in Tate's British Collection. PhD thesis, University of the Arts London.

Diggle, Valerie Ann (2017) A poetics of uncertainty: a chorographic survey of the life of John Trevisa and the site of Glasney College, Cornwall, mediated through locative arts practice. PhD thesis, University of the Arts London and Falmouth University.

Dieckvoss, Stephanie (2017) Central Saint Martins, University of the Arts, London: Pädagogik der Idee. Kunstforum International, 245. pp. 146-159. ISSN 0177-3674

Dieckvoss, Stephanie (2017) College of Art and Built Environment of the Kwame Nkrumah University of Science and Technology, Kumasi, Ghana: Handwerklichkeit als Existenzstrategie. Kunstforum International, 245. pp. 118-131. ISSN 0177-3674

Dieckvoss, Stephanie (2017) Lasalle College of the Arts, Singapur: Ausbildung für die Zukunft. Kunstforum International, 245. pp. 90-103. ISSN 0177-3674

Dieckvoss, Stephanie (2017) Rhode Island School of Art and Design, Providence: Critical Making. Kunstforum International, 245. pp. 160-173. ISSN 0177-3674

Dieckvoss, Stephanie (2017) The artist and the art fair: Changes in Agency? In: The Art Fair. The 2017 TIAMSA Conference, 14 and 15 July 2017, Sotheby’s Institute of Art 30 Bedford Square, Bloomsbury, London WC1B 3EE.

Devleminck, Steven (2012) Transmedia - a Place of Negotiation in Conditions of Hybridity and Change. PhD thesis, University of the Arts London.

Delice, Serkan and Cakirlar, Cüneyt (2013) 1553. In: Taner Ceylan: The Lost Paintings Series. Standard Press; Paul Kasmin Gallery; Damiani. ISBN 9788862083126

Delice, Serkan and Cakirlar, Cüneyt (2013) 1640. In: Taner Ceylan The Lost Paintings Series. Standard Press; Paul Kasmin Gallery; Damiani, pp. 26-27.

Delice, Serkan and Cakirlar, Cüneyt (2013) 1879. In: Taner Ceylan: The Lost Paintings Series. Standard Press; Paul Kasmin Gallery; Damiani. ISBN 9788862083126

Delice, Serkan and Cakirlar, Cüneyt (2013) Birth of Hope. In: Taner Ceylan: The Lost Paintings Series. Standard Press; Paul Kasmin Gallery; Damiani. ISBN 9788862083126

Delice, Serkan and Cakirlar, Cüneyt (2013) Cage of Flesh. In: Taner Ceylan: The Lost Paintings Series. Standard Press; Paul Kasmin Gallery; Damiani. ISBN 9788862083126

Delice, Serkan and Cakirlar, Cüneyt (2013) Esma Sultan. In: Taner Ceylan: The Lost Paintings Series. Standard Press; Paul Kasmin Gallery; Damiani. ISBN 9788862083126

Delice, Serkan and Cakirlar, Cüneyt (2013) Spring Time. In: Taner Ceylan: The Lost Paintings Series. Standard Press; Paul Kasmin Gallery; Damiani. ISBN 9788862083126

Delice, Serkan (2013) 1881. In: Taner Ceylan: The Lost Paintings Series. Standard Press; Paul Kasmin Gallery; Damiani. ISBN 9788862083126

Delice, Serkan (2013) Fake World. In: Taner Ceylan: The Lost Paintings Series. Standard Press; Paul Kasmin Gallery; Damiani. ISBN 9788862083126

Dalal-Clayton, Anjalie and Sheldon, Julie (2020) 'A Dissident View': Bluecoat Exhibitions, 1967-2005. In: Bluecoat, Liverpool: The UK's first arts centre. Liverpool University Press, Liverpool, pp. 145-174. ISBN 978-1-78962-163-1

Dalal-Clayton, Anjalie and Rutherford, Ananda (2021) Against a New Orthodoxy: Decolonised “Objectivity” in the Cataloguing and Description of Artworks. In: Paul Mellon Centre for Studies in British Art. Paul Mellon Centre for Studies in British Art.

Dalal-Clayton, Anjalie and Rutherford, Ananda (2022) Trophies of Empire: modes of acquisition, legitimization and colonial denial in art and heritage interpretation. In: Association for Art History 2022 Annual Conference, 8 April 2022, Online.

Dalal-Clayton, Anjalie (2018) The Black Artists & Modernism 'Black Artists in UK Public Collections' Database.

Dalal-Clayton, Anjalie (2016) Challenging Narratives? The Framing of Black Artists in Afro Modern. In: Now & Then, Here & There: Black Artists & Modernism, 6-9 October 2016, Tate Britain.

Dalal-Clayton, Anjalie (2015) Coming into View: Black British Artists and Exhibition Cultures, 1976-2010. PhD thesis, Liverpool John Moores University.

Dalal-Clayton, Anjalie (2020) Developing More Representative Art Collections Could Not Be More Urgent. The Double Negative.

Dalal-Clayton, Anjalie (2019) Hidden in Plain Sight: Black Artists in Public Collections. In: Archives and Embodiment, 4-5 July 2019, University of the Arts London.

Dalal-Clayton, Anjalie (2019) Sonia Boyce: Beyond Blackness. NKA Journal of Contemporary African Art, 2019 (45). pp. 62-73. ISSN 1075-7163

Dalal-Clayton, Anjalie (2022) Time looping: cyclical pasts and speculative futures in the work of Keith Piper. In: Keith Piper: Jet Black Futures. The New Art Gallery Walsall, Walsall, England, pp. 39-68. ISBN 978-1-907363-17-7

Dalal-Clayton, Anjalie (2019) Together We Can Go Far: Black British Artist Collectives and Groups since the 1960s. In: Queer Modernisms III, 25-26 April 2019, University of Oxford.

Dalal-Clayton, Anjalie (2020) Why Words Matter: The Impact of Art Museum Interpretation on the Production of Art’s Histories. In: From De-Colonial to Anti-Colonial: What's Next for Museum Interpretation?, 26 November 2020, National Portrait Gallery, online.

Dalal-Clayton, Anjalie and Rutherford, Ananda (2024) Provisional Semantics: Addressing the Challenges of Representing Multiple Perspectives Within Public Collections. Collections: A Journal for Museum and Archives Professionals, 20 (1). ISSN 15501906

Dakers, Caroline (2018) 1872 Alfred Morrison's Purchases; 1878 The Civil War draws a crowd; 1890 'Monumental Decoration' in England. In: The Royal Academy Summer Exhibition: A Chronicle, 1769–2018. Paul Mellon Centre for British Art.

Dakers, Caroline (2016) The 1872 Summer Exhibition and Alfred Morrison. In: A Year's Art The Royal Academy Summer Exhibition, 1769-2016, 29-30 September 2016, Paul Mellon Centre Bedford Square London.

