We use cookies on this website, you can read about them here. To use the website as intended please... ACCEPT COOKIES
UAL Research Online

Items where Subject is "Film & Video"

Up a level
Export as [feed] Atom [feed] RSS 1.0 [feed] RSS 2.0 [feed] RSS 2.0
Group by: Date | Creators | Type of Research | No Grouping
Number of items at this level: 1088.

lok, susan pui san and Jim, Alice Ming Wai and Ng, Jean Hui and Smith, Marquard and White, Luke and Willis, Andy and Wong, Wayne and Tsang, Henry (2017) RoCH Fans and Legends (freee-book). [Art/Design Item]

lok, susan pui san (2015) 1st Asia Biennial and 5th Guangzhou Triennial. [Show/Exhibition]

lok, susan pui san (2017) An(g)archivery. [Art/Design Item]

lok, susan pui san (2023) Circling the Archive. In: Rewinding Internationalism. Van Abbemuseum, Eindhoven. ISBN 9789490757236

lok, susan pui san (2015) Condor (RoCH Fans and Legends). [Art/Design Item]

lok, susan pui san (2019) A Coven A Grove A Stand. [Show/Exhibition]

lok, susan pui san (2018) Diaspora Pavilion [strikethrough]. [Show/Exhibition]

lok, susan pui san (2015) Diaspora Pavilion, 57th Venice Biennale. [Show/Exhibition]

lok, susan pui san (2013) Entries/Variations (RoCH Fans and Legends 2013-18). [Art/Design Item]

lok, susan pui san (2005) Golden. [Show/Exhibition]

lok, susan pui san (2005) NEWS / REEL. [Art/Design Item]

lok, susan pui san (2003) Notes On Return. [Art/Design Item]

lok, susan pui san (2022) REWIND/REPLAY (Netwerk Aalst). [Show/Exhibition]

lok, susan pui san (2022) REWIND/REPLAY (Van Abbemuseum). [Show/Exhibition]

lok, susan pui san (2022) REWIND/REPLAY (Villa Arson). [Show/Exhibition]

lok, susan pui san (2015) RoCH Fan. [Art/Design Item]

lok, susan pui san (2013) RoCH Fans and Legends. [Show/Exhibition]

lok, susan pui san (2018) Through the Gate / An(g)archivery. In: Deviant Practice. Van Abbemuseum, Netherlands, pp. 176-209. ISBN 9 789082 890501

lok, susan pui san (2015) Trailers (RoCH Fans and Legends). [Art/Design Item]

lok, susan pui san (2015) Trilogies (RoCH Fans and Legends). [Art/Design Item]

lok, susan pui san (2005) Vistas. [Art/Design Item]

lok, susan pui san (2004) A - Y: Of ‘British Chinese’ Art. PhD thesis, University of East London.

lok, susan pui san (2006) Years. [Art/Design Item]

lok, susan pui san (2021) seven x seven (single channel video). [Art/Design Item]

fitzPatrick, Edwina (2022) Artists Kicking Back: Brief metaphors for the birds and bees. In: Moving Image Review and Art Journal. MIRAJ, 10 . Intellect Press, Bristol England, pp. 127-139. ISBN 9772045629003

fitzPatrick, Edwina (2014) Artists’ geographies of the landscape-archive: trace, loss and the impulse to preserve in the Anthropocene Age. PhD thesis, Glasgow School of Art.

fitzPatrick, Edwina (2014) Lost and Found. [Show/Exhibition]

fitzPatrick, Edwina (2011) Restless nature. [Art/Design Item]

fitzPatrick, Edwina (2023) Tilting Horizons. In: Fevers, Frets and Futures: Uncertainty and New Ecologies for Post Covid Healthcare, 4-7 July 2023, Slade School of Fine Art.

de Selincourt, Chris (2018) The Boyle Family and Radical Enactivism. In: 6th Annual Cognitive Futures Conference, 2-4 July 2018, University of Kent, Canterbury.

de Selincourt, Chris (2012) The Frame of Attention. In: 2nd WIRAD Symposium for Emerging Art & Design Researchers, 29-30 March 2012, Wales Millennium Centre, Cardiff.

de Selincourt, Chris (2013) The Future of Cinema’s Historicity. In: 8th NECS Conference: Media Politics - Political Media, 20-22 June 2013, Charles University, Prague.

de Selincourt, Chris (2012) On Finishing Machines. In: The End Of …?, 21-22 January 2012, University of Kent, Canterbury.

de Selincourt, Chris (2012) Where is the Mind of the Media Editor? In: LUX/ICA Biennial Student Symposium: Contemporary Currents, 27 May 2012, Institute of Contemporary Art, London.

de Selincourt, Chris (2014) The intermediaries’ knowledge of cinematic heuristics. In: Cognitive Futures in the Humanities, 23-26 April 2014, Durham University.

de Selincourt, Chris (2018) The right thing is the wrong thing to do – Narrative strategies for the attention economy. In: NECS 2018 Conference: Media Tactics and Engagement, June 27-29 2018, The University of Amsterdam, VU Amsterdam and Utrecht University.

de Groen, Piet C and Patel, Shreepali and Szewczynski, Michael and Toulson, Rob (2016) Combining Science with Art to Educate and Motivate Patients Prior to Colorectal Cancer Screening. In: Smart Education and e-Learning. Smart Innovation, Systems and Technologies, 59 . Springer Science and Business Media Deutschland, pp. 315-328. ISBN 978-3-319-39689-7

Zimmerman, Andrea Luka and Roberts, David (2023) Art Class: a performance lecture film. [Show/Exhibition]

Zimmerman, Andrea Luka and Roberts, David (2013) Estate: A walk, a conversation and a projection. [Performance]

Zimmerman, Andrea Luka and Johansson, Lasse (2012) Estate: excerpt from film. [Art/Design Item]

Zimmerman, Andrea Luka and Henningsen, Therese (2020) Otherwise: Notes on Being Perennially In-Between. Another Gaze, 4. pp. 30-35. ISSN 2516-3876

Zimmerman, Andrea Luka and Fischer, Laura E. (2023) Sounding the Voices. In: The Survivor Lens: Reframing Trauma Narratives through Filmmaking, 15 February 2023, Whitechapel Gallery.

Zimmerman, Andrea Luka (2021) Andrea Luka Zimmerman and Morgan Quaintance on art and class.

Zimmerman, Andrea Luka (2016) Andrea Luka Zimmerman in conversation with Maggie Ellis, at 'Future Now: The Aesthetica Art Prize Symposium'. In: Future Now: The Aesthetica Art Prize Symposium, York St John University, York.

Zimmerman, Andrea Luka (2020) Art Class: a performance lecture film. [Performance]

Zimmerman, Andrea Luka (2021) Below the Radar: Experimental Documentary Practices — with Andrea Luka Zimmerman.

Zimmerman, Andrea Luka (2014) Birdboy and the General. [Art/Design Item]

Zimmerman, Andrea Luka (2017) Civil Rites. [Art/Design Item]

Zimmerman, Andrea Luka (2016) Co-existence. Sequence (4). pp. 36-38.

Zimmerman, Andrea Luka (2017) Common Ground. [Show/Exhibition]

Zimmerman, Andrea Luka (2023) Counter Memories, Porous Personhood and Dwelling Against 'Progress'. In: The Politics of Housing, 6-7 July 2023, Centre for Social Change and Justice, University of East London.

Zimmerman, Andrea Luka (2014) The Delmarva Chicken Of Tomorrow. [Show/Exhibition]

Zimmerman, Andrea Luka (2003) The Delmarva Chicken of Tomorrow. [Art/Design Item]

Zimmerman, Andrea Luka (2022) Don't Play With That Girl. In: Strangers Within: Documentary as Encounter. Prototype, London, pp. 65-78. ISBN 978-1-913513-30-6

Zimmerman, Andrea Luka (2023) Don't Play with that Girl. In: Strangers Within: Lauren Elkin, Xiaolu Guo, Therese Henningsen and Andrea Luka Zimmerman, 22 February 2023, Barbican Library.

Zimmerman, Andrea Luka (2017) Erase and Forget. [Art/Design Item]

Zimmerman, Andrea Luka (2023) Erase and Forget + Andrea Luka Zimmerman and James Mackay in conversation with BFI National Archive curator William Fowler. In: Experimenta, 25 October 2023, British Film Institute.

Zimmerman, Andrea Luka (2015) Estate, a Reverie. [Art/Design Item]

Zimmerman, Andrea Luka (2015) Estate, a Reverie (Jarman Award Tour 2015). [Show/Exhibition]

Zimmerman, Andrea Luka (2012) Estate: a critical inquiry in 3 parts. In: ARTEFACT, 4 June 2012, Stour Place.

Zimmerman, Andrea Luka (2022) Film and the Practice of Social Dreaming. In: Andrea Luka Zimmerman Artist Talk, 22 November 2022, Estonian Academy of Arts.

Zimmerman, Andrea Luka (2011) Flat screens. [Show/Exhibition]

Zimmerman, Andrea Luka (2013) The Future’s Bright, the Future’s Orange… or Homeland (In)Securities: Telling Forms of Belonging in Committed Documentary Practice. In: Truth, Dare or Promise - Art and Documentary Revisited. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, pp. 35-51. ISBN 9781443849593

Zimmerman, Andrea Luka (2019) Hear for Life.

Zimmerman, Andrea Luka (2019) Here for Life. [Art/Design Item]

Zimmerman, Andrea Luka (2012) Homeland (in)securities. In: The Home and The World: A Summit for Creative Art and Thinkers, 19 - 21st June 2012, Dartington. (Unpublished)

Zimmerman, Andrea Luka (2017) Jerwood Staging Series, Slant - for the Unsettling. [Show/Exhibition]

Zimmerman, Andrea Luka (2006) The Last Biscuit (2006, 23mins) by Paul Hallam and Andrea Luka Zimmerman. [Art/Design Item]

Zimmerman, Andrea Luka (2020) Lincoln Creates Network Talk with Andrea Luka Zimmerman. In: Lincoln Creates Network Talk with Andrea Luka Zimmerman, 4 Feb 2020, 27 Feb, 2020, Mansions of the Future, Lincoln.

Zimmerman, Andrea Luka (2016) The Living School: Poverty. In: The Living School: Poverty..

Zimmerman, Andrea Luka (2018) The London Open 2018. [Show/Exhibition]

Zimmerman, Andrea Luka (2020) London Review Bookshop Screen at Home: Here for Life, with Andrea Luka Zimmerman and Gareth Evans.

Zimmerman, Andrea Luka (2018) Lower Street: A Night Journey. [Art/Design Item]

Zimmerman, Andrea Luka (2021) Manifesto for Coexistance. In: The Liberated Film Club. Tenement Press 2, UK, pp. 61-67. ISBN 978-1-8380200-3-3

Zimmerman, Andrea Luka (2020) Migrants Bureau: In Conversation w/Andrea Luka Zimmerman.

Zimmerman, Andrea Luka (2022) Navigating the use of copyrighted material within new work. LUX Scotland

Zimmerman, Andrea Luka (2022) Notes on making Wayfaring Stranger. In: Swedenborg Review 0.04. Swedenborg Society, pp. 14-15. ISBN 978-0-85448-226-9

Zimmerman, Andrea Luka (2013) On common ground: the making of meaning in film and life. Open Democracy.

Zimmerman, Andrea Luka (2023) Porous Personhood. In: Non-Normative Worlds, 30 November 2023, Architectural Association.

Zimmerman, Andrea Luka (2015) Prisoner of War. How to Work Together.

Zimmerman, Andrea Luka (2015) Prisoner of War (work in progress) at Sharna Pax, Chisenhale Gallery. [Show/Exhibition]

Zimmerman, Andrea Luka (2010) The Ramp. [Art/Design Item]

Zimmerman, Andrea Luka (2019) Secreting History / Screening ‘History’: 21 takes. La Furia Umana, LFU (36). ISSN 2037-0431

Zimmerman, Andrea Luka (2006) Secreting History: the spectral and spectacular performance of political violence. PhD thesis, University of the Arts London.

Zimmerman, Andrea Luka (2021) Shelter in Place. [Art/Design Item]

Zimmerman, Andrea Luka (2017) Stoke Newington Literary Festival: John Berger: Ways of Seeing. In: Ways Of Seeing, 3rd June, 2017, Stoke Newington Literary Festival.

Zimmerman, Andrea Luka (2023) Strangers Within: Documentary as Encounter. In: Strangers Within: Documentary as Encounter, 4 March 2023, Brussels, Projection Room: 55, Rue de Praetere, 1180 Uccle.

Zimmerman, Andrea Luka (2022) Strangers Within: Documentary as Encounter. In: The Art of Non Fiction, 7-13 September 2022, Open City Docs, UCL.

Zimmerman, Andrea Luka (2013) Taşkafa stories of the street (TAŞKAFA, BİR SOKAK HİKÂYESİ). [Art/Design Item]

Zimmerman, Andrea Luka (2013) Towards Estate. [Show/Exhibition]

Zimmerman, Andrea Luka (2013) Towards Estate. [Art/Design Item]

Zimmerman, Andrea Luka (2022) Uncovering narrative structures. In: Theatrum Mundi: Displacement, 2 April 2022, Theatrum Mundi, London.

Zimmerman, Andrea Luka (2020) Unexpected Views: Andrea Luka Zimmerman on Caravaggio | National Gallery. In: Unexpected Views: Andrea Luka Zimmerman on Caravaggio | National Gallery, 2020, National Gallery.

Zimmerman, Andrea Luka (2024) Wayfaring Stranger. [Art/Design Item]

Zimmerman, Andrea Luka (2014) merzschmerz. [Art/Design Item]

Ziesche, Anna-Nicole and Orta, Lucy and Teunissen, José and Brand, Jan (2014) Conditioned by Dress – The Relationship between Mind, Fashion, Film & Performance. ArtEZ Press, Arnhem, The Netherlands. ISBN 978-94-91444-15-9

Ziesche, Anna-Nicole and Bugg, Jessica (2013) Fashion & Performance: Materiality, Meaning, Media. [Show/Exhibition]

Ziesche, Anna-Nicole and Bugg, Jessica (2015) Fashion & Performance: Materiality, Meaning, Media. [Show/Exhibition]

Ziesche, Anna-Nicole (2014) Before A Fashion. [Art/Design Item]

Ziesche, Anna-Nicole (2015) Black Scraptrolley. [Art/Design Item]

Ziesche, Anna-Nicole (2011) Childhood Storage. [Art/Design Item]

Ziesche, Anna-Nicole (2009) Childhood Storage. [Art/Design Item]

Young, Carey (2010) Contracting Universe. [Show/Exhibition]

Young, Carey (2010) Memento Park. [Art/Design Item]

Young, Carey (2011) Memento Park. [Show/Exhibition]

Young, Carey (2012) The Third Sculpture. [Show/Exhibition]

Yass, Catherine (2003) Split Sides (Merce Cunningham 50th Anniversary commission). [Art/Design Item]

Yass, Catherine (2002) Turner Prize 2002. [Show/Exhibition]

Wynne, John and Wainwright, Tim (2019) Birds I wouldn't have heard. [Show/Exhibition]

Wynne, John and Wainwright, Tim (2014) I Am Not the Cancer. [Art/Design Item]

Wynne, John and Wainwright, Tim (2007) ITU. [Art/Design Item]

Wynne, John and Wainwright, Tim (2016) Pain and Renewal in Organ Transplantation. In: Encountering Pain: hearing, seeing, speaking, 1-2 July 2016, University College London.

Wynne, John and Wainwright, Tim (2015) Transplant. [Show/Exhibition]

Wynne, John and Wainwright, Tim (2016) Transplant. [Show/Exhibition]

Wynne, John and Wainwright, Tim (2017) Transplant and Life. [Show/Exhibition]

Wynne, John and Sara, Davidmann (2020) I am the gigantic baobab. [Art/Design Item]

Wynne, John and Leister, David (2005) Medicine Box. [Art/Design Item]

Wynne, John and Hawrysio, Denise (2020) Cats and Dogs. [Art/Design Item]

Wynne, John (2016) The Intersection of Research and Practice. In: Research and Innovation Conference 2016: Practice-Related Research, 19-20 May 2016, Southampton Solent University, UK.

Wyeld, Mike (2019) LOVED: Echoes of masculinity and it's toxicities. In: SOUND::GENDER::FEMINISM::ACTIVISM, 4 - 5 October 2019, Chinretsukan Gallery, Tokyo University of the Arts.

Wooldridge, Duncan (2016) Reading Aram Saroyan on the Bus. [Art/Design Item]

Withers, Rachel (2013) De l’imagination et non de la logique: la physique émotionnelle de Roman Signer. In: Films Super-8: la nature comme atelier. MētisPresses, Geneva. ISBN 9782940406845

Withers, Rachel (2013) De l’imagination et non de la logique: la physique émotionnelle de Roman Signer. In: Roman Signer: Films Super-8: La nature comme atelier. PLANSécant . Metis Presses, Geneva, pp. 27-38. ISBN 9782940406845

Windle, Gill and Algar-Skaife, Katherine and Caufield, Maria and Pickering-Jones, Luke and Killick, John and Zeilig, Hannah and Tischler, Victoria (2019) Enhancing communication between dementia care staff and their residents: an arts-inspired intervention. Aging & Mental Health. pp. 1-10. ISSN 1364-6915

Wilson, Stephen (2019) Dying under Your Eyes. In: Dying under Your Eyes, 10 October 2019, Wellcome Collection.

Wilson, Sarah Kate (2015) Painting in Time. [Show/Exhibition] (Unpublished)

Wilson, Sarah Kate (2016) Painting in Time: Part Two. [Show/Exhibition]

Williams, Val and Liley, Hannah and Marchant, Alison (2012) Road: artists and the stop the M11 link road campaign 1984 - 1994.

Williams, Val and Davidmann, Sara (2017) Moose on the Loose 2017 Biennale of Research: Collaborations Transformations. [Show/Exhibition]

Williams, Keir (2008) Birmingham record collectors: the documentary. [Art/Design Item]

Wilkes, Edward and Hughes, Philip (2023) Character is Structure: The Insider's Guide to Screenwriting. Bloomsbury Publishing, BFI Imprint, London. ISBN 9781839024849

Wilder, Ken and McPeake, Aaron (2017) Circumstantes. [Art/Design Item]

Wilder, Ken (2012) Anri Sala: Absorption and 'Theatricalizing' Reception. Moving Image Review & Art Journal (MIRAJ), 2 (1). pp. 255-263. ISSN 20456298

Wilder, Ken (2018) The Configurational Encounter and the problematic of Beholding. In: The Persistence of Taste: Art, Museums and Everyday Life After Bourdieu. Culture, Economy and the Social . Routledge, Abingdon, Oxon and New York, pp. 77-97. ISBN 978-1-138-67098-3

Wilder, Ken (2014) Filmic Bodies: Transgressing Boundaries Between Filmic and Real Space. Architecture and Culture, 2 (3). pp. 361-377. ISSN 2050-7828

Wilder, Ken (2011) Michael Fried and beholding video art. In: European Society of Aesthetics Annual Conference, 18th - 20th April 2011, Université Pierre Mendès-France, Grenoble, France.

