Zimmerman, Andrea Luka and Johansson, Lasse (2011) In Wait. Homecultures (The Journal of Architecture, Design and Domestic Space), 8 (1). pp. 91-102. ISSN 1740-6315

Wynne, John (2014) Hearing Voices: Research and creative practice across cultures and disciplines. Language Documentation and Description, 12. pp. 120-150. ISSN 1740-6234

Wooldridge, Duncan (2016) Visibility and Realism: Photography and the Problems of Transparency. Philosophy of Photography, 7 (1 & 2). pp. 11-20. ISSN 2040-3682

Williams, Val and Lardinois, Brigitte (2009) Photographs from the Glyndebourne Opera archive, 1934–1939. Photography and Culture, 2 (1). pp. 89-94. ISSN 17514517

Williams, Val (2010) The Daniel Meadows Archive: The shop on Graeme Street, 1972. Photography and Culture, 3 (1). pp. 81-90. ISSN 17514517

Williams, Val (2011) Photographed narratives in London, 1900–35. Modern Painters: The Camden Town Group (web project).

Williams, Val (2011) Pictures from Robert's. Photography and Culture, 4 (2). pp. 201-212. ISSN 1751-4517, 1751-4525

Williams, Val (2012) Stuart Griffiths. Jocks&Nerds, 1 (5). pp. 142-147.

Williams, Val (2010) The casting of the real: Mohamed Bourouissa. Foam International Photography Magazine (23). pp. 52-54. ISSN 15704874

Williams, Val (2011) The war in colour. British Journal of Photography, 158 (7784). pp. 46-51. ISSN 0007-1196

Williams, Anne (2009) Identity Crisis. Photographies, 2 (2). pp. 125-133. ISSN 1754-0763 (Print), 1754-0771 (Online)

Warnock, Becky and Langhoff, Kristine and Warrington, Camille (2023) Reflecting on the Role of Creative Practice in Facilitating Young People’s Capacity to Represent and Document Their Own Experiences of Resistance. Reflecting on the Role of Creative Practice in Facilitating Young People’s Capacity to Represent and Document Their Own Experiences of Resistance, 8 (1). ISSN 2712-4894

Trangmar, Susan (2013) A Divided Glance: A Dialogue Between the Photographic Project “A Forest of Signs” and the Figure of the Tree in Virginia Woolf’s Writing. The Literary London Journal, 10 (1).

Trangmar, Susan (2012) A Forest of Signs: Trees and the Urban Imaginary. Journal of Photography and Culture, 5 (2). pp. 231-238. ISSN 17514517

Trangmar, Susan (2019) Landscape as a Twist of Thought: A Line of Enquiry. Philosophy of Photography, 10 (2). pp. 207-224. ISSN 2040-3682

Trangmar, Susan (2018) Passages of Inscription. Photographies, 12 (1). ISSN 1754-0763 (Print), 1754-0771 (Online)

Trangmar, Susan (2014) Wandering Shards. Philosophy of Photography, 5 (2). pp. 146-157. ISSN 2040-3682

Teles, Ana (2023) Painted Copies, Digital Reproductions, and Originals: A Case Study of Copying Frank Bowling’s 'Lent'. The Journal of Art Theory and Practice (36).

Sutherland, Patrick (2016) The Photo Essay: Patrick Sutherland. Visual Anthropology Review, 32 (2). pp. 115-121. ISSN 1058-7187

Strasser, Anita (2018) A Neighbours' Event: building community through socially-engaged photography. The Ethical Record, 123 (1). pp. 18-20.

Strasser, Anita (2022) Remembering John Levett. fLIP Magazine, 52. pp. 8-15.

Strasser, Anita (2024) Trader Tales in Deptford Lounge. StreetSigns.

Strasser, Anita (2017) Using Photographic Research to facilitate Social Interaction. fLIP, 38. pp. 12-13.

Stephens, Tim and Pantridge, Keith (2011) Dosimetry, Personal Monitoring Film. Philosophy of Photography, 2 (1). pp. 153-158. ISSN 2040-3682

Stephens, Tim (2018) I am what is a photograph: photo-fiction as performative auto-ethnography. Cultural Studies - Critical Methodologies, 19 (2). pp. 79-83. ISSN 1532-7086

Stephens, Tim (2010) What is rhythm in relation to photography? Philosophy of Photography, 1 (2). pp. 157-175. ISSN 2040-3682

Simonson, Caryn (2008) On crafting humanity: an interview with Margi Geerlinks. Textile: The Journal of Cloth and Culture, 6 (3). pp. 274-285. ISSN 14759756

Selejan, Ileana L. (2022) How Claudia Gordillo Documented the Realities of Life in Nicaragua. Aperture.

Selejan, Ileana L. (2021) Vandalism as Symbolic Reparation: Imaginaries of Protest in Nicaragua. Cambridge Journal of Anthropology, 39 (2). ISSN 2047-7716

Selejan, Ileana L. (2015) War in paradise: Solentiname and the Sandinista. Visual Studies, 30 (2). pp. 151-165. ISSN 1472-586X

Sajovic, Eva (2022) Weaving as Ethical Photography. Trigger.

Rughani, Pratap (2011) Where Three Dreams Cross. Photography & Culture, 4 (3). pp. 359-362.

Ruggaber, Karin (2010) Yesilyurt and Karin Ruggaber in conversation with Megan O’Shea. P.E.A.R. (Paper for Emerging Architectural Research) (2). pp. 20-26. ISSN 2041-2878

Rubinstein, Daniel and Sluis, Katrina (2008) A Life More Photographic, Mapping the Networked Image. Photographies, 1 (1). pp. 9-29. ISSN 1754-0763 (Print), 1754-0771 (Online)

Rubinstein, Daniel and Sluis, Katrina (2013) Notes on the Margins of Metadata; Concerning the Undecidability of the Digital Image. Photographies, 6 (1). pp. 151-158. ISSN 1754-0763 (Print), 1754-0771 (Online)

Rubinstein, Daniel (2016) Assassination of Experience by Photography. Bijutsu Techo, 68 (1042). pp. 98-104. ISSN 0287-2218

Rubinstein, Daniel (2009) Digitally Yours; The Body in Contemporary Photography. The Issues in Contemporary Culture and Aesthetics, 2&3. pp. 181-195. ISSN 0955003725

Rubinstein, Daniel (2012) GIF Today. Born in 1987.

Rubinstein, Daniel (2018) Techniques of The Self; On the art of Cindy Sherman from Untitled Film Stills to Instagram. ZUM Revista De Fotografia, 15.

Rubinstein, Daniel (2009) Towards Photographic Education. Photographies, 2 (2). pp. 135-142. ISSN 1754-0763 (Print), 1754-0771 (Online)

Rubinstein, Daniel (2017) Value of Nothing. Journal of Visual Art Practice, 15 (2-3). pp. 127-137. ISSN 1470-2029

Rubinstein, Daniel (2015) What is 21st Century Photography? The Photographers' Gallery Blog.

Rubinstein, Daniel (2023) “A knife without a blade, for which a handle is missing”; on the pleasure of photographic violence. Philosophy of Photography, 13 (1). pp. 207-212. ISSN 2040-3682

Pollard, Jennifer (2011) Seen, seared and sealed: Trauma and the visual presentation of September 11. Health, Risk & Society, 13 (1). pp. 81-101. ISSN 1369 8575

Pollard, Jennifer (2007) "We Will Keep Looking": Digital Representations of 9/11. The International Journal of the Humanities, 4 (5). pp. 11-17. ISSN 1447-9508

Peck, Julia (2021) In a World Fit for Humans? Posthumanism and the nature-culture continuum in the Prix Pictet. Photography and Culture, 14 (2). pp. 233-251. ISSN 1751-4525

O'Riley, Tim (2010) (From) A to B (and back). Printed Project (13). pp. 18-23. ISSN 16494075

Milic, Nela (2018) Artefacts from the Protest. Hakara (5).

Milic, Nela (2016) Wedding Bellas – migrancy as a dispute to photographic traditions. Crossings: Journal of Migration & Culture, 7 (1). pp. 75-80. ISSN 2040-4352

Mey, Adeena (2012) Art contemporain et paracinéma : Rosa Barba, Juliana Borinski et David Maljkovic. Décadrages: Cinéma, à travers champs (21-22). pp. 108-121.

Mey, Adeena (2015) Dialogue avec Monologue. Notes sur Vandy Rattana et la question de l’art contemporain au Cambodge. Le magazine du Jeu de Paume.

Mey, Adeena (2024) Method and Metaphor: Dinh Q. Lê’s Untitled (Soldiers at Rest) (2003). post. notes on art in a global context.