Dakers, Caroline (2013) After Beckford: an examination of the connections between James Morrison and Alfred Morrison, two collectors who once owned the Fonthill estate, and their infamous predecessor, William Beckford. The Beckford Journal, 19. pp. 5-33. ISSN 1359-8503

Dakers, Caroline (2019) Basildon Park. Park Lane Press, Corsham for National Trust (Enterprises) Ltd, Corsham. ISBN 978-1-84359-554-0

Dakers, Caroline (2015) Bohemians and Gentlemen. The representation of artists in British society 1850-1950. In: UAL Professorial Platform Series 2015-16, 26 October 2015, Central Saint Martins, Granary Building, 1 Granary Square, King's Cross, London N1C 4AA.

Dakers, Caroline (2004) A Casket to Enclose Pictorial Gems, James Morrison, John Buonarotti Papworth and Basildon Park. Apollo. pp. 29-35. ISSN 00036536

Dakers, Caroline (2014) Excessive behaviour and extraordinary collections: William Beckford and Alfred Morrison, two nineteenth-century millionaire collectors. In: Gold in/and Art, 18 - 19 September 2014, Musée Paul-Dupuy, Toulouse, France.

Dakers, Caroline (2014) Fact into fiction in the country house novel: who was the model for Charles Ryder? In: The Country House in Britain, 1914-2014, 6-8 June 2014, University of Newcastle, Department of English.

Dakers, Caroline (2014) Fit for purpose: the Victorian artist's studio-house as public and private space. In: Victorians Like Us 2nd International Conference - The Victorian Household: Power, Policies, Practices, 26 - 29 November 2014, University of Lisbon Centre for English Studies (ULICES), Faculty of Letters, University of Lisbon.

Dakers, Caroline (2018) Fonthill Recovered A Cultural History. UCLPress, London. ISBN 978-1-78735-046-5

Dakers, Caroline (2010) Furniture and interior decoration for James and Alfred Morrison. Furniture History: The Journal of the Furniture History Society, XLVI. pp. 189-216. ISSN 00163058

Dakers, Caroline (2013) Gendered collecting? An examination of the personalities,the taste and the displays of two 19th century collectors. In: The Gendered Interior in Nineteenth-Century Art, 20 Nov 2013, University of Bern, Switzerland.

Dakers, Caroline (2011) George Aitchison: Leighton’s architect revealed. [Show/Exhibition]

Dakers, Caroline (2010) J.B. Papworth, Bloomsbury architect. [Art/Design Item]

Dakers, Caroline (2011) James Morrison millionaire model and model millionaire. In: Money/Myths, 03-06 March 2011, Albuquerque, NM USA.

Dakers, Caroline (2007) Letters from a 19th Century Merchant on the Grand Tour 1826-1827. In: International Society of Cultural Historians, 2007, University of Ghent. (Unpublished)

Dakers, Caroline (2018) 'Madeline Wyndham of Clouds and Mabel Morrison of Fonthill'. In: Women and the Country House in Ireland and Britain. Four Courts Press, Dublin, pp. 95-115. ISBN 978-1-84682-647-4

Dakers, Caroline (2019) "Peeps" or "Smatter and Chatter": Late-Victorian Artists Presented as Strand Celebrities. Victorian Periodicals Review. pp. 311-338. ISSN 0709-4698

Dakers, Caroline (2001) Peeps, shows and chats: the promotion of artists in Late-Victorian London and The Artist as Celebrity in Victorian London. In: Locating the Victorians, Science Museum/Imperial College London.

Dakers, Caroline (2012) Size Matters: the extraordinary collection of Alfred Morrison, Victorian Maecenas. In: Picturing the Nineteenth Century (INCS 2012), 22-25 March 2013, University of Kentucky, USA.

Dakers, Caroline (2018) Three essays: ‘Alfred Morrison’s purchases at the 1872 Summer Exhibition’ ‘The extraordinary and enduring popularity of a “history” painting at the 1878 Summer Exhibition’ ‘”Monumental decoration” at the 1890 Summer Exhibition’. In: The Royal Academy of Arts Summer Exhibition: A Chronicle, 1769–2018 Sarah Victoria Turner, Mark Hallett, Jessica Feather. Paul Mellon Centre for Studies in British Art, London.

Dakers, Caroline (2017) Uncle Harry, the Venetian Life of Henry Woods RA. In: NAVSA/AVSA Conference 2017, 17-20 May, La Pietra, New York University Florence.

Dakers, Caroline (2016) A fondness for dressing up: artists' clubs, the St John's Wood Clique and the artists' Rifles. In: Social Victorians NAVSA 2016 conference, 2-5 November 2016, Phoenix Arizona.

Dakers, Caroline (2011) A genius for money: business, art and the Morrisons. Yale University Press, New Haven, CT. ISBN 9780300112207

Cussans, John (2011) Anxious objects of un-belonging and un-doing. In: Sacred Matter and Secular Frames, Museum of Ethnography, Stockholm, Sweden. (Unpublished)

Cussans, John (2011) Art, possession and the revolutionary unconscious. In: Pig Party event of the Xism Exhibition, 4th May 2011, Museum of Ethnography, Stockholm, Sweden. (Unpublished)

Cummings, Andrew (2022) Apocalypse, Now: Queer hope for the end of the world and Dew Kim's Succulent Humans. In: Imagining the Apocalypse: Art and the End Times. Courtauld Books Online, pp. 53-82. ISBN 978-1-907485-15-2

Cummings, Andrew (2021) The Promise of Parasites: Queer Currents, Currencies of Queerness, and Dew Kim’s Latrinxia: A New Utopia. Immediations (18). pp. 85-103. ISSN 1742-7444

Crippa, Elena and Steeds, Lucy (2016) Exhibition, Design, Participation: ‘an Exhibit’ 1957 and Related Projects. Exhibition Histories . London: Afterall Books. ISBN 978-3-86335-897-6

Creamer, Anne-Marie (2016) Emma Talbot: Step Inside Love’, Domo Baal Gallery, London, 24 April–6 June 2015. Journal of Contemporary Painting, 2 (2). pp. 301-334. ISSN 2052-6695

Courtney, Cathy (2001) Development of 'Artists' Lives'. British Library Sound Archive

Connerty, Michael (2018) Secret Identity: Reassessing Jack B. Yeats as a Comic Strip Artist. PhD thesis, University of the Arts London.

Coldwell, Paul and Morgan, Ruth (2022) Picturing the Invisible: Exploring interdisciplinary synergies from the arts and the sciences. UCL Press, London. ISBN 9781800081055

Coldwell, Paul (2016) Henry Moore-Elephant Skull. In: Gérald Cramer and "his" artists, Chagall, Miro, Moore. Patrick Cramer, Geneva, pp. 55-63. ISBN 978-2-8399-1996-8

Coldwell, Paul (2017) Jim Dine – Printmaking and the Tools of his Trade. Print Quarterly, 33 (2). pp. 177-188. ISSN 0265-8305

Coldwell, Paul (2006) Morandi's legacy: influences on British art. [Show/Exhibition]

Coldwell, Paul (2005) Paula Rego: printmaker. In: Paula Rego: Printmaker. Marlborough Fine Art: London. ISBN 1904372252

Clark, Judith (2018) Exhibiting Niklaus Manuel Deutsch: The Judgement of Paris II, Amden Atelier. [Show/Exhibition]

Chesher, Andrew and Afker, Cristian (2011) The craftsman. [Art/Design Item]

Chesher, Andrew (2017) Desublimating the Gestalt: Towards an Archaeology of Robert Morris’s Anti Form. In: Sublimation: Mind, Matter, Concept in Art after Modernism, 14-15.12.17, Johannes Gutenberg-Universität Mainz.

