Revell, Tobias and Kane, Natalie (2015) Haunted Machines: Alchemy. [Art/Design Item]
McMullen, Ken and Beuys, Joseph (2005) Word Works. [Art/Design Item]
McMullen, Ken (2005) "Pioneers in Art and Science: John Berger and Gustav Metzger". [Art/Design Item]
Dakers, Caroline (2010) J.B. Papworth, Bloomsbury architect. [Art/Design Item]
Chesher, Andrew and Afker, Cristian (2011) The craftsman. [Art/Design Item]
Bestley, Russ (2023) Punk Art History. [Art/Design Item]
Armstrong, Philip and Rouan, François and Finch, Michael (2017) Objet Tressage. [Art/Design Item]
Adam, Grace (2014) Modes of Remembrance (catalogue). [Art/Design Item]
lok, susan pui san (2020) Contribution to 'Decolonising Art History'. Art History, 43 (1). pp. 34-38. ISSN 0141 6790
lok, susan pui san (2021) Vong Phaophanit and Claire Oboussier: Three Decades, Four Moments. Art History, 44 (3). pp. 624-649. ISSN 0141-6790
lok, susan pui san (2021) between the voice between the words between the work between us. Oxford Art Journal, 43 (2). pp. 195-219. ISSN 0142-6540
Wilder, Ken (2007) Negotiating Painting's Two Perspectives: a Role for the Imagination. Image & Narrative, 18. ISSN 1780678X
Wilder, Ken (2011) Neither here nor elsewhere: displacement devices in representing the supernatural. Estetika: Central European Journal of Aesthetics, 2011 (1). ISSN 00141291
Whitelegg, Isobel (2010) Gasworks International Residency Programme. Arte al Dia International, 131. pp. 68-71. ISSN 03274807
Whitelegg, Isobel (2009) The bienal de São Paulo: unseen/undone (1969—1981). Afterall (22). pp. 106-113. ISSN 14654253
White, Duncan (2008) Unnatural fact: the fictions of Robert Smithson. Journal of Writing in Creative Practice, 1 (2). pp. 161-175.
Westwood, Martin (2017) Juno Moneta Atlas: Warburgian production or performing context change. Philosophy of Photography, 8 (1-2). pp. 119-130. ISSN 2040-3682
Walsh, Maria and Kokoli, Alexandra (2022) Trauma and repair in the museum: an introduction. Psychoanalysis, Culture and Society, 27 (1). pp. 4-19. ISSN 1088-0763
Walsh, Maria (2017) Acts of laughter, acts of tears: The production of ‘truth-effects’ in Oriana Fox’s ‘The O Show’ and Gillian Wearing’s ‘Self Made’. NECSUS European Journal of Media Studies, Spring (2017). ISSN 2213-0217
Walsh, Maria (2022) Biennale de l’Image en Mouvement (Biennial of Moving Image) ’21: A Goodbye Letter, A Love Song, A Wake-Up Call, curated by DIS and Andrea Bellini. Moving Image Review & Art Journal (MIRAJ), 11 (1). pp. 120-126. ISSN 2045-6301
Walsh, Maria (2024) Flagging It Up, Zarina Bhimji, curated by Fiona Bradley, Fruitmarket, Edinburgh, 28 October 2023–28 January 2024. Moving Image Review & Art Journal (MIRAJ), 12 (2). pp. 276-282. ISSN 2045-6301
Walsh, Maria (2023) From “Lure” to “Cure”. From Critical Spectatorship to a Relational Space of Reverie. View. Theories and Practices of Visual Culture (35). ISSN 2300-200X
Walsh, Maria (2013) I Object. Art Monthly (371). pp. 9-12. ISSN 0142-6702
Walsh, Maria (2021) Planetary Thinking: Re-encountering Nancy Holt’s and Robert Smithson’s Mono Lake (1968/2004). Moving Image Review & Art Journal (MIRAJ), 9 (2). pp. 154-160. ISSN 2045 6298
Walsh, Maria (2021) Remoter Viewing. Art Monthly (450). pp. 8-11. ISSN 0142-6702
Walsh, Maria (2018) Rose Finn-Kelcey: Life, Belief and Beyond. Moving Image Review & Art Journal (MIRAJ), 7 (1). pp. 168-175. ISSN 20456298
Walsh, Maria (2022) Still Present! - 12th Berlin Biennale for Contemporary Art. Moving Image Review & Art Journal (MIRAJ), 11 (2). pp. 270-277. ISSN 2045-6301
Walsh, Maria (2023) Unlearning Imperialism in the Gallery: Diasporic Reanimation of Art and Archives. Stedelijk Studies Journal (12). ISSN 2405-7177
Walsh, Maria (2008) Zizek, Deleuze, and the Feminine Cinematic Sublime. Rhizomes (16). ISSN 1555-9998
Walsh, Maria (2024) Sirah Foighel Brutmann and Eitan Efrat: Là. Burlington Contemporary. ISSN 2631-5661
Vilalta, Helena and Carneiro da Cunha, Manuela (2014) Yanomami, Let's Talk. Afterall. ISSN 14654253
Vilalta, Helena (2015) No Future. herbst. Theorie zur Praxis. pp. 24-29.
Vilalta, Helena (2014) Researchers Researching Research: 1st Bergen Assembly. Afterall Online.
Uhlirova, Marketa and Elcott, Noam (2016) Considering Pop Culture's Fascination with Invisibility (an interview with Noam Elcott). AnOther.
Sturgis, Daniel (2019) Grit and Vitality, Daniel Sturgis on Joan Snyder at Blain Southern, London. Texte sur Kunst (115). pp. 234-239.
Stephens, Tim (2024) Mixed Forms in Visual Culture, Mary Anne Francis (2021). Journal of Writing in Creative Practice, 16 (1). pp. 135-155. ISSN 1753-5204
Stephens, Tim (2010) What is rhythm in relation to photography? Philosophy of Photography, 1 (2). pp. 157-175. ISSN 2040-3682
Steeds, Lucy (2015) 當代藝術、策展實踐與多元文化脈絡下的多重展覽史 (‘Contemporary Art, Curating and Exhibition Histories’). Art Critique of Taiwan | ACT 藝術觀點 (64). ISSN 1561-1493
Steeds, Lucy (2014) Exhibitions and the City: To Accelerate or Pause? Two Asia-Pacific Case Studies. Yishu: Journal of Contemporary Chinese Art, 13 (2). pp. 117-126. ISSN 1683-3082
Steeds, Lucy (2015) 'Goshka Macuga, "Picture Room", 2003'. Mousse Magazine (48). pp. 22-37. ISSN 2035-2565
Smith, Dan (2015) Reading Correspondences Through the Virtual Feminist Museum. Comics Forum.
Sliwinska, Basia and Davis, August Jordan (2016) Introduction to Third Text special issue 'Trans-figurations: Transnational Perspectives on Domestic Spaces'. Third Text, 5 (4). pp. 247-255. ISSN 0952-8822
Sliwinska, Basia (2020) Cathy Wilkes' care-full matter-scapes: female affects of care, feminist materiality and vibrant things. Journal of Visual Art Practice, 18 (4). pp. 285-304. ISSN 1758-9185
Sliwinska, Basia (2016) My body. My choice.’ I am a ‘some body’, not a ‘no body’! LYRA, 2.
Sliwinska, Basia (2016) Transnational Embodied Belonging within ‘Edge Habitats’. Third Text, 29 (4). pp. 287-309. ISSN 0952-8822
Silverthorne, Diane (2019) Vienna-London Passage to Safety: The Portrait Photographer As Secondary Witness in Post-Anschluss Émigré Narratives. Austrian Studies, 26. pp. 252-269. ISSN 1350-7532
Selejan, Ileana L. (2020) Actions Situations Possible Scenarios. Membrana, 4 (2). pp. 50-54. ISSN 2463-8501
Selejan, Ileana L. (2020) Women’s Work: Photographers of the Sandinista Revolution. Photography and Culture, 13 (3-4). pp. 339-355. ISSN 1751-4525
Selejan, Ileana L. (2014) The reVoltaire Archive, Slightly further than a million light-years away. NMC Media-N, Journal of the New Media Caucus. ISSN 1942-017X
Ryan, Nicky (2006) Interview: Gambling on Contemporary Art in Vegas. The Art Book, 13 (3). pp. 14-15. ISSN 1368-6267
Rowe, Lois (2015) Meet the artist running for election with absolutely no policies. The Conversation.