McCartney, Nicola (2011) Claude Cahun. The British Art Journal, 12 (1). pp. 77-78. ISSN 1467-2006

Mackinnon, Lee (2012) 'No one has yet Determined What Art Can Do': Gaming in Waziristan. Third Text, 26 (5). pp. 625-628. ISSN 0952-8822

Mackinnon, Lee (2017) Toward a Materialist Photography: The Body of Work. Third Text, 30 (3-4). pp. 149-158. ISSN 0952-8822

Mackinnon, Lee (2022) Unseeing Photography: Academic Freedom and Human Rights after Tiananmen. Photography and Culture, 15 (1). pp. 77-89. ISSN 1751-4517

Lowe, Paul and Kahn, Leora (2020) Facing up to Rape in Conflict: Challenging Stigma through Photography. The International Journal of the Image, 11 (2). pp. 1-17. ISSN 2154-8579

Lowe, Paul (2019) Framing the Perpetrators: Lee Miller's Photography of the Liberation of Dachau. Journal of Perpetrator Research, 2 (2). pp. 216-223. ISSN 2514-7897

Lowe, Paul (2018) Traces of Traces: Time, Space, Objects, and the Forensic Turn in Photography. Humanities, 7 (3). ISSN 2076-0787

Love, Johanna (2015) Somewhere between Printmaking, Photography and Drawing: Viewing contradictions within the printed image. Journal of Visual Art Practice, 14 (3). pp. 214-223. ISSN 1470-2029

Leister, Wiebke and Lomax, Yve (2008) Meanwhile (featuring 'Eigenzeit' and 'Hals über Kopf'). Source: Photographic Review, 54. pp. 26-35. ISSN 1369-2224

Leister, Wiebke (2011) Ever After (journal article). Journal for Visual Communication, 10 (3). pp. 401-418. ISSN 1470-3572

Leister, Wiebke (2010) Mona Lisa on a Bad Day: Or the Impossibility of Neutrality and the Non-Likeness of Photographic Portraiture. Journal of Photography and Culture, 3 (2). pp. 153-174. ISSN 17514517

Leister, Wiebke (2008) Performing Laughter: Duchenne's Smile in the Light of Photographic Practice. About Performance, 8. pp. 209-228. ISSN 1324-6089

Leister, Wiebke (2014) Photography In-the-Round: Gerhard Richter’s “48 Portraits”, 1972 and 1998. Photographies, 7 (2). pp. 217-246. ISSN 1754-0763

Leister, Wiebke (2019) Pro-Photographic Gestures. Photography and Culture. ISSN 17514517

Lardinois, Brigitte (2013) The Greenpeace Archive. Photography and Culture, 6 (2). pp. 217-224. ISSN 1751-4517

Laing, Morna (2014) The Lula girl as ‘sublime and childlike’: nostalgic investments in contemporary fashion magazines. Critical Studies in Fashion and Beauty, 5 (2). pp. 271-293. ISSN 2040-4417

Kesseler, Rob and Neumann, Ulla and Przybyl, Marine (2019) Barley Tales. infocus Magazine (The Proceedings of the Royal Microscopical Society) (53). pp. 4-24. ISSN 1750-4740

Kesseler, Rob (2013) Convergent Territories. Arcade, Science Art & Enquiry, 31 (3). pp. 40-46.

Kesseler, Rob (2018) GENUS: On the imaging of plants. Antennae (51). pp. 145-159. ISSN 1756-9575

Kesseler, Rob (2008) A new phytopia. infocus Magazine (The Proceedings of the Royal Microscopical Society) (10). pp. 31-61. ISSN 1750-4740

Kesseler, Rob (2006) The power of x2 : a botanical collaboration. infocus Magazine (The Proceedings of the Royal Microscopical Society) (2). pp. 4-17. ISSN 1750-4740

Ingham, Mark (2012) 120 päivää ja yötä hoipertelua + änkytystä (120 Days and Nights Of STAGGERING + STAMMERING). ADDICTION — RIIPUVUUS/HESA INPRINT, 1 (14). pp. 19-23. ISSN 1799-8549 (printed) 1799-8557 (Online)

Ingham, Mark (2018) Editorial: Spark: UAL Creative Teaching and Learning Journal. Spark: UAL Creative Teaching and Learning Journal, 3 (1). pp. 1-4. ISSN 2397-6594

Hunter, Tom and Smyth, Diane (2010) Think global, act local. British Jounal of Photography, 157 (7781). pp. 54-59. ISSN 0007-1196

Hunter, Tom and Pulver, Andrew (2009) Tom Hunter's best shot. The Guardian.

Hunter, Tom (2016) Annual Photographer’s Lecture 2013 - Home. Studies in Photography 2016, 30th Anniversary Edition ii, 30 (ii). pp. 8-19. ISSN 1462-0510

Hunter, Tom, Portfolio Magazine (2010) Prayer Places features in Portfolio Magazine. Portfolio, 52 (52). pp. 58-63. ISSN 1354-4446

Hunter, Tom (2011) Princess Toshi. The Observer.

Hart, Janice (2004) The Girl No One Knew: photographs, narratives, and secrets in modern fiction. Mosaic a journal for the interdisciplinary study of literature, volume (number). pp. 111-126. ISSN 00271276

Green, Alison (2010) Believing in the devil: Caitlin Duennebier. Source Photographic Review, 64. pp. 40-49. ISSN 1369-2224

Green, Alison (2011) A desire to know. Source Photographic Review, 65. ISSN 1369-2224

Good, Jennifer (2020) Critical Paralysis: Confronting Colonialism in Photography. Viewfinder Magazine (114).

Good, Jennifer (2012) Five New Photography Galleries. Source Photographic Review, 73. pp. 22-25. ISSN 1369-2224

Good, Jennifer (2019) The Impossible Photograph: Blur and Domestic Violence. Photography and Culture, 12 (4). pp. 415-427. ISSN 1751-4517

Good, Jennifer (2024) Unfixing Violence: Photography and Oblivion. Archivo Photofile.

Good, Jennifer (2020) An Unkindness of Ravens. Source Photographic Review, 102. pp. 36-37. ISSN 1369-2224

Good, Jennifer (2024) A Joining of Self by Suella Holland. Source: Thinking Through Photography (115). ISSN 1369-3334

Findlay, Rosie (2016) Strange and Familiar: Britain as Revealed by International Photographers, Curated by Martin Parr, Barbican Centre, London, 16 March 2016 – 19 June 2016. Australasian Journal of Popular Culture, 5 (2-3). pp. 225-226. ISSN 2045-5860

Finch, Mick and Westwood, Martin (2017) The Warburg Haus: Apparatus, inscription, data, speculation. Philosophy of Photography, 8 (1-2). pp. 3-7. ISSN 2040-3682

Finch, Mick (2017) The Technical Apparatus of the Warburg Haus: possible returns from oblivion. Philosophy of Photography, 8 (1-2). pp. 35-51. ISSN 2040-3682

Fairey, Tiffany (2017) These Photos Were My Life: understanding the impact of participatory photography projects. Community Development Journal, 1 (19). ISSN 1468-2656

Eva, Sajovic and Agnes, Czajka (2017) A Manifesto for UnLearning. Open Democracy.

Edwards, Elizabeth (2005) Photographs and the Sound of History. Visual Anthropology Review, 21 (1). pp. 27-46. ISSN 15487458

Doron, Itai and Perry, Martin (2010) Spotlight: Itai Doron, photographer, London UK. Out There, 2. pp. 12-17. ISSN 20439210

Dobai, Sarah and Durden, Mark (2010) Mark Durden interviews Sarah Dobai. Source Photographic Review (64). ISSN 1369-2224

Dines, Naomi and Biddulph, Dom (2019) Creative Reverse Engineering – from remote sensuality to haptic metrology. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2019). ISSN 1477-9358

Dines, Naomi (2017) Precious, Tiny and Shiny: Close range photogrammetry for artists and others. Electronic Workshops in Computing (eWiC) Electronic Visualisation and the Arts (EVA 2017). ISSN 1477-9358

Davies, Colin and Parrinder, Monika, Limited Language (2003) Shooting images: photographs from the war in Iraq ...a review (of sorts). Limited Language.

Davidmann, Sara and Williams, Val (2017) The Ken. To be destroyed Project Archive. Photography and Culture, 10 (1). pp. 77-84.

Davidmann, Sara and Brown, Elspeth (2015) Queering the Trans* Family Album. Elspeth H. Brown and Sara Davidmann, in conversation. Queering Archives: Intimate tracings. Special Journal Issue Radical History Review. Issue 122., 2015 (122). pp. 188-200. ISSN 0163-6545

Davidmann, Sara (2014) Imag(in)ing Trans Partnerships: Collaborative Photography and Intimacy. Journal of Homosexuality, 61 (5). pp. 636-653. ISSN 0091-8369 (Print), 1540-3602 (Online)

Cross, David and Cornford, Matthew (2003) Inside Outside. Third Text, 18 (6). pp. 657-665. ISSN 09528822

Cook, Siân (2010) Honest and True? Authenticity in the visual representation of gay relationships in HIV/AIDS health promotion. The Everyday Experiment, 1 (1). pp. 64-70. ISSN 2045-1180

Cairns, Jon (2012) “Ambivalent Intimacies: Performance and Domestic Photography in the Work of Adrian Howells”. Contemporary Theatre Review, 22 (3). pp. 355-371. ISSN 1048-6801, 1477-2264

Brown, Roni (2011) Material culture and experience: the Butlins brand. Photoworks Magazine, 17. ISSN 9781903796306

Brown, Elspeth and Ceschel, Bruno and Davidmann, Sara (2014) Queering Photography. Photography and Culture, 7 (3). pp. 235-238. ISSN 1751-4517

Bevan, Paul (2011) Photography as religion. 125 Magazine: Religion Issue (17). ISSN 9771479560029

Behr, Bernd (2016) Akeley inside the elephant: Trajectory of a taxidermic image. Philosophy of Photography, 7 (1-2). pp. 43-61. ISSN 2040-3682

Behr, Bernd (2016) Photographic indexicality: Once more, with feeling. Philosophy of Photography, 7 (1-2). pp. 3-10. ISSN 2040-3690

Bankale, Sheyi (2013) In Between The Shifts. Next Level (23). pp. 16-19. ISSN 1476 4369

Bankale, Sheyi (2016) Power of the Institution. Next Level (24). pp. 12-15. ISSN 1476 4369

Anderson, Joel and Leister, Wiebke (2019) The Theatre of Photography: Dialogues. Journal of Photography and Culture, 11 (2). pp. 121-138. ISSN 1751-4517

Al-Ani, Jananne and Withers, Rachel (2011) Interview with Jananne Al-Ani. RES (7). ISSN 978-605-5815-11-0

Al-Ani, Jananne and Ross, Julian (2016) Interview Jananne Al-Ani. Sonic Acts.

Al-Ani, Jananne and Muller, Nat (2014) Technologies of History. Jananne Al-Ani in conversation with Nat Muller. Ibraaz: Contemporary visual culture in North Africa and the Middle East..