Chesher, Andrew (2014) Showing the Concealed as Concealed: on phenomenology and walking as art. In: The 64th Congress of Phenomenology, The World Institute of Phenomenology, 1-3 October, 2014, Università Cattolica del Sacro Cuore, Milan, Italy.

Chesher, Andrew (2024) A Denounced Tautology: On Une Seconde d’éternité (D’après une idée de Charles Baudelaire) (1970). In: Marcel Broodthaers and Film: A Second of Eternity. Leuven University Press, Netherlands, pp. 125-145. ISBN 9789461666208 (In Press)

Chesher, Andrew (2020) Desublimating the Gestalt: Towards an Archaeology of Robert Morris's Anti Form. In: Sublimation/Sublimierung: Redefining Materiality in Art after Modernism / Neubestimmungen von Materialität in der Kunst nach dem Modernismus. Felix Meiner Verlag, Hamburg, pp. 331-360. ISBN 978-3-7873-3952-5

Chesher, Andrew (2024) ‘Written Honour’: Wagner, Beuys and Stendhal in Marcel Broodthaers’s Magie: art et politique. In: Cases of Citation: On Literature in Art. Manchester University Press, Manchester, pp. 134-151. ISBN 9781526173188 (In Press)

Cherry, Deborah and Walker, Lynne (2002) Elizabeth Garrett Anderson: Image, Identity and Space in the Modernization of Nineteenth-century Medicine. Visual Culture in Britain, 3 (2). pp. 33-56. ISSN 1471-4787

Cherry, Deborah and Scott, Katie (2005) Between Luxury and the Everyday: Decorative Arts in Eighteenth-Century France. Wiley-Blackwell, Oxford, UK. ISBN 9781405131681

Cherry, Deborah and Kokoli, Alexandra (2020) Tracey Emin: Art into Life. Bloomsbury, London and New York. ISBN 978-1-350-16060-6

Cherry, Deborah and Helland, Janice (2005) Local/Global: Women Artists in the Nineteenth Century. Ashgate, Aldershot. ISBN 9780754631972

Cherry, Deborah and Dickson, Malcolm (2016) Maud Sulter: Passion. [Show/Exhibition]

Cherry, Deborah and DeVere Brody, Jennifer (2023) 2.1 Resonance and Reverberation in Maud Sulter’s MUSEUM. In: Approaching Race and Empire in collections of nineteenth-century art and design: A resource pack for museums and galleries. Race, Empire & the Pre-Raphaelites research group.

Cherry, Deborah and Cullen, Fintan (2007) Location. Wiley-Blackwell, Oxford, UK. ISBN 9781405146944

Cherry, Deborah and Cullen, Fintan (2008) Spectacle and Display. Wiley-Blackwell, Oxford, UK. ISBN 9781405175241

Cherry, Deborah (2008) About Mieke Bal. Wiley-Blackwell, Oxford, UK. ISBN 9781405186568

Cherry, Deborah (2006) About Stephen Bann. Wiley-Blackwell, Oxford, UK. ISBN 9781405148306

Cherry, Deborah (2014) The Afterlives of Monuments. Routledge, Oxford. ISBN 9780415739399

Cherry, Deborah (2014) Altered States: the social biographies of works of art. She Loved to Breathe - Pure Silence (1987-2012) by Zarina Bhimji. In: Tra memoria e oblio: percorsi nella conservazione dell'arte contemporanea. Castelvecchi, Rome, pp. 210-228. ISBN 9788876159350

Cherry, Deborah (2005) Art: History: Visual: Culture. Blackwell Publishing, Oxford, UK. ISBN 9781405119658

Cherry, Deborah (2001) Beyond the Frame: Feminism and Visual Culture, Britain 1850-1900. Routledge, London, UK; New York, NY, USA. ISBN 9780415107273

Cherry, Deborah (2004) Dreaming Awake: Images of Women in Pre-Raphaelite Art. In: Waking Dreams: The Art of the Pre-Raphaelites from the Delaware Art Museum. Art Services International, Alexandria, Virginia, US. ISBN 9780883971376

Cherry, Deborah (2002) Earth into the World, Land into Landscape: The “Worlding” of Algeria in Nineteenth-Century British Feminism. In: Orientalism’s Interlocutors Painting, Architecture, Photography. Duke University Press. ISBN 978-0-8223-2874-2

Cherry, Deborah (2012) Elizabeth Eleanor Siddall (1829–1862). In: Cambridge Companion to the Pre-Raphaelites. Cambridge companions to literature . Cambridge University Press, Cambridge, pp. 183-195. ISBN 9780521719315

Cherry, Deborah (2012) Elizabeth Eleanor Siddall, 1829-61. In: The Cambridge Companion to the Pre-Raphaelites. Cambridge Companions to Literature . Cambridge University Press, pp. 183-195. ISBN 9780521895156

Cherry, Deborah (2015) The Ghost Begins by Coming Back. Revenants And Returns In Maud Sulter’s Photomontages. In: Revival. Memories, Identities, Utopias. Courtauld Books Online (3). The Courtauld Institute of Art, London, pp. 29-44. ISBN 978-1-907485-04-6

Cherry, Deborah (2003) Going Places: Women Artists in Central London in the 1850s and 1860s. The London Journal, 28 (1). pp. 73-96. ISSN 0305-8034

Cherry, Deborah (2024) Hello Girls, Hiya Sisters. In: Chila Burman. Tate Publications, London, pp. 23-33. ISBN 978184976-855-9 (In Press)

Cherry, Deborah (2013) Image-making with Jeanne Duval in mind: photoworks by Maud Sulter, 1989−2002. In: Women, the arts and globalization: eccentric experience. Rethinking Art's Histories . Manchester University Press, Manchester, pp. 145-168. ISBN 9780719088759

Cherry, Deborah (2009) In a word, Pre-Raphaelite, Pre-Raphaelites, Pre-Raphaelitism. In: Writing the Pre-Raphaelites: Text, Context, Subtext. Ashgate, Farnham, pp. 17-51. ISBN 9780754657170

Cherry, Deborah (2002) On the Move: My Bed, 1998-99. In: The Art of Tracey Emin. Thames and Hudson, pp. 134-154. ISBN 0500283850

Cherry, Deborah (2007) A Sea of Senses. In: Right about Now, Art and Theory since the 1990s. Valiz, Amsterdam. ISBN 978-90-78088-17-2

Cherry, Deborah (2007) Spatial conversations: on the candy spills of Felix Gonzalez-Torres. Dialogis Espaciais: os Derramamentos de caramelos de Felix Gonzalez Torres. Arte e Ensaios / Arts and Essays (14). pp. 96-109. ISSN 15161692