Rowe, Lois (2014) Turner Prize show fails to live up to potential of shortlist. The Conversation.
Rowe, Lois (2014) The internet is not going to sap originality from art. The Conversation.
Rossi, Mario (2019) The Most Dangerous Game. Journal of Contemporary Painting, 5 (2). pp. 273-296. ISSN 2052-6695
Reimers, Anne (2018) Inscribing Temporality, Containing Fashion: Otto Dix’s Portrait of the Dancer Anita Berber recontextualised. Art History, 41 (4). pp. 680-709. ISSN 1467-8365
Reiber, Bettina (2005) Where Does that Leave the Introverts? A Critique of Modernist Art Theory from a Jungian Perspective. Harvest, International Journal for Jungian Studies (Special Issue: Art and Image), 51 (2). pp. 124-143. ISSN 0266-4771
Peters, Charley (2018) Genital Panic: Abstraction by Women in 'Surface Work'. Instant Loveland.
Parry, Richard (2017) London, London. MAY (18).
Oki, Michiko (2016) Bataille and Contagion, or Towards a Space of Sound and Art. Kritikos, 13. ISSN 1552-5112
Oki, Michiko (2022) Dreadful charm: Yōkai that resides at the threshold of the unknown. Swedenborg Review 0.04. pp. 20-21.
Oki, Michiko (2017) Hearing/seeing dread: Thought of distortion and transformation in Kafka’s The Burrow and Odradek. Journal for Cultural Research, 22 (1). pp. 16-26. ISSN 1740-1666
O'Kane, Paul (2018) The Other Side of the Word : Translation as Migration in the Anthologised Writings of Lee Yil. Third Text, Online. ISSN 0952-8822
Moyse Ferreira, Lucy (2016) Femininity, Freedom and Fragility: Fashion and Violence in the Designs of Elsa Schiaparelli, c.1933 - 1939. BIAS: Journal of Dress Practice, 4.
Morris, David (2016) Themerson & Themerson. Afterall. ISSN 1465-4253
Morra, Joanne (2018) Being in Analysis: On the Intimate Art of Transference. Journal of Visual Art Practice, 16 (3). pp. 163-184. ISSN 1758-9185
Morra, Joanne (2014) Contemporary Art Inside the Freud Museum. Imperica.
Morra, Joanne (2017) On Use: Art Education and Psychoanalysis. Journal of Visual Culture, 16 (1). pp. 56-73. ISSN 1470-4129
Morra, Joanne (2007) Utopia Lost: Allegory, Ruins and Pieter Brugel's Towers of Babel. Art History, 30 (2). pp. 198-216. ISSN 01416790
Morra, Joanne (2018) When Art and Psychoanalysis Meet: Critical Adventures Inside the Freud Museum London. Caliban. Latin American Journal of Psychoanalysis, 16 (1). ISSN 2304-5531
Mey, Adeena and Hui, Yuk (2022) The Exhibition as Medium: Some Observations on the Cybernetisation of the Institution and the Exhibition. Afterall. A Journal of Art, Context and Enquiry (53). pp. 74-91. ISSN 1465-4253
Mey, Adeena and Hui, Yuk (2017) L’exposition comme médium. Quelques observations sur la cybernétisation de l’institution et de l’exposition. Appareil (18).
Mey, Adeena (2012) Art contemporain et paracinéma : Rosa Barba, Juliana Borinski et David Maljkovic. Décadrages: Cinéma, à travers champs (21-22). pp. 108-121.
Mey, Adeena (2015) Dialogue avec Monologue. Notes sur Vandy Rattana et la question de l’art contemporain au Cambodge. Le magazine du Jeu de Paume.
Mey, Adeena (2015) E.A.T. and the Moving Image. A conversation with Barbara Rose. OEI (69-70). pp. 339-341.
Mey, Adeena (2021) Foreword. Afterall: A Journal of Art, Context and Enquiry (51). pp. 3-7. ISSN 1465-4253
Mey, Adeena (2022) Foreword. Afterall: A Journal of Art, Context and Enquiry (52). pp. 3-6. ISSN 1465-4253
Mey, Adeena (2023) Foreword. Afterall. A Journal of Art, Context and Enquiry (55–56). p. 5. ISSN 1465-4253
Mey, Adeena (2019) Michelle Henning, Photography. The Unfettered Image, 2019. Transbordeur (3). pp. 208-209. ISSN 2552-9137
Mey, Adeena (2020) Repurpose and Remake. Afterall. A Journal of Art, Context and Enquiry (50). pp. 132-149. ISSN 1465-4253
Mey, Adeena (2024) Method and Metaphor: Dinh Q. Lê’s Untitled (Soldiers at Rest) (2003). post. notes on art in a global context.
Melvin, Jo (2015) Barry Flanagan, black holes and the digital dot: barryflanagan.com. Art Libraries Journal, 40 (2). pp. 31-41. ISSN 03074722
Melvin, Jo (2016) Christine Kozlov: Conundrums of An Art Practice. Henry Moore Institute: Essays on Sculpture (74). pp. 5-16. ISSN 2047-2471
Melvin, Jo (2014) Dennis Oppenheim: Danger and the Domain of Procedural Risk. NOIT (2). ISSN 9781908971289
Melvin, Jo (2015) Holes in the Archive - to fill or to leave, that is the question... Bright Light (2). pp. 65-74. ISSN 2055-1606
Melvin, Jo (2013) John Latham and Peter Townsend. NOIT, 1 (1). pp. 36-41. ISSN 9781908971289
Melvin, Jo (2008) Spinofferie: Barbara Reise, art critic, writer, editor, landlady, art historian, and collector, American in London. The Happy Hypocrite (2). pp. 64-71. ISSN 1755-473X
Melvin, Jo (2008) Tracing the way to work: Tracks, a journal of artists' writings, New York 1974-1977. Sculpture Journal, 17 (1). pp. 89-93. ISSN 1366-2724
McDowell, Felice (2012) 'At the Exhibition': the 1948 open-air sculpture exhibition, Battersea Park, in British fashion magazines. Sculpture Journal, 21 (2). pp. 169-181. ISSN 1366-2724
McCartney, Nicola (2013) The Artistic Multitude. Journal of American Studies of Turkey (32). pp. 77-86. ISSN 1300-6606
McCartney, Nicola (2017) Complicating Authorship: Contemporary artists’ names. Performance Research: A Journal of the Performing Arts, 22 (5). pp. 62-71. ISSN 1469 9990
Massey, Anne (2013) Introduction to the Themed Issue: The Independent Group. Journal of Visual Culture, 12 (2). pp. 203-204. ISSN 1470-4129
Massey, Anne (2013) The Mother of Pop? Dorothy Morland and the Independent Group. Journal of Visual Culture, 12 (2). pp. 262-278. ISSN 1470-4129
Mackinnon, Lee (2022) Love, Games and Gamification: Gambling and Gaming as Techniques of Modern Romantic Love. Theory Culture and Society. ISSN 0263-2764
Leister, Wiebke (2010) Mona Lisa on a Bad Day: Or the Impossibility of Neutrality and the Non-Likeness of Photographic Portraiture. Journal of Photography and Culture, 3 (2). pp. 153-174. ISSN 17514517
Leister, Wiebke (2014) Photography In-the-Round: Gerhard Richter’s “48 Portraits”, 1972 and 1998. Photographies, 7 (2). pp. 217-246. ISSN 1754-0763
Kutesko, Elizabeth (2013) Problems and Tensions in the Representation of the Sapeurs, as demonstrated in the work of two twenty-first century Italian photographers. Immediations: the Courtauld Institute of Art Journal of Postgraduate Research, 3 (2). pp. 60-76.
