Hunter, Tom (2016) Annual Photographer’s Lecture 2013 - Home. Studies in Photography 2016, 30th Anniversary Edition ii, 30 (ii). pp. 8-19. ISSN 1462-0510

Hosea, Birgitta (2014) Channelling Time for Over Time. Animation Studies 2.0.

Holdsworth, Claire (2020) Vocal acts: video art and the artist’s voice. Journal of Art Historiography (23). ISSN 2042-4752

Held, Isabelle Marina (2016) Sex Dream Palaces: Pornographic Spectatorship from Public to Private. Under the Influence (16).

Gronlund, Melissa (2012) Observational Film: Administration of Social Reality. Moving Image Review & Art Journal (MIRAJ), 1 (2). pp. 169-179. ISSN 20456298

Gronlund, Melissa (2014) Return of the Gothic: Digital Anxiety in the Domestic Sphere. e-flux (1).

Greenhalgh, Cathy (2010) Cinematography and camera crew: practice, process and procedure. Theorising media and practice: Anthropology of Media, 4. pp. 303-324. ISSN 9781845457419/9781845457457

Grandal Montero, Gustavo (2009) Video as art: collecting artists’ moving image in academic art libraries. Art Libraries Journal, 34 (3). pp. 5-10. ISSN 03074722

Graff, Agnieska and Church Gibson, Pamela (2008) It is Happening for a Reason. The Americanist: The Warsaw Journal for the Study of the United States, 24. pp. 15-33. ISSN 1896-2556

Evans, Caroline and Parikka, Jussi (2020) Introduction: Touch, Click, and Motion: Archaeologies of Fashion Film After Digital Culture. Journal of Visual Culture, 19 (3). pp. 1-17. ISSN 1470-4129

Elwes, Catherine (2012) Editorial. The Moving Image Review & Art Journal (MIRAJ), 1 (1). pp. 3-9. ISSN 2045-6298, 2045-6301

Elwes, Catherine (2012) Peter Campus: opticks. Moving Image Review & Art Journal (MIRAJ), 1 (1). pp. 107-110. ISSN 20456298

Elwes, Catherine (2012) Phases, ruptures and continuities. Moving Image Review & Art Journal (MIRAJ), 1 (2). pp. 147-151. ISSN 20456298

Elwes, Catherine (2012) Pipilotti Rist. Moving Image Review & Art Journal (MIRAJ), 1 (2). pp. 271-276. ISSN 20456298

Donszelmann, Bernice (2015) Touch Screen. Journal of Contemporary Painting, 1 (1). pp. 55-64. ISSN 2052-6695

Creamer, Anne-Marie and Sullivan, Lesley G. (2015) Pirandello’s Unrealized Film, Treatment for Six Characters: An Interview with Film Director and Artist Anne-Marie Creamer. Pirandello Society Annual journal (PSA), 27. pp. 101-115. ISSN 1042-4823

Creamer, Anne-Marie (2015) The Dilemmas of Adaptation: Making Treatment for Six Characters. Pirandello Studies, 35. pp. 106-115. ISSN 1471-9363

Cole, Adam and Grierson, Mick (2023) Kiss/Crash: Using Diffusion Models to Explore Real Desire in the Shadow of Artificial Representations. ACM SIGGRAPH 2023.

Clifton, Darryl and Gannon, Rachel (2016) Teh Nw. Varoom: The Journal of the Association of Illustrators (32). pp. 44-48. ISSN 1750-483X

Church Gibson, Pamela (2007) The Deification of the Dolly Bird: Selling Swinging London, Fuelling Feminism. Journal for the Study of British Cultures, 14. pp. 99-112. ISSN (ISBN: 9783826052811)

Church Gibson, Pamela (2013) From Up North to Up West? London on Screen 1965–1967. The London Journal, 31 (1). pp. 85-107. ISSN 0305-8034

Church Gibson, Pamela (2009) Jane Austen On Screen: Overlapping Dialogues, Different Takes. Adaptations, 2 (2). pp. 180-190. ISSN 1755-0645 (Print) 1755-0637 (Online)

Caston, Emily (2014) The Fine Art of Commercial Freedom: British Music Videos and Film Culture. Scope: An Online Journal of Film and Television Studies.

Caston, Emily (2012) ‘Kick, Bollocks and Scramble’: An Examination of Power and Creative Decision-Making in the Production Process During the Golden Era of British Music Videos 1995–2001. Journal of British Cinema and Television.

Caston, Emily (2012) Kick, bollocks and scramble: an examination of power and creative decision making in the production process during the golden era of British music videos 1995-2001. The Journal of British Cinema and Television, 9 (1). pp. 96-110. ISSN 17434521/17551714

Caston, Emily (2015) Not Another Article on the Author! God and Auteurs in Moving Image Analysis; Last Call for a Long Overdue Paradigm Shift. Music Sound and the Moving Image, 9 (2). pp. 145-161. ISSN 1753-0768

Beswick, Katie (2020) Capitalist Realism: Glimmers, Working-Class Authenticity and Andrea Dunbar in the 21st Century. International Journal of Media and Cultural Politics, 16 (1). pp. 75-89. ISSN 1740-8296

Bestley, Russ (2019) We Are The League (How Deep Do You Want It?) film review. Punk & Post Punk, 8 (1). pp. 159-166. ISSN 2044-1983

Barnett, Heather (2022) The Physarum Experiments. Antennae, The Journal of Nature in Visual Culture, 59. pp. 223-233. ISSN 1756-9575

Ball, Steven (2016) Beyond the Cringe: Australia, Britain, and the Post-Colonial Film Avant-Garde. Senses of Cinema (78). ISSN 14434059

Ball, Steven (2013) D’Est: Spectres of Communism. Senses of Cinema: Cinémathèque Annotations on Film (67). ISSN 1443-4059

Ball, Steven (2010) Turning and unfolding: personal reflections on Cantrills Filmnotes. Senses of Cinema (58). ISSN 14434059

Ball, Steven (2013) The end of television: David Hall’s 1001 TV Sets (End Piece). Moving Image Review & Art Journal (MIRAJ), 2 (1). pp. 132-137. ISSN 20456298

Anderson, Sal and Matthews, Peter (2009) Potential clinical insights generated through the process of interdisciplinary science/art collaboration. European Psychiatry: 17th EPA Congress - Lisbon, Portugal, January 2009, Abstract book, 24 (Supp.1). S154-S154. ISSN 0924-9338

Anderson, Sal (2017) The Wounded Healer Film: A London College of Communication event to challenge mental health sigma through the power of motions picture. Psychiatria Danubina, 29 (sup 3). pp. 307-312. ISSN 1849-0867

Aljouni, Amr and Bademci, Ozden and Hogan, Susan and Marino, Sara and McDougall, Julian and Rega, Isabella and Skyrme, Sarah and Uddin, Nasir (2023) Digital arts – refugee engagement. Media Practice and Education. pp. 1-20. ISSN 2574-1144

Albano, Caterina (2013) At the Edge: Balnakiel, a video and sound installation by artist Shona Illingworth. Memory Studies, 6 (4). pp. 404-417. ISSN 1750-6980

Albano, Caterina (2020) Forgotten Images and the Geopolitics of Memory: The Italo-Ethiopian War (1935–6). Cultural History, 9 (9). pp. 72-92. ISSN 2045-2918

Albano, Caterina (2018) Moving emotions: affect, the archive and the moving image. Cultural History, 7 (2). pp. 187-204. ISSN 2045-2918

Albano, Caterina (2022) To ‘Hold In-Common’ in the Midst of Clouds’ Drift. Performance Research, 26 (7). pp. 38-43. ISSN 1469-9990

Albano, Caterina (2022) Topologies of air: Shona Illingworth’s art practice and the ethics of air. Digital War. ISSN 2662-1983

Al-Ani, Jananne and Withers, Rachel (2011) Interview with Jananne Al-Ani. RES (7). ISSN 978-605-5815-11-0

Al-Ani, Jananne and Ross, Julian (2016) Interview Jananne Al-Ani. Sonic Acts.

Al-Ani, Jananne and Muller, Nat (2014) Technologies of History. Jananne Al-Ani in conversation with Nat Muller. Ibraaz: Contemporary visual culture in North Africa and the Middle East..