Cherry, Deborah (2006) Statues in the Square: Hauntings at the Heart of Empire. Art History, 29 (4). pp. 660-697. ISSN 01416790

Cherry, Deborah (2017) Suitcase Aesthetics: The Making of Memory in Diaspora Art in Britain in the Later 1980s. Art History, 40 (4). pp. 784-807. ISSN 01416790

Cherry, Deborah (2000) Troubling Presence: body, sound and space in installation art of the mid-1990s. Revue d'Art Canadienne / Canadian Art Review, 25 (1-2). pp. 12-30. ISSN 0315 9906

Cherry, Deborah (2020) Twenty Years in the Making: Tracey Emin’s My Bed, 1998–2018. In: Art into Life: Essays on Tracey Emin. Bloomsbury, London and New York, pp. 45-70. ISBN 978-1-350-16060-6

Cherry, Deborah (2019) The Urgency of Now. In: The Place Is Here: The Work of Black Artists in 1980s Britain. Sternberg Press, Berlin. ISBN 978-3-95679-466-7

Cherry, Deborah (2013) With her Fingers on the Political Pulse: The Transnational Curating of Maud Sulter. In: Politics in a glass case: feminism, exhibition cultures and curatorial transgressions. Value, art, politics (7). Liverpool University Press, Liverpool, UK, pp. 205-226. ISBN 9781846318931

Cherry, Deborah (2023) The Woman in White. Nineteenth-Century Art Worldwide, 22 (1). ISSN 1543-1002

Cherry, Deborah (2010) The afterlives of monuments. In: The Afterlives of Monuments, 28-30th April 2010, Innovation Centre. (Unpublished)

Chapman, Louise (2023) The costumers’ lens: An encounter with The Pink Silk Dress. Studies in Costume & Performance, 8 (1). pp. 105-120. ISSN 2052-4021

Cardwell, Thomas (2017) Still Life and Death Metal: Painting the Battle Jacket. PhD thesis, University of the Arts London.

Bronstein, Pablo and Bose, Shumi (2017) Pablo Bronstein: Conservatism, or The Long Reign of Pseudo-Georgian Architecture. [Show/Exhibition]

Bristow, Maxine (2016) Pragmatics of attachment and detachment: medium (un)specificity as material agency in contemporary art. PhD thesis, Norwich University of the Arts.

Brett, Guy and Figueiredo, Luciano (2007) Oiticica in London. Tate Publishing. ISBN 9781854377470

Brett, Guy (2005) Brasil Experimental arte/vida: proposicoes e paradoxos. Rio de Janeiro: Contra Capa Livraria Ltda.. ISBN 85-86011-94-0

Brett, Guy (2004) Carnival of Perception: Selected Writings on Art. inIVA. ISBN 1899846344

Brett, Guy (2007) Grippo's Vision. Third Text, 21 (4). pp. 417-430. ISSN 09528822

Boyce, Sonia and Price, Dorothy (2021) Dearly Beloved or Unrequited? To Be 'Black' in Art's Histories. Art History, 44 (3). pp. 462-480. ISSN 0141 6790

Boyce, Sonia and Bailey, David A. and Baucom, Ian (2005) Shades of Black: Assembling Black Arts in 1980s Britain. Duke University Press. ISBN 822334208.00

Boyce, Sonia (2019) All the Rage: For Oluwale and Destruction of the National Front. In: The Place is Here: The Work of Black British Artists in 1980s Britain. Sternberg Press, Eindhoven, pp. 115-138. ISBN 978-3956794667

Boyce, Sonia (2019) Dearly Beloved: Transitory Relations and the Queering of 'Women's Work' in David Medalla's A Stitch in Time (1967-72). In: Conceptualism – Intersectional Readings, International Framings: Situating ‘Black Artists & Modernism’ in Europe. Van Abbe Museum, pp. 282-299. ISBN 9789490757199

Boyce, Sonia (2019) From Substrate to Riverbed. In: Frank Bowling. Tate Publishing, London, pp. 70-77. ISBN 978-1849766289

Bilbao, Ana and Reichl, Pavel (2017) Between Earth and World: Heidegger on Turrell, Nature, and Aesthetic Intelligibility. kritische berichte, 45 (2). pp. 84-91. ISSN 0340-7403

Bilbao, Ana (2019) From the Global to the Local (and Back): Curatorial Strategies in Biennials and Small Visual Arts Organisations. Third Text. ISSN 0952-8822

Bilbao, Ana (2018) Micro-Curating: the role of SVAOs (Small Visual Arts Organisations) in the history of Exhibition-Making. Notebook for Art, Theory and Related Zones, 25. ISSN 1802-8918

Bilbao, Ana (2019) Mining Colombian contemporary art: histories, scales and techniques of gold extraction. Burlington Magazine, Burlington Contemporary, 1. ISSN 0007-6287

Bilbao, Ana (2017) Re-Thinking the Social Turn. In: Rhetoric, Social Value and the Arts. Palgrave. ISBN 978-3-319-45296-8

Bilbao, Ana (2015) SIN (without): The Alienated Spectator. re-bus, 7. pp. 105-112.

Biddle-Perry, Geraldine (2008) Hair, Gender and Looking. In: Hair: Styling, Culture and Fashion. Berg, Oxford and New York, pp. 97-111. ISBN 9781845207922

Bestley, Russ (2023) Punk Art History. [Art/Design Item]

Behr, Bernd (2017) Auto-Vision. In: Collaborations between Arts & Sciences and their Role for Europe, 11-12 October 2017, L'Atelier Arts Sciences, Grenoble, France.

Behr, Bernd (2022) Esper Syndrome: Tracing Forensic Imaginaries and Spatial Pathologies in Blade Runner’s Photographic Apparatus. In: Blade Runner @40: Origins and Legacies, 6-7 June 2022, Bangor University, Wales & Online.

Behr, Bernd (2018) Learning from Renningen: On the Perceptual Architectures of Self-driving Cars. In: Research Fellowship Lecture, 26 January 2018, Bosch Research Campus, Renningen, Germany.

Behr, Bernd (2017) The Paranoiac-Critical Method of Reflectance Transformation Imaging. In: Annihilation Event, 22-29 March 2017, Lethaby Gallery, Central Saint Martins, University of the Arts London.

Behr, Bernd (2019) The Paranoiac-Critical Method of Reflectance Transformation Imaging. In: Transactions: Imaging/Art/Science, 26 April 2019, University of Westminster.

Behr, Bernd (2018) The Unknown Known: Prehistories of Machine Vision. In: Associate Forum, 25 September 2017, Bosch Research Campus, Renningen, Germany.

Beech, Dave (2019) Art and the Politics of Eliminating Handicraft. Historical Materialism, 27 (1). pp. 155-181. ISSN 1465-4466

Beech, Dave (2009) Introduction: art and the politics of beauty. In: Beauty. Documents of contemporary art . Whitechapel Art Gallery, London, pp. 12-19. ISBN 9780854881635

Bayley, Lucy and Cranfield, Ben and Massey, Anne (2014) Institute of Contemporary Arts: (An) Archival Experiment. Mnemoscape Magazine (1). pp. 114-126.