Wilder, Ken (2012) Michael Fried and beholding video art. Estetika: Central European Journal of aesthetics, XLIX/V (1). pp. 5-25. ISSN 00141291

Wilder, Ken (2017) Michael Haneke’s 'Caché (Hidden)' and Wolfgang Iser's 'Blank'. Proceedings of the European Society of Aesthetics, 8. pp. 625-636. ISSN 1664 – 5278

Wilder, Ken (2010) Plenum #4. [Show/Exhibition]

Wilder, Ken (2016) Projective art and the ‘staging’ of empathic projection. Moving Image Review & Art Journal (MIRAJ), 5 (1 & 2). pp. 124-140. ISSN 20456298

Wilder, Ken (2016) Skylights. [Art/Design Item]

White, Duncan and Moore, Emma (2014) Film After the End of Art. [Show/Exhibition]

White, Duncan (2013) Art After the Destruction of Experience. Millennium FIlm Journal, 57. ISSN 1064-5586

White, Duncan (2017) An 'Automatic Escape' or A Beautiful Question'? Cinema and Experimental Film after Michael Fried's 'Art and Objecthood'. Journal of Visual Culture, 16 (1). pp. 103-117. ISSN 1470-4129

White, Duncan (2011) Expanded cinema: Art, Performance, Film. Tate Publishing, London. ISBN 9781854379740

White, Duncan (2017) The Eyes of a Familiar Compound Ghost: Locating the Body in Chris Burden’s Shoot. In: En Corps et en Images. Mimesis Editions, Paris. ISBN 978-8869761133

White, Duncan (2013) Media is Sensational: Art and Mediation in the Experience Economy. Moving Image Review & Art Journal (MIRAJ), 2 (2). pp. 160-172. ISSN 2045-6298

Whitby, Richards (2023) Dreams of Safety - Experimental Pandemic Documentary. In: Framing and Re-Framing 'Pandemic Documentary', 26th June 2023, Department of Healthcare and Life-Sciences, University of Nottingham.

Whitby, Richard and Parkinson, Siôn and Patel, Amit Dinesh (2021) ROT. [Performance]

Whitby, Richard and Parkinson, Siôn (2019) Stinkhorn. [Art/Design Item]

Whitby, Richard and Gavin, H. Gareth and Woolf, Virginia and Kim, Sooyon (2018) The Jump Room. The Old Waterworks, Southend-on-Sea. ISBN 978-1-9998994-0-0

Whitby, Richard (2016) The Arena Spectacular from Ben Hur Live to Isles of Wonder: Adaptation, Post-cinema and the Postcivil. PhD thesis, The London Consortium - University of London.

Whitby, Richard (2022) Ben Hur Live as post-cinematic adaptation. Journal of Adaptation in Film & Performance, 15. pp. 61-75. ISSN 1753-643X

Whitby, Richard (2022) Dreams of Safety - an experimental video series. In: SOUND/IMAGE Festival 2022, 18-20 November 2022, School of Design, University of Greenwich.

Whitby, Richard (2023) Fictioning | Visual: Dreams of Safety. In: Uncertain Relations 01: fictioning | visual, 19 June 2023, School of Design, University of Greenwich.

Whitby, Richard (2022) From Pixels to Drones: Visualising The Nation in the London 2012 and PyeongChang 2018 Olympic opening ceremonies. In: Proceedings of EVA London 2022. Electronic Workshops in Computing, pp. 167-168. ISBN 978-1-78017-594-2

Whitby, Richard (2023) Previsualising a Quiet Earth. In: London Conference in Critical Thought 2023, 30th June and 2nd July 2023, London Metropolitan University, Holloway Road.

Weinmayr, Eva (2010) I wonder what the silence was about. [Art/Design Item]

Weinmayr, Eva (2010) Pause. [Performance]

Webber, Mark (2001) BFI London Film Festival - curation of film programme Experimenta, one of 9 programming strands. [Art/Design Item]

Webber, Mark (2004) Expanded Cinema: Film als Spektakel Ereignis und Performance and Expanded Cinema: Space / Time / Structure. [Art/Design Item]

Webber, Mark (2005) Reverence: The Films of Owen Land (formerly known as George Landow). [Art/Design Item]

Webber, Mark (2002) Shoot Shoot Shoot: The First Decade of the London Film-Makers' Co-operative and British Avant Garde Film 1966-76. [Art/Design Item]

Wardill, Emily and Indiana, Gary and Kraus, Chris and Williams, Bedwyr (2004) The Feast Against Nature. [Performance]

Wardill, Emily (2006) Born Winged Animals and Honey Gatherers of the Soul. [Art/Design Item]

Wardill, Emily (2008) The Diamond (Descartes' Daughter). [Art/Design Item]

Wardill, Emily (2011) Fulll Firearms. [Art/Design Item]

Wardill, Emily (2009) Game Keepers Without Game. [Art/Design Item]

Wardill, Emily (2008) Sea Oak. [Art/Design Item]

Walsh, Maria (2010) Believable fictions. Art Monthly (342). pp. 11-14. ISSN 0142-6702

Walsh, Maria (2011) Corpus: Mary Kelly interviewed by Maria Walsh. Art Monthly (346). pp. 1-4. ISSN 0142-6702

Walsh, Maria (2005) 'Good Girls go to Heaven, Bad Girls go to London. But there is No Place like Home'. In: Sarah Miles - No Place. Film and Video Umbrella : London, pp. 3-16. ISBN 190427 019 0

Walsh, Maria (2010) Hannah Sawtell. Art Monthly (336). p. 38. ISSN 0142-6702

Walsh, Maria (2014) The Poetic Reactivation of Historical Time: Eija-Liisa Ahtila’s Where is Where? Moving Image Review & Art Journal (MIRAJ), 3 (2). pp. 150-161. ISSN 2045-6298

Wainwright, Chris and Bickerstaff, David (2001) Capital. [Art/Design Item]

Wainwright, Chris and Bickerstaff, David (2004) Channel 14. [Art/Design Item]

Wainwright, Chris (2015) Pause. In: UAL Professorial Platform Series 2014-15, 17 March 2015, Chelsea College of Arts, 16 John Islip Street, London SW1P 4JU.

Wainwright, Chris (2010) Rising and Falling – Only Time Will Tell. [Art/Design Item]

Voss, Georgina and Smith, Oliver (2019) We Didn't Lie, We Didn't Understand The Question. [Art/Design Item]

Voss, Georgina (2021) Bigger Than Before. [Art/Design Item]

Voelcker, Becca (2021) Field Work: Ogawa Productions as Farmer-Filmmakers. Moving Image Review & Art Journal (MIRAJ), 10 (1/2). pp. 50-71. ISSN 2045-6298

Voelcker, Becca (2022) Filming-gardening in the neoliberal age: ambivalences in the life and work of Anne Charlotte Robertson. Screen, 63 (1). pp. 68-91. ISSN 0036-9543

Voelcker, Becca (2021) Landscape Theory in Post-War Japanese Cinema: Fūkeiron in Adachi Masao’s A.K.A. Serial Killer. In: Penser l’espace avec le cinéma et la littérature. Film Cultures, 10 . Peter Lang, New York. ISBN 9781433176289

Voegelin, Salomé (2005) Helidor. [Art/Design Item]

Voegelin, Salomé (2022) Sonic testimonies: creating new imaginaries from the in-between. In: For Many Voices. Freigeist Verlag, Berlin, pp. 8-12. ISBN 978-3-947764-06-8

Vilaro, Anna and Smith, Tim (2011) Subtitle reading effects on visual and verbal information processing in films. Perception, 40. ISSN 0301-0066

Vilalta, Helena and Leckie, Robert and Blocker, Antonia (2011) All I Can See is the Management. [Show/Exhibition]

Vilalta, Helena and Carneiro da Cunha, Manuela (2014) Yanomami, Let's Talk. Afterall. ISSN 14654253

Vilalta, Helena (2015) Hacking the Self: Sidsel Meineche Hansen's 'INSIDER'. Moving Image Review & Art Journal (MIRAJ), 4 (1 & 2). pp. 278-285. ISSN 2045-6298

Vilalta, Helena (2010) Landscape in Motion. In: Filipa César: Montrage. Argobooks, Berlin. ISBN 978-3-941560-94-9

Vilalta, Helena (2015) No Future. herbst. Theorie zur Praxis. pp. 24-29.

Veal, Philip and Forsyth, Steven and Brennan, Richard and Acosta, Mike and Davis, Lesley Ann and Procter, Natalie and Wyeld, Mike (2024) Cambridge International AS & A Level Digital Media and Design Student’s Book (2nd Edition). Harper Collins, London. ISBN 978-0008643447 (In Press)

Uhlirova, Marketa and Tsilibaris, Christel and Schwartz, David (2008) Second Fashion in Film Festival: If Looks Could Kill. [Show/Exhibition]

Uhlirova, Marketa and O'Mara, Séan (2008) If Looks Could Kill. Walther König, Germany. ISBN 9783865604620, 3865604625

Uhlirova, Marketa and Gregg, Ronald and Paulicelli, Eugenia (2011) Secrets of the Orient. In: Secrets of the Orient, 11-12th November 2011, Whitney Center for the Humanities, Yale University, USA. (Unpublished)

Uhlirova, Marketa (2013) 100 Years of the Fashion Film: Frameworks and Histories. Fashion Theory: The Journal of Dress, Body & Culture, 17 (2). pp. 137-158. ISSN 1362704X

Uhlirova, Marketa (2010) The 3rd Fashion in Film Festival: Birds of Paradise. [Art/Design Item]

Uhlirova, Marketa (2013) Birds of Paradise: Costume as Cinematic Spectacle. Koenig, London, UK. ISBN 9783863352189

Uhlirova, Marketa (2012) Costume as special effect. In: Fashion Media: Yesterday, Today and Tomorrow, 21-22nd October 2010, London College of Fashion, London, UK. (Unpublished)

Uhlirova, Marketa (2017) Fashion in Cinema: Reframing the Field. PhD thesis, University of the Arts London.

Uhlirova, Marketa (2013) The Fashion-Film Effect. In: Fashion Media: Past and Present. Bloomsbury, London. ISBN 9780857853073

Uhlirova, Marketa (2011) Fashion-colour-cinema inventory. [Show/Exhibition]

Uhlirova, Marketa (2019) Layering: Fashion, Art, Cinema. [Show/Exhibition]

Uhlirova, Marketa (2017) Voyage through Space, Time and Utopian Modernism in Ikarie XB-1. In: Czech Cinema Revisited: Politics, Genres, Techniques. National Film Archive, Prague. ISBN 9788070041819

Uddoh, Rosa-Johan and De Ville, Abigail and Simmons, Xaviera (2021) Brand New Heavies. [Show/Exhibition]

Uddoh, Rosa-Johan (2021) Practice Makes Perfect. [Show/Exhibition]

Uddoh, Rosa-Johan (2020) She is Still Alive! [Show/Exhibition]

Uddoh, Rosa-Johan (2019) Studies for Impartiality. [Show/Exhibition]

Tyrer, Tamara (2020) Of Space and Time: Film and the Female Performer. PhD thesis, University of the Arts London.

Trangmar, Susan and White, Duncan and Ball, Steven (2013) sensingsite 2. In: sensingsite 2, 16-17 April 2013, Parasol unit, London.

Trangmar, Susan (2007) Conditions of Visibility. [Art/Design Item]

Trangmar, Susan (2010) Elements. [Art/Design Item]

Trangmar, Susan (2011) In Passing. [Art/Design Item]

Trangmar, Susan (2014) Lunar Tides. [Art/Design Item]

Trangmar, Susan (2004) Road Map. [Art/Design Item]

Trangmar, Susan (2016) Territories of Remembrance. In: Land and Water, 23rd June 2016, Plymouth University.

Trangmar, Susan (2016) UNFOUND. [Show/Exhibition]

Trangmar, Susan (2014) Wandering Shards. Philosophy of Photography, 5 (2). pp. 146-157. ISSN 2040-3682

Trangmar, Susan (2015) Wandering Shards. [Art/Design Item]

Touliatou, Georgia (2003) Diegetic stories in a video mediation: a narrative analysis of four videos. PhD thesis, University of the Arts London.

Torres, Lara Mendonça Guterres (2020) The body as Factory: a post-productivist fashion practice through film. In: Crafting Anatomies Archives, Dialogues, Fabrications. Bloomsbury Visual Arts . Bloomsbury, Great Britain, pp. 265-286. ISBN 978-1-3500-7547-4

Torres, Lara (2017) Fashion in the Expanded Field: Strategies for Critical Fashion Practices. Journal of Asia-Pacific Pop Culture, 2 (22). pp. 167-183. ISSN 2380-7679

Torres, Lara (2016) Unmaking. [Art/Design Item]

Torres, Lara (2011) An impossible wardrobe for the invisible. [Art/Design Item]

Toop, David and Bailey, Giles (2017) The Order In Expectedness and So On. [Show/Exhibition]

Tillotson, Jenny (2005) Scentsory Design®. [Art/Design Item]

Throp, Mo (2004) Love Stories. [Show/Exhibition]

Thorogood, Simon (2011) Projextiles3. [Art/Design Item]

Thorogood, Simon (2014) Shifting Paradigms. Fashion + Technology. [Show/Exhibition]

Thorogood, Simon (2010) StarD. [Art/Design Item]

Thomas, Jennet (2014) The Advice Shape (video). [Art/Design Item]

Thomas, Jennet (2010) All suffering soon to end! [Show/Exhibition]

Thomas, Jennet (2018) Animal Condensed<Animal Expanded #2. [Art/Design Item]

Thomas, Jennet (2016) Animal Condensed>Animal Expanded #1. [Art/Design Item]

Thomas, Jennet (2004) Double Dummy. [Art/Design Item]

Thomas, Jennet (2011) Echo versus gown. In: This is not a Performance or a Lecture!, 17-18th June 2011, Loughborough University. (Unpublished)

Thomas, Jennet (2013) I AM YOUR ERROR MESSAGE. [Performance]

Thomas, Jennet (2020) IT ONCE HAD A FACE, NOW IT WANTS ONE AGAIN. [Art/Design Item]

Thomas, Jennet (2008) The Man Who Went Outside. [Art/Design Item]

Thomas, Jennet (2020) Not Yet Out of the Wood. [Art/Design Item]

Thomas, Jennet (2004) On the Shape of the Scab Plus Retrospective screening. [Show/Exhibition]

Thomas, Jennet (2017) School of Change: Re-dreaming Past Futures. In: Memories of the Future, On countervision. Cultural Memories, 6 . Peter Lang, Oxford, New York, Berne, Switzerland, pp. 129-149. ISBN 978-3-0343-1935-5

Thomas, Jennet (2015) The Unspeakable Freedom Device (Film/Installation). [Art/Design Item]

Thomas, Jennet (2010) The advice shape. [Show/Exhibition]

Thomas, Jennet (2010) The broken shape. [Show/Exhibition]

Teichmann, Esther (2017) Heavy the Sea. [Show/Exhibition]

Taylor, j Milo (2019) Immersive Sound Masterclass. In: Aesthetica Short Film Festival, 2-30 November, York.

Tan, Erika (2014) Come Cannibalise Us, Why Don’t You? / Sila Mengkanibalkan kami mahu tak? [Book]. National University of Singapore, Singapore. ISBN 978-981-07-9128-5

Tan, Erika (2015) Erika Tan, Halimah-the-Empire-Exhibition-weaver-who-died-whilst-performing-her-craft. [Show/Exhibition]

Tan, Erika (2017) Misplaced Commas and Cannibalistic Tendencies. In: Flights From Empire, 18 & 19th June 2017., House of World Cultures, Berlin..

Tan, Erika (2001) PIDGIN: Interrupted Transmission. [Art/Design Item]

Tan, Erika (2005) Persistent Visions. [Show/Exhibition]

Tan, Erika (2013) Repatriating The Object With No Shadow. [Show/Exhibition]

Tan, Erika (2005) Respects des Fonds (essay). In: Ghosting: The Role of the Archive within Contemporary Artists’ Film and Video. Picture This Moving Image, Bristol, UK. ISBN 0-9539872-8-0

Tan, Erika (2012) Sensing Obscurity (Parts I, II, III). [Show/Exhibition]

Tan, Erika (2008) Shot Through. [Art/Design Item]

Tan, Erika (2006) becoming. [Show/Exhibition]

Tallentire, Anne (2005) Drift. [Art/Design Item]

Tallentire, Anne (2010) In–time 4.14 – 6.02. [Art/Design Item]

Swinson, James (2013) Jonas Mekas: Film-maker, archivist, activist and poet. Moving Image Review & Art Journal (MIRAJ), 2 (2). pp. 298-306. ISSN 20456298

Swami, Viren and Pickering, Mark and Barron, David and Patel, Shreepali (2018) The Impact of Exposure to Films of Natural and Built Environments on State Body Appreciation. Body Image, 26. pp. 70-73. ISSN 1873-6807

Suess, Eleanor (2020) Constructing the architectural moving drawing: transdisciplinary practices between architecture and artists’ film. PhD thesis, University of the Arts London.

Storey, Helen and Ryan, Tony (2010) Catalytic Clothing - HERSELF. [Art/Design Item]

Storey, Helen and Betteridge, David, UNHCR Jordan (2022) The films of Dress For Our Time. In: Global Voices, 6-16 August 2022, Calgary, Canada.

Storey, Helen (2021) Drawing Reality. [Art/Design Item]

Storey, Helen (2018) Dress for Our Time and Love Coats Films. [Art/Design Item]

Storey, Helen (2017) LOVE COATS.

Stiff, Andy and Noor, Nina (2006) Temporal Facades. [Show/Exhibition]

Stiff, Andy and D-Fuse, (2003) Sonicity_Archeology of the Future. [Show/Exhibition]

Stiff, Andy (2004) The City Quartered. [Art/Design Item]

Stevenson, Caroline and Charalambous, Tony and Finnigan, Terry and Rose, Winston and Scrivener, Chloe and Hamilton Butler, James and Fernandes, Gavin (2011) Disruption: A Fashion Performance. [Performance]

Stevenson, Caroline (2013) Modular. [Show/Exhibition]

Stevenson, Caroline (2017) Picnic at Tornado Sands. [Show/Exhibition]

Steeds, Lucy and Mabaso, Nkule (2017) Exhibition Histories and Afrofictions. [Show/Exhibition]

Spurr, Graeme R. (2021) Film Troubadours: Scotland and Ukraine (Commentary and Interactive Subtitles). In: The 18th Docudays UA International Human Rights Documentary Film Festival, 26 March - 4 April 2021, Kyiv.