Al-Ani, Jananne and Ayad, Myrna, Canvas Magazine (2010) Look and You Shall Find - Jananne Al-Ani. Canvas Magazine, 6 (3). pp. 132-141. ISSN 1814-7062

Akomfrah, John and Rughani, Pratap (2013) Interview. John Akomfrah in Conversation with Pratap Rughani at the AHRC Artists’ Moving Image Research Network. Moving Image Review & Art Journal (MIRAJ), 2 (2). pp. 214-226. ISSN 20456298

Adami, Elisa and Fletcher, Alex (2017) 'To Think the Home in Terms of the Factory' Social Reproduction, Postproduction and Home Movies in Godard and Miéville. Third Text, 31 (1). pp. 79-95. ISSN 0952-8822

Adami, Elisa (2023) Foreword. Afterall. A Journal of Art, Context and Enquiry, 54. pp. 3-5. ISSN 1465-4253

Adami, Elisa (2020) Profile: Moyra Davey. Art Monthly (441). pp. 15-17. ISSN 0142-6702

Book

Ziesche, Anna-Nicole and Orta, Lucy and Teunissen, José and Brand, Jan (2014) Conditioned by Dress – The Relationship between Mind, Fashion, Film & Performance. ArtEZ Press, Arnhem, The Netherlands. ISBN 978-94-91444-15-9

Wilkes, Edward and Hughes, Philip (2023) Character is Structure: The Insider's Guide to Screenwriting. Bloomsbury Publishing, BFI Imprint, London. ISBN 9781839024849

White, Duncan (2011) Expanded cinema: Art, Performance, Film. Tate Publishing, London. ISBN 9781854379740

Whitby, Richard and Gavin, H. Gareth and Woolf, Virginia and Kim, Sooyon (2018) The Jump Room. The Old Waterworks, Southend-on-Sea. ISBN 978-1-9998994-0-0

Veal, Philip and Forsyth, Steven and Brennan, Richard and Acosta, Mike and Davis, Lesley Ann and Procter, Natalie and Wyeld, Mike (2024) Cambridge International AS & A Level Digital Media and Design Student’s Book (2nd Edition). Harper Collins, London. ISBN 978-0008643447 (In Press)

Uhlirova, Marketa and O'Mara, Séan (2008) If Looks Could Kill. Walther König, Germany. ISBN 9783865604620, 3865604625

Uhlirova, Marketa (2013) Birds of Paradise: Costume as Cinematic Spectacle. Koenig, London, UK. ISBN 9783863352189

Tan, Erika (2014) Come Cannibalise Us, Why Don’t You? / Sila Mengkanibalkan kami mahu tak? [Book]. National University of Singapore, Singapore. ISBN 978-981-07-9128-5

Sargeant, Jack and Barber, Chris (2006) No Focus: Punk On Film. Headpress. ISBN 1900486598

Sajovic, Eva and Kenningham, Dann (2014) The Roles We Play: Recognising the Contribution of People in Poverty. ATD Fourth World, London, UK. ISBN 9780992891602

Orta, Lucy and Orta, Jorge (2012) Fabulae Romanae: Lucy+Jorge Orta. Marsilio Editori, Venice. ISBN 978-88-317-1338-2

Newth, Martin and Holman, Martin and Monarchi, Christiane (2018) Martin Newth: Rezension – Skulptur, Objekt, Apparat. MEWO Kunsthalle, Germany. ISBN 978-3-9816274-5-9

Mey, Adeena and Roh Bannwart, Kyung (2020) Neo Geography 네오지오그래피. CAN, Centre d'art Neuchâtel and Les presses du réel, Neuchâtel and Dijon. ISBN 978-2-8399-2651-5

Mey, Adeena and Bovier, François and Schärer, Thomas and Truniger, Fred (2020) Minor Cinema. Experimental Film in Switzerland. Documents . JRP|Editions, Zurich. ISBN 978-3-03764-550-5

Mey, Adeena and Bovier, François (2019) 무빙 이미지 전시하기:다시 본 역사. Mediabus, Seoul. ISBN 979-11-966934-3-5

Mey, Adeena and Bovier, François (2015) Cinema in the Expanded Field. Documents . JRP|Editions, Zurich. ISBN 978-3-03764-433-1

Mey, Adeena and Bovier, François (2015) Exhibiting the Moving Image. Documents . JRP|Editions, Zurich. ISBN 978-3-03764-388-4

Mey, Adeena and Bovier, François (2014) René Berger. L'art vidéo. Documents . JRP|Editions, Zurich. ISBN 978-3-03764-389-1

Melvin, Jo (2018) Barry Flanagan The Hare is Metaphor. Paul Kasmin Gallery, New York City. ISBN 978-1-947232-05-1

McGowan, David (2019) Animated Personalities: Cartoon Characters and Stardom in American Theatrical Shorts. University of Texas Press, Austin. ISBN 978-1-4773-1744-0

Kul-want, Christopher (2019) Philosophers on Film: From Bergson to Badiou, A Critical Reader. Columbia University press, New York. ISBN 978-0-231-17603-3

Kuc, Kamila (2015) Boro, l'Île d'Amour: The Films of Walerian Borowczyk. Berghan Books, New York. ISBN 978-1782387015

Jackson, Joe (2024) Kahlil Joseph and the Audiovisual Atlantic: Music, Modernity, Transmedia Art. Bloomsbury. ISBN 979-8-7651-0315-9

Elwes, Catherine (2015) Installation and the Moving Image. Wallflower Press and Columbia University Press, New York; Chichester, West Sussex. ISBN 978-0-231-17451-0

Ellard, Graham and Johnstone, Stephen (2015) Anthony McCall: Notebooks and Conversations. Lund Humphries, London. ISBN 978-1-84822-169-7

Curtis, David (2007) A History of Artists' Film and Video in Britain 1897-2003. BFI Publishing: London.. ISBN 1844570967

Caston, Emily (2010) Celluloid saviours: angels and reform politics in Hollywood film. Cambridge Scholars Publishing, Newcastle. ISBN 9781443822695

Brown, Lucy (2016) The TV Studio Production Handbook. I.B.Tauris / Bloomsbury, London, UK. ISBN 9781784536282

Bovier, François and Taieb, Hamid and Ross, Christine and During, Elie and Portmann, Sylvain and Lewis, Mark (2016) im/possible films. Mētis Presses. ISBN 978-2-94-0406-51-7

Beswick, Katie (2019) Social Housing in Performance: The English Council Estate on and Off Stage. Methuen Drama Engage . Methuen Drama, London. ISBN 9781474285209

Baseman, Jordan (2009) Dark is the Night [book]. ArtSway and The Photographers' Gallery, Sway. ISBN 9780955840630

Barokka, Khairani (2017) Stairs and Whispers: D/deaf and Disabled Poets Write Back. Nine Arches Press. ISBN 9781911027195

Ball, Steven (2011) Expanded cinema: art, performance and film. Tate Publications, London. ISBN 9781854379740

Al-Ani, Jananne and Rendell, Jane (2011) Site-writing: The Architecture of Art Criticism. IB Tauris, London. ISBN 9781845119997

Book Section

lok, susan pui san (2023) Circling the Archive. In: Rewinding Internationalism. Van Abbemuseum, Eindhoven. ISBN 9789490757236

lok, susan pui san (2018) Through the Gate / An(g)archivery. In: Deviant Practice. Van Abbemuseum, Netherlands, pp. 176-209. ISBN 9 789082 890501

fitzPatrick, Edwina (2022) Artists Kicking Back: Brief metaphors for the birds and bees. In: Moving Image Review and Art Journal. MIRAJ, 10 . Intellect Press, Bristol England, pp. 127-139. ISBN 9772045629003

de Groen, Piet C and Patel, Shreepali and Szewczynski, Michael and Toulson, Rob (2016) Combining Science with Art to Educate and Motivate Patients Prior to Colorectal Cancer Screening. In: Smart Education and e-Learning. Smart Innovation, Systems and Technologies, 59 . Springer Science and Business Media Deutschland, pp. 315-328. ISBN 978-3-319-39689-7

Zimmerman, Andrea Luka (2022) Don't Play With That Girl. In: Strangers Within: Documentary as Encounter. Prototype, London, pp. 65-78. ISBN 978-1-913513-30-6