Kikuchi, Yuko (2015) The Craft Debate at the Crossroads of Global Visual Culture: re-centring craft in postmodern and postcolonial histories. World Art. ISSN 2150-0894
Kikuchi, Yuko (2014) Minor Transnational Inter-Subjectivity in the People's Art of Kitagawa Tamiji. Review of Japanese Culture and Society, XXVI. ISSN 0913-4700
Kikuchi, Yuko (2015) Negotiating Histories: Traditions in Modern and Contemporary Asia-Pacific Art. World Art, 5 (1). pp. 5-19. ISSN 2150-0894
Kikuchi, Yuko (2005) ‘Yanagi Sōetsu et l’artisanat traditionnel japonais’. Dossier de l’Art (118). pp. 62-71. ISSN 1161-3122
Kass, Jason and Harland, Beth and Donnelly, Nick (2014) Abstracting the Set: Monet’s Cathedrals and Stable Mental Concepts from Serial Pictorial Artworks. Art & Perception, 2. ISSN 2213-4905, 2213-4913
Janes, Dominic (2015) Cecil Beaton, Richard Hamilton and the queer, Transatlantic origins of Pop Art. Visual Culture in Britain, 16 (3). pp. 308-330. ISSN 1471-4787
Holme, Adrian (2014) Alchemy, image and text: the waning of alchemy and the decline of visual discourse in the late Renaissance. Journal of Illustration, 1 (2). pp. 189-209. ISSN 2052-0204
Harland, Beth and Gillet, John and Mann, Carl M. and Kass, Jason and Godwin, Hayward J. and Liversedge, Simon P. and Donnelly, Nick (2014) Modes of Address in Pictorial Art: An Eye Movement Study of Manet's Bar at the Folies-Bergère. Leonardo, 47 (3). pp. 241-248. ISSN 0024-094X
Green, Alison (2011) Citizen Artists: Group Material. Afterall: A Journal of Art, Context and Enquiry, 26. pp. 17-25.
Green, Alison (2016) Stout's Doubt. Journal of Contemporary Painting, 2 (2). pp. 165-187. ISSN 2052-6695
Green, Alison (2017) 'A Supreme Fiction': Michael Fried and Art Criticism. Journal of Visual Culture, 16 (1). pp. 89-102. ISSN 1470-4129
Giebelhausen, Michaela (2020) Page, Canvas, Wall: Visualising the History of Art. FNG Research (4/2020). pp. 1-14. ISSN 2343-0850
Giebelhausen, Michaela (2019) The Prado: Spanish Culture and Leisure, 1819–1939. Hispanic Research Journal, 19 (5). pp. 543-545. ISSN 1745-820X
Gathercole, Sam (2016) British Constructivist Art. British Art Studies, 3.
Francis, Mary Anne (2007) Dirty work: art beyond 'autonomy'. Journal of Visual Art Practice, 6 (1). pp. 33-44. ISSN 1470-2029
Finch, Mick and Westwood, Martin (2017) The Warburg Haus: Apparatus, inscription, data, speculation. Philosophy of Photography, 8 (1-2). pp. 3-7. ISSN 2040-3682
Finch, Mick and Lisbon, Laura and Sturgis, Daniel (2015) Simon Hantaï Editorial. Journal of Contemporary Painting, 1 (2). pp. 195-199. ISSN 2052-6695
Finch, Mick (2017) Dead and Alive: Warburg’s Mnemosyne Atlas. Journal of Visual Art Practice, 15 (2-3). pp. 286-297. ISSN 1470-2029
Finch, Mick (2015) Simon Hantaï: Round table discussion. Journal of Contemporary Painting, 1 (2). pp. 263-276. ISSN 20526695
Finch, Mick (2017) The Technical Apparatus of the Warburg Haus. Journal of Visual Art Practice, 15 (2-3). ISSN 1470-2029
Finch, Mick (2017) The Technical Apparatus of the Warburg Haus: possible returns from oblivion. Philosophy of Photography, 8 (1-2). pp. 35-51. ISSN 2040-3682
Finch, Mick (2015) Éric de Chassey on Simon Hantaï. Journal of Contemporary Painting, 1 (2). pp. 277-299. ISSN 2052-6695
Eden, Michael (2021) Randomness and chance as writing methodology: Is there a case for Dada in the academic essay? Journal of Writing in Creative Practice, 14 (1). ISSN 1753 5190
Dieckvoss, Stephanie (2017) Central Saint Martins, University of the Arts, London: Pädagogik der Idee. Kunstforum International, 245. pp. 146-159. ISSN 0177-3674
Dieckvoss, Stephanie (2017) College of Art and Built Environment of the Kwame Nkrumah University of Science and Technology, Kumasi, Ghana: Handwerklichkeit als Existenzstrategie. Kunstforum International, 245. pp. 118-131. ISSN 0177-3674
Dieckvoss, Stephanie (2017) Lasalle College of the Arts, Singapur: Ausbildung für die Zukunft. Kunstforum International, 245. pp. 90-103. ISSN 0177-3674
Dieckvoss, Stephanie (2017) Rhode Island School of Art and Design, Providence: Critical Making. Kunstforum International, 245. pp. 160-173. ISSN 0177-3674
Dalal-Clayton, Anjalie (2020) Developing More Representative Art Collections Could Not Be More Urgent. The Double Negative.
Dalal-Clayton, Anjalie (2019) Sonia Boyce: Beyond Blackness. NKA Journal of Contemporary African Art, 2019 (45). pp. 62-73. ISSN 1075-7163
Dalal-Clayton, Anjalie and Rutherford, Ananda (2024) Provisional Semantics: Addressing the Challenges of Representing Multiple Perspectives Within Public Collections. Collections: A Journal for Museum and Archives Professionals, 20 (1). ISSN 15501906
Dakers, Caroline (2013) After Beckford: an examination of the connections between James Morrison and Alfred Morrison, two collectors who once owned the Fonthill estate, and their infamous predecessor, William Beckford. The Beckford Journal, 19. pp. 5-33. ISSN 1359-8503
Dakers, Caroline (2004) A Casket to Enclose Pictorial Gems, James Morrison, John Buonarotti Papworth and Basildon Park. Apollo. pp. 29-35. ISSN 00036536
Dakers, Caroline (2010) Furniture and interior decoration for James and Alfred Morrison. Furniture History: The Journal of the Furniture History Society, XLVI. pp. 189-216. ISSN 00163058
Dakers, Caroline (2019) "Peeps" or "Smatter and Chatter": Late-Victorian Artists Presented as Strand Celebrities. Victorian Periodicals Review. pp. 311-338. ISSN 0709-4698
Cummings, Andrew (2021) The Promise of Parasites: Queer Currents, Currencies of Queerness, and Dew Kim’s Latrinxia: A New Utopia. Immediations (18). pp. 85-103. ISSN 1742-7444
Creamer, Anne-Marie (2016) Emma Talbot: Step Inside Love’, Domo Baal Gallery, London, 24 April–6 June 2015. Journal of Contemporary Painting, 2 (2). pp. 301-334. ISSN 2052-6695
Coldwell, Paul (2017) Jim Dine – Printmaking and the Tools of his Trade. Print Quarterly, 33 (2). pp. 177-188. ISSN 0265-8305
Cherry, Deborah and Walker, Lynne (2002) Elizabeth Garrett Anderson: Image, Identity and Space in the Modernization of Nineteenth-century Medicine. Visual Culture in Britain, 3 (2). pp. 33-56. ISSN 1471-4787
Cherry, Deborah (2003) Going Places: Women Artists in Central London in the 1850s and 1860s. The London Journal, 28 (1). pp. 73-96. ISSN 0305-8034
Cherry, Deborah (2007) Spatial conversations: on the candy spills of Felix Gonzalez-Torres. Dialogis Espaciais: os Derramamentos de caramelos de Felix Gonzalez Torres. Arte e Ensaios / Arts and Essays (14). pp. 96-109. ISSN 15161692
Cherry, Deborah (2006) Statues in the Square: Hauntings at the Heart of Empire. Art History, 29 (4). pp. 660-697. ISSN 01416790
Cherry, Deborah (2017) Suitcase Aesthetics: The Making of Memory in Diaspora Art in Britain in the Later 1980s. Art History, 40 (4). pp. 784-807. ISSN 01416790
Cherry, Deborah (2000) Troubling Presence: body, sound and space in installation art of the mid-1990s. Revue d'Art Canadienne / Canadian Art Review, 25 (1-2). pp. 12-30. ISSN 0315 9906
Cherry, Deborah (2023) The Woman in White. Nineteenth-Century Art Worldwide, 22 (1). ISSN 1543-1002
Chapman, Louise (2023) The costumers’ lens: An encounter with The Pink Silk Dress. Studies in Costume & Performance, 8 (1). pp. 105-120. ISSN 2052-4021
Brett, Guy (2007) Grippo's Vision. Third Text, 21 (4). pp. 417-430. ISSN 09528822
Boyce, Sonia and Price, Dorothy (2021) Dearly Beloved or Unrequited? To Be 'Black' in Art's Histories. Art History, 44 (3). pp. 462-480. ISSN 0141 6790
Bilbao, Ana and Reichl, Pavel (2017) Between Earth and World: Heidegger on Turrell, Nature, and Aesthetic Intelligibility. kritische berichte, 45 (2). pp. 84-91. ISSN 0340-7403
Bilbao, Ana (2019) From the Global to the Local (and Back): Curatorial Strategies in Biennials and Small Visual Arts Organisations. Third Text. ISSN 0952-8822
Bilbao, Ana (2018) Micro-Curating: the role of SVAOs (Small Visual Arts Organisations) in the history of Exhibition-Making. Notebook for Art, Theory and Related Zones, 25. ISSN 1802-8918
Bilbao, Ana (2019) Mining Colombian contemporary art: histories, scales and techniques of gold extraction. Burlington Magazine, Burlington Contemporary, 1. ISSN 0007-6287
Bilbao, Ana (2015) SIN (without): The Alienated Spectator. re-bus, 7. pp. 105-112.