Al-Ani, Jananne and Ayad, Myrna, Canvas Magazine (2010) Look and You Shall Find - Jananne Al-Ani. Canvas Magazine, 6 (3). pp. 132-141. ISSN 1814-7062

Adami, Elisa (2019) Akram Zaatari: History and Photographic Memory. Journal of Visual Culture, 18 (2). pp. 169-186. ISSN 1470-4129

Adami, Elisa (2020) Profile: Moyra Davey. Art Monthly (441). pp. 15-17. ISSN 0142-6702

Book

von Muller, Johannes and Anderson, Joanne and Finch, Mick (2019) Image Journeys: The Warburg Institute and a British Art History. Dietmar Klinger Verlag, Passau Germany. ISBN 978-3-86328-171-7

Wooldridge, Duncan (2014) John Hilliard: Not Black and White. Ridinghouse, London. ISBN 9781905464937

Wooldridge, Duncan (2021) To Be Determined: Photography and the Future. SPBH Essays . SPBH Editions, London and Milan. ISBN 978-1916041233

Williams, Val (2007) Anna Fox monograph. Photoworks, Brighton. ISBN 1903796172

Williams, Val (2011) Daniel Meadows: edited photographs from the 70s and 80s. Photoworks, UK. ISBN 9781903796467

Williams, Val (2021) Men Alone. Parakeet, London UK. ISBN 978-1-7398127-0-6

Williams, Val (2004) "When We Were Young: Derek Ridgers: Club and Street Portraits 1978-1987". Photoworks, Brighton. ISBN 190379613X

Williams, Val (2012) When photography really works. Barron's Educational Series, New York. ISBN 9780764147890

Williams, Val (1994) Who's looking at the family? Barbican Art Gallery, London. ISBN 978-0946372324

Taylor, Roger and Schaaf, Larry (2007) Impressed by Light: British Photographs from Paper Negatives, 1840-1860. Yale University Press, in association with The Metropolitan Museum of Art, New York, N.Y., USA. ISBN 0300124058, 9780300124057

Sutherland, Patrick and Tsering, Tashi (2011) Disciples of a crazy saint: The Buchen of Spiti. Pitt Rivers Museum, University of Oxford, Oxford, UK. ISBN 9780902793514

Sutherland, Patrick and Hutchings, Roger (2003) No Heroes: The photographs of Roger Hutchings. The London Institute, London, UK. ISBN 0 9539967 2 7

Sutherland, Patrick (2008) Community: The Elephant and Castle. The Elephant Vanishes, 2 . London College of Communication, London, UK. ISBN 9780954807450

Sutherland, Patrick (2012) Economy: the Elephant and Castle. The Elephant Vanishes, 3 . London College of Communication, London, UK. ISBN 9781906908157

Sutherland, Patrick (2008) Home: the Elephant and Castle. The Elephant Vanishes, 1 . London College of Communication, London, UK. ISBN 9780954807443

Sutherland, Patrick (2000) Spiti The Forbidden Valley. Network Photographers, London UK. ISBN 0953675637

Sliwinska, Basia (2018) The Evolution of the Image: Political Action and the Digital Self. Routledge, New York. ISBN 9781138216037

Sliwinska, Basia (2020) Feminist Visual Activism and the Body. Routledge, Taylor & Francis, London, New York. ISBN 9780367278991

Silva, Corinne (2016) Garden State. Ffotogallery, The Mosaic Rooms, London. ISBN 978-1-872771-58-8

Shepherdson, Karen and Williams, Val (2019) Seaside Photographed. Thames & Hudson, London, UK. ISBN 978-0-500-02206-1

Shepherdson, Karen and Ball, Rob (2014) Beyond the View: New Perspectives on Seaside Photography. Burton Press, Verona. ISBN 978-0-9571637-5-1

Selejan, Ileana L. and Vicki, Goldberg and Beverly, Brannan and Lisa, Fischman (2016) Charlotte Brooks at LOOK: 1951-1971 (exhibition catalogue). The Davis Museum at Wellesley College, Wellesley, MA.

Sealy, Mark (2019) Decolonising the Camera: Photography in Racial Time. Lawrence and Wishart, London. ISBN 9781912064755

Schaaf, Larry (2002) "In Focus: William Henry Fox Talbot: Photographs from the J. Paul Getty Museum". Getty Trust Publications. ISBN 0892366605

Ruggaber, Karin (2010) Villas. The Block, London, UK. ISBN 9780956675705

Rubinstein, Daniel and Golding, Johnny and Fisher, Andy (2013) On The Verge of Photography: Imaging Beyond Representation. ARTicle Press, Birmingham. ISBN 9781873352021

Rubinstein, Daniel (2022) How Photography Changed Philosophy. Routledge History of Photography . Routledge, UK. ISBN 9780367694227

Rubinstein, Daniel (2020) Philosophie nach der Fotografie (Philosophy after Photography). Contemporary Philosophy . Merve / Verlag, Berlin, Germany. ISBN 978-3-96273-022-2

Rickett, Sophy (2019) The Curious Moaning of Kenfig Burrows. GOST, London. ISBN 978-1-910401-30-9

Rickett, Sophy (2015) The Death of a Beautiful Subject. Gost, London. ISBN 978-1-910401-06-4

Rickett, Sophy (2018) Elephant Atlas: A Compendium. Studio at the Elephant, London. ISBN 978-0-9575086-8-2

Rickett, Sophy (2023) Pissing Women 1995. Climax Books, London. ISBN 9781399964036

Orta, Lucy (2010) Mapping the invisible: Eu-Roma Gypsies. Black Dog Publishing, London, UK. ISBN 9781906155919, 1906155917

O'Riley, Tim (2010) Accidental journey. Ponsonby Press, London, UK. ISBN 9780956228604

O'Riley, Tim (2013) Twenty-Seven Kilometres. Revolver, Berlin. ISBN 9783868952940

O'Kane, Paul (2018) Technologies of Romance - Part II (plus events). Technologies of Romance, II . eeodo, London UK. ISBN 9780992985745

O'Kane, Paul (2010) The Time Before That. eeodo, London.

O'Kane, Paul, eeodo (Bada Song, Barnaby Lambert, Paul O'Kane) (2014) Where Is That Light Now? eeodo, London. ISBN 97800992985707

Newth, Martin and Holman, Martin and Monarchi, Christiane (2018) Martin Newth: Rezension – Skulptur, Objekt, Apparat. MEWO Kunsthalle, Germany. ISBN 978-3-9816274-5-9

Newth, Martin (2011) Sentinel. Broken Glass, London, London. ISBN 9780955113826

Newth, Martin (2012) Sentinel (South). Text+Work, Bournemouth. ISBN 9780955113826

Moore, David (2008) The Last Things. Dewi Lewis, Stockport, England. ISBN 9781904587668

Moore, David (2013) Pictures From The Real World. Dewi Lewis Publishing. ISBN 9781907893339

Minogue, Sally and Shepherdson, Karen (2013) Close To Home. Burton Press, Verona. ISBN 978-0-9571637-1-3

Mehta, Roy (2021) Revival: London 1989–1993. Hoxton Mini Press, UK. ISBN 978-1-910566-95-4

McCartney, Nicola (2018) Death of the Artist: Art World Dissidents and their Alternative Identities. International Library of Modern and Contemporary Art . I.B. Tauris, London. ISBN 9781784534158

Lowe, Paul and Morrison, Kenneth (2021) Reporting the Siege of Sarajevo. Bloomsbury Academic, London. ISBN 9781350081796

Lowe, Paul and Haas, Ernst (2022) Ernst Haas: The American West. Prestel, London. ISBN 978-3-7913-8825-0

Lowe, Paul and Good, Jennifer and Bush, Lewis (2017) 1001 Photographs to see before you die. Cassell Illustrated, London. ISBN 184403917X

Lowe, Paul (2018) A Chronology of Photography. Thames and Hudson, London. ISBN 978-0500545034

Lowe, Paul (2016) Photography Masterclass:Creative Techniques of 100 master photographers. Thames and Hudson, London. ISBN 050054462X

Lowe, Paul (2022) Photography, Bearing Witness and the Yugoslav Wars, 1988-2021: Testimonies of Light. Routledge, London. ISBN 9781474243759

Love, Johanna (2018) Lichtlose Luft: Staub und Verschwinden Zeichnen /Lightless Air: drawing dust and disappearance. Camberwell Press, Camberwell Press, London. ISBN 978-1-908971-55-5

Leister, Wiebke (2016) Echoes and Afterlives (Fieldstudy). Fieldstudy, 22 . Photography and the Archive Research Centre, London.

Leister, Wiebke (2008) Lovers, Liars and Laughter. Fieldstudy, 11 . Photography and the Archive Research Centre, London.