Baniotopolou, Evdoxia (2010) Century City: Art and Culture in the Modern Metropolis. A case-study of institutional curating of contemporary art in an urban context. PhD thesis, University of the Arts London.

Ball, Steven and Elwes, Catherine (2014) David Hall (1937-2014). Moving Image Review & Art Journal MIRAJ, 3 (2). p. 308. ISSN 20456298

Baker, Daniel Alexander (2018) Technologies of Encounter: Exhibition-Making and the 18th Century South Pacific. PhD thesis, University of the Arts London.

Baddeley, Oriana (2003) Ancient Mexican Sources of Art Deco. In: Art Deco: 1910-1939. V&A, pp. 57-65. ISBN 1851773878

Baddeley, Oriana (2017) Boissonnas in Egypt. Saint Catherine Foundation, London. ISBN 9781906908478

Baddeley, Oriana (1994) Engendering New Worlds: Allegories of Rape and Reconciliation. Art and Design Magazine. ISSN 1854902202

Baddeley, Oriana (2018) Fred Boissonnas in Egypt. [Show/Exhibition]

Baddeley, Oriana (2011) Fred Boissonnas: The Sinai Expeditions 1929-1933. musee de l'art chretien, Geneva. ISBN 90780955862823

Baddeley, Oriana (2018) Frida Re-Dressed. In: Frida Kahlo: Making Herself Up. V&A, London, pp. 174-187. ISBN 9781851779604

Baddeley, Oriana (2013) Last Rites: From Frida Kahlo to Teresa Margolles, Mexicanness and Visualizing the Politics of Victimhood. In: The Ghosts of the Mexican Revolution. Peter Lang.

Baddeley, Oriana (1992) Nostalgia for a new world. Third Text, 6 (21). pp. 29-34. ISSN 0952-8822

Baddeley, Oriana (2005) Reflecting on Kahlo: Mirrors, Masquerade and the Politics of Identification. In: Frida Kahlo. Tate Publishing, London, pp. 47-53. ISBN 9781854375674

Baddeley, Oriana (2007) The Relocation of Authenticity and Transnational Dilemmas. In: Arte and Ensaios: Transnational Correspondence (special edition). Universidade Federal do Rio de Janeiro, Rio de Janeiro, pp. 68-82. ISBN 15561692

Baddeley, Oriana (2009) Teresa Margolles and the Pathology of Everyday Death. In: UAL Professorial Platform 2009-10 Series, 4 November 2009, Chelsea College of Arts, 16 John Islip Street, London SW1P 4JU.

Baddeley, Oriana (2018) Teresa Margolles: from Carousel to Dance Floor. In: ANOTHER KIND OF LIFE: PHOTOGRAPHY ON THE MARGINS. Barbican Centre, London. ISBN 9783791384276

Asbury, Michael (2017) Rodrigo Andrade: um olhar em retrospecto [Rodrigo Andrade: a retrospective view]. In: Rodrigo Andrade: pintura e materia (1983-2014). Pinacoteca do Estado de Sao Paulo, Sao Paulo, pp. 25-35. ISBN 978-85-8256-094-5

Asbury, Michael and Venancio, Paulo (2001) Rio de Janeiro 1950 - 1964. [Show/Exhibition]

Asbury, Michael and Tawadros, Gilane (2021) Michael Asbury and Gilane Tawadros in conversation: Remembering Guy Brett through inIVA and the British Art Scene. Concinnitas, 22 (42). pp. 323-336. ISSN 1981-9897

Asbury, Michael (2014) 21 Forma de Amnesia. In: Milton Machado: Cabeça. Editora Luneta, Rio de Janeiro, pp. 134-139.

Asbury, Michael (2013) 2892 de Daniel Senise: Entre o ser e o nada, o espectador. In: Symposium InED, 10-11 May 2011, Escola Superior de Educação, Politecnico do Porto, Portugal.

Asbury, Michael (2014) Abstract Impulses. In: Impulse, Reason, Sense, Conflict: Abstract Art from the Ella Fontanals-Cisneiros Collection. Cisneros Fontanals Art Foundation (CIFO), Miami, Florida, US.

Asbury, Michael (2018) Alfredo Volpi: at the crossroads of modernity. In: Alfredo Volpi - Frieze Masters Spotlight exhibition catalogue. AD Gallery, London, pp. 9-17.

Asbury, Michael (2007) Angela Detanico, Rafael Lain. Pharos Publishing, Cyprus. ISBN 9789963919932

Asbury, Michael (2013) Angelo Venosa, Deixo que falem o que quizerem. In: Angelo Venosa: A febre da matéria. Cosac Naify, São Paulo, Brazil, pp. 169-177.

Asbury, Michael (2012) Anna Maria Maiolino: A biblioteca infinita e a fome de ler. In: Projeto Politica das Artes, August 2012, Fundação Joaquim Nabuco, Recife, Brazil.

Asbury, Michael (2019) Anna Maria Maiolino: Articulations and Translations of and in Anthropophagy. In: Anna Maria Maiolino: O Amor se Faz Revolucionario. PAC and Silvana Editoriale, Milan, pp. 87-91.

Asbury, Michael (2019) Anna Maria Maiolino: Articulations and Translations of and in Anthropophagy. In: Anna Maria Maiolino: Making Love Revolutionary. Whitechapel Gallery, London, pp. 35-39. ISBN 978-0-85488-279-3

Asbury, Michael (2021) Anna Maria Maiolino: Entrevidas, Vida Afora. In: Senzamargine: Passages in Italian Art at the turn of the Millenium. Marsilio Editori / Fondazione Maxxi, Venice / Rome, Italy, pp. 184-199. ISBN 978-88-297-0982-3

Asbury, Michael (2012) Anna Maria Maiolino: Utopias and Subjectivitides. In: Narrativas Ficções Subjetividades. Quartet Editora, pp. 93-111. ISBN 9788578120719

Asbury, Michael (2011) Anna Maria Maiolino: Utopias e Subjetividades. In: ANPAP (Associação Nacional de Pesquisadores de Artes Plasticas), 26 September - 1 October 2011, State University of Rio de Janeiro, Brazil.

Asbury, Michael (2010) Anna Maria Maiolino: continuous. [Show/Exhibition]

Asbury, Michael (2010) Anna Maria Maiolino’s Articulations of the Notion of Anthopophagy. In: Sub-Objects and Studiowork: From Eva Hessa to Anna Maria Maiolino, 6 February 2010, University College London.

Asbury, Michael (2006) Antonio Manuel. Pharos Publishing, Cyprus. ISBN 9789963919901

Asbury, Michael (2010) Antonio Manuel: A Instalação como Pintura – A Pintura como Instalação. In: A Pintura Contemporanea e(m) seus Campos, Ciclo de Palestras, April 2010, Porto Alegre, Brazil.