Beech, Dave (2019) Art and the Politics of Eliminating Handicraft. Historical Materialism, 27 (1). pp. 155-181. ISSN 1465-4466
Bayley, Lucy and Cranfield, Ben and Massey, Anne (2014) Institute of Contemporary Arts: (An) Archival Experiment. Mnemoscape Magazine (1). pp. 114-126.
Ball, Steven and Elwes, Catherine (2014) David Hall (1937-2014). Moving Image Review & Art Journal MIRAJ, 3 (2). p. 308. ISSN 20456298
Baddeley, Oriana (1994) Engendering New Worlds: Allegories of Rape and Reconciliation. Art and Design Magazine. ISSN 1854902202
Baddeley, Oriana (1992) Nostalgia for a new world. Third Text, 6 (21). pp. 29-34. ISSN 0952-8822
Asbury, Michael and Tawadros, Gilane (2021) Michael Asbury and Gilane Tawadros in conversation: Remembering Guy Brett through inIVA and the British Art Scene. Concinnitas, 22 (42). pp. 323-336. ISSN 1981-9897
Asbury, Michael (2010) Barbarella: Cravo e Canela. Ernesto Neto: Intimacy.
Asbury, Michael (2021) Beyond Brazil: remembering Guy Brett through his own eyes. Arte e Ensaios, 27 (41). pp. 350-408. ISSN 2448-3338
Asbury, Michael (2016) Contaminação e Quarentena: Curadoria para inglês ver. VIS: Revista do Programa de Pós-graduação em Arte da UnB, 15 (2). pp. 254-266. ISSN 1518-5494
Asbury, Michael (2011) Daniel Senise, 2892: entre o ser e o nada, o espectador / Daniel Senise, 2892: Between Being and Nothingness, The Spectator. Porto Arte (31). pp. 31-40. ISSN 0103-7269
Asbury, Michael (2021) Guy Brett – presence, absence. Concinnitas, 22 (42). pp. 412-415. ISSN 1981-9897
Asbury, Michael (2015) Her Other Selves: On Anna Maria Maiolino’s art of becoming. Flash Art International (300). ISSN 0394-1493
Asbury, Michael (2017) Historiografias do Contemporâneo. Revista Modos, 1 (2).
Asbury, Michael (2008) Parisienses no Brasil, Brasileiros em Paris: relatos de viagem e modernismos nacionais. Concinnitas (12). pp. 37-47. ISSN 19819897/14152681
Asbury, Michael (2012) The Uroborus Effect: Brazilian Contemporary Art as Self-Consuming. Third Text, 26 (1). pp. 141-147. ISSN 0952-8822
Asbury, Michael (2012) When art spoke to power. Art in America.
Albano, Caterina (2018) The Exhibition as an Experiment: An Analogy and its Implications. Journal of Visual Culture, 17 (1). pp. 97-116. ISSN 1470-4129
Adamou, Natasha (2016) Shade Between Rings of Air: Architecture as Sculpture: Carlo Scarpa/Gabriel Orozco. Sculpture Journal, 25 (3). pp. 401-419. ISSN 1366-2724
von Muller, Johannes and Anderson, Joanne and Finch, Mick (2019) Image Journeys: The Warburg Institute and a British Art History. Dietmar Klinger Verlag, Passau Germany. ISBN 978-3-86328-171-7
de la Haye, Amy and Pel, Martin (2017) Gluck: Art and Identity. Yale University Press, London. ISBN 9780300230482
Wilson, Stephen and Jaffe, Deborah (2017) Memories of the Future: On Countervision. Cultural Memories (6). Peter Lang AG, International Academic Publishers, Oxford, Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Wien. ISBN 9781787075757
Willson, Jacki (2008) The Happy Stripper: Pleasures and Politics of the New Burlesque. I.B.Tauris, London and New York. ISBN 978-1-84511-318-6
Wilder, Ken (2020) Beholding: Situated Art and the Aesthetics of Reception. Bloomsbury, London and New York. ISBN 978-1-3500-8840-5
Walsh, Maria (2012) Art and psychoanalysis. Art and- . I.B.Tauris Publishers, London, UK. ISBN 9781848857988
Walsh, Maria (2020) Therapeutic Aesthetics: Performative Encounters in Moving Image Artworks. Radical Aesthetics . Bloomsbury, London and New York. ISBN 978-1-350-09315-7
Wallace, Marina (2011) The Lives of Paintings: Seven Masterpieces by Leonardo Da Vinci. Zidane Press and Artakt. ISBN 9780956267882
Vodanovic, Lucia and Ossandón, José (2012) Disturbios Culturales. Ediciones UDP, Santiago. ISBN 978-956-314-171-9
Tan, Erika and Shabbir Hussain, Mustafa (2009) Persistent Visions. NUS Museum/Vargas Museum, Singapore/Philipines.
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Sabin, Roger and Grennan, Simon and Waite, Julian (2018) Marie Duval. Myriad Editions, UK. ISBN 978-0-9955900-9-0
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Quinn, Malcolm (2012) Utilitarianism and the Art School in Nineteenth-Century Britain. Pickering and Chatto, London, UK. ISBN 9781848932982
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Melvin, Jo (2015) The Xerox Project: Installation, Reading, Duration and Multiple Temporalities. Paula Cooper Gallery, New York City, New York USA.
McCartney, Nicola (2018) Death of the Artist: Art World Dissidents and their Alternative Identities. International Library of Modern and Contemporary Art . I.B. Tauris, London. ISBN 9781784534158
Massey, Anne and Seago, Alex (2017) Pop Art and Design. Bloomsbury Academic, London and New York. ISBN 978-1-4742-2619-6
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Lafuente, Pablo and Kuzma, Marta (2011) Whatever happened to sex in Scandinavia? Verksted, 12 . Koenig Books/Office for Contemporary Art Norway. ISBN 9783863350680
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Janes, Dominic (2011) God and Gold in Late Antiquity. Cambridge University Press, Cambridge. ISBN 9780521158749
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Janes, Dominic (2009) Victorian Reformation: The Fight Over Idolatry in the Church of England, 1840-1860. Oxford University Press, New York. ISBN 9780195378511
Janes, Dominic (2015) Visions of Queer Martyrdom from John Henry Newman to Derek Jarman. University of Chicago Press, Chicago. ISBN 9780226250618
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Guerrero, Inti and Baddeley, Oriana, TrAIN Research Centre (2011) TrAIN open lecture: Flavio de Carvalho and his ‘city for the naked man’. In: TrAIN Open Lecture, 9th February 2011, Chelsea College of Art and Design. (Unpublished)
Finch, Mick (2021) The Bounded and the Synoptic: the archive and photographic appropriation. In: DigitalPaintingPhotography, 21-22 October 2021, University of Derby, Online.
Finch, Mick (2017) L'Artiste comme chercher. In: Les arts du feu à l’heure actuelle - rencontres entre la céramique, le verre et les langages numériques - nouveaux lieux d’expérience et de recherche, 3 - 4 January 2017, École nationale supérieure d'art de Limoges.
Finch, Mick (2015) The Technical Apparatus of the Warburg Haus. In: Headstone to Hard Drive III. Spolia, Relic, Data, 26 June 2015, British School at Rome, via Antonio Gramsci 61, Rome, Italy.