Zimmerman, Andrea Luka (2013) The Future’s Bright, the Future’s Orange… or Homeland (In)Securities: Telling Forms of Belonging in Committed Documentary Practice. In: Truth, Dare or Promise - Art and Documentary Revisited. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, pp. 35-51. ISBN 9781443849593

Zimmerman, Andrea Luka (2021) Manifesto for Coexistance. In: The Liberated Film Club. Tenement Press 2, UK, pp. 61-67. ISBN 978-1-8380200-3-3

Zimmerman, Andrea Luka (2022) Notes on making Wayfaring Stranger. In: Swedenborg Review 0.04. Swedenborg Society, pp. 14-15. ISBN 978-0-85448-226-9

Withers, Rachel (2013) De l’imagination et non de la logique: la physique émotionnelle de Roman Signer. In: Films Super-8: la nature comme atelier. MētisPresses, Geneva. ISBN 9782940406845

Withers, Rachel (2013) De l’imagination et non de la logique: la physique émotionnelle de Roman Signer. In: Roman Signer: Films Super-8: La nature comme atelier. PLANSécant . Metis Presses, Geneva, pp. 27-38. ISBN 9782940406845

Wilder, Ken (2018) The Configurational Encounter and the problematic of Beholding. In: The Persistence of Taste: Art, Museums and Everyday Life After Bourdieu. Culture, Economy and the Social . Routledge, Abingdon, Oxon and New York, pp. 77-97. ISBN 978-1-138-67098-3

White, Duncan (2017) The Eyes of a Familiar Compound Ghost: Locating the Body in Chris Burden’s Shoot. In: En Corps et en Images. Mimesis Editions, Paris. ISBN 978-8869761133

Whitby, Richard (2022) From Pixels to Drones: Visualising The Nation in the London 2012 and PyeongChang 2018 Olympic opening ceremonies. In: Proceedings of EVA London 2022. Electronic Workshops in Computing, pp. 167-168. ISBN 978-1-78017-594-2

Walsh, Maria (2005) 'Good Girls go to Heaven, Bad Girls go to London. But there is No Place like Home'. In: Sarah Miles - No Place. Film and Video Umbrella : London, pp. 3-16. ISBN 190427 019 0

Voelcker, Becca (2021) Landscape Theory in Post-War Japanese Cinema: Fūkeiron in Adachi Masao’s A.K.A. Serial Killer. In: Penser l’espace avec le cinéma et la littérature. Film Cultures, 10 . Peter Lang, New York. ISBN 9781433176289

Voegelin, Salomé (2022) Sonic testimonies: creating new imaginaries from the in-between. In: For Many Voices. Freigeist Verlag, Berlin, pp. 8-12. ISBN 978-3-947764-06-8

Vilalta, Helena (2010) Landscape in Motion. In: Filipa César: Montrage. Argobooks, Berlin. ISBN 978-3-941560-94-9

Uhlirova, Marketa (2013) The Fashion-Film Effect. In: Fashion Media: Past and Present. Bloomsbury, London. ISBN 9780857853073

Uhlirova, Marketa (2017) Voyage through Space, Time and Utopian Modernism in Ikarie XB-1. In: Czech Cinema Revisited: Politics, Genres, Techniques. National Film Archive, Prague. ISBN 9788070041819

Torres, Lara Mendonça Guterres (2020) The body as Factory: a post-productivist fashion practice through film. In: Crafting Anatomies Archives, Dialogues, Fabrications. Bloomsbury Visual Arts . Bloomsbury, Great Britain, pp. 265-286. ISBN 978-1-3500-7547-4

Thomas, Jennet (2017) School of Change: Re-dreaming Past Futures. In: Memories of the Future, On countervision. Cultural Memories, 6 . Peter Lang, Oxford, New York, Berne, Switzerland, pp. 129-149. ISBN 978-3-0343-1935-5

Tan, Erika (2005) Respects des Fonds (essay). In: Ghosting: The Role of the Archive within Contemporary Artists’ Film and Video. Picture This Moving Image, Bristol, UK. ISBN 0-9539872-8-0

Saul, Daniel and Davies, Rachel (2020) Chandini (A Bride for the Moon). In: Technology, Design and the Arts - Opportunities and Challenges. Springer Series on Cultural Computing . SpringerOpen, pp. 251-270. ISBN 978-3-030-42096-3

Sargeant, Jack (2002) Squealing Wheels and Flying Fists. In: Autopia: Cars and Culture. Reaktion Books, 312-314pp. ISBN 1861891326

Sargeant, Jack (2002) "Voyeurism, Sadism and Transgression: Screen Notes and Observations on Warhol's Blow Job and I, A Man'". In: Underground USA: Filmmaking Beyond the Hollywood Cannon. Wallflower, 72 - 83pp. ISBN 1903364493

Sabin, Roger (2008) The Face of Fear. In: If Looks Could Kill. Koenig Books. ISBN 9783865604620

Sabin, Roger (2008) Terry Gilliam: Filmmaker and Cartoonist. In: Sub/versions: Cultural Status, Genre and Critique. Cambridge Scholars Publishing, Cambridge Scholars Publishing. ISBN 1847183727

Rughani, Pratap and Raban, William and Al-Maria, Sophia (2016) The Creative Stance. In: The Creative Stance. Cornerhouse Publications. Common Editions, pp. 145-158. ISBN 9780993156311

Rughani, Pratap (2015) Kubrick's Lens: Dispatches from the Edge. In: Stanley Kubrick: New Perspectives. Black Dog Publishing, London, pp. 310-327. ISBN 9781908966421

Roberts, Cheryl (2024) Amelie. In: The Bloomsbury Encyclopedia of Film and Television Costume Design. Bloomsbury, London. ISBN 978-1-4742-7945-1 (In Press)

Roberts, Cheryl (2023) Anna Terrazas. In: The Bloomsbury Encyclopedia of Film and Television Costume Design. Bloomsbury, London. ISBN 978-1-4742-0787-4

Roberts, Cheryl (2023) Bob Ringwood. In: The Bloomsbury Encyclopedia of Film and Television Costume Design. Bloomsbury, London. ISBN 978-1-4742-0787-4

Roberts, Cheryl (2023) Elizabeth McBride. In: The Bloomsbury Encyclopedia of Film and Television Costume Design. Bloomsbury, London. ISBN 978-1-4742-0787-4

Roberts, Cheryl (2024) Erin Brockovitch. In: The Bloomsbury Encyclopedia of Film and Television Costume Design. Bloomsbury, London. ISBN 978-1-4742-7945-1 (In Press)

Roberts, Cheryl (2024) Great Gatsby. In: The Bloomsbury Encyclopedia of Film and Television Costume Design. Bloomsbury, London. ISBN 978-1-4742-7945-1 (In Press)

Roberts, Cheryl (2023) Joan Bergin. In: The Bloomsbury Encyclopedia of Film and Television Costume Design. Bloomsbury, London. ISBN 978-1-4742-0787-4

Roberts, Cheryl (2023) John Mollo. In: The Bloomsbury Encyclopedia of Film and Television Costume Design. Bloomsbury, London. ISBN 978-1-4742-0787-4

Roberts, Cheryl (2023) Madeline Fontaine. In: The Bloomsbury Encyclopedia of Film and Television Costume Design. Bloomsbury, London. ISBN 978-1-4742-0787-4

Roberts, Cheryl (2024) Metropolis. In: The Bloomsbury Encyclopedia of Film and Television Costume Design. Bloomsbury, London. ISBN 978-1-4742-7945-1 (In Press)

Roberts, Cheryl (2023) Michael O'Connor. In: The Bloomsbury Encyclopedia of Film and Television Costume Design. Bloomsbury, London. ISBN 978-1-4742-0787-4

Roberts, Cheryl (2024) Prince's Purple Suit. In: The Bloomsbury Encyclopedia of Film and Television Costume Design. Bloomsbury, London. ISBN 978-1-4742-7945-1 (In Press)

Roberts, Cheryl (2024) The Royal Tenenbaums. In: The Bloomsbury Encyclopedia of Film and Television Costume Design. Bloomsbury, London. ISBN 978-1-4742-7945-1 (In Press)

Rickards, Hannah (2016) Grey light. Left and right back, high up, two small windows. In: Grey light. Left and right back, high up, two small windows. Fogo Island Arts Artist Monographs, 5 . Sternberg Press and Fogo Island Arts, Berlin, Germany and Fogo Island, Canada. ISBN 395679205X

Reynolds, Lucy (2011) Magic tricks? The use of shadowplay in British expanded cinema. In: Expanded cinema: art, performance, film. Tate Publishing, London, pp. 148-156. ISBN 9781854379740

Raban, William (2011) Reflexivity and expanded cinema: a cinema of transgression? In: Expanded cinema: art, performance, film. Tate Publishing, London, England, pp. 98-107. ISBN 9781854379740

Patel, Shreepali and Toulson, Rob and Azuaje, Luis (2019) The beginning of a beautiful friendship: A case study on an immersive filmmaking process. In: The Palgrave Handbook of Screen Production. Palgrave Macmillan, pp. 257-268.