Leister, Wiebke (2001) Theaterszene-Jahrbuch Köln 2001. Theaterszene-Jahrbuch Köln . M7 Verlag, Cologne. ISBN 3934511031

Lebas, Chrystel (2006) Between Dog and Wolf. Azure Publishing. ISBN 0954647815

Lebas, Chrystel (2017) Field Studies: Walking through Landscapes and Archives. Fw:Books, Amsterdam, The Netherlands. ISBN 13 978-94-90119-46-1

Lebas, Chrystel (2003) L'espace temps (Time in space). Azure Publishing. ISBN 0954647807

Lardinois, Brigitte and Williams, Val (2009) Glyndebourne: a visual history. Glyndebourne, UK. ISBN 9781847248657

Lardinois, Brigitte and Williams, Val (2005) Magnum Ireland. Thames and Hudson. ISBN 0500543038

Lardinois, Brigitte and Williams, Val (2020) Magnum Ireland (2nd Edition). Thames and Hudson, London. ISBN 978-0-500-29562-5

Lardinois, Brigitte (2009) Eve Arnold's People. Thames & Hudson, London. ISBN 9780500543719

Lardinois, Brigitte (2007) Magnum Magnum, Portrait of Magnum at Its 60th Anniversary. Thames and Hudson, London. ISBN 9780500543429

Kippin, John and Wainwright, Chris (2012) Futureland Now. University of Plymouth Press, Plymouth, England. ISBN 9781841023236

Kesseler, Rob and Stuppy, Wolfgang (2008) Fruit: edible, inedible, incredible. Papadakis, London. ISBN 9781901092745

Kesseler, Rob and Stuppy, Wolfgang (2006) Seeds: time capsules of life. Papadakis. ISBN 9781901092660

Kesseler, Rob and Harley, Madeline (2004) Pollen, the Hidden Sexuality of Flowers. Papadakis, London. ISBN 1901092674

Kesseler, Rob and Harley, Madeline (2014) Pollen: the Hidden Sexuality of Flowers. Papadakis Publisher, UK. ISBN 9781906506513

Kesseler, Rob (2016) Plant. Exploring the Botanical World. Phaidon, London. ISBN 9780714871486

Jahoda, Christian and Gyalpo, Tsering and Papa-Kalantari, Christiane and Sutherland, Patrick (2013) Khorchag. Studies and Materials on Historical Western Tibet, 1 . Bod ljongs bod yig dpe rnying dpe skrun khang, Lhasa, Tibet, Republic of China.. ISBN 978-7-80589-204-7

Hendley, David (2016) Tokyo Photo Walk. Self-published, London, United Kingdom.

Hart, Janice and Edwards, Elizabeth (2004) Photographs Objects Histories: On the Materiality of Images. Routledge Taylor and Francis Group. ISBN 0415254418

Gregory, Joy (2004) Objects of Beauty. Chris Boot and Autograph. ISBN 0954281349

Good, Jennifer and Lowe, Paul (2017) Understanding Photojournalism. Bloomsbury Academic Press, London. ISBN 9781472594907

Good, Jennifer (2015) Photography and September 11th: Spectacle, Memory, Trauma. Bloomsbury Academic, London. ISBN 9781472533319

Gibson, Melinda (2013) Miss Titus Becomes A Regular Army Mac. b.frank books, Amsterdam, The Netherlands.

Gibson, Melinda (2012) The Photography As Contemporary Art. Robstolk Amsterdam, Amsterdam, The Netherlands.

Gibson, Melinda (2014) SPBH Book Club Volume VI. SPBH Editions, London, United Kingdom.

Fricker, Anna (2010) 4th International Conference on: Preservation and Conservation Issues in Digital Printing and Digital Photography. Journal of Physics: Conference Series, 231 (1). Institute of Physics. ISBN 1742-6596

Fass, John, Arup ingegneria multidisciplinare (2006) Il Palasport di Torino. Motta Architettura, Milano. ISBN 88-6116-001-8

Edwards, Elizabeth and Peter, James (2006) A Record of England: Sir Benjamin Stone and the National Photographic Association 1897-1910. Dewi Lewis / V&A Publications, UK. ISBN 1904587372

Edwards, Elizabeth (2001) Raw Histories: Photographs, Anthropology and Museums. Berg, Oxford. ISBN 1859734979

Edmund, Clark (2017) In Place Of Hate, Ikon Gallery Exhibition Catalogue. Ikon Gallery, Birmingham. ISBN 978-1-911155-16-4

Doron, Itai and Beard, Jason and Szabo, Joseph (2009) Yassin. Other Criteria, London. ISBN 978-1-904212-48-5

Doron, Itai and Beard, Jason (2011) Chokras' Mahal. Other Criteria, London. ISBN 9781904212478

Doron, Itai (2012) Fifteen Minutes With You. Super Labo, Tokyo, Japan. ISBN ISBN 978-4-905052-44-9

Diprose, Graham and Robins, Jeff (2007) The River Thames Revisited. Frances Lincoln Limited. ISBN 978-0711227651

Davidmann, Sara and Williams, Val (2016) Ken. To be destroyed (book). Schilt Publishing, Amsterdam. ISBN 9789053308615

Davidmann, Sara (2003) Crossing the Line. Dewi Lewis Publishing, England. ISBN 1-899235-39-6

Clark, Edmund and Black, Crofton (2016) Negative Publicity: Artefacts of Extraordinary Rendition. Aperture Foundation & Magnum Foundation, New York. ISBN 978-1-59711-351-9

Clark, Edmund (2012) Control Order House. Here Press, London. ISBN 978-0-9935853-1-9

Clark, Edmund (2010) Guantanamo: If the Light Goes Out. Dewi Lewis Publishing, Stockport. ISBN 978-1-904587-96-5

Clark, Edmund (2014) The Mountains of Majeed. Here Press, London. ISBN 978–0–9574724–8–8

Clark, Edmund (2007) Still Life Killing Time. Dewi Lewis Publishing, Stockport. ISBN 978-1-904587-53-8

Clark, Edmund (2019) White Cliffs, Blue Channel, Yellowhammer. Here Press, London. ISBN 978–1–9993494–3–1

Cattrell, Peter (2005) Photography : Foundation Course. Cassell Illustrated, UK. ISBN 9781844032211

Carruthers, Beverley and Leister, Wiebke and Teichmann, Esther (2015) The Skin of the Image. Photography and the Contemporary Imaginary Research Hub, UAL, London.

Carlyle, Angus (2020) Night Blooms. New Words . Makina Books, London. ISBN 9781916060852

Bhat, Mahesh and Biró, Eszter and Dare, Eleanor and Dover, Annabel and Flockhart, Gail and Fontoura, Catarina and Good, Jennifer and Hill, Phil and Hillman, John and Hudson, Carol and Janeiro, Ana and Kangelaris, Fotis and Karlsson, Elin and Krapivina, Ksenija and Llop, Mireia Ludevid and Martin, Jessie and Martin, Rosy and Martinez Estrada, Judith and Molloy, Caroline and Neely, Sarah and Papadimitropoulos, Panayotis and Payne, Natalie and Pearl, Alex and Rickett, Sophy and Sawdon Smith, Richard and Stephens, Tim and Waterman, Sally and Leister, Wiebke and Ingham, Mark and Milic, Nela and Lowe, Paul and Andersdotter, Sara and Kantas, Vasileios (2023) Handbook of Research on the Relationship Between Autobiographical Memory and Photography. IGI Global Publising, Hershey, Pennsylvania, USA. ISBN 9781668453377

Bailey, Paul (2018) THEA SEGALL. (un)edited. Witte de With, Rotterdam & Jan van Eyck Academie, Maastricht, the Netherlands, The Netherlands. ISBN ISBN 9789491435560

Baddeley, Oriana (2017) Boissonnas in Egypt. Saint Catherine Foundation, London. ISBN 9781906908478

Book Section

van Kesteren, Geert and Gruiters, Jan and Lardinois, Brigitte (2008) Baghdad Calling: Reports from Turkey, Syria, Jordan and Iraq. In: Baghdad Calling: Reports from Turkey, Syria, Jordan and Iraq. post editions, pp. 11-14.

lok, susan pui san (2019) We Will Be. In: The Place Is Here: The Work of Black Artists in 1980s Britain. Sternberg Press, Berlin, pp. 14-19. ISBN 9783956794667

Zimmerman, Andrea Luka (2022) Notes on making Wayfaring Stranger. In: Swedenborg Review 0.04. Swedenborg Society, pp. 14-15. ISBN 978-0-85448-226-9

Wynne, John and Wainwright, Tim (2016) Transplant (excerpt). In: Beyond text? Critical practices and sensory anthropology. University of Manchester Press, Manchester. ISBN 978-0-7190-8505-5

Wynne, John (2011) Hearing faces, seeing voices: sound art, experimentalism and the ethnographic gaze. In: Between Art and Anthropology: Contemporary Ethnographic Practice. Berg Publishers, London, UK, pp. 49-67. ISBN 9781847885005

Wynne, John (2016) >Image>Memory>Sound>Text>. In: The Routledge Companion to Sounding Art. Routledge/Taylor and Francis, London and New York, pp. 111-124. ISBN 978-1-138-78061-3

Wyeld, Mike and Hartmann, Mathias (2023) “Poor” Sound Design – Guitars as a Gateway to Thinking Sonically. In: Resonant Fields. Vexer Verlag, St. Gallen, Switzerland, pp. 142-147. ISBN 9783907112687

Wooldridge, Duncan and Campany, David (2018) Tomorrow's Headlines are Today's Chip Papers: Some Thoughts on Response-ability. In: Photography Reframed: Visions in Photographic Culture. I. B. Tauris, London, pp. 31-35. ISBN 978-1784538835

Wooldridge, Duncan (2021) The Open Photograph. In: Niko Luoma - For Each Minute Sixty-Five Seconds. Hatje Cantz Verlag, Berlin, pp. 170-175. ISBN 978-3-7757-4689-2

Wooldridge, Duncan (2021) The Photograph is a Question: Takano and Photographic Seeing. In: Takano Ryudai: Daily Photographs 1999-2021. The National Museum of Art, Osaka, The Asahi Shimbun.