Finch, Mick (2022) Thickness/Flatness + Thinness. In: Association for Art History’s 48th Annual Conferenc, 6-8 April 2022, Online.
Finch, Mick (2017) A Vision for Europe: British Art and the Mediterranean. In: A Vision for Europe: British Art and the Mediterranean, 22 March 2017, Lethaby Gallery, CSM, London.
Finch, Mick (2018) Warburg's Trans-disciplinarity: the iconographic and technical apparatuses. In: Itching Powder or “How much harmony?”, 2 - 4 May 2018.
Fer, Briony and Baddeley, Oriana, TrAIN Research Centre (2011) TrAIN open lecture: Gabriel Orozco: Mobile Work. In: TrAIN Open Lecture, 9th March 2011, Chelsea College of Art and Design. (Unpublished)
Farthing, Stephen (2011) Museum Rome: the curriculum and the art school. In: 37th Anual Association of Art Historians Conference, 31st March - 2nd April 2011, University of Warwick. (Unpublished)
Dieckvoss, Stephanie (2017) The artist and the art fair: Changes in Agency? In: The Art Fair. The 2017 TIAMSA Conference, 14 and 15 July 2017, Sotheby’s Institute of Art 30 Bedford Square, Bloomsbury, London WC1B 3EE.
Dalal-Clayton, Anjalie and Rutherford, Ananda (2022) Trophies of Empire: modes of acquisition, legitimization and colonial denial in art and heritage interpretation. In: Association for Art History 2022 Annual Conference, 8 April 2022, Online.
Dalal-Clayton, Anjalie (2016) Challenging Narratives? The Framing of Black Artists in Afro Modern. In: Now & Then, Here & There: Black Artists & Modernism, 6-9 October 2016, Tate Britain.
Dalal-Clayton, Anjalie (2019) Hidden in Plain Sight: Black Artists in Public Collections. In: Archives and Embodiment, 4-5 July 2019, University of the Arts London.
Dalal-Clayton, Anjalie (2019) Together We Can Go Far: Black British Artist Collectives and Groups since the 1960s. In: Queer Modernisms III, 25-26 April 2019, University of Oxford.
Dalal-Clayton, Anjalie (2020) Why Words Matter: The Impact of Art Museum Interpretation on the Production of Art’s Histories. In: From De-Colonial to Anti-Colonial: What's Next for Museum Interpretation?, 26 November 2020, National Portrait Gallery, online.
Dakers, Caroline (2016) The 1872 Summer Exhibition and Alfred Morrison. In: A Year's Art The Royal Academy Summer Exhibition, 1769-2016, 29-30 September 2016, Paul Mellon Centre Bedford Square London.
Dakers, Caroline (2015) Bohemians and Gentlemen. The representation of artists in British society 1850-1950. In: UAL Professorial Platform Series 2015-16, 26 October 2015, Central Saint Martins, Granary Building, 1 Granary Square, King's Cross, London N1C 4AA.
Dakers, Caroline (2014) Excessive behaviour and extraordinary collections: William Beckford and Alfred Morrison, two nineteenth-century millionaire collectors. In: Gold in/and Art, 18 - 19 September 2014, Musée Paul-Dupuy, Toulouse, France.
Dakers, Caroline (2014) Fact into fiction in the country house novel: who was the model for Charles Ryder? In: The Country House in Britain, 1914-2014, 6-8 June 2014, University of Newcastle, Department of English.
Dakers, Caroline (2014) Fit for purpose: the Victorian artist's studio-house as public and private space. In: Victorians Like Us 2nd International Conference - The Victorian Household: Power, Policies, Practices, 26 - 29 November 2014, University of Lisbon Centre for English Studies (ULICES), Faculty of Letters, University of Lisbon.
Dakers, Caroline (2013) Gendered collecting? An examination of the personalities,the taste and the displays of two 19th century collectors. In: The Gendered Interior in Nineteenth-Century Art, 20 Nov 2013, University of Bern, Switzerland.
Dakers, Caroline (2011) James Morrison millionaire model and model millionaire. In: Money/Myths, 03-06 March 2011, Albuquerque, NM USA.
Dakers, Caroline (2007) Letters from a 19th Century Merchant on the Grand Tour 1826-1827. In: International Society of Cultural Historians, 2007, University of Ghent. (Unpublished)
Dakers, Caroline (2001) Peeps, shows and chats: the promotion of artists in Late-Victorian London and The Artist as Celebrity in Victorian London. In: Locating the Victorians, Science Museum/Imperial College London.
Dakers, Caroline (2012) Size Matters: the extraordinary collection of Alfred Morrison, Victorian Maecenas. In: Picturing the Nineteenth Century (INCS 2012), 22-25 March 2013, University of Kentucky, USA.
Dakers, Caroline (2017) Uncle Harry, the Venetian Life of Henry Woods RA. In: NAVSA/AVSA Conference 2017, 17-20 May, La Pietra, New York University Florence.
Dakers, Caroline (2016) A fondness for dressing up: artists' clubs, the St John's Wood Clique and the artists' Rifles. In: Social Victorians NAVSA 2016 conference, 2-5 November 2016, Phoenix Arizona.
Cussans, John (2011) Anxious objects of un-belonging and un-doing. In: Sacred Matter and Secular Frames, Museum of Ethnography, Stockholm, Sweden. (Unpublished)
Cussans, John (2011) Art, possession and the revolutionary unconscious. In: Pig Party event of the Xism Exhibition, 4th May 2011, Museum of Ethnography, Stockholm, Sweden. (Unpublished)
Chesher, Andrew (2017) Desublimating the Gestalt: Towards an Archaeology of Robert Morris’s Anti Form. In: Sublimation: Mind, Matter, Concept in Art after Modernism, 14-15.12.17, Johannes Gutenberg-Universität Mainz.
Chesher, Andrew (2014) Showing the Concealed as Concealed: on phenomenology and walking as art. In: The 64th Congress of Phenomenology, The World Institute of Phenomenology, 1-3 October, 2014, Università Cattolica del Sacro Cuore, Milan, Italy.
Cherry, Deborah (2010) The afterlives of monuments. In: The Afterlives of Monuments, 28-30th April 2010, Innovation Centre. (Unpublished)
Behr, Bernd (2017) Auto-Vision. In: Collaborations between Arts & Sciences and their Role for Europe, 11-12 October 2017, L'Atelier Arts Sciences, Grenoble, France.
Behr, Bernd (2022) Esper Syndrome: Tracing Forensic Imaginaries and Spatial Pathologies in Blade Runner’s Photographic Apparatus. In: Blade Runner @40: Origins and Legacies, 6-7 June 2022, Bangor University, Wales & Online.
Behr, Bernd (2018) Learning from Renningen: On the Perceptual Architectures of Self-driving Cars. In: Research Fellowship Lecture, 26 January 2018, Bosch Research Campus, Renningen, Germany.
Behr, Bernd (2017) The Paranoiac-Critical Method of Reflectance Transformation Imaging. In: Annihilation Event, 22-29 March 2017, Lethaby Gallery, Central Saint Martins, University of the Arts London.
Behr, Bernd (2019) The Paranoiac-Critical Method of Reflectance Transformation Imaging. In: Transactions: Imaging/Art/Science, 26 April 2019, University of Westminster.
Behr, Bernd (2018) The Unknown Known: Prehistories of Machine Vision. In: Associate Forum, 25 September 2017, Bosch Research Campus, Renningen, Germany.
Baddeley, Oriana (2009) Teresa Margolles and the Pathology of Everyday Death. In: UAL Professorial Platform 2009-10 Series, 4 November 2009, Chelsea College of Arts, 16 John Islip Street, London SW1P 4JU.
Asbury, Michael (2013) 2892 de Daniel Senise: Entre o ser e o nada, o espectador. In: Symposium InED, 10-11 May 2011, Escola Superior de Educação, Politecnico do Porto, Portugal.
Asbury, Michael (2012) Anna Maria Maiolino: A biblioteca infinita e a fome de ler. In: Projeto Politica das Artes, August 2012, Fundação Joaquim Nabuco, Recife, Brazil.
Asbury, Michael (2011) Anna Maria Maiolino: Utopias e Subjetividades. In: ANPAP (Associação Nacional de Pesquisadores de Artes Plasticas), 26 September - 1 October 2011, State University of Rio de Janeiro, Brazil.