October, Dene (2021) Shooting Stars: Modes of TV Spectacle in the Jodie Whittaker era of Doctor Who. In: Doctor Who New Dawn: Essays on the Jodie Whittaker era of Doctor Who. Manchester University Press, UK, pp. 54-71. ISBN 978-1-5261-5187-2

Newth, Martin (2012) Double Take. Photography, Film, Urban Experiences and Capital. In: Visible Economies: Photography, Economic Conditions, Urban Experiences. Ideas in photographic practice (1). Photoworks, Brighton, UK, pp. 22-29. ISBN 9781903796481

Naldi, Pat (2011) Search: An Artist Project for Television. In: Regenerating Culture and Society: Architecture, Art and Urban Style Within the Global Politics of City-Branding. Tate Liverpool Critical Forum (12). Liverpool University Press, Liverpool, pp. 259-269. ISBN 9781846316401

Mullender, Rob (2015) The Haptic Optic. In: Moving Image. Whitechapel: Documents of Contemporary Art . MIT press, Massachussetts, pp. 120-123. ISBN 978-0262528108

Mijovic, Nikola (2006) Lepota Poroka / The Beauty of Sin. In: The Cinema of The Balkans. 24 Frames . Wallflower Press, London, pp. 227-36. ISBN 9781904764816

Mey, Adeena (2016) 전기 집필로서의 큐레이팅. 영화의 물질적 일대기에 대해 Curating as Biographing. On the Material Life of a Film. In: Practice by Curators. Gallery Factory, Seoul, pp. 30-45. ISBN 978-89-964340-9-2

Mey, Adeena (2024) Divided Desire. Notes on Youngjoo Cho’s Full time-double, Writing my body, and Three breaths. In: Cho 0 Joo — 조 0 주. Artist Research-Study-Critique Support Project . Arts Council Korea, 한국문화예술위원회; Gyeongbokgung Collabo, Seoul, pp. 170-172. ISBN 979-11-981028-1-2 (95600)

Mey, Adeena (2020) Exhibiting Structural Film? Annette Michelson, Between Criticism and Curating. In: Minor Cinema: Experimental Film in Switzerland. JRP|Editions, Zurich, pp. 228-245. ISBN 978-3-03764-550-5

Mey, Adeena (2015) Expanded Cinema, by Other Means. In: The Audiovisual Breakthrough. fluctuating images. contemporary media art e.V., Berlin, pp. 42-61. ISBN 978-3-00-051072-4

Mey, Adeena (2023) Exposer le film structurel? Annette Michelson: entre critique et pratique curatoriale. In: L'histoire d'une histoire du cinéma. Paris Expérimental – Éditions du Centre Pompidou, Paris, pp. 31-41. ISBN 978-2-912539-57-1

Mey, Adeena (2023) Media Pluralism. Kim Woong Yong's Post-Cinema. In: 2022 NANJI. seMA NANJI RESIDENCY . Seoul Museum of Art, Seoul, pp. 52-66. ISBN 979-11-88619-98-6

Mey, Adeena (2017) On New Forms in Film and Other Exhibitions. A conversation with Annette Michelson. In: Early Video Art and Experimental Films Networks. ECAL and Les presses du réel, Lausanne and Dijon, pp. 217-220. ISBN 978-2-9701157-0-0

Mey, Adeena (2020) Projection between exhibition and information: experimental and artists' film at 'Sonsbeek 71'. In: Practices of Projection. Oxford University Press, pp. 211-236. ISBN 9780190934118

Mey, Adeena (2019) Textures of In/visibility. Maya Schweizer's Exhibitionary Cinematism. In: Maya Schweizer, Where Ivy Cracks the Wall. Naima and Les presses du réel, Berlin, pp. 73-89. ISBN 978-2-37440-086-0

Mey, Adeena (2024) 침묵시키지 않기: 임흥순의 캄보디아 [Not Silencing. Im Heung-soon’s Cambodia]. In: 임흥순 콤플렉스-IM Heung-soon Complex. Arts Council Korea: Artist Survey, Research, and Criticism . Downlight Artbooks, Seoul, pp. 149-158. ISBN 979-11-987973-4-6

Mey, Adeena (2024) Sanja Ivekovic at the VideoArt Festival Locarno. Between Medium and Politics. In: Sanja Iveković. Make Up – Make Down. A Video retrospective. Oaza Books; Museum of Modern and Contemporary Art Rijeka, Zagreb, pp. 197-202. ISBN 978-953-8107-44-3

Melvin, Jo (2021) This is NOT art this is ART 'pataphysics, counterpoise and the tightrope in Barry Flanagan's sculptural practice. In: Barry Flanagan Newspaper. von Bartha, Switzerland.

McGowan, David (2016) “And They Lived Happily Ever After???!”: Disney’s Animated Adaptation of Snow White and the Seven Dwarfs (1937) and Fleischers’ Gulliver’s Travels (1939). In: It’s the Disney Version!: Popular Cinema and Literary Classics. Rowman & Littlefield, Lanham, MD, pp. 1-12. ISBN 978-1442266063

Madsen, Jane (2023) Into the Woods: The Green Spaces of Huillet and Straub’s Workers, Peasants and The Return of The Prodigal Son — Humiliated. In: The Cinema of Danièle Huillet and Jean-Marie Straub. Moving Image, 14 . Legenda, Cambridge, pp. 123-139. ISBN 978-1-839540-58-5

Madsen, Jane (1987) Listening at Closed Doors: A consideration of the use of sound in ‘Behind Closed Doors’. In: Don't Shoot Darling! Women's Independent Filmmaking in Australia. Greenhouse Publications, Richmond, Victoria, Australia, pp. 323-327. ISBN 0864360584

Madsen, Jane (2008) Marion’s Death Drive: Psycho driving and the car. In: Philosophy in Art. Zidane Press, London, pp. 54-63. ISBN 978095482109

Macdonald, Anna (2023) Keeping in time: Mastery, as a condition of colonial and patriarchal discourse, and the temporality of screendance. In: LO:TECH:POP:CULT: Screendance Remixe. Routledge, London. ISBN 9781032372150

Lewis, Mark (2009) Jeff Wall - Photographer. In: Jeff Wall- The Complete Edition. Phaidon Press, London, pp. 180-205. ISBN 9780714839516

Kuc, Kamila (2015) The Postcard Never Sent: Guy de Maupassant and Rosalie Prudent’s Cinematic Confession. In: Boro: L’île d’Amour: The Films of Walerian Borowczyk. Berghan Books, New York, pp. 77-89. ISBN 1789208181

Kuc, Kamila (2014) ‘The inexpressible unearthly beauty of the cinematograph’: The Impact of Polish Futurism on the First Polish Avant-Garde Films. In: The Struggle for Form: Perspectives on Polish Avant-Garde Film 1916-1989. Columbia University Press/Wallflower Press, London/New York, pp. 31-57. ISBN 978-0231169820

Kent, Rachel (2019) 'After Nature - The allure of the Natural History Museum’, Janet Laurence. In: Janet Laurence: After Nature. The Museum of Contemporary Art, Sydney, Australia, Sydney, Australia.