Smith, Tim and Levin, Daniel and Cutting, James. E (2012) A Window on Reality: Perceiving Edited Moving Images. Current Directions in Psychological Science, 21 (2). pp. 107-113. ISSN 0963-7214

Smith, Tim and Henderson, John. M (2010) Attentional synchrony in static and dynamic scenes. Journal of Vision, 8 (6). ISSN 1534-7362

Smith, Tim and Henderson, John. M (2008) Edit Blindness: The relationship between attention and global change blindness in dynamic scenes. Journal of Eye Movement Research, 2 (2). pp. 1-17. ISSN 1995-8692

Smith, Tim and Essex, Claire and Bedford, Rachael (2023) Are Movies Making Us Smarter? The Role of Cinematic Evolution in the Flynn Effect. Projections, 17 (1). ISSN 1934-9688

Smith, Tim (2012) The Attentional Theory of Cinematic Continuity. Projections, 6 (1). pp. 1-27. ISSN 1934-9688

Smith, Tim (2012) Extending AToCC: A reply. Projections, 6 (1). pp. 71-78. ISSN 1934-9688

Skelton, Pam (2005) Burning Poems. [Show/Exhibition]

Skelton, Pam (2008) Ghost Town. [Art/Design Item]

Skelton, Pam (2013) In the Event of Snow [video animation]. [Art/Design Item]

Simões, Nenita Gouveia (2007) Rehearsing Reality: An Interactive Docufragmentary Exploration of the Theatre of the Oppressed's Engagement with the Brazilian Landless Movement (MST). PhD thesis, University of the Arts London.

Simonson, Caryn (2007) Textile transporter. [Show/Exhibition]

Silva, Corinne (2019) Flames Among Stones. [Art/Design Item]

Silva, Corinne (2018) Night Circuits. [Art/Design Item]

Shou, Zhang and Clayton, Kaavous and Wood, Katherine (2019) 'From Shinning Clough' in the first Biennial Sino-British Contemporary Art Exhibition. [Show/Exhibition]

Shore, Tim and Thomas, Gary (2011) Digitalis Dialogue. In: Digitalis, November 2011, London College of Communication.

Shore, Tim and Hattosh-Nemeth, Jeremy and Dupras, Martin and Smith, Paul Verity (2004) Keepsake [Welsh: Cofiwch]. [Art/Design Item]

Shore, Tim (2006) Cabinet - film/animation short, 18 mins 20secs shot in Montana, Wyoming and London's Bethnal Green. [Art/Design Item]

Shore, Tim (2011) Drift. [Art/Design Item]

Shore, Tim (2006) O Tannenbaum - Single channel installation, 2 mins 45 secs in loop DVD projection. [Art/Design Item]

Shore, Tim (2002) Rosabelle Believe: A dream film about seeing and believing. [Art/Design Item]

Sheridan, Tessa (2015) Step 13. [Art/Design Item]

Sheridan, Tessa (2013) Unmourned. [Art/Design Item]

Shepherd, Caitlin (2015) In Your Face the Longest Light. [Show/Exhibition]

Sharma, Ashwani and Sharma, Sanjay (2000) 'So Far So Good…'La Haine and the Poetics of the Everyday. Theory Culture and Society, 17 (3). pp. 103-116. ISSN 0263-2764

Sharma, Ashwani (2022) 'We can’t breathe’ – race/mourning/digital media/utopia - an audio-visual essay. Darkmatter, 16. ISSN 2041-3254

Seth, John and Tallentire, Anne (2017) Manifesto 3 (... instead of partial object). [Show/Exhibition]

Seth, John and Tallentire, Anne (2015) trailer (1998/2015). [Show/Exhibition]

Seth, John (2003) Hotel Metropole. [Art/Design Item]

Savita, Priyanka (2021) Female Desire in Contemporary Indian Cinema. PhD thesis, University for the Creative Arts.

Saul, Daniel and Davies, Rachel and Pui Ling Lok, Annie and Cunningham, Jules (2023) Moving Out. [Art/Design Item]

Saul, Daniel and Davies, Rachel and Hammersley, John (2018) A reciprocity of care: a dialogical reflection on the artwork Winter. Scottish Journal of Performance, 5 (1). pp. 103-117. ISSN 2054-1961

Saul, Daniel and Davies, Rachel (2020) Chandini (A Bride for the Moon). In: Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . SpringerOpen, pp. 251-270. ISBN 978-3-030-42096-3

Saul, Daniel and Davies, Rachel (2019) A Small Dream - Dorset. [Performance]

Saul, Daniel and Davies, Rachel (2016) Winter. [Art/Design Item]

Saul, Daniel (2017) Ek Choti si Asha - A Small Dream. [Art/Design Item]

Sargeant, Jack and Barber, Chris (2006) No Focus: Punk On Film. Headpress. ISBN 1900486598

Sargeant, Jack (2005) Blacktop Dreams - curated screening for the 14th Brisbane International Film Festival. 14 films selected for screening. [Show/Exhibition]

Sargeant, Jack (2002) Squealing Wheels and Flying Fists. In: Autopia: Cars and Culture. Reaktion Books, 312-314pp. ISBN 1861891326

Sargeant, Jack (2002) "Voyeurism, Sadism and Transgression: Screen Notes and Observations on Warhol's Blow Job and I, A Man'". In: Underground USA: Filmmaking Beyond the Hollywood Cannon. Wallflower, 72 - 83pp. ISBN 1903364493

Sarah, Cole and Joslin, Annis (2017) Breath Taking. [Art/Design Item]

Salazar, Ligaya and Groves, Alexander and Murakami, Azusa and Booij, Juriaan (2016) Fordlandia. [Show/Exhibition]

Sajovic, Eva and Kenningham, Dann (2014) The Roles We Play: Recognising the Contribution of People in Poverty. ATD Fourth World, London, UK. ISBN 9780992891602

Sajovic, Eva and Davies, Rebecca and Hamilton, Shona and Butler, Sarah, Peoples' Bureau (Eva Sajovic & Rebecca Davies) (2020) This is A Call. [Performance]

Sajovic, Eva and Davies, Rebecca (2016) Elephant & Castle: Memory and Place. [Performance]

Sajovic, Eva and Czajka, Agnes (2019) Picturing Climate. [Show/Exhibition]

Sajovic, Eva and Colner, Miha (2021) Hanging By A Thread. [Show/Exhibition]

Sajovic, Eva and Butler, Sarah and Davies, Rebecca (2017) UnEarthing Elephant. [Art/Design Item]

Sajovic, Eva (2013) Caribbean Through A Lens. [Art/Design Item]

Sajovic, Eva (2018) The Roles We Play: A Method of Genuine Participation. [Art/Design Item]

Sajovic, Eva (2018) Taking Part. [Show/Exhibition]

Sabin, Roger (2008) The Face of Fear. In: If Looks Could Kill. Koenig Books. ISBN 9783865604620

Sabin, Roger (2008) Terry Gilliam: Filmmaker and Cartoonist. In: Sub/versions: Cultural Status, Genre and Critique. Cambridge Scholars Publishing, Cambridge Scholars Publishing. ISBN 1847183727

Rughani, Pratap and Raban, William and Al-Maria, Sophia (2016) The Creative Stance. In: The Creative Stance. Cornerhouse Publications. Common Editions, pp. 145-158. ISBN 9780993156311

Rughani, Pratap (2012) In transit. [Art/Design Item]

Rughani, Pratap (2013) Justine. [Art/Design Item]

Rughani, Pratap (2015) Kubrick's Lens: Dispatches from the Edge. In: Stanley Kubrick: New Perspectives. Black Dog Publishing, London, pp. 310-327. ISBN 9781908966421

Rossi, Mario (2015) THE END/untitled + 100x100. [Show/Exhibition]

Roberts, Cheryl (2024) Amelie. In: The Bloomsbury Encyclopedia of Film and Television Costume Design. Bloomsbury, London. ISBN 978-1-4742-7945-1 (In Press)

Roberts, Cheryl (2023) Anna Terrazas. In: The Bloomsbury Encyclopedia of Film and Television Costume Design. Bloomsbury, London. ISBN 978-1-4742-0787-4

Roberts, Cheryl (2023) Bob Ringwood. In: The Bloomsbury Encyclopedia of Film and Television Costume Design. Bloomsbury, London. ISBN 978-1-4742-0787-4

Roberts, Cheryl (2023) Elizabeth McBride. In: The Bloomsbury Encyclopedia of Film and Television Costume Design. Bloomsbury, London. ISBN 978-1-4742-0787-4

Roberts, Cheryl (2024) Erin Brockovitch. In: The Bloomsbury Encyclopedia of Film and Television Costume Design. Bloomsbury, London. ISBN 978-1-4742-7945-1 (In Press)

Roberts, Cheryl (2015) Fashion on Television: Identity and Celebrity Culture by Helen Warner. Visual Studies, 31 (2). pp. 155-156. ISSN 1472-5878

Roberts, Cheryl (2024) Great Gatsby. In: The Bloomsbury Encyclopedia of Film and Television Costume Design. Bloomsbury, London. ISBN 978-1-4742-7945-1 (In Press)

Roberts, Cheryl (2023) Joan Bergin. In: The Bloomsbury Encyclopedia of Film and Television Costume Design. Bloomsbury, London. ISBN 978-1-4742-0787-4

Roberts, Cheryl (2023) John Mollo. In: The Bloomsbury Encyclopedia of Film and Television Costume Design. Bloomsbury, London. ISBN 978-1-4742-0787-4

Roberts, Cheryl (2023) Madeline Fontaine. In: The Bloomsbury Encyclopedia of Film and Television Costume Design. Bloomsbury, London. ISBN 978-1-4742-0787-4

Roberts, Cheryl (2024) Metropolis. In: The Bloomsbury Encyclopedia of Film and Television Costume Design. Bloomsbury, London. ISBN 978-1-4742-7945-1 (In Press)

Roberts, Cheryl (2023) Michael O'Connor. In: The Bloomsbury Encyclopedia of Film and Television Costume Design. Bloomsbury, London. ISBN 978-1-4742-0787-4

Roberts, Cheryl (2024) Prince's Purple Suit. In: The Bloomsbury Encyclopedia of Film and Television Costume Design. Bloomsbury, London. ISBN 978-1-4742-7945-1 (In Press)

Roberts, Cheryl (2024) The Royal Tenenbaums. In: The Bloomsbury Encyclopedia of Film and Television Costume Design. Bloomsbury, London. ISBN 978-1-4742-7945-1 (In Press)

Roberts, Cheryl (2021) Shoe Reels: The History and Philosophy of Footwear in Film, Elizabeth Ezra and Catherine Wheatley (Eds) (2020). Studies in Costume & Performance Journal, 6 (2). pp. 323-327. ISSN 2052-4013

Rickett, Sophy (2013) Objects in the Field. [Show/Exhibition]

Rickett, Sophy (2011) To The River. [Art/Design Item]

Rickards, Hannah (2014) Grey light. Left and right back, high up, two small windows. [Art/Design Item]

Rickards, Hannah (2016) Grey light. Left and right back, high up, two small windows. In: Grey light. Left and right back, high up, two small windows. Fogo Island Arts Artist Monographs, 5 . Sternberg Press and Fogo Island Arts, Berlin, Germany and Fogo Island, Canada. ISBN 395679205X

Rickards, Hannah (2009) No, there was no red. [Art/Design Item]

Richards, Paul Simon and Hooper, Claire (2015) Tell me your dream, make it succinct and make it spectacular. [Art/Design Item]

Richards, Paul Simon (2014) ∆ HS.FS. ZWN-BS. NC.BS. (film). [Art/Design Item]

Richards, Paul Simon (2014) ∆ HS.FS. ZWN-BS. NC.BS. (performance). [Art/Design Item]

Richards, Paul Simon (2016) L*a*b. [Art/Design Item]

Richards, Paul Simon (2016) L*a*b. [Show/Exhibition]

Richards, Paul Simon (2016) L*a*b screening at BFI London Film Festival. [Show/Exhibition]

Richards, Paul Simon (2016) Love's Hidden Symmetry. [Show/Exhibition]

Richards, Paul Simon (2016) Love's Hidden Symmetry (video). [Art/Design Item]

Richards, Paul Simon (2016) Quasi-Monte Carlo 1.1. [Art/Design Item]

Richards, Paul Simon, Schloss Solitude (2016) Quasi-Monte Carlo 1.2. [Art/Design Item]

Richards, Paul (2017) Montage sequences represent long periods of hard work and also long distances (Quasi-Monte Carlo). [Art/Design Item]

Richards, Benedict (2019) The look of love. [Show/Exhibition]

Reynolds, Lucy (2011) Magic tricks? The use of shadowplay in British expanded cinema. In: Expanded cinema: art, performance, film. Tate Publishing, London, pp. 148-156. ISBN 9781854379740

Revell, Tobias (2014) The Monopoly of Legitimate Use. [Art/Design Item]

Razmi, Anahita (2018) BL CK B X: The Future State, a preliminary. [Show/Exhibition]

Razmi, Anahita (2022) I WANNA BE PART OF THE NON-ALIGNED MOVEMENT. [Art/Design Item]

Razmi, Anahita (2018) PARTIES. [Art/Design Item]

Razmi, Anahita (2020) scroll stock, pluck stock, click stock, drum stock, tap stock, rattle stock. [Art/Design Item]

Rawes, Peg and Rendell, Jane and Araujo, Ana and Garb, Tamar and Morris, Sharon and Matthews, Tim (2010) Sexuate subjects. In: Sexuate Subjects, 3-5 December 2010, University College London.

Ramirez, Gracia (2022) Abigail Child: We Cannot Control the Pacing of this Movie. Found Footage Magazine, 8. ISSN 2462-2885

Ramirez, Gracia (2020) The March of Time in Britain and the International History of Documentary Film. Film History, 32 (2). pp. 1-27. ISSN 1553-3905

Ramirez, Gracia (2021) Quietness, Isolation and Re-Imagining Contact in the City after the Pandemic. Moving Image Review and Art Journal, 9 (2). pp. 168-175. ISSN 2045-6298

Rakotoniaina, Sitraka and Popper, Joseph (2019) Reimagining Outer Space. In: 70th International Astronautical Congress, 21-25 October 2019, Washington D.C., United States of America.

Rakotoniaina, Sitraka and Friend, Andrew (2022) Sound Systems: A Lunar Folklore. [Show/Exhibition]

Rae, Nicola and Rae, Douglas (2015) 'Re-Focus' at PERDUTO PADRE/LOST FATHER. [Show/Exhibition]

Rae, Nicola and Blondel, Philippe (2015) 'Arctic Glacier Sonic Frequencies - night projections over flood tides', 2014-15, at FaB (Fringe Arts Bath) Ignites Research. [Show/Exhibition]

Raban, William (2010) About Now MMX. [Art/Design Item]

Raban, William (2016) Available Light. [Art/Design Item]

Raban, William (2005) Continental Drift. [Art/Design Item]

Raban, William (2019) Laki Haze. [Art/Design Item]

Raban, William (2015) Materiality of Time. In: UAL Professorial Platform Series 2014-15, 23 March 2015, London College of Communication, Elephant & Castle, London SE1 6SB.

Raban, William (2011) Reflexivity and expanded cinema: a cinema of transgression? In: Expanded cinema: art, performance, film. Tate Publishing, London, England, pp. 98-107. ISBN 9781854379740

Raban, William (2013) Thames Film. [Art/Design Item]

Raban, William (2013) Time and the Wave. [Art/Design Item]

Putnam, James (2018) Through The Looking Glass. [Show/Exhibition]

Priest, Colin (2015) Bay Watch. [Art/Design Item]

Priest, Colin (2014) The Dance of the Neptune Plant. [Art/Design Item]

Priest, Colin (2016) Waiting Rakes. [Art/Design Item]

Priest, Colin (2015) #blueskythinker. [Art/Design Item]

Peters, Charley (2016) Jump Cut: Six artists engaging with film. [Show/Exhibition]

Perry, Colin (2016) Into the Mainstream: Independent Film and Video Counterpublics and Television in Britain, 1974–1990. PhD thesis, University of the Arts London.

Pena-Ardanez, Ann Marie (2006) Johannesburg/ Travelogue - Collaborative video installation with Dora Longo Bahia. [Show/Exhibition]

Pelling, Kate (2016) Select Reject Reconfigure: Editing Speech in Artists’ Direct Address to Camera. PhD thesis, University of the Arts London.

Peebles, Elizabeth and Eisenmann, Markus and Sturtevant, Elaine (2013) second reflection / symmetrical contents. [Show/Exhibition]

Peebles, Elizabeth and Eisenmann, Markus, Secondeditions (2017) Disobedience and Complex Systems. In: Disobedience and Complex Systems, 29 September 2017, Iklectic Art Lab, 20 Carlisle Lane, London.

Patel, Shreepali and Wallis-Redworth, Maxine and Jackson, Sophie and Rose, Lindsey (2017) Art and Science: Promoting Empathy Through Film. British Journal of Midwifery, 25 (11). pp. 1-7. ISSN 2052-4307

Patel, Shreepali and Toulson, Rob and Azuaje, Luis (2019) The beginning of a beautiful friendship: A case study on an immersive filmmaking process. In: The Palgrave Handbook of Screen Production. Palgrave Macmillan, pp. 257-268.

Patel, Shreepali, Politics of Representation Collective, University of Cambridge (2020) Competing Goals of Representation. In: The Visual and Critical Representation In An Age of Impact, 6 March 2020, Faculty of Education, University of Cambridge.

Patel, Shreepali (2018) Immersive Storytelling. The Crossing Case Study. In: Tactics and Praxis, 23 November 2018, Trinity College, Cambridge University.

Patel, Shreepali (2014) Whose Art Is It, Anyway?: Investigating the Impact of the Active Viewer on the Authorship of the Art Form. The International Journal of New Media, Technology and the Arts, 8 (2). pp. 35-41. ISSN 2326-9987

Park, Young Sun (2005) Defining Video Space Art within Video Installations in the Context of Spaces and Spectators. PhD thesis, University of the Arts London.

Palma Stade, Tobias and Schofield, Guy and Moore, Grace (2023) Narrative Perspectives and Embodiment in Cinematic Virtual Reality. In: XR Salento 2023, 6-9 September, Lecce, Salento, Italy.