Asbury, Michael (2010) Anna Maria Maiolino’s Articulations of the Notion of Anthopophagy. In: Sub-Objects and Studiowork: From Eva Hessa to Anna Maria Maiolino, 6 February 2010, University College London.
Asbury, Michael (2010) Antonio Manuel: A Instalação como Pintura – A Pintura como Instalação. In: A Pintura Contemporanea e(m) seus Campos, Ciclo de Palestras, April 2010, Porto Alegre, Brazil.
Asbury, Michael (2010) Antonio Manuel: a instalação como pintura: pintura como instalação (painting and installation in the work of Manuel Antonio). In: The Contemporary Painting and (m) of their fields, 2010, Porto Alegre, Brazil. (Unpublished)
Asbury, Michael (2017) Art History as Translation: towards a historiographical critique. In: International Conference of Research in Education, 19-21 July 2017, Escola Superior de Educacao, Instituto Politecnico do Porto.
Asbury, Michael (2001) Art and Identity in Contemporary Brazil. In: Annual Conference of the Society of Latin American Studies, April 2001, University of Birmingham.
Asbury, Michael (2006) Art in Brazil from the 1950s to the 1960s. In: Espaço Aberto/Espaço Fechado: sites for sculpture in modern Brazil, March 2006, Henry Moore Institute, Leeds.
Asbury, Michael (2008) A Arte Brasileira no Exterior. In: I Congresso do Brasil na Europa, November 2008, Universidad de Salamanca, Spain.
Asbury, Michael (2016) Between art criticism and art history. In: III Colloquium of Art Criticism and Art History, November 2016, National Museum, Brasilia.
Asbury, Michael (2008) The Bienal de São Paulo between the National and the International. In: Bienais, Bienais, Bienais... The Biennial see from Outside, 8 November 2008, Bienal de São Paulo Pavilion, Parque Ibirapuera, São Paulo.
Asbury, Michael (2017) Bilateral Teman de Helio Oiticica. In: Ars Symposium on Helio Oiticica, 26 October 2017, Universidade de São Paulo, Brazil.
Asbury, Michael (2004) Blaise Cendrars and the Brazilian Modernists’ tour of Brazil: from cosmopolitan modernism to national identity. In: Imagined Modernities: Travel, Literature, Illustration and the Nation State in Asia and the Americas 1850-1950, February 2004, Universidade de Coimbra, Portugal.
Asbury, Michael (2016) Brasilia: anachronisms of utopia. In: 49th AICA Congress, 12 October 2016, Museo Nacional de Bellas Artes, Havana, Cuba.
Asbury, Michael (2009) Brazilian Art and the International Avant-Garde. In: Departmental lecturers at Department of Art History, November 2009, University of North Carolina, Asheville, USA.
Asbury, Michael (2012) Brazilian Contemporary Art as self-consuming. In: History Without Past: Counter-images of Coloniality Spain/Latin America, April 2012, Centro 2 de Mayo, Madrid.
Asbury, Michael (2011) The Colonel and the Hippie: Hard Line and Soft Drugs during the Brazilian Economic Miracle. In: The Politics of Camouflage in Artistic Practices from the 1970s, October 2011, Columbia University, New York.
Asbury, Michael (2012) Concrete-Neo-Concrete: Revisionism and Historiography within the Brazilian Constructivist Avant-Gardes. In: Constructivism and Beyond – Brazilian Art in the 1950s and 1960s, 15 June 2012, Kunsthistorisches Institut, Freie Universität, Berlin.
Asbury, Michael (2012) Contaminações no Modernismo Brasileiro. In: Ciclo de Palestras, August 2012, Museu de Arte do Espirito Santo (MAES), Vitoria, Brazil.
Asbury, Michael (2013) Contesting Hybrid Notions within Brazilian Contemporary Art. In: Afternoons at the Institute, 11 November 2013, Concordia University, Montreal, Canada..
Asbury, Michael (2013) Curadoria Para Ingles Ver. In: Seminario Internacional sobre Curadoria, October 2013, Fundação Ibere Camargo, Porto Alegre, Brazil.
Asbury, Michael (2014) Daniel Senise: Painting and Duchamp. In: Guest Lecture, March 2014, Museu de Arte do Rio de Janeiro.
Asbury, Michael (2017) Deu Bode no MAM: on the rise of politically motivated moralistic censorship in Brazil. In: Jornada de Pesquisa, 4 October 2017, UNESP, São Paulo.
Asbury, Michael (2011) Dislocations and transitions in the work of Antonio Manuel. In: Antonio Manuel Symposium, October 2011, New York, USA. (Unpublished)
Asbury, Michael (2013) Displays of/from the other: a critical perspective on political correctness and the case of Brazilian contemporary art. In: International Conference on Widening Participation, April 2013, Göteborg, Sweden.
Asbury, Michael (2020) E Possivel se pensar numa arte contemporânea brasileira? In: Guest Lecture, 13 March 2020, Escola de Artes Visuais do Parque Lage, Rio de Janeiro.
Asbury, Michael (2020) Entre o ‘eu’ e o ‘universo’: Entrevidas de Anna Maria Maiolino. In: Jornada Internacional de Filosofia, Arte e Estetica, Unicamp, Campinas, 15 December 2020, Campinas (Online).
Asbury, Michael (2007) Exhibiting Oiticica: an issue of conceptual conservation. In: Hélio Oiticica, June 2007, Tate Modern, London.
Asbury, Michael (2001) Experiment: Experiência. In: Experiment: Experiência, 1 October 2001, Modern Art Oxford.
Asbury, Michael (2016) Form and Sensibility: Convergences in the thoughts of Mario Pedrosa and Herbert Read. In: Form and Feeling: The Making of Concretism, 8 February 2016, CUNY Graduate Centre, New York.
Asbury, Michael (2014) Franz Weissmann. In: LASA2014, 21-24 May 2014, Chicago, IL.
Asbury, Michael (2001) From Brasilia to Tropicália, Transcultural Architecture in Latin America. In: Transcultural Architecture in Latin America, 9-10 November 2001, Senate House, University of London.
Asbury, Michael (2008) From Constructivism to Pop. In: 32nd International Congress of Art Historians (CIHA), 8 January 2008, University of Melborne, Australia.
Asbury, Michael (2004) From Foreground to Background: the development of cubism and its relation to Latin American artists. In: Nation, Identity and Modernity: Visual Culture of India, Japan and Mexico 1860s-1940s, 24 June 2004, Victoria and Albert Museum, London.
Asbury, Michael (2017) The Global Within: A comparison on the reception of LGBT themed exhibitions in the UK and Brazil. In: Transnational Cities: Tokyo and London, 29-30 September 2017, Tate Britain, London.
Asbury, Michael (2013) Helio Oiticica and Brazilian Popular Culture. In: Guest Lecture, November 2013, Université du Québec à Montréal (UQÀM), Canada.
Asbury, Michael (2015) Historiographies of the Contemporary. In: Joint Comité International de l'Histoire de l'Art (CIHA) and Comite Brasileiro de Historia da Arte (CBHA) Conference, 27 August 2015, Museu Nacional de Belas Artes, Rio de Janeiro.
Asbury, Michael (2016) Historiographies of the contemporary: Notes on translation. In: Genealogias Possiveis: arquivo, exibição e circulação, September 2016, Instituto das Artes, Campinas, UNICAMP.
Asbury, Michael (2001) Hybridity and Brazilian Contemporary Art. In: Tate Liverpool Critical Forum, June 2001, Tate Gallery, Liverpool.
Asbury, Michael (2012) Hélio Oiticica and the Hagomoro Noh Theatre play. In: International Meeting, Detours IV – Modus Locandi: Modes of Production / Modes of Exhibition, Reciprocal Influences, 1-3 November 2012, Guimarães, Portugal.
Asbury, Michael (2014) Hélio Oiticica and the notion of Creleisure. In: The Ludic Museum, 31 January–1 February 2014, Tate Liverpool.
Asbury, Michael (2015) Hélio Oiticica: O Q Faço é Música. In: II Seminario Internacional de Historia e Arte, May 2015, Universidade Federal do Paraná, Curitiba.