Asbury, Michael (2011) Antonio Manuel: Occupations / Discoveries. In: (Des)locações: Exílio, Topologia, Deslocalização, (Dis)Locations: Exile, Topology, Relocation. Universidade do Porto. Faculdade de Belas Artes. Gabinete Editorial, Porto, Portugal, pp. 58-68. ISBN 978-972-98517-5-9

Asbury, Michael (2010) Antonio Manuel: a instalação como pintura: pintura como instalação (painting and installation in the work of Manuel Antonio). In: The Contemporary Painting and (m) of their fields, 2010, Porto Alegre, Brazil. (Unpublished)

Asbury, Michael (2017) Art History as Translation: towards a historiographical critique. In: International Conference of Research in Education, 19-21 July 2017, Escola Superior de Educacao, Instituto Politecnico do Porto.

Asbury, Michael (2001) Art and Identity in Contemporary Brazil. In: Annual Conference of the Society of Latin American Studies, April 2001, University of Birmingham.

Asbury, Michael (2006) Art in Brazil from the 1950s to the 1960s. In: Espaço Aberto/Espaço Fechado: sites for sculpture in modern Brazil, March 2006, Henry Moore Institute, Leeds.

Asbury, Michael (2018) The Art of Diplomacy: Brazilian Modernism Painted for War. The Embassy of Brazil in London, London, pp. 35-41. ISBN 978-5272-1858-1

Asbury, Michael (2008) A Arte Brasileira no Exterior. In: I Congresso do Brasil na Europa, November 2008, Universidad de Salamanca, Spain.

Asbury, Michael (2010) Barbarella: Cravo e Canela. Ernesto Neto: Intimacy.

Asbury, Michael (2022) Between Incomprehension and Forgetfulness: The 4th Bienal de São Paulo. In: Bienal de Sao Paulo since 1951. Fundacao Bienal de Sao Paulo, pp. 85-95.

Asbury, Michael (2016) Between art criticism and art history. In: III Colloquium of Art Criticism and Art History, November 2016, National Museum, Brasilia.

Asbury, Michael (2021) Beyond Brazil: remembering Guy Brett through his own eyes. Arte e Ensaios, 27 (41). pp. 350-408. ISSN 2448-3338

Asbury, Michael (2008) The Bienal de São Paulo between the National and the International. In: Bienais, Bienais, Bienais... The Biennial see from Outside, 8 November 2008, Bienal de São Paulo Pavilion, Parque Ibirapuera, São Paulo.

Asbury, Michael (2017) Bilateral Teman de Helio Oiticica. In: Ars Symposium on Helio Oiticica, 26 October 2017, Universidade de São Paulo, Brazil.

Asbury, Michael (2004) Blaise Cendrars and the Brazilian Modernists’ tour of Brazil: from cosmopolitan modernism to national identity. In: Imagined Modernities: Travel, Literature, Illustration and the Nation State in Asia and the Americas 1850-1950, February 2004, Universidade de Coimbra, Portugal.

Asbury, Michael (2016) Brasilia: anachronisms of utopia. In: 49th AICA Congress, 12 October 2016, Museo Nacional de Bellas Artes, Havana, Cuba.

Asbury, Michael (2009) Brazilian Art and the International Avant-Garde. In: Departmental lecturers at Department of Art History, November 2009, University of North Carolina, Asheville, USA.

Asbury, Michael (2012) Brazilian Contemporary Art as self-consuming. In: History Without Past: Counter-images of Coloniality Spain/Latin America, April 2012, Centro 2 de Mayo, Madrid.

Asbury, Michael (2019) Cinthia Marcelle, Order and Process. In: Cinthia Marcelle: The Family in Disorder, Truth or Dare. Modern Art Oxford, Oxford, pp. 116-126. ISBN 978-9996404-3-9

Asbury, Michael (2011) The Colonel and the Hippie: Hard Line and Soft Drugs during the Brazilian Economic Miracle. In: The Politics of Camouflage in Artistic Practices from the 1970s, October 2011, Columbia University, New York.

Asbury, Michael (2012) Concrete-Neo-Concrete: Revisionism and Historiography within the Brazilian Constructivist Avant-Gardes. In: Constructivism and Beyond – Brazilian Art in the 1950s and 1960s, 15 June 2012, Kunsthistorisches Institut, Freie Universität, Berlin.

Asbury, Michael (2016) Contaminação e Quarentena: Curadoria para inglês ver. VIS: Revista do Programa de Pós-graduação em Arte da UnB, 15 (2). pp. 254-266. ISSN 1518-5494

Asbury, Michael (2012) Contaminações no Modernismo Brasileiro. In: Ciclo de Palestras, August 2012, Museu de Arte do Espirito Santo (MAES), Vitoria, Brazil.

Asbury, Michael (2013) Contesting Hybrid Notions within Brazilian Contemporary Art. In: Afternoons at the Institute, 11 November 2013, Concordia University, Montreal, Canada..

Asbury, Michael (2018) Cruz Credo: anachronism and antagonism in the art of Antonio Dias. Paulo Darze Gallery, Salvador, Bahia, Brazil.

Asbury, Michael (2013) Curadoria Para Ingles Ver. In: Seminario Internacional sobre Curadoria, October 2013, Fundação Ibere Camargo, Porto Alegre, Brazil.

Asbury, Michael (2012) Daily Heterotopias. In: Shirley Paes Leme. Editora Alfaiatar, São Paulo, pp. 195-203. ISBN 9788562328268

Asbury, Michael (2011) Daniel Senise, 2892: entre o ser e o nada, o espectador / Daniel Senise, 2892: Between Being and Nothingness, The Spectator. Porto Arte (31). pp. 31-40. ISSN 0103-7269

Asbury, Michael (2014) Daniel Senise: Painting and Duchamp. In: Guest Lecture, March 2014, Museu de Arte do Rio de Janeiro.

Asbury, Michael (2017) Deu Bode no MAM: on the rise of politically motivated moralistic censorship in Brazil. In: Jornada de Pesquisa, 4 October 2017, UNESP, São Paulo.

Asbury, Michael (2011) Dislocations and transitions in the work of Antonio Manuel. In: Antonio Manuel Symposium, October 2011, New York, USA. (Unpublished)

Asbury, Michael (2013) Displays of/from the other: a critical perspective on political correctness and the case of Brazilian contemporary art. In: International Conference on Widening Participation, April 2013, Göteborg, Sweden.

Asbury, Michael (2020) E Agora José? Sergio Camargo e os circuitos internacionais de arte nos anos 1960. In: Encontros Fundamentais: IAC 20 Anos. Ubu, Sao Paulo, pp. 156-203. ISBN 978-85-7126-059-7

Asbury, Michael (2020) E Possivel se pensar numa arte contemporânea brasileira? In: Guest Lecture, 13 March 2020, Escola de Artes Visuais do Parque Lage, Rio de Janeiro.

Asbury, Michael (2020) Entre o ‘eu’ e o ‘universo’: Entrevidas de Anna Maria Maiolino. In: Jornada Internacional de Filosofia, Arte e Estetica, Unicamp, Campinas, 15 December 2020, Campinas (Online).