Kear, Adrian (1997) Eating the Other: Performance and the Fantasy of Incorporation. In: Border Patrols: Policing the Boundaries of Heterosexuality. Cassells, London, pp. 253-273. ISBN 0304334790

Illingworth, Shona and Tulloch, John and Albano, Caterina (2023) 216 Westbound: A Topography of Latent Fear. In: Living with Precariousness. Bloomsbury Academic, London, New York, Oxford, New Delhi, Sydney, pp. 207-230. ISBN 9780755639311

Holdsworth, Claire (2023) Intermedial Voices: Intersections in Feminist Sound and Moving Image. In: The Moving Form of Film: Historicizing the Medium through Other Media. Oxford University Press. ISBN 9780197621714

Holdsworth, Claire (2022) Ventriloquial Bodies. Reframing Ephemerality in Artists’ Film and Video. In: Retuning the Screen: Sound Methods and the Aural Dimension of Film and Media History. University of Udine / Mimesis International, pp. 181-186. ISBN 978-88-6977-331

Grimaldi, Silvia (2012) Cinematic Narratives of Product Interaction Experiences: Methods for Cross-Media Fertilisation of the Design Process. In: Out of Control: Proceedings of 8th International Design and Emotion Conference London 2012. University of the Arts London, London. ISBN 9780957071926

Good, Jennifer and Lowe, Paul and Lardinois, Brigitte and Williams, Val (2014) Mythologizing the Vietnam War - Introduction. In: Mythologizing the Vietnam War: Visual Culture and Mediated Memory. Cambridge Scholars Publishing, Newcastle Upon Tyne, xiii-xv. ISBN 978-1-4438-5442-9

Faiers, Jonathan (2002) Dissolves/Thawing. In: Potential: Ongoing Archive. Artimo/John Hansard Gallery, pp. 70-75. ISBN 9075380488

Faiers, Jonathan (2003) Touritalia - Condensed Culture and the Representation of Italian Itineraries in Mainstream Cinema. In: Site-Seeing. B_Books, Berlin, pp. 78-87. ISBN 3933557429

Elwes, Catherine (2013) Figuring Landscapes in Australian Artists’ Film and Video. In: Film Landscapes: Cinema, Environment and Visual Culture. Cambridge Scholars, Newcastle upon Tyne, pp. 164-182. ISBN 9781443843720

Elwes, Catherine (2017) ‘Television Interventions: experiments in broadcasting by artists in Britain in the 1970s and ‘80s’. In: Other Cinemas: Politics, Culture and Experimental Film in the 1970s. I.B.Tauris, London, pp. 185-204. ISBN 9781784537180

Elwes, Catherine (2011) The domestic spaces of video installation – television, the gallery and online. In: Expanded cinema: art, performance, film. Tate Publishing, London. ISBN 9781854379740

Donszelmann, Bernice (2015) 'Touch Screen'. In: Painting: Critical and Primary Sources. Critical and Primary Sources, 4 . Bloomsbury, London, pp. 109-118. ISBN 9781472558411

Dalal-Clayton, Anjalie (2022) Time looping: cyclical pasts and speculative futures in the work of Keith Piper. In: Keith Piper: Jet Black Futures. The New Art Gallery Walsall, Walsall, England, pp. 39-68. ISBN 978-1-907363-17-7

Creamer, Anne-Marie (2015) The Passing of the Keepers of Salento: a memorial to obsolescence. In: Moving Landscape. Progetto GAP, Italy.

Church Gibson, Pamela and Jeffers McDonald, Tamar (2012) Costume and Adaptation. In: A Companion to Literature, Film and Adaptation. Blackwell companions to literature and culture (81). Wiley-Blackwell, Chichester, West Sussex, UK; Malden, MA, pp. 293-311. ISBN 9781444334975

Church Gibson, Pamela and Hill, Andrew (2013) ‘Tutte e marchio’ : Excess , Performativity and Masquerade. In: The British Film Industry in the 1970s: Capital, Culture and Creativity. Springer, London, pp. 263-269. ISBN 1137305924

Church Gibson, Pamela (2006) Creating the Fashion City on Film 1953-1961. In: Fashion's World Cities. Cultures of Consumption . Berg Publishers. ISBN 9781845204136

Church Gibson, Pamela (2017) Fashioning Julie Christie, Mythologizing Swinging London. In: Film, Fashion, and the 1960s. Indiana University Press, pp. 135-148. ISBN 978-0-253-02641-5

Church Gibson, Pamela (2008) "Is that what they think a real man looks like?": Hollywood, gender, and consumption. In: American studies as media studies. American studies (Munich, Germany), v. 167 . Universitatsteilag Winter, Heidelberg, Germany, pp. 141-157. ISBN 9783825355173, 3825355179

Church Gibson, Pamela (2014) Let them Go Shopping: Marie Antoinette Moves from Page to Screen. In: Fashionable Queens: Body - Power - Gender. Austrian Studies in English, 103 . Peter Lang, Frankfurt, pp. 145-160. ISBN 978-3-631-64447-8

Church Gibson, Pamela (2006) Myths of the Swinging City: the media in the 1960s. In: Swinging Sixties. V & A Publications, pp. 80-100. ISBN 9781851774845

Church Gibson, Pamela (2004) Queer looks, male gazes, taut torsos and designer labels: contemporary cinema, consumption and masculinity. In: The Trouble with Men: Masculinities in European and Hollywood Cinema. Columbia University Press, pp. 179-189. ISBN 9781904764083

Chesher, Andrew (2024) A Denounced Tautology: On Une Seconde d’éternité (D’après une idée de Charles Baudelaire) (1970). In: Marcel Broodthaers and Film: A Second of Eternity. Leuven University Press, Netherlands, pp. 125-145. ISBN 9789461666208 (In Press)

Bugg, Jessica (2016) Mediated materiality and meaning, curating experience through the body and dress. In: La mode exposée / Fashion curating. HEAD publishers, Genève, pp. 293-297. ISBN 978-2-940510-14-6

Broad, Terence and Berns, Sebastian and Colton, Simon and Grierson, Mick (2021) Active Divergence with Generative Deep Learning - A Survey and Taxonomy. In: Proceedings of the 12th International Conference on Computational Creativity. Association for Computational Creativity. ISBN 978-989-54160-3-5

Barnett, Heather (2023) Drawing Out the Superorganism: Artistic Intervention and the Amplification of Processes of Life. In: Drawing Processes of Life: molecules, cells, organisms. Intellect Books, pp. 193-218. ISBN 9781789387667

Ball, Steven (2011) Conditions of music: contemporary audio-visual spatial performance. In: Expanded Cinema: Art, Performance and Film. Tate Publishing, London, pp. 267-275. ISBN 9781854379740

Armstrong, Esther and Straker, Dick (2019) Nomadic Hamlet 2.0: Testing place and video space for audiences. In: Experimental Architectures: Designing the Unknown. Routledge, London. ISBN 978-1138575257

Antonopoulou, Alexandra and Dare, Eleanor (2016) Emerging Forms of Collaboration: Communities of Practice Online through Networked Fictions, Dreams and Stories. In: Cultural, Behavioral, and Social Considerations in Electronic Collaboration. Advances in Human and Social Aspects of Technology Series . IGI Global, USA, pp. 69-99. ISBN 9781466695566

Anderson, Larra (2016) Zero Dark Thirty: A Filmmaker's Notion. In: Screening of the Tortured Body: The Cinema as Scaffold. Palgrave Macmillan / Springer, London, pp. 239-263. ISBN 978-1-137-39917-5

Albano, Caterina (2022) Topologies of Air: Shona Illingworth’s art practice and the ethics of air. In: Shona Illingworth Topologies of Air. MIT Press, pp. 267-278. ISBN 9783956795534

Al-Ani, Jananne (2015) Disembodied Perspective. In: Documents of Contemporary Art: Moving Image. Documents of Contemporary Art . Whitechapel Gallery & MIT Press. ISBN 978-085488-238-0

Adami, Elisa (2024) Reverse Shots and Acoustic Ecologies: Marwa Arsanios’s and Nida Sinnokrot’s “Fighting Realism”. In: After Critical Realism. Brill. (In Press)

Conference, Symposium or Workshop Item

fitzPatrick, Edwina (2023) Tilting Horizons. In: Fevers, Frets and Futures: Uncertainty and New Ecologies for Post Covid Healthcare, 4-7 July 2023, Slade School of Fine Art.

de Selincourt, Chris (2018) The Boyle Family and Radical Enactivism. In: 6th Annual Cognitive Futures Conference, 2-4 July 2018, University of Kent, Canterbury.

de Selincourt, Chris (2012) The Frame of Attention. In: 2nd WIRAD Symposium for Emerging Art & Design Researchers, 29-30 March 2012, Wales Millennium Centre, Cardiff.

de Selincourt, Chris (2013) The Future of Cinema’s Historicity. In: 8th NECS Conference: Media Politics - Political Media, 20-22 June 2013, Charles University, Prague.

de Selincourt, Chris (2012) On Finishing Machines. In: The End Of …?, 21-22 January 2012, University of Kent, Canterbury.

de Selincourt, Chris (2012) Where is the Mind of the Media Editor? In: LUX/ICA Biennial Student Symposium: Contemporary Currents, 27 May 2012, Institute of Contemporary Art, London.

de Selincourt, Chris (2014) The intermediaries’ knowledge of cinematic heuristics. In: Cognitive Futures in the Humanities, 23-26 April 2014, Durham University.

de Selincourt, Chris (2018) The right thing is the wrong thing to do – Narrative strategies for the attention economy. In: NECS 2018 Conference: Media Tactics and Engagement, June 27-29 2018, The University of Amsterdam, VU Amsterdam and Utrecht University.