Wooldridge, Duncan (2018) The Process The Photograph is Threaded Through: The Images of the Marina Gadonneix and Louise Lawler. In: PaintingDigitalPhotography: Synthesis and Difference in the Age of Media Equivalence. Cambridge Scholars Publishing. ISBN 1527511103

Wooldridge, Duncan (2021) Ryudai Takano - Kikuo (Reclining Woo-Man) Preface. In: Ryudai Takano: Kikuo (Reclining Woo-Man). Libraryman, Hägersten, Sweden, p. 7. ISBN 978–91–88113–43–6

Wooldridge, Duncan (2018) Technology and Interaction: Penelope Umbrico's TVs from Craigslist. In: Photography Reframed: Visions in Photographic Culture. I. B. Tauris, London, pp. 3-7. ISBN 978-1784538835

Williams, Val (2011) Beyond experience. In: The New Gypsies. Prestel, London, UK, pp. 109-114. ISBN 3791345192/9783791345192

Williams, Val (2013) Beyond the Machine: Carlo Van de Roer's Aura Portraits. In: The Portrait Machine Book. Diamani Editions, New York. ISBN 978-88-6208-268-6

Williams, Val (2012) Enchantment and Haunting: Bimbling in Jarra: Chris Harrison’s Photographs. In: I Belong Jarrow. Schildt, Amsterdam, pp. 105-107. ISBN 9789053307809

Williams, Val (2013) Encountering the Counterculture. In: Growing Up In The New Age. Daylight Books, New York, pp. 23-28. ISBN 978-0-9832316-8-4

Williams, Val (2018) From the Supermarket to the Elephant. In: Fables of Faubus. GOST, London. ISBN 978-1-910401-10-1

Williams, Val (2023) Mortal Remains. In: Sunspots. Bare Pipes Press, UK, pp. 134-139. ISBN 978-1-3999-4434-2

Williams, Val (2012) Our own personal Venice. In: Tourists & Nomads: Amateur Images of Migration. Jonas Verlag, Marburg. ISBN 9783894454647

Williams, Val (2012) Remembering the counterculture. In: Growing up in the New Age. Wolverhampton Art Gallery, Wolverhampton.

Williams, Val (2011) The unredeemed past: enigmas of collective memory 1980-1992. In: Reading Photography: A Sourcebook of Critical Texts. Lund Humphries, Farnham, UK. ISBN 97808353319764

Tulloch, Carol (2018) A Riot of Our Own: A Reflection on Agency. In: Disturbing Pasts: Memories, Controversies and creativity. Manchester University Press, Manchester, pp. 36-68. ISBN 978-1-5261-1545-4

Trangmar, Susan (2019) From Topography to Topology. In: Fragmentation of the Image in the Digital Age. Routledge History of Photography . Routledge, London: New York. ISBN 978-1-138-49349-0

Trangmar, Susan (2019) Some Places, Some Things. In: Seventeen of Sixty Eight. Ingrid Pollard, pp. 17-24. ISBN 978-0-36-825210-5

Till, Jeremy (2013) Six Inches of Power. In: Chateau Despair. Gost Books, London. ISBN 978-0-9574272-0-4

Teichmann, Esther (2015) Staging Disorder. In: Staging Disorder. Black Dog Publishing, London. ISBN 978-1-910433-15-7

Sutherland, Patrick (2016) Spiti: Some notes on the practice of documentary photography. In: Beyond text? Critical practices and sensory anthropology. Manchester University Press, Manchester, UK, pp. 33-57. ISBN 978-0-7190-8505-5

Stephens, Tim (2023) Photographic Non-Self. In: Handbook of Research on the Relationship Between Autobiographical Memory and Photography. Advances in Media, Entertainment, and the Arts (AMEA) . IGI Global, Pennsylvania, pp. 485-509. ISBN 9781668453377

Soon, Winnie (2023) Unerasable Images. In: Screen Images: In-Game Photography, Screenshot, Screencast. Kulturverlag Kadmos Berlin. Wolfram Burckhardt, Berlin, pp. 43-50. ISBN 978-3-86599-535-3

Smith, Bobby and Madden, Hussein and Warnock, Becky and Turner-King, Rachel (2024) With One Breath: Creating Art on the Climate Crisis between the UK and Uganda. In: Routledge Handbook of Arts and Global Development. Routledge. ISBN 9781003289838

Sliwinska, Basia and Bohr, Marco (2018) Introduction. In: The Evolution of the Image Political Action and the Digital Self. Routledge Advances in Art and Visual Studies . Routledge, New York, pp. 1-11. ISBN 97811382160372

Shepherdson, Karen (2018) Beyond the View: Reframing the Early Seaside Photographer. In: Coastal Cultures of the Long Nineteenth Century. Edinburgh University Press, Edinburgh, pp. 225-241. ISBN 9781474435734

Rughani, Pratap (2010) Are you a vulture? Reflecting on the ethics and aesthetics of atrocity coverage and its aftermath. In: Peace Journalism, War and Conflict Resolution. Peter Lang, Oxford, pp. 157-172. ISBN 9781433107252/9781433107269

Rughani, Pratap (2015) Kubrick's Lens: Dispatches from the Edge. In: Stanley Kubrick: New Perspectives. Black Dog Publishing, London, pp. 310-327. ISBN 9781908966421

Rubinstein, Daniel and Sluis, Katrina (2013) The Digital Image in Photographic Culture; Algorithmic Photography and the Crisis of Representation. In: The Photographic Image in Digital Culture. Routledge, London, UK, pp. 22-40. ISBN 9780415535298

Rubinstein, Daniel (2015) Gift of the Selfie. In: Ego Update. Alain Bieber, NRW-Forum, Düsseldorf. ISBN 9783863358310

Rubinstein, Daniel (2013) The Grin of Schrödinger's Cat; Quantum Photography and the limits of Representation. In: On the Verge of Photography: Imaging Beyond Representation. ARTicle Press, Birmingham, pp. 33-48. ISBN 9781873352021

Rubinstein, Daniel (2018) Keeping up with the Cartesians: on the culture of the selfie with continual reference to Kim Kardashian. In: Public, Private, Secret: On Photography & the Configuration of Self. Aperture, USA. ISBN 978-1-59711-438-7

Rubinstein, Daniel (2016) Nothing to see here: Fractal Photography and the politics of invisibility. In: The Routledge Companion to Photography Theory. Routledge, London. ISBN 9781138845770

Rubinstein, Daniel (2019) Photography after Philosophy. In: The Handbook of Photography Studies. Bloomsbury, London. ISBN 9781474242219

Rubinstein, Daniel (2018) Post-representational Photography, or the Grin of Schrödinger’s Cat. In: Photography Reframed: New Visions in Contemporary Photographic Culture. IB Tauris, UK. ISBN 9781350137745

Rubinstein, Daniel (2018) Posthuman Photography. In: The Evolution of The Image; Political Action and the Digital Self. Routledge Advances in Art and Visual Studies . Routledge, Taylor & Francis, London, pp. 100-112. ISBN 978-1-138-21603-7

Putnam, James (2018) ‘Eyedentity’, Stephane Graff. In: Eyedentity, Stephane Graff. Galleria Mucciaccia, Rome. ISBN 978-88-6403-283-2

Peck, Julia (2023) Imperial and geopolitical relationships in Iñupiaq climate change narratives: extinction and cultural survival in The Last Days of Shishmaref. In: Disturbed Ecologies: Photography, Geopolitics, and the Northern Landscape in the Era of Environmental Crisis. Art and Visual Studies . Transcript, Bielefeld, pp. 231-256. ISBN 978-3-8376-6026-5

Oles, James and Selejan, Ileana L. (2019) War and Loss. In: Art_Latin_America Against the Survey. University of Texas Press, Davis Museum at Wellesley College. ISBN 978-1-4773-1909-3

O'Riley, Tim (2011) Accidental Journey. In: Intersections and Counterpoints: Proceedings of Impact 7,  an International Multi-Disciplinary Printmaking Conference. Melbourne: Monash University Press. ISBN 978-1-921867-56-9

O'Riley, Tim (2009) Acts of seeing. In: Acts of Seeing: Artists, scientists and the history of the visual, a volume dedicated to Martin Kemp. Zidane Press, London, UK. ISBN 9780955485084

O'Riley, Tim (2015) Exactitude and Uncertainty. In: Borders and Crossings: the artist as explorer. Duncan of Jordanstone College of Art & Design.

Newth, Martin (2012) Double Take. Photography, Film, Urban Experiences and Capital. In: Visible Economies: Photography, Economic Conditions, Urban Experiences. Ideas in photographic practice (1). Photoworks, Brighton, UK, pp. 22-29. ISBN 9781903796481

Naldi, Pat (2019) Creating London's Image. In: Fragmentation of the Photographic Image in the Digital Age. History of Photography . Routledge. ISBN 978 1 13 849349 0

Morra, Joanne (2021) Her Time. In: About Her: Teresy Gierzynska. Zacheta - National Gallery of Art, Warsaw, pp. 180-226. ISBN 9788366979086

Melvin, Jo (2021) This is NOT art this is ART 'pataphysics, counterpoise and the tightrope in Barry Flanagan's sculptural practice. In: Barry Flanagan Newspaper. von Bartha, Switzerland.

Lowe, Paul (2014) The Forensic Turn: Bearing Witness and the Thingness of the Photograph. In: The Violence of the Image: Photography and International Conflict. I. B. Tauris. ISBN 9781780767888

Lowe, Paul (2014) The Forensic Turn: Bearing Witness and the Thingness of the Photograph. In: The Violence of the Image: Photography and International Conflict. IB Tauris, London. ISBN 1780767897

Lowe, Paul (2011) Introduction in the Book, 'Burke and Norfolk: Photographs from the War in Afghanistan'. In: Burke and Norfolk: Photographs from the War in Afghanistan. Dewi Lewis Publishing, Manchester. ISBN 9781907893117

Lowe, Paul (2012) Picturing the perpetrator. In: Picturing Atrocity: Photography in Crisis. Reaktion Books, London, pp. 189-200. ISBN 9781861898722

Loscialpo, Flavia (2020) Subject, Power and Political Critique. In: Already But Not Yet. Punctum Press. ISBN 978-88-95410-63-0

Leister, Wiebke (2018) The Afterlife of Medical Casts from the UCL Pathology Collection. In: Becoming Image: Medicine and the Algorithmic Gaze. Digital Insides, London, pp. 11-17. ISBN 978-1-9996758-0-6

Leister, Wiebke (2009) Apropos Laughter in Photography. In: Fotografie im Diskurs performativer Kulturen. Kehrer Verlag, Heidelberg, pp. 52-67. ISBN 978-3-939583-42-4