Asbury, Michael (2007) Exhibiting Oiticica: an issue of conceptual conservation. In: Hélio Oiticica, June 2007, Tate Modern, London.

Asbury, Michael (2001) Experiment: Experiência. In: Experiment: Experiência, 1 October 2001, Modern Art Oxford.

Asbury, Michael (2011) Flans and urnas quentes by Antonio Manuel. In: Antonio Manuel: Art Catalogue. Americas Society, New York, USA.

Asbury, Michael (2012) Flans, Urnas Quentes and the Radicalism of a Cordial Man. In: Antonio Manuel: I want to Act, not Represent. Americas Society; Associação para o Patronato Contemporâneo, New York; São Paulo, pp. 26-44. ISBN 9781879128408

Asbury, Michael (2016) Form and Sensibility: Convergences in the thoughts of Mario Pedrosa and Herbert Read. In: Form and Feeling: The Making of Concretism, 8 February 2016, CUNY Graduate Centre, New York.

Asbury, Michael (2021) Form and Sensibility: Discursive Discrepancies in Concrete and Neoconcrete Art. In: Form and Feeling: The making of concretism in Brazil. Bronx Museum / Fordham Press, pp. 35-58. ISBN 9780823289110

Asbury, Michael (2014) Franz Weissmann. In: LASA2014, 21-24 May 2014, Chicago, IL.

Asbury, Michael (2001) From Brasilia to Tropicália, Transcultural Architecture in Latin America. In: Transcultural Architecture in Latin America, 9-10 November 2001, Senate House, University of London.

Asbury, Michael (2008) From Constructivism to Pop. In: 32nd International Congress of Art Historians (CIHA), 8 January 2008, University of Melborne, Australia.

Asbury, Michael (2004) From Foreground to Background: the development of cubism and its relation to Latin American artists. In: Nation, Identity and Modernity: Visual Culture of India, Japan and Mexico 1860s-1940s, 24 June 2004, Victoria and Albert Museum, London.

Asbury, Michael (2009) From constructivism to pop: Avant-Garde practices in Brazil, Britain and North America between the 1950s and 1960s. In: Crossing Cultures: Conflict, Migration and Convergence: The Proceedings of the 32nd International Congress of the History of Art. The Miegunyah Press, Melbourne, Australia, pp. 743-746. ISBN 9780522855005

Asbury, Michael (2017) The Global Within: A comparison on the reception of LGBT themed exhibitions in the UK and Brazil. In: Transnational Cities: Tokyo and London, 29-30 September 2017, Tate Britain, London.

Asbury, Michael (2021) Guy Brett – presence, absence. Concinnitas, 22 (42). pp. 412-415. ISSN 1981-9897

Asbury, Michael (2013) Helio Oiticica and Brazilian Popular Culture. In: Guest Lecture, November 2013, Université du Québec à Montréal (UQÀM), Canada.

Asbury, Michael (2015) Her Other Selves: On Anna Maria Maiolino’s art of becoming. Flash Art International (300). ISSN 0394-1493

Asbury, Michael (2017) Historiografias do Contemporâneo. Revista Modos, 1 (2).

Asbury, Michael (2015) Historiographies of the Contemporary. In: Joint Comité International de l'Histoire de l'Art (CIHA) and Comite Brasileiro de Historia da Arte (CBHA) Conference, 27 August 2015, Museu Nacional de Belas Artes, Rio de Janeiro.

Asbury, Michael (2017) Historiographies of the Contemporary: Modes of Translating in and from Conceptual Art. In: New Worlds: Frontiers, Inclusion, Utopias. Comitê Brasileiro de História da Arte (CBHA); Comité International de l’Histoire de l’Art and Vasto, Sao Paulo, pp. 188-201. ISBN ISBN: 978-85-93921-00-1

Asbury, Michael (2016) Historiographies of the contemporary: Notes on translation. In: Genealogias Possiveis: arquivo, exibição e circulação, September 2016, Instituto das Artes, Campinas, UNICAMP.

Asbury, Michael (2001) Hybridity and Brazilian Contemporary Art. In: Tate Liverpool Critical Forum, June 2001, Tate Gallery, Liverpool.

Asbury, Michael (2012) Hélio Oiticica and the Hagomoro Noh Theatre play. In: International Meeting, Detours IV – Modus Locandi: Modes of Production / Modes of Exhibition, Reciprocal Influences, 1-3 November 2012, Guimarães, Portugal.

Asbury, Michael (2014) Hélio Oiticica and the notion of Creleisure. In: The Ludic Museum, 31 January–1 February 2014, Tate Liverpool.

Asbury, Michael (2015) Hélio Oiticica: O Q Faço é Música. In: II Seminario Internacional de Historia e Arte, May 2015, Universidade Federal do Paraná, Curitiba.

Asbury, Michael (2003) Hélio Oiticica: Politics and Ambivalence in 20th Century Brazilian Art. PhD thesis, University of the Arts London.

Asbury, Michael (2012) Hélio Oiticica: what I do is music, América Latina, extranjería y la pertenencia cultural: Artes visuales y música en los años sesenta. In: LASA2012 / Toward a Third Century of Independence in Latin America, 23rd - 26th May 2012, San Francisco, USA. (Unpublished)

Asbury, Michael (2014) Iberê Camargo: O Carretel Meu Personagem. In: 100 Anos de Iberê. Cosac & Naify and Fundação Iberê Camargo, pp. 253-275.

Asbury, Michael (2013) Iberê Camargo: O Carretel – Meu Personagem. Fundação Iberê Camargo.

Asbury, Michael (2009) Insertions, Situations and Clandestines: The work of Cildo Meireles, Artur Barrio and Antonio Manuel in the late-1960s and early 1970s. In: Outside the Material World: The exhibition, circulation and insertion of art beyond the market, December 2009, Tate Modern.

Asbury, Michael (2001) Introduction to ‘Ideals of Modernity. Rio de Janeiro 1950 -1964’. In: Ideals of Modernity. Rio de Janeiro 1950 -1964, April 2001, Tate Modern, London.

Asbury, Michael (2002) Is Brazilian Modernism an Alternative Modernism? In: Association of Art Historians (AAH) Annual Conference, April 2002, University of Liverpool.

Asbury, Michael (2011) Julio Villani: for a playful domestication of history. Archibooks, Paris, pp. 10-11. ISBN 9782357331235

Asbury, Michael (2022) Marcelo Silveira: Ata. Nara Roesler Books. ISBN 978-65-996226-8-7

Asbury, Michael (2012) Maria Nepomuceno: Money for Old Rope. In: Tempo para Respirar. Turner Contemporary, Margate, Kent, UK, pp. 33-44.

Asbury, Michael (2011) Miguel Palma’s state of the art. In: Miguel Palma: linha de montagem (assembly line). Loja Gulbenkian / Livraria Almedina, Lisbon, Portugal, pp. 81-96. ISBN 9789726352396

Asbury, Michael (2013) Milton Machado: Prize Nominations. In: Imagine Brazil. Astrup Fearnley Musset, Oslo, Norway, pp. 70-72.