Zimmerman, Andrea Luka and Fischer, Laura E. (2023) Sounding the Voices. In: The Survivor Lens: Reframing Trauma Narratives through Filmmaking, 15 February 2023, Whitechapel Gallery.

Zimmerman, Andrea Luka (2016) Andrea Luka Zimmerman in conversation with Maggie Ellis, at 'Future Now: The Aesthetica Art Prize Symposium'. In: Future Now: The Aesthetica Art Prize Symposium, York St John University, York.

Zimmerman, Andrea Luka (2023) Counter Memories, Porous Personhood and Dwelling Against 'Progress'. In: The Politics of Housing, 6-7 July 2023, Centre for Social Change and Justice, University of East London.

Zimmerman, Andrea Luka (2023) Don't Play with that Girl. In: Strangers Within: Lauren Elkin, Xiaolu Guo, Therese Henningsen and Andrea Luka Zimmerman, 22 February 2023, Barbican Library.

Zimmerman, Andrea Luka (2023) Erase and Forget + Andrea Luka Zimmerman and James Mackay in conversation with BFI National Archive curator William Fowler. In: Experimenta, 25 October 2023, British Film Institute.

Zimmerman, Andrea Luka (2012) Estate: a critical inquiry in 3 parts. In: ARTEFACT, 4 June 2012, Stour Place.

Zimmerman, Andrea Luka (2022) Film and the Practice of Social Dreaming. In: Andrea Luka Zimmerman Artist Talk, 22 November 2022, Estonian Academy of Arts.

Zimmerman, Andrea Luka (2012) Homeland (in)securities. In: The Home and The World: A Summit for Creative Art and Thinkers, 19 - 21st June 2012, Dartington. (Unpublished)

Zimmerman, Andrea Luka (2020) Lincoln Creates Network Talk with Andrea Luka Zimmerman. In: Lincoln Creates Network Talk with Andrea Luka Zimmerman, 4 Feb 2020, 27 Feb, 2020, Mansions of the Future, Lincoln.

Zimmerman, Andrea Luka (2016) The Living School: Poverty. In: The Living School: Poverty..

Zimmerman, Andrea Luka (2023) Porous Personhood. In: Non-Normative Worlds, 30 November 2023, Architectural Association.

Zimmerman, Andrea Luka (2017) Stoke Newington Literary Festival: John Berger: Ways of Seeing. In: Ways Of Seeing, 3rd June, 2017, Stoke Newington Literary Festival.

Zimmerman, Andrea Luka (2023) Strangers Within: Documentary as Encounter. In: Strangers Within: Documentary as Encounter, 4 March 2023, Brussels, Projection Room: 55, Rue de Praetere, 1180 Uccle.

Zimmerman, Andrea Luka (2022) Strangers Within: Documentary as Encounter. In: The Art of Non Fiction, 7-13 September 2022, Open City Docs, UCL.

Zimmerman, Andrea Luka (2022) Uncovering narrative structures. In: Theatrum Mundi: Displacement, 2 April 2022, Theatrum Mundi, London.

Zimmerman, Andrea Luka (2020) Unexpected Views: Andrea Luka Zimmerman on Caravaggio | National Gallery. In: Unexpected Views: Andrea Luka Zimmerman on Caravaggio | National Gallery, 2020, National Gallery.

Zimmerman, Andrea Luka (2024) From Encounter to Commitment: Mapping Meanings in the Moving Image. In: KISMIF, 10-13 July 2024, Porto Batalha Centro De Cinema.

Zimmerman, Andrea Luka (2024) Gender in Film and Fiction. In: Global Gender: Pasts, Presents, Futures, 24-26 June 2024, Various venues across Oxford.

Wynne, John and Wainwright, Tim (2016) Pain and Renewal in Organ Transplantation. In: Encountering Pain: hearing, seeing, speaking, 1-2 July 2016, University College London.

Wynne, John (2016) The Intersection of Research and Practice. In: Research and Innovation Conference 2016: Practice-Related Research, 19-20 May 2016, Southampton Solent University, UK.

Wyeld, Mike (2019) LOVED: Echoes of masculinity and it's toxicities. In: SOUND::GENDER::FEMINISM::ACTIVISM, 4 - 5 October 2019, Chinretsukan Gallery, Tokyo University of the Arts.

Wilson, Stephen (2019) Dying under Your Eyes. In: Dying under Your Eyes, 10 October 2019, Wellcome Collection.

Wilder, Ken (2011) Michael Fried and beholding video art. In: European Society of Aesthetics Annual Conference, 18th - 20th April 2011, Université Pierre Mendès-France, Grenoble, France.

Whitby, Richard (2023) Dreams of Safety - Experimental Pandemic Documentary. In: Framing and Re-Framing 'Pandemic Documentary', 26th June 2023, Department of Healthcare and Life-Sciences, University of Nottingham.

Whitby, Richard (2023) Dreams of Safety - Experimental Pandemic Documentary. In: Framing and Re-Framing 'Pandemic Documentary', 26 June 2023, Department of Healthcare and Life-Sciences, University of Nottingham.

Whitby, Richard (2022) Dreams of Safety - an experimental video series. In: SOUND/IMAGE Festival 2022, 18-20 November 2022, School of Design, University of Greenwich.

Whitby, Richard (2023) Fictioning | Visual: Dreams of Safety. In: Uncertain Relations 01: fictioning | visual, 19 June 2023, School of Design, University of Greenwich.

Whitby, Richard (2023) Previsualising a Quiet Earth. In: London Conference in Critical Thought 2023, 30th June and 2nd July 2023, London Metropolitan University, Holloway Road.

Wainwright, Chris (2015) Pause. In: UAL Professorial Platform Series 2014-15, 17 March 2015, Chelsea College of Arts, 16 John Islip Street, London SW1P 4JU.

Uhlirova, Marketa and Gregg, Ronald and Paulicelli, Eugenia (2011) Secrets of the Orient. In: Secrets of the Orient, 11-12th November 2011, Whitney Center for the Humanities, Yale University, USA. (Unpublished)

Uhlirova, Marketa (2012) Costume as special effect. In: Fashion Media: Yesterday, Today and Tomorrow, 21-22nd October 2010, London College of Fashion, London, UK. (Unpublished)

Trangmar, Susan and White, Duncan and Ball, Steven (2013) sensingsite 2. In: sensingsite 2, 16-17 April 2013, Parasol unit, London.

Trangmar, Susan (2016) Territories of Remembrance. In: Land and Water, 23rd June 2016, Plymouth University.

Thomas, Jennet (2011) Echo versus gown. In: This is not a Performance or a Lecture!, 17-18th June 2011, Loughborough University. (Unpublished)

Taylor, j Milo (2019) Immersive Sound Masterclass. In: Aesthetica Short Film Festival, 2-30 November, York.

Tan, Erika (2017) Misplaced Commas and Cannibalistic Tendencies. In: Flights From Empire, 18 & 19th June 2017., House of World Cultures, Berlin..

Storey, Helen and Betteridge, David, UNHCR Jordan (2022) The films of Dress For Our Time. In: Global Voices, 6-16 August 2022, Calgary, Canada.

Spurr, Graeme R. (2021) Film Troubadours: Scotland and Ukraine (Commentary and Interactive Subtitles). In: The 18th Docudays UA International Human Rights Documentary Film Festival, 26 March - 4 April 2021, Kyiv.