Leister, Wiebke, Max-Planck-Institut für Kunstgeschichte, Deutsches Archäologisches Institut Rom, Bibliotheca Hertziana (2021) Duchenne’s Frontispiece: Idealised Facticity and the Politics of Photographic Double Portraiture. In: Faktizität und Gebrauch früher Fotografie – Factuality and Utilization of Early Photography. Harrassowitz Verlag, Wiesbaden, pp. 225-241. ISBN 978-3-447-11637-4

Leister, Wiebke (2003) Ethics of Photographic Portraiture. In: Ethisierung – Ethikferne; Wieviel Ethik braucht die Wissenschaft? Akademie Verlag, Berlin, pp. 160-176. ISBN 3-05-003855-1

Leister, Wiebke (2011) 'Love at First Sight'. In: Rattle Journal – a journal for the convergence of art and writing. Rattle Journal, London, pp. 1-4. ISBN ISSN 2047-3885

Leister, Wiebke (2021) Urgroßvaterstraße / Great Grandfather Street. In: 50 Jahre Zukunft – FH Bielefeld 1971-2021 / 50 Years of Future – Bielefeld UAS 1971–2021. transcript, Bielefeld, pp. 202-205. ISBN 978-3-8376-5750-0

Leister, Wiebke (2014) The Whitened Face as a Visual Gap: Thoughts and Methods. In: Unsettling Whiteness; Images of Whiteness 3. Images of Whiteness, 3 . Inter-Disciplinary Press, Oxford, pp. 3-10. ISBN 978-1-84888-282-9

Leister, Wiebke (2006) Wiebke Leister. In: Photography Final Degree Show 2006. Royal College of Art, London.

Lardinois, Brigitte (2013) Interviews with Philip Jones Griffiths and Geert Van Kesteren. In: Memory of Fire: Images of War and the War of Images. Photoworks, Brighton. ISBN 9781903796498

Lange, Silke (2010) Learning through creative conversations. In: Teaching Creativity - Creativity in Teaching. Libri Publishing, Oxfordshire, pp. 173-187. ISBN 978-1-907471-17-9

Laing, Morna (2012) ‘Heavenly creatures’ in Vogue: Childlike femininity and longing for innocence lost. In: Working Papers in Fashion Studies 2. London College of Fashion, London, pp. 17-32. ISBN 978-1-903455-26-5

Kesseler, Rob (2011) Lusciousness, the crafted image in a digital environment. In: Colour in Art, Design and Nature. WIT Press, Southampton, UK, pp. 25-32. ISBN 9781845645687

Hunter, Tom and Read, Shirley and Simmons, Mike (2016) Photographers and Research, the role of research in contemporary photographic practice. In: Photographers and Research The role of research in contemporary photographic practice. Focal Press, U.K., pp. 76-90. ISBN 978-1-138-84431-5, 978-1-138-84432-2

Hartnett, John-Patrick (2015) Heartfield, John (1891–1968). In: The Bloomsbury Encyclopedia of Design. Bloomsbury. ISBN 9781472521576

Hartnett, John-Patrick (2015) Kepes, György (1906–2001). In: The Bloomsbury Encyclopedia of Design. Bloomsbury. ISBN 9781472521576

Green, Alison (2008) What Remains. In: Trevor Appleson: los loss. Photographs made in Mexico. Booth-Clibborn, London, i-xvi. ISBN 9781861543066

Good, Jennifer and Lowe, Paul and Lardinois, Brigitte and Williams, Val (2014) Mythologizing the Vietnam War - Introduction. In: Mythologizing the Vietnam War: Visual Culture and Mediated Memory. Cambridge Scholars Publishing, Newcastle Upon Tyne, xiii-xv. ISBN 978-1-4438-5442-9

Good, Jennifer and Fox, Charles (2018) The Unseen. In: Buried. Catfish Books, pp. 23-26. ISBN 978 1916163102

Good, Jennifer (2023) The Burden of the Screen: Virtual presence and death during Covid-19. In: Handbook of Research on the Relationship Between Autobiographical Memory and Photography. IGI Global. ISBN 9781668453377

Good, Jennifer (2021) Day Zero: Photographs at the Epicenter of History. In: Screening American Nostalgia: Essays on Pop Culture Constructions of Past Times. McFarland & Company, Jefferson, NC, USA, pp. 147-161. ISBN 978-1476680743

Good, Jennifer (2015) The Unconscious Abides. In: Staging Disorder. Black Dog, London, pp. 24-25. ISBN 978-1910433157

Golbach, Jilke and Mehta, Roy, Hoxton Mini Press (2021) Lockdown. In: London In Lockdown. Hoxton Mini Press, London, pp. 198-205. ISBN 978-1-910566-96-1

Finch, Mick (2022) The Bounded and the Synoptic: The Archive and Photographic Appropriation. In: Painting, Photography, and the Digital: Crossing the Borders of the Mediums. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 1-21. ISBN 978-1-5275-8917-9

Finch, Mick (2017) L’Artiste Comme Chercheur. In: La céramique comme expérience. École nationale supérieure d’art de Limoges / Naima, Limoges, pp. 31-51. ISBN ISBN 978-2-37440-041-9

Finch, Mick (2018) Recherche: un mode d'emploi. In: Passeur:enseignants & médiateurs. Exposer/Démontrer. Les écarts de la recherche en art. Art, enseignement & médiation, 3 (3). Opemap, Art, enseignement & médiation, Bruxelles, pp. 124-137. ISBN 978-2-9601926-1-2

Fernandes, Gavin and Rees, Dai and Teunissen, José and Lütgens, Annelie (2011) Art and Fashion: Between Skin and Clothing. In: Art & Fashion: Between Skin and Clothing. Kunstmuseum, Wolfsburg, Germany, Germany.

Fernandes, Gavin (2010) British Asian Style: Fashion & Textiles / Past & Present - Portfolio by Gavin Fernandes. In: British Asian Style: Fashion & Textiles / Past & Present. V&A Publishing, London, pp. 88-105. ISBN 9781851776191

Edwards, Elizabeth (2007) Samuel Butler's Photography: Observation and the Dynamic Past. In: Samuel Butler, Victorian Against the Grain: a Critical Overview. University of Toronto Press, Canada, pp. 251-286. ISBN 0802097456

Doron, Itai (2015) Queering Foreign Bodies: Discourse and Identity in Visual Representations of Straight Migrant Men. In: Ways of Queering, Ways of Seeing. Inter-Disciplinary.Net, Oxford, UK, pp. 115-147. ISBN 978-1-84888-298-0

Davidmann, Sara and Sullivan, Nikki (2016) Re-imag(in)ing Life-making, or Queering the Somatechnics of Reproductive Futurity. In: Critical Kinship Studies: Kinship (trans) formed. Rowman & Littlefiel, London, pp. 239-254. ISBN HB 978-1-7834-8416-4

Davidmann, Sara (2010) Beyond borders: lived experiences of atypically gendered transsexual people. In: Transgender Identities: Towards a Social Analysis of Gender Diversity. Routledge Research in Gender and Society . Routledge, New York, London, pp. 186-207. ISBN 9780415999304

Davidmann, Sara (2017) Eve, Adam, and the Garden of Earthly Delights. In: Photoworks Annual. Issue 24 LGBTQ+. Photoworks, Brighton, UK, pp. 123-131. ISBN 978-1-903796-54-2

Davidmann, Sara (2014) Transsexual Experiences: Photography, Gender, and the Case of the Emperor’s New Clothes. In: Transgender Experience: Place, Ethnicity, and Visibility. Routledge, New York and Abingdon, pp. 108-122. ISBN ISBN-10: 0415656168; ISBN-13: 978-0415656160

Cross, David (2013) Bonjour tristesse. In: Relational Architectural Ecologies: Architecture, Nature and Subjectivity. Routledge, pp. 109-126. ISBN 9780415508582

Chesher, Andrew (2018) Reconfiguring the Lifeworld: Spatial Experience in the Universe of Technical Images. In: Time, Space and Mobility. Interdisciplinary Research Foundation, Warsaw, pp. 229-236. ISBN 978-83-949577-1-1

Carruthers, Beverley (2018) A Potent Charm. In: Elephant Atlas. Elephant Atlas: A Compedium . Studio at the Elephant. ISBN 978-0-9575086-8-2

Cairns, Jon (2016) My Audiences with Adrian: Performance, Photography and Writing the Intimate Encounter. In: It’s All Allowed: The Performance Works of Adrian Howells. Intellect Live . Live Art Development Agency / Intellect. ISBN 9781783205899

Brassett, Jamie (2019) Atoms and Worms (ontologies of fragments). In: Fragmentation of the Photographic in the Digital Age. Routledge History of Photography . Routledge, New York. ISBN 9781138493490

Bevan, Paul (2016) What is Photographic Research? A Pocket Reader. In: What is Photographic Research. Camberwell Press, London, pp. 77-83. ISBN 9781908971548

Behr, Bernd (2016) Phantom Limbs. In: Sprachen des Sammelns: Literatur als Medium und Reflexionsform des Sammelns. Wilhelm Fink Verlag, Paderborn, pp. 124-129. ISBN 978-3-7705-6097-4

Al-Ani, Jananne (2015) Disembodied Perspective. In: Documents of Contemporary Art: Moving Image. Documents of Contemporary Art . Whitechapel Gallery & MIT Press. ISBN 978-085488-238-0

Conference, Symposium or Workshop Item

lok, susan pui san (2019) Fast Forward, Rewind - Slow, Slow, Quick, Quick, Slow. In: Fast Forward: How Do Women Work?, 30 November - 2 December 2019, Tate Modern, London.

Wynne, John and Wainwright, Tim (2016) Pain and Renewal in Organ Transplantation. In: Encountering Pain: hearing, seeing, speaking, 1-2 July 2016, University College London.