Palma Stade, Tobias (2020) Hands-off Interactive Storytelling; Intuitive Agency in an Immersive Cinematic Film. In: ACM IMX2020 International Conference on Interactive Media Experiences, 17-19 June 2020, Barcelona, Spain.

Palma Stade, Tobias (2022) Instinct-Based Decision-Making in Interactive Narratives. In: XR Salento 2022, 6-8 July, Lecce, Salento, Italy.

Orta, Lucy and Orta, Jorge (2011) Fabulae Romanae. [Show/Exhibition]

Orta, Lucy and Orta, Jorge (2012) Fabulae Romanae: Lucy+Jorge Orta. Marsilio Editori, Venice. ISBN 978-88-317-1338-2

Orta, Lucy and Orta, Jorge (2017) Raft of the Medusa. [Show/Exhibition]

Orta, Lucy and Orta, Jorge (2018) The Raft of the Medusa. [Art/Design Item]

Orta, Lucy (2012) Carbon 12. Art et Changement Climatique. [Show/Exhibition]

Orta, Lucy (2020) Symphony for Absent Wildlife. [Art/Design Item]

Oppenheimer, Joshua Lincoln (2004) Show of Force: film, ghosts and genres of historical performance in the Indonesian genocide. PhD thesis, University of the Arts London.

Oki, Michiko and Padiila Jargstorf, Pablo and Terrón, Silvia (2022) Umbralia: Cracking into the Threshold. In: ISSS Surrealisms 2022, 17-20 November 2022, Online.

Oki, Michiko (2023) Thought experiments in the form of audio-visual creative writing - in the case of ‘Umbralia: Cracking into the Threshold’ (2022). In: The Creative Psyche and Arts-Based Research Conference, 10-11 June 2023, Association of Jungian Analysts Centre, London.

October, Dene (2021) Shooting Stars: Modes of TV Spectacle in the Jodie Whittaker era of Doctor Who. In: Doctor Who New Dawn: Essays on the Jodie Whittaker era of Doctor Who. Manchester University Press, UK, pp. 54-71. ISBN 978-1-5261-5187-2

O'Riley, Tim (2009) www.timoriley.net. [Art/Design Item]

O'Kane, Paul (2012) Only a Game? Abbas Kiarostami's Certified Copy. Wasafiri, 27 (1). pp. 53-61. ISSN 0269-0055

O'Dair, Marcus (2017) “Even the ghost was more than one person”: authorship and authorisation in I’m Not There. IASPM@Journal, 7 (1). ISSN 2079-3871

Norris, Jane M. K. (2009) Viatopias: Exploring the experience of urban travel space. PhD thesis, University of the Arts London.

Noce, Kim and Harrison, Nica and Spink, Anna (2019) Seek and Hide. [Performance]

Noce, Kim and Demouilpied, Hutch (2018) Your Mothers Are Mine! [Art/Design Item]

Noce, Kim and Clark, Shaun (2017) Dead bod. [Show/Exhibition]

Noce, Kim and Clark, Shaun, Mewlab (2018) Togethereness. [Art/Design Item]

Noce, Kim and Clark, Shaun (2015) The evening her mind jumped out of her head. [Art/Design Item]

Noce, Kim (2020) Cities of Ladies. [Art/Design Item]

Noce, Kim (2016) Image and word: a talk about the making of "Love in Idleness". In: Still Shakespeare, 20 October 2016, Nash Lecture Theatre King's Building, Strand Campus King's College London London WC2R 2LS.

Noce, Kim, Mewlab (2016) Love in Idleness. [Art/Design Item]

Noce, Kim (2018) Your Mothers Are Mine. [Art/Design Item]

Newth, Martin and Mendrek, Pawel (2015) Parallax #1 and Parallax #2. [Show/Exhibition]

Newth, Martin and Holman, Martin and Monarchi, Christiane (2018) Martin Newth: Rezension – Skulptur, Objekt, Apparat. MEWO Kunsthalle, Germany. ISBN 978-3-9816274-5-9

Newth, Martin (2012) Double Take. Photography, Film, Urban Experiences and Capital. In: Visible Economies: Photography, Economic Conditions, Urban Experiences. Ideas in photographic practice (1). Photoworks, Brighton, UK, pp. 22-29. ISBN 9781903796481

Newth, Martin (2018) Martin Newth: Re-view. [Show/Exhibition]

Nash, Polly and Worthington, Andy and Saunders, Mark (2009) Outside the law: stories from Guantánamao. [Art/Design Item]

Nash, Polly and Davies, Rachel (2004) Gold Super 16mm experimental film. [Art/Design Item]

Nash, Polly (2003) Silwood Video Group collection of 21 film shorts, 10 interviews and 4 other pieces in two volumes. [Art/Design Item]

Naldi, Pat (2014) '360˚ North 360˚ South' in On the Image. [Show/Exhibition]

Naldi, Pat (2023) Blue Glacial Ice: The End of Reference. [Show/Exhibition]

Naldi, Pat (2024) Blue Glacial Ice: The End of Reference in Flatlands. [Show/Exhibition]

Naldi, Pat (2012) City, Image, Place: The London View Management Framework. In: LONDONICITY 2012: The Second Annual London Studies Conference London: City of Transformations?, 22-24 June 2012, Institute of Education University of London.

Naldi, Pat (2010) 'Go From A to B to A' in Flood Light. [Show/Exhibition]

Naldi, Pat (2006) High Noon at 12˚ 21' 8" in Responding to Rome: British Artists in Rome, 1995-2005. [Show/Exhibition]

Naldi, Pat, Wendy Kirkup (2022) The Horror Show! A Twisted Tale of Modern Britain. [Show/Exhibition]

Naldi, Pat (2023) Monere Data. [Art/Design Item]

Naldi, Pat (2019) 'New Enclosures' in 'NCL LDN'. [Show/Exhibition]

Naldi, Pat (2023) Performing Mersea Island: Out of Place. [Show/Exhibition]

Naldi, Pat (2024) Place, People and Living Memory. [Show/Exhibition]

Naldi, Pat (2019) 'Search' in 'Movement and Handling: Selected Works from the LUX Collection'. [Show/Exhibition]

Naldi, Pat (2003) 'Search' in A Century of Artists' Film in Britain. [Show/Exhibition]

Naldi, Pat (2008) 'Search' in Broadcast Yourself: Artists interventions into television and strategies for self-broadcasting from the 1970s to today. [Show/Exhibition]

Naldi, Pat (2015) 'Search' in IDIOT BOX. [Show/Exhibition]

Naldi, Pat (2013) 'Search' in Walk on: From Richard Long to Janet Cardiff- 40 years of art walking. [Show/Exhibition]

Naldi, Pat (2011) Search: An Artist Project for Television. In: Regenerating Culture and Society: Architecture, Art and Urban Style Within the Global Politics of City-Branding. Tate Liverpool Critical Forum (12). Liverpool University Press, Liverpool, pp. 259-269. ISBN 9781846316401

Naldi, Pat (2019) This is Little England. [Art/Design Item]

Naldi, Pat (2019) Who Owns the Land?, Nether World 1, and Falling to Earth in Easterly Winds. [Show/Exhibition]

Naldi, Pat (2020) Who Owns the Sea? In: Composting Estate, 29 November 2019 - 17 July 2020, Central Saint Martins College of Art and Design.

Naldi, Pat (2016) Who owns the Land? [Show/Exhibition]

Musgrave, David (2012) Studio Golem. [Art/Design Item]

Mullender, Rob (2016) As Above, So Below. [Show/Exhibition]

Mullender, Rob (2015) The Haptic Optic. In: Moving Image. Whitechapel: Documents of Contemporary Art . MIT press, Massachussetts, pp. 120-123. ISBN 978-0262528108

Moyse Ferreira, Lucy (2019) Archaeology of Fashion Film. International Journal of Fashion Studies, 6 (1). pp. 119-123. ISSN 2051-7106

Morra, Joanne (2007) Daughter's Tongue: The Intimate Distance of Translation. Journal of Visual Culture, 6 (1). pp. 93-110. ISSN 1470-4129

Morra, Joanne (2012) Saying It. [Show/Exhibition]

Monroe, Ian (2018) In The Future. [Show/Exhibition]

Moloney, Alison (2018) Fashion Exhibition as Film. Film, Fashion and Consumption, 7 (1). pp. 1-88. ISSN 2044-2823

Mo, Lab Ky (2017) Dormitory. [Art/Design Item]

Mo, Lab Ky (2007) Five Tanks. [Performance]

Mo, Lab Ky (2013) God Speaks Chinese. [Art/Design Item]

Mo, Lab Ky (2015) Japanese Samurai Sword. [Art/Design Item]

Mo, Lab Ky (2011) Michael Stone Performance Artist. [Art/Design Item]

Mo, Lab Ky (2008) Monks and Mamasans. [Art/Design Item]

Mo, Lab Ky (2013) No Jet Li. [Art/Design Item]

Mo, Lab Ky (2017) Party. [Art/Design Item]

Minkin, Louisa and Summers, Francis (2023) Yes We Cannibal: Capitol Offense. [Art/Design Item]

Minkin, Louisa and Schady, Alex (2023) Mexico Filter. [Art/Design Item]

Minkin, Louisa and Schady, Alex (2023) Vestibule. [Show/Exhibition]

Minkin, Louisa (2013) Yes to Life. [Art/Design Item]

Minkin, Louisa (2015) nicetown. [Art/Design Item]

Millett, Joanna (2013) Anticipated retrospection: manifesting pastness in moving image, an art practice enquiry. PhD thesis, University of the Arts London and Falmouth University.

Mijovic, Nikola (2003) 777. [Art/Design Item]

Mijovic, Nikola (2018) Borders Raindrops (Granice kiše). [Art/Design Item]

Mijovic, Nikola (2006) Lepota Poroka / The Beauty of Sin. In: The Cinema of The Balkans. 24 Frames . Wallflower Press, London, pp. 227-36. ISBN 9781904764816

Mijovic, Nikola (2013) Narrative Form and the Rhetoric of Fashion in the Promotional Fashion Film. Film, Fashion and Consumption, 2 (2). pp. 175-86. ISSN 20442823

Mijovic, Nikola (2017) Personal Shopper. Film, Fashion and Consumption, 6 (1). pp. 19-23. ISSN 20442823

Mey, Adeena and Thorel, Benjamin (2016) Tell'n'Talk 02. In: Labor Zero Labor, 26-28 August 2016, Triangle France, Friche la Belle de Mai, Marseille.

Mey, Adeena and Roh Bannwart, Kyung (2017) Neo Geography I 네오지오그래피 I. [Show/Exhibition]

Mey, Adeena and Roh Bannwart, Kyung (2017) Neo Geography II 네오지오그래피 II. [Show/Exhibition]

Mey, Adeena and Roh Bannwart, Kyung (2020) Neo Geography 네오지오그래피. CAN, Centre d'art Neuchâtel and Les presses du réel, Neuchâtel and Dijon. ISBN 978-2-8399-2651-5

Mey, Adeena and Higashino, Yuki (2018) Yuki Higashino: Perspectives. [Show/Exhibition]

Mey, Adeena and Bovier, François and Schärer, Thomas and Truniger, Fred (2020) Minor Cinema. Experimental Film in Switzerland. Documents . JRP|Editions, Zurich. ISBN 978-3-03764-550-5

Mey, Adeena and Bovier, François and Le Grice, Malcolm (2012) “Discourse” versus “medium”: interview with Malcolm Le Grice. Décadrages. Cinéma, à travers champs, 21-22. pp. 52-59.

Mey, Adeena and Bovier, François (2019) 무빙 이미지 전시하기:다시 본 역사. Mediabus, Seoul. ISBN 979-11-966934-3-5

Mey, Adeena and Bovier, François (2015) Cinema in the Expanded Field. Documents . JRP|Editions, Zurich. ISBN 978-3-03764-433-1

Mey, Adeena and Bovier, François (2015) Exhibiting the Moving Image. Documents . JRP|Editions, Zurich. ISBN 978-3-03764-388-4

Mey, Adeena and Bovier, François (2018) Film Implosion! [Show/Exhibition]

Mey, Adeena and Bovier, François (2014) René Berger. L'art vidéo. Documents . JRP|Editions, Zurich. ISBN 978-3-03764-389-1

Mey, Adeena and Bovier, François (2019) VideoArt Festival Locarno: A Prospective. [Show/Exhibition]

Mey, Adeena (2020) Aldo Tambellini's 'Black Film Series'. In: Black Film Series Les films d'Aldo Tambellini en 16 mm et en présence d'Adeena Mey, 17 January 2020, Oblo Cinema, Lausanne, Switzerland.

Mey, Adeena (2012) Art contemporain et paracinéma : Rosa Barba, Juliana Borinski et David Maljkovic. Décadrages: Cinéma, à travers champs (21-22). pp. 108-121.

Mey, Adeena (2015) By Other Means or not at All: Experimental Moving Image Practices in Switzerland 1960 – 1970. In: EXIS-Experimental Film & Video Festival in Seoul, 19-26 August 2015, Audio Visual Pavilion - 시청각.

Mey, Adeena (2016) 전기 집필로서의 큐레이팅. 영화의 물질적 일대기에 대해 Curating as Biographing. On the Material Life of a Film. In: Practice by Curators. Gallery Factory, Seoul, pp. 30-45. ISBN 978-89-964340-9-2

Mey, Adeena (2015) Dialogue avec Monologue. Notes sur Vandy Rattana et la question de l’art contemporain au Cambodge. Le magazine du Jeu de Paume.

Mey, Adeena (2015) E.A.T. and the Moving Image. A conversation with Barbara Rose. OEI (69-70). pp. 339-341.

Mey, Adeena (2016) “The Entire Country as Field of Operation”: Sonsbeek 71, Communication and the Film/Exhibition Apparatus. In: NECS Conference 2016, 28-30 July 2016, University of Potsdam.

Mey, Adeena (2020) Exhibiting Structural Film? Annette Michelson, Between Criticism and Curating. In: Minor Cinema: Experimental Film in Switzerland. JRP|Editions, Zurich, pp. 228-245. ISBN 978-3-03764-550-5

Mey, Adeena (2015) Expanded Cinema, by Other Means. In: The Audiovisual Breakthrough. fluctuating images. contemporary media art e.V., Berlin, pp. 42-61. ISBN 978-3-00-051072-4

Mey, Adeena (2023) Exposer le film structurel? Annette Michelson: entre critique et pratique curatoriale. In: L'histoire d'une histoire du cinéma. Paris Expérimental – Éditions du Centre Pompidou, Paris, pp. 31-41. ISBN 978-2-912539-57-1

Mey, Adeena (2022) Foreword. Afterall: A Journal of Art, Context and Enquiry (52). pp. 3-6. ISSN 1465-4253

Mey, Adeena (2018) Hylétique/Helvétique/Cinématique. [Show/Exhibition]

Mey, Adeena (2015) Institutional Critique and Experimental Cinema: Historiographical Revisions. In: SCMS 2015, 25-29 March 2015, Fairmont Queen Elizabeth, Montreal.

Mey, Adeena (2015) Kunsthalle Archaeology / 쿤스트할레 고고학. [Show/Exhibition]

Mey, Adeena (2015) Materiality and Exhibitionality in Contemporary Art Practice: Mark Leckey, Simon Starling, Rosa Barba / 현대 예술에서의 물질성과 전시성. In: Materiality and Exhibitionality in Contemporary Art Practice: Mark Leckey, Simon Starling, Rosa Barba, 4 September 2015, Cheongju Art Studio/Cheongju Museum of Art, South Korea.

Mey, Adeena (2023) Media Pluralism. Kim Woong Yong's Post-Cinema. In: 2022 NANJI. seMA NANJI RESIDENCY . Seoul Museum of Art, Seoul, pp. 52-66. ISBN 979-11-88619-98-6

Mey, Adeena (2014) Mobility and Event: Fragments towards an Archaeology of the Ambulant Spectator. In: SCMS (Society for Cinema and Media Studies) Conference 2014, 19–23 March 2014, Sheraton Seattle Hotel.

Mey, Adeena (2019) The Moving Image in the Museum in the Era of Late Capitalism: Thinking Film Exhibitions with and after Annette Michelson. In: Annette Michelson, une américaine à Paris Conférences et projections, 23-25 Oct 2019, Centre Pompidou, Paris.

Mey, Adeena (2017) On New Forms in Film and Other Exhibitions. A conversation with Annette Michelson. In: Early Video Art and Experimental Films Networks. ECAL and Les presses du réel, Lausanne and Dijon, pp. 217-220. ISBN 978-2-9701157-0-0

Mey, Adeena (2020) Projection between exhibition and information: experimental and artists' film at 'Sonsbeek 71'. In: Practices of Projection. Oxford University Press, pp. 211-236. ISBN 9780190934118

Mey, Adeena (2020) Repurpose and Remake. Afterall. A Journal of Art, Context and Enquiry (50). pp. 132-149. ISSN 1465-4253

Mey, Adeena (2020) Return to the Kinomuseum. In: Limit as Material, 11-12 December 2020, Online.

Mey, Adeena (2019) Textures of In/visibility. Maya Schweizer's Exhibitionary Cinematism. In: Maya Schweizer, Where Ivy Cracks the Wall. Naima and Les presses du réel, Berlin, pp. 73-89. ISBN 978-2-37440-086-0

Mey, Adeena (2021) A Viewing Room. [Show/Exhibition]

Mey, Adeena (2016) The milieu of poetry: Yuri An’s ‘The Unharvested Sea’ and ‘Sailing Words’. NECSUS.EuropeanJournalof Media Studies, 5.

Mey, Adeena (2022) mubing imiji jeonsihagi. [Show/Exhibition]

Mendelson, Zoë and Smithard, Paula (2016) words of art. In: Words of Art.

Mendelson, Zoë (2014) Appropriated Mishap. [Art/Design Item]

Mendelson, Zoë (2018) Ruin and Racoon-feeding: collages of constantly shifting temporal matter, from Merzbau to Grey Gardens. In: Beyond Pattern and Chaos, 5 September 2018, Norwich University of the Arts, Duke Street, Norwich.

Mendelson, Zoë (2014) A Slip of Freuds: An evening of collective nouns and clutter. [Show/Exhibition]

Mendelson, Zoë (2015) Thinking through objects and entropy in Grey Gardens. In: Re-Collections - Films about the obsession to own, to keep, to collect, 11 April 2015, Barbican Centre, London.