Shore, Tim and Thomas, Gary (2011) Digitalis Dialogue. In: Digitalis, November 2011, London College of Communication.

Rawes, Peg and Rendell, Jane and Araujo, Ana and Garb, Tamar and Morris, Sharon and Matthews, Tim (2010) Sexuate subjects. In: Sexuate Subjects, 3-5 December 2010, University College London.

Rakotoniaina, Sitraka and Popper, Joseph (2019) Reimagining Outer Space. In: 70th International Astronautical Congress, 21-25 October 2019, Washington D.C., United States of America.

Raban, William (2015) Materiality of Time. In: UAL Professorial Platform Series 2014-15, 23 March 2015, London College of Communication, Elephant & Castle, London SE1 6SB.

Peebles, Elizabeth and Eisenmann, Markus, Secondeditions (2017) Disobedience and Complex Systems. In: Disobedience and Complex Systems, 29 September 2017, Iklectic Art Lab, 20 Carlisle Lane, London.

Patel, Shreepali, Politics of Representation Collective, University of Cambridge (2020) Competing Goals of Representation. In: The Visual and Critical Representation In An Age of Impact, 6 March 2020, Faculty of Education, University of Cambridge.

Patel, Shreepali (2018) Immersive Storytelling. The Crossing Case Study. In: Tactics and Praxis, 23 November 2018, Trinity College, Cambridge University.

Palma Stade, Tobias and Schofield, Guy and Moore, Grace (2023) Narrative Perspectives and Embodiment in Cinematic Virtual Reality. In: XR Salento 2023, 6-9 September, Lecce, Salento, Italy.

Palma Stade, Tobias (2020) Hands-off Interactive Storytelling; Intuitive Agency in an Immersive Cinematic Film. In: ACM IMX2020 International Conference on Interactive Media Experiences, 17-19 June 2020, Barcelona, Spain.

Palma Stade, Tobias (2022) Instinct-Based Decision-Making in Interactive Narratives. In: XR Salento 2022, 6-8 July, Lecce, Salento, Italy.

Oki, Michiko and Padiila Jargstorf, Pablo and Terrón, Silvia (2022) Umbralia: Cracking into the Threshold. In: ISSS Surrealisms 2022, 17-20 November 2022, Online.

Oki, Michiko (2023) Thought experiments in the form of audio-visual creative writing - in the case of ‘Umbralia: Cracking into the Threshold’ (2022). In: The Creative Psyche and Arts-Based Research Conference, 10-11 June 2023, Association of Jungian Analysts Centre, London.

Noce, Kim (2016) Image and word: a talk about the making of "Love in Idleness". In: Still Shakespeare, 20 October 2016, Nash Lecture Theatre King's Building, Strand Campus King's College London London WC2R 2LS.

Naldi, Pat (2012) City, Image, Place: The London View Management Framework. In: LONDONICITY 2012: The Second Annual London Studies Conference London: City of Transformations?, 22-24 June 2012, Institute of Education University of London.

Naldi, Pat (2020) Who Owns the Sea? In: Composting Estate, 29 November 2019 - 17 July 2020, Central Saint Martins College of Art and Design.

Mey, Adeena and Thorel, Benjamin (2016) Tell'n'Talk 02. In: Labor Zero Labor, 26-28 August 2016, Triangle France, Friche la Belle de Mai, Marseille.

Mey, Adeena (2020) Aldo Tambellini's 'Black Film Series'. In: Black Film Series Les films d'Aldo Tambellini en 16 mm et en présence d'Adeena Mey, 17 January 2020, Oblo Cinema, Lausanne, Switzerland.

Mey, Adeena (2015) By Other Means or not at All: Experimental Moving Image Practices in Switzerland 1960 – 1970. In: EXIS-Experimental Film & Video Festival in Seoul, 19-26 August 2015, Audio Visual Pavilion - 시청각.

Mey, Adeena (2016) “The Entire Country as Field of Operation”: Sonsbeek 71, Communication and the Film/Exhibition Apparatus. In: NECS Conference 2016, 28-30 July 2016, University of Potsdam.

Mey, Adeena (2015) Institutional Critique and Experimental Cinema: Historiographical Revisions. In: SCMS 2015, 25-29 March 2015, Fairmont Queen Elizabeth, Montreal.

Mey, Adeena (2015) Materiality and Exhibitionality in Contemporary Art Practice: Mark Leckey, Simon Starling, Rosa Barba / 현대 예술에서의 물질성과 전시성. In: Materiality and Exhibitionality in Contemporary Art Practice: Mark Leckey, Simon Starling, Rosa Barba, 4 September 2015, Cheongju Art Studio/Cheongju Museum of Art, South Korea.

Mey, Adeena (2014) Mobility and Event: Fragments towards an Archaeology of the Ambulant Spectator. In: SCMS (Society for Cinema and Media Studies) Conference 2014, 19–23 March 2014, Sheraton Seattle Hotel.

Mey, Adeena (2019) The Moving Image in the Museum in the Era of Late Capitalism: Thinking Film Exhibitions with and after Annette Michelson. In: Annette Michelson, une américaine à Paris Conférences et projections, 23-25 Oct 2019, Centre Pompidou, Paris.

Mey, Adeena (2020) Return to the Kinomuseum. In: Limit as Material, 11-12 December 2020, Online.

Mendelson, Zoë and Smithard, Paula (2016) words of art. In: Words of Art.

Mendelson, Zoë (2018) Ruin and Racoon-feeding: collages of constantly shifting temporal matter, from Merzbau to Grey Gardens. In: Beyond Pattern and Chaos, 5 September 2018, Norwich University of the Arts, Duke Street, Norwich.

Mendelson, Zoë (2015) Thinking through objects and entropy in Grey Gardens. In: Re-Collections - Films about the obsession to own, to keep, to collect, 11 April 2015, Barbican Centre, London.

Melvin, Jo (2016) The Alchemical Landscape II: Screen Media, Occulture and the Geographic Turn. In: Alchemical Landscapes II, 7 July 2016, Girton College, Cambridge.

Melvin, Jo (2017) From soft to hard and back again...Barry Flanagan and his contemporaries. In: Supporting Contemporary Japanese Art Future and Legacy: Contemporary/ Art/ Archives: Deposit, Output, Activation, January 14 - 15, 2017, National Art Center and Keio University, Tokyo.

McVeigh, Whitney (2015) 'Birth': Origins at the end of life. In: Motherhood and Creative Practice, 1 - 2 June 2015, London South Bank University.

McMullen, Ken (2008) Art + Cinema = Dark Energy. In: UAL Professorial Platform Series 2007-08, 15 April 2008, London College of Fashion, 20 John Prince's Street, London W1G 0BJ.

Maloney, Peter (2008) Film as Database: Visual Analysis of 2001: A Space Odyssey. In: New Views 2: Conversations and Dialogues in Graphic Design, 9-11 July 2008, London College of Communication.

Maloney, Peter (2008) Film as database: a visual analysis of 2001: A Space Odyssey. In: Electronic Visualisation and the Arts (EVA) 2008, 22-24 July 2008, The British Computer Society.

Madsen, Jane (2017) The Landscape and the Eye: Ways of Looking. In: John Berger Now, 12–13 September 2017, Canterbury Christ Church University.

Lewis, Mark (2014) Invention. In: UAL Professorial Platform Series 2013-14, 12 May 2014, Central Saint Martins, Granary Building, 1 Granary Square, King's Cross, London N1C 4AA. (Unpublished)

Le Grice, Malcolm (2008) Beware of the Research Culture. In: UAL Professorial Platform Lecture Series 2008-09, 1 December 2008, London College of Fashion, 20 John Prince's Street, London W1G 0BJ.

Kuc, Kamila (2022) Performative and Experiential Archiving: Negotiating Modes of Creativity in Conflict Zones. In: Research Talks, 17 March 2022, University for the Creative Arts, Farnham.

Kuc, Kamila (2022) What We Shared: Emotions as Documents of Historical Significance. In: CREES Noon Lecture, 23 March 2022, Centre for Russian, East European and Eurasian Studies, University of Michigan, Ann Arbor, Michigan, USA.

Kuc, Kamila (2022) What We Shared: Towards the Politics of Empowerment. In: Visible Evidence: Images of History, 5-11 August, Gdansk, Poland.