Wynne, John (2010) Artist Talk by John Wynne. In: Artist Talk by John Wynne, July 2010, Museum of Anthropology, Vancouver. (Unpublished)

Wynne, John (2011) Sound art, documentary practices and ethical minefields: Trust, interpretive freedom and responsible engagement with vulnerable subjects. In: Documentary Now! A Conference on the Contemporary Contexts and Possibilities of the Documentary, 28-30 January 2011, University of Westminster, London. (Unpublished)

Wooldridge, Duncan (2017) Stretching Painting and Photography: the morphologies of the digital image file. In: Painting Digital Photography International Conference, 9th May 2017, Derby QUAD.

Williams, Val and Silva, Corinne (2017) The Re-making of the English Landscape: in the footsteps of WG Hoskins and FL Attenborough’. In: Landscape Now, 30 November and 1 December 2017, The Building Centre, London.

Williams, Val, Fotonow (2010) Cameras in the community. In: Cameras in the community symposium, 09 December 2010, Plymouth, UK.

Williams, Val (2013) Going North: 'Northern-ness' and the Photographic Imagination. In: Understanding North, 25-26 April 2013, Umea University.

Williams, Val (2014) Keynote Conference Response: Beyond the View (New) Perspectives on Seaside Photography. In: Beyond the View (New) Perspectives on Seaside Photography, July 10 and July 11, 2014, Sidney Cooper Gallery, Canterbury and Turner Contemporary, Margate.

Williams, Val (2010) Looking for the Ordinary: British documentary photography. In: Krakow Photomonth 2010, 04-31 May 2010, Krakow, Poland.

Williams, Val (2014) Making Networks in British Photography in the 1970s and 80s: The Midland Group Gallery. In: National Photography Symposium 2014, 12 June 2014, Library of Birmingham.

Wainwright, Chris (2015) Pause. In: UAL Professorial Platform Series 2014-15, 17 March 2015, Chelsea College of Arts, 16 John Islip Street, London SW1P 4JU.

Tulloch, Carol (2009) Just One Shot. In: MA Photography Lecture, 12th March 2009, University of Bolton, UK. (Unpublished)

Tulloch, Carol (2008) Photographic Archives and Dress History. In: Nostalgia Symposium, 26th June 2008, Winchester School of Art. (Unpublished)

Trangmar, Susan (2016) Territories of Remembrance. In: Land and Water, 23rd June 2016, Plymouth University.

Trangmar, Susan (2011) A forest of signs: trees and the urban imaginary. In: Framing the City: CRESC Annual conference, 6-9th September 2011, University of Manchester. (Unpublished)

Swinson, James (2004) SE11 (re)generations: an exploration of the city in flux. In: Fixed Architecture, Incompleteness and Change, 7-8th April 2004, School of Architecture, Design and Environment, University of Plymouth, Plymouth, UK. (Unpublished)

Sutherland, Patrick (2011) Disciples of a Crazy Saint: Photographing the Buchen of Spiti. In: Disciples of a Crazy Saint: Photographing the Buchen of Spiti, 14 February 2011, University of Cambridge.

Sutherland, Patrick (2016) Documenting the material culture of the Buchen. In: First International Conference on Spiti: Recovering the Past & Exploring the Present, May 6-7 2016, Wolfson College, University of Oxford.

Sutherland, Patrick (2017) Fieldwork: A Photographer in Spiti. In: UAL Professorial Platform Series 2017.

Stephens, Tim (2011) ‘The End(s) of the Still’ – Releasing rhythm from photographic geometry. In: Rhythm & Event, 29 October 2011, London Graduate School.

Stephens, Tim (2012) From Palimpsest and Pentimento to Decalcomania: A presentation of the works of Jean-Yves Michalik. In: Beyond Representation: Photography, Humans & Computers, 24 May 2012, Centre for Media & Culture Research, London South Bank University.

Stephens, Tim (2011) Walking as Photographic Reinterpretation. In: EastBordNet ISO803 Remaking Borders, 20-22 January 2011, Monastero dei Benedettini, Catania Sicily.

Sajovic, Eva and Privato, Nicola and Soutter, Lucy (2024) #end_of_empire: artist talk and discussion. In: LOOK Photo Biennial, 22 February 2024, Open Eye Gallery, Liverpool.

Ruggaber, Karin (2011) Karin Ruggaber: artist’s talk. In: UWE Fine Art / Art in the City Spring 2011 Lecture Series, 09 Mar - 06 April 2011, Bristol, UK. (Unpublished)

Rubinstein, Daniel (2021) Size does not matter (until it does); philosophic and psychoanalytic perspectives on a photographic scale. In: The promise of photography: scale, measure and proportion in a conflicted visual milieu, 17 September 2021, Online.

Reimers, Anne (2022) Fashion, Photography and Celebrity Culture in two Portraits by Otto Dix. In: Réévaluer la Nouvelle Objectivité et August Sander. Colloque International, 12-13 May 2022, Centre Pompidou, Paris.

Reimers, Anne (2022) “I am in favour of a black-and-white print that does not correspond to the original” (Otto Dix): Weimar Germany’s Print Media Culture and Oil Painting in Reproduction. In: Avant-Garde Art on Paper in Europe, 1905-1950, 23- 25 March 2022, Royal Museums of Fine Arts of Belgium.

Razian, Nora and Kubicki, Katherine and Wooldridge, Duncan (2014) Beyond The Frame: Photography and Experimentation. In: Beyond The Frame: Photography and Experimentation, 14th June 2014, Tate Modern.

Rakotoniaina, Sitraka and Popper, Joseph (2019) Reimagining Outer Space. In: 70th International Astronautical Congress, 21-25 October 2019, Washington D.C., United States of America.

Pollard, Jennifer (2011) The Spectacle of Social Reform: Tracing the history of the photographic slideshow. In: PARC Research Seminar in the History, Theory and Practice of Photography, 16th March 2011, LCC. (Submitted)

O'Kane, Paul (2018) Let Them Eat Photographs. In: Writing Photographs, 13th October 2018, Tate Modern, London.

Naldi, Pat (2022) Generating Images on the Urgency of Climate Responsibility. In: Climate in Crisis, Activism, Apathy, and Responsibility: Social Responses to and Social Causes of the Current Climate Crisis, 23-24 September 2022, aculty of Liberal Arts & Sciences, Humber College, Toronto, Canada.

Naldi, Pat (2017) Managing Arcadia. In: Art and the Environment in Britain 1700 to Today, 2 - 3 March 2017, Universite Rennes 2 / FRAC Bretagne, Rennes, France.

Naldi, Pat (2014) Views of the City: Creating London's Image. In: Seeing Like a City, 6-7 June 2014, Queen Mary University of London.

Moore, David (2011) National photography symposium. In: National photgraphy symposium, 13-15 May 2011, The Bluecoat Gallery, Liverpool.

Minkin, Louisa (2015) Photosculpture: a sum of the profiles. In: Shadow Without Object, 4 December 2015, Chelsea College of Arts, 16 John Islip Street, London SW1P 4JU.

Milic, Nela (2017) Embodied Narrative. In: Heritages of Migration: Moving Stories, Objects and Home, 6-10 April 2017, Museum of Immigration, Buenos Aires, Argentina.

Milic, Nela (2016) Embodied Narrative. In: Locating and Dislocating Memory: In search of transcultural memory in Europe, 1-3 September 2016, Dublin, Ireland.

Melvin, Jo and Dobai, Sarah and McCarthy, Tom and Campany, David and Dobai, Sarah (2015) The Copyists. In: The Copyists, 20 March 2015, Institute of Contemporary Art London.

Lowe, Paul and Pollard, Jennifer (2011) Landscapes of Conflict: A one-day symposium on photographers responding to modern warfare. In: Landscapes of Conflict, 25 May 2011, Novas Centre, Liverpool.

Lowe, Paul (2011) Bearing Witness conference paper, Photography and Conflict Conference, UCD Dublin May 2011. In: Photography and Conflict Conference, May 4-5 2011, University College Dublin. (Unpublished)

Love, Johanna (2015) Dust: Exploring new ways of viewing the printed photographic image. In: Shadows: Traditional Photography Techniques in a Digital World., 18th May 2015, Camberwell College of Art, Wilson Road Lecture Theatre Wilson Rd Camberwell, London SE5 8PB.

Lardinois, Brigitte (2014) Discovering the Story of the Reeves Archive in Sussex. In: Beyond the View: (New) Perspectives on Seaside Photography, 10-11 July 2014, Southeast Archive of Seaside Photography, Canterbury Christ Church University.

Lardinois, Brigitte (2016) Unveiling the Edward Reeves Archive in Lewes. In: International Conference of Photography and Theory (IAPT), 02-04 December 2016, Nicosia Cyprus.

Lardinois, Brigitte (2017) Unveiling the Edward Reeves Archive in Lewes. In: Under A Dark Cloth, 8 April 2017, QUAD, Derby.

Kesseler, Rob (2010) Lusciousness - flora and the crafted image in a digital environment. In: UAL Professorial Platform Series 2009-10, 3 March 2010, Cochrane Theatre, Central Saint Martins, Southampton Row, Camden, London WC1B 4AP.

Kesseler, Rob (2015) Territorios convergentes. In: Puerto de Ideas, 10th - 12th April 2015, Antofagasta, Chile.

Hunter, Tom and Pickering, Sarah and Shafran, Nigel and Chandler, David (2010) Panel Discussion: Theatres of the Real. In: Panel Discussion: Theatres of the Real, 2 June 2011, Host Gallery, London.

Hunter, Tom (2011) Caravaggio yesterday and today: art, genius and legend. In: Caravaggio Yesterday and Today: Art, Genius and Legend, 28 january 2011, University College London.

Hunter, Tom (2014) Home. In: UAL Professorial Platform Series 2013-14, 12 February 2014, London College of Communication, Elephant & Castle, London SE1 6SB.

Hamann, Sigune (2014) Changing Perception of Images. In: The Land of Zero, 21st and 22nd of September 2014, Crawford Art Gallery, Cork.

Good, Jennifer (2017) 9/11: Street photography and terror. In: Engaging in Urban Image Making, 28th April 2017, Goldsmiths, University of London.