Asbury, Michael (2012) Hélio Oiticica: what I do is music, América Latina, extranjería y la pertenencia cultural: Artes visuales y música en los años sesenta. In: LASA2012 / Toward a Third Century of Independence in Latin America, 23rd - 26th May 2012, San Francisco, USA. (Unpublished)
Asbury, Michael (2009) Insertions, Situations and Clandestines: The work of Cildo Meireles, Artur Barrio and Antonio Manuel in the late-1960s and early 1970s. In: Outside the Material World: The exhibition, circulation and insertion of art beyond the market, December 2009, Tate Modern.
Asbury, Michael (2001) Introduction to ‘Ideals of Modernity. Rio de Janeiro 1950 -1964’. In: Ideals of Modernity. Rio de Janeiro 1950 -1964, April 2001, Tate Modern, London.
Asbury, Michael (2002) Is Brazilian Modernism an Alternative Modernism? In: Association of Art Historians (AAH) Annual Conference, April 2002, University of Liverpool.
Asbury, Michael (2013) Modernism in Latin America and the great hybrid mix up. In: Encuentros Transatlánticos: discursos vanguardistas en España y Latinoamérica, 11-13 July 2013, Reina Sofia, Madrid, Spain.
Asbury, Michael (2011) Modernismo in São Paulo and L’Esprit nouveau in Paris. In: Abstract Space Concrete Media: Avant-gardes beyond Western Modernism, 27-28 May 2011, MUMOK Lounge Akademie der Bildenden Kunste Wien and Museum Moderner Kunst Stiftung, Ludwig Wien, Vienna, Austria.
Asbury, Michael (2013) The Monochrome as Historical Painting. In: Connecting Art Histories/Grounds for Comparison: Neo-vanguards and Latin American/Latino Art, June 2013, Bogota, Colombia.
Asbury, Michael (2014) Notes on Hybridity from Contemporary to Modern Art. In: Guest Lecture, May 2014, MoMA, New York.
Asbury, Michael (2015) Notes on Translation. In: Possibilities of Exchange, May 2015, University of Edinburgh.
Asbury, Michael (2000) Paradox or Paradigm: Hélio Oiticica and the notion of Other Modernities. In: 30th International Congress of Art Historians (CIHA), 3-8 September 2000, London.
Asbury, Michael (2014) Process and organicism in post war constructivist art from Brazil. In: Sculpture Creatures, 26 November 2014, Henry Moore Institute, Leeds.
Asbury, Michael (2013) Raymundo Colares: Hybridity is a Myth. In: Global Pop Symposium, 14-15 March 2013, Tate Modern, London.
Asbury, Michael (2011) Science and Sensibility in Brazilian modern art. In: Meeting Margins, December 2011, Tate Modern, London.
Asbury, Michael (2013) Some problems with the notion of hybridity. In: Negotiating Art Historical Narratives and Transcultural Negotiation in the Ambits of Art, December 2013, Freie Universität Berlin, Germany.
Asbury, Michael (2007) The Transnationality of Concrete Art. In: Transnational Correspondance, 14 September 2007, Tate Modern.
Asbury, Michael (2004) A history of “making do”: the dissemination of Brazilian modern and contemporary art. In: Gambiara: New Art from Brazil, March 2004, Firstsite, Minories Art Gallery, Colchester.
Adami, Elisa and Bikoko, Baudouin and Crichlow, Warren and Mey, Adeena (2023) Framing & Reframing Kinshasa: Baudouin Bikoko’s Expanded Photographic Practice. In: Photography Network Virtual Symposium: Photography’s Frameworks, 14 October 2023, Western Cape, South Africa, Online.
Walsh, Maria (2021) To Return (Home) is to Become (Unhomely): Reflections on Katharine Fry’s Please Call Me Home.
Oki, Michiko and Ohashi, Etsuko (2016) The Photograph as Contemporary Art.
Oki, Michiko (2021) Bourdelle’s Impact in East Asia.
Okada, Atsushi and Oki, Michiko and Ishitani, Haruhiro and Hashimoto, Azusa (2005) Jonathan Crary, Suspension of Perception: Attention, Spectacle and Modern Culture.
Mey, Adeena (2022) The Slave Trade and Contemporary Art in the Museum. ‘Uncomfortable Truths’ at the V&A. Afterall
Melvin, Jo (2012) Transforming Artist Books: Is the Term ‘Digital Artist Books’ a Misnomer? Tate
Janes, Dominic (2017) “The cleavage raises questions”: queer indeterminacies of gender in an alleged photographic portrait of the painter Francis Bacon.
Francke, Andrea and de Kersaint Giraudeau, Matthew (2023) Ten Texts on Sculpture 1: Duchamp and the Readymade.
Francke, Andrea and de Kersaint Giraudeau, Matthew (2023) Ten Texts on Sculpture 2: Robert Gober and the Part Object.
Francke, Andrea and de Kersaint Giraudeau, Matthew (2023) Ten Texts on Sculpture 3: Phyllida Barlow.
Francke, Andrea and de Kersaint Giraudeau, Matthew (2023) Ten Texts on Sculpture 4: Sculpture in the Expanded Field.
Francke, Andrea and de Kersaint Giraudeau, Matthew (2023) Ten Texts on Sculpture 5: Sculpture and Ritual.
Francke, Andrea and de Kersaint Giraudeau, Matthew (2024) Ten Texts on Sculpture 10: Maintenance.
Francke, Andrea and de Kersaint Giraudeau, Matthew (2024) Ten Texts on Sculpture 6: Entropy.
Francke, Andrea and de Kersaint Giraudeau, Matthew (2024) Ten Texts on Sculpture 7: Park McArthur.
Francke, Andrea and de Kersaint Giraudeau, Matthew (2024) Ten Texts on Sculpture 8: Sculptural Pedagogy.
Francke, Andrea and de Kersaint Giraudeau, Matthew (2024) Ten Texts on Sculpture 9: The Non-Object.
Dalal-Clayton, Anjalie (2018) The Black Artists & Modernism 'Black Artists in UK Public Collections' Database.
Courtney, Cathy (2001) Development of 'Artists' Lives'. British Library Sound Archive
Asbury, Michael (2009) Neoconcrete Experience.
von Muller, Johannes and Anderson, Joanne and Finch, Mick (2019) Bilder Auf Wanderschaft. [Show/Exhibition]
Vilalta, Helena and Leckie, Robert and Blocker, Antonia (2011) All I Can See is the Management. [Show/Exhibition]
Smith, Donald and Gleadowe, Teresa (2009) Dematerialised: Jack Wendler Gallery, 1971 to 1974. [Show/Exhibition]
Smith, Donald (2012) Neue Slowenische Kunst 1984-1992. [Show/Exhibition]
Selejan, Ileana L. (2016) Charlotte Brooks at LOOK, 1951-1971. [Show/Exhibition]
Naldi, Pat (2006) High Noon at 12˚ 21' 8" in Responding to Rome: British Artists in Rome, 1995-2005. [Show/Exhibition]
Melvin, Jo and Bonifati, Vittoria (2019) Machismo. [Show/Exhibition]
Melvin, Jo (2015) Five issues of Studio International. [Show/Exhibition]
Melvin, Jo (2013) Hand in Foot. [Show/Exhibition]
Melvin, Jo (2015) Palindromes: Exchanges between Barry Flanagan and John Latham. [Show/Exhibition]
Melvin, Jo (2008) Ping Pong Dialogues: Bill Beckley. [Show/Exhibition]
Melvin, Jo (2008) Tales from Studio International. [Show/Exhibition]
Kass, Jason (2013) The Unique Particular. [Show/Exhibition]
Hunter, Tom (2010) Unheralded Stories. [Show/Exhibition]
Green, Alison and Houlberg, Barbara and Martin, Trevor (2007) Paul Dickerson: As Art. [Show/Exhibition]
Goodwin, Paul and Himid, Lubaina (2012) Thin Black Line(s). [Show/Exhibition]
Goodwin, Paul (2012) New Diasporic Voices in Migrations: Journeys into British Art. [Show/Exhibition]
Gooding, Mel (2002) Ceri Richards: a curated exhibition. [Show/Exhibition]
Farthing, Stephen (2007) Leaf to Leopard: An analysis of The Elements of Drawing. [Show/Exhibition]
Dakers, Caroline (2011) George Aitchison: Leighton’s architect revealed. [Show/Exhibition]
Coldwell, Paul (2006) Morandi's legacy: influences on British art. [Show/Exhibition]
Clark, Judith (2018) Exhibiting Niklaus Manuel Deutsch: The Judgement of Paris II, Amden Atelier. [Show/Exhibition]
Cherry, Deborah and Dickson, Malcolm (2016) Maud Sulter: Passion. [Show/Exhibition]
Bronstein, Pablo and Bose, Shumi (2017) Pablo Bronstein: Conservatism, or The Long Reign of Pseudo-Georgian Architecture. [Show/Exhibition]
Baddeley, Oriana (2018) Fred Boissonnas in Egypt. [Show/Exhibition]
Asbury, Michael and Venancio, Paulo (2001) Rio de Janeiro 1950 - 1964. [Show/Exhibition]
Asbury, Michael (2010) Anna Maria Maiolino: continuous. [Show/Exhibition]
de Menezes, Caroline (2018) Curatorship and Post-Duchampian Art in Transnational Contexts. PhD thesis, University of the Arts London.