Melvin, Jo and Weir, Grace (2017) Grace Weir Unfolded. [Show/Exhibition]

Melvin, Jo and Pavel, Pys (2015) Christine Kozlov: Information. [Show/Exhibition]

Melvin, Jo and Bonifati, Vittoria (2018) ARCHEOLOGI Archeology of the mind: the metadata of Villa Lontana. [Show/Exhibition]

Melvin, Jo and Bonifati, Vittoria (2019) Machismo. [Show/Exhibition]

Melvin, Jo and Bonifati, Vittoria (2020) Memory Game. [Show/Exhibition]

Melvin, Jo and Bonifati, Vittoria (2018) Sculptureless Sculpture. [Show/Exhibition]

Melvin, Jo (2017) 15 People Select their favourite book. [Show/Exhibition]

Melvin, Jo (2016) The Alchemical Landscape II: Screen Media, Occulture and the Geographic Turn. In: Alchemical Landscapes II, 7 July 2016, Girton College, Cambridge.

Melvin, Jo (2021) Barry Flanagan. [Show/Exhibition]

Melvin, Jo (2018) Barry Flanagan The Hare is Metaphor. [Show/Exhibition]

Melvin, Jo (2018) Barry Flanagan The Hare is Metaphor. Paul Kasmin Gallery, New York City. ISBN 978-1-947232-05-1

Melvin, Jo (2017) Barry Flanagan: Light pieces and other works. [Show/Exhibition]

Melvin, Jo (2017) From soft to hard and back again...Barry Flanagan and his contemporaries. In: Supporting Contemporary Japanese Art Future and Legacy: Contemporary/ Art/ Archives: Deposit, Output, Activation, January 14 - 15, 2017, National Art Center and Keio University, Tokyo.

Melvin, Jo (2021) This is NOT art this is ART 'pataphysics, counterpoise and the tightrope in Barry Flanagan's sculptural practice. In: Barry Flanagan Newspaper. von Bartha, Switzerland.

Meller, Fred (2019) Here for Life (Production Design). [Art/Design Item]

McVeigh, Whitney (2015) 'Birth': Origins at the end of life. In: Motherhood and Creative Practice, 1 - 2 June 2015, London South Bank University.

McVeigh, Whitney (2015) ‘Birth’: Origins at the end of life. [Show/Exhibition]

McVeigh, Whitney (2016) Contours. [Art/Design Item]

McVeigh, Whitney, Gallery MOMO Cape Town (2016) Paradoxal Stranger. [Show/Exhibition]

McMullen, Ken and Beuys, Joseph (2005) Word Works. [Art/Design Item]

McMullen, Ken (2007) Arrows of Time - a live performance event. [Show/Exhibition]

McMullen, Ken (2008) Art + Cinema = Dark Energy. In: UAL Professorial Platform Series 2007-08, 15 April 2008, London College of Fashion, 20 John Prince's Street, London W1G 0BJ.

McMullen, Ken (2005) "Pioneers in Art and Science: John Berger and Gustav Metzger". [Art/Design Item]

McMillan, Michael (2016) Doing Nothing is Not an Option. [Show/Exhibition]

McKie, Annamarie (2016) Diverse practices: video art and libraries. Art Libraries Journal, 29 (1). pp. 35-41. ISSN 0307-4722

McKenzie, Jordan (2014) Carl An(t)dre/LeWitt Lean. [Show/Exhibition]

McGrady, Patrick (2018) Kubrick's Lost Prologue, in Beyond 2001. [Show/Exhibition]

McGowan, David (2016) “And They Lived Happily Ever After???!”: Disney’s Animated Adaptation of Snow White and the Seven Dwarfs (1937) and Fleischers’ Gulliver’s Travels (1939). In: It’s the Disney Version!: Popular Cinema and Literary Classics. Rowman & Littlefield, Lanham, MD, pp. 1-12. ISBN 978-1442266063

McGowan, David (2019) Animated Personalities: Cartoon Characters and Stardom in American Theatrical Shorts. University of Texas Press, Austin. ISBN 978-1-4773-1744-0

McGowan, David (2021) “There’s Just No Point in Doing a Commentary Where Everyone’s Just Going to Sit and Criticize the Movie”: Auteurism and the Creation of Hoax “Unruly” Extra Features in the DVD Era. Quarterly Review of Film and Video. ISSN 1543-5326

McGowan, David (2018) Walt Disney Treasures or Mickey Mouse DVDs? Animatophilia, Nostalgia, and the Competing Representations of Theatrical Cartoon Shorts on Home Video. Animation: An Interdisciplinary Journal, 13 (1). pp. 53-68. ISSN 1746-8485

McGill, Genevieve (2013) Moving Image, Montage and Memory: The development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory. PhD thesis, University of the Arts London.

McCloy, Anne (2015) Inside Outside Underground - IOU. [Show/Exhibition]

McCartney, Nicola (2016) I'm Afraid to Stop Dancing. [Art/Design Item]

Matthews, Peter (2015) The Bitter Tears of Petra von Kant: The Great Pretender. Current: The Criterion Collection.

Matthews, Peter (2011) Book of revelations. Sight & Sound, 21 (2). pp. 44-45. ISSN 00374806

Marino, Sara (2016) Power, command and violence in von Trier’s Manderlay. A political and philosophical analysis of pseudo-democracies. CineJ Cinema Journal, 5 (2). pp. 4-27. ISSN 2158-8724

Marino, Sara (2013) The Role of the Refugee and The Impact of Fragmented Identities In Diasporic Filmmakers. A Review of Dogville By Lars von Trier. CineJ Cinema Journal, 3 (1). pp. 126-149. ISSN 2158-8724

Manchot, Melanie (2007) Shave - two channel synchronised video. [Art/Design Item]

Maloney, Peter (2008) Film as Form (Stanley Kubrick's Colour Space). [Show/Exhibition]

Maloney, Peter (2018) Film as Form: Deconstructed + Preconstructed 2018. [Art/Design Item]

Maloney, Peter (2018) Film as Form: Kubricks Colour Space 2018. [Art/Design Item]

Maloney, Peter (2008) Film as database: a visual analysis of 2001: A Space Odyssey. In: Electronic Visualisation and the Arts (EVA) 2008, 22-24 July 2008, The British Computer Society.

Maffioletti, Catherine (2012) Beyond the Mirror: Towards a feminised (cartographic) process of spatiality in moving-image & installation based art. PhD thesis, University of the Arts London.

Madsen, Jane and Swinson, James and Cumming, John (1989) First Time Tragedy Second Time Farce. [Art/Design Item]

Madsen, Jane and Kirwan, Helen (2019) Low Points. [Art/Design Item]

Madsen, Jane (2009) Elephant Steel. [Art/Design Item]

Madsen, Jane (1998) Hercules Road. [Art/Design Item]

Madsen, Jane (1994) Home. [Art/Design Item]

Madsen, Jane (2023) Into the Woods: The Green Spaces of Huillet and Straub’s Workers, Peasants and The Return of The Prodigal Son — Humiliated. In: The Cinema of Danièle Huillet and Jean-Marie Straub. Moving Image, 14 . Legenda, Cambridge, pp. 123-139. ISBN 978-1-839540-58-5

Madsen, Jane (2017) The Landscape and the Eye: Ways of Looking. In: John Berger Now, 12–13 September 2017, Canterbury Christ Church University.

Madsen, Jane (2008) Marion’s Death Drive: Psycho driving and the car. In: Philosophy in Art. Zidane Press, London, pp. 54-63. ISBN 978095482109

Madsen, Jane (2021) The films of Jean-Marie Straub and Danièle Huillet: Complete retrospective. The Moving Image Review & Art Journal (MIRAJ), 9 (1). pp. 102-109. ISSN 2045-6298

Mackay, Jem (2015) www.swarmtv.net: non-­hierarchy through open source approaches to distributed filmmaking. PhD thesis, University of the Arts London and Falmouth University.

Macdonald, Anna (2016) After Mrs Mills. [Art/Design Item]

Macdonald, Anna (2020) Alpen. [Art/Design Item]

Macdonald, Anna (2020) Circling and Circling (again). [Show/Exhibition]

Macdonald, Anna (2013) Editing I will not hope. Choreographic Practices, 4 (2). pp. 189-203. ISSN 2040-5669

Macdonald, Anna (2014) Falling for everything. [Art/Design Item]

Macdonald, Anna (2017) Holding and Curation. Repertório: Teatro & Dança, 27. pp. 49-58. ISSN 2175-8131

Macdonald, Anna (2012) I will not hope. [Art/Design Item]

Macdonald, Anna (2023) Keeping in time: Mastery, as a condition of colonial and patriarchal discourse, and the temporality of screendance. In: LO:TECH:POP:CULT: Screendance Remixe. Routledge, London. ISBN 9781032372150

Macdonald, Anna (2017) Progression (Walking) and (Freestyle). [Art/Design Item]

Macdonald, Anna (2020) Reasonable Adjustments. [Art/Design Item]

Macdonald, Anna (2020) Strikethrough studies. [Art/Design Item]

Macdonald, Anna (2010) Things that start slowly. [Art/Design Item]

Macdonald, Anna (2016) Walk. [Art/Design Item]

Macdonald, Anna (2021) Ways of doing things. [Show/Exhibition]

Louisa, Minkin and Ian, Dawson (2017) Pictures Not Homes. [Show/Exhibition]

Loschky, Lester. C and Larson, Adam. M and Magliano, Joseph. P and Smith, Tim (2015) What Would Jaws Do? The Tyranny of Film and the Relationship between Gaze and Higher-Level Narrative Film Comprehension. PLoS One, 10 (11). e0142474. ISSN 1932-6203

Locke, Lana (2021) Journeys of Laundry Mountain. [Art/Design Item]

Lewis, Mark (2015) Above and Below. [Show/Exhibition]

Lewis, Mark (2014) Above and Below the Minhocão. [Art/Design Item]

Lewis, Mark (2009) Afterword. Afterall, 22. pp. 115-120. ISSN 1465-4253

Lewis, Mark (2006) Arret Sur Image. [Show/Exhibition]

Lewis, Mark (2009) Backstory. [Art/Design Item]

Lewis, Mark (2011) Beirut. [Art/Design Item]

Lewis, Mark (2011) Black Mirror at the National Gallery. [Art/Design Item]

Lewis, Mark (2009) Cinecity Presents: Mark Lewis. [Show/Exhibition]

Lewis, Mark (2010) Forte! [Art/Design Item]

Lewis, Mark (2017) Galveston. [Show/Exhibition]

Lewis, Mark (2017) Galveston. [Art/Design Item]

Lewis, Mark (2009) Gershin Iskowitz Prize Exhibition. [Show/Exhibition]

Lewis, Mark (2006) Howlin' Wolf. [Art/Design Item]

Lewis, Mark (2009) In a City. [Show/Exhibition]

Lewis, Mark (2014) Invention. In: UAL Professorial Platform Series 2013-14, 12 May 2014, Central Saint Martins, Granary Building, 1 Granary Square, King's Cross, London N1C 4AA. (Unpublished)

Lewis, Mark (2015) Invention. [Art/Design Item]

Lewis, Mark (2014) Invention at the Louvre. [Show/Exhibition]

Lewis, Mark (2009) Jeff Wall - Photographer. In: Jeff Wall- The Complete Edition. Phaidon Press, London, pp. 180-205. ISBN 9780714839516

Lewis, Mark (2005) Landscapes. [Show/Exhibition]

Lewis, Mark (2009) Man. [Show/Exhibition]

Lewis, Mark (2005) Mark Lewis. [Show/Exhibition]

Lewis, Mark (2015) Mark Lewis, Invention. [Show/Exhibition]

Lewis, Mark (2017) Mark Lewis: Canada. [Show/Exhibition]

Lewis, Mark (2009) Mark Lewis: Cold Morning. [Show/Exhibition]

Lewis, Mark (2009) Solo exhibition at Jeu de Paume. [Show/Exhibition]

Lewis, Mark (2009) The Spectacle of the Everyday. [Show/Exhibition]

Lewis, Mark (2009) Ten Films. [Show/Exhibition]

Lewis, Mark (2017) Things Seen. [Art/Design Item]

Lewis, Mark (2014) Tiger and Observation in Cheorwon County. [Show/Exhibition]

Lewis, Mark (2017) Valley. [Art/Design Item]

Lewis, Mark (2011) Walworth Road (Rosa Miguel, age 32, August 22, 2009). [Art/Design Item]

Leister, Wiebke and Carruthers, Beverley (2019) Writing Photographs – an exhibition project for text-image environments. [Show/Exhibition]

Leister, Wiebke (2010) Figuring Out, Taking Shape, Facing In. [Show/Exhibition]

Leister, Wiebke (2009) The Grain of the Voice. [Show/Exhibition]

Leigh, Joanna (2009) My Impossible Task? Writing an Ethical Biopic of Samuel Johnson. PhD thesis, University of the Arts London.

Lebas, Chrystel (2016) Regarding Nature. [Show/Exhibition]

Le Grice, Malcolm (2008) Beware of the Research Culture. In: UAL Professorial Platform Lecture Series 2008-09, 1 December 2008, London College of Fashion, 20 John Prince's Street, London W1G 0BJ.

Layzell, Richard (2016) The Artist Hotel. [Show/Exhibition]

Layzell, Richard (2016) It's Time for Da. [Art/Design Item]

Layzell, Richard (2017) Korea Town. [Art/Design Item]

Layzell, Richard (2017) The Korean Wave. [Show/Exhibition]

Layzell, Richard (2016) The Palamari Sauce Boat. [Show/Exhibition]

Layzell, Richard (2015) The Table is the Floor. Bright Light (2). pp. 29-34. ISSN 2055-1606

Lane, Kate and Ceschi, Valentina (2019) Echos of Greenham. [Art/Design Item]

Kul-want, Christopher (2019) Philosophers on Film: From Bergson to Badiou, A Critical Reader. Columbia University press, New York. ISBN 978-0-231-17603-3

Kuc, Kamila and Stark, Scott (2023) The Last Forever. [Performance]

Kuc, Kamila and Adema, Janneke (2019) Unruly Gestures. [Art/Design Item]

Kuc, Kamila and Adema, Janneke (2019) Unruly Gestures: Seven Cine-Paragraphs on Reading/Writing Practices in our Post-Digital Condition. Culture Unbound: Journal of Current Cultural Research, 11 (1). pp. 190-208. ISSN 2000-1525

Kuc, Kamila (2019) Aesthetic Violence in the Anarchival Turn: On the Infinite Visions of History. Found Footage Magazine, 5. ISSN 2462-2885

Kuc, Kamila (2016) Batum. [Art/Design Item]

Kuc, Kamila (2015) Boro, l'Île d'Amour: The Films of Walerian Borowczyk. Berghan Books, New York. ISBN 978-1782387015

Kuc, Kamila (2015) Cinema Without Film: A Sketch of a Fragmented History of the Polish Avant-Garde Film, 1916 – 1934. Cingergie. Cinema and other Arts, 7. pp. 113-120. ISSN 2280-9481

Kuc, Kamila (2023) Her Plot of Blue Sky. [Art/Design Item]

Kuc, Kamila (2017) I Think You Should Come to America. [Art/Design Item]

Kuc, Kamila (2022) Performative and Experiential Archiving: Negotiating Modes of Creativity in Conflict Zones. In: Research Talks, 17 March 2022, University for the Creative Arts, Farnham.

Kuc, Kamila (2015) The Postcard Never Sent: Guy de Maupassant and Rosalie Prudent’s Cinematic Confession. In: Boro: L’île d’Amour: The Films of Walerian Borowczyk. Berghan Books, New York, pp. 77-89. ISBN 1789208181

Kuc, Kamila (2021) What We Shared. [Art/Design Item]

Kuc, Kamila (2022) What We Shared: Emotions as Documents of Historical Significance. In: CREES Noon Lecture, 23 March 2022, Centre for Russian, East European and Eurasian Studies, University of Michigan, Ann Arbor, Michigan, USA.

Kuc, Kamila (2022) What We Shared: Towards the Politics of Empowerment. In: Visible Evidence: Images of History, 5-11 August, Gdansk, Poland.

Kuc, Kamila (2014) ‘The inexpressible unearthly beauty of the cinematograph’: The Impact of Polish Futurism on the First Polish Avant-Garde Films. In: The Struggle for Form: Perspectives on Polish Avant-Garde Film 1916-1989. Columbia University Press/Wallflower Press, London/New York, pp. 31-57. ISBN 978-0231169820

Kuc, Kamila (2020) noonwraith blues. [Art/Design Item]

Kuc, Kamila (2021) uchronia, no.1. [Art/Design Item]

Kreider, Kristen and O'Leary, James (2011) Gorchakov's Wish. [Art/Design Item]

Kreider, Kristen and O'Leary, James (2010) The edge of Emily's desk. [Art/Design Item]

Kollectiv, Galia and Kollectiv, Pil (2023) Elks in the Rear Window. [Show/Exhibition]

Kollectiv, Galia and Kollectiv, Pil (2023) Fossils. [Show/Exhibition]

Knight, David and Hawker, Marc and Whitaker, Ishbel (2007) Waiting For the Guards - public awareness film commissioned by Amnesty International. [Art/Design Item]

Kirkwood, Lucy and Kendall, Alex and Moneo, Teresa and Macdonald, Andrew and Reich, Allon and Smith, Joanne and Yates, Eva and Butler, Alison and Bradley, Kerry (2015) The Briny. [Art/Design Item]

Kirkham, Neil (2011) Simple pornographers? The Marquis de Sade and the evolution of the hard-core pornographic film narrative. PhD thesis, University of the Arts London.

Kirkham, Neil (2012) The new 'porno-chic'? fashion, consumption and film pornography. Film, Fashion and Consumption, 1 (2). pp. 203-220. ISSN 20442823

Kesseler, Rob (2018) GENUS. [Art/Design Item]

Kesseler, Rob (2010) Morphogenesis. [Art/Design Item]

Kesseler, Rob (2017) Worlds Within. [Art/Design Item]

Kesseler, Rob (2014) Zona Pellucida; Zona in Vitro; Zona Pellucida - Zona Lucida. [Show/Exhibition]

Kent, Rachel (2019) 'After Nature - The allure of the Natural History Museum’, Janet Laurence. In: Janet Laurence: After Nature. The Museum of Contemporary Art, Sydney, Australia, Sydney, Australia.

Kenny, Andrew (2011) MA Textiles, Royal College of Art, Final Show. [Art/Design Item]

Kelland, Dean (2016) Flawed Masculinities: “Rupturing” 1950s/60s/70s British TV Sitcom via a Performance-led Interdisciplinary Arts Practice. PhD thesis, University of the Arts London.