Asbury, Michael (2013) Modernism in Latin America and the great hybrid mix up. In: Encuentros Transatlánticos: discursos vanguardistas en España y Latinoamérica, 11-13 July 2013, Reina Sofia, Madrid, Spain.

Asbury, Michael (2011) Modernismo in São Paulo and L’Esprit nouveau in Paris. In: Abstract Space Concrete Media: Avant-gardes beyond Western Modernism, 27-28 May 2011, MUMOK Lounge Akademie der Bildenden Kunste Wien and Museum Moderner Kunst Stiftung, Ludwig Wien, Vienna, Austria.

Asbury, Michael (2015) Modernity in Whose Name? In: Modernidad y vanguardia: rutas de intercambio entre España y Latinoamérica (1920-1970). Museo Reina Sofia, pp. 121-126. ISBN 978-84-8026-515-7

Asbury, Michael (2013) The Monochrome as Historical Painting. In: Connecting Art Histories/Grounds for Comparison: Neo-vanguards and Latin American/Latino Art, June 2013, Bogota, Colombia.

Asbury, Michael (2009) Neoconcrete Experience.

Asbury, Michael (2005) Neoconcretism and minimalism: on Ferreira Gullar’s theory of the non-object. In: Cosmopolitan Modernisms. InIVA / MIT, pp. 168-189. ISBN 9780262633215

Asbury, Michael (2014) Notes on Hybridity from Contemporary to Modern Art. In: Guest Lecture, May 2014, MoMA, New York.

Asbury, Michael (2015) Notes on Translation. In: Possibilities of Exchange, May 2015, University of Edinburgh.

Asbury, Michael (2000) Paradox or Paradigm: Hélio Oiticica and the notion of Other Modernities. In: 30th International Congress of Art Historians (CIHA), 3-8 September 2000, London.

Asbury, Michael (2008) Parisienses no Brasil, Brasileiros em Paris: relatos de viagem e modernismos nacionais. Concinnitas (12). pp. 37-47. ISSN 19819897/14152681

Asbury, Michael (2023) Pedrosa em Londres. In: Mario Pedrosa: Revolução Sensível. SESC / Perseu Abramo, São Paulo, pp. 217-232. ISBN 978-85-9493-251-8

Asbury, Michael (2014) Process and organicism in post war constructivist art from Brazil. In: Sculpture Creatures, 26 November 2014, Henry Moore Institute, Leeds.

Asbury, Michael (2015) Raul Mourão: Toque Devagar/Handle with Care. In: Raul Mourão Volume I. Automatica, Rio de Janeiro, pp. 240-251.

Asbury, Michael (2013) Raymundo Colares: Hybridity is a Myth. In: Global Pop Symposium, 14-15 March 2013, Tate Modern, London.

Asbury, Michael (2011) Science and Sensibility in Brazilian modern art. In: Meeting Margins, December 2011, Tate Modern, London.

Asbury, Michael (2010) Shirley Paes Leme: heterotopias cotidianas. Alfaiatar, São Paulo, Brazil. ISBN 9788562328084

Asbury, Michael (2014) Sobre a Mobilidade. In: Milton Machado: Cabeça. Editora Luneta, Rio de Janeiro, pp. 158-159.

Asbury, Michael (2013) Some Notes on Abraham Palatnik’s Kinechromatic Apparatus. In: Abraham Palatnik: a reinvenção da pintura. Centro Cultural Banco do Brasil, pp. 61-77.

Asbury, Michael (2017) Some notes on the contamination and quarantine of Brazilian art. In: Art/Histories in Transcultural Dynamics: Perspectives on Narratives and Frameworks in the 20th and 21st Century. Wilhelm Fink GmbH & Co. Verlags-KG. ISBN 978-3-7705-5939-8

Asbury, Michael (2013) Some problems with the notion of hybridity. In: Negotiating Art Historical Narratives and Transcultural Negotiation in the Ambits of Art, December 2013, Freie Universität Berlin, Germany.

Asbury, Michael (2023) Today is Always Yesterday: Contemporary Brazilian Art. Reaktion Books. ISBN 9781789148008

Asbury, Michael (2007) The Transnationality of Concrete Art. In: Transnational Correspondance, 14 September 2007, Tate Modern.

Asbury, Michael (2013) Tunga: Tropical Baroque. In: Brasiliana: Installations from 1960 to the Present. Schirn Kunsthalle Frankfurt, Frankfurt, Germany, pp. 130-137.

Asbury, Michael (2012) The Uroborus Effect: Brazilian Contemporary Art as Self-Consuming. Third Text, 26 (1). pp. 141-147. ISSN 0952-8822

Asbury, Michael (2012) ‘Viver é muito perigoso’ (To live is a very dangerous thing). In: Shirley Paes Leme. Editora Alfaiatar, São Paulo, pp. 25-45. ISBN 9788562328268

Asbury, Michael (2012) When art spoke to power. Art in America.

Asbury, Michael (2004) A history of “making do”: the dissemination of Brazilian modern and contemporary art. In: Gambiara: New Art from Brazil, March 2004, Firstsite, Minories Art Gallery, Colchester.

Armstrong, Philip and Rouan, François and Finch, Michael (2017) Objet Tressage. [Art/Design Item]

Araujo, Ana (2010) PhD research projects 2010. Bartlett School of Architecture, London. ISBN 9780955833168

Albertoni, Fernanda Bernardes (2017) Reordering Images and Re-constructing Memories: three artists-archivists in Brazil. PhD thesis, University of the Arts London.

Albano, Caterina (2018) The Exhibition as an Experiment: An Analogy and its Implications. Journal of Visual Culture, 17 (1). pp. 97-116. ISSN 1470-4129

Akça, Deniz (2015) Mapping Istanbul’s Istiklal Avenue: Uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice. PhD thesis, University of the Arts London.

Aikens, Nick and lok, susan pui san and Orlando, Sophie (2019) Conceptualism - Intersectional Readings, International Framings: Situating 'Black Artists and Modernism' in Europe. Van Abbemuseum, Netherlands. ISBN 9 789490 757199

Adamou, Natasha (2016) Impossible Objects: Gabriel Orozco’s Empty Shoe Box and Yielding Stone. In: Sabotage Art: Politics and Iconoclasm in Contemporary Latin Americ. I.B. Tauris, London, pp. 137-156. ISBN 978-1784532253

Adamou, Natasha (2016) Shade Between Rings of Air: Architecture as Sculpture: Carlo Scarpa/Gabriel Orozco. Sculpture Journal, 25 (3). pp. 401-419. ISSN 1366-2724

Adami, Elisa and Bikoko, Baudouin and Crichlow, Warren and Mey, Adeena (2023) Framing & Reframing Kinshasa: Baudouin Bikoko’s Expanded Photographic Practice. In: Photography Network Virtual Symposium: Photography’s Frameworks, 14 October 2023, Western Cape, South Africa, Online.

Adam, Grace (2014) Modes of Remembrance (catalogue). [Art/Design Item]