Yamamoto, Hiroki (2018) The Art of Decolonisation: On the Possibility of Socially Engaged Art in the Postcolonial Context of East Asia. PhD thesis, University of the Arts London.
Vaz, Maria Suzana Mendes da Silva (2012) The Archaic Makes the Avant-garde. Experimental Practice and Primordial Image. Reading the Brazilian Post-neoconcrete and the Japanese Gutai Artists Through Mircea Eliade and Carl Gustav Jung. PhD thesis, University of the Arts London.
Tlalim, Tom (2017) The Sound System of the State: Sonic Strategies for Political Critique at the Borders of Palestine-Israel. PhD thesis, Goldsmiths University of London.
Tillotson, Zoe (2007) Ephemeral Art: A Philosophical Proposition about the Nature of Time and Being. PhD thesis, University of the Arts London.
Sutcliffe, Paul J.C. (2005) Contemporary Art in Japan and Cuteness in Japanese Popular Culture. PhD thesis, University of the Arts London.
Sinclair, Jeanie (2022) ‘The Most Wonderful Wonderful Parties’ Gossip and anecdote as feminist epistemology in women’s oral histories of the creative community in postwar St Ives. PhD thesis, University of the Arts London and Falmouth University.
Simpson, Nicola (2018) right mind-minding: the practice and transmission of Zen and Tantric Buddhist method practices in the poemobjects of Dom Sylvester Houédard, 1960-1975. PhD thesis, Norwich University of the Arts.
Phelps, Sharon (2017) Agnes Martin: painting as making and its relation to contemporary practice. PhD thesis, University of the Arts London.
Perry, Colin (2016) Into the Mainstream: Independent Film and Video Counterpublics and Television in Britain, 1974–1990. PhD thesis, University of the Arts London.
Oliver, Elisa (2016) 'Hanging About’: The Teenage Moment of the 1970s/80s and its representation in British Art from the 1990s. With reference to artists: Paul Housley George Shaw Paul Rooney. PhD thesis, University of the Arts London.
Oki, Michiko (2014) The Threshold – a Place of the Hunchback. Violence and Transformation in works by Géricault, Dix, Salomon, Magritte, and Kafka. PhD thesis, University College London.
Nunez, G. Alfonso (2015) Between Technophilia, Cold War and Rationality: A Social and Cultural History of Digital Art. PhD thesis, University of the Arts London.
Moloney, Donal (2015) Slippages between the picture plane and the painting surface. An analysis, through my paintings, of specular highlights, proximal spaces and the Lacanian gaze. PhD thesis, University of the Arts London.
Michael, Marcia (2023) Did it Work? Re-enacting the maternal body as a site for ancestral memories: photography and oral history as vehicles for reconstructing history in the re-embodiment of Black Matrilineage. PhD thesis, University of the Arts London.
McDonnell, Amy (2016) Artists’ Collectives and Collectivities: A Curatorial Investigation into Assembling the Social. PhD thesis, University of the Arts London.
Martínez Rodríguez, Fabiola (2004) Civilizing the Prehispanic: Neo-Prehispanic Imagery and Constructions of Nationhood in Porfirian Mexico (1876-1910). PhD thesis, University of the Arts London.
Lovejoy, Annie (2011) Interfaces of location and memory: An exploration of place through context-led arts practice. PhD thesis, University of the Arts London and Falmouth University.
Long, Catherine (2016) A feminist dialogue with the camera: strategies of visibility in video art practices. PhD thesis, University of the Arts London.
Kutesko, Elizabeth (2016) Fashioning Brazil: Globalization and the Representation of Brazilian Dress in National Geographic. PhD thesis, Courtauld Institute of Art.
Koskentola, Kristiina (2017) Interconnected In-Between: On the dynamics of abjection, animism, temporality and location in nomadic art practice. PhD thesis, University of the Arts London.
Kojima, Kaoru (2006) The Image of Woman as a National Icon in Modern Japanese Art: 1890s-1930s. PhD thesis, University of the Arts London.
Kass, Jason (2017) Cognitive aspects of pictorial address and seriality in art: A practice-led investigtion. PhD thesis, University of Southampton.
Kambalu, Samson (2016) Nyau Philosophy: Contemporary Art and the Problematic of the Gift – a Panegyric. PhD thesis, University of the Arts London.
Jordan, Christopher (2007) Steering Taste: Ernest Marsh, a study of private collecting in England in the early 20th Century. PhD thesis, University of the Arts London.
Jameel, Ahmed Mauroof (2019) Comic Book Collaboration: A Practice-Informed Study of Mutual Artistic Figuration. PhD thesis, University of the Arts London.
Ismail-Epps, Samantha (2018) Artists’ Pages: the Accessibility of Art Through the Printed Page 1966 – 1973. PhD thesis, Norwich University of the Arts.
Guerrero-Rippberger, Sara Angel (2017) 30° from the Northern Tropic: Art, region and collective practices from urban Latin American and Arab worlds. PhD thesis, University of the Arts London.
Gotti, Sofia (2016) Expanded Pop: Politics, Popular Culture and Art in Argentina, Brazil and Peru, 1960s. PhD thesis, University of the Arts London.
Garrett, Louise (2016) …of delay, hesitation and detour: Resisting the constitution of knowledge: Walter Benjamin, re-search and contemporary art. PhD thesis, University of the Arts London.
Gadie, Robert (2022) The Art School PhD: What is the problem of knowledge? PhD thesis, University of the Arts London.
Donkor, Kimathi (2015) Africana Unmasked: Fugitive signs of Africa in Tate's British Collection. PhD thesis, University of the Arts London.
Diggle, Valerie Ann (2017) A poetics of uncertainty: a chorographic survey of the life of John Trevisa and the site of Glasney College, Cornwall, mediated through locative arts practice. PhD thesis, University of the Arts London and Falmouth University.
Devleminck, Steven (2012) Transmedia - a Place of Negotiation in Conditions of Hybridity and Change. PhD thesis, University of the Arts London.
Dalal-Clayton, Anjalie (2015) Coming into View: Black British Artists and Exhibition Cultures, 1976-2010. PhD thesis, Liverpool John Moores University.
Connerty, Michael (2018) Secret Identity: Reassessing Jack B. Yeats as a Comic Strip Artist. PhD thesis, University of the Arts London.
Cardwell, Thomas (2017) Still Life and Death Metal: Painting the Battle Jacket. PhD thesis, University of the Arts London.
Bristow, Maxine (2016) Pragmatics of attachment and detachment: medium (un)specificity as material agency in contemporary art. PhD thesis, Norwich University of the Arts.
Baniotopolou, Evdoxia (2010) Century City: Art and Culture in the Modern Metropolis. A case-study of institutional curating of contemporary art in an urban context. PhD thesis, University of the Arts London.
Baker, Daniel Alexander (2018) Technologies of Encounter: Exhibition-Making and the 18th Century South Pacific. PhD thesis, University of the Arts London.
Asbury, Michael (2003) Hélio Oiticica: Politics and Ambivalence in 20th Century Brazilian Art. PhD thesis, University of the Arts London.
Albertoni, Fernanda Bernardes (2017) Reordering Images and Re-constructing Memories: three artists-archivists in Brazil. PhD thesis, University of the Arts London.
Akça, Deniz (2015) Mapping Istanbul’s Istiklal Avenue: Uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice. PhD thesis, University of the Arts London.
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