Good, Jennifer (2014) Buildings and Bodies: Religious imagery and 9/11. In: Conflict Through the Eye of the Lens, 19 July 2014, MOSTYN Gallery, Llandudno, Wales.

Good, Jennifer (2018) Critical Paralysis: Threshold Concepts in Photographing the Other. In: International Association of Visual Culture Conference 2018: Visual Pedagogies, 13-15 September 2018, LCC, UAL.

Good, Jennifer (2019) Dialectics of Division: Don McCullin’s photographs of the Berlin Wall under construction, 1961. In: Why Remember? Memory and Forgetting in Times of War and Its Aftermath, 9-10 July 2019, Sarajevo, Bosnia.

Good, Jennifer (2018) Framing Terror. In: The Mediated Visibility of Conflicts, 7-8 May 2018, University of Copenhagen.

Good, Jennifer (2019) Moving Through Critical Paralysis. In: UAL Learning and Teaching Conference 2019, 21 March 2019, London College of Communication, University of the Arts London.

Good, Jennifer (2024) On Point of View: Writing photography, violence and the self. In: Archive and Conflict: Photographic (Im)Materialities in the Digital Age', 15 February - 9 May 2024, Archivo Platform Webinar.

Good, Jennifer (2017) Photography of 9/11: Remembering, Repeating and Working Through. In: Why Remember? Memory and Forgetting in Times of War and Its Aftermath, June 30th-July 2nd 2017, Sarajevo, Bosnia.

Good, Jennifer (2019) Remembering Writing about 9/11. In: UAL Research Fortnight, 4-15 March 2019, London College of Communication, University of the Arts London.

Good, Jennifer (2018) 'The World Strikes the Body': Blur and Violence. In: Art and Violence Now, 11 June 2018, University of Edinburgh.

Good, Jennifer (2016) The blinding cross: Totalising narratives of 9/11. In: Art and Terrorism, 27th February 2016, Courtauld Institute of Art.

Good, Jennifer (2024) Unfixing the Shadows: Temporality in Social Media Photography of the War in Ukraine. In: International Conference on Social Media and Society, 16-18 July 2024, London College of Communication, University of the Arts London.

Findlay, Rosie (2016) You Can’t Lose Something You Never Had: Longing and the fashion photograph. In: Crossroads in Cultural Studies, 14-17 December 2016, Sydney, Australia.

Finch, Mick (2024) Artist talk. In: Tableaux II: Painting as Stage, 2 May 2024, Cross Lane Projects, 6-8 Vestry St, London, N1 7RE.

Finch, Mick (2021) The Bounded and the Synoptic: the archive and photographic appropriation. In: DigitalPaintingPhotography, 21-22 October 2021, University of Derby, Online.

Finch, Mick (2011) Fragments, openness and contradiction in painting and photography. In: Research Symposium 2: Fragments, Openness and Contradiction in Painting and Photography, 21st May 2011, Central Saint Martins College of Art and Design. (Unpublished)

Finch, Mick (2010) Fragments, openness and contradiction in painting and photography. In: Research Symposium 1, 27 November 2010, Central Saint Martins College of Art and Design. (Unpublished)

Finch, Mick (2011) Tableau. In: Tableau, 28th and 29th October 2011, Starr Auditorium, Tate Modern. (Unpublished)

Finch, Mick (2018) Warburg's Trans-disciplinarity: the iconographic and technical apparatuses. In: Itching Powder or “How much harmony?”, 2 - 4 May 2018.

Doron, Itai (2015) Orientalist Reveries: the Visual Representations and Appropriations of the ‘Arabian’ Space by the Non-Muslim Male Traveller - from Travel Literature to Photography and Contemporary Fashion imagery. In: CONTEMPHOTO '15 / 2nd International Contemporary Photography Conference, 9-10 June 2015, Nazim Hikmet Cultural Center, Istanbul, Turkey.

Doron, Itai (2014) Tinker, Soldier, Sailor, Thief: Identity, Discourse, Narrative and Representation of the Male Sexual Outlaw as a Gay Fantasy Figure and its Appropriation from Art and Literature into Fashion Imagery. In: Fashion in Fiction: Style Stories and Transglobal Narratives Conference, 12-14 June 2014, City University of Hong Kong.

Dines, Naomi (2019) Cumulative lessons in more accessible photogrammetry. In: 2 and 3D Photography Practices and Prophecies 2019, 8-10 May 2019, Rijksmuseum, Amsterdam, Netherlands.

Dines, Naomi (2017) Forensic Capture - Digital Found Objects. In: Entre capture et production (Between capture and production), Laboratoire de Recherche CCE - ENSA Limoges, France, 20-22 November 2017, Limoges, France.

Dines, Naomi (2017) Precious, Tiny and Shiny: Close-range photogrammetry for artists and others. In: 'Electronic Visualisation and the Arts', EVA London 2017, 11/07/2017 - 13/07/2017, British Computer Society, London.

Davidmann, Sara (2011) Are you looking at me? In: Collaborations, 01 April 2011, London, UK. (Unpublished)

Davidmann, Sara (2011) Gender identity and trans awareness. In: Equality & Diversity Forum: Supporting Trans Students at UAL, 16 May 2011, London, UK. (Unpublished)

Davidmann, Sara (2010) Queer conceptions: procreation beyond gender: a photographic essay. In: Queer Again? Power, Politics and Ethics, 23 - 25 September 2010, Berlin, Germany. (Unpublished)

Davidmann, Sara (2011) Researching the history and international impact of the medical diagnosis of transsexuality, from 1900 to the present day. In: Research meeting/conference, 13-15 June 2011, London, UK. (Unpublished)

Davidmann, Sara (2018) Reverberations and Aftershocks: Artistic Practice and an ITS case study. In: Reverberations and Aftershocks: Artistic Practice and an ITS case study, 24 May 2018, The Wiener Library, 29 Russell Square, London.

Davidmann, Sara (2017) Transgender and love in 'Ken. To be destroyed' and collaborative photography. In: Mutual Conditionings of Gender and Love, October 16-19 2017, Aarhus University, Denmark.

Cussans, John (2011) The walking wounded? In: A Dying Artist, 22nd - 23rd April 2011, ICA, London. (Unpublished)

Clark, Edmund (2019) Bending the Screen: Ekphrasis, Plain Sight and the Monster within. In: image/con/text: Complementary Testimonies in Documentary Discourse, 29-30 October 2019, Hochschule Hannover, University of Applied Sciences and Arts, Hanover, Germany.

Clark, Edmund (2018) In Place of Hate. In: British Society of Criminology Conference, 3-6 July 2018, Birmingham.

Clark, Edmund (2021) In Place of Hate: Art and Criminal Justice. In: All Souls Criminology Seminar Series, 18 February 2021, All Souls College, Oxford, Online.

Clark, Edmund (2019) Negative Publicity and Evidentiary Aesthetics. In: Evidentiary Aesthetics: Architectural Investigations in Contemporary Politics and Conflict, 22 January 2019, Architectural Association School of Architecture.

Clark, Edmund (2022) Photographing the Unseen: Counter-image strategies and the Global War on Terror. In: Taking Sides - Design and art between autonomy and interference, 20-21 May 2022, Faculty of Design ,Würzburg University of Applied Sciences, Germany.

Clark, Edmund (2019) Unseen in plain sight: control, incarceration and representation in contemporary conflict. In: Exposure: Photography Festival of Alberta, 5 February 2019, Gallery Hall, Taylor Family Digital Library, University of Calgary, Canada.

Cairns, Jon (2010) Intimate trouble: the domestic snap in performance. In: Photographic Portraiture – Transgressive and Transformative Potentials, London, UK.

Cairns, Jon (2010) Public Intimacies: My Audience with Adrienne. In: Performance Studies International #16, 9-13 June 2010, Toronto, Ontario.

Bevan, Paul (2015) Fashion Today. In: Fashion Today, 6 November 2015, The Photographers' Gallery, 16 - 18 Ramillies St, London W1F 7LW.

Bevan, Paul (2011) Photographic suspension and disbelief: fashioned bodies in oscillation. In: Construct- the Body in Flux, 28th April 2011, Southampton Solent University. (Unpublished)

Bevan, Paul (2015) Where Are We Now, Fashion Photography In An Era of Innovation? In: Where Are We Now, Fashion Photography In An Era of Innovation?, 24 January 2015, Milk Gallery, 450 W 15th St, New York, US.

Al-Ani, Jananne (2010) The Aesthetics of Disappearance: A Land Without People. In: March Meeting 2010 - A Focus on Upcoming Projects, 13th - 15th March 2010, Multaqa Al Qasba, Sharjah, UAE. (Unpublished)

Al-Ani, Jananne (2010) The Aesthetics of Disappearance: A Land Without People. In: Sexuate Subjects: Politics, Poetics and Ethics, 3rd-5th of December 2010, UCL, London. (Unpublished)

Al-Ani, Jananne (2010) The Aesthetics of Disappearance: A Land Without People. In: A Fluid Resilience, 4th of June 2010, La Fondazione Querini Stampalia, Venice, Italy.

Al-Ani, Jananne (2010) The Disappearing Body. In: Photographic Portraiture Transgressive and Transformative Potentials, November 5th 2010, Chelsea College of Art and Design, London. (Unpublished)

Al-Ani, Jananne (2002) Scenes and Types. In: Home Works:A forum on cultural practices in the region Egypt, Iran, Iraq, Lebanon, Palestine and Syria., 2nd-7th April, 2002, Beirut, Lebanon.

Adami, Elisa and Bikoko, Baudouin and Crichlow, Warren and Mey, Adeena (2023) Framing & Reframing Kinshasa: Baudouin Bikoko’s Expanded Photographic Practice. In: Photography Network Virtual Symposium: Photography’s Frameworks, 14 October 2023, Western Cape, South Africa, Online.