Kearney, Jonathan (2011) Manifestations of images: an exhibition of painting, picture and video. [Show/Exhibition]

Kear, Adrian (1997) Eating the Other: Performance and the Fantasy of Incorporation. In: Border Patrols: Policing the Boundaries of Heterosexuality. Cassells, London, pp. 253-273. ISBN 0304334790

Karamath, Joel (2008) With nail and I. [Art/Design Item]

Jackson, Melanie (2005) Made in China. [Art/Design Item]

Jackson, Melanie (2003) Some things you are not allowed to send around the world. [Show/Exhibition]

Jackson, Joe and Sendra, Estrella and Norton, Barley (2022) Special Issue Musicology on Screen: Editorial. Screenworks, 12 (2). ISSN 2514-3123

Jackson, Joe (2022) Kahlil Joseph, New Media, and the New Black Cinema: A Case for Situating Kahlil Joseph's Audiovisual Work Within the Theoretical Frameworks of African Film. Black Camera, 13 (2). pp. 89-114. ISSN 1947-4237

Jackson, Joe (2022) Searching for Soul, Reframing the Pursuit of Capital: A Comparison of Kahlil Joseph’s and Derek Pike’s ‘I Need A Dollar’ Music Videos. Music Sound and the Moving Image, 16 (1). pp. 53-77. ISSN 1753-0768

Ingham, Mark and Beech, Amanda and Poole, Matthew and Joseph-Lester, Jaspar and Marshall, Mike and Henry, Julie and Jones, Alison and Kulkarni, Nayan and Miranda Bilbao, Jasone and Perry, Giles (2005) Episode. [Show/Exhibition]

Ingham, Mark (2012) 120 Days + Nights of Staggering and Stammering (Let's Make Love). [Art/Design Item]

Ingham, Mark (2003) It's Good For You Cold. [Art/Design Item]

Illingworth, Shona and Tulloch, John and Albano, Caterina (2023) 216 Westbound: A Topography of Latent Fear. In: Living with Precariousness. Bloomsbury Academic, London, New York, Oxford, New Delhi, Sydney, pp. 207-230. ISBN 9780755639311

Igwe, Onyeka (2021) Unbossed and Unbound: How can critical proximity transfigure British colonial moving images? PhD thesis, University of the Arts London.

Hutson, John. P and Magliano, Joseph. P and Smith, Tim and Loschky, Lester. C (2021) “This Ticking Noise in My Head”: How Sound Design, Dialogue, Event Structure, and Viewer Working Memory Interact in the Comprehension of Touch of Evil (1958). Projections, 15 (1). pp. 1-27. ISSN 1934-9688

Hunter, Tom (2016) Annual Photographer’s Lecture 2013 - Home. Studies in Photography 2016, 30th Anniversary Edition ii, 30 (ii). pp. 8-19. ISSN 1462-0510

Hunter, Tom (2010) A palace for us. [Show/Exhibition]

Huang, Shu-fang (2009) The Traces of a Traveller: Textile-Based Narrative in Contemporary Art Practices. PhD thesis, University of the Arts London.

Hosea, Birgitta (2014) Channelling Time for Over Time. Animation Studies 2.0.

Horvat, Vlatka (2021) Until the Last of Our Labours Is Done. [Art/Design Item]

Hollington, Simon and Kyprianou, Kypros (2003) The Invisible Force Field Experiments. [Show/Exhibition]

Holdsworth, Claire (2023) Intermedial Voices: Intersections in Feminist Sound and Moving Image. In: The Moving Form of Film: Historicizing the Medium through Other Media. Oxford University Press. ISBN 9780197621714

Holdsworth, Claire (2019) Schizophonic states: the ventriloquial voice in British artists’ film and video of the 1970s and 1980s. In: RE:SOUND 8th International Conference on the Histories of Media Arts 2019, 20–23 August 2019, Aalborg University.

Holdsworth, Claire (2019) Speaking out: Split identities, politics and the ventriloquial voice in artists’ film and video of the 1970s and 1980s. In: Association of Art History Conference 2019, 4-6 April 2019, University of Brighton.

Holdsworth, Claire (2022) Ventriloquial Bodies. Reframing Ephemerality in Artists’ Film and Video. In: Retuning the Screen: Sound Methods and the Aural Dimension of Film and Media History. University of Udine / Mimesis International, pp. 181-186. ISBN 978-88-6977-331

Holdsworth, Claire (2020) Ventriloquial bodies: Re-framing ephemerality in artists’ film & video. In: CTM Festival 2020, 26 January 2020, Berlin.

Holdsworth, Claire (2020) Ventriloquial bodies: Re-framing ephemerality in artists’ film & video. In: Sound Methods and the Aural Dimension of Film and Media History, XXVII International Film and Media Studies Conference, 2–4 November 2020, University of Udine, Gorizia, Italy [online].

Holdsworth, Claire (2020) Vocal acts: video art and the artist’s voice. Journal of Art Historiography (23). ISSN 2042-4752

Holdsworth, Claire (2019) Work in Fluxus: Remediating the Sixties. In: The Radical Sixties: Aesthetics, Politics and Histories of Solidarity, 28-29 June 2019, University of Brighton.

Holdsworth, Claire (2019) The ventriloquial voice: Remediating narrative and structuring the archive in artists’ film and video. In: NECS 2019 Conference: Structures and Voices: Storytelling in Post-Digital Times, 13-15 June 2019, University of Gdańsk.

Hogan, Eileen (2019) Eileen Hogan: Personal Geographies. [Show/Exhibition]

Hogan, Eileen (2014) "Of Green Leaf, Bird and Flower": Artists' Books and the Natural World. [Show/Exhibition]

Hodes, Charlotte and Rees-Jones, Deryn (2014) And You, Helen. [Art/Design Item]

Hodes, Charlotte and Rees-Jones, Deryn (2019) The Errant Muse. [Show/Exhibition]

Held, Isabelle Marina (2016) Sex Dream Palaces: Pornographic Spectatorship from Public to Private. Under the Influence (16).

Harris, Jane and Hawkins, Rebecca and Bashford-Rogers, Thomas and Mazzarella, Francesco and Whelan, Stephen and Bunyan, Claire and Rowe, Michelle (2022) DREEm: Modelling and Supporting Recovery of the UK’s Experience Economy. Project Report. University of the Arts London, London.

Hankir, Ahmed and Zaman, Rashid and Anderson, Sal and Knight, David and McEwan, Chuckie and Evans‐Lacko, Sara (2014) The Wounded Healer: an effective anti‐stigma intervention targeted at the medical profession? In: Royal College of Psychiatrists: Faculty of Perinatal Psychiatry Annual Scientific Meeting, 20 November 2014, Royal College of Psychiatrists, London E1 8BB.

Hamann, Sigune (2005) Dinnerfor1. [Show/Exhibition]

Hamann, Sigune (2016) Film-strips. [Art/Design Item]

Hamann, Sigune (2013) In the name of. [Show/Exhibition]

Hamann, Sigune (2008) Undercurrent. [Show/Exhibition]

Hamann, Sigune (2012) Wave. [Show/Exhibition]

Hamann, Sigune (2008) The walking up and down bit. [Show/Exhibition]

Haegele, Levin (2007) Cigarette Piece. [Art/Design Item]

Haegele, Levin (2007) Fuse Piece. [Art/Design Item]

Gverović, Tina and Ilić, Siniša and Cain, Ben (2017) Collage on the Highway. [Show/Exhibition]

Gverović, Tina and Ilić, Siniša (2014) Chameleon. [Art/Design Item]

Gverović, Tina and Cain, Ben (2017) Sea of People. [Art/Design Item]

Gunning, Tom and Uhlirova, Marketa (2016) Wearing Time: Returns, Recalls, Renewals. [Show/Exhibition]

Gunning, Lucy (2015) Get a little breeze blowing in your Shop. [Art/Design Item]

Gunning, Lucy (2010) Imagine Sandnes. [Show/Exhibition]

Gronlund, Melissa (2012) Observational Film: Administration of Social Reality. Moving Image Review & Art Journal (MIRAJ), 1 (2). pp. 169-179. ISSN 20456298

Gronlund, Melissa (2014) Return of the Gothic: Digital Anxiety in the Domestic Sphere. e-flux (1).

Grinter, Carl (2020) Between Being and Becoming: How Might Surprise Create New Meaning Co-ontologically in the Design Production and Reception of Immersive-Media? PhD thesis, University of the Arts London.

Grimaldi, Silvia (2012) Cinematic Narratives of Product Interaction Experiences: Methods for Cross-Media Fertilisation of the Design Process. In: Out of Control: Proceedings of 8th International Design and Emotion Conference London 2012. University of the Arts London, London. ISBN 9780957071926

Greenhalgh, Cathy and Lane, Cathy and Butcher, Rosemary (2006) Aftermath. [Art/Design Item]

Greenhalgh, Cathy (2010) Cinematography and camera crew: practice, process and procedure. Theorising media and practice: Anthropology of Media, 4. pp. 303-324. ISSN 9781845457419/9781845457457

Grandal Montero, Gustavo (2011) Collecting and using artists’ moving image in academic art libraries. In: ARLIS half-day workshop on artists' film, 2 March 2011., LUX, London.

Grandal Montero, Gustavo (2009) Video as art: collecting artists’ moving image in academic art libraries. Art Libraries Journal, 34 (3). pp. 5-10. ISSN 03074722

Graff, Agnieska and Church Gibson, Pamela (2008) It is Happening for a Reason. The Americanist: The Warsaw Journal for the Study of the United States, 24. pp. 15-33. ISSN 1896-2556

Goodwin, Paul (2017) UNTITLED: Art on the conditions of our time. [Show/Exhibition]

Good, Jennifer and Lowe, Paul and Lardinois, Brigitte and Williams, Val (2014) Mythologizing the Vietnam War - Introduction. In: Mythologizing the Vietnam War: Visual Culture and Mediated Memory. Cambridge Scholars Publishing, Newcastle Upon Tyne, xiii-xv. ISBN 978-1-4438-5442-9

Gitton, Esteban and Shade, Aza (2014) Tek. [Art/Design Item]

Gibson, Ruth and Roth, Bine and Pollmann, Alexa and Martelli, Bruno (2022) DAZZLE: A Re-Assembly of Bodies. [Show/Exhibition]

Garfield, Rachel (2011) Samvaad 1: video screenings. [Show/Exhibition]

Fried, Klaus (2007) Gone to the Dogs. [Art/Design Item]

Fried, Klaus (2002) Red Army Friction.

Fowler, Rosalind (2013) Embodied Film and Experimental Ethnography: Place, Belonging and Performative Folk Traditions in England. PhD thesis, University of the Arts London.

Flint, Rob (2004) Film, Video, and Digitality: An Analysis of Cultural Form in Time-based Media. PhD thesis, University of the Arts London.

Finch, Mick (2023) Tell Me Where Your Freedom Lies. [Show/Exhibition]

Ferguson, Kathryn and Yeh, Shaway (2012) Dressing the Screen: the rise of fashion film. [Show/Exhibition]

Ferguson, Kathryn (2012) 4th and Vine. [Art/Design Item]

Ferguson, Kathryn (2012) H: Horses. [Art/Design Item]

Ferguson, Kathryn (2016) Incredible Machines. [Art/Design Item]

Farthing, Stephen (2011) Elements of drawing. [Art/Design Item]

Farhid, Nooshin (2005) Blind Spot. [Art/Design Item]

Farhid, Nooshin (2007) Borderline. [Art/Design Item]

Farhid, Nooshin (2005) Hair Salon. [Art/Design Item]

Farhid, Nooshin (2006) Mrs. Hodges' Frequent Use of Air Freshener. [Art/Design Item]

Falconer, Vicky and Kalodera, Irena (2014) The tongue shapes words all too quickly. [Show/Exhibition]

Falconer, Vicky (2013) Some undisclosed points of remove. [Show/Exhibition]

Faiers, Jonathan (2002) Dissolves/Thawing. In: Potential: Ongoing Archive. Artimo/John Hansard Gallery, pp. 70-75. ISBN 9075380488

Faiers, Jonathan (2003) Touritalia - Condensed Culture and the Representation of Italian Itineraries in Mainstream Cinema. In: Site-Seeing. B_Books, Berlin, pp. 78-87. ISBN 3933557429

Evans, Caroline and Parikka, Jussi (2020) Introduction: Touch, Click, and Motion: Archaeologies of Fashion Film After Digital Culture. Journal of Visual Culture, 19 (3). pp. 1-17. ISSN 1470-4129

Elwes, Catherine (2012) Editorial. The Moving Image Review & Art Journal (MIRAJ), 1 (1). pp. 3-9. ISSN 2045-6298, 2045-6301

Elwes, Catherine (2013) Figuring Landscapes in Australian Artists’ Film and Video. In: Film Landscapes: Cinema, Environment and Visual Culture. Cambridge Scholars, Newcastle upon Tyne, pp. 164-182. ISBN 9781443843720

Elwes, Catherine (2010) Figuring landscapes: visions from down under. In: Cinema & Landscape conference, 17 April, 2010, Sheffield Hallam University. (Unpublished)

Elwes, Catherine (2015) Installation and the Moving Image. Wallflower Press and Columbia University Press, New York; Chichester, West Sussex. ISBN 978-0-231-17451-0

Elwes, Catherine (2011) Introduction to summer. [Art/Design Item]

Elwes, Catherine (2010) Kensington Gore. [Art/Design Item]

Elwes, Catherine (2008) Pam’s war. [Art/Design Item]

Elwes, Catherine (2012) Peter Campus: opticks. Moving Image Review & Art Journal (MIRAJ), 1 (1). pp. 107-110. ISSN 20456298

Elwes, Catherine (2012) Phases, ruptures and continuities. Moving Image Review & Art Journal (MIRAJ), 1 (2). pp. 147-151. ISSN 20456298

Elwes, Catherine (2012) Pipilotti Rist. Moving Image Review & Art Journal (MIRAJ), 1 (2). pp. 271-276. ISSN 20456298

Elwes, Catherine (2010) Sea fever. [Show/Exhibition]

Elwes, Catherine (2017) ‘Television Interventions: experiments in broadcasting by artists in Britain in the 1970s and ‘80s’. In: Other Cinemas: Politics, Culture and Experimental Film in the 1970s. I.B.Tauris, London, pp. 185-204. ISBN 9781784537180

Elwes, Catherine (2010) Telling tales aboard bluefin. [Art/Design Item]

Elwes, Catherine (2010) Travelling shots: Haiti. [Art/Design Item]

Elwes, Catherine (2011) The domestic spaces of video installation – television, the gallery and online. In: Expanded cinema: art, performance, film. Tate Publishing, London. ISBN 9781854379740

Elwes, Catherine (2011) The gunfighters. [Art/Design Item]

Ellard, Graham and Johnstone, Stephen and Thatcher, Tony (2016) Dance, Film, Performance. [Performance]

Ellard, Graham and Johnstone, Stephen and Thatcher, Tony (2017) Edge Balance. [Performance]

Ellard, Graham and Johnstone, Stephen (2015) Anthony McCall: Notebooks and Conversations. Lund Humphries, London. ISBN 978-1-84822-169-7

Ellard, Graham and Johnstone, Stephen (2015) Cut. [Art/Design Item]

Ellard, Graham and Johnstone, Stephen (2016) Cut Cast Reveal. [Art/Design Item]

Ellard, Graham and Johnstone, Stephen (2013) Everything Made Bronze. [Art/Design Item]

Ellard, Graham and Johnstone, Stephen (2015) For An Open Campus. [Art/Design Item]

Ellard, Graham and Johnstone, Stephen (2001) Head Corridor. [Art/Design Item]

Ellard, Graham and Johnstone, Stephen (2018) La Mer (Four hands. Two dancers. Two films). [Art/Design Item]

Ellard, Graham and Johnstone, Stephen (2009) Machine on Black Ground. [Art/Design Item]

Ellard, Graham and Johnstone, Stephen (2006) Motion Path. [Art/Design Item]

Ellard, Graham and Johnstone, Stephen (2011) Neue Museen. [Art/Design Item]

Ellard, Graham and Johnstone, Stephen (2007) Proposal, for an unmade film (set in the future). [Art/Design Item]

Ellard, Graham and Johnstone, Stephen (2011) Things to Come. [Art/Design Item]

Ebersole, P David and Hughes, Todd and Anderson, Larra (2017) Mansfield 66/67. [Art/Design Item]

Dunhill, Mark and O'Brien, Tamiko (2003) Examples in Sculpture. [Show/Exhibition]

Dryden, Sarah (2022) Imagining the Home: A practice based critical investigation into the western frontier domestic space and its mediated form. PhD thesis, University of the Arts London.

Dower, Sean (2006) Automaton. [Art/Design Item]

Donszelmann, Bernice and Renshaw, Tim and Robertson, Helen, Outside Architecture (2019) Drift. [Show/Exhibition]

Donszelmann, Bernice (2015) Touch Screen. Journal of Contemporary Painting, 1 (1). pp. 55-64. ISSN 2052-6695

Donszelmann, Bernice (2015) 'Touch Screen'. In: Painting: Critical and Primary Sources. Critical and Primary Sources, 4 . Bloomsbury, London, pp. 109-118. ISBN 9781472558411

Doing, Karel Sidney (2017) Ambient Poetics and Critical Posthumanism in Expanded Cinema. PhD thesis, University of the Arts London.

Dobai, Sarah (2021) The Donkey Field & Hidden in Plain Sight. [Show/Exhibition]

Dobai, Sarah (2021) The Donkey Field. [Show/Exhibition]

Dobai, Sarah (2022) The Donkey Field. [Show/Exhibition]

Dobai, Sarah (2021) The Donkey Field. [Art/Design Item]

Dobai, Sarah (2011) EXHIBITION: On the nature of things. [Show/Exhibition]

Dobai, Sarah (2010) Fleet: art in the haven ports. [Show/Exhibition]

Dobai, Sarah (2015) Hidden in Plain Sight. [Art/Design Item]

Dobai, Sarah (2022) Home and Abroad. [Show/Exhibition]

Dobai, Sarah (2011) Ideal #13. [Show/Exhibition]

Dobai, Sarah (2008) In the society of London ladies. [Show/Exhibition]

Dobai, Sarah (2008) Limited. [Show/Exhibition]

Dobai, Sarah (2008) Nettlecombe. [Art/Design Item]

Dobai, Sarah (2016) Performance/ screening of 'Hidden in Plain Sight' at Photographers Gallery, London.