Holdsworth, Claire (2019) Schizophonic states: the ventriloquial voice in British artists’ film and video of the 1970s and 1980s. In: RE:SOUND 8th International Conference on the Histories of Media Arts 2019, 20–23 August 2019, Aalborg University.

Holdsworth, Claire (2019) Speaking out: Split identities, politics and the ventriloquial voice in artists’ film and video of the 1970s and 1980s. In: Association of Art History Conference 2019, 4-6 April 2019, University of Brighton.

Holdsworth, Claire (2020) Ventriloquial bodies: Re-framing ephemerality in artists’ film & video. In: CTM Festival 2020, 26 January 2020, Berlin.

Holdsworth, Claire (2020) Ventriloquial bodies: Re-framing ephemerality in artists’ film & video. In: Sound Methods and the Aural Dimension of Film and Media History, XXVII International Film and Media Studies Conference, 2–4 November 2020, University of Udine, Gorizia, Italy [online].

Holdsworth, Claire (2019) Work in Fluxus: Remediating the Sixties. In: The Radical Sixties: Aesthetics, Politics and Histories of Solidarity, 28-29 June 2019, University of Brighton.

Holdsworth, Claire (2019) The ventriloquial voice: Remediating narrative and structuring the archive in artists’ film and video. In: NECS 2019 Conference: Structures and Voices: Storytelling in Post-Digital Times, 13-15 June 2019, University of Gdańsk.

Hankir, Ahmed and Zaman, Rashid and Anderson, Sal and Knight, David and McEwan, Chuckie and Evans‐Lacko, Sara (2014) The Wounded Healer: an effective anti‐stigma intervention targeted at the medical profession? In: Royal College of Psychiatrists: Faculty of Perinatal Psychiatry Annual Scientific Meeting, 20 November 2014, Royal College of Psychiatrists, London E1 8BB.

Grandal Montero, Gustavo (2011) Collecting and using artists’ moving image in academic art libraries. In: ARLIS half-day workshop on artists' film, 2 March 2011., LUX, London.

Elwes, Catherine (2010) Figuring landscapes: visions from down under. In: Cinema & Landscape conference, 17 April, 2010, Sheffield Hallam University. (Unpublished)

Dzuverovic, Lina (2024) A Feminist Exploration of Labour in Performance, Sound and Moving Image work in Yugoslav Collectives in 1970s and 1980s. In: Women in Revolt: Radical Acts and Contemporary Resonances, 22-23 March 2024, Tate Britain.

Cummings, Neil (2014) More things can happen than will, or have. In: UAL Professorial Platform Series 2013-14, 19 June 2014, Chelsea College of Arts, 16 John Islip Street, London SW1P 4JU.

Creamer, Anne-Marie and Subialka, Michael (2017) Conference presentation of film 'Treatment for Six Characters'. In: Global legacies: Pirandello across centuries and media, September 16th 2017, Hunter College, CUNY, New York, US.

Creamer, Anne-Marie and Stewart, Louise (2022) Dear friend, I can no longer hear your voice…: Reclaiming Eliza Soane. In: GOTH (Centre for Research into Gender and Otherness in the Humanities) Symposium, Thu, 19 May 2022 - Fri, 20 May 2022, Online, hosted by the Open University.

Clark, Edmund (2018) In Place of Hate. In: British Society of Criminology Conference, 3-6 July 2018, Birmingham.

Cherry, Deborah (2009) Wendelien van Oldenborgh | Lecture/Audience/Camera. In: Wendelien van Oldenborgh | Lecture/Audience/Camera, 14/10/2012, Lecture Theatre - Chelsea College of Arts and Design.

Caston, Emily (2011) From babies to monsters: the role of the executive producer in music videos. In: Creative Accounting: British Producers, British Screens conference, 19 - 20th April 2011, University of West of England, Bristol, UK. (Unpublished)

Carruthers, Beverley (2018) Baubooooo. In: Reinventing, rethinking, and representing menopause, 29 September 2018, Crassh, Cambridge University.

Cardwell, Thomas (2023) 'The Picture Connects All the Dots': The role of art historical image maps in Deadwind Season 3. In: EUPOP 2023 The Darkness Within, 3-5 July 2023, University of Stirling.

Bramich, Beth (2024) Exploring solidarities and the exchange of labour between filmmakers through the production of Noski Deville’s Loss of Heat (UK, 1994, 20mins). In: Women in Revolt: radical acts, contemporary resonances, 21–23 March 2024, Tate Britain, London.

Baseman, Jordan (2011) Art, aesthetics and pornography. In: Art, Aesthetics & Pornography, 17th June 2011, King’s College London. (Unpublished)

Baseman, Jordan (2011) I hate Boston, Boston hates me. In: Destroyed Public Artworks, March 2011, University of Essex. (Unpublished)

Barnett, Heather (2015) Being Slime Mould: a participatory experiment exploring bodies of intelligence. In: Open Embodiments: Locating Somatechnics in Tucson, 15-18 April 2015, Tucson, Arizona.

Barnett, Heather (2015) A Malleable Metaphor: Physarum polycephalum as artistic and educational medium. In: The First International Workshop on Physarum Transport Networks, 3-5 December 2015, Columbia University, New York City, US.

Ball, Steven (2015) Presentation of 'This Surface', film by David Hall and Tony Sinden. In: David Hall: Video Art Pioneer, 5 March 2015, Tate Britain, Clore Auditorium.

Ashley, Ceri and Finch, Mick (2020) Digitization in Social Sciences and Humanities: archival digitization for free public access. Technical, ethical, and legal issues (Virtual Presentation). In: Imagining Futures through Un/Archived Pasts: The Tanzania Workshop, 11 December 2020, Tumaini University Dar es Salaam College, Tanzania.

Ashery, Oreet and Cussans, John and MacCormack, Patricia (2011) What are we scared of? what should we be scared of? In: Spill Salon 2, Spill Festival of Performance, 22nd April 2011, The Barbican. (Unpublished)

Arandas, Luís and McDonough, Kate and Grierson, Mick and Carvalhais, Miguel (2023) Man Lost in the Convergence of Time, Avebury (2022): Reconfiguring film through human figure removal and collage. In: Intermediartes 2023, 30 May - 2 June 2023, Porto.

Arandas, Luís and Grierson, Mick and Carvalhais, Miguel (2023) Antagonising explanation and revealing bias directly through sequencing and multimodal inference. In: Explainable AI for the Arts - XAIxArts, 19th June 23, ACM Creativity and Cognition Conference 2023.

Antonopoulou, Alexandra and Glinou, Eleni and Temponera, Eva (2023) Marmairo; Reflections on Tinian Marble. In: Demystifying Design - London Design Festival, 21-23 September 2023, The Tree House, Elephant Park.

Al-Ani, Jananne (2010) The Aesthetics of Disappearance: A Land Without People. In: March Meeting 2010 - A Focus on Upcoming Projects, 13th - 15th March 2010, Multaqa Al Qasba, Sharjah, UAE. (Unpublished)

Al-Ani, Jananne (2010) The Aesthetics of Disappearance: A Land Without People. In: Sexuate Subjects: Politics, Poetics and Ethics, 3rd-5th of December 2010, UCL, London. (Unpublished)

Al-Ani, Jananne (2010) The Aesthetics of Disappearance: A Land Without People. In: A Fluid Resilience, 4th of June 2010, La Fondazione Querini Stampalia, Venice, Italy.

Al-Ani, Jananne (2010) The Disappearing Body. In: Photographic Portraiture Transgressive and Transformative Potentials, November 5th 2010, Chelsea College of Art and Design, London. (Unpublished)

Al-Ani, Jananne (2002) Scenes and Types. In: Home Works:A forum on cultural practices in the region Egypt, Iran, Iraq, Lebanon, Palestine and Syria., 2nd-7th April, 2002, Beirut, Lebanon.

Akten, Memo and Fiebrink, Rebecca and Grierson, Mick (2019) Learning to See: You Are What You See. In: SIGGRAPH 2019 Art Papers, 28 July - 1 August 2019, Los Angeles, United States.

Adami, Elisa (2022) Between the Archive and Repertoire: Embodied Memory in Stephen Dwoskin’s Ballet Black, 1986. In: Study Day + Acting Out: Stephen Dwoskin film screening, 12 February 2022.