Dobai, Sarah (2018) Principles & Deceptions. [Show/Exhibition]

Dobai, Sarah (2010) Recalling the shots: Nettlecombe. [Show/Exhibition]

Dobai, Sarah (2006) Sarah Dobai, Photographs and Filmworks. [Show/Exhibition]

Dobai, Sarah (2009) Theatres of the real. [Show/Exhibition]

Dobai, Sarah (2012) Twenty Second Hold. [Art/Design Item]

Dobai, Sarah (2015) The Vanishing Point in History. [Art/Design Item]

Dobai, Sarah (2002) Yard. [Show/Exhibition]

Diplexcito, Nelson and Churcher, Sheila (2006) Calendar Poems. [Art/Design Item]

Diplexcito, Nelson and Churcher, Sheila (2004) Tryst. [Art/Design Item]

Davidmann, Sara and Faulds, Catherine (2015) Extreme. [Show/Exhibition]

Dambuza, Charmaine (2021) Mourning and Melancholia in Zimbabwean Culture and Cinema. PhD thesis, University for the Creative Arts.

Dalal-Clayton, Anjalie (2022) Time looping: cyclical pasts and speculative futures in the work of Keith Piper. In: Keith Piper: Jet Black Futures. The New Art Gallery Walsall, Walsall, England, pp. 39-68. ISBN 978-1-907363-17-7

Cussans, John (2010) Tele geto 1. [Show/Exhibition]

Cussans, John (2010) Tele geto 2: Globe Town speaks back. [Show/Exhibition]

Curtis, David and Ball, Steven (2003) British Artists Film and Video Study Collection.

Curtis, David (2003) A Century of Artists' Film in Britain. [Show/Exhibition]

Curtis, David (2007) A History of Artists' Film and Video in Britain 1897-2003. BFI Publishing: London.. ISBN 1844570967

Cummings, Neil and Lewandowska, Marysia and White, Ben and Simpson, Eileen (2005) Screen Tests. [Art/Design Item]

Cummings, Neil and Lewandowska, Marysia (2005) Enthusiasm. [Show/Exhibition]

Cummings, Neil and Lewandowska, Marysia, Enthusiasts Archive (2004) Enthusiasts Archive. [Art/Design Item]

Cummings, Neil and Lewandowska, Marysia (2008) Museum Futures: Distributed. [Art/Design Item]

Cummings, Neil and Lewandowska, Marysia (2008) Post production. [Show/Exhibition]

Cummings, Neil (2008) Lapdogs. [Art/Design Item]

Cummings, Neil (2014) More things can happen than will, or have. In: UAL Professorial Platform Series 2013-14, 19 June 2014, Chelsea College of Arts, 16 John Islip Street, London SW1P 4JU.

Crowley, Matthew (2017) Frames (Three Acts). [Art/Design Item]

Creamer, Anne-Marie and Sullivan, Lesley G. (2015) Pirandello’s Unrealized Film, Treatment for Six Characters: An Interview with Film Director and Artist Anne-Marie Creamer. Pirandello Society Annual journal (PSA), 27. pp. 101-115. ISSN 1042-4823

Creamer, Anne-Marie and Subialka, Michael (2017) Conference presentation of film 'Treatment for Six Characters'. In: Global legacies: Pirandello across centuries and media, September 16th 2017, Hunter College, CUNY, New York, US.

Creamer, Anne-Marie and Sture, Lars (2016) By Way of an Introduction. [Performance]

Creamer, Anne-Marie and Street, Laura-Gray (2017) From Longdendale valley to Shinning Clough. [Art/Design Item]

Creamer, Anne-Marie and Street, Laura-Gray (2017) In the Open. [Show/Exhibition]

Creamer, Anne-Marie and Stewart, Louise (2022) Dear friend, I can no longer hear your voice…: Reclaiming Eliza Soane. In: GOTH (Centre for Research into Gender and Otherness in the Humanities) Symposium, Thu, 19 May 2022 - Fri, 20 May 2022, Online, hosted by the Open University.

Creamer, Anne-Marie and David, Karen (2017) Anne-Marie Creamer: A Diagram of Waiting. [Art/Design Item]

Creamer, Anne-Marie and Chorpening, Kelly (2018) Meeting the Pied Piper in Brasov a paper prologue. [Art/Design Item]

Creamer, Anne-Marie (2023) 'Dear Friend, I Can No Longer Hear Your Voice' at Koffler Centre for the Arts, Toronto. [Performance]

Creamer, Anne-Marie (2015) The Dilemmas of Adaptation: Making Treatment for Six Characters. Pirandello Studies, 35. pp. 106-115. ISSN 1471-9363

Creamer, Anne-Marie (2013) Meeting the Pied Piper in Brasov. [Show/Exhibition]

Creamer, Anne-Marie (2015) The Passing of the Keepers of Salento: a memorial to obsolescence. In: Moving Landscape. Progetto GAP, Italy.

Creamer, Anne-Marie (2015) Treatment for Six Characters. [Art/Design Item]

Course, Ann (2009) The Collaborators. [Art/Design Item]

Cottell, Fran (2016) 'Attic' for 'COLD STORAGE'. [Show/Exhibition]

Conran, Maia and Hill, Yannick and Taylor, Rachel Emily (2016) This Island, and its buildings, is our private paradise (web version). [Show/Exhibition]

Conran, Maia and Hill, Yannick (2016) Meat. [Art/Design Item]

Conran, Maia and Hill, Yannick (2015) This island, and its buildings, is our private paradise. [Show/Exhibition]

Conran, Maia (2014) Here is the Yard. [Show/Exhibition]

Coleman, Kim and Hogarth, Jenny (2010) If You Can't See My Mirrors I Can't See You. [Art/Design Item]

Coleman, Kim and Hogarth, Jenny (2009) Players. [Show/Exhibition]

Coleman, Kim and Hogarth, Jenny (2010) Staged. [Show/Exhibition]

Coleman, Kim and Buckley, Laura (2016) Polarised. [Show/Exhibition]

Coleman, Kim (2012) Django Django UK/ EU/ US Tours 2012-2015. [Art/Design Item]

Coleman, Kim (2014) Victory Over the Sun. World Tour for Franz Ferdinand. [Art/Design Item]

Cole, Sarah and Joslin, Annis (2021) HOME. [Show/Exhibition]

Cole, Sarah and Joslin, Annis (2019) The Light & The Load. [Show/Exhibition]

Cole, Sarah and Joslin, Annis (2018) Messy Business. [Art/Design Item]

Cole, Sarah and Joslin, Annis (2021) STATIC. [Art/Design Item]

Cole, Sarah and Joslin, Annis (2021) STUCK. [Show/Exhibition]

Cole, Sarah (2013) Care Full. [Show/Exhibition]

Cole, Adam and Grierson, Mick (2023) Kiss/Crash: Using Diffusion Models to Explore Real Desire in the Shadow of Artificial Representations. ACM SIGGRAPH 2023.

Coldwell, Paul (2020) Paul Coldwell: An Imaginary Grand Tour. [Show/Exhibition]

Coldwell, Paul (2019) Picturing the Invisible; The house seen from below. [Show/Exhibition]

Cobbing, William and Cooper, Rosie (2015) 'Boooook Laaaaaaunch' evening of performances at the ICA Theatre, London. [Performance]

Cobbing, William (2014) 'Bill Jubobe'. [Show/Exhibition]

Cobbing, William (2009) Clapper Tongue and Moon Walker. [Art/Design Item]

Cobbing, William (2018) 'The Kiss 2' (2017) video and 'Squeaky bum time' (2018) installation, exhibited in the group exhibition LER! (CLAY!). [Show/Exhibition]

Cobbing, William (2010) Man in the Planet. [Show/Exhibition]

Clifton, Darryl and Gannon, Rachel (2016) Teh Nw. Varoom: The Journal of the Association of Illustrators (32). pp. 44-48. ISSN 1750-483X

Clifton, Darryl (2018) >doomjolt-ante film. [Art/Design Item]

Clarke, Leigh (2011) Artist film project. [Art/Design Item]

Clark, Edmund (2018) In Place of Hate. In: British Society of Criminology Conference, 3-6 July 2018, Birmingham.

Clark, Edmund (2019) Oresteia. [Show/Exhibition]

Clark, Edmund (2012) Solo Exhibition: Section 4 Part 20: One Day on a Saturday. [Show/Exhibition]

Church Gibson, Pamela and Jeffers McDonald, Tamar (2012) Costume and Adaptation. In: A Companion to Literature, Film and Adaptation. Blackwell companions to literature and culture (81). Wiley-Blackwell, Chichester, West Sussex, UK; Malden, MA, pp. 293-311. ISBN 9781444334975

Church Gibson, Pamela and Hill, Andrew (2013) ‘Tutte e marchio’ : Excess , Performativity and Masquerade. In: The British Film Industry in the 1970s: Capital, Culture and Creativity. Springer, London, pp. 263-269. ISBN 1137305924

Church Gibson, Pamela (2006) Creating the Fashion City on Film 1953-1961. In: Fashion's World Cities. Cultures of Consumption . Berg Publishers. ISBN 9781845204136

Church Gibson, Pamela (2007) The Deification of the Dolly Bird: Selling Swinging London, Fuelling Feminism. Journal for the Study of British Cultures, 14. pp. 99-112. ISSN (ISBN: 9783826052811)

Church Gibson, Pamela (2017) Fashioning Julie Christie, Mythologizing Swinging London. In: Film, Fashion, and the 1960s. Indiana University Press, pp. 135-148. ISBN 978-0-253-02641-5

Church Gibson, Pamela (2013) From Up North to Up West? London on Screen 1965–1967. The London Journal, 31 (1). pp. 85-107. ISSN 0305-8034

Church Gibson, Pamela (2008) "Is that what they think a real man looks like?": Hollywood, gender, and consumption. In: American studies as media studies. American studies (Munich, Germany), v. 167 . Universitatsteilag Winter, Heidelberg, Germany, pp. 141-157. ISBN 9783825355173, 3825355179

Church Gibson, Pamela (2009) Jane Austen On Screen: Overlapping Dialogues, Different Takes. Adaptations, 2 (2). pp. 180-190. ISSN 1755-0645 (Print) 1755-0637 (Online)

Church Gibson, Pamela (2014) Let them Go Shopping: Marie Antoinette Moves from Page to Screen. In: Fashionable Queens: Body - Power - Gender. Austrian Studies in English, 103 . Peter Lang, Frankfurt, pp. 145-160. ISBN 978-3-631-64447-8

Church Gibson, Pamela (2006) Myths of the Swinging City: the media in the 1960s. In: Swinging Sixties. V & A Publications, pp. 80-100. ISBN 9781851774845

Church Gibson, Pamela (2004) Queer looks, male gazes, taut torsos and designer labels: contemporary cinema, consumption and masculinity. In: The Trouble with Men: Masculinities in European and Hollywood Cinema. Columbia University Press, pp. 179-189. ISBN 9781904764083

Christian, Toby (2019) Old School New Body. [Show/Exhibition]

Chesher, Andrew and Ryan, David (2010) Knots and Fields: Darmstadt and the Legacies of Modernism (A Documentary). [Art/Design Item]

Chesher, Andrew and Afker, Cristian (2011) The craftsman. [Art/Design Item]

Cherry, Deborah (2009) Wendelien van Oldenborgh | Lecture/Audience/Camera. In: Wendelien van Oldenborgh | Lecture/Audience/Camera, 14/10/2012, Lecture Theatre - Chelsea College of Arts and Design.

Cattani, Maria Lucia (2008) Quadrantes-Quadrants. [Art/Design Item]

Caston, Emily and Thraves, Jamie (2012) The Projectionist. [Art/Design Item]

Caston, Emily (2010) Celluloid saviours: angels and reform politics in Hollywood film. Cambridge Scholars Publishing, Newcastle. ISBN 9781443822695

Caston, Emily (2014) The Fine Art of Commercial Freedom: British Music Videos and Film Culture. Scope: An Online Journal of Film and Television Studies.

Caston, Emily (2011) From babies to monsters: the role of the executive producer in music videos. In: Creative Accounting: British Producers, British Screens conference, 19 - 20th April 2011, University of West of England, Bristol, UK. (Unpublished)

Caston, Emily (2012) ‘Kick, Bollocks and Scramble’: An Examination of Power and Creative Decision-Making in the Production Process During the Golden Era of British Music Videos 1995–2001. Journal of British Cinema and Television.

Caston, Emily (2012) Kick, bollocks and scramble: an examination of power and creative decision making in the production process during the golden era of British music videos 1995-2001. The Journal of British Cinema and Television, 9 (1). pp. 96-110. ISSN 17434521/17551714

Caston, Emily (2015) Not Another Article on the Author! God and Auteurs in Moving Image Analysis; Last Call for a Long Overdue Paradigm Shift. Music Sound and the Moving Image, 9 (2). pp. 145-161. ISSN 1753-0768

Carruthers, Beverley (2018) Baubooooo. In: Reinventing, rethinking, and representing menopause, 29 September 2018, Crassh, Cambridge University.

Carlyle, Angus and Cox, Rupert and Hiramatsu, Kozo and Nishimura, Atsushi (2017) Zawawa: The Sound of Sugar Cane in the Wind. [Art/Design Item]

Cardwell, Thomas (2023) 'The Picture Connects All the Dots': The role of art historical image maps in Deadwind Season 3. In: EUPOP 2023 The Darkness Within, 3-5 July 2023, University of Stirling.

Cardoso, Eva and Carnicero, Laura and Dempster, Anna and Lad, Mita and Liu, Kai and Mould, Oli and Pezzana, Silvio Pierluigi and Roodhouse, Simon (2008) Film in the City: A Report on the Film & Video Sub-Sector in London. Project Report. Creative Industries Observatory, London.

Carden, Jessica (2018) The Black Body in Arctic Space: Revisioning Racialised Landscapes in the Films of John Akomfrah and Isaac Julien. PhD thesis, University of the Arts London.

Capes, Stella (2012) Knights Move Thinking. [Art/Design Item]

Capes, Stella (2009) The Recital: Voices From Five Films. [Art/Design Item]

Capaldi, Leah and Charman, George and Knight, Adam and Birch, Rebecca and Smith, Rob (2017) Trackingshot.1 Desert Sessions. [Show/Exhibition]

Capaldi, Leah (2016) Lay Down. [Show/Exhibition]

Cain, Ben and Hoette, Emma (2018) PASSIVE IMPERATIVE PARTICIPATION VIBE. [Art/Design Item]

Cain, Ben and Gverović, Tina (2018) Horizon of Expectations. [Show/Exhibition]

Cain, Ben and Gverović, Tina (2018) Horizon of Expectations (Pula). [Art/Design Item]

Cain, Ben (2015) Book of Burning Matches. [Art/Design Item]

Cain, Ben (2015) Open Source. [Art/Design Item]

Cain, Ben (2016) Out-Performing. [Art/Design Item]

Butler, Brad and Noorafshan, Mirza (2018) The Scar. [Art/Design Item]

Butler, Brad and Mirza, Karen (2016) The Embassy of Non Participation, Sydney Biennale. [Show/Exhibition]

Butler, Brad (2009) How can structural film expand the language of experimental ethnography? PhD thesis, University of the Arts London.

Bugg, Jessica (2013) Drawing with the Body and Cloth. [Art/Design Item]

Bugg, Jessica (2013) Emotion Collection - Black Point. [Art/Design Item]

Bugg, Jessica (2016) Mediated materiality and meaning, curating experience through the body and dress. In: La mode exposée / Fashion curating. HEAD publishers, Genève, pp. 293-297. ISBN 978-2-940510-14-6

Bugg, Jessica (2014) Optical Laces performance and film. [Art/Design Item]

Brown, Lucy (2020) Sound and Cinema: Past, Present and Future. [Show/Exhibition]

Brown, Lucy (2016) The TV Studio Production Handbook. I.B.Tauris / Bloomsbury, London, UK. ISBN 9781784536282

Brooks, Pete and MacDonald, Claire and Velasquez, Rodrigo (2005) Testigos. [Art/Design Item]

Broad, Terence and Berns, Sebastian and Colton, Simon and Grierson, Mick (2021) Active Divergence with Generative Deep Learning - A Survey and Taxonomy. In: Proceedings of the 12th International Conference on Computational Creativity. Association for Computational Creativity. ISBN 978-989-54160-3-5

Bradley, Kerry and Mannix, Aoife (2014) BEST. [Art/Design Item]

Bradley, Kerry and Blunck, Marie and Haseler, Glenda (2014) Masquerade (production, set and props). [Show/Exhibition]

Bovier, François and Taieb, Hamid and Ross, Christine and During, Elie and Portmann, Sylvain and Lewis, Mark (2016) im/possible films. Mētis Presses. ISBN 978-2-94-0406-51-7

Bosward, Marc (2022) Realist Collage: Non-fiction Film Practice Addressing the History and Identity of 'Welsh Wales' through Critical Realism, Found Footage and Animation. PhD thesis, Arts University Bournemouth.

Boggon, Anna (2004) Tempered Ground. [Art/Design Item]

Biswas, Sutapa (2004) Birdsong (Solo Exhibition including 2 new major film installations and 30 drawings). [Show/Exhibition]

Biswas, Sutapa (2004) Birdsong (film installation). [Art/Design Item]

Biswas, Sutapa (2002) Untitled (The Trials and Tribulations of Mickey Baker)(1997, Re-edited and re-authored 2002 for Tate Modern). [Show/Exhibition]

Biscoe, Ian (2019) X Reality Networked Performance: Message Based Distributed Systems for Controlling and Presenting Multiple Realities. PhD thesis, University of Falmouth.

Bevan, Paul (2016) The Everyday and the Epic. [Show/Exhibition]

Beswick, Katie (2020) Capitalist Realism: Glimmers, Working-Class Authenticity and Andrea Dunbar in the 21st Century. International Journal of Media and Cultural Politics, 16 (1). pp. 75-89. ISSN 1740-8296

Beswick, Katie (2019) Social Housing in Performance: The English Council Estate on and Off Stage. Methuen Drama Engage . Methuen Drama, London. ISBN 9781474285209

Bestley, Russ (2019) Radio On. [Show/Exhibition]

Bestley, Russ (2019) We Are The League (How Deep Do You Want It?) film review. Punk & Post Punk, 8 (1). pp. 159-166. ISSN 2044-1983

Benalcazar Vega, Diego Eduardo (2021) The Last Frankenstein. [Art/Design Item]

Benalcazar Vega, Diego Eduardo (2021) Planet B234. [Art/Design Item]

Benalcazar Vega, Diego Eduardo (2018) Ruta Viva. [Art/Design Item]

Benalcazar Vega, Diego Eduardo (2017) Take My Hand. [Art/Design Item]

Ben Hayoun, Nelly (2015) Disaster Playground. [Art/Design Item]

Ben Hayoun, Nelly (2013) International Space Orchestra. [Art/Design Item]

Behr, Bernd (2014) Akeley Inside the Elephant. [Show/Exhibition]

Behr, Bernd (2014) Akeley Inside the Elephant. [Show/Exhibition]

Behr, Bernd (2014) Akeley in the Elephant Skull. [Art/Design Item]

Behr, Bernd (2010) COMMA 17. [Show/Exhibition]

Behr, Bernd (2013) Chronotopia. [Art/Design Item]

Behr, Bernd (2019) Constellation (Reading Maryon Park). [Art/Design Item]

Behr, Bernd (2010) Weimar Villa (Unreconstructed). [Art/Design Item]

Beech, Amanda (2006) Falk. [Art/Design Item]

Baseman, Jordan and Moffitt, Terrie (2007) Nature's Great Experiment. [Art/Design Item]

Baseman, Jordan (2002) 1+1=1 and Under the Blood: Commission for the Arts Council England's Collaborative Arts Unit and Papworth Hospital's Heart and Lung Transplant Unit. [Art/Design Item]

Baseman, Jordan (2007) 4 films: 'Joy on Toast', 'The Documentary Imperative', 'Inside Man', and 'An Event in the Village'. [Art/Design Item]

Baseman, Jordan (2010) Adding complexity to confusion. [Show/Exhibition]

Baseman, Jordan (2010) Among the nightingales. [Show/Exhibition]

Baseman, Jordan (2011) Art, aesthetics and pornography. In: Art, Aesthetics & Pornography, 17th June 2011, King’s College London. (Unpublished)

Baseman, Jordan (2011) Artprojx at SVA cinema. [Show/Exhibition]

Baseman, Jordan (2008) Born To Run. [Art/Design Item]

Baseman, Jordan (2011) Coming of age. [Show/Exhibition]

Baseman, Jordan (2009) Dark is the Night. [Art/Design Item]

Baseman, Jordan (2009) Dark is the Night [book]. ArtSway and The Photographers' Gallery, Sway. ISBN 9780955840630

Baseman, Jordan (2013) Deadness, How to Manage Stillness and The Old Blood. [Art/Design Item]

Baseman, Jordan (2011) Experimental cinema. [Show/Exhibition]

Baseman, Jordan (2011) Green Lady and 1973. [Art/Design Item]

Baseman, Jordan (2011) I hate Boston, Boston hates me. In: Destroyed Public Artworks, March 2011, University of Essex. (Unpublished)

Baseman, Jordan (2011) Inside man. [Art/Design Item]

Baseman, Jordan (2010) Los Angeles animation festival. [Show/Exhibition]

Baseman, Jordan (2010) The Melbourne underground film festival. [Show/Exhibition]

Baseman, Jordan (2009) Nasty piece of stuff. [Art/Design Item]

Baseman, Jordan (2011) Nature’s great experiment. [Art/Design Item]

Baseman, Jordan (2010) Nature’s great experiment. [Art/Design Item]

Baseman, Jordan (2011) No bloody chance. [Art/Design Item]

Baseman, Jordan (2009) The dandy doctrine (a delightful illusion). [Art/Design Item]

Baseman, Jordan (2005) don't stop 'til you get enough. [Show/Exhibition]

Baseman, Jordan (2010) The most powerful weapon in this world. [Show/Exhibition]

Barrada, Yto and Rughani, Pratap (2009) The Botanist. [Art/Design Item]

Barokka, Khairani (2017) Stairs and Whispers: D/deaf and Disabled Poets Write Back. Nine Arches Press. ISBN 9781911027195

Barnett, Heather and Strömbom, Daniel and Georgopoulou, Dimitra and Philippopoulos-Mihalopoulos, Andreas and Yang, Liu and Colwyn, Julius and Wainstein, Kira and Phillips, Melanie and Harper, Jamie (2017) Crowd Control. [Show/Exhibition]

Barnett, Heather and Grushkin, Daniel and Jones, Jeff and May, Alex (2013) Being Slime Mould. [Art/Design Item]

Barnett, Heather (2015) Being Slime Mould: a participatory experiment exploring bodies of intelligence. In: Open Embodiments: Locating Somatechnics in Tucson, 15-18 April 2015, Tucson, Arizona.

Barnett, Heather (2015) A Malleable Metaphor: Physarum polycephalum as artistic and educational medium. In: The First International Workshop on Physarum Transport Networks, 3-5 December 2015, Columbia University, New York City, US.

Barnett, Heather (2016) Menagerie of Microbes. [Show/Exhibition]

Barnett, Heather (2017) Nonhuman Networks. [Show/Exhibition]

Bannerman, Margot and Hart, Anna (2018) A real job is to make something. [Show/Exhibition]

Ball, Steven and White, Duncan (2010) Light writing. [Show/Exhibition]

Ball, Steven and Elwes, Catherine (2008) Figuring Landscapes: Artists’ Moving Image from Australia and the UK. [Show/Exhibition]

Ball, Steven and Curtis, David and Le Grice, Malcolm (2003) British Artists' Moving Image Database/Known Works database.

Ball, Steven and Conomos, John (2016) Deep Water Web. [Show/Exhibition]

Ball, Steven and Blažíček, Martin (2006) Eutopia. [Art/Design Item]

Ball, Steven and Blažíček, Martin (2016) More Speakers. [Performance]

Ball, Steven (2016) Beyond the Cringe: Australia, Britain, and the Post-Colonial Film Avant-Garde. Senses of Cinema (78). ISSN 14434059

Ball, Steven (2011) Conditions of music: contemporary audio-visual spatial performance. In: Expanded Cinema: Art, Performance and Film. Tate Publishing, London, pp. 267-275. ISBN 9781854379740

Ball, Steven (2007) Direct Language Project. [Art/Design Item]

Ball, Steven (2013) D’Est: Spectres of Communism. Senses of Cinema: Cinémathèque Annotations on Film (67). ISSN 1443-4059

Ball, Steven (2011) Expanded cinema: art, performance and film. Tate Publications, London. ISBN 9781854379740

Ball, Steven (2011) Formal environmentalism: recent work by Steven Ball. [Show/Exhibition]

Ball, Steven (2010) Personal electronics. [Art/Design Item]

Ball, Steven (2015) Presentation of 'This Surface', film by David Hall and Tony Sinden. In: David Hall: Video Art Pioneer, 5 March 2015, Tate Britain, Clore Auditorium.

Ball, Steven (2010) Recalling the shots. [Show/Exhibition]

Ball, Steven (2010) Turning and unfolding: personal reflections on Cantrills Filmnotes. Senses of Cinema (58). ISSN 14434059

Ball, Steven (2005) The War on Television. [Art/Design Item]

Ball, Steven (2013) The end of television: David Hall’s 1001 TV Sets (End Piece). Moving Image Review & Art Journal (MIRAJ), 2 (1). pp. 132-137. ISSN 20456298

Bal, Gulsen (2010) Negation of Complicated Mirrors: An Examination of Differential Structures within the “Production of Subject” Realised through Creative Practice. PhD thesis, University of the Arts London.

Ashton, Edwina (2003) Video Works. [Show/Exhibition]

Ashley, Ceri and Finch, Mick (2020) Digitization in Social Sciences and Humanities: archival digitization for free public access. Technical, ethical, and legal issues (Virtual Presentation). In: Imagining Futures through Un/Archived Pasts: The Tanzania Workshop, 11 December 2020, Tumaini University Dar es Salaam College, Tanzania.

Ashery, Oreet and Cussans, John and MacCormack, Patricia (2011) What are we scared of? what should we be scared of? In: Spill Salon 2, Spill Festival of Performance, 22nd April 2011, The Barbican. (Unpublished)

Artinian, Emily (2005) The High Window. [Art/Design Item]

Armstrong, Esther and Straker, Dick (2019) Nomadic Hamlet 2.0: Testing place and video space for audiences. In: Experimental Architectures: Designing the Unknown. Routledge, London. ISBN 978-1138575257

Arandas, Luís and McDonough, Kate and Grierson, Mick and Carvalhais, Miguel (2023) Man Lost in the Convergence of Time, Avebury (2022): Reconfiguring film through human figure removal and collage. In: Intermediartes 2023, 30 May - 2 June 2023, Porto.

Arandas, Luís and Grierson, Mick and Carvalhais, Miguel (2023) Antagonising explanation and revealing bias directly through sequencing and multimodal inference. In: Explainable AI for the Arts - XAIxArts, 19th June 23, ACM Creativity and Cognition Conference 2023.

Antonopoulou, Alexandra and Yermakova, Anya and Hosale, Mark David and Macy, Alan (2021) Siren. [Show/Exhibition]

Antonopoulou, Alexandra and Glinou, Eleni and Temponera, Eva (2023) Marmairo; Reflections on Tinian Marble. In: Demystifying Design - London Design Festival, 21-23 September 2023, The Tree House, Elephant Park.

Antonopoulou, Alexandra and Dare, Eleanor (2016) Emerging Forms of Collaboration: Communities of Practice Online through Networked Fictions, Dreams and Stories. In: Cultural, Behavioral, and Social Considerations in Electronic Collaboration. Advances in Human and Social Aspects of Technology Series . IGI Global, USA, pp. 69-99. ISBN 9781466695566

Antonopoulou, Alexandra and Dare, Eleanor (2021) Riverine Archive. [Show/Exhibition]

Anderson, Sal and Matthews, Peter (2009) Potential clinical insights generated through the process of interdisciplinary science/art collaboration. European Psychiatry: 17th EPA Congress - Lisbon, Portugal, January 2009, Abstract book, 24 (Supp.1). S154-S154. ISSN 0924-9338

Anderson, Sal, Raw Productions Ltd (2011) What's the time Mr Wolf? [Art/Design Item]

Anderson, Sal (2017) The Wounded Healer Film: A London College of Communication event to challenge mental health sigma through the power of motions picture. Psychiatria Danubina, 29 (sup 3). pp. 307-312. ISSN 1849-0867

Anderson, Sal (2017) The Wounded Healer. [Art/Design Item]

Anderson, Peter (2004) Advertising Campaign. [Art/Design Item]

Anderson, Larra (2016) Zero Dark Thirty: A Filmmaker's Notion. In: Screening of the Tortured Body: The Cinema as Scaffold. Palgrave Macmillan / Springer, London, pp. 239-263. ISBN 978-1-137-39917-5

Andersdotter, Sara (2015) Choking on the madeleine: encounters and alternative approaches to memory in a contemporary art practice. PhD thesis, University of the Arts London.

Aljouni, Amr and Bademci, Ozden and Hogan, Susan and Marino, Sara and McDougall, Julian and Rega, Isabella and Skyrme, Sarah and Uddin, Nasir (2023) Digital arts – refugee engagement. Media Practice and Education. pp. 1-20. ISSN 2574-1144

Albano, Caterina (2013) At the Edge: Balnakiel, a video and sound installation by artist Shona Illingworth. Memory Studies, 6 (4). pp. 404-417. ISSN 1750-6980

Albano, Caterina (2020) Forgotten Images and the Geopolitics of Memory: The Italo-Ethiopian War (1935–6). Cultural History, 9 (9). pp. 72-92. ISSN 2045-2918

Albano, Caterina (2018) Moving emotions: affect, the archive and the moving image. Cultural History, 7 (2). pp. 187-204. ISSN 2045-2918

Albano, Caterina (2022) To ‘Hold In-Common’ in the Midst of Clouds’ Drift. Performance Research, 26 (7). pp. 38-43. ISSN 1469-9990

Albano, Caterina (2022) Topologies of Air: Shona Illingworth’s art practice and the ethics of air. In: Shona Illingworth Topologies of Air. MIT Press, pp. 267-278. ISBN 9783956795534

Albano, Caterina (2022) Topologies of air: Shona Illingworth’s art practice and the ethics of air. Digital War. ISSN 2662-1983

Alamouti, David and Shayeghi, Nima and Kolahi, Golriz (2013) Boys With Broken Ears. [Art/Design Item]

Alamouti, David and Kolahi, Golriz and Antonio, Ribeiro (2014) Justice Seekers. [Art/Design Item]

Alamouti, David and Granese, Marco (2021) La Rabbia. [Art/Design Item]

Alamouti, David (2013) Ghazi Rabihavi: A Theatre of Truth. [Art/Design Item]

Alamouti, David (2019) The Night the Wind Blew. [Art/Design Item]

Al-Ani, Jananne and Withers, Rachel (2011) Interview with Jananne Al-Ani. RES (7). ISSN 978-605-5815-11-0

Al-Ani, Jananne and Withers, Rachel (2010) Making the Cut - Jananne Al-Ani.

Al-Ani, Jananne and Ross, Julian (2016) Interview Jananne Al-Ani. Sonic Acts.

Al-Ani, Jananne and Rendell, Jane (2011) Site-writing: The Architecture of Art Criticism. IB Tauris, London. ISBN 9781845119997

Al-Ani, Jananne and Muller, Nat (2014) Technologies of History. Jananne Al-Ani in conversation with Nat Muller. Ibraaz: Contemporary visual culture in North Africa and the Middle East..

Al-Ani, Jananne and Ayad, Myrna, Canvas Magazine (2010) Look and You Shall Find - Jananne Al-Ani. Canvas Magazine, 6 (3). pp. 132-141. ISSN 1814-7062

Al-Ani, Jananne (2010) 18th Biennale of Sydney 2012. [Show/Exhibition]

Al-Ani, Jananne (2011) Abraaj Capital Art Prize Exhibition. [Show/Exhibition]

Al-Ani, Jananne (2010) The Aesthetics of Disappearance: A Land Without People. In: March Meeting 2010 - A Focus on Upcoming Projects, 13th - 15th March 2010, Multaqa Al Qasba, Sharjah, UAE. (Unpublished)

Al-Ani, Jananne (2010) The Aesthetics of Disappearance: A Land Without People. In: Sexuate Subjects: Politics, Poetics and Ethics, 3rd-5th of December 2010, UCL, London. (Unpublished)

Al-Ani, Jananne (2010) The Aesthetics of Disappearance: A Land Without People. In: A Fluid Resilience, 4th of June 2010, La Fondazione Querini Stampalia, Venice, Italy.

Al-Ani, Jananne, Pia Getty Films (2011) Axis of Light: Contemporary Art from the Arab World and Iran. [Art/Design Item]

Al-Ani, Jananne (2016) Black Powder Peninsula. [Art/Design Item]

Al-Ani, Jananne (2022) Bringing to Light. [Show/Exhibition]

Al-Ani, Jananne (2010) The Disappearing Body. In: Photographic Portraiture ­ Transgressive and Transformative Potentials, November 5th 2010, Chelsea College of Art and Design, London. (Unpublished)

Al-Ani, Jananne (2015) Disembodied Perspective. In: Documents of Contemporary Art: Moving Image. Documents of Contemporary Art . Whitechapel Gallery & MIT Press. ISBN 978-085488-238-0

Al-Ani, Jananne (2014) Excavations. [Show/Exhibition]

Al-Ani, Jananne (2010) Excavators. [Art/Design Item]

Al-Ani, Jananne (2010) Excavators. [Art/Design Item]

Al-Ani, Jananne (2011) The Future of a Promise. [Show/Exhibition]

Al-Ani, Jananne (2015) In-Dis-Appearance. [Show/Exhibition]

Al-Ani, Jananne (2010) Moving Portraits - Artists' Films: People & Places. [Show/Exhibition]

Al-Ani, Jananne (2002) Scenes and Types. In: Home Works:A forum on cultural practices in the region Egypt, Iran, Iraq, Lebanon, Palestine and Syria., 2nd-7th April, 2002, Beirut, Lebanon.

Al-Ani, Jananne (2010) Shadow Sites I. [Art/Design Item]

Al-Ani, Jananne (2011) Shadow Sites II. [Art/Design Item]

Al-Ani, Jananne (2012) Shadow Sites: Recent Work by Jananne Al-Ani. [Show/Exhibition]

Al-Ani, Jananne (2010) Solo Exhibition. [Show/Exhibition]

Al-Ani, Jananne (2022) Timelines. [Art/Design Item]

Al-Ani, Jananne (2016) Traces of War. [Show/Exhibition]

Al-Ani, Jananne (2002) Untitled. [Art/Design Item]

Al-Ani, Jananne (2006) Untitled I to VI. [Art/Design Item]

Al-Ani, Jananne (2004) The Visit. [Art/Design Item]

Akça, Deniz (2015) Mapping Istanbul’s Istiklal Avenue: Uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice. PhD thesis, University of the Arts London.

Akten, Memo and Fiebrink, Rebecca and Grierson, Mick (2019) Learning to See: You Are What You See. In: SIGGRAPH 2019 Art Papers, 28 July - 1 August 2019, Los Angeles, United States.

Akomfrah, John and Rughani, Pratap (2013) Interview. John Akomfrah in Conversation with Pratap Rughani at the AHRC Artists’ Moving Image Research Network. Moving Image Review & Art Journal (MIRAJ), 2 (2). pp. 214-226. ISSN 20456298

Addison, Gill (2010) Talked about pink. [Art/Design Item]

Adami, Elisa and Fletcher, Alex (2017) 'To Think the Home in Terms of the Factory' Social Reproduction, Postproduction and Home Movies in Godard and Miéville. Third Text, 31 (1). pp. 79-95. ISSN 0952-8822

Adami, Elisa (2022) Between the Archive and Repertoire: Embodied Memory in Stephen Dwoskin’s Ballet Black, 1986. In: Study Day + Acting Out: Stephen Dwoskin film screening, 12 February 2022.

Adami, Elisa (2021) Decolonial Dovetailing: Potential Encounters and Archival Elisions in Thorold Dickinson’s Archive. Discussion Paper. University of the Arts London.

Adami, Elisa (2023) Foreword. Afterall. A Journal of Art, Context and Enquiry, 54. pp. 3-5. ISSN 1465-4253

Adami, Elisa (2020) Profile: Moyra Davey. Art Monthly (441). pp. 15-17. ISSN 0142-6702

Abou Hamad, Mario (2019) Wujoud: Resistance strategies in the Syrian genocide? PhD thesis, University of the Arts London.

Fashion In Film (2006) Between stigma and enigma : fashion in film festival. [Art/Design Item]

(2006) Fashion in film festival Prague. [Art/Design Item]

Fashion In Film (2007) Frankie : fashion in film. [Art/Design Item]

Fashion In Film (2007) New York film series : fashion In film : stigma to enigma. [Art/Design Item]

Fashion In Film (2007) Sweatshops in focus : if you don't come in on sunday, don't come in on monday: is contemporary clothing manufacture coming clean? [Art/Design Item]

Fashion In Film (2007) The death of taste: unpicking the fashion cycle. [Art/Design Item]

This list was generated on Thu Mar 28 08:45:51 2024 